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Winter 2012 galleries magazine

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)International Arts & Artists’<br />

Hillyer Art Space<br />

9 Hillyer Ct. NW, 202-338-0680, Fax 202-333-<br />

0758. For gallery info email: grahamb@artsandartists.<br />

Mon. 10-5, Tues.-Fri. 10-7, Sat. 11-4.<br />

www.artsandartists.org.<br />

January 6-27: Lucinda Murphy has been fascinated<br />

by science & the process of Evolution, from the<br />

Big Bang to Computers. Recently, she has focused<br />

on exploring Order and Chaos. Monica's paintings<br />

reflect the fact that each of us makes choices, conscious<br />

and unconscious, which have consequences.<br />

Areas that are in more focus versus those that are<br />

hazy or unclear define this breadth of awareness.<br />

February 3-24: Elizabeth Holtry: Toile de Jouy. Holtry<br />

depicts animals that few people appreciate, such as<br />

hyenas, insects, and rats. Wondering why we freely<br />

discriminate in our opinions of animals, her work<br />

addresses prejudicial attitudes. Holtry's inspiration<br />

also comes from decorative arts and textiles. Toile<br />

de Jouy mimics the style of historic toile de jouy,<br />

a fabric originating in France in the late 18th c.,<br />

depicting pastoral scenes: people fishing, sitting by a<br />

lake, farming, children playing. To subvert the often<br />

saccharine imagery, Holtry created original, brightlycolored<br />

toile patterns that depict creatures most<br />

consider repulsive, frightening, unattractive.<br />

David Myers: Confined: Visual Synonyms. Photography<br />

is a tool Myers uses to explore surroundings<br />

and better understand observations. His work<br />

documents not yet well-understood preconceptions<br />

of zoos and aquariums, and our interaction with the<br />

animals housed within.<br />

"Marsha Mateyka Gallery<br />

<strong>2012</strong> R Street NW, (202) 328-0088. fax: (202)<br />

332-0520, e-mail: mmateyka@aol.com.<br />

Open Wed-Sat 11-5.<br />

www.marshamateykagallery.com.<br />

Kitty Klaidman: Salt Spring Island: Beneath the<br />

Surface, Recent Paintings, thru Jan 21.<br />

Nathan Oliveira: Works from the Estate of the<br />

Artist, a selection of paintings, watercolors,<br />

monotypes and sculpture, February 2-March 3.<br />

The gallery also represents Aline Feldman,<br />

Christopher French, Sam Gilliam, Jae Ko, Jim<br />

Sanborn, Athena Tacha, William T. Wiley and the<br />

Estate of Gene Davis.<br />

BLStudio Gallery<br />

2108 R St NW (downstairs), (202) 232-8734.<br />

Wed-Thurs 1-7 pm, Fri 1-8 pm, Sat 1-6 pm,<br />

Sunday by appt.<br />

www.studiogallery.dc.com<br />

January 4 - 28:<br />

Jenna Crowder and Keith Lane: REVERB +<br />

ECHO: A HAITIAN LANDSCAPE. Photographs of<br />

everyday life in post-earthquake Haiti, and<br />

prints inspired by each of those images. The<br />

work is a collaboration between Keith Lane<br />

and Jenna Crowder, weaving a raw story from<br />

their trips to the country. The photographs<br />

and prints are made as pairs, providing two<br />

distinct visions of seeing and responding<br />

to the same moments. Lane’s photographs<br />

document the quieter areas of the chaos: a<br />

foggy mountainside, a rooster hanging out in<br />

a collapsed church, an afternoon swim near a<br />

hidden waterfall. Crowder’s prints respond to<br />

those same frames, offering more saturated<br />

interpretations and echoes reflecting the colors,<br />

textures, people, and politics of Haiti with<br />

typography, graphic design, and drawing.<br />

Natalie Panfile<br />

still from performance piece<br />

thru Montpelier Arts Center, Maryland<br />

(see page 23)<br />

12 ■ <strong>galleries</strong> ■ WINTER <strong>2012</strong>

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