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Grapes Guide.pdf - Minnesota Opera

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elements of opera 100<br />

the premiere<br />

The first presentation of the opera to the general public is known as the premiere. Long before the curtain<br />

goes up, preparations are being made.<br />

6:00 pm Continuity<br />

stagehands (1) set the scenery for the first act of the production.<br />

6:15 pm Makeup calls<br />

principals and comprimarios (2) begin to arrive at the theater to be put into costume by<br />

dressers, then are wigged by the wigmaster (1a) and made up with theatrical makeup.<br />

6:30 pm House opens<br />

<strong>Opera</strong> patrons are admitted to the auditorium (4) and seated by ushers (5). The house manager (6)<br />

oversees the activities in the front of the house, including the ushers and concession sales. The box<br />

office manager (7) takes care of any last minute ticket purchases. Patrons may remain in the<br />

lobby (8) to attend an informational session of <strong>Opera</strong> Insights, led by the <strong>Opera</strong>’s music staff.<br />

6:45 pm Notes<br />

The stage director may give last minute instructions to the cast before the performance begins.<br />

7:00 pm Warm-ups<br />

principals and comprimarios (2) warm-up in their dressing rooms.<br />

7:15 pm Chorus and orchestra warm-ups<br />

The chorus (10), who have already put on their costumes, warms up with the chorusmaster. The<br />

orchestra warms up in the orchestra pit (11).<br />

7:25 pm Places<br />

The production stage manager (12) calls places. Two other stage managers (13) are posted stage<br />

left and stage right to cue the entrances of the singers and choristers.<br />

7:28 pm Orchestra tune<br />

The principal oboe gives a concert “a” to which the orchestra tunes. The surtitle prompter (15)<br />

cues the preshow titles. The conductor shakes the concertmaster’s hand and mounts the podium.<br />

7:30 pm Curtain<br />

The house lights goes out, and the flyman (1a) raises the curtain (16). The show begins.<br />

8:25 pm Intermission<br />

The audience returns to the lobby (8) for refreshments while the stagehands (1) reset the stage<br />

(14) for the next act.<br />

10:15 pm Curtain calls<br />

The performance ends, and the stage director, designers, conductor and singers get to take<br />

a bow for all their hard work.<br />

stagehands move scenery and props<br />

and handle lighting. dressers help<br />

the cast into their often elaborate<br />

costumes.<br />

principals sing the major roles.<br />

comprimarios sing minor named<br />

roles. choristers make up the rest of<br />

the singing cast and are prepared by<br />

the chorusmaster.<br />

The conductor leads the orchestra.<br />

The stage director instructs the cast<br />

where to move onstage. He or she<br />

generally stays only for the premiere.<br />

The orchestra rehearses several<br />

times independently from the<br />

singers. The first rehearsal during<br />

which singers and orchestra perform<br />

together is called a sitzprobe. The<br />

concertmaster is the first violin and<br />

is responsible for “bowing” the string<br />

parts so the performers all move their<br />

bows together.<br />

The production stage manager<br />

“calls” the show, announcing entrance<br />

and lighting cues. Two other stage<br />

managers assist in getting the cast<br />

and chorus on and off the stage. The<br />

surtitle prompter cues the English<br />

translations projected above the stage<br />

from the control booth.

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