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COOPERATIVE SPIRIT PREVAILS<br />

AS TOA OKAYS P. R. PROGRAM<br />

By IVAN SPEAR<br />

LOS ANGELES—With cooperation and caution the dominant<br />

convention notes, some 750 delegates to 1949's annual meeting<br />

of the Theatre Owners of America met here September 12<br />

through 15 in what virtually evei-yone ia attendance, as well as<br />

outside observers, agreed was probably the most carefully implemented,<br />

efficiently conducted and effective gathering of showmen<br />

in motion picture history.<br />

Representing 6,500 theatres with a seating capacity of more<br />

than 9,000.000, the TOA conventioneers assembled for the first<br />

time in the heart of the film production world to map and take<br />

action on such controversial issues as television, the federal<br />

amusement tax, competitive bidding, 16mm competition, censorship,<br />

exhibitor-distributor relations, legislation, industry unity<br />

and a host of related subjects. To these subjects was devoted the<br />

major amount of attention and discussion.<br />

Keynoting the industry's views on television and the potential<br />

threat of that entertainment medium to motion pictures was a preconvention<br />

statement by Arthur H. Lockwood, retiring TOA president,<br />

who called for a "joint approach of producers and exhibitors"<br />

to the problem and opined that such a study "is not to be centered<br />

in any one city."<br />

GET WARNING ON TELEVISION<br />

Delegates to the conclave were warned on the second day of<br />

the convention, September 13, that television has mushroomed into<br />

a gigantic industry during the past three years, that more than 80<br />

per cent of TV set owners are attending motion pictures less frequently,<br />

and that by the end of 1950 some 5,000,000 television receivers<br />

will be in operation throughout the U.S. These statistics<br />

were supplied by Marcus Cohn, the TOA's video consultant, who<br />

urged that film industry representatives, to meet the TV threat, must<br />

push for allocations of special video frequencies and take other direct<br />

action to bring back their lost customers.<br />

In complete agreement with Cohn's analysis, the video committee<br />

recommended a special assessment be levied to defray the cost of<br />

hearings at which the FCC will be asked to allocate channels for<br />

theatre television. Committee members agreed also that theatre<br />

video is economically feasible. Charles P. Skouras outimed Fox<br />

West Coast's plans for installation of television equipment and Si<br />

Fabian reported that his TV installations<br />

have resulted in increased attendance.<br />

On the same day Paramount demonstrated<br />

the latest "interim" model of its theatre TV<br />

system at the Ambassador Theatre m the<br />

Ambassador hotel, convention headquarters.<br />

Dubbed the "Paralent," the portable device<br />

includes a radically new film-drying unit<br />

which processes film within a few seconds.<br />

TOA conventioneers witnessed a jiersonal illustration<br />

of the system when their entrance<br />

into the theatre was picked up by TV cameras<br />

and the images were flashed on the<br />

screen shortly after they were seated.<br />

Video came in for further discussion September<br />

14 when the TOA's television committee,<br />

headed by Mitchell Wolfson, presented<br />

a detailed report on the subject and,<br />

m the Ambassador Theatre, RCA staged a<br />

demonstration of its theatre television system.<br />

Tempered optimism characterized the conventioneers'<br />

approach to the repeal of federal<br />

admission taxes. As one of the gathering's<br />

honored guests, Secretary of Commerce<br />

Charles Sawyer made a keynote address at<br />

a luncheon session September 13 in which the<br />

In the upper photo, Samuel Pinanski (second from left), new<br />

president of TOA, meets informally with (L to R), S. H. Fabian,<br />

member of the board; -Mitchell Wolfson, vice-president, and Gael<br />

Sullivan, executive director. In the lower panel (L to R) are Ted<br />

Gamble, retiring board chairman; Arthur Lockwood, retiring president<br />

and new board cliairtaan; Charles P. Skouras, treasurer; and<br />

Robert Coyne, member of the board.<br />

%•<br />

government official declared himself "greatly<br />

impressed" with the arguments that have<br />

been advanced for the levy's appeal. He did<br />

not, however, hold out any immediate hope<br />

that the legislation can be abolished. The<br />

amusement tax was discussed further at a<br />

meeting of the TOA's taxation committee,<br />

of which Morris Loewenstein is chairman,<br />

on the following day.<br />

Speaking for the cause of all-industry cooperation<br />

and the necessity for an all-out<br />

public relations campaign was Ned E. Depinet,<br />

president of RKO and chairman of the<br />

INFORMAL MOMENTS AT THE CONVENTION: In the left<br />

photo, two veterans, A. H. Blank of Des Moines (L), and Frank<br />

Newman of Seattle meet Starlet Betty Lynn. In the next photo<br />

(L to R) are Roy Cooper, San Francisco; Ed Zorn, Pontiac, III.;<br />

John Balaban, Chicago, and Samuel G. Levin, San Francisco. Third<br />

photo shows M. A. Lightman (L) of Memphis with Leonard Goldenson,<br />

Paramount Theatres chief; Ned Depinet, RKO president, and<br />

Francis Harmon, MPAA vice-president and head of its communityexhibitor<br />

relations program. Photo at right has (L to R) W. F.<br />

Crockett, Virginia Beach, Va., M. L. Hurley, Clovis, N. M., and Roy<br />

Cooper of San Francisco in committee sessions. All delegates received<br />

an opportunity to participate in the convention affairs.<br />

BOXOFFICE :: September 17, 1949

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