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Arnall's New Target<br />
FLLIS ARNALL, president of the Society<br />
of Independent Motion Picture Producers,<br />
is now gunning for booking combines<br />
and local monopolies, and when he<br />
starts gunning something usually happens.<br />
He loves a controversy, he is not averse to<br />
publicity for himself, he has an outstanding<br />
talent for dramatic statements, and<br />
he pops into the halls of Congress and<br />
the offices of government departments so<br />
fast newspapermen can't keep up with him.<br />
Now he says the Department of Justice<br />
should go to work on these two problems.<br />
This is a neat little state of affairs that<br />
Allied has sidestepped during all the long<br />
years it has been fighting distributors inside<br />
the courts and out. Several prominent<br />
Allied leaders are heads of booking combines.<br />
Because the antitrust decrees require picture-by-picture<br />
selling and because Arnall<br />
is a former attorney general of Georgia<br />
his moves will bear watching.<br />
Many industry leaders active in the public<br />
relations movement would like to see litigation<br />
reduced, or eliminated, but Arnall<br />
and some of the SIMPP members are not<br />
among them.<br />
TV Progress Swiit<br />
JJOW<br />
the pace of theatre television development<br />
has speeded up in recent<br />
months was demonstrated dramatically at<br />
the Theatre Owners of America convention.<br />
Paramount's apparatus for transferring<br />
television pictures to film in a theatre<br />
booth has been speeded up so the<br />
operation can be done by one man in 20<br />
seconds, which is 46 seconds faster than it<br />
was a few months ago. What's more, the<br />
cost has been reduced.<br />
With the new arrangement, an electronic<br />
shutter on the television receiver takes care<br />
of the difference in speed between the 24<br />
frames-per-second standard film and the 30<br />
pictures-per-second used in television.<br />
Any day now "WBKB, Chicago, and KTLA<br />
in Los Angeles will have filmed television<br />
programs ready for fast syndication to theatres<br />
or to other stations.<br />
British Unions Agitated<br />
IXITrH one-third of their number idle<br />
and financing so difficult for producers<br />
that more curtailment is in sight,<br />
film union leaders are getting into a panic<br />
in Great Britain. They still oppose a cut<br />
in the 45 per cent quota in spite of the fact<br />
that it can't be filled and was in itself a<br />
major cause of the production slump. They<br />
foresee much of the British production financed<br />
by U.S. frozen funds, and they are<br />
worried about the rumors that the quota<br />
might be dropped.<br />
Some of the talk is just talk—a manifestation<br />
of the general jitters.<br />
Community Newsreels<br />
HMONG the interesting possibilities of<br />
future theatre television mentioned in<br />
the 20th Century-Pox brief submitted to<br />
18<br />
By JAMES M. JERAULD<br />
the Federal Communications commission<br />
are community newsreels.<br />
During the course of the years many<br />
enterprising exhibitors have supplemented<br />
the national newsreels with 16mm films<br />
made by themselves on local events and<br />
have found them a boxoffice stimulant.<br />
The fresher they were, the stronger they<br />
were as attractions. How these things will<br />
work out in practice will be demonstrated<br />
on the coast in a 24-theatre hookup soon<br />
after wave lengths have been allocated.<br />
Showmanship<br />
^OWN at Nantucket there is a theatre<br />
which uses a Boston buying service. It<br />
gets the very latest releases—practically<br />
all top attractions from all the major companies—plays<br />
them two nights as a rule,<br />
two shows per night. Often the owner<br />
doesn't know what films are coming.<br />
The exploitation consists of pasting up<br />
three six-sheets for a week's attractions<br />
on the front of the house. If a six-sheet<br />
fails to arrive, the janitor paints the name<br />
of the attraction on white paper.<br />
The first show is supposed to start at<br />
7:30 p. m. If the house fills up before that<br />
time—and it usually does during the summer—the<br />
doors are closed and the program<br />
starts.<br />
It's a great life—like the days during the<br />
war when all'the manager had to do was<br />
get out of the way of the crowds as he<br />
unlocked the door.<br />
Altec Service Sales Drive<br />
Mark 12th Anniversary<br />
NEW YORK—Altec Service Corp. opened<br />
its 12th anniversary sales drive September<br />
12 and it will run 12<br />
weeks, according to<br />
H. M. Bessey, executive<br />
vice-president. It<br />
is the first all-serviceall-products<br />
drive to be<br />
organized on a national<br />
scale by the<br />
company. Cash prizes<br />
are offered competing<br />
sales representatives,<br />
including inspectors,<br />
field and business<br />
L. D. Ntetter jr.<br />
managers and division<br />
chiefs.<br />
L. D. Netter jr., national sales representative,<br />
is drive captain and the drive committee,<br />
which will allocate the prizes in each<br />
sales territory, is headed by Paul Thomas,<br />
treasurer. Before joining Altec in 1947, Netter<br />
was manager ot the nontheatrical department<br />
of Eagle Lion.<br />
To Attend Allied Confab<br />
MINNEAPOLIS—Acceptances ot invitations<br />
to attend National Allied States convention<br />
here October 24-26 were received this week<br />
from W. F. Rodgers, MOM sales manager;<br />
George Murphy, president of the Screen Actors<br />
Guild and screen star, and Chill Wills,<br />
film actor. The Chicago delegation alone<br />
will number 40.<br />
Public Relations Idea<br />
Clicks in<br />
Rural Area<br />
HAYTI, MO.—A way of doing an industry<br />
public relations job in a rural area<br />
has been demonstrated<br />
here by J. C.<br />
Mohrstadt, owner of<br />
the Joy Theatre in<br />
this 2,000-population<br />
community. So successful<br />
was the experiment<br />
that Allied<br />
States Ass'n, of which<br />
Mohrstadt is a member,<br />
is recommending<br />
J. C. Mohrstadt the idea as "just<br />
about as sound and constructive a plan<br />
that has come along for public relations<br />
at the local level."<br />
Mohrstadt called a meeting to be held<br />
at his theatre to present some of the<br />
trade problems to his community. Realizing<br />
that not every small town can have<br />
its own public relations meetings, with<br />
representatives of film companies and<br />
advance screenings as an attraction, he<br />
invited exhibitors from nearby small<br />
towns to be present, and to bring along<br />
some of their civic leaders.<br />
As a result, when the session opened,<br />
the auditorium of the Joy Theatre was<br />
filled with mayors, councilmen, the<br />
clergy, professional men and other representative<br />
residents of a half dozen communities.<br />
The branch and district managers<br />
of three distributing companies<br />
came in for the trip and three film salesmen<br />
and the manager of a theatre supply<br />
company were present. For the first time,<br />