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18 News - Historic Brass Society

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the Wind Instruments Gone?”<br />

David Lasocki, “A Bibliography of Writings About <strong>Historic</strong> <strong>Brass</strong><br />

Instruments, 1999-2000”<br />

Brief Studies and Reports: Ardis Grosjean, “The Sad but Musical<br />

End of Trumpeter Carsten Mistleff: Or Hard Times in Stockholm in<br />

the 1590s”<br />

Lars Laubhold, “Sensation or Forgery? The 1677 Soprano Trombone<br />

of Cristian Kofahl”<br />

2001 <strong>Historic</strong> <strong>Brass</strong> <strong>Society</strong> <strong>News</strong>letter vol. 14 (77 pages)<br />

“An Interview with Cornett Player, Maker, and Musica Fiata Director,<br />

Roland Wilson” by Jeffery Nussbaum<br />

“16th Annual HBS Early <strong>Brass</strong> Festival” by Jeffery Nussbaum<br />

“A Survey of Baroque Trumpet Makers Worldwide” by Jeffery<br />

Nussbaum<br />

“A Discography of Recordings Reviewed in the HBSNL” by Graydon<br />

Barnum<br />

“Reports on Three <strong>Historic</strong> <strong>Brass</strong> Symposia in Toronto, Utrecht, and<br />

Herne”<br />

“Checklist of Recent Early <strong>Brass</strong> Related Recordings” by Dave<br />

Baum<br />

Necrologies (Adolf Scherbaum, Joe R. Utley)<br />

2001 <strong>Historic</strong> <strong>Brass</strong> <strong>Society</strong> Journal vol. 13 (277 pages)<br />

Herbert Heyde, “Methods of Organology and Proportions in <strong>Brass</strong><br />

Wind Instrument Making”<br />

Markus Raquet and Klaus Martius, “Bennick Meets Sander: A Comparison<br />

of Two Early Seventeenth-Century Trumpets”<br />

Edward H. Tarr, “Further Mandate Against the Unauthorized Playing<br />

of Trumpets (Dresden, 1736): Introduction and Translation”<br />

<br />

The Roots of Melodic Improvisation as Seen in the Jazz Style of<br />

Louis Armstrong”<br />

<br />

Andrew Clark, “The Heyday of the Hand Horn and the Birth of the<br />

Valved Horn: A Study of the Nineteenth-Century Horn Technique as<br />

Revealed in the Solo Works for Horn by Carl Czerny”<br />

<br />

Op. 23”<br />

Howard Weiner, “The Soprano Trombone Hoax”<br />

<br />

<br />

Ann-Marie Nilsson, “<strong>Brass</strong> Instruments in Small Swedish Wind Ensembles<br />

During the Late Nineteenth Century”<br />

David Lasocki, “A Bibliography of Writings About <strong>Historic</strong> <strong>Brass</strong><br />

Instruments, 2000-2001”<br />

2002 <strong>Historic</strong> <strong>Brass</strong> <strong>Society</strong> <strong>News</strong>letter vol. 15 (72 pages)<br />

“An Interview with Jeremy Montague” by Bradley Strauchen-Scherer<br />

“17th Annual HBS Early <strong>Brass</strong> Festival” by Jeffery Nussbaum<br />

“A Brief Discussion on Cornetto Making with Serge Delmas” by<br />

Marie Garnier-Marzullo<br />

“An Approach to Playing the 2nd Brandenburg Concerto” by Toshio<br />

Shimada<br />

“New Facts About Cornetto Playing in 17th-Century Central America”<br />

by Arno Paduch<br />

A Checklist of Recent Early <strong>Brass</strong> Related Recordings by Dave<br />

Baum<br />

“Edward Tarr Celebrates His 65th Birthday” by Vera Horven<br />

<br />

“An Interview with Esa Fagerholm, Finnish Sackbut Player” by<br />

Michael S. Holmes<br />

“Doug Yeo Serpent Activities” by Jeffery Nussbaum<br />

“HBS Session at 2002 IMS Meeting” by Jeffery Nussbaum<br />

Necrologies: Ronald Collier, Patrick Delile<br />

HBS Membership Directory<br />

2002 <strong>Historic</strong> <strong>Brass</strong> <strong>Society</strong> Journal vol. 14 (500 pages)<br />

Sabine Klaus, “More Thoughts on the Discipline of Organology”<br />

Rob Wegman, “The Minstrel School in the Late Middle Ages”<br />

John Ziolkowski, “The Roman Bucina: A Distinct Musical Instrument?”<br />

Rodolfo Baroncini, “Zorzi Trombetta and the Band of Piffari and<br />

Trombones of the Serenissima: New Documentary Evidence”<br />

Malcolm Miller, “The Shofar and Its Symbolism”<br />

Michael Gale, “Remnants of Some Late-Sixteenth-Century Trumpet<br />

Ensemble Music”<br />

Alexander McGrattan, “The Trumpet in Restoration Theatre Suites”<br />

<br />

Basso in the Eighteenth-Century”<br />

Walter Salmen, “The Status of <strong>Brass</strong> Musicians and Dance Musicians<br />

in the Sixteenth to Eighteenth Centuries”<br />

tive”<br />

Stewart Carter, “The Salem Cornetts”<br />

Benny Sluchin, “The Venomous Affair of the First Serpent Method”<br />

Niles Eldredge, “A Brief History of Piston-Valved Cornets”<br />

Arnold Myers, “<strong>Brass</strong>wind Innovation and output of Boosey & Co.<br />

In the Blaikley Era”<br />

Gery Deumouli, “Cornets in the Brussels Musical Instrument Museum:<br />

A Survey and Checklist of an Outstanding Collection”<br />

David Lasocki, “A Bibliograph of Writings about <strong>Historic</strong> <strong>Brass</strong><br />

Instruments, 2001-2002”<br />

Richard Schwartz, “The Perry George Lowery/Scott Joplin Connection:<br />

New Information on An Important African American Cornetist”<br />

<br />

2003 <strong>Historic</strong> <strong>Brass</strong> <strong>Society</strong> <strong>News</strong>letter 16 (56 pages)<br />

An Interview with Jean-Pierre Canihac and Marie Garnier-Marzullo<br />

by Jeffrey Nussbaum<br />

<strong>18</strong> th Annual HBS Early <strong>Brass</strong> Festival: A Report by Jeffrey Nussbaum<br />

In the Footsteps of the Old Nuremburg Makers by Sabine K. Klaus<br />

Fifth Maryland Early <strong>Brass</strong> Festival: A Report by David Baum<br />

A Checklist of Recent Early <strong>Brass</strong> Related Recordings by Dave<br />

Baum<br />

Building the “Squarpent” by Paul Schmidt<br />

<strong>News</strong> of the Field<br />

Book, Music, Film, and Recording Reviews, Communications, Financial<br />

Report<br />

2003 <strong>Historic</strong> <strong>Brass</strong> <strong>Society</strong> Journal vol. 15 (381 pages)<br />

Jeremy Montagu, “Organology Again: This Time, Ethno-Organology”<br />

Edward Tarr, “Russian Silver Trumpets: Musical Instruments and<br />

Battle Decorations”<br />

Arnold Myers, “<strong>Brass</strong>wind Manufacturing at Boosey & Hawkes,<br />

1930-59”<br />

<br />

Valve Semitone Reversed Valve Order in <strong>Brass</strong> Instruments and Related<br />

Valve Constructions”<br />

Matthew A. Hafar, “The Shout Band Tradition in the Southeastern<br />

United States”<br />

Richard Martz, “Reversed Chirality in Horns, or is Left Right? The<br />

Horn, on the Other Hand”<br />

Ignace De Keyser, “The Paradigm of Industrial Thinking in <strong>Brass</strong><br />

Instrument Making During the Nineteenth Century”<br />

Joseph Kaminski, “Assante Ivory Trumpets in Time, Place, and Context,<br />

an Analysis of a Field Study”<br />

David Guion, “What Handel Taught the Viennese about the Trombone”<br />

Angelo Tarachia and Giovanni Battista Pirazzoli, “The Eulogies of<br />

Fame to the Trumpet with Introductory Preface” translated by Don<br />

Smithers<br />

Bibliography of Writings about <strong>Historic</strong> <strong>Brass</strong> Instruments, 2002-2003<br />

compiled by David Lasocki<br />

<br />

and Robb Stewart<br />

<br />

2004 <strong>Historic</strong> <strong>Brass</strong> <strong>Society</strong> <strong>News</strong>letter 17 (50 pages)<br />

An Interview with Robert Hazen by Stanley Curtis<br />

19th Annual HBS Early <strong>Brass</strong> Festival at Yale University Report by<br />

Jeff Nussbaum<br />

20th Annual HBS Early <strong>Brass</strong> Festival at Oberlin College Report by<br />

Jeff Nussbaum<br />

HBS Declamation vs. Lyricism Symosium<br />

Metropolitan Museum <strong>Brass</strong> by Jeff Nussbaum<br />

A Checklist of Recent Early <strong>Brass</strong> Related Recordings by Dave<br />

HISTORIC BRASS SOCIETY NEWSLETTER - WINTER 2005 | 55

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