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SPRING/SUMMER 2014 - boersenblatt.net

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Jitka Hanzlová<br />

Cotton Rose<br />

Jitka Hanzlová has traversed contexts, identities and cultures in a quest for the meaning of belonging that lies at the<br />

heart of her images.<br />

The photographs in Cotton Rose were taken in the Gifu Prefecture of Japan. Hanzlová strongly resisted the long<br />

tradition of travel journals written about Japan, showing a foreign and exotic country.<br />

Since Jitka Hanzlová defected from the Communist regime in Czechoslovakia in 1982 she has sought to explore her<br />

experiences through photography, producing a body of work at once poetic and truthful. Hanzlová’s photography<br />

is in constant pursuit of the relationship between the individual and the context in which people live. It scrutinizes<br />

the ways in which home and surroundings indelibly shape identity. Drawing on her own life story, Hanzlová’s photographs<br />

also speak of a more universal longing for a sense of place. Her photographic voice has always been a<br />

muted and gentle mirror of her sympathetic approach.<br />

Jitka Hanzlová, born 1958 in the former CSSR/Czech Republic, escaped to Germany in 1982. Between 1987 and<br />

1994 she studied visual communication at Essen University with focus on photography. She has been awarded<br />

several photography awards, including the BMW—Paris Photo Prize 2007. Venues for solo exhibitions of her work<br />

have included, among others, the Museum Folkwang, Essen, Fotomuseum Winterthur, Stedelijk Museum, Amsterdam,<br />

Deichtorhallen Hamburg, Fundacion MAPFRE, Madrid, and the National Gallery of Edinburgh.<br />

Jitka Hanzlová<br />

Cotton Rose<br />

Text by Ulf Erdmann Ziegler<br />

Book design by Jitka Hanzlová<br />

112 pages<br />

7.1 × 10 in. / 18 × 25,5 cm<br />

46 photographs<br />

Four-color process<br />

Hardcover half-linen bound<br />

€ 38.00 / £ 32.00 / US$ 48.00<br />

ISBN 978-3-86930-127-3<br />

87

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