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388 HONDA THE SAMUBAI.<br />

American Christians for making our country so long<br />

the object of their prayers. While here I wish to<br />

pay the visit of a grateful pilgrim to Doctor Grey's<br />

tomb, which is in this state. As for Doctor Bunner's<br />

name, it is a household word in our<br />

" country.<br />

Excuse me. I must now say good-by, but before<br />

I go allow me to hand you this. It is from Honda<br />

Jiro's artist friend, Oiwa Samro. He is a very devout<br />

Christian, and is preaching<br />

is one of<br />

Christ in art. He<br />

many whom I hope God has called to interpret<br />

to our people the Bible symbols in their own<br />

art language. We have no sheep or shepherds in our<br />

country, so we lose much of the beautiful imagery<br />

of the Bible of which I had no conception<br />

till I came<br />

to America ;<br />

but God has given us a beautiful land,<br />

and some day I hope one of my countrymen will<br />

give us a Bible illustrated in the best style<br />

of true<br />

Japanese art. Sayonara ! "<br />

This closed the conversation, for Mr. Asahi llai<br />

had calls to make on several, not all, of his countryfolk<br />

then in Boston. To simply name them will set<br />

in sufficiently dramatic contrast the hermit nation of<br />

1852, pictured in our first chapter, and the cosmopolitan<br />

people of 1890. To say nothing of the hundreds<br />

of Japanese elsewhere in the United States,<br />

there were in or near Boston a young lad who had<br />

come to America as a deck-hand on a merchant ship<br />

and was now studying to be a missionary<br />

: three<br />

students at Harvard University; two young ladies<br />

at the Conservatory of Music ;<br />

one lad, son of an<br />

admiral, in the School of Technology; two young

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