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RfiYnt-rifP<br />

MARCH<br />

TRAILERS<br />

Ifs still winter outside but,<br />

inside, it seems like summer<br />

Now, here's a tall<br />

order.<br />

Last year, the<br />

winds ofMarch were<br />

more breezy than<br />

blustery at the boxoffice,<br />

in that less<br />

than a handful of<br />

major releases were<br />

slated to land. And<br />

\<br />

the biz's ticket-sales<br />

windsock ultimately<br />

proved to be a little<br />

droopy, with "Jungle<br />

2 lungle" and "The "<br />

Devil's Own" underperforming<br />

hopes<br />

and only "Liar Liar"<br />

tearing through the<br />

^<br />

turnstiles.<br />

How things do<br />

change. Readying to blow in come March 1 998 are 47 new<br />

releases. Now, it's not only that that's 1 1 more movies (30<br />

percent) than last March's incoming tally; it's what those<br />

47 represent. Perhaps the highest of the high-profile titles<br />

are: "City of Angels," a Nicolas Cage/Meg Ryan romance;<br />

the Coen Bros.' "The Big Lebowski"; "U.S. Marshals," the<br />

sequel to "The Fugitive"; and the latest from Warren<br />

Beatty, tentatively called "Bulworth."<br />

And that's only the first weekend. After that arrive the<br />

likes of "The Man in the Iron Mask," starring "Titanic's"<br />

Leonardo DiCaprio, on 3/13; "Primary Colors," the 3/20<br />

John Travolta/Emma Thompson pairing, which is likely to<br />

light up not only the entertainment sections but also the<br />

political pages; and "My Giant" (photo above), a Billy<br />

Crystal comedy on 3/27 that looks to be for all ages. Mixed<br />

in among those are other entries starring such audience<br />

favorites as Matthew McConaughey, Gwyneth Paltrow,<br />

Kenneth Branagh, fada Pinkett and Patricia Arquette. Call<br />

it the Ron Popeil month: but, wait, there's more.<br />

It's become a commonplace for our Trailers introduction<br />

to notice that, despite various studios' cutback announcements<br />

to the contrary, there are a whole lot of films<br />

being produced and distributed. Of course, it's better, at<br />

least from an exhibition standpoint, to suffer an embarrassment<br />

of riches rather than the chagrin of privation. And a<br />

12-month calendar is what everyone in the industry wants.<br />

But, even with so many circuits on the road to Megaplex,<br />

'<br />

ility that some of these movies<br />

le frame, there will be a lot<br />

of product to find screens for.<br />

Here's to hoping that it's not just the stiff March winds<br />

lh.ll will be spinning theatres' front doors.<br />

MARCH 6<br />

City of Angels<br />

This romance tells the story of<br />

a guardian angel who falls in love<br />

with the woman he's watching<br />

over and who must choose<br />

whether to remain a member of<br />

the celestial host, with all its ethereal<br />

pleasures, or become human<br />

again and join his beloved on<br />

Earth. Nicolas Cage, Meg Ryan,<br />

Dennis Franz and Andre<br />

Braugher star. Brad Silberling<br />

("Casper") directs; Dana Stevens<br />

("Blink") scripts; Atlas Entertainment's<br />

Dawn Steel and Chuck<br />

Roven produce for Turner Pictures.<br />

(Warner Bros., 3/6)<br />

Exploitips: The friendly PG-13<br />

rating (for sexuality including language<br />

and some nudity) should<br />

help this draw mainstream audiences.<br />

Though the film could<br />

trend more to the distaffside than<br />

did the comedic "Michael, " also<br />

a Turner production. Cage and<br />

Ryan are both popular male<br />

draws, and the date's only genre<br />

competition looks to come from<br />

Fox's "Bulworth"; however, that<br />

Warren Beatty vehicle could<br />

draw older, leaving this the<br />

twenty- and thirtysomethings.<br />

Wild Things<br />

In this erotic thriller that tells<br />

"an irreverent tale of revenge, lust<br />

and murder" set in the Florida<br />

Everglades, four cunning characters<br />

engage in a battle of truth and<br />

illusion. Kevin Bacon, Matt Dillon,<br />

Neve Campbell ("Scream<br />

2"), Bill Murray, Theresa Russell,<br />

Denise Richards ("Starship<br />

Troopers") and Robert Wagner<br />

star. John McNaughton ("Normal<br />

Life") directs; Stephen Peters<br />

scripts; Rodney Liber and Steven<br />

Jones produce for Mandalay. (Columbia,<br />

3/6 wide)<br />

Exploitips: This 1,500-screen<br />

release probably has the month's<br />

most interesting cast, at least from<br />

a diversity standpoint. And it has<br />

its subgenre— erotic thriller — all<br />

to itself for the entire month.<br />

Though new to the eros theme,<br />

actresses Campbell and Richard<br />

just had big hits, and Russell is an<br />

experienced hand at heat. (One<br />

might avoid putting the Murray<br />

name on the marquee, lest it confuse<br />

potential ticketbuyers.) In essence,<br />

sex sells, so sell it.<br />

The Big Lebowski<br />

In this comedy/thriller from the<br />

Coen brothers ("Fargo"), a man<br />

named Jeff Lebowski, aka The<br />

Dude, is confronted by gangsters<br />

who demand that his wife repay a<br />

loan. Puzzled, the unmarried<br />

Dude learns there's a millionaire<br />

Jeff Lebowski in town, but what<br />

seems a case of mistaken identity<br />

worsens as double-crossing,<br />

thievery, revenge and bowling<br />

follow. Jeff Bridges stars with Julianne<br />

Moore ("Boogie Nights"),<br />

"Fargo's" Peter Stormare and<br />

"Barton Fink"-ers John Goodman,<br />

John Turturro, Steve Buscemi and<br />

Jon Polito. Joel Coen directs;<br />

Ethan Coen produces; both Coens<br />

script. (Cramercy, 3/6 wide)<br />

Exploitips: After the brilliant<br />

bomb "The hludsucker Proxy, " the<br />

Coens needed a hit; after "Fargo,"<br />

audiences are likely to say "yah" to<br />

their next. Maybe due to previous<br />

Christmas forays ("The Portrait ofa<br />

Lady, " "I'm Not Rappaport"), Cramercy<br />

held this from the holidays.<br />

Expect this R-rater (for pervasive<br />

strong language, drug content, sexuality<br />

and brief violence) to be the<br />

movie of choice for those looking<br />

to avoid both the archness of the<br />

arthouse and the pabulum of the<br />

megaplex. Ofcourse, step one is to<br />

trumpet the Coens' "Fargo" credit.<br />

U.S. IVIarshals<br />

Returning to his "Fugitive" role.<br />

Tommy Lee Jones stars as the relentless<br />

LI.S. marshal Samuel Gerard,<br />

who this time teams with a<br />

young government agent (Robert<br />

Downey Jr.) who challenges<br />

Gerard's tactical strengths even as<br />

he helps track a secret government<br />

operative (Wesley Snipes) who's<br />

been framed for two murders and<br />

on the run from police. Stuart Baird<br />

("Executive Decision") directs;<br />

John Pogue scripts; Arnold Kopelson<br />

and Anne Kopelson, who<br />

joined on "The Fugitive," again<br />

produce. (Warner Bros., 3/6 wide)<br />

Exploitips: One can almost see<br />

the architecture: The narrative,<br />

though altered and with a change<br />

in focal character, is comfortingly<br />

the same. Minus the star-for-all<br />

(Harrison Ford), the casting adds<br />

Downey for the youth market and<br />

Snipes for urban auds, and Jones'<br />

own pull is "Men In Black"-burnished.<br />

Baird's "Executive Decision"<br />

was an action hit. The 3/6<br />

frame is title-heavy, but there is<br />

no direct genre competition.<br />

Chairman of the Board<br />

Standup comedian Carrot Top<br />

stars as a goofy inventor/surfer<br />

who helps a man who turns out to<br />

be a wealthy entrepreneur. When<br />

the businessman dies, he wills<br />

Carrot Top's character his company.<br />

Corporate chaos ensues.<br />

Courtney Thorne-Smith, Jack<br />

Warden, Larry Miller and Raquel<br />

Welch co-star. (Trimark, 3/6 wide)<br />

Exploitips: This latest wide release<br />

(1,200 screens) from Trimark—<br />

which has been biding its<br />

time in wait for the perfect date

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