issue 34 - New Books in German
issue 34 - New Books in German
issue 34 - New Books in German
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Writer-<strong>in</strong>-Residence Programmes <strong>in</strong> the UK<br />
Writer-<strong>in</strong>-residence<br />
programmes are a great<br />
opportunity for university<br />
departments and cultural<br />
centres to allow their patrons<br />
to discover upcom<strong>in</strong>g <strong>German</strong>,<br />
Swiss and Austrian writers. For<br />
the authors, these programmes<br />
offer a unique chance to further<br />
develop their craft and to<br />
engage with new audiences <strong>in</strong><br />
fresh surround<strong>in</strong>gs. It might be<br />
reasonable to assume that such<br />
programmes have been under<br />
f<strong>in</strong>ancial pressure and stra<strong>in</strong><br />
<strong>in</strong> recent years. But, <strong>in</strong> spite<br />
of fund<strong>in</strong>g and budgets be<strong>in</strong>g<br />
<strong>in</strong>creas<strong>in</strong>gly subject to scrut<strong>in</strong>y,<br />
writer-<strong>in</strong>-residence programmes<br />
cont<strong>in</strong>ue to prosper and thrive.<br />
This is the case not only for<br />
regular programmes that have<br />
been <strong>in</strong> place for many years,<br />
but also for new and irregular<br />
programmes that have come<br />
about through collaboration<br />
between <strong>in</strong>stitutions.<br />
Fund<strong>in</strong>g and Support<br />
Many of the writer-<strong>in</strong>-residence<br />
programmes that run throughout<br />
the UK receive assistance from<br />
cultural <strong>in</strong>stitutions or fund<strong>in</strong>g<br />
bodies such as the <strong>German</strong><br />
Academic Exchange Service<br />
(DAAD). The DAAD scheme offers<br />
<strong>German</strong> departments <strong>in</strong> British<br />
universities the opportunity to<br />
<strong>in</strong>vite <strong>German</strong> authors for a period<br />
of two to four weeks, allow<strong>in</strong>g<br />
authors and students to engage<br />
with one another <strong>in</strong> sem<strong>in</strong>ars,<br />
discussions and read<strong>in</strong>gs. Through<br />
the fund<strong>in</strong>g assistance provided<br />
by the DAAD, writers such as<br />
Elke Erb, Robert Gerhardt and<br />
José F. A. Oliver have visited<br />
the University of Warwick, and<br />
both Jan Brandt and last year’s<br />
Büchner Prize W<strong>in</strong>ner Felicitas<br />
Hoppe were hosted by K<strong>in</strong>g’s<br />
College London. Aston University’s<br />
writer-<strong>in</strong>-residence programme<br />
is as strong as ever thanks to<br />
cont<strong>in</strong>ued support, with its <strong>German</strong><br />
department hav<strong>in</strong>g <strong>in</strong>vited writers<br />
to the university s<strong>in</strong>ce the early<br />
1990s. In recent years authors<br />
such as Lorenz Schröter and Jörg<br />
Albrecht have allowed Aston’s<br />
students to engage with their<br />
works and the creative process.<br />
The Swiss Arts Council, Pro Helvetia,<br />
similarly contributes to the cultural<br />
26 article<br />
Dr Lyn Marven <strong>in</strong>troduces an event organised by the University of Liverpool with<br />
writer-<strong>in</strong>-residence Larissa Boehn<strong>in</strong>g and writer Zoe Lambert<br />
outreach of Swiss writers by<br />
assist<strong>in</strong>g British universities to<br />
host Swiss writers-<strong>in</strong>-residence.<br />
The University of Leeds is a recent<br />
beneficiary of Pro Helvetia’s<br />
scheme, hav<strong>in</strong>g received support<br />
for the visit of Christian Kracht.<br />
Collaboration<br />
The fund<strong>in</strong>g that the DAAD<br />
provides for short-term residencies<br />
of between two and four weeks<br />
has resulted <strong>in</strong> many <strong>German</strong><br />
departments collaborat<strong>in</strong>g to <strong>in</strong>vite<br />
authors. Indeed, the DAAD actively<br />
encourages this collaboration<br />
between universities and cultural<br />
organisations <strong>in</strong> the form of jo<strong>in</strong>t<br />
applications and co-operation.<br />
These jo<strong>in</strong>t applications are of<br />
great value to many universities<br />
without a regular writer-<strong>in</strong>residence<br />
<strong>in</strong> place, as it allows<br />
them the opportunity to experience<br />
the benefits of such residencies.<br />
Collaboration between the<br />
University of Liverpool and the<br />
University of Lancaster has enabled<br />
visits by writers such as Maike<br />
Wetzel and Larissa Boehn<strong>in</strong>g, and<br />
this year both universities, along<br />
with the Universities of Sheffield,<br />
Leeds and Manchester, have<br />
secured fund<strong>in</strong>g to <strong>in</strong>vite journalist<br />
and author Holger Ehl<strong>in</strong>g. The<br />
DAAD is also support<strong>in</strong>g the<br />
academic and poet Jörg Bernig’s<br />
residencies at the Universities of<br />
Swansea, Cardiff and Bath later<br />
this year. These collaborative<br />
projects not only serve to foster<br />
long-term relationships between<br />
the university departments, but<br />
also pave the way for more<br />
multiple residencies <strong>in</strong> the future,<br />
allow<strong>in</strong>g authors to engage with<br />
a much wider audience than longterm<br />
residencies. The recent tour<br />
of Alois Hotschnig, arranged by<br />
the Ingeborg Bachmann Centre for<br />
Austrian Literature, allowed him to<br />
engage with audiences <strong>in</strong> Leeds,<br />
London, Oxford and Bristol with<strong>in</strong><br />
a very short space of time.<br />
Other forms of collaboration<br />
also help to create residency<br />
opportunities. Durham University’s<br />
enthusiastic <strong>in</strong>volvement with<br />
cultural events result<strong>in</strong>g from<br />
the town-tw<strong>in</strong>n<strong>in</strong>g arrangement<br />
that exists between Durham and<br />
Tüb<strong>in</strong>gen has resulted <strong>in</strong> the<br />
poet Uwe Kolbe be<strong>in</strong>g a frequent<br />
welcome visitor to the university.<br />
Similarly, the University of Glasgow<br />
profits from visit<strong>in</strong>g writers and<br />
events held at the Goethe-Institut<br />
<strong>in</strong> Glasgow. For the last two years,<br />
with the f<strong>in</strong>ancial assistance of the<br />
Ingeborg Bachmann Centre, the<br />
University of Kent has arranged<br />
events with writers who have been<br />
guests of the Austrian Cultural<br />
Forum. This year Arno Geiger<br />
conducted a translation workshop<br />
and a read<strong>in</strong>g, and there is every<br />
hope that the partnership between<br />
the two <strong>in</strong>stitutions will cont<strong>in</strong>ue<br />
further <strong>in</strong>to the future.<br />
Zwei Wochen England<br />
Aside from this collaboration<br />
with the University of Kent, the<br />
Ingeborg Bachmann Centre,<br />
supported by the Austrian Cultural<br />
Forum, cont<strong>in</strong>ues to provide a<br />
writer-<strong>in</strong>-residence programme<br />
for Austrian writers to stay and<br />
work <strong>in</strong> London for two weeks; <strong>in</strong><br />
2014, the writer-<strong>in</strong>-residence will<br />
be Eva Menasse. The programme,<br />
established <strong>in</strong> 2002, has enjoyed a<br />
wealth of contemporary Austrian<br />
writers <strong>in</strong> recent years, such as<br />
Lilian Fasch<strong>in</strong>ger, Walter Grond,<br />
Erich Wolfgang Skwara, Anna Kim,<br />
© The Bluecoat, Liverpool<br />
Evelyn Schlag and Lydia<br />
Mischkulnig.<br />
In order to showcase the literary<br />
talent of the writers-<strong>in</strong>-residence<br />
hosted by the Ingeborg Bachmann<br />
Centre dur<strong>in</strong>g its first ten years,<br />
the Centre’s Director Dr Heide<br />
Kunzelmann decided to edit a<br />
collection of poetry and prose<br />
entitled Zwei Wochen England,<br />
consist<strong>in</strong>g of writ<strong>in</strong>gs <strong>in</strong>spired by<br />
the writers’ stay <strong>in</strong> London. After<br />
<strong>in</strong>vit<strong>in</strong>g previous and current<br />
writers-<strong>in</strong>-residence to contribute<br />
to the book, Dr Kunzelmann was<br />
delighted that all eleven authors<br />
agreed to do so, result<strong>in</strong>g <strong>in</strong> a<br />
bi-l<strong>in</strong>gual edition of these works<br />
be<strong>in</strong>g published by Sonderzahl<br />
<strong>in</strong> the autumn of last year. The<br />
<strong>in</strong>spiration for the project was that<br />
the list of writers <strong>in</strong>vited by the<br />
Ingeborg Bachmann Centre <strong>in</strong> the<br />
programme’s first ten years was,<br />
as Dr Kunzelmann noticed, ‘a k<strong>in</strong>d<br />
of who’s who of Austrian literature<br />
around the turn of the twenty-first<br />
century.’ The book was launched<br />
<strong>in</strong> November 2012 at the Austrian<br />
Cultural Forum and received a<br />
mention <strong>in</strong> Austrian magaz<strong>in</strong>e<br />
Profil <strong>in</strong> a feature on Austrian<br />
literature <strong>in</strong> Great Brita<strong>in</strong> <strong>in</strong> June<br />
of this year.<br />
The blurb for Zwei Wochen<br />
England declares that it seeks to<br />
be a bridge between the cultures<br />
of ‘Island’ and ‘Cont<strong>in</strong>ent.’ The<br />
collaborative work between<br />
university departments, cultural<br />
centres and schemes helps develop<br />
writer-<strong>in</strong>-residence programmes<br />
and ensures that this bridge is<br />
be<strong>in</strong>g ever-strengthened.<br />
By Andrew Hayden