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Roads of Arabia

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18bis Arabie US p318-363.qxd 23/06/10 22:12 Page 334<br />

ROADS OF ARABIA<br />

Qaryat al-Faw<br />

154. Statuette <strong>of</strong> Harpocrates<br />

2nd–3rd century AD<br />

Bronze<br />

12.4 x 6.1 cm<br />

Qaryat al-Faw<br />

Department <strong>of</strong> Archaeology Museum, King Saud University, Riyadh, 248 F 6<br />

155. Statuette <strong>of</strong> Heracles<br />

1st–3rd century AD<br />

Bronze<br />

H. 25.3 cm<br />

Qaryat al-Faw<br />

Department <strong>of</strong> Archaeology Museum, King Saud University, Riyadh, 214 F 7<br />

Bibliography: Al-Ansari 1982, p. 104; Parlasca 1989, pl. 11; ‘Aqil and Antonini<br />

2007, p. 150, no. I Ac4/.<br />

Harpocrates or “Horus the Child” is an Egyptian deity already<br />

adopted by the Greeks in the Ptolemaic period, then popularized<br />

and widely diffused in Roman times. At this time he was generally<br />

represented as a naked child with his finger at his mouth, wearing<br />

a vegetal crown and an Egyptian pschent (the double Egyptian<br />

crown), which are reminiscences <strong>of</strong> his Egyptian iconography. In<br />

addition to all these traditional attributes, the al-Faw statuette features<br />

a cornucopia, a pair <strong>of</strong> wings and a bulla around his neck,<br />

characteristic <strong>of</strong> Roman children. M. C.<br />

The hero Heracles is identified by the lion skin and the club resting<br />

on his left arm. The expression <strong>of</strong> his face is accentuated by the<br />

inlays <strong>of</strong> his eyes and his partly open mouth. Initially, he held in his<br />

right hand a drinking vessel, presently lost. This image <strong>of</strong> Heracles<br />

nude, bearded and holding the drinking vessel won him the name<br />

Hercules-Bibax, “the Drinker”; an iconography associating him<br />

with Dionysus and also illustrating his participation in the banquets<br />

<strong>of</strong> the gods and therefore his immortality. This type <strong>of</strong><br />

Heracles, fashioned after the canons established by the Greek sculptor<br />

Polykleitos, was highly popular in Hellenistic and Roman times<br />

and the diffusion <strong>of</strong> his cult transcended the boundaries <strong>of</strong> the<br />

Greek world. M. C.<br />

156. Statuette <strong>of</strong> Harpocrates<br />

1st–3rd century AD<br />

H. 32 cm; Max. w. 9.2 cm<br />

Bronze<br />

Qaryat al-Faw<br />

Department <strong>of</strong> Archaeology Museum, King Saud University, Riyadh, 209 F 7<br />

On the plinth <strong>of</strong> this statuette probably representing a deity (lunar?), we can make<br />

out the name <strong>of</strong> person. Only a few letters can be deciphered in the visible part:<br />

Hdrt bn (Z)‘[<br />

Hidhdhārat son <strong>of</strong> (Z)‘…<br />

(transcription C. R.)<br />

This figurine differs from the traditional iconography <strong>of</strong> Harpocrates<br />

(cat. no. 154) by the number <strong>of</strong> attributes. The Egyptian Child-God<br />

is associated with a small horned bovine and a small figure with raised<br />

arms wearing a loincloth. The scene is set on an inscribed cylindrical<br />

base on which a winged gorgon’s face is applied. Hidhdharat, the<br />

dedicator, may have had himself represented in the guise <strong>of</strong> the little<br />

figure with uplifted arms ready to perform a sacrifice in the context<br />

<strong>of</strong> a Graeco-Roman pagan cult. M. C.<br />

334<br />

335

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