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Settlers - San Francisco Bay Area Independent Media Center

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X. 1950s REPRESSION &<br />

THE DECLINE OF THE<br />

COMMUNIST PARTY U.S.A.<br />

1. The End of the Euro-Amerikan "Left"<br />

The post-World War 11 collapse of the Communist<br />

Party U.S.A., the main organization of the Euro-<br />

Amerikan "left," was an important indicator of disappearing<br />

working class consciousness in the oppressor nation.<br />

It is not true that the Euro-Amerikan "left" was<br />

destroyed by the McCarthyite repression of the 1950s.<br />

What was true that the anti-Communist repression effortlessly<br />

shattered the decaying, hollow shell of the '30s<br />

"old left" - hollow because the white workers who once<br />

gave it at least a limited vitality had left. The class struggle<br />

within the oppressor nation had once again effectively ended.<br />

Mass settler unity in service of the U.S. Empire was<br />

heightened.<br />

Looking back we can see the Communist Party<br />

U.S.A. in that period as a mass party for reformism that<br />

penetrated every sector of Euro-American life. At its<br />

numerical peak in 1944-1945 the CPUSA had close to<br />

100,000 members. Approximately one-quarter of the entire<br />

CIO union membership was within those industrial unions<br />

that it directly led. Thousands of Communist Party trade<br />

union activists and officials were present throughout the<br />

union movement, from shop stewards up to the CIO Executive<br />

Council.<br />

The Party's influence among the liberal intelligentsia<br />

in the '30s was just as large. Nathan Witt, chief executive<br />

officer of the Federal National Labor Relations<br />

Board during 1937-1940, was a CPUSA member. Tens of<br />

thousands of administrators, school teachers, scientists,<br />

social workers, writers and officials belonged to the<br />

CPUSA. That was a period in which writers as prominent<br />

as Ernest Hemingway and artists such as Rockwell Kent<br />

and Ben Shahn contributed to CPUSA publications. Prominent<br />

modern dancers gave benefit performances in<br />

Greenwich Village for the Daily Worker. Maxim Lieber,<br />

one of the most exclusive Madison Avenue literary agents<br />

(with clients like John Cheever, Carson McCullers, John<br />

O'Hara and Langston Hughes), was not only a CPUSA<br />

member, but was using his business as a cover to send<br />

clandestine communications between New York and<br />

Eastern Europe. The CPUSA, then, was a common<br />

presence in Euro-American life, from the textile mills to<br />

Hollywood. (1)<br />

This seeming success story only concealed the<br />

growing alienation from the CPUSA by the white workers

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