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4.1.1 Voice Settings<br />
Mono<br />
Glide<br />
Group<br />
If this Button is selected, the Sound will be played in Mono mode.<br />
If Mono is selected, this allows for a portamento-effect between consecutive<br />
steps.<br />
You can choose one of the 8 Voice Groups here or leave this option set<br />
to Off. If you assign more than one Sound to the same Voice Group,<br />
they will cancel each other out. This is a behavior you can find in vintage<br />
drum machines (typically used to “choke” the open hi-hat with<br />
the closed one), but also in monophonic synthesize<strong>rs</strong> that are only<br />
capable of playing one note at a time.<br />
4.1.2 Velocity Destination<br />
Start<br />
Decay<br />
Cutoff<br />
Volume<br />
This is a built-in modulation source that allows you to modulate the<br />
sample Start parameter on Page 2 based on the input velocity. Positive<br />
values shift the sample start position later in time as you play harder,<br />
negative values shift it closer to the beginning of the sample as you<br />
play harder. Tip: a typical example for this parameter is setting it so<br />
that the initial attack transient of a snare drum is heard only at high<br />
velocity values. This makes it sound “snappier” when you play hard,<br />
and “mushier” or muted when you play softly.<br />
This allows you to modulate the Decay parameter of the Amplitude<br />
Envelope on page 2 by using Velocity.<br />
This allows you to modulate the Cutoff parameter of the Filte<strong>rs</strong> with<br />
filter types LP, HP, BP (on page 3).<br />
This allows you to modulate Volume, which is what Velocity normally<br />
is used for.<br />
MASCHINE Reference Manual – 50