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Boxoffice-Febuary.1998

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February, 1998 21<br />

Sneak Preview ^^^^<br />

BACK ON TRACK<br />

Screenwriting Legend Robert<br />

Towne Returns to the Director's<br />

Chairfor ^*Without Limits''<br />

by Wade Major<br />

TRACK MEETING: Billy Crudup plays legendary track star<br />

Steve Prefontaine for director Robert Towne in 'Without Limits.'<br />

With<br />

the scripts for such<br />

legendary and classic<br />

films as "Chinatown,"<br />

"The Last Detail," "Shampoo"<br />

and "Greystoke: The Legend of<br />

Tarzan" to his credit, Robert<br />

Towne has no shortage of accomplishments<br />

of which to be proud.<br />

On this day, however, it is a remarkable<br />

bit of directorial prowess<br />

that has him beaming. He fast<br />

forwards a videotaped dupe of his<br />

latest film, "Without Limits,"<br />

based on the life offamed distance<br />

runner Steve Prefontaine, to the<br />

climactic 5,000-meter race at the<br />

1972 Munich Olympics. As the<br />

race nears its final stages, Towne<br />

calls out the cuts, which alternate<br />

seamlessly between actual 35mm<br />

footage of the race and his own<br />

recreation of the event. 'That's<br />

Steve. That's Billy. And that's<br />

Steve. Now, that's Billy."<br />

Billy, in this case, is Billy<br />

Cmdup, a previously little known<br />

Broadway star hand-picked by<br />

Towne to incarnate one of the<br />

most admired and beloved athletes<br />

of all time. So flawless is<br />

Cmdup's mimicry of Prefontaine's<br />

unmistakable running style, and<br />

so meticulous is Towne's staging<br />

of the race, that most audiences<br />

will likely never recognize the<br />

juxtaposition.<br />

"Because Disney wouldn't let<br />

us use ABC's coverage, we were<br />

stuck for footage of the race," he<br />

explains. "But then we found, in<br />

the vault at Wamer Bros., outtakes<br />

from [the 1972 Olympics documentary]<br />

'Visions of Eight.'<br />

Among them we found two sections<br />

that were never done, and<br />

one of those was of that 5,000-<br />

meter race. So we were very<br />

lucky because we found perfect,<br />

unexposed 35mm film of<br />

that race that had never been<br />

put into any other film. The<br />

result is that you have full<br />

shots of Munich stadium and<br />

shots of Steve waist-high that<br />

cut to Billy and back, and you<br />

can't tell the difference."<br />

Towne's perfectionism as<br />

both a screenwriter and a director<br />

is legendary, despite his<br />

infiiequent efforts from behind the<br />

camera. "Without Limits," in fact,<br />

marks only his third outing as a<br />

director after 1982's "Personal<br />

Besf ' and 1988's 'Tequila Sunrise."<br />

By his own admission,<br />

"Without Limits" is closer to<br />

Towne's heart than either of his<br />

previous films, the culmination of<br />

a journey that began some 20<br />

years ago when Kenny Moore, a<br />

friend of the late Prefontaine and<br />

a champion runner in his own<br />

right,<br />

approached Towne about<br />

filming Steve's story. Preoccupied<br />

with another project, Towne<br />

let the idea lapse until he and<br />

Moore met again three years later<br />

on the set of Towne's track-andfield<br />

themed "Personal Best." As<br />

Towne's and Moore's friendship<br />

matured, the film that would<br />

emerge two decades later began to<br />

take shqje.<br />

Known as simply "Pre" to his<br />

friends and fans, Steve Prefontaine<br />

would have been an anomaly<br />

in any sport. His mercurial<br />

personality, spirited arrogance<br />

and dazzling style had made him<br />

a rising star even before he accepted<br />

the njtelage of legendary<br />

University of Oregon coach Bill<br />

Bowerman, played in the film by<br />

Donald Sutherland. Equally as<br />

passionate off the track. Pre also<br />

became one of the first and most<br />

vocal opponents of the now defunct<br />

Amateur Athletic Union<br />

(AAU), challenging what he considered<br />

its questionable methods<br />

and shady ethics at a time when<br />

the organization was thought respectable.<br />

But Prefontaine would<br />

never hve to see his prime or the<br />

AAU'sdemise. Just one year prior<br />

to the start of the 1976 Montreal<br />

Olympics, at which he was expected<br />

to take the gold medal that<br />

had eluded him in Munich, Steve<br />

Prefontaine was killed in an automobile<br />

accident.<br />

"If he had won the big race and<br />

if he'd gotten the girl and if he'd<br />

*'Ifhe had won the big<br />

race and if he 'd gotten<br />

the girl and if he'd<br />

survived, it wouldn 't be<br />

a story worth telling.<br />

He was a tragic hero...<br />

his reach always<br />

exceeded his grasp. "<br />

survived," reflects Towne, "it<br />

wouldn't be a story worth telling.<br />

He was a tragic hero, really, in the<br />

sense that his reach always exceeded<br />

his grasp. That's the thing<br />

people loved most about him. Unlike<br />

most distance runners, he<br />

wasn't introspective, he was not<br />

shy. He let it<br />

all hang out. He let<br />

them see the pain that he was in<br />

and the effort he was making. And<br />

he hit them with the incandescence<br />

of a rock star."<br />

Key to the success of "Without<br />

Limits," says Towne, was the<br />

close involvement of both Bowerman<br />

and Prefontaine's then<br />

girlfriend, Mary Marckx, both of<br />

whom cooperated closely with<br />

Towne and the film's producers to<br />

help lend the film the greatest possible<br />

sense of authenticity. Mary<br />

provided Towne with more than<br />

200 personal letters from Steve<br />

while Bowerman, who would<br />

later found the athletic-wear gjant<br />

Nike based on his homemade running<br />

shoe designs, went so far as<br />

to volunteer his home as a shooting<br />

location. "If Bill had not lived<br />

and been so conspicuously the<br />

giant that he is," says Towne,<br />

"Steve's legend would not have<br />

survived. Bill was ready to keep it<br />

alive. And that goes to the heart of<br />

this movie. It's nsally about the relationship<br />

between these two men."<br />

Nor does Towne shy from sharing<br />

the glory with Crudup, whom<br />

he graciously credits with literally<br />

bringing Steve's legend to life.<br />

"I'd heard that Billy had been on<br />

Broadway in a play called 'Arcadia,'<br />

and that he'd won Best Newcomer<br />

of the Year, although that<br />

meant nodiing to me because I<br />

hadn't seen him. So I went to the<br />

Regency to meet him on this<br />

crowded Sunday morning. And<br />

when 1 finally saw him, in this chair,<br />

leaning up against a wall, he just<br />

waved. There was something so<br />

sweetly arrogant about him watching<br />

me try to find him, that in that<br />

moment I said, 'You're cast'"<br />

Summing up the essence of<br />

the film's message, Towne defers<br />

to a Une fk)m the film in<br />

which Sutherland says that<br />

there is "more honor in outrunning<br />

a man than killing him."<br />

Says Towne, "I beUeve that's<br />

what the Olympics are about.<br />

I believe that sport, at its best,<br />

is the development of a ritual<br />

with very specific rules that<br />

allow men to take out their<br />

hostiUty, their anger, their aggression<br />

by celebrating their respective<br />

skills and not by doing physical<br />

harm to one another. I don't know<br />

a better thing to do."<br />

"Without Limits. "<br />

HH<br />

Starring<br />

Billy Crudup and Donald Sutherland<br />

Directed by Robert Towne.<br />

Written by Robert Towne and<br />

Kenny Moore. Produced by Tom<br />

Cruise and Paula Wagner. A<br />

Wamer release. Opens March 27.

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