Ethics - Widener University
Ethics - Widener University
Ethics - Widener University
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We invite papers on<br />
Rites of Passage: We welcome papers that analyze literary and cinematic<br />
works through the lens of mythology, psychology, and anthropology, in<br />
particular those that offer insight into our journey towards adulthood or the<br />
many transitional phases of maturation.<br />
Spiritual Passage: Religious texts embrace the term as a means to connect<br />
the real world with the mystical world. Consider that the most common<br />
euphemism for death is “passing,”as if life and death are separated by a<br />
dividing line that one need only pass over. Papers exploring passages of the<br />
spirit, be they heaven-bound or hell-bent, in print or celluloid, are welcome.<br />
Passage as Journey: Travel literature is its own genre, and epic journeys<br />
often come with a celebratory song! From the Beowulf scop to the Beat<br />
poet, Arlo Guthrie to the Rolling Stones, lyricists remind us that “Life is a<br />
Highway.” We welcome papers invoking the call to travel, regardless of the<br />
destination.<br />
Passage to America: Regardless of your political stance, our Statue of<br />
Liberty continues to invite “huddled masses, yearning to breathe free.” We<br />
join the current debate by inviting papers on immigration literature and film.<br />
One could also analyze America’s identity through our literary icons: the pioneer,<br />
the hobo, the Huck Finn, and the runaway in American narrative.<br />
Literary Passages: For the academic, passages are our stock in trade, the<br />
medium through which we journey through the text; for it’s a rare class that<br />
dares to tackle Shakespeare’s ¬Tempest in one sitting. Instead, we are dwellers,<br />
preferring to spend quality time with an image, an echo, a pattern.<br />
Papers that celebrate the “passage” with an extended close reading are welcome.<br />
We also invite papers that seek to analyze the process of close reading<br />
or any other literary theory that claims to illuminate the art form through an<br />
analysis of its parts.<br />
More Info on the 2008 theme 41