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TVcteAiaqtott<br />
TF THE DENTON BILL ever<br />
becomes law,<br />
look for a flood of new triple damage cases<br />
against the majors by independent exhibitors<br />
or former exhibitors. The bill, by Rep.<br />
Winfield Denton of Indiana, would rule out<br />
all possibility of defense on antitrust violations<br />
charged by the independents if a<br />
final judgment holding the defendants guilty<br />
has been entered in a suit brought by the<br />
government covering the same offenses.<br />
In other words, there would be no defense<br />
against private suits brought in complete<br />
conformity with the May 1948 judgment of<br />
the Supreme Court. That decision would become<br />
conclusive proof of guilt, rather than<br />
mere prima facie evidence, as it now is.<br />
The difference is that whereas it can be<br />
disputed in court today, there would be absolutely<br />
no argument under the Denton proposal.<br />
Another important point is that a federal<br />
statute of limitations would become controlling.<br />
If an exhibitor wishes to bring a<br />
triple damage suit now, he has to take into<br />
account the limitation period in his state.<br />
In some states he can sue for damages incurred<br />
only over a one or two-year period,<br />
while in other states the period goes as high<br />
as ten years.<br />
The Denton bill would set a six-year limitation<br />
for all states, and in some cases the<br />
result might be the filing of suits which<br />
would otherwise never get to court.<br />
As a matter of fact the Clayton bill originally<br />
included a uniform six-year statute<br />
of limitations, but before it became law this<br />
provision had disappeared. And at the same<br />
time, prior to passage of the act in 1914,<br />
the house had voted that final judgments<br />
in government suits be treated as<br />
conclusive evidence, but the milder approach<br />
won out in the senate.<br />
* * *<br />
WHEN "BICYCLE THIEF" was shown at<br />
the National Press club here last week, it<br />
was the first foreign language feature to be<br />
shown by the club. The auditorium was<br />
jammed and this correspondent was among<br />
those turned away. Had to see the film<br />
later when it opened at the Trans-Lux . . .<br />
Despite all the reports that Warner Bros,<br />
and the Justice department have settled,<br />
don't look for anything definite for a couple<br />
of weeks. There remain minor points to be<br />
worked out^and antitrust chief Herb Bergson<br />
won't be back in town for another ten<br />
days.<br />
* * •<br />
WAYNE COY, FCC chairman has written<br />
Senator Charles Tobey his agreement that<br />
the commission should look into the refusal<br />
of film companies to provide films for the<br />
Phonevision test. He said he did not think<br />
the recent argument on a uniform FCC<br />
policy for dealing with antitrust violators<br />
was the proper place for such inquiry, however.<br />
Coy felt that the matter should be<br />
put to company executives, not merely to,<br />
lawyers speaking for them. He said he<br />
thought the question should come up, for<br />
instance, "in a hearing upon applications by<br />
motion picture producers for radio station<br />
facilities."<br />
24<br />
^efront<br />
By ALAN HERBERT<br />
Brylawski Points Out<br />
Danger in Wage Bill<br />
WASHINGTON—Danger that unions<br />
might seek to force coverage of all theatre<br />
employes under local and state minimum<br />
wage regulations even though they<br />
were excluded from the national minimum<br />
wage law was seen here last week<br />
by A. Julian Brylawski, head of the local<br />
MPTO. The Warner executive was testifying<br />
before the senate committee on<br />
the District of Columbia.<br />
A bill by Committee Chairman Matt<br />
Neely of West Virginia would extend<br />
coverage of the D.C. minimum wage regulation<br />
to men. It now applies only to<br />
women and youngsters under 18. Brylawski<br />
related that the pay of some men<br />
in theatres is as low as 55 cents per hour,<br />
while the minimum if the Neely bill goes<br />
through would be 86 cents. Not only would<br />
the increase be too costly to exhibitors<br />
at this time—but it would be certain to<br />
encourage unions elsewhere to seek similar<br />
benefits.<br />
Brylawski objected also to a bill which<br />
would raise unemployment benefits here<br />
from a maximum of $20 to a maximum<br />
of $30 weekly, with the maximum period<br />
extended from 20 to 26 weeks.<br />
Griffith Memorial Held<br />
At Centerfield Grave<br />
CENTERFIELD, KY. — Memorial services<br />
for D. W. Griffith, co-founder of United<br />
Artists Corp. and director of "The Birth of a<br />
Nation," "Broken Blossoms" and other great<br />
motion pictures, will be held Sunday (14) at<br />
3 -o'clock in the Mount Tabor cemetery.<br />
A monument that will be placed on the<br />
grave has been provided by the Screen Actors<br />
Guild and the memorial is a ledger panel<br />
made of white marble. On it is engraved<br />
the Griffith coat of arms and the date and<br />
place of his death. A Screen Directors Guild<br />
medallion will be placed on the monument<br />
and a split rail fence will be put on the<br />
20x20 plot.<br />
Mrs. D. W. Griffith, Mary Pickford, Lillian<br />
Gish, Richard Barthelmess and Neil Hamilton<br />
are scheduled to fly down from New York<br />
for the services. Al Rogell will come from<br />
Hollywood to represent the Screen Actors<br />
Guild.<br />
Warner Bros. Dividend<br />
NEW YORK—The Warner Bros,<br />
board of<br />
directors at a special meeting declared a<br />
dividend of 25 cent sa share payable July 5<br />
to common stockholders of record June 9.<br />
Malmuth to Miami<br />
MIAMI—Joe Malmuth, veteran in the theatre<br />
equipment business, has been named sales<br />
engineer for the Miami branch of Joe Hornstein,<br />
Inc.<br />
Supreme Court Rejects<br />
Memphis Censor Case<br />
WASHINGTON — The Supreme Court re<br />
fused this week to hear arguments on .thi<br />
legality of Memphis censorship. The cour<br />
turned down the appeal of United Artist;<br />
and Hal Roach for a decision upsetting tht<br />
right of the Memphis censors to ban Roach';<br />
comedy "Curley." Roach and UA, joinec<br />
by the Motion Picture Ass'n of America, hac<br />
hoped to make this a test case whereb:<br />
they might strike at state and local censor<br />
ship, but the high court apparently foun<<br />
that there were good grounds apart fron<br />
the basic censorship issue on which to re<br />
fuse the case.<br />
Thus the test case may come on the At<br />
lanta ban of Louis DeRochemont's "Los<br />
Boundaries," or it may have to wait for som<br />
other case where the censorship issue i<br />
clearer than in the "Curley" case. Ther<br />
were side issues involving the standing o<br />
the appealing companies to bring the mat<br />
ter to court at all, and the high court proba<br />
bly decided to refuse the case on thos<<br />
grounds.<br />
An MPAA spokesman said that the atti<br />
tude of the Supreme Court does not preven<br />
the exhibition of "Curley" in Memphis. Thi<br />
was indicated by the following extract fron<br />
the brief filed in Supreme Court by the at<br />
torney for Memphis in opposition to th<br />
petition for a review:<br />
"Petitioners . . . deliberately chose a nar<br />
row flank attack by certiorari for review o<br />
the alleged action of a purely local boarc<br />
which is admittedly void and beyond th<br />
scope of the local act and was so declare<br />
both by the trial court and the suprem<br />
court of the state.<br />
". . . This is especially true when we con<br />
sider that the supreme court of the stat<br />
of Tennessee in its opinion stated that tha<br />
court was not in disagreement with th<br />
fundamental principle that there is no au<br />
thority to use race or color as the sole leg!<br />
basis for censorship of talking motion pic<br />
tures."<br />
Edward C Raftery, United Artists counse<br />
said he agreed with the MPAA statemec<br />
and had noMiing to add.<br />
Charles Rich Leaves WB;<br />
To Become an Exhibitor<br />
NEW YORK—Charles Rich, Warner Bro<br />
central district manager in Cleveland, hsj<br />
resigned, effective Tuesday (9). He will entf<br />
the theatre business for himself. He had bee<br />
with the company for 27 years.<br />
Rich joined Warners at Washington as<br />
salesman and was made branch manager i<br />
Pittsburgh in 1934; promoted to metropolita<br />
district manager in 1936; branch manager i<br />
Buffalo in 1938; to Cleveland as branc<br />
manager in 1940. He became central distri<<br />
manager in 1943.<br />
RKO Picture Retitled<br />
NEW YORK—"Walk Softly, Stranger" wi<br />
be the final release title for "Weep No More<br />
which RKO will distribute with Joseph Co<br />
ten and Valli starred.<br />
Keep up the fight for total ticket U<br />
repeal!<br />
BOXOFFICE<br />
:<br />
: May<br />
13, 1»