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Using Multimedia to Expand the Audience of ... - Richard Repp

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<strong>Using</strong> <strong>Multimedia</strong> 32<br />

cus<strong>to</strong>ms in <strong>the</strong>ir religion, art, and music. There is a need <strong>to</strong> update <strong>the</strong> archives <strong>of</strong> <strong>the</strong><br />

developments <strong>of</strong> Huichol music, as both ethnomusicology and technology have<br />

undergone transformations within <strong>the</strong> past twenty years with <strong>the</strong> goal <strong>of</strong> improving<br />

procedures and outcomes. The digital technology <strong>of</strong> <strong>the</strong> World Wide Web, <strong>the</strong> Internet,<br />

and multimedia allows flexibility and durability in this process. This multimedia project<br />

intends <strong>to</strong> promote a better understanding <strong>of</strong> this culture through <strong>the</strong> utilization <strong>of</strong> wideranging<br />

technological developments available <strong>to</strong> enhance ethnographic collections.<br />

Huichol His<strong>to</strong>ry<br />

While <strong>the</strong>re is relatively little documentation regarding Huichol music,<br />

available literature describes <strong>the</strong>ir religion, embroidered clothing (see Figures 11 & 12),<br />

folk art (see Figures 13, 14a & 14b), and language <strong>of</strong> this indigenous group. The Huichol<br />

currently maintain <strong>the</strong>ir distinctive religion and cultural dress, minimally influenced by<br />

<strong>the</strong> Spaniard’s conquest and colonization <strong>of</strong> Mexico.<br />

Figure 11. Attire <strong>of</strong> <strong>the</strong> Huichol violinists<br />

Huichol, as a close-knit farming community, deems every member as essential<br />

<strong>to</strong> <strong>the</strong> survival <strong>of</strong> <strong>the</strong>ir society. Referring <strong>to</strong> <strong>the</strong>mselves as Wixárika or Wizrarika, (a

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