18 News - Historic Brass Society

Peter Downey, “Lip-Blown Instruments of Ireland Before the Norman
Invasion”
(1830) Intro & Translation”
Philip A. Drinker and John M. Bowsher, “The Application of Noninvasive
Acoustic Measurements to the Design, Manufacture and
Reproduction of Brass Wind Instruments”
David Lasocki “A Bibliography of Writing About Historic Brass
Instruments, 1991-93”
Trevor Herbert, “The Sackbut and Pre-Reformation English Church
Music”
Igino Conforzi, “Girolamo Fantini: Recent Additions to His Biography”
-
: A New Discovery
and New Light on the Early Use of Valved Instruments in
France”
Clyde Shive, Jr. “The First Music For Brass Published in America”
John Webb, “The English Slide Trumpet”
B. Kenyon de Pascual, “Small is Beautiful: The raine”
: The Earliest Modern Trombone Method Rediscovered
(with complete translation)”
Benny Sluchin, “Alto or Tenor Trombone: Open or Closed Case?”
1994 Historic Brass Society Newsletter No. 6 (67 pages)
“A View of An Important Horn Collection” by Vicente Zarzo
“An Interview with Natural Trumpeter Crispian Steele-Perkins” by
Jeffrey Nussbaum
“Survey of Modern Cornetto Makers: An Update” by Jeffrey Nussbaum
“An Interview with Hermann Baumann” by Oliver Kersken
“A Systematic Approach to Determining Instrument Values” by Dan
Woolpert
“Brass Instrument Dating by Serial Numbers” by Gordon Cherry
1994 Historic Brass Society Newsletter No. 7 (92 pages)
“An Interview with Edward H. Tarr: A Pioneer in Early Brass Music”
by Jeffrey Nussbaum
“Cornet and Performance Practice: Learning from the Golden-Age
Masters” by Patricia Backhaus
“Dating Trumpets by Serial Numbers” compiled by Henry Reiter
“How to Make a Shofar” by Michael Albukerk
“The Peaceful Bazooka” by Jack Hotchkiss
1994 HBS Membership Directory
1994 Historic Brass Society Journal vol. 6 (417 pages)
Edward H. Tarr, “The Romantic Trumpet (Part II)”
Bruce Haynes, “Cornett Pitch”
Friedrich Anzenberger, “Method Books for Keyed Trumpet in the 19th
Century: An Annotated Bibliography”
Tim Urban, “Errata In of
Giovanni B. Riccio”
“Praetorius on Performance: Excerpts from ”
translated by Hans Lampl, with commentary by S.E. Plank
Renato Meucci, “The Pelitti Makers of Brass Instruments in Milan
in the 19th Century”
Thomas Hiebert, “Early Examples of Mixed-Key Horns and Trumpets
in Works of C. Graupner”
David Lasocki, “A Bibliography of Writings About Historic Brass
Instruments, 1992-94”
Anne-Sophie Leclerc, “The Discoveries at Fassy House”
Diana Bickley, “The Trumpet Shall Sound: Some Reasons Which
Suggest Why Berlioz Altered the Part for in his
Overture ”
Igino Conforzi, “Girolamo Fantini, Monarch of the Trumpet: Recent
Additions in His Work”
Peter Bassano, “A Second Miracle at Cana: Recent Musical Discover-
”
B. Kenyon de Pascual, “The (Continued)”
Dieter Krickeberg and Klaus Martius, “Two Trumpet Mutes Recently
Acquired by the Germanisches Nationalmuseum Nürnberg”
Peter Downey, “Concerning the and the Early ”
Peter Downey, “Fantini and Mersenne: Some Additions to Recent
Controversies”
“Dauprat Horn Method (1824)” translation by Jeffrey Snedeker (part
III)
1995 Historic Brass Society Newsletter No. 8 (106 pages)
“A Conversation with Early Brass Players Susan Addison and David
Staff” by Jeff Nussbaum
“An Interview with Herbert Heyde” by Peter Ecklund and Jeff Nussbaum
Tarr
“A Cornetto Discography” compiled by Jeffrey Nussbaum
“A Survey of Contemporary Makers of Early Trombones” compiled
by George Butler
“An Interview with Ophicleide, Serpent, and Tuba Player Tony
George” by Richard Robinson
1995 Historic Brass Society Journal vol. 7 (250 pages)
Friedrich Anzenberger, “Method Books For Trumpet and Cornet Using
Stopped Notes in the 19th c.”
Peter Downey, “Trumpet Style in 17th-Century France and the Music
of Les Trompettes Du Roy”
logical
Evidence”
Eva Heater, “The Performance Practice of the Hunting Horn”
David Lasocki, “A Bibliography of Writings About Historic Brass
Instruments”
Alexander McGrattan ,“The Trumpet in Funeral Ceremonies in Scotland
During the 17th c.”
A. Myers and F. Tomes, “PCB Cornets and Webster Trumpets: Rudall
: An Early Viennese
Trombone Method” translation by Howard Weiner
B. Kenyon de Pascual, “The Ophicleide in Spain”
B. Kenyon de Pascual, “Clarines and Trompetas: Some Further Observations”
“Dauprat Horn Method (1824)” translation by Jeffrey Snedeker (part
IV)
1996 Historic Brass Society Newsletter vol. 9 (80 pages)
“HBS Hosts International Historic Brass Symposium” by Jeff Nussbaum
“So How Many Holes is a Baroque Trumpet Supposed to Have?” by
Tim Collins
“1996 Survey of Natural Trumpet Makers” by Fred Holmgren
“No Hot Air Here (interview: Bauguess, Conforzi, Holmgren, Immer,
Plunkett, Tarr)” by Bob Rieder
“A Cacophany of Cornettists (interview: Collver, Dickey, Escher,Kirk,
Tubery, West)” by Susan Smith
“A Conversation with John Wallace and Trevor Herbert” by Ralph
Dudgeon
“Grand Concert? A New Exhibition on New Hampshire Town Bands”
by Richard Spicer
“The First International Altenburg Competition” by Anne Hardin
1996 Historic Brass Society Journal vol. 8 (200 pages)
Steven Plank, “Knowledge in the Making: Recent Discourse on Bach
and the Slide Trumpet”
Matthew Cron, “In Defense of Altenburg: The Pitch and Form of
Foreign Trumpets”
Geert Jan van der Heide, “The Reconstruction of a 16th-Century
Italian Trumpet”
William Rogan, “Stopped Notes on the Horn: Some Aesthetic Considerations”
“Method for High-Horn and Low-Horn by L.F. Dauprat (part V)”
translated by Jeff Snedeker
Keith McGowan, “A Chance Encounter with a Unicorn? A Possible
Sighting of the Renaissance Slide Trumpet”
Friedrich Anzenberger, “Method Books for Slide Trumpet: An Annotated
Bibliography”
HISTORIC BRASS SOCIETY NEWSLETTER - WINTER 2005 | 53