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Boxoffice-January.07.1950

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MUSIC TIEUPS HIT NEW PEAK<br />

SELLING JOLSON SINGS AGAIN'<br />

In key locations throughout the nation.<br />

Columbia field exploiteers working with lo;al<br />

theatremen have been garnering innumerable<br />

music tieups in connection with "Jolson<br />

Sings Again." Sparked by a national tieup<br />

with Decca record distributors, radio and<br />

store promotions have accounted for extra<br />

splurges of publicity and advertising on a<br />

cooperative basis.<br />

For the Hollywood Theatre booking in Atlantic<br />

City, exploiteer Milt Young, and Jack<br />

Waxman. publicist for the theatre, set up a<br />

contest on the Al Owens record program over<br />

WFPG. Owens invited listeners to send in<br />

the names of their favorite Jolson tunes. Promoted<br />

Decca albums were given to those who<br />

sent in the best letters explaining why these<br />

songs were so popular. The Jolson transscription<br />

and the Tex and Jinx interview recordings<br />

were aired on the program. Owen<br />

introduced local flavor wath recollections of<br />

stars who had performed with Jolson.<br />

OPENS WAY FOR TIEUPS<br />

The recordings and Jolson tunes were<br />

aired by Bob Ardrey over WMID and WBAB<br />

also was productive for numerous plugs. The<br />

Decca distributor opened the way for music<br />

tieups with all leading stores and department<br />

stores through displays of posters and albums<br />

in windows and on counters.<br />

Downtown restaurants featured the title<br />

and theatre dates on menus; 300 window cards<br />

were distributed in choice locations and 3.000<br />

heralds were handed out in affiliated theatres<br />

in Atlantic City. The affiliated theatres also<br />

showed trailers and displayed lobby posters<br />

plugging the Hollywood playdates.<br />

At the Regent in Grand Rapids. Mich.,<br />

Manager Louis Lutz and exploiteer Roy Jones<br />

teamed up to land valuable radio tieups with<br />

stations WOOD, WFUR and WJEF. The<br />

campaign was launched at a screening attended<br />

by disk jockeys, Decca dealers and<br />

newspapermen.<br />

Warsburg's department store sponsored a<br />

contest on its daily Man on the Street program,<br />

offering two albums daily to interviewees<br />

giving the correct answer to the<br />

query, "Who Plays Al Jolson in 'Jolson Sings<br />

Again'?" The theatre received several plugs<br />

each day. All radio stations featured Jolson<br />

hit tunes and mentioned the Regent booking<br />

for a week prior to opening.<br />

ZENITH SPONSORS CO-OPS<br />

Zenith dealers sponsored several co-op<br />

newspaper ads with inclusion of the Regent<br />

playdates, jukeboxes were plastered with signs<br />

calling attention to Jolson records and the<br />

theatre dates, and streamers were displayed<br />

by all dealers in the area handling Kellogg<br />

products.<br />

A novel diversion was created for opening<br />

at the Colonial in Dayton, Ohio. Manager<br />

Carroll Crist set a contest with radio station<br />

WING which elicited more than 700 phone<br />

calls during the two-hour broadcast. Albums<br />

and theatre tickets were offered to listeners<br />

who called in to give Al Jolson's real<br />

name. The stunt attracted so much attention<br />

it was extended over a six-day period by<br />

the radio station.<br />

Mutual Record Co. ran two co-op ads in<br />

Singing troubadours entertain patrons with Jolson song hits during the engagement at<br />

the Madison Theatre, Detroit. Stunt was also a street ballyhoo.<br />

the daily papers with full credits and the<br />

Dayton Herald ran a fashion layout to<br />

publicize the dates in addition to the usual<br />

advance breaks.<br />

Similar radio tieups proved successful for<br />

Allan Schrimpp, manager of the Broadway<br />

Theatre, Council Bluffs, Iowa. Schrimpp<br />

promoted record albums and sent them to<br />

disk jockeys at six radio stations in Council<br />

Bluffs and Omaha. Window displays were<br />

promoted with music shops and stickers were<br />

placed on jukeboxes. Two hundred grocery<br />

stores displayed streamers via the Kellogg<br />

This sound truck was used in Boston by publicist<br />

Jim Shanahan to ballyhoo "Jolson" opening<br />

at the State and Orpheum Theatres.<br />

tieup.<br />

A florist donated 100 long-stem American<br />

Beauty roses which were presented to the<br />

first- women who attended the opening matinee.<br />

The giveaway was advertised in newspaper<br />

underlines, a trailer, lobby display and<br />

merchant window sign.<br />

A local ahiateur comedian served as an effective<br />

street ballyhoo.<br />

In blackface makeup,<br />

"Jolson" perambulated the downtown area,<br />

mimicking Jolson. A portable victrola provided<br />

music for his antics and an announcement<br />

card called attention of passersby to<br />

the Broadway playdates.<br />

In Detroit, where the picture opened at<br />

the Madison Theatre. Alice Gorham, publicity<br />

director for UDT and Ralph Stitt, field man<br />

for Columbia, put over a novel promotion<br />

which reaped extra publicity that reached<br />

television audiences.<br />

IMITATORS ON STAGE<br />

In conjunction with WXYZ-TV, a call was<br />

put out for local Larry Parks imitators doing<br />

his imitation of Jolson. Detroit papers<br />

carried stories under the heading "Calling<br />

All Mammy Singers." Contestants were instructed<br />

to appear at the Michigan Theatre,<br />

anotlier UDT house in Detroit. About 30<br />

showed up for elimination contests on the<br />

stage. Five finalists were selected to appear,<br />

one each night on the TV show, "Sing for<br />

Your Supper." An exclusive photo of the<br />

five finalists afforded the picture a fivecolumn<br />

break in the Detroit Times. The<br />

winners w-ere also booked on special amateur<br />

shows at two UDT houses to provide more<br />

publicity for the Madison playdates.<br />

Detroit disk jockeys and headline entertainers<br />

at all leading restaurants and cabarets<br />

featured Jolson songs and included mention<br />

of the opening. A screening for the press<br />

and a special theatre front covering the tenstory-high<br />

building facade of the Madison<br />

helped current ballyhoo.<br />

Has Headless Ballyhoo<br />

To exploit the Italian produced comedy,<br />

"The Headless Boy." Mike Piccii-illo. manager<br />

of the Center Theatre, Hartford, had an usher<br />

walk through the dowiitown section with a<br />

trick costume and a dummy head under his<br />

arm. Copy on a sign he wore read, "I<br />

laughed my head off, etc., etc."<br />

24 — 2 BOXOFFICE Showmandiser January 7, 1950<br />

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