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"<br />
.<br />
Real, Solid Showmanship<br />
Needed, Declares Babb<br />
NEW YORK—"Genuine, solid, corny, oldtime<br />
showmanship is the industry's greatest<br />
need today," says Kroger Babb, president of<br />
Hallmark Productions, Inc., after an 88-day<br />
air tour around the world during which he<br />
covered 51,200 air miles and visited 55 key<br />
distribution cities in 36 countries for the purpose<br />
of setting up new release outlets.<br />
After watching showmanship practices in<br />
all his stopping places he says he thinks all<br />
exhibitors should make world tours to get<br />
new ideas.<br />
"Exhibitors in Greece and Holland are the<br />
world's best showmen," he says. "They're<br />
really selling their product like merchandising<br />
experts or airline publicity men. People<br />
won't buy fish in the ocean; you've got to<br />
display 'em, talk about 'em, and sell 'em to<br />
the housewife."<br />
Babb says there is too much talk about<br />
below-average product.<br />
"A bad fish, a bad piece of steak now<br />
and then doesn't turn the shopper against<br />
fish and meat forever," he comments. "Then<br />
why so much hullabaloo over a below -average<br />
film? There's a market for every film, if<br />
there is a showman around to sell it."<br />
Babb is no respecter of standard selling<br />
techniques. In Australia, he says, he found<br />
a showman named Vic Hobler who was "packing<br />
'em in with a film called 'The Kelley<br />
Boys' by advertising it truly as 'the worst<br />
film that has ever been on the screen.'<br />
He argues from this that "people want to<br />
see the bad, the worst, the same as they<br />
want to see the best."<br />
Television doesn't disturb Babb. "It's<br />
derful," he says, "but you<br />
won-<br />
can't make a theatre<br />
out of a bar, an ice cream parlor or a<br />
family living room. There will always be a<br />
great field for the motion picture and the<br />
unmatchable happiness, education and entertainment<br />
it brings audiences at low cost, if<br />
the three branches of the industry will get<br />
together before they meet in the bankruptcy<br />
courts."<br />
On the subject of foreign distribution Babb<br />
not so optimistic. In his opinion the Ameri-<br />
is<br />
can motion picture is "being legislated out of<br />
productive foreign markets and the situation<br />
is destined to become worse because many<br />
countries are eager to muzzle Hollywood<br />
pictures by law for the dual purpose of keep-<br />
Public Is<br />
Kroger Babb is seen here signing a<br />
seven-year personal management contract<br />
with Nelly Goletti, 27-year-old<br />
French composer and pianist. The agreement<br />
calls for her services in films, radio<br />
and television, starting in June. Miss<br />
Goletti is said to be widely known in<br />
Europe. She is an honor graduate from<br />
Milan, Paris and Algiers conservatories,<br />
and has published more than 300 songs<br />
ranging from boogie woogie to classics.<br />
She also has written the music for two<br />
Parisian stage hits and has scored nine<br />
films. She has made many concert tours<br />
since the close of the war.<br />
ing their people ignorant of American ideals,<br />
methods, styles and thinking in order to give<br />
their native producing companies a better<br />
chance." •<br />
In many countries, he says, exhibitors are<br />
forced by law to play a certain percentage of<br />
locally made films. The native producer is<br />
provided a boxoffice dole, or special profit,<br />
by law. In Italy, he says, the exhibitor must<br />
automatically turn over the first 7% cents of<br />
each boxoffice dollar to the producer of an<br />
Italian film before taxes are computed or<br />
the terms of the exhibition contract settled.<br />
In France, it is 10 per cent. Also in France,<br />
he states, the producer with one-third of the<br />
estimated cost of a film can borrow the next<br />
one-third from any bank under a law designed<br />
to aid the country's studios, and the<br />
government loans the producer the final onethird<br />
to assure completion of the film.<br />
Oscar-Minded, Survey Reveals<br />
HOLLYWOOD—Can you remember the<br />
name of the picture that won the Academy<br />
Oscar for 1949? The best actor? The best<br />
actress?<br />
The Academy claims, on the basis of a<br />
nationwide survey by Audience Research,<br />
Inc., that more than nine out of ten moviegoers<br />
know about the annual Awards clambake<br />
and that approximately half of those<br />
interviewed identified Columbia's "All the<br />
King's Men" as last year's award-winning<br />
best picture.<br />
ARI's report admitted, however, that there<br />
"continues to be some confusion" between<br />
the picture adjudged best and the feature in<br />
which the award-winning actor or actress<br />
appears. Some 10 per cent of interviewed<br />
theatregoers, for example, thought Paramount's<br />
"The Heiress" won the Oscar because<br />
its star, Olivia DeHavilland, reaped the<br />
best-actress kudos.<br />
Further, ARI asserted, awards other than<br />
those given for the best picture and best<br />
acting performances "left relatively little<br />
impression on moviegoers." The public in<br />
general appears to approve of the Academy<br />
selections, with almost two in three agreeing<br />
that they are "fairly awarded."<br />
Over 500 Theatres<br />
Use 20th-Fox Ads<br />
NEW YORK—More than 500 theatres have<br />
used the 20th Century-Fox share-the-cost<br />
ads as part of the Movies Are Better Than<br />
Ever campaign.<br />
Another 500 have adapted the ads to local<br />
requirements and have been bearing the full<br />
cost of the institutional campaign.<br />
The 20th-Fox ads were first offered at the<br />
Chicago merchandising conference called by<br />
Spyros P. Skouras and Charles Einfeld on a<br />
share-the-cost basis.<br />
The showmanship drive is still in progress,<br />
with large circuits in the van of the activity.<br />
Some campaigns are already under<br />
way and others are about to start. General<br />
use of the Movies Are Better Than Ever<br />
slogan is being made in newspaper ads, on<br />
marquees and in publicity.<br />
Since the start of the campaign Einfeld<br />
has carried it to Europe. He discussed the<br />
program at a luncheon for continental managers<br />
at the Ritz in Paris Tuesday (9) sponsored<br />
by the MPAA, with Gerald Meyer presiding.<br />
Among those attending were Abe<br />
Schneider, Joseph H. McConville of Columbia<br />
and Phil Reisman of RKO, who endorsed<br />
the program. On Wednesday (10) and Thursday<br />
(11) he spoke at a meeting in Brussels<br />
which was attended by representatives of<br />
American distributors, as well as Belgian exhibitors<br />
and distributors.<br />
Einfeld returned to Paris Friday to meet<br />
with French industry leaders.<br />
Evergreen Continues Lead<br />
In Skouras Campaign<br />
LOS ANGELES—Positions remained unchanged<br />
at the end of the third week of National<br />
Theatres' eighth annual Charles P.<br />
Skouras Showmanship campaign. With Evergreen<br />
continuing to top the list, placements<br />
of other NT divisions, from second through<br />
sixth, were:<br />
Fox Midwest; Fox West Coast, southern<br />
California segment; Fox Wisconsin; FWC,.<br />
northern California division; and Fox Intermountain.<br />
NSS Has Three 'Prevues'<br />
On 'Fireball' for Video<br />
LOS ANGELES—National Screen Service,<br />
embarking on a program of television as well<br />
as theatre trailers, is turning out three TV<br />
"prevues," running 20, 40 and 60 seconds<br />
each, for "The Fireball," Mickey Rooney<br />
starrer produced by Bert Friedlob and Tay<br />
Garnett for 20th Century-Fox release.<br />
Decision to plug "The Fireball" via television<br />
was reached in conferences between<br />
Friedlob, Garnett and 20th-Fox executives in<br />
order to capitalize on the current TV popularity<br />
of roller-skate racing, which is the picture's<br />
background.<br />
Disney Dividend Is 37 Vic<br />
HOLLYWOOD—A regular quarterly dividend<br />
of 37 Vi cents a share on outstanding 6<br />
per cent cumulative convertible preferred<br />
stock was declared by the board of directors<br />
of Walt Disney Productions. The dividend<br />
is payable July 1 to stockholders of record<br />
June 17.<br />
26 BOXOFFICE :: May 13, 1950