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SPRING/SUMMER 2014 - boersenblatt.net

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Richard Serra<br />

Early Work<br />

This publication focuses on the early work of Richard Serra, one of the most influential artists working today. The works<br />

included in this volume represent the beginning of the artist’s innovative, process-oriented experiments with non -<br />

traditional materials, such as vulcanized rubber, neon, and lead, in addition to key early examples of his work in steel and<br />

a selection of the artist’s films from this period.<br />

The interplay of gravity and material that was introduced early in Serra’s career set the stage for his ongoing engagement<br />

with the spatial and temporal properties of sculpture. This monograph aims to reconsider the groundbreaking practices<br />

and ideas that so firmly situate Serra in the history of 20 th -century art. The publication includes a text by Hal Foster, in<br />

addition to a selection of archival texts and photographs from the years 1966 to 1972.<br />

Richard Serra was born in San Francisco in 1938. Since the 1960’s he has exhibited extensively throughout the world.<br />

In addition, Serra has created a number of site-specific sculptures in public and private venues in both North America<br />

and Europe. Serra’s books at Steidl include Sculpture 1985–1998 (1999), The Matter of Time (2005), Te Tuhirangi<br />

Contour (2005) and Notebooks (2011). He lives in New York and Nova Scotia.<br />

Richard Serra<br />

Early Work<br />

Text by Hal Foster<br />

Includes archival texts and photographs<br />

from the years 1966 to 1972<br />

Book design by McCall Associates<br />

340 pages<br />

9.5 × 11.8 in. / 24 × 30 cm<br />

200 photographs<br />

Tritone and four-color process<br />

Hardcover<br />

€ 68.00 / £ 54.00 / US$ 88.00<br />

(distributed in North America and Canada by D.A.P.)<br />

ISBN 978-3-86930-716-9<br />

99

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