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Gale - Science and Its Times Vol 01 (2000 BC to AD 699).pdf

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flected the pic<strong>to</strong>rial language of almost half of<br />

the world. Classical Greek art, therefore, changed<br />

its character in the Hellenistic era, especially as<br />

new capitals in Alex<strong>and</strong>ria, Pergamon, <strong>and</strong> Antioch<br />

acquired wealth <strong>and</strong> influence. In architecture,<br />

a new form of column was preferred, based<br />

upon one designed earlier in the fourth century<br />

B.C. <strong>and</strong> named after the wealthy merchant city of<br />

Corinth. In the new Corinthian column, ornamentation,<br />

usually foliage, was added <strong>to</strong> the<br />

Ionic design. This luxurious design was suited <strong>to</strong><br />

the vast scale of buildings in the newly founded<br />

cities of the East (the Corinthian capital of Epidaurus,<br />

for example, built around 300 B.C.).<br />

Sculpture de-emphasized the harmony <strong>and</strong> refinement<br />

of classical Greece, <strong>and</strong> instead aimed<br />

for dramatic impact. The Altar of Zeus in Pergamon<br />

(ca. 170 B.C.) contains sculpture representing<br />

the struggle of the gods <strong>and</strong> the giants portraying<br />

wild motion <strong>and</strong> frenzied expression, all<br />

on a gr<strong>and</strong> scale. As Alex<strong>and</strong>er’s conquests, the<br />

altar was meant <strong>to</strong> be impressive.<br />

During this age, wealthy families began collecting<br />

art. Nature, especially flora, was often<br />

portrayed in painting <strong>and</strong> design. The art of portraiture<br />

also began, perhaps as a reaction <strong>to</strong> a<br />

perceived loss of personal identity with the exp<strong>and</strong>ing<br />

world <strong>and</strong> its blending cultures or, alternately,<br />

due <strong>to</strong> the abundance of impressive<br />

political, military, <strong>and</strong> scholarly figures of the<br />

Hellenistic Era. Early Roman art in Pompeii es-<br />

The Silk Road was not, strictly speaking, a<br />

“road”: rather, it constituted a set of overl<strong>and</strong><br />

routes from the Chinese capital at Chang’an<br />

(Xian) all the way <strong>to</strong> Antioch, Damascus, <strong>and</strong><br />

other cities of the Levant. Nor was it typical for a<br />

single journeyer <strong>to</strong> travel the entire route: instead,<br />

merchants would cover a certain distance<br />

<strong>to</strong> a trading <strong>to</strong>wn <strong>and</strong> exchange their wares,<br />

which continued <strong>to</strong> move westward or eastward.<br />

At several points, mountains <strong>and</strong> other obstacles<br />

created forks at which it became necessary <strong>to</strong><br />

take either a northerly or southerly route, for instance<br />

either north <strong>to</strong> Samark<strong>and</strong> (in modern<br />

Uzbekistan) or south in<strong>to</strong> Bactria, or present-day<br />

Afghanistan; but the ultimate destination was the<br />

same. At the height of the Silk Road’s early his<strong>to</strong>pecially<br />

embraces the Hellenistic era, where a<br />

mosaic of Alex<strong>and</strong>er himself at the Battle of Issus<br />

was found.<br />

Though it may be interesting <strong>to</strong> speculate<br />

what Alex<strong>and</strong>er might have accomplished had<br />

he lived <strong>to</strong> an old age <strong>and</strong> come <strong>to</strong> grips with the<br />

problems of governing his exp<strong>and</strong>ed empire, it<br />

is certain that Alex<strong>and</strong>er’s career was sufficient <strong>to</strong><br />

change the course of human his<strong>to</strong>ry. Gone was<br />

the small democratic city-state, along with the<br />

homogenous civilization concentrated along the<br />

Aegean Sea. The new culture of unity sought <strong>to</strong><br />

bind the empire <strong>to</strong>gether as a social, political,<br />

<strong>and</strong> economic whole. It was this new culture of<br />

the Hellenistic Age that civilized Rome <strong>and</strong> led<br />

<strong>to</strong> Rome’s creation as a world state.<br />

Further Reading<br />

BRENDA WILMOTH LERNER<br />

Arrian. The Campaigns of Alex<strong>and</strong>er. Trans. by Aubrey de<br />

Sélincourt. Harmondsworth, Engl<strong>and</strong>, <strong>and</strong> Baltimore:<br />

Penguin Books, 1971.<br />

Fox, Robin Lane. Alex<strong>and</strong>er the Great. New York: Dial<br />

Press, 1974.<br />

Green, Peter. Alex<strong>and</strong>er <strong>to</strong> Actium: The His<strong>to</strong>rical Evolution<br />

of the Hellenistic Age. Berkeley: University of California<br />

Press, 1990.<br />

Plutarch. Plutarch: Lives of Noble Grecians <strong>and</strong> Romans.<br />

Edited by A.H. Clough, trans. by John Dryden. 2<br />

vols. New York: Modern Library, 1992.<br />

Exploration<br />

& Discovery<br />

<strong>2000</strong> B.C.<br />

<strong>to</strong> A.D. <strong>699</strong><br />

The Silk Road Bridges East <strong>and</strong> West<br />

<br />

Overview<br />

The opening of the Silk Road, which ultimately<br />

linked China with Europe, was one of the most<br />

important undertakings in the his<strong>to</strong>ry of exploration<br />

prior <strong>to</strong> the period from A.D. 1400 <strong>to</strong><br />

1600. Indeed, the creation of the Silk Road was<br />

a phenomenon in many ways mirrored by the<br />

great Age of Exploration some 1,500 years later.<br />

Both were enormous ventures that involved numerous<br />

individuals, yet in both cases, it was<br />

possible <strong>to</strong> trace the impetus <strong>to</strong> one or two people.<br />

In the more recent example, that would be<br />

Prince Henry the Naviga<strong>to</strong>r, whereas in the case<br />

of the Silk Road, the honor belongs <strong>to</strong> the second-century<br />

B.C. Chinese traveler Chang Ch’ien,<br />

or perhaps his emperor, Han Wu ti.<br />

S C I E N C E A N D I T S T I M E S V O L U M E 1<br />

35

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