18 News - Historic Brass Society
18 News - Historic Brass Society
18 News - Historic Brass Society
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Notes<br />
1) The natural trumpet high register has some out of tune notes (in<br />
black) considered at equal temperament:<br />
?<br />
<br />
The earliest trumpet with holes that still exist is an orchestral trumpet<br />
made by Shaw in 1787 now in London museum. Each of the four holes<br />
<br />
crooks of the trumpet (black notes open):<br />
?<br />
<br />
Some Posthorns of the 19th century have one hole to transpose a<br />
fourth higher. This system was adapted to baroque trumpet copies in<br />
<br />
as secure the 16th (black notes open):<br />
?<br />
<br />
<br />
German trumpeter Walter Holy, with the help of the acousticians<br />
Helmut Finke and Otto Steinkopf added two other smaller holes to<br />
facilitate the intonation of the diatonic scale in the top octave of the<br />
instrument.[black notes open]:<br />
?<br />
<br />
Michael Laird, a student of Walter Holy, developed an alternative<br />
system with 4 holes in England (black notes open):<br />
?<br />
<br />
<br />
<br />
&<br />
b<br />
b<br />
1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16<br />
<br />
<br />
<br />
<br />
<br />
&<br />
b<br />
n<br />
b<br />
<br />
&<br />
b<br />
b<br />
<br />
&<br />
b<br />
<br />
&<br />
b<br />
n<br />
n<br />
n<br />
n<br />
# b<br />
# # # # b<br />
n<br />
n<br />
<br />
<br />
<br />
<br />
<br />
<br />
(das Musikinstrumenten Museum), Bad Säckingen (Trompeten Museum),<br />
Nurnberg Das Germanisches Museum, as well as some private<br />
collections in France.<br />
5) Robert Barclay, The Art of the Trumpet Maker, Oxford University<br />
Press, 1992<br />
<br />
XII, pages 125 and 126. In the article about the horn intituled COR it is<br />
written:”mais il faut remarquer que le fa du cor-de-chasse est naturel-<br />
<br />
<br />
About the non-harmonic sounds it is written: “Outre ces tons, le cor<br />
<br />
de celui qui en joue”. The article TROMPETTE is less detailed than<br />
the corresponding horn article.<br />
7) Herbert Heyde, Musikinstrumentenbau, Breitkopf & Härtel, Wiesbaden,<br />
1986<br />
8) Joseph Fröhlich, Systematisches Unterricht, Bonn, <strong>18</strong>11 & <strong>18</strong>28<br />
9) Conservatoire National Supérieur de Musique de Lyon<br />
10) Dauverné, Méthode de trompette, Paris, <strong>18</strong>57. Fac simile edition<br />
by IMD-Arpèges, Paris. Schloßberg, Stamp, Collin...<br />
11) Edward Tarr, The Art of the Baroque Trumpet in 3 volumes,<br />
Schott.<br />
12) Girolamo Fantini, Modo per imparare a sonare di Tromba, Firenze,<br />
<strong>18</strong>38. Fac simile edition by <strong>Brass</strong> Press-BIM. Modern Urtext edition<br />
realised by Igino Conforzi for Ut-Orpheus edition, Bologna.<br />
Johann Ernst Altenburg, Versuch einer Anleitung zur heroisch-musikalischen<br />
Trompeter- und Paukerkunst, Halle 1795, ... NAME, Altenburg,<br />
Johann Ernst. 1795. Facsimile edition by <strong>Brass</strong> Press-BIM. English<br />
translation by Edward Tarr for <strong>Brass</strong> Press edition.<br />
<br />
<br />
<br />
13) Rainer Egger in Basel and Graham Nicholson in Den Haag provide<br />
models of natural trumpets which can be played both with 4 holes system<br />
and as vent-less instruments. They make various baroque mouthpieces<br />
which are true copies [and some adapted] from originals in<br />
museums in Salzburg, Prague, London, the latter[Leichnamschneider<br />
and so-called Bull] being around 20mm in internal cup diameter .<br />
2) The German trumpet guild, was created in 1623 under the protection<br />
of the Emperor of the Holy German Empire, Various mandates were<br />
added in 1630, 1661 1711 and 1736 It provided legal protection for<br />
both military and court trumpeters .<br />
3) It is copy of a mouthpiece with one of the trumpet made by William<br />
Bull located now in the Museum of London. This mouthpiece<br />
was certainly not made by Bull because two other mouthpieces connected<br />
with Bull trumpets (in Oxford and Warwick) which are both<br />
<br />
detailed information on these mouthpieces, see Eric Halfpenny, Early<br />
British Trumpet Mouthpieces, Galpin <strong>Society</strong> Journal vol. XX, March<br />
1967. pp.76-88.<br />
HISTORIC BRASS SOCIETY NEWSLETTER - WINTER 2005 | 21