Boxoffice-January.07.1950
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MUSIC TIEUPS HIT NEW PEAK<br />
SELLING JOLSON SINGS AGAIN'<br />
In key locations throughout the nation.<br />
Columbia field exploiteers working with lo;al<br />
theatremen have been garnering innumerable<br />
music tieups in connection with "Jolson<br />
Sings Again." Sparked by a national tieup<br />
with Decca record distributors, radio and<br />
store promotions have accounted for extra<br />
splurges of publicity and advertising on a<br />
cooperative basis.<br />
For the Hollywood Theatre booking in Atlantic<br />
City, exploiteer Milt Young, and Jack<br />
Waxman. publicist for the theatre, set up a<br />
contest on the Al Owens record program over<br />
WFPG. Owens invited listeners to send in<br />
the names of their favorite Jolson tunes. Promoted<br />
Decca albums were given to those who<br />
sent in the best letters explaining why these<br />
songs were so popular. The Jolson transscription<br />
and the Tex and Jinx interview recordings<br />
were aired on the program. Owen<br />
introduced local flavor wath recollections of<br />
stars who had performed with Jolson.<br />
OPENS WAY FOR TIEUPS<br />
The recordings and Jolson tunes were<br />
aired by Bob Ardrey over WMID and WBAB<br />
also was productive for numerous plugs. The<br />
Decca distributor opened the way for music<br />
tieups with all leading stores and department<br />
stores through displays of posters and albums<br />
in windows and on counters.<br />
Downtown restaurants featured the title<br />
and theatre dates on menus; 300 window cards<br />
were distributed in choice locations and 3.000<br />
heralds were handed out in affiliated theatres<br />
in Atlantic City. The affiliated theatres also<br />
showed trailers and displayed lobby posters<br />
plugging the Hollywood playdates.<br />
At the Regent in Grand Rapids. Mich.,<br />
Manager Louis Lutz and exploiteer Roy Jones<br />
teamed up to land valuable radio tieups with<br />
stations WOOD, WFUR and WJEF. The<br />
campaign was launched at a screening attended<br />
by disk jockeys, Decca dealers and<br />
newspapermen.<br />
Warsburg's department store sponsored a<br />
contest on its daily Man on the Street program,<br />
offering two albums daily to interviewees<br />
giving the correct answer to the<br />
query, "Who Plays Al Jolson in 'Jolson Sings<br />
Again'?" The theatre received several plugs<br />
each day. All radio stations featured Jolson<br />
hit tunes and mentioned the Regent booking<br />
for a week prior to opening.<br />
ZENITH SPONSORS CO-OPS<br />
Zenith dealers sponsored several co-op<br />
newspaper ads with inclusion of the Regent<br />
playdates, jukeboxes were plastered with signs<br />
calling attention to Jolson records and the<br />
theatre dates, and streamers were displayed<br />
by all dealers in the area handling Kellogg<br />
products.<br />
A novel diversion was created for opening<br />
at the Colonial in Dayton, Ohio. Manager<br />
Carroll Crist set a contest with radio station<br />
WING which elicited more than 700 phone<br />
calls during the two-hour broadcast. Albums<br />
and theatre tickets were offered to listeners<br />
who called in to give Al Jolson's real<br />
name. The stunt attracted so much attention<br />
it was extended over a six-day period by<br />
the radio station.<br />
Mutual Record Co. ran two co-op ads in<br />
Singing troubadours entertain patrons with Jolson song hits during the engagement at<br />
the Madison Theatre, Detroit. Stunt was also a street ballyhoo.<br />
the daily papers with full credits and the<br />
Dayton Herald ran a fashion layout to<br />
publicize the dates in addition to the usual<br />
advance breaks.<br />
Similar radio tieups proved successful for<br />
Allan Schrimpp, manager of the Broadway<br />
Theatre, Council Bluffs, Iowa. Schrimpp<br />
promoted record albums and sent them to<br />
disk jockeys at six radio stations in Council<br />
Bluffs and Omaha. Window displays were<br />
promoted with music shops and stickers were<br />
placed on jukeboxes. Two hundred grocery<br />
stores displayed streamers via the Kellogg<br />
This sound truck was used in Boston by publicist<br />
Jim Shanahan to ballyhoo "Jolson" opening<br />
at the State and Orpheum Theatres.<br />
tieup.<br />
A florist donated 100 long-stem American<br />
Beauty roses which were presented to the<br />
first- women who attended the opening matinee.<br />
The giveaway was advertised in newspaper<br />
underlines, a trailer, lobby display and<br />
merchant window sign.<br />
A local ahiateur comedian served as an effective<br />
street ballyhoo.<br />
In blackface makeup,<br />
"Jolson" perambulated the downtown area,<br />
mimicking Jolson. A portable victrola provided<br />
music for his antics and an announcement<br />
card called attention of passersby to<br />
the Broadway playdates.<br />
In Detroit, where the picture opened at<br />
the Madison Theatre. Alice Gorham, publicity<br />
director for UDT and Ralph Stitt, field man<br />
for Columbia, put over a novel promotion<br />
which reaped extra publicity that reached<br />
television audiences.<br />
IMITATORS ON STAGE<br />
In conjunction with WXYZ-TV, a call was<br />
put out for local Larry Parks imitators doing<br />
his imitation of Jolson. Detroit papers<br />
carried stories under the heading "Calling<br />
All Mammy Singers." Contestants were instructed<br />
to appear at the Michigan Theatre,<br />
anotlier UDT house in Detroit. About 30<br />
showed up for elimination contests on the<br />
stage. Five finalists were selected to appear,<br />
one each night on the TV show, "Sing for<br />
Your Supper." An exclusive photo of the<br />
five finalists afforded the picture a fivecolumn<br />
break in the Detroit Times. The<br />
winners w-ere also booked on special amateur<br />
shows at two UDT houses to provide more<br />
publicity for the Madison playdates.<br />
Detroit disk jockeys and headline entertainers<br />
at all leading restaurants and cabarets<br />
featured Jolson songs and included mention<br />
of the opening. A screening for the press<br />
and a special theatre front covering the tenstory-high<br />
building facade of the Madison<br />
helped current ballyhoo.<br />
Has Headless Ballyhoo<br />
To exploit the Italian produced comedy,<br />
"The Headless Boy." Mike Piccii-illo. manager<br />
of the Center Theatre, Hartford, had an usher<br />
walk through the dowiitown section with a<br />
trick costume and a dummy head under his<br />
arm. Copy on a sign he wore read, "I<br />
laughed my head off, etc., etc."<br />
24 — 2 BOXOFFICE Showmandiser January 7, 1950<br />
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