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Published and represented by Williamson Music, the publishing company of The Rodgers and Hammerstein<br />
Organization, Gordon’s publications include four songbooks: A Horse With Wings, Genius Child, Only Heaven and Finding<br />
Home. Three publications herald a new relationship with publisher Carl Fischer Music as well: The Piano Music of Ricky<br />
Ian Gordon, Songs For Our Time and Orpheus and Euridice.<br />
Awards include the National Institute for Music Theater Award, the Stephen Sondheim Award, The Gilman and<br />
Gonzalez-Falla Music Theater Foundation Award, the Jonathan Larson Foundation Award, the Constance Klinsky Award<br />
and a National Institute for Music Theater Award. Dream True won a Richard Rodgers Production Award, and My Life<br />
With Albertine won the 2002 at&t Award. The vocal score is published by Williamson Music.<br />
On April 28–29, 2002, there were two sold-out concerts of Mr. Gordon’s music at the Guggenheim Museum as part of<br />
the Works and Process series, with Audra McDonald, Theresa McCarthy, Lewis Cleale and Darius DeHaas with Ted Sperling<br />
conducting. Stephen Holden wrote:<br />
As the singers performed more than 20 of Mr. Gordon's songs, the majority arranged by the composer for a 10-member ensemble<br />
conducted by Ted Sperling, the music bubbled and cascaded like a mountain brook after a spring rain. Over and over, one had the image<br />
of a boy skipping ecstatically through fields and woods on a crisp April morning.<br />
Mr. Gordon's love of poetry is evident from the clarity and ease of flow of settings that rarely allow a word to get lost. Whether giving<br />
musical voice to Hughes's urban angst or to Parker's cynicism, the composer instinctively looks for the silver lining. He turns despair into<br />
sadness and softens bitter into wry. Several of his settings of Hughes's poems are inflected with Jazz Age flavors that suggest the blues,<br />
but as played by a jazz band at a champagne reception on an ocean liner.<br />
— The New York Times, April 30, 2002<br />
Michael Korie<br />
b Elizabeth, New Jersey, April 1, 1955<br />
Writing for both opera and musical theater, Michael Korie wrote the lyrics<br />
to the new musical Grey Gardens now playing on Broadway at The Walter<br />
Kerr Theatre following its premiere Off-Broadway at Playwrights Horizons. Based<br />
on the Maysles documentary about the society recluses Edith Bouvier Beale and<br />
her daughter “Little Edie,” with a book by Doug Wright, music by Scott Frankel,<br />
direction by Michael Greif and a heralded performance by Christine Ebersole, it<br />
was awarded The Outer Critics Circle Award for Outstanding Musical of 2006<br />
and was chosen as the Time Magazine number one show of the year. New York<br />
Magazine cited Korie’s lyrics as “the sharpest in town,” while Rolling Stone found<br />
it “an original score with the power to live in your head long after you leave the<br />
theater.” Also with composer Frankel, Korie wrote both book and lyrics to Doll,<br />
presented at The Ravinia Festival in a production The Chicago Tribune called “an<br />
elegant show, fascinating and challenging,” and the upcoming Meet Mister Future,<br />
set to premiere in Los Angeles in 2008. Following developmental productions at<br />
La Jolla Playhouse, his lyrics to composer Lucy Simon’s music for the new musical Zhivago will premiere abroad next season<br />
in a full production directed by Des McAnuff on London’s West End with book by Michael Weller based on Pasternak’s<br />
novel.<br />
Korie has previously enjoyed writing lyrics to composer Ricky Ian Gordon’s songs performed live in concert and broadcast<br />
from Lincoln Center’s Alice Tully Hall and Los Angeles Disney Concert Hall conducted by Grant Gershon. The <strong>Grapes</strong><br />
of Wrath is their first full-length collaboration. His libretti for operas with composer Stewart Wallace include Hopper’s Wife,<br />
gordon biography<br />
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