REFERENCE MANUAL - Player.rs

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The information in this document is subject to change without notice and does not represent a commitment on the part of Native Instruments GmbH. The software described by this document is subject to a License Agreement and may not be copied to other media. No part of this publication may be copied, reproduced or otherwise transmitted or recorded, for any purpose, without prior written permission by Native Instruments GmbH, hereinafter referred to as Native Instruments. All product and company names are or ® trademarks of their respective owners. Written by Benjamin Weiss; edited by Jens Hoffmann, Joshua Fielstra Manual version: 1.0 (02/2009) Software version: 1.0.2 Special thanks to the Beta Test Team, who were invaluable not just in tracking down bugs, but in making this a better product.
Germany NATIVE INSTRUMENTS GmbH Schlesische Str. 28 D-10997 Berlin Germany info@native-instruments.de www.native-instruments.de USA NATIVE INSTRUMENTS North America, Inc. 5631 Hollywood Boulevard Los Angeles, CA 90028 USA sales@native-instruments.com www.native-instruments.com © Native Instruments GmbH, 2009. All rights reserved.
Page 1: REFERENCE MANUAL
Page 5 and 6: 1.2 About this Manual This section
Page 7 and 8: 1.4.2 Serial numbers MASCHINE comes
Page 9 and 10: 1.5 Installing Maschine This chapte
Page 11 and 12: If you want to install the Maschine
Page 13 and 14: 1.6.2 Software 1 Header 2 Browser 3
Page 15 and 16: The Browser 1 Browser Mode Selector
Page 17 and 18: The Sampling Area 1 Record Tab 2 Ed
Page 19 and 20: Sounds Each Group consists of 16 So
Page 21 and 22: 2.2.2 Showing and hiding the Browse
Page 23 and 24: 2.2.5 Hiding the Modulation Lane Ha
Page 25 and 26: 2.3 Stand-alone and Plug-in Mode Yo
Page 27 and 28: 2.4.1 Preferences - General Tab The
Page 29 and 30: 2.4.2 Preferences - User Paths Tab
Page 31 and 32: 2.4.4 Preferences - Hardware Tab Th
Page 33 and 34: 2.4.5 Audio and MIDI Settings You c
Page 35 and 36: Outputs By clicking on Outputs, you
Page 37 and 38: 3 Browser The Browser is the place
Page 39 and 40: Browser Mode Selector The Browser M
Page 41 and 42: Search Result List The Search Resul
Page 43 and 44: 3.2.1 Importing a Sample into the L
Page 45 and 46: Adding a new Tag in the Type Column
Page 47 and 48: Filter Dial Knob 1 to select a file
Page 49 and 50: On the MASCHINE Controller, step th
Page 51 and 52: Page 2: Pitch/Gate and Amplitude En
Page 53 and 54:
Attack Hold Decay Sustain Release A
Page 55 and 56:
LP2 LP2 is a low pass filter with C
Page 57 and 58:
Destination This is where you defin
Page 59 and 60:
Aux 1 Pre Mix Aux 2 Pre Mix If this
Page 61 and 62:
4.6 Resetting a Sound Resetting a S
Page 63 and 64:
Tip: Since pressing Solo mutes all
Page 65 and 66:
5 Creating Groups A Group contains
Page 67 and 68:
5.2 The Group Out Tab Parameters Pa
Page 69 and 70:
5.4 Copy and Paste Groups Hardware
Page 71 and 72:
5.6 Naming Groups & Sounds Each Sou
Page 73 and 74:
Doubling a Pattern If you want to d
Page 75 and 76:
Recording a Pattern: press Play & R
Page 77 and 78:
8 to select the desired quantizatio
Page 79 and 80:
► ► ► Flanger Invert Grain De
Page 81 and 82:
6.2 Editing Patterns 6.2.1 Selectin
Page 83 and 84:
7 Working with Patterns (Software)
Page 85 and 86:
7.1.3 Resetting Patterns You can re
Page 87 and 88:
7.2.2 The Zoom Tool Using the Zoom
Page 89 and 90:
7.2.4 The Piano Roll/KEYBOARD Mode
Page 91 and 92:
7.2.6 Adding a Modulator Another wa
Page 93 and 94:
Pattern Length Grid In addition to
Page 95 and 96:
Quantization To apply quantization
Page 97 and 98:
8.1 Dynamics 8.1.1 Limiter The Limi
Page 99 and 100:
8.1.3 Compressor The Compressor on
Page 101 and 102:
8.2 Modulation 8.2.1 Chorus The Cho
Page 103 and 104:
8.2.3 Phaser The Phaser on the soft
Page 105 and 106:
8.2.5 Freq Shifter The Frequency Sh
Page 107 and 108:
Modulation Lfo Sync Speed Shape Pha
Page 109 and 110:
8.3.3 EQ The EQ on the hardware Use
Page 111 and 112:
8.4 Spatial and Reverb 8.4.1 Reverb
Page 113 and 114:
8.4.3 Ice The Ice on the software I
Page 115 and 116:
8.5 Distortion 8.5.1 Saturator The
Page 117 and 118:
8.5.3 Lofi The Lofi on the software
Page 119 and 120:
8.6.2 Grain Delay The Grain Delay o
Page 121 and 122:
The above method loads the initiali
Page 123 and 124:
9.2 Adding FX to a Group You can ap
Page 125 and 126:
Select one of the two FX Modules an
Page 127 and 128:
Software First you select the Maste
Page 129 and 130:
Selecting the Input Source You can
Page 131 and 132:
9.7 Muting FX Muting FX might come
Page 133 and 134:
Software Select the first Sound Slo
Page 135 and 136:
The Multi FX of the Library in the
Page 137 and 138:
10.1 Selecting a Scene Hardware Ent
Page 139 and 140:
A Clip with the selected Pattern wi
Page 141 and 142:
The Scene Position Marker The Scene
Page 143 and 144:
10.6 Using the Loop Mode to combine
Page 145 and 146:
11 Sampling & Sample Mapping MASCHI
Page 147 and 148:
Sync Start Delete Prev Next If Sync
Page 149 and 150:
Page 3: This particular amplitude e
Page 151 and 152:
Page 1: Key Settings The Mapping Ed
Page 153 and 154:
11.2 Controlling Sampling from the
Page 155 and 156:
Zoom Tool Use this to zoom in and o
Page 157 and 158:
Info Bar Displays the file name and
Page 159 and 160:
Slice Settings 16th Trans Sensitivi
Page 161 and 162:
These notes represent the Slices an
Page 163 and 164:
Several Zones in the Mapping Tab Ro
Page 165 and 166:
12 The Master Section The Master is
Page 167 and 168:
12.2 The Master Out Tab (OUT) The M
Page 169 and 170:
Region Output Master Groups Sounds
Page 171 and 172:
Loading and Saving Loading a File f
Page 173 and 174:
Basic Editing Select the Step Grid
Page 175 and 176:
Muting Locking Mute Mode Press MUTE
Page 177 and 178:
Secondary Pad Functions Undo Press
Page 179 and 180:
Editing: Step Grid Key Function 0 G
Page 181 and 182:
Name your Groups and Sounds Naming
Page 183 and 184:
Set up your own Multi FX Groups and
Page 185:
MASCHINE Reference Manual - 185
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