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Using Multimedia to Expand the Audience of ... - Richard Repp

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<strong>Using</strong> <strong>Multimedia</strong> 38<br />

Figure 15. Huichol playing a rabel <strong>of</strong> 4-strings for traditional sacred ceremony<br />

(Simental, 2007).<br />

Gradually, <strong>the</strong> Huichol incorporated European instruments in <strong>the</strong>ir religious<br />

music. Spanish clerics and militia brought with <strong>the</strong>m 12-inch long, 3-stringed violin<br />

called a rabel. Around 1555 <strong>the</strong> native musicians adopted <strong>the</strong> rabel as <strong>the</strong>ir own<br />

instruments and called <strong>the</strong> small string instrument a raweali and <strong>the</strong> bow, a <strong>to</strong>epi.<br />

The modern Huichol raweali is about 14-16 inches long and is still played like its<br />

precursors by holding it against <strong>the</strong> left upper arm in front <strong>of</strong> <strong>the</strong> shoulder and chest near<br />

<strong>the</strong> armpit (Mendéz, 1998). Huichol violinists have maintained this traditional posture<br />

and instrument position over <strong>the</strong> centuries. Rodney Gallop provides a 1939 picture <strong>of</strong><br />

Chief Xenobio holding a raweali (p. 224) in <strong>the</strong> exact position previously described, and<br />

a 2006 field observation witnessed <strong>the</strong> lead violinist in a Huichol string quartet holding<br />

his instrument in a similar manner.<br />

Figure 16. Lead violinist, in <strong>the</strong> foreground, holding a modern violin like a raweali

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