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18 News - Historic Brass Society

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Notes<br />

1) The natural trumpet high register has some out of tune notes (in<br />

black) considered at equal temperament:<br />

?<br />

<br />

The earliest trumpet with holes that still exist is an orchestral trumpet<br />

made by Shaw in 1787 now in London museum. Each of the four holes<br />

<br />

crooks of the trumpet (black notes open):<br />

?<br />

<br />

Some Posthorns of the 19th century have one hole to transpose a<br />

fourth higher. This system was adapted to baroque trumpet copies in<br />

<br />

as secure the 16th (black notes open):<br />

?<br />

<br />

<br />

German trumpeter Walter Holy, with the help of the acousticians<br />

Helmut Finke and Otto Steinkopf added two other smaller holes to<br />

facilitate the intonation of the diatonic scale in the top octave of the<br />

instrument.[black notes open]:<br />

?<br />

<br />

Michael Laird, a student of Walter Holy, developed an alternative<br />

system with 4 holes in England (black notes open):<br />

?<br />

<br />

<br />

<br />

&<br />

b<br />

b<br />

1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16<br />

<br />

<br />

<br />

<br />

<br />

&<br />

b<br />

n<br />

b<br />

<br />

&<br />

b<br />

b<br />

<br />

&<br />

b<br />

<br />

&<br />

b<br />

n<br />

n<br />

n<br />

n<br />

# b<br />

# # # # b<br />

n<br />

n<br />

<br />

<br />

<br />

<br />

<br />

<br />

(das Musikinstrumenten Museum), Bad Säckingen (Trompeten Museum),<br />

Nurnberg Das Germanisches Museum, as well as some private<br />

collections in France.<br />

5) Robert Barclay, The Art of the Trumpet Maker, Oxford University<br />

Press, 1992<br />

<br />

XII, pages 125 and 126. In the article about the horn intituled COR it is<br />

written:”mais il faut remarquer que le fa du cor-de-chasse est naturel-<br />

<br />

<br />

About the non-harmonic sounds it is written: “Outre ces tons, le cor<br />

<br />

de celui qui en joue”. The article TROMPETTE is less detailed than<br />

the corresponding horn article.<br />

7) Herbert Heyde, Musikinstrumentenbau, Breitkopf & Härtel, Wiesbaden,<br />

1986<br />

8) Joseph Fröhlich, Systematisches Unterricht, Bonn, <strong>18</strong>11 & <strong>18</strong>28<br />

9) Conservatoire National Supérieur de Musique de Lyon<br />

10) Dauverné, Méthode de trompette, Paris, <strong>18</strong>57. Fac simile edition<br />

by IMD-Arpèges, Paris. Schloßberg, Stamp, Collin...<br />

11) Edward Tarr, The Art of the Baroque Trumpet in 3 volumes,<br />

Schott.<br />

12) Girolamo Fantini, Modo per imparare a sonare di Tromba, Firenze,<br />

<strong>18</strong>38. Fac simile edition by <strong>Brass</strong> Press-BIM. Modern Urtext edition<br />

realised by Igino Conforzi for Ut-Orpheus edition, Bologna.<br />

Johann Ernst Altenburg, Versuch einer Anleitung zur heroisch-musikalischen<br />

Trompeter- und Paukerkunst, Halle 1795, ... NAME, Altenburg,<br />

Johann Ernst. 1795. Facsimile edition by <strong>Brass</strong> Press-BIM. English<br />

translation by Edward Tarr for <strong>Brass</strong> Press edition.<br />

<br />

<br />

<br />

13) Rainer Egger in Basel and Graham Nicholson in Den Haag provide<br />

models of natural trumpets which can be played both with 4 holes system<br />

and as vent-less instruments. They make various baroque mouthpieces<br />

which are true copies [and some adapted] from originals in<br />

museums in Salzburg, Prague, London, the latter[Leichnamschneider<br />

and so-called Bull] being around 20mm in internal cup diameter .<br />

2) The German trumpet guild, was created in 1623 under the protection<br />

of the Emperor of the Holy German Empire, Various mandates were<br />

added in 1630, 1661 1711 and 1736 It provided legal protection for<br />

both military and court trumpeters .<br />

3) It is copy of a mouthpiece with one of the trumpet made by William<br />

Bull located now in the Museum of London. This mouthpiece<br />

was certainly not made by Bull because two other mouthpieces connected<br />

with Bull trumpets (in Oxford and Warwick) which are both<br />

<br />

detailed information on these mouthpieces, see Eric Halfpenny, Early<br />

British Trumpet Mouthpieces, Galpin <strong>Society</strong> Journal vol. XX, March<br />

1967. pp.76-88.<br />

HISTORIC BRASS SOCIETY NEWSLETTER - WINTER 2005 | 21

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