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BoxOffice® Pro - January 2014

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BOX OFFICE<br />

REPORT<br />

THE GLOBAL<br />

TOP 25<br />

BoxOffice takes a look at the<br />

25 biggest films of 2013.<br />

By Daniel Loria<br />

1 IRON MAN 3<br />

Disney<br />

Budget: $275M<br />

Global: $1.214B<br />

Overseas: $805.7M<br />

Domestic: $409M<br />

The biggest blockbuster of the year was<br />

the only film of 2013 to cross the $1 billion<br />

mark. The third installment in the Iron Man<br />

franchise posted a considerable improvement<br />

over its predecessors, Iron Man<br />

($585 million worldwide) and Iron Man 2<br />

($622 million worldwide). The box office<br />

bump follows the massive success of<br />

Marvel’s The Avengers, the 2012 juggernaut<br />

that collected $1.514 billion from the<br />

global box office. Iron Man 3 soared above<br />

the competition with a $121.2 million tally<br />

from China, its most important overseas<br />

market. There seems to be no stopping<br />

Robert Downey Jr. & Co. with these superhero<br />

movies, especially considering that<br />

the $409.1 million the film collected from<br />

North America only represents a third of<br />

its global total.<br />

Top Five Overseas Territories:<br />

China<br />

South Korea<br />

United Kingdom<br />

Mexico<br />

Brazil<br />

2 DESPICABLE ME 2<br />

Universal<br />

Budget: $140M<br />

Global: $918.3M<br />

Overseas: $551.3M<br />

Domestic: $366.9M<br />

$121.2M<br />

$64.0M<br />

$57.0M<br />

$48.5M<br />

$48.3M<br />

The Minions took over the world in 2013.<br />

The animated sequel became the most<br />

profitable film of all time for Universal<br />

and its second-highest release in history<br />

behind Jurassic Park’s $960 million. The<br />

film nearly doubled the $543 million global<br />

total of the original and is set to surpass<br />

Shrek 2 to become the fourth-biggest<br />

animated film of all time. Universal might<br />

have expected a hit ahead of the film’s release,<br />

but no one imagined that the fledgling<br />

franchise would easily defeat competing<br />

films with built-in pre-awareness or<br />

loftier box office credentials. Despicable<br />

Me 2 will have a shot at the $1 billion mark<br />

with a <strong>January</strong> release in China.<br />

Top Five Overseas Territories:<br />

United Kingdom<br />

Mexico<br />

Germany<br />

France<br />

Brazil<br />

3 FAST & FURIOUS 6<br />

Universal<br />

Budget: $220M<br />

Global: $788M<br />

Overseas: $549.3M<br />

Domestic: $238.6M<br />

$72.1M<br />

$47.7M<br />

$38.2M<br />

$36.4M<br />

$35.6M<br />

Fast 6 sped out of the gate by becoming<br />

Universal’s biggest U.S., overseas, and<br />

global opener of all time. The film hardly<br />

slowed down from its hot start and went<br />

on to hit $788 million worldwide, a franchise<br />

record. Fast 6 is one of only three<br />

films to have crossed the $500 million<br />

mark overseas in 2013.<br />

Top Five Overseas Territories:<br />

China<br />

United Kingdom<br />

Mexico<br />

Russia<br />

Germany<br />

4 MONSTERS UNIVERSITY<br />

Disney<br />

Budget: $270M<br />

Global: $738.8M<br />

Overseas: $470.4M<br />

Domestic: $268.4M<br />

$65.6M<br />

$38.3M<br />

$36.0M<br />

$33.9M<br />

$30.0M<br />

It took Disney Pixar over a decade to<br />

follow up the success of Monsters, Inc.<br />

Audiences didn’t forget about Mike and<br />

Sulley in the 12 years between Monsters,<br />

Inc. and Monsters University, as the Pixar<br />

prequel became Disney’s second-biggest<br />

hit of the year behind Iron Man 3. Monsters<br />

University wasn’t a runaway hit in China,<br />

but an unexpected $89.2 million run in<br />

Japan helped launch the film to big numbers<br />

overseas. Argentina, not known as a<br />

traditionally powerful territory, contributed<br />

a strong $23.6 million to the film’s box<br />

office total.<br />

Top Five Overseas Territories:<br />

Japan<br />

United Kingdom<br />

Mexico<br />

China<br />

Argentina<br />

$89.2M<br />

$46.7M<br />

$37.2M<br />

$33.7M<br />

$23.6M<br />

5 THE HUNGER GAMES: CATCHING FIRE<br />

Lionsgate<br />

Budget: $185M<br />

Global: $673.4M<br />

Overseas: $336.7M<br />

Domestic: $336.7M<br />

The best-selling young-adult novels enjoyed<br />

a blockbuster transition to the big<br />

screen in last year’s The Hunger Games.<br />

The first film of the newly minted franchise<br />

grossed $686.5 million worldwide, a figure<br />

that the sequel is close to surpassing. The<br />

Hunger Games: Catching Fire is still in<br />

release around the world and could possibly<br />

overtake Monsters University for the<br />

number four spot by year’s end.<br />

Top Five Overseas Territories:<br />

United Kingdom<br />

Germany<br />

China<br />

Australia<br />

Russia<br />

6 MAN OF STEEL<br />

Warner Bros.<br />

Budget: $300M<br />

Global: $662.8M<br />

Overseas: $371.8M<br />

Domestic: $291.0M<br />

$42.9M<br />

$30.7M<br />

$27.1M<br />

$25.7M<br />

$22.0M<br />

Superman’s return to the big screen<br />

was a significant improvement over the<br />

franchise’s previous iteration, Superman<br />

Returns, which only grossed $391 million<br />

worldwide. The key factor in the improvement<br />

was the overseas market, where Man<br />

of Steel nearly doubled the cume of its<br />

predecessor. China led the charge outside<br />

of North America with a $63.4 million contribution<br />

to the Caped Crusader’s latest<br />

cinematic effort. Man of Steel’s box office<br />

results were optimistic enough to revalue<br />

the DC brand. The studio is currently<br />

developing a new film featuring Superman,<br />

Batman, and Wonder Woman.<br />

Top Five Overseas Territories:<br />

China<br />

United Kingdom<br />

Australia<br />

Mexico<br />

France<br />

7 GRAVITY<br />

Warner Bros.<br />

Budget: $145M<br />

Global: $631.5M<br />

Overseas: $380.0M<br />

Domestic: $251.5M<br />

$63.4M<br />

$46.5M<br />

$22.5M<br />

$21.3M<br />

$20.3M<br />

12 BoxOffice ® <strong>Pro</strong> The Business of Movies JANUARY <strong>2014</strong>

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