Two Pathic Subcultures in Ancient Rome
Two Pathic Subcultures in Ancient Rome
Two Pathic Subcultures in Ancient Rome
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366 RABUN TAYLOR<br />
tency of the reported behavioral pattern <strong>in</strong> the context of the bathhouse,<br />
a pattern that is well enough formulated to suggest a ground<strong>in</strong>g <strong>in</strong> reality.<br />
As a sort of corrective to this phenomenon of openly pathic behavior,<br />
many of the same literary sources harp on a tendency to keep such preferences<br />
and activities secret. This clash of overt and covert activity, of selfexpression<br />
and social repression, reflects the complexities of real life<br />
that some men pursued their passions openly, while others tried to do<br />
so <strong>in</strong> secret. Naevolus's speech <strong>in</strong> Juvenal 9.93-123 deals with the necessity<br />
of keep<strong>in</strong>g quiet-and the <strong>in</strong>evitability of rumor. We have also seen<br />
the theme of silence <strong>in</strong> Petronius 21. Many of Martial's sexual epigrams<br />
are funny precisely because of the notion that effem<strong>in</strong>ates and pathics<br />
hide their behavior under the guise of social decorum. Apuleius's effem<strong>in</strong>ate<br />
priests-who are castrated, so it is supposed, to preserve chastitysuffer<br />
great shame and derision when they are caught <strong>in</strong> flagrante delicto<br />
(8.29-30).<br />
Respectable men of the aristocracy apparently went to some lengths<br />
to avoid the stigma of disrepute <strong>in</strong> the baths (Cic. Off 1.129), so a convenient<br />
front for them was the patronage system. The men who practiced<br />
pathic behavior more openly may have frequented bathhouses that<br />
were notorious for such activity.'57 The very presence of this notoriety,<br />
and the frequency with which Roman authors express their displeasure<br />
at dandification and bathhouse cruis<strong>in</strong>g, <strong>in</strong>dicates that a significant number<br />
of men, both with<strong>in</strong> <strong>Rome</strong> and without, engaged <strong>in</strong> this behavior.'58<br />
A particularly mysterious bathhouse character is the draucus, often<br />
described by scholars as an athlete but also as a popular sex partner for<br />
men. The word draucus appears for certa<strong>in</strong> only five times <strong>in</strong> all of extant<br />
canonical Lat<strong>in</strong> literature, and only <strong>in</strong> Martial.'59 It is not likely that so<br />
rare a word had more than one mean<strong>in</strong>g. In English translations, the<br />
words "athlete," "sodomite," "pansy-boy," "eunuch," and "stud" have<br />
all been used. But it seems clear that drauci are a well-def<strong>in</strong>ed type call-<br />
'57 See Mart. 3.20.15-16: 'Does he bathe <strong>in</strong> the thermae of Titus or Agrippa, or <strong>in</strong> the<br />
bath of shameless Tigill<strong>in</strong>us?" ("Tit<strong>in</strong>e thermis an lavatur Agrippac / an <strong>in</strong>pudici balnco<br />
Tigill<strong>in</strong>i?"). When a man is <strong>in</strong>pudicus, it usually mcans that hc cngages <strong>in</strong> passivc sex acts<br />
(Williams, pp. 206-80). Sec also Mart. 7.34.9-10: "I prcfer Ncro's thermac to the baths<br />
of a pathic" ("Neronianas / thermas praefero balncis c<strong>in</strong>aedi"). In both cases, the large<br />
public baths are considered 'safer" than the privatc oncs.<br />
'5 Glcason (n. 12 abovc) suggests that opcn effcm<strong>in</strong>acy was designed "to translate the<br />
ideal of beardless ephebic beauty, via depilation and <strong>in</strong>gratiat<strong>in</strong>g mannerisms, <strong>in</strong>to adult<br />
life." But this idcal could not be handlcd <strong>in</strong> literaturc "unless it first be sterilizcd by the<br />
br<strong>in</strong>c of <strong>in</strong>vectivc" (pp. 405-6).<br />
'59A. E. Housman correctly emends with dracti <strong>in</strong> Mart. 11.8.1 ("Draucus and Martial<br />
1 1.8.1," Classical Review 44 [ 1930]: 114-16).<br />
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