18 News - Historic Brass Society
18 News - Historic Brass Society
18 News - Historic Brass Society
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<strong>Historic</strong> Division Baroque Trumpet Competition<br />
The Second Annual Baroque Trumpet Competition was held on March<br />
19, 2005 at George Mason University. This year, this division of the<br />
National Trumpet Competition was renamed the <strong>Historic</strong> Division.<br />
Crispian Steele-Perkins was the Honorary Chairman. Mr. Steele-<br />
Perkins presented a recital on many different historic trumpets, and<br />
he conducted a clinic, in which he worked with several students on<br />
various technical concepts.<br />
Winners of three sub-categories were as follows:<br />
1) The high-school age category (up to age <strong>18</strong>) known as the “Shore<br />
Award,” was won by Kevin Abel. He won a $250 cash prize. He<br />
played the 2nd etude from “25 Études Caractéristiques” by F. G. A.<br />
<br />
<br />
<br />
<br />
Baroque Trumpet Shop by playing Canciónes de Clarines, Movements<br />
<br />
[?] Suite in D Major.<br />
<br />
<br />
won a Naumann Baroque Trumpet, valued at nearly $2000, sponsored<br />
<br />
<br />
After a recorded round, ten participants went on to the live round. They<br />
<br />
<br />
for the Fantini Award; and Kathryn James, Jamie Davis, Dave Maller<br />
and Don Johnson, Jr. (father of Don Johnson III—incidentally, Don<br />
Johnson, Jr. won the “Pro Am” division of the NTC this year by play-<br />
<br />
<br />
but could not attend. Crispian Steele-Perkins was the Honorary Chair<br />
for judging the competition. Other judges were, Stanley Curtis, chair,<br />
Barry Bauguess, Dr. Elisa Koehler and Dr. David Baum.<br />
Sponsors included Naumann Trumpets, who sponsored the <strong>Historic</strong><br />
Division; The Baroque Trumpet Shop, which sponsored the Fantini<br />
pearance;<br />
and Crown Music Press, which sponsored Crispian Steele-<br />
<br />
Adam Pearl of Peabody Conservatory was the accompanist. He played<br />
a continuo organ donated for this competition by Webb Wiggins.<br />
The <strong>Historic</strong> Division has invited Friedemann Immer as a guest artist<br />
<br />
through 19, 2006. The competition will focus on natural trumpet ensembles.<br />
There will be 2 or 3 age categories for the ensembles, based<br />
on the average age of the group. It is also anticipated that there will<br />
be a solo category for Baroque trumpet.<br />
Submitted by Stanley Curtis, Adjunct Associate Prof. of Trumpet,<br />
George Mason University. Contact: stanleycurtis@comcast.net http://<br />
www.earlymusic.net/WCSE/curtis.html<br />
Crispian Steele-Perkins<br />
I read the archives of some of the early music Yahoo! Groups, just in<br />
the knick of time. For the past few weeks, there had been discussion in<br />
<br />
tour, which covered much of the Deep South, from Louisiana across<br />
Alabama, to the Carolina mountains and eventually to the Virginia<br />
<br />
on Sunday and at Yale University yesterday. Having read a glowing<br />
<br />
life driving through thick fog in the Great Smoky Mountains to reach<br />
<br />
and join the perpetual convoy of heavy trucks on I95 en route to New<br />
Haven, a seedy port town with a great university at its center.<br />
When I arrived at Hendrie Hall, Crispian was unpacking his apparatus,<br />
a piano technician was adjusting the piano, and interested students were<br />
<br />
early brass, welcomed me, the only outsider to attend, and introduced<br />
the three members of the tour: Crispian, his accompanist, a young<br />
Russian woman, Irina Feoktistova from St. Petersburg -- a piano<br />
teacher who now lives in Evanston, Illinois -- and Sharon Stine, who<br />
organized the tour, a professional trumpeter and publisher of music<br />
for brass instruments from a Chicago suburb. The three of them had<br />
driven the entire circuit, sharing time behind the wheel on up to 12-<br />
hour marathons from one concert to the next.<br />
Despite the grueling auto tour, Crispian was still in top form. Not only<br />
<br />
player, but a humorous speaker with a well-polished program that<br />
anyone interested in music, whether or not a brass player, will surely<br />
<br />
<br />
lifelong concert-going experience.<br />
member<br />
or convey all the material he covered, and certainly not with<br />
his wit and style, but will list some of most interesting points:<br />
He began by blowing through a mouthpiece, then added the shortest<br />
bell -- the English hunting horn, which plays only a single note. Nevertheless,<br />
a late 19th Century booklet on how to play the hunting horn<br />
included more than 15 different «tunes». I should note that Crispian had<br />
<br />
Next up was the ancient Egyptian trumpet. Crispian told the story of<br />
HISTORIC BRASS SOCIETY NEWSLETTER - WINTER 2005 | 45