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Ricky Ian Gordon<br />
b Oceanside (Long Island), New York, May 15, 1956<br />
Referred to in The New York Times as “one of the leading younger composers of songs,”<br />
Ricky Ian Gordon is a composer of unusual scope, equally at home writing for the<br />
concert hall, opera, dance, theater and film. When his opera, The Tibetan Book of the Dead,<br />
premiered in Houston, one critic said “… it revealed to Houstonians a composer with a<br />
facile but compelling gift for song. His opera was, to me, another exciting moment in the<br />
accelerating emergence of a collective American style of art music rooted equally in the<br />
country’s vernacular and cultivated traditions.”<br />
Other credits for Mr. Gordon include My Life With Albertine, with Richard Nelson at<br />
Playwrights Horizons (cast recording, PS Classics), Dream True, with Tina Landau at The<br />
Vineyard Theater (recorded on PS Classics), The Tibetan Book Of The Dead, with Jean Claude<br />
Van Itallie at Houston Grand <strong>Opera</strong> and The American Music Theater Festival, Only<br />
Heaven, with Langston Hughes for Encompass <strong>Opera</strong> (recorded on PS Classics),<br />
Stonewall/Night Variations, with Tina Landau for En Garde Arts, States Of Independence, with Ms. Landau for The American<br />
Music Theater Festival, and Autumn Valentine, with Dorothy Parker for <strong>Opera</strong> Omaha’s 1992 Fall Festival. As composerin-residence<br />
at the Lyric <strong>Opera</strong> of Chicago in 2001 and 2002, he wrote Morning Star, with William Hoffman. On March<br />
13, 2001, at Lincoln Center, he was presented as part of the American Songbook Series. The New York Times said, “If the music<br />
of Ricky Ian Gordon had to be defined by a single quality, it would be the bursting effervescence infusing songs that<br />
blithely blur the lines between art song and the high-end Broadway music of Leonard Bernstein and Stephen Sondheim<br />
… It’s caviar for a world gorging on pizza.” Mr. Gordon’s songs have been performed and recorded by many internationally<br />
known singers including Renée Fleming, Dawn Upshaw, Audra McDonald, Kristin Chenoweth, Lorraine Hunt Lieberson,<br />
Deborah Voigt, Andrea Marcovicci, Harolyn Blackwell and Betty Buckley. Other recordings include two Nonesuch<br />
compact discs: Audra McDonald’s Way Back To Paradise and Bright Eyed Joy: The Songs Of Ricky Ian Gordon, and Water<br />
Music/A Two-Part Requiem on Of Eternal Light, the Catalyst/BMG Classics CD with Musica Sacra conducted by Richard<br />
Westenberg. Harolyn Blackwell, on the compact disc entitled Strange Hurt for RCA Victor, recorded Genius Child, a cycle<br />
of ten Langston Hughes settings.<br />
Current projects include this opera, The <strong>Grapes</strong> of Wrath with Michael Korie for The <strong>Minnesota</strong> <strong>Opera</strong>, which will be staged<br />
at the co-commissioning Utah <strong>Opera</strong> in May, and For My Family, for which Gordon is also the book writer and lyricist,<br />
has already had a developmental workshop at The Sundance Theater Lab. His orchestral song cycle and flowers pick<br />
themselves…, which uses five poems by e. e. cummings, premiered on October 29 in Michigan.<br />
Mr. Gordon’s collaboration with choreographer Seán Curran, Art Song Dance, premiered at The Joyce Theater in June<br />
2005, and Orpheus and Euridice premiered as part of Lincoln Center’s New Visions Series American Songbook and Great Performers<br />
Series on October 5, 2005, with Todd Palmer as the clarinetist, Elizabeth Futral, soprano, and Melvin Chin as the pianist.<br />
Doug Varone directed and choreographed. Peter G. Davis in New York Magazine wrote: “Both Gordon’s text and music<br />
are couched in an accessible idiom of disarming lyrical directness, a cleverly disguised faux naivete that always resolves<br />
dissonant situations with grace and a sure sense of dramatic effect—the mark of a born theater composer.”<br />
Orpheus and Euridice won a 2006 OBIE Award. The citation read:<br />
A musician, a dead lover, an extraordinary journey; you might think this old tale has been told too many times, but one composer’s<br />
personal passion, a choreographer’s startling imagination, and the courage of a producer, created one of this year’s most moving<br />
theatrical events in any genre. For their new-visionary retelling of the tale of Orpheus and Euridice, the judges have awarded an Obie<br />
to Ricky Ian Gordon, Doug Varone and The Lincoln Center New Visions program, Jon Nakagawa and Jane Moss producers.<br />
gordon biography<br />
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