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February, 1998 21<br />
Sneak Preview ^^^^<br />
BACK ON TRACK<br />
Screenwriting Legend Robert<br />
Towne Returns to the Director's<br />
Chairfor ^*Without Limits''<br />
by Wade Major<br />
TRACK MEETING: Billy Crudup plays legendary track star<br />
Steve Prefontaine for director Robert Towne in 'Without Limits.'<br />
With<br />
the scripts for such<br />
legendary and classic<br />
films as "Chinatown,"<br />
"The Last Detail," "Shampoo"<br />
and "Greystoke: The Legend of<br />
Tarzan" to his credit, Robert<br />
Towne has no shortage of accomplishments<br />
of which to be proud.<br />
On this day, however, it is a remarkable<br />
bit of directorial prowess<br />
that has him beaming. He fast<br />
forwards a videotaped dupe of his<br />
latest film, "Without Limits,"<br />
based on the life offamed distance<br />
runner Steve Prefontaine, to the<br />
climactic 5,000-meter race at the<br />
1972 Munich Olympics. As the<br />
race nears its final stages, Towne<br />
calls out the cuts, which alternate<br />
seamlessly between actual 35mm<br />
footage of the race and his own<br />
recreation of the event. 'That's<br />
Steve. That's Billy. And that's<br />
Steve. Now, that's Billy."<br />
Billy, in this case, is Billy<br />
Cmdup, a previously little known<br />
Broadway star hand-picked by<br />
Towne to incarnate one of the<br />
most admired and beloved athletes<br />
of all time. So flawless is<br />
Cmdup's mimicry of Prefontaine's<br />
unmistakable running style, and<br />
so meticulous is Towne's staging<br />
of the race, that most audiences<br />
will likely never recognize the<br />
juxtaposition.<br />
"Because Disney wouldn't let<br />
us use ABC's coverage, we were<br />
stuck for footage of the race," he<br />
explains. "But then we found, in<br />
the vault at Wamer Bros., outtakes<br />
from [the 1972 Olympics documentary]<br />
'Visions of Eight.'<br />
Among them we found two sections<br />
that were never done, and<br />
one of those was of that 5,000-<br />
meter race. So we were very<br />
lucky because we found perfect,<br />
unexposed 35mm film of<br />
that race that had never been<br />
put into any other film. The<br />
result is that you have full<br />
shots of Munich stadium and<br />
shots of Steve waist-high that<br />
cut to Billy and back, and you<br />
can't tell the difference."<br />
Towne's perfectionism as<br />
both a screenwriter and a director<br />
is legendary, despite his<br />
infiiequent efforts from behind the<br />
camera. "Without Limits," in fact,<br />
marks only his third outing as a<br />
director after 1982's "Personal<br />
Besf ' and 1988's 'Tequila Sunrise."<br />
By his own admission,<br />
"Without Limits" is closer to<br />
Towne's heart than either of his<br />
previous films, the culmination of<br />
a journey that began some 20<br />
years ago when Kenny Moore, a<br />
friend of the late Prefontaine and<br />
a champion runner in his own<br />
right,<br />
approached Towne about<br />
filming Steve's story. Preoccupied<br />
with another project, Towne<br />
let the idea lapse until he and<br />
Moore met again three years later<br />
on the set of Towne's track-andfield<br />
themed "Personal Best." As<br />
Towne's and Moore's friendship<br />
matured, the film that would<br />
emerge two decades later began to<br />
take shqje.<br />
Known as simply "Pre" to his<br />
friends and fans, Steve Prefontaine<br />
would have been an anomaly<br />
in any sport. His mercurial<br />
personality, spirited arrogance<br />
and dazzling style had made him<br />
a rising star even before he accepted<br />
the njtelage of legendary<br />
University of Oregon coach Bill<br />
Bowerman, played in the film by<br />
Donald Sutherland. Equally as<br />
passionate off the track. Pre also<br />
became one of the first and most<br />
vocal opponents of the now defunct<br />
Amateur Athletic Union<br />
(AAU), challenging what he considered<br />
its questionable methods<br />
and shady ethics at a time when<br />
the organization was thought respectable.<br />
But Prefontaine would<br />
never hve to see his prime or the<br />
AAU'sdemise. Just one year prior<br />
to the start of the 1976 Montreal<br />
Olympics, at which he was expected<br />
to take the gold medal that<br />
had eluded him in Munich, Steve<br />
Prefontaine was killed in an automobile<br />
accident.<br />
"If he had won the big race and<br />
if he'd gotten the girl and if he'd<br />
*'Ifhe had won the big<br />
race and if he 'd gotten<br />
the girl and if he'd<br />
survived, it wouldn 't be<br />
a story worth telling.<br />
He was a tragic hero...<br />
his reach always<br />
exceeded his grasp. "<br />
survived," reflects Towne, "it<br />
wouldn't be a story worth telling.<br />
He was a tragic hero, really, in the<br />
sense that his reach always exceeded<br />
his grasp. That's the thing<br />
people loved most about him. Unlike<br />
most distance runners, he<br />
wasn't introspective, he was not<br />
shy. He let it<br />
all hang out. He let<br />
them see the pain that he was in<br />
and the effort he was making. And<br />
he hit them with the incandescence<br />
of a rock star."<br />
Key to the success of "Without<br />
Limits," says Towne, was the<br />
close involvement of both Bowerman<br />
and Prefontaine's then<br />
girlfriend, Mary Marckx, both of<br />
whom cooperated closely with<br />
Towne and the film's producers to<br />
help lend the film the greatest possible<br />
sense of authenticity. Mary<br />
provided Towne with more than<br />
200 personal letters from Steve<br />
while Bowerman, who would<br />
later found the athletic-wear gjant<br />
Nike based on his homemade running<br />
shoe designs, went so far as<br />
to volunteer his home as a shooting<br />
location. "If Bill had not lived<br />
and been so conspicuously the<br />
giant that he is," says Towne,<br />
"Steve's legend would not have<br />
survived. Bill was ready to keep it<br />
alive. And that goes to the heart of<br />
this movie. It's nsally about the relationship<br />
between these two men."<br />
Nor does Towne shy from sharing<br />
the glory with Crudup, whom<br />
he graciously credits with literally<br />
bringing Steve's legend to life.<br />
"I'd heard that Billy had been on<br />
Broadway in a play called 'Arcadia,'<br />
and that he'd won Best Newcomer<br />
of the Year, although that<br />
meant nodiing to me because I<br />
hadn't seen him. So I went to the<br />
Regency to meet him on this<br />
crowded Sunday morning. And<br />
when 1 finally saw him, in this chair,<br />
leaning up against a wall, he just<br />
waved. There was something so<br />
sweetly arrogant about him watching<br />
me try to find him, that in that<br />
moment I said, 'You're cast'"<br />
Summing up the essence of<br />
the film's message, Towne defers<br />
to a Une fk)m the film in<br />
which Sutherland says that<br />
there is "more honor in outrunning<br />
a man than killing him."<br />
Says Towne, "I beUeve that's<br />
what the Olympics are about.<br />
I believe that sport, at its best,<br />
is the development of a ritual<br />
with very specific rules that<br />
allow men to take out their<br />
hostiUty, their anger, their aggression<br />
by celebrating their respective<br />
skills and not by doing physical<br />
harm to one another. I don't know<br />
a better thing to do."<br />
"Without Limits. "<br />
HH<br />
Starring<br />
Billy Crudup and Donald Sutherland<br />
Directed by Robert Towne.<br />
Written by Robert Towne and<br />
Kenny Moore. Produced by Tom<br />
Cruise and Paula Wagner. A<br />
Wamer release. Opens March 27.