Justified Episode Guide - inaf iasf bologna

Justified Episode Guide
U.S. Marshal Art Mullen for time off. ”Winona left me,” the Marshal explains. Art then explains
that the recent shotgun massacre took place on the property of Given’s late Aunt Helen. Request
for time off denied!
Boyd, in the meantime, is pacing in the back room of Johnny’s bar. Johnny blames Quarles for
the killings, but Boyd doesn’t want to jump to conclusions and sends Johnny out to investigate.
Inside another dingy trailer is the lone survivor of the clinic massacre. Ellen May’s shirt is
splattered with blood, but she finds little sympathy from her employer, Delroy, who wants no
excuses for her not returning with the Oxy. ”You will lay your fear aside and do what needs to be
done,” he says. ”And don’t you come back until you have everything that I need.”
She heads to new clinic with the script to be filled for ”Hillbilly Heroin.” That clinic, however,
is run by one of the shooters, Tanner, and guarded by the other, Teddy. The terrified woman
quickly backs out as the two killer watch her leave with mild curiousity on their faces.
Boyd and Ava visit Limehouse’s hollow. Of course, the man is busy cooking, but invites them
in to sample a new sauce. Boyd wonders why Limehouse knows so much about Boyd – and,
indeed, all the activities in town, criminal and otherwise. Limehouse points to several of his customers,
and asks one on them, Jennings, a large black man at the end of the counter, if he
knows who his guest is. Jennings immediately cites Boyd by name, lineage and reputation, a
remarkably accurate extemporaneous report. The basic answer: Limehouse and his many associates
have long done their homework while Boyd and his (white) people have not. Boyd then
explains that he thinks Quarles was behind the robbery and killings at the clinic. ”Before I hit
back and start a war, I need to know everything that transpired,” says Boyd before agreeing to
”bank” his money with Limehouse. Limehouse returns the favor by naming the dead working girl
at the shooting scene as Trixie.
Boyd and Ava leave the holler still not sure whether Limehouse was somehow involved in
the clinic killings and robbery. But Ava does know Trixie who works for a man named Audrey
and is joined at the hip to an Ellen May. Ava volunteers to talk to the girl. Givens, meanwhile,
pays a visit to his dad. Arlo, wearing a flannel shirt and boxer shorts, is talking to himself... or
somebody else, perhaps his latest late wife Helen, who he imagines to be in the room. Arlo refers
to Givens as if the Marshal were still a child and when his son angrily wants to know why their
family name is involved with the murders at the ”clinic,” Arlo claims that he was only helping out
the ”Crowder boy.” Boyd.
Delroy throws Ellen May against the wall of his trailer. Crying, she explains that the man
running the new clinic was one of the shooters. Not good enough. He proceeds to brutally beat
her with his fists.
Quarles, in the meantime, receives a disturbing ’phone call: somebody in the FBI is investigating
him, likely at Givens request. Quarles orders Wynn Duffy to find out everything he can
about Givens. If the Marshal continues to apply pressure, Quarles wants to know exactly ”where
to squeeze” in return. Quarles then retreats to the bedroom to brutally beat an unknown man,
bound, gagged and tied to the bed in his blue jockey shorts. It’s apparently a sick form of therapy
– or just blowing off excess steam. Wynn overhears the punches and the muffled cries of pain,
and is disturbed but still intimidated by the Detroit mobster’s earlier cold-blooded executions of
Emmett and Yvette.
Ava enters Audrey’s Bar and meets owner Delroy who immediately tries to recruit her for his
brothel. Ava declines and the man that she works ”down at the cut ’n’ curl,” and that she is
there to collect on a debt owed by Ellen May. Delroy explains that the girl is indisposed at the
moment. Ava notices the scrapes and bruises on Delroy’s knuckles. He has obviously been busy.
Ava exits and is intercepted by another working girl, J.J. Corlis, who once upon a time went to
middle school with Ava. J.J. explains that Delroy beat up Ellen May. ”Does this have something
to do with what she saw in that clinic?” J.J. asks Ava. Bingo. A witness.
Givens enters Johnny’s bar and wonders aloud if the drinks were paid for by the Oxy sold
on his aunt’s property. ”I’m sorry your name got dragged into this,” Boyd says. Furious, Givens
warns Boyd that he does not give one damn about hillbilly-on-hillbilly crime, but doesn’t want
his family name having anything to do with it. If Boyd doesn’t heed, Givens promises to lose his
Marshal’s star and come calling. Ever calm, Boyd urges Givens to go see Ava if he needs a lead.
So Givens does just that.
Ava leads Givens to Ellen May’s trailer. ”I need you to tell me what you know,” Givens tells
the battered girl who he had met during another investigation a year earlier. Just then, Delroy
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