Using Multimedia to Expand the Audience of ... - Richard Repp
Using Multimedia to Expand the Audience of ... - Richard Repp
Using Multimedia to Expand the Audience of ... - Richard Repp
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<strong>Using</strong> <strong>Multimedia</strong> 23<br />
Arriving from Guadalajara, Jalisco in Huejuquilla el Al<strong>to</strong> (see Figure 2) in <strong>the</strong><br />
early evening, I was surprised <strong>to</strong> see a group <strong>of</strong> strolling musicians on <strong>the</strong> main avenue.<br />
Recognizing that <strong>the</strong>y were Huichol by <strong>the</strong>ir distinguishing attire, an unplanned musical<br />
event was about <strong>to</strong> take place. Two <strong>of</strong> <strong>the</strong> men were wearing embroidered outfits typical<br />
<strong>of</strong> <strong>the</strong> indigenous group and <strong>the</strong> o<strong>the</strong>r two men were wearing western clothing. Even<br />
though I understand <strong>the</strong> Huichol are extremely shy and reticent <strong>to</strong>wards outsiders, I could<br />
not miss <strong>the</strong> opportunity <strong>to</strong> meet <strong>the</strong>m. The quartet agreed <strong>to</strong> play several songs for a<br />
small fee <strong>of</strong> one hundred Mexican nuevos pesos, equivalence <strong>to</strong> ten U. S. dollars. As we<br />
were walking down <strong>the</strong> street <strong>to</strong>ge<strong>the</strong>r <strong>to</strong>wards <strong>the</strong> center <strong>of</strong> down<strong>to</strong>wn, a passerby<br />
remarked “los mariachis”, referring <strong>to</strong> <strong>the</strong> musical ensemble. The vocabulary used <strong>to</strong><br />
describe <strong>the</strong> musical group struck me as odd, since <strong>the</strong>re were only four musicians and<br />
nei<strong>the</strong>r <strong>of</strong> <strong>the</strong>m carried a trumpet, which is standard instrumentation for a mariachi band.<br />
The musicians said that <strong>the</strong>y were on <strong>the</strong>ir way <strong>to</strong> perform at a party far<strong>the</strong>r down <strong>the</strong><br />
sierras. We arrived at <strong>the</strong> center <strong>of</strong> <strong>to</strong>wn where a quaint gazebo (see Figure 3) marked <strong>the</strong><br />
center <strong>of</strong> <strong>the</strong> principal plaza. Well-kept rose gardens (see Figure 5) decorate <strong>the</strong> north and<br />
south sides <strong>of</strong> <strong>the</strong> park. Also in <strong>the</strong> plaza is <strong>the</strong> municipal building (see Figure 4) that<br />
quarters <strong>the</strong> police and <strong>the</strong> local Museum <strong>of</strong> Anthropology Tatuutsima.<br />
Figure 3. Plaza Principal gazebo; site <strong>of</strong> <strong>the</strong> Huichol string quartet performance