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"<br />

.<br />

Real, Solid Showmanship<br />

Needed, Declares Babb<br />

NEW YORK—"Genuine, solid, corny, oldtime<br />

showmanship is the industry's greatest<br />

need today," says Kroger Babb, president of<br />

Hallmark Productions, Inc., after an 88-day<br />

air tour around the world during which he<br />

covered 51,200 air miles and visited 55 key<br />

distribution cities in 36 countries for the purpose<br />

of setting up new release outlets.<br />

After watching showmanship practices in<br />

all his stopping places he says he thinks all<br />

exhibitors should make world tours to get<br />

new ideas.<br />

"Exhibitors in Greece and Holland are the<br />

world's best showmen," he says. "They're<br />

really selling their product like merchandising<br />

experts or airline publicity men. People<br />

won't buy fish in the ocean; you've got to<br />

display 'em, talk about 'em, and sell 'em to<br />

the housewife."<br />

Babb says there is too much talk about<br />

below-average product.<br />

"A bad fish, a bad piece of steak now<br />

and then doesn't turn the shopper against<br />

fish and meat forever," he comments. "Then<br />

why so much hullabaloo over a below -average<br />

film? There's a market for every film, if<br />

there is a showman around to sell it."<br />

Babb is no respecter of standard selling<br />

techniques. In Australia, he says, he found<br />

a showman named Vic Hobler who was "packing<br />

'em in with a film called 'The Kelley<br />

Boys' by advertising it truly as 'the worst<br />

film that has ever been on the screen.'<br />

He argues from this that "people want to<br />

see the bad, the worst, the same as they<br />

want to see the best."<br />

Television doesn't disturb Babb. "It's<br />

derful," he says, "but you<br />

won-<br />

can't make a theatre<br />

out of a bar, an ice cream parlor or a<br />

family living room. There will always be a<br />

great field for the motion picture and the<br />

unmatchable happiness, education and entertainment<br />

it brings audiences at low cost, if<br />

the three branches of the industry will get<br />

together before they meet in the bankruptcy<br />

courts."<br />

On the subject of foreign distribution Babb<br />

not so optimistic. In his opinion the Ameri-<br />

is<br />

can motion picture is "being legislated out of<br />

productive foreign markets and the situation<br />

is destined to become worse because many<br />

countries are eager to muzzle Hollywood<br />

pictures by law for the dual purpose of keep-<br />

Public Is<br />

Kroger Babb is seen here signing a<br />

seven-year personal management contract<br />

with Nelly Goletti, 27-year-old<br />

French composer and pianist. The agreement<br />

calls for her services in films, radio<br />

and television, starting in June. Miss<br />

Goletti is said to be widely known in<br />

Europe. She is an honor graduate from<br />

Milan, Paris and Algiers conservatories,<br />

and has published more than 300 songs<br />

ranging from boogie woogie to classics.<br />

She also has written the music for two<br />

Parisian stage hits and has scored nine<br />

films. She has made many concert tours<br />

since the close of the war.<br />

ing their people ignorant of American ideals,<br />

methods, styles and thinking in order to give<br />

their native producing companies a better<br />

chance." •<br />

In many countries, he says, exhibitors are<br />

forced by law to play a certain percentage of<br />

locally made films. The native producer is<br />

provided a boxoffice dole, or special profit,<br />

by law. In Italy, he says, the exhibitor must<br />

automatically turn over the first 7% cents of<br />

each boxoffice dollar to the producer of an<br />

Italian film before taxes are computed or<br />

the terms of the exhibition contract settled.<br />

In France, it is 10 per cent. Also in France,<br />

he states, the producer with one-third of the<br />

estimated cost of a film can borrow the next<br />

one-third from any bank under a law designed<br />

to aid the country's studios, and the<br />

government loans the producer the final onethird<br />

to assure completion of the film.<br />

Oscar-Minded, Survey Reveals<br />

HOLLYWOOD—Can you remember the<br />

name of the picture that won the Academy<br />

Oscar for 1949? The best actor? The best<br />

actress?<br />

The Academy claims, on the basis of a<br />

nationwide survey by Audience Research,<br />

Inc., that more than nine out of ten moviegoers<br />

know about the annual Awards clambake<br />

and that approximately half of those<br />

interviewed identified Columbia's "All the<br />

King's Men" as last year's award-winning<br />

best picture.<br />

ARI's report admitted, however, that there<br />

"continues to be some confusion" between<br />

the picture adjudged best and the feature in<br />

which the award-winning actor or actress<br />

appears. Some 10 per cent of interviewed<br />

theatregoers, for example, thought Paramount's<br />

"The Heiress" won the Oscar because<br />

its star, Olivia DeHavilland, reaped the<br />

best-actress kudos.<br />

Further, ARI asserted, awards other than<br />

those given for the best picture and best<br />

acting performances "left relatively little<br />

impression on moviegoers." The public in<br />

general appears to approve of the Academy<br />

selections, with almost two in three agreeing<br />

that they are "fairly awarded."<br />

Over 500 Theatres<br />

Use 20th-Fox Ads<br />

NEW YORK—More than 500 theatres have<br />

used the 20th Century-Fox share-the-cost<br />

ads as part of the Movies Are Better Than<br />

Ever campaign.<br />

Another 500 have adapted the ads to local<br />

requirements and have been bearing the full<br />

cost of the institutional campaign.<br />

The 20th-Fox ads were first offered at the<br />

Chicago merchandising conference called by<br />

Spyros P. Skouras and Charles Einfeld on a<br />

share-the-cost basis.<br />

The showmanship drive is still in progress,<br />

with large circuits in the van of the activity.<br />

Some campaigns are already under<br />

way and others are about to start. General<br />

use of the Movies Are Better Than Ever<br />

slogan is being made in newspaper ads, on<br />

marquees and in publicity.<br />

Since the start of the campaign Einfeld<br />

has carried it to Europe. He discussed the<br />

program at a luncheon for continental managers<br />

at the Ritz in Paris Tuesday (9) sponsored<br />

by the MPAA, with Gerald Meyer presiding.<br />

Among those attending were Abe<br />

Schneider, Joseph H. McConville of Columbia<br />

and Phil Reisman of RKO, who endorsed<br />

the program. On Wednesday (10) and Thursday<br />

(11) he spoke at a meeting in Brussels<br />

which was attended by representatives of<br />

American distributors, as well as Belgian exhibitors<br />

and distributors.<br />

Einfeld returned to Paris Friday to meet<br />

with French industry leaders.<br />

Evergreen Continues Lead<br />

In Skouras Campaign<br />

LOS ANGELES—Positions remained unchanged<br />

at the end of the third week of National<br />

Theatres' eighth annual Charles P.<br />

Skouras Showmanship campaign. With Evergreen<br />

continuing to top the list, placements<br />

of other NT divisions, from second through<br />

sixth, were:<br />

Fox Midwest; Fox West Coast, southern<br />

California segment; Fox Wisconsin; FWC,.<br />

northern California division; and Fox Intermountain.<br />

NSS Has Three 'Prevues'<br />

On 'Fireball' for Video<br />

LOS ANGELES—National Screen Service,<br />

embarking on a program of television as well<br />

as theatre trailers, is turning out three TV<br />

"prevues," running 20, 40 and 60 seconds<br />

each, for "The Fireball," Mickey Rooney<br />

starrer produced by Bert Friedlob and Tay<br />

Garnett for 20th Century-Fox release.<br />

Decision to plug "The Fireball" via television<br />

was reached in conferences between<br />

Friedlob, Garnett and 20th-Fox executives in<br />

order to capitalize on the current TV popularity<br />

of roller-skate racing, which is the picture's<br />

background.<br />

Disney Dividend Is 37 Vic<br />

HOLLYWOOD—A regular quarterly dividend<br />

of 37 Vi cents a share on outstanding 6<br />

per cent cumulative convertible preferred<br />

stock was declared by the board of directors<br />

of Walt Disney Productions. The dividend<br />

is payable July 1 to stockholders of record<br />

June 17.<br />

26 BOXOFFICE :: May 13, 1950

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