18 News - Historic Brass Society
18 News - Historic Brass Society
18 News - Historic Brass Society
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the Wind Instruments Gone?”<br />
David Lasocki, “A Bibliography of Writings About <strong>Historic</strong> <strong>Brass</strong><br />
Instruments, 1999-2000”<br />
Brief Studies and Reports: Ardis Grosjean, “The Sad but Musical<br />
End of Trumpeter Carsten Mistleff: Or Hard Times in Stockholm in<br />
the 1590s”<br />
Lars Laubhold, “Sensation or Forgery? The 1677 Soprano Trombone<br />
of Cristian Kofahl”<br />
2001 <strong>Historic</strong> <strong>Brass</strong> <strong>Society</strong> <strong>News</strong>letter vol. 14 (77 pages)<br />
“An Interview with Cornett Player, Maker, and Musica Fiata Director,<br />
Roland Wilson” by Jeffery Nussbaum<br />
“16th Annual HBS Early <strong>Brass</strong> Festival” by Jeffery Nussbaum<br />
“A Survey of Baroque Trumpet Makers Worldwide” by Jeffery<br />
Nussbaum<br />
“A Discography of Recordings Reviewed in the HBSNL” by Graydon<br />
Barnum<br />
“Reports on Three <strong>Historic</strong> <strong>Brass</strong> Symposia in Toronto, Utrecht, and<br />
Herne”<br />
“Checklist of Recent Early <strong>Brass</strong> Related Recordings” by Dave<br />
Baum<br />
Necrologies (Adolf Scherbaum, Joe R. Utley)<br />
2001 <strong>Historic</strong> <strong>Brass</strong> <strong>Society</strong> Journal vol. 13 (277 pages)<br />
Herbert Heyde, “Methods of Organology and Proportions in <strong>Brass</strong><br />
Wind Instrument Making”<br />
Markus Raquet and Klaus Martius, “Bennick Meets Sander: A Comparison<br />
of Two Early Seventeenth-Century Trumpets”<br />
Edward H. Tarr, “Further Mandate Against the Unauthorized Playing<br />
of Trumpets (Dresden, 1736): Introduction and Translation”<br />
<br />
The Roots of Melodic Improvisation as Seen in the Jazz Style of<br />
Louis Armstrong”<br />
<br />
Andrew Clark, “The Heyday of the Hand Horn and the Birth of the<br />
Valved Horn: A Study of the Nineteenth-Century Horn Technique as<br />
Revealed in the Solo Works for Horn by Carl Czerny”<br />
<br />
Op. 23”<br />
Howard Weiner, “The Soprano Trombone Hoax”<br />
<br />
<br />
Ann-Marie Nilsson, “<strong>Brass</strong> Instruments in Small Swedish Wind Ensembles<br />
During the Late Nineteenth Century”<br />
David Lasocki, “A Bibliography of Writings About <strong>Historic</strong> <strong>Brass</strong><br />
Instruments, 2000-2001”<br />
2002 <strong>Historic</strong> <strong>Brass</strong> <strong>Society</strong> <strong>News</strong>letter vol. 15 (72 pages)<br />
“An Interview with Jeremy Montague” by Bradley Strauchen-Scherer<br />
“17th Annual HBS Early <strong>Brass</strong> Festival” by Jeffery Nussbaum<br />
“A Brief Discussion on Cornetto Making with Serge Delmas” by<br />
Marie Garnier-Marzullo<br />
“An Approach to Playing the 2nd Brandenburg Concerto” by Toshio<br />
Shimada<br />
“New Facts About Cornetto Playing in 17th-Century Central America”<br />
by Arno Paduch<br />
A Checklist of Recent Early <strong>Brass</strong> Related Recordings by Dave<br />
Baum<br />
“Edward Tarr Celebrates His 65th Birthday” by Vera Horven<br />
<br />
“An Interview with Esa Fagerholm, Finnish Sackbut Player” by<br />
Michael S. Holmes<br />
“Doug Yeo Serpent Activities” by Jeffery Nussbaum<br />
“HBS Session at 2002 IMS Meeting” by Jeffery Nussbaum<br />
Necrologies: Ronald Collier, Patrick Delile<br />
HBS Membership Directory<br />
2002 <strong>Historic</strong> <strong>Brass</strong> <strong>Society</strong> Journal vol. 14 (500 pages)<br />
Sabine Klaus, “More Thoughts on the Discipline of Organology”<br />
Rob Wegman, “The Minstrel School in the Late Middle Ages”<br />
John Ziolkowski, “The Roman Bucina: A Distinct Musical Instrument?”<br />
Rodolfo Baroncini, “Zorzi Trombetta and the Band of Piffari and<br />
Trombones of the Serenissima: New Documentary Evidence”<br />
Malcolm Miller, “The Shofar and Its Symbolism”<br />
Michael Gale, “Remnants of Some Late-Sixteenth-Century Trumpet<br />
Ensemble Music”<br />
Alexander McGrattan, “The Trumpet in Restoration Theatre Suites”<br />
<br />
Basso in the Eighteenth-Century”<br />
Walter Salmen, “The Status of <strong>Brass</strong> Musicians and Dance Musicians<br />
in the Sixteenth to Eighteenth Centuries”<br />
tive”<br />
Stewart Carter, “The Salem Cornetts”<br />
Benny Sluchin, “The Venomous Affair of the First Serpent Method”<br />
Niles Eldredge, “A Brief History of Piston-Valved Cornets”<br />
Arnold Myers, “<strong>Brass</strong>wind Innovation and output of Boosey & Co.<br />
In the Blaikley Era”<br />
Gery Deumouli, “Cornets in the Brussels Musical Instrument Museum:<br />
A Survey and Checklist of an Outstanding Collection”<br />
David Lasocki, “A Bibliograph of Writings about <strong>Historic</strong> <strong>Brass</strong><br />
Instruments, 2001-2002”<br />
Richard Schwartz, “The Perry George Lowery/Scott Joplin Connection:<br />
New Information on An Important African American Cornetist”<br />
<br />
2003 <strong>Historic</strong> <strong>Brass</strong> <strong>Society</strong> <strong>News</strong>letter 16 (56 pages)<br />
An Interview with Jean-Pierre Canihac and Marie Garnier-Marzullo<br />
by Jeffrey Nussbaum<br />
<strong>18</strong> th Annual HBS Early <strong>Brass</strong> Festival: A Report by Jeffrey Nussbaum<br />
In the Footsteps of the Old Nuremburg Makers by Sabine K. Klaus<br />
Fifth Maryland Early <strong>Brass</strong> Festival: A Report by David Baum<br />
A Checklist of Recent Early <strong>Brass</strong> Related Recordings by Dave<br />
Baum<br />
Building the “Squarpent” by Paul Schmidt<br />
<strong>News</strong> of the Field<br />
Book, Music, Film, and Recording Reviews, Communications, Financial<br />
Report<br />
2003 <strong>Historic</strong> <strong>Brass</strong> <strong>Society</strong> Journal vol. 15 (381 pages)<br />
Jeremy Montagu, “Organology Again: This Time, Ethno-Organology”<br />
Edward Tarr, “Russian Silver Trumpets: Musical Instruments and<br />
Battle Decorations”<br />
Arnold Myers, “<strong>Brass</strong>wind Manufacturing at Boosey & Hawkes,<br />
1930-59”<br />
<br />
Valve Semitone Reversed Valve Order in <strong>Brass</strong> Instruments and Related<br />
Valve Constructions”<br />
Matthew A. Hafar, “The Shout Band Tradition in the Southeastern<br />
United States”<br />
Richard Martz, “Reversed Chirality in Horns, or is Left Right? The<br />
Horn, on the Other Hand”<br />
Ignace De Keyser, “The Paradigm of Industrial Thinking in <strong>Brass</strong><br />
Instrument Making During the Nineteenth Century”<br />
Joseph Kaminski, “Assante Ivory Trumpets in Time, Place, and Context,<br />
an Analysis of a Field Study”<br />
David Guion, “What Handel Taught the Viennese about the Trombone”<br />
Angelo Tarachia and Giovanni Battista Pirazzoli, “The Eulogies of<br />
Fame to the Trumpet with Introductory Preface” translated by Don<br />
Smithers<br />
Bibliography of Writings about <strong>Historic</strong> <strong>Brass</strong> Instruments, 2002-2003<br />
compiled by David Lasocki<br />
<br />
and Robb Stewart<br />
<br />
2004 <strong>Historic</strong> <strong>Brass</strong> <strong>Society</strong> <strong>News</strong>letter 17 (50 pages)<br />
An Interview with Robert Hazen by Stanley Curtis<br />
19th Annual HBS Early <strong>Brass</strong> Festival at Yale University Report by<br />
Jeff Nussbaum<br />
20th Annual HBS Early <strong>Brass</strong> Festival at Oberlin College Report by<br />
Jeff Nussbaum<br />
HBS Declamation vs. Lyricism Symosium<br />
Metropolitan Museum <strong>Brass</strong> by Jeff Nussbaum<br />
A Checklist of Recent Early <strong>Brass</strong> Related Recordings by Dave<br />
HISTORIC BRASS SOCIETY NEWSLETTER - WINTER 2005 | 55