Ethics - Widener University

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Thursday, April 12 8–9.15 | Session 1 General 1 | Covering (Up?) Katrina Salon 801 20th Century American Literature 1 | Cormac McCarthy’s Heroes Salon 816 19th Century British Literature 1 | George Eliot & John Stuart Mill Salon 817 Composition and Rhetoric 1 | Fixing Inconsistencies Salon 820 African American Literature 1 | Language as Power Salon 821 New York CEA 1 | Literature and Law Salon 824 Pedagogy 1 | English and Adult Moral Education Salon 825 Latino/a Literature 1 | Politics of Space and Gender Salon 828 Women’s Connection 1 | Truth, Trauma, and Female Memoir Cornet Room Film 1 | Making Tragedy Exotic Rhythms 2 Creative Writing 1: Fiction | Philosophy and Rivers Rhythms 3 Documentary Screening | Writing the Wartime Experience Salon 829 Note: this film lasts 81 minutes and will end during the Beverage Break. 9.15–9.30 | Beverage Break | Sponsored by New York CEA Lagniappe 9.30–10.45 | Session 2 Pedagogy 2 | Seeing Oneself through the Eyes of the Other Salon 801 Film 2 | Cueing the Viewer: Visual Rhetoric and the Right Response Salon 816 Women’s Connection 2 | Women’s Empathy and Giving Salon 817 Composition and Rhetoric 2 | Ethics and Diversity Salon 820 Latino/a Literature 2 | Fashioning Identities in the Borderlands Salon 821 Short Story 1 | Borges and Two Brits Salon 824 British Literature 1 | Ethical Frameworks Salon 825 New York CEA 2 | Literature and Law Salon 828 Academic Leadership 1 | So You Want to Be an Administrator? Salon 829 20th Century American Literature 2 | Literary Betrayals Cornet Room African American Literature 2 | Race, Violence, and Ethics Rhythms 2 Creative Writing 2: Poetry | Visitations and Power Rhythms 3 10.45–11 | Beverage Break | Sponsored by Michigan CEA Lagniappe 11–12.15 | Session 3 African American Literature 3 | Food in Toni Morrison Salon 801 Self 1 | Connecting Students and Canonical Literature Salon 816 Distance Learning 1 | Empathy and Ethics On-Line Salon 817 Composition and Rhetoric 3 | Ethics and Pedagogy Salon 820 General 2 | Speculative Worlds Salon 821 New York CEA 3 | Literature and Criminal Justice Salon 824 20th Century British Literature 1 | Memory and Tradition Salon 825 Academic Leadership 2 | Identity and New Faculty Members Salon 828 Women’s Connection 3 | Revolutions of Embodiment Salon 829 18th Century British Literature 1 | Satire, Sympathy, Community Cornet Room Creative Writing 3: Non-Fiction | Other American Stories of Exile Rhythms 2 20th Century American Literature 3 | Poetry Rhythms 3 12.15-1.30 | CEA Recognition Luncheon | Invitation Only Gallery 1.30–2.45 | Session 4 20th Century American Literature 4 | A Confederacy of Dunces Salon 801 African American Literature 4 | Community, Identity, and Culture Salon 816 Pedagogy 3 | When Who You Are Is Unethical to Your Students? Salon 817 18th Century British Literature 2 | Indecent Proposals Salon 820 20th Century British Literature 2 | Focus on Forster Salon 821 Composition and Rhetoric 4 | Web-Based Pedagogies Salon 824 Film 3 | Reading Literature Through Film Salon 825 Renaissance British Literature 1 | Shakespeare Salon 828 Composition and Rhetoric 5 | Imagining the Learning Curve Cornet Room vi Thursday, April 12 | Overview by Day and Time
Creative Writing 4: Poetry | Meditations and Metonymies Rhythms 2 Food and Literature | Food in Fiction Rhythms 3 2.45–3 | Beverage Break | Sponsored by Texas CEA Lagniappe 3–4.10 | Session 5 General 3 | Victorian Regionalism Salon 801 NY CEA 4 & Pedagogy 4 | “I” of the Beholder Salon 816 African American Literature 5 | Cultural Politics Salon 817 Film 4 | Responses to Tragedy and Discrimination Salon 820 Self 2 | Composing Self-Other Relations in the Classroom Salon 821 20th Century American Literature 5 | Race, Borders and Illness Salon 824 Technical Communication and Rhetoric 1 | Public Rhetorics Salon 825 20th Century British Literature 3 | Rewriting Texts Salon 828 Women’s Connection 4 | Teaching Women Salon 829 Composition and Rhetoric 6 | Confessional Narratives Cornet Room Creative Writing 5: Fiction | Accidents and Revisions Rhythms 2 19th Century British Literature 2 | Women Novelists Rhythms 3 4.15–5.30 | Session 6 African American Literature 6 | Musical Influences, Oral Traditions Salon 801 Film 5 | Overcoming Resistance Salon 816 Pedagogy 5 | Philosophical Considerations on Teaching Salon 817 Composition and Rhetoric 7 | Composition After Katrina Salon 820 Women’s Connection 5 | Representing Twentieth-century Feminism Salon 821 Technical Communication and Rhetoric 2 | Race and Community Salon 824 New York CEA 5 | Holocausts and Service-Learning Salon 825 Composition and Rhetoric 8 | Teaching the “Arts” Salon 828 19th Century British Literature 3 | William Wordsworth Salon 829 Creative Writing 6: Non-Fiction | Church: Refuge and Repression Rhythms 2 5.30–6.30 | Plenary Session Gallery Ballroom 6.30–8 | President’s Reception Waterbury Ballroom (2nd floor)! Friday, April 13 Note: To reach Roux Bistro 1/2, go through the hotel restaurant to the meeting rooms. 7–8.15 CEA & CEA Regional Affiliate Officers Breakfast Hotel Restaurant (2nd floor) 8–9.15 | Session 7 New York CEA 6 | Representing Struggle Salon 820 Film 6 | Cinematic Narratives and Ethical Obligations Salon 816 Renaissance British Literature 2 | Audience Response Salon 817 20th Century British Literature 4 | Narrative Art and Reading Salon 821 Pedagogy 6 | Models for Course Designs Salon 824 19th Century American Literature 1 | Civic and Familial Virtue Salon 825 Book History 1 | Teaching and Researching the Histories of Texts Salon 828 19th Century British Literature 4 | The Variety of Romanticisms Salon 829 Composition and Rhetoric 9 | Basic Writers in the 21st Century Cornet Room Creative Writing 7: Non-Fiction | Documenting Lives Rhythms 2 Women’s Connection 6 | Violent Separations Rhythms 3 9.15–9.30 | Beverage Break | Sponsored by Ohio CEA Lagniappe 9.30–10.45 | Session 8 Documentary Screening | Writing the Wartime Experience Roux Bistro 1/2 19th Century American Literature 2 | Early Women’s Insights Salon 816 Friday, April 13 | Overview by Day and Time vii
Page 1 and 2: Empathy & Ethics College English As
Page 3 and 4: Letter from the President Welcome t
Page 5 and 6: Call for Papers | CEA 2008 Passages
Page 7: Address hard copy submissions to th
Page 11 and 12: Saturday, April 14th 7-8 | Peace Br
Page 13 and 14: Renaissance Anxieties Friday 9.30-1
Page 15 and 16: Holocausts and Service-Learning Thu
Page 17 and 18: Thursday, April 12th 8-9.15 Session
Page 19 and 20: Film 1 | Rhythms 2 Making Tragedy E
Page 21 and 22: Short Story 1 | Salon 824 Borges an
Page 23 and 24: Self 1 | Salon 816 Connecting Stude
Page 25 and 26: African American Literature 4 | Sal
Page 27 and 28: 2.45-3 Beverage Break Sponsored by
Page 29 and 30: Composition and Rhetoric 6 | Cornet
Page 31 and 32: Composition and Rhetoric 8 | Salon
Page 33 and 34: 20th Century British Literature 4 |
Page 35 and 36: 20th Century American Literature 6
Page 37 and 38: 10.45-11 Beverage Break Sponsored b
Page 39 and 40: American and Canadian Literature |
Page 41 and 42: Sea at CEA 1 | Rhythms 3 Pirates! M
Page 43 and 44: Creative Writing 10: Workshop | Rhy
Page 45 and 46: 5-5.45 Open Business Meeting | Corn
Page 47 and 48: Pedagogy 11 | Salon 821 Strategies
Page 49 and 50: British Medieval Literature 1 | Sal
Page 51 and 52: Reading | Salon 817 Larry Rubin: A
Page 53 and 54: 2.30-6.15 Cajun Critter Swamp Tour
Page 55 and 56: CEA Presidents 1938-39 Robert Malco
Page 57 and 58: We invite papers on Rites of Passag
Page 59 and 60:
De La Vars, Lauren 13, 14 DeLotto,
Page 61 and 62:
N Naimark, Jennifer 25 Nair, Supriy
Page 63 and 64:
Notes 47
Page 65 and 66:
Notes . 49
Page 67 and 68:
Notes 51
Page 69 and 70:
Sheraton 4th Floor 53
Page 71 and 72:
Sheraton 2nd Floor 55
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Ethics - Widener University

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