Boxoffice-January.07.1950
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Newest British Move<br />
Won't Aid Industry<br />
NEW YORK—British treasury statements<br />
that foreign investors can now take their<br />
capital, previously frozen for ten years, out<br />
of the countrj- caused little comment in the<br />
film industry, which considers its own British<br />
problem a specialized one.<br />
It was pointed out that the industry has<br />
never wanted to invest in British enterprises,<br />
that such investments as have been made<br />
amounted only to "peanuts," and that what<br />
Is wanted is an end to restrictions on film<br />
business.<br />
The British move was viewed as a "slight<br />
gesture" to foreign investors and one having<br />
political overtones, but not one aimed at<br />
clearing up the motion picture situation.<br />
One specialist in foreign affairs called attention<br />
to the "unique agreement" worked out<br />
by American and British film men which<br />
will come up in the near future for reconsideration,<br />
adding that "we will make our<br />
own deal."<br />
Another meeting of the Anglo-American<br />
Film council is due in London in the not<br />
too far distant futiu-e, but exactly when it<br />
will be held is not known either to MPAA<br />
or SIMPP. The latter has not yet selected<br />
all of those w-ho will represent it at the<br />
conference. The feeling in New York circles<br />
is that the U.S. industry will have to wait<br />
until the British labor government decides<br />
whether it is politically desirable to stage<br />
the conference before or after the British<br />
general election, now regarded as coming<br />
some time in March.<br />
Distributors Begin Own<br />
Operations in Germany<br />
NEW YORK—With the beginning of the<br />
new year, operations independent of the<br />
Motion Picture Export Ass'n were begun in<br />
Germany by Allied Artists, Columbia, MGM,<br />
Republic and United Artists in line with the<br />
decision of those companies to break away<br />
from the joint setup.<br />
Paramount, RKO, 20th Century-Pox, Universal-International<br />
and Warner Bros, began<br />
conducting sales and advertising campaigns<br />
out of their own offices there, but MPEA<br />
is handling physical distribution for them.<br />
The new setup will be thoroughly tested<br />
before decisions are made as to whether to<br />
retain other MPEA foreign services. The<br />
MPEA contract in Austria expires in August<br />
and there is some question as to whether it<br />
will be renewed. MPEA contracts with "iron<br />
curtain" coimtries, also expiring in August,<br />
probably will be renewed. These countries<br />
are Bulgaria, Hungary, Poland, Romania,<br />
Russia and Yugoslavia. The same is true of<br />
Japan, partly because it will continue to be<br />
an occupied country through 1950.<br />
Robert Maroney Is Named<br />
To RKO Post in Panama<br />
NEW YORK—Robert C. Maroney, formerly<br />
head of the RKO foreign department 16mm<br />
division, has been named assistant manager<br />
to the RKO Panama office by Phil Reisman,<br />
vice-president in charge of foreign distribution.<br />
Maroney, who has been with RKO for<br />
four years, left for his new post December 31.<br />
Arthur Herskovitz, assistant to Maroney.<br />
has been promoted to head the 16mm division<br />
and Charles Belmont, a member of the department,<br />
has been made his assistant.<br />
Schimel Takes Over;<br />
Goldberg Delayed<br />
NEW YORK—Adolph Schimel officially<br />
took over his new post as vice-president<br />
and general coimsel of Universal Pictures<br />
Co. January 3, but Leon Goldberg, recently<br />
elected vice-president and treasurer,<br />
was still busy with production details at<br />
the coast studio. Goldberg is expected here<br />
about January 15 to asstime his hew<br />
duties.<br />
Schimel, who had been secretary and<br />
attorney, succeeded Charles D. Prutzman,<br />
and Goldberg will replace Samuel Machnovitch,<br />
both of whom resigned. Prutzman<br />
will continue in a consulting capacity.<br />
The resignations followed that of<br />
J. Cheever Cowdin, chairman of the<br />
board, who will leave the company after<br />
the annual meeting in March. There will<br />
be no board chairman after that, according<br />
to the company.<br />
EGA Okays 19 Films<br />
In Pad Wilh MPEA<br />
WASHINGTON—Of the 35 film titles<br />
proposed<br />
by the Motion Picture Export Ass'n<br />
for convertibility guarantees in the last five<br />
months of 1949, only 19 were foimd acceptable<br />
by ECA, it was revealed this week. On request<br />
of MPEA, the agency has decided not<br />
to release the names of the films accepted<br />
or rejected, although it will definitely name<br />
the films for 1950 release which will be<br />
guaranteed by ECA. A $25,000 per title guarantee<br />
will be made over the actual distribution<br />
cost.<br />
The agreement with MPEA, signed last<br />
week, covered releases from August 1 of last<br />
year through the end of December, and called<br />
for a total of $636,400. This includes $19,000<br />
each as a part of the negative cost for each<br />
of the 19 films okayed. All above the $361,000<br />
thus accounted for represents out-of-pocket<br />
distribution expense.<br />
Announcement of the films to be guaranteed<br />
this year in a series of contracts with the<br />
individual companies is expected in about a<br />
month. Each film approved as beneficial to<br />
our foreign policy and general campaign to<br />
be understood in Germany will be given assurance<br />
that marks earned will be cashed<br />
in to the extent of print costs and other<br />
out-of-pocket expenses and in addition $25,-<br />
000 per title. UntU the signing of the agreement<br />
for MPEA covering the films released<br />
in the latter part of 1949, the guarantees had<br />
covered only the out-of-pocket expenses.<br />
Seidelman to See Rank<br />
NEW YORK—Sam Seidelman, head of the<br />
Eagle Lion foreign department, left during<br />
the w^eek for a two-week visit to London and<br />
Paris. Diu-ing his stay in England he will<br />
see J. Arthur Rank for production-distribution<br />
talks.<br />
Morros Sets Lehar Film<br />
VIENNA — Boris Morros, American producer,<br />
has signed a contract with Willy Porst,<br />
Viennese producer, to make the life of Franz<br />
Lehar, the Austrian composer, as a joint Austrian-American<br />
production, in both English<br />
and German versions.<br />
MPEA Lists Pictures<br />
Making Hits Abroad<br />
NEW YORK — "Johnny Belinda" (WBi<br />
proved a powerful attraction in Vienna during<br />
November and into December, according<br />
to the Motion Picture Export Ass'n. Others<br />
doing well there included "The Great Waltz,"<br />
"Thrill of a Romance" and "Holiday in Mexico"<br />
(MGM I, "A Double Life" (U-I) and "Call<br />
Northside 777" and "Swamp Water" i20th-<br />
Fox>. Elsewhere in Austria, leading films<br />
w-ere "Jungle Jim" and "A Thousand and One<br />
Nights" fColi, "Boys Town" (MGM) and "Mr.<br />
Bug Goes to Town" iPara).<br />
In Berlin, good business was done by "Call<br />
Northside 777" and "Miracle on 34th Street"<br />
(20th-Pox), "Road to Rio" (Para), "The<br />
Naked City" (U-Ii. "Tall in the Saddle"<br />
(RKO) and "The Great Waltz." In other<br />
German cities, the leaders were "Arizona"<br />
(Coll, "The Sea Wolf" and "Johnny Belinda"<br />
(WBi, "Panhandle" (Mono-AAi, "The Yearling,"<br />
"The Great Waltz" and "A Woman's<br />
Face" (MGM), "The Pearl" (RKOK "The<br />
Naked City" and "Miracle on 34th Street."<br />
In Poland, "Ali Baba and the 40 Thieves"<br />
(U-I) broke MPEA records at Warsaw, Gdynia,<br />
Lodz and Wroclaw. "Lassie Come Home"<br />
(MGM) did well at Poznan, Krakow and<br />
Katowice. "Gulliver's Travels' (Para) had<br />
extended runs at Warsaw, Krakow and Katowice.<br />
In Japan, "Notorious" (RKO) finished a<br />
39-day roadshow engagement in Tokyo with<br />
an average attendance for the complete run<br />
of 98 per cent. "Seven Sinners" (U-I> ran<br />
13 days day-and-date at eight houses. "Julia<br />
Misbehaves" (MGMi seven days in five<br />
houses, "Man From Oklahoma" (Rep) nine<br />
days in five, "That Mad Mr. Jones" (Col) 11<br />
days in six, "Green Promise" (RKO) five<br />
days in five and "The Night Has a Thousand<br />
Eyes" (Para) seven days in five. Three<br />
Tokyo houses were added to the number exclusively<br />
playing U.S. films.<br />
CBS Executive Personnel<br />
Undergoes Many Changes<br />
NEW YORK—Changes in the assignment<br />
of executive personnel of the Columbia Broadcasting<br />
System became effective January 1.<br />
William C. Gittinger, vice-president of AM<br />
network sales, became senior vice-president<br />
and assistant to President Frank Stanton.<br />
Hubbell Robinson jr., vice-president in charge<br />
of network programs, took over general direction<br />
and supervision of both radio and<br />
television programming.<br />
J. L. Van Volkenburg, vice-president in<br />
charge of television operations, became vicepresident<br />
in charge of network sales, directing<br />
both AM and TV sales. James M. Seward,<br />
vice-president in charge of operations, became<br />
vice-president in charge of business<br />
affairs, network programs.<br />
Frank Falknor. assistant general manager<br />
of WBBM. Chicago, became vice-president in<br />
charge of program operations. Davidson Taylor,<br />
vice-president in charge of public affairs,<br />
resigned. Sig Mickelson, director of public<br />
affairs and production manager of WCCO,<br />
Minneapolis-St. Paul, and recently named director<br />
of the division of discussions in network<br />
pubhc affairs, became director of public<br />
38 BOXOFFICE January 7, 1950<br />
affairs.