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A German Lunch, prepared by First Lutheran, will be served downstairs in the Parish<br />
Hall from 12:00 to 2:00pm. $15. Tickets may be purchased in the vestibule.<br />
Light Refreshments will be available from 3:00 to 5:00pm.<br />
Donations to help defray expenses for today’s event are appreciated and may be made in<br />
the vestibule. Thank you.<br />
Childcare is available free of charge today, downstairs, from 10AM-2PM for children 6<br />
months to 6 years.<br />
Thanks are extended to today’s Recitalists and Presenters, and to:<br />
<strong>The</strong> American Guild of Organists, Boston Chapter<br />
Peter Krasinski, Sub-Dean<br />
Joyce Painter Rice, Arrangements Member<br />
<strong>The</strong> First Lutheran Church of Boston: Congregation, Staff and many <strong>Bach</strong> Volunteers<br />
For <strong>WGBH</strong> Classical New England:<br />
Hosts and Producers:<br />
James David Jacobs, Laura Carlo, Brian McCreath, Cathy Fuller, Alan McLellan<br />
Production Assistance: Rani Schloss<br />
Photography: Cheryl Willoughby<br />
Recording Engineers: Frank Cunningham, Antonio Oliart Ros<br />
Operations Manager: Thomas Devlin<br />
Managing Director of Classical Services: Benjamin K. Roe<br />
<strong>The</strong> First Lutheran Church of Boston<br />
299 Berkeley Street, at Marlborough St., Boston<br />
<strong>The</strong> Reverend Ingo Dutzmann, Pastor<br />
<strong>The</strong> Reverend Paul Lantz, Missionary Pastor<br />
Bálint Karosi, Minister of Music<br />
Elaine Laaser, Administrator<br />
8:00 AM – Divine Service with Holy Communion<br />
9:30 – 10:30 AM - Sunday School and Bible Classes for all ages<br />
11:00 AM – Divine Service with Holy Communion<br />
1 st and 3 rd Saturdays, 7:15 PM: Services in Portuguese<br />
<strong>Bach</strong> <strong>Around</strong> <strong>The</strong> <strong>Clock</strong><br />
An all-day celebration of the 328 th Birthday of Johann Sebastian <strong>Bach</strong><br />
March 16, 2013<br />
<strong>The</strong> First Lutheran Church of Boston<br />
sponsored by<br />
<strong>The</strong> American Guild of Organists, Boston Chapter<br />
<strong>The</strong> First Lutheran Church of Boston<br />
Classical New England, a service of <strong>WGBH</strong> Boston<br />
Today’s concerts are webcast live at<br />
http://www.classicalnewengland.org/bach<br />
PROGRAM<br />
6am—<strong>Bach</strong>ianas Bostoneiras, A Boston Cello Tribute to J S <strong>Bach</strong><br />
Cellists James David Jacobs and Friends:<br />
Guillermo del Angel, Mark Churchill, Nancy Hair,<br />
Shayne Lebron, Christopher Mendez and Christina Stripling<br />
Suite no. 1 in G, BWV 1007: Prelude [played in unison]<br />
Ermuntre dich, mein schwacher Geist<br />
arr. J D Jacobs<br />
(sung to words Brich an, o schönes Morgenlicht, Part II, Christmas Oratorio, BWV 248)<br />
Prelude and Fugue<br />
arr. Heitor Villa-Lobos<br />
<strong>The</strong> Well-Tempered Clavier I, no. 22, BWV 867 (originally in b-flat; here played in g)<br />
<strong>The</strong> Well-Tempered Clavier II, no. 5, BWV 874<br />
Suite no. 6 in D, BWV 1012: Sarabande, Gavottes I & II<br />
arr. Colin Hampton<br />
Three Chorales<br />
arr. Jacobs<br />
Wir essen und leben wohl, from Cantata BWV 4 Christ lag in Todesbanden<br />
O Haupt voll Blut und Wunden, from St. Matthew Passion, BWV 244/no. 54<br />
Lob und Preis sei Gott dem Vater, from Cantata BWV 10 Meine Seel' erhebt den Herren<br />
Suite no. 5 in c, BWV 1011: Sarabande<br />
arr. Jacobs<br />
Concerto for two violins in d, BWV 1043: Largo ma non tanto arr. Mildred C. Rosner<br />
Es ist genug (from BWV 60 Cantata O Ewigkeit, du Donnerwort)<br />
arr. Jacobs
7am—Bálint Karosi, organ (Yale University and First Lutheran Church of Boston)<br />
<strong>Bach</strong> Influences—Transcriptions of Other Composers<br />
Concerto in G—after Johann Ernst von Sachsen-Weimar, BWV 592<br />
Trio in c—after Johann Friedrich Fasch, BWV 585<br />
Concerto in C—after Johann Ernst von Sachsen-Weimar, BWV 595<br />
Aria for Organ in F—after 'L'impériale' by François Couperin, BWV 587<br />
Concerto in d—after Antonio Vivaldi Op. 3/11, RV 565, BWV 596<br />
Trio in G—spurious, possibly after Georg Philipp Telemann, BWV 586<br />
Concerto in a—after Vivaldi Op. 3/8, RV 522, BWV 593<br />
8am—Violinists from the Donald Weilerstein Studio, New England Conservatory<br />
Qianqian Li Partita No. 2 in d, BWV 1004<br />
Zenas Hsu Sonata No. 3 in C, BWV 1005<br />
Brian Hong Partita No. 3 in E, BWV 1006<br />
9am—Dexter Kennedy, organ (Yale University)<br />
<strong>Bach</strong> Influences—<strong>The</strong> Lutheran Chorale and Italy<br />
Partita on Sei gegrüßet, Jesu gütig, BWV 768 Chorale and 8 Variations<br />
Trio on Herr Jesu Christ, dich zu uns wend’, BWV 655 (Leipzig)<br />
Nun komm’ der Heiden Heiland, BWV 659 (Leipzig)<br />
Toccata, Adagio, and Fugue in C, BWV 564<br />
10am—CHILDREN’S PROGRAM: “Peep the Piper”<br />
A story about the pipe organ with illustrations and music<br />
Karin Denison, narrator a Bálint Karosi, organ<br />
Conclusion: Fugue in G, BWV 550/b<br />
Guy Bovet<br />
11am—Landmarks Brass <strong>Bach</strong> Celebration (Boston Landmarks Orchestra players)<br />
Dana Oakes, trumpet: also, Boston Ballet, Boston Philharmonic, Portland Symphony<br />
Dana Russian, trumpet, Boston Pops Esplanade Orchestra, Boston Ballet, Beacon Brass<br />
Kevin Owen, horn, Boston Pops Esplanade Orchestra, Boston Philharmonic, Lyric Opera<br />
Robert Couture, trombone, Boston Ballet, Handel & Haydn, Wellesley College faculty<br />
Donald Rankin, tuba, Boston Ballet, Boston Philharmonic, often with the BSO<br />
Contrapuncti from <strong>The</strong> Art Of <strong>The</strong> Fugue, BWV 1080<br />
12pm—David Arcus, organ (Organist at Duke Chapel, Duke University)<br />
<strong>Bach</strong> Influences—North Germany<br />
Prelude and Fugue in a, BWV 551<br />
Ein’ feste Burg ist unser Gott, BWV 720<br />
Jesu meine Freude, BWV 1105<br />
Partita on O Gott, du frommer Gott, BWV 767 Chorale and 8 variations<br />
Herzlich thut mich verlangen, BWV 727<br />
Prelude (Toccata) and Fugue in C Major, BWV 566<br />
1pm—<strong>Bach</strong> from the Boston Conservatory<br />
Ina Zdorovetchi, harp Partita No. 1 in B-flat, BWV 825<br />
Elizabeth Seitz, Ph.D., Speaker<br />
Lila Brown, viola Suite No. 4 in E-flat, BWV 1010 (composed for cello)<br />
2pm—Megan Chartrand, presenter (Yale University)<br />
Virtual Pilgrimages To Calvary: A conceptual exploration<br />
of <strong>Bach</strong>’s St John Passion and Mel Gibson’s <strong>The</strong> Passion of the Christ<br />
3pm—Archguitar, a Legend, and the Next Generation<br />
Peter Blanchette, archguitar<br />
Sarabande & Corrente from Violin Partita No. 2 in d, BWV 1004<br />
Gavotte & Gigue from Cello Suite No. 6 in D, BWV 1012<br />
Laurence Lesser, cello (President Emeritus New England Conservatory)<br />
Cello Suite No. 1 in G, BWV 1007<br />
Hannah Choi, violin (Donald Weilerstein studio, New England Conservatory)<br />
Sonata No. 1 in g, BWV 1001<br />
4pm—Jacob Street, organ (Organ Scholar, Trinity Church Boston)<br />
<strong>Bach</strong> Influences—France<br />
Prelude in E flat, BWV 552/1<br />
O Mensch , bewein dein Sünde groß, BWV 622 (Orgelbüchlein)<br />
Fantasia in c, BWV 562<br />
Allein Gott in der Höh' sei Ehr', BWV 662 (Leipzig)<br />
Contrapunctus VI in stile francese, from <strong>The</strong> Art of Fugue, BWV 1080<br />
Vater unser im Himmelreich, BWV 682 (Klavierübung III)<br />
Prelude and Fugue in D, BWV 532<br />
5pm—Handel & Haydn Society Concert<br />
Richard Egarr, harpsichord, Music Director, Academy of Ancient Music<br />
Guy Fishman, cello, H&H, Boston Baroque, Emmanuel Music<br />
Emily Marvosh, mezzo-soprano, H&H, Opera Boston, Boston Lyric Opera<br />
Susanna Ogata, violin, H&H, Boston Modern Orchestra Project<br />
Ach bleibe doch, from Cantata BWV 11 Lobet Gott in seinen Reichen (Ascension Oratorio)<br />
Ms. Marvosh<br />
Sonata for Violin and Continuo in e, BWV 1023<br />
Ms. Ogata<br />
English Suite No. 6 in d, BWV 811<br />
Mr. Egarr
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