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m flHlBIll<br />

Entered is Mcond-titu natter at the Pott Otflct<br />

at Kansas City, Mo., vndv the act ot March 3, 1879.<br />

NATIONAL EXECUTIVE EDITION<br />

Including the Sectional News Pages of All Editioni<br />

DECEMBER 2, 1950<br />

Auditorium of the Odeon Theatre recently opened in Ottawa by Odeon Theatres of Canada.


1<br />

IF RIP VAN WINKLE<br />

WOKE UP TODAY!<br />

Naturally Mr. Van Winkle asked a lot of question<br />

about industry happenings.<br />

''When I dozed off, years ago," said Mr. Van Winkle<br />

"there was a young Lion named Leo of M-G-M wh(<br />

was the talk of the entire industry. Who's doing th<br />

roaring now?"<br />

I<br />

M.G-M's TECHNICOLOR GIANT!<br />

"KING<br />

SOLOMON'S<br />

MINES"<br />

Breaking records at<br />

Radio City Music Hall<br />

and across the nation!


(A .rvos\«-<br />

I<br />

Celebrate the<br />

Happy Holidays<br />

with a Big M-G-M<br />

Technicolor Musical<br />

tc<br />

PAGAN<br />

LOVE<br />

SONG"<br />

BIG ADVENTURE<br />

INDIA!<br />

ii-G-M's<br />

IRAMA FILMED IN<br />

Rudyard Kipling's<br />

fi<br />

KIM"<br />

TECHNICOLOR<br />

MASTERPIECE<br />

Thousands in the Cast!<br />

fes indeed! Mr. Van Winkle found that M-G-M was<br />

till the big noise of the industry—that's what probably<br />

/oke him up. And when he heard about the magnificent<br />

'MGNIFICENT YANKEE" and "MR. IMPERIUM"<br />

nd "ACROSS THE WIDE MISSOURI" and all the<br />

ither M-G-M enterprises he did hand-springs.<br />

V^<br />

ftV^^tS<br />

CA^^


VIRGINIA DORIS OOROON<br />

CAGNEY* MAYO - DAY* M«RAE- NELSON BREAKTHROUGH" DAVID BRIAN JOHNM<br />

f'*':<br />

"TUC U/CQT DHIMT QTHPV" «"' *lan hale ledtiy<br />

ir p,od.cedby<br />

SEILER . BRI<br />

FRANK LOVEJOY SUZANNE LE;rsaER.BRif<br />

f^<br />

story Joseplii"^'<br />

Screen Play by BERNARD GIRARO anij TLD SHLRDLMAN • from a Story by Josephi"^'<br />

Screen Play by JOHN MONKS, JR., CHARLES HOFFMAN & IRVING WALLACE From a Story by Irving Wallace • Ori|inal<br />

Songs by Jule Slyne and Semmy Cahn • Musical Diiection by Ray Hemdoil • Dance Numbers Directed by leRoy Prim<br />

mmmt^mmimmm


Technicolor<br />

Gi!Y COOPER^ RUTH ROMAN STEVE COCHRAN<br />

Dj I A^"<br />

ar<br />

'^^'"""' '*'^^^" • BARBARA PAYTON Directed by STUART HEISLER<br />

Produced by ANTHONY VEILLER Music by Max Stciner Written by JOHN TWIST<br />

'""^mm/mf^ m n j<br />

HIGHWAYSOr ' STEVE COCHRAN<br />

'<br />

VIRGINIA GREY- GABY ANDRE "ZoSsra^'<br />

Produced by BRYAN FOY


ICTURE<br />

OF THE<br />

IL<br />

E"!<br />

Debra Paget and Louis Jourdan pause in the day's occupation to lunch on the set of 20th<br />

Century-Fox's "Bird of Paradise." The place is Hawaii, the picture is in Technicolor and also<br />

stars Jeff Chandler, and the advance word hails it as a major offering for 1951. The big<br />

campaign will sell it around the world!<br />

(Advertisement)


j<br />

,<br />

—<br />

'<br />

w-;"'i,uffl»^'''W<br />

'I<br />

i. tiy ' ij iii,! i|jJ!'yMWM<br />

IE NATIONAL FILM WEEKLY<br />

Published in Nine Sectional Editions<br />

BEN<br />

SHLYEN<br />

dilor-in-Chief and Publisher<br />

MES M. JERAULD Editor<br />

iTHAN COHEN.-Executive Editor<br />

jSE SHLYEN Managing Editoi<br />

AN SPEAR Western Editor<br />

:N HUDNALL Equipment Editor<br />

HN G. TlNSLEY-.Advertlsing Mgr.<br />

Published Every Saturday by<br />

ASSOCIATED PUBLICATIONS<br />

itorial Offices: 9 Rockefeller Plaza, Ne»<br />

rk 20, N. Y. John 0. Tlnsley, Advertli-<br />

Managcr: James M, Jerauld, Editor;<br />

!ster Friedman, Editor Showmandlaer<br />

•lion: A. J. Stocker and Ralph Scholbe.<br />

ulpment Advertising. Telephone COibus<br />

5-6370.<br />

blication Offices: 825 Van Brunt Blvd.,<br />

nsas City 1. Mo. Nathan Cohen, Eiecu-<br />

Eaitor; Jesse Shljen, Managing Edl-<br />

Morris Schlozman, Business Manager,<br />

inelh HudnaU, Editor The MODERN<br />

BATRE;- Herbert Roush. Manager Adl^ing<br />

Sales. Telephone CHestnut 7777.<br />

ilral Offices: Editorial—624 S. Mlchl-<br />

.\\e.. Chicago 5, 111. Jonas Perlberg<br />

eiihone WEbster 9-4745. Advertising-<br />

East Wacker Drive. Chicago 1, 111.<br />

liie Hutchison and B. E. Yeck. Telew<br />

ANdover 3-3042.<br />

ilcrn Offices: Editorial and Film Adveriic—<br />

6404 Hollywood Blvd.. Hollywood<br />

Csiiif. Ivan Spear, manager. Teletip<br />

OLadstone<br />

riltn Advertising—672<br />

1186. Equipment<br />

S. LaFayette<br />

and<br />

1, Place, Los Angeles, Calif. Bob Wett-<br />

I, manager. Telephone DUnkirk 8-2286.<br />

iliinoton Offices: 6417 Dahlonega Road.<br />

)el Older, manager. Phone Wlsoonsin<br />

1. S.ira Young, 932 New Jersey, N.W.<br />

lion Offices: 47, Gloucester Terrace,<br />

ter Gate, W. 2. Telephone Pad-<br />

Ion 7509. John Sullivan, Manager.<br />

Ushers of: The MODERN THEATRE.<br />

tlshed monthly as a section of BOX-<br />

'ICE; BOXOFFICE BAROMETER.<br />

any: 21-23 Walter Ave.. M. Berrlgan.<br />

Ingham: The News, Eddie Badger.<br />

an: Frances W. Harding, Lib. 2-9305.<br />

rlotte: 216 W. 4th, Pauline Griffith,<br />

cinnall: 4029 Reading. Ltlllan Lazarus,<br />

eland: Elsie Loeb. Falrmount 1-0046.<br />

las: l^e Times-Herald. Virgil Miers.<br />

er: 1645 I.afayette. Jack Rose.<br />

Moines: Register-Tribune, Russ Schoch<br />

roit: Foi Theatre Bldg., H. F. Reves.<br />

apolis: Route 8. Bos T70, Howard<br />

Rudcaus, Ga 3339.<br />

nphls: 707 Spring St., Null Adams,<br />

ivaukee: 3057 No. Murray. John Hubel.<br />

ncapolis: 29 Washington. So.. Les Reel.<br />

Haven: 42 Church. Gertrude Lander.<br />

Orleans: Frances Jordan. N.O. Statet<br />

City: Terminal Bldg.. Polly Trindle.<br />

iha: World-Herald Bldg., Lou Gecdes.<br />

ladelphla: 5363 Berks, Norman Shlgon.<br />

sbnrgh: R, F. Kilngensmith. 616 Jeanette.<br />

WUklnsburg. Churchill 1-3800.<br />

Hand. Ore. : Keith Petzold. Broadway<br />

heatre. Advertiaing: Mel Hickman. 901<br />

tomlnal Sales Bldg.. ATwater 4107.<br />

Louis: 5149 Rosa. David Barrett.<br />

. Lake City: Deseret News. H. Pearson.<br />

Antonio: 210 Slocum Place. G. 9718.<br />

J. B. Ketner.<br />

Francisco: Oall Lipman. 25 Taylor St..<br />

Tdway 3-4812. Advertising: Jerry Noell,<br />

Howard Bldg.. 209 Post St..<br />

Tlkon 6-2522.<br />

tie: 1303 Campus Pkwy, Dave Ballard<br />

In<br />

Canada<br />

:ary: Ibt Albertan, Helen Anderson.<br />

treaJ: 4330 Wilson, Roy Carmlchael.<br />

lolm: 116 Prince Edward, W. MoNuIty.<br />

"ito: R. R. 1, York Mills, M. Galbralth.<br />

auver: Lyric Theatre Bldg., Jack Droy.<br />

''ilpeg: 282 Ruperts, Ben Sommcrs.<br />

ember Audit Bureau of Circulations<br />

red as Second Class<br />

J<br />

matter at Post<br />

" e. Kansas City. Mo. Sectional Edition,<br />

> per year; National Edition, |7.J0.<br />

'CEMBER 2, 1950<br />

^<br />

58 No. 5<br />

AN APPROACH 70 UTOPIA<br />

' HE singleness of thought contained in<br />

three letters from readers published in this issue<br />

gives emphasis to the point they make: That<br />

film rental terms are a matter of individual negotiation.<br />

So say two exhibitor leaders, Henry<br />

Reeve, president of the Texas Theatre Owners,<br />

and Morris Loewenstein, president of the Theatre<br />

Owners of Oklahoma, and A. W. Schwalberg,<br />

president of Paramount Film Distributing<br />

Corp.<br />

Mr. Reeve gives organization efforts to regulate<br />

or control fair selling practices little credit<br />

for accomplishment, calling such efforts futile.<br />

And he says, "If we want to stay in this business,<br />

just admit its failings and impossibilities,<br />

forget the wishful thinking that some organization<br />

can take care of us and dig into our individual<br />

business and give it the best we've got."<br />

Mr. Loewenstein says, "Every situation poses<br />

its own problems and the solution must come<br />

from the individual theatre operation. No 'allinclusive'<br />

formula can ever be reached—no matter<br />

how sincere the exhibitor-distributor relationship.<br />

... If the time of the 'commonpocketbook'<br />

ever comes, then Utopia could exist<br />

in show business—but this will never be—therefore<br />

each must fight his own battle as best he<br />

can—and measure himself by the results."<br />

Mr. Schwalberg states, "Terms are today a<br />

matter of negotiation theatre by theatre and<br />

picture by picture . . . there can be no overall<br />

common denominator." At the same time, Mr.<br />

Schwalberg urges that exhibitors devote their<br />

energies to developing ways and means of getting<br />

people to come to their theatre. With this<br />

we are heartily in accord. It certainly would<br />

be a better business, if everyone exerted his<br />

greatest efforts in this direction. But, we wonder,<br />

if picture-by-picture negotiations do not<br />

impinge extraordinarily upon the time of such<br />

efforts? Perhaps not in the instance of chahi<br />

organizations where film buying is done by other<br />

than the theatre manager upon whom falls the<br />

job of selling the pictures to the public. However,<br />

where an individual operator has to attend<br />

to both functions, it is quite a different matter.<br />

The picture-by-picture dealing is, by the way,<br />

the result of organization activity that did away<br />

with whole-season buying that obtained prior to<br />

1940. When the consent decree went into effect<br />

that year for a trial run, which lasted three years,<br />

pictures were sold and bought in groups containing<br />

up to five. Later court decrees dictated<br />

otherwise. There are, of course, buyer advantages<br />

in these dictums. But one may question<br />

whether the game has been worth the candle.<br />

It must be remembered that the seller also gained<br />

advantage in the changeover—advantage in<br />

which, doubtless, is based the increasing rental<br />

trend of which exhibitors complain.<br />

A modification in this buyer-seller situation<br />

has been introduced by several distributing<br />

firms, largely for the smaller theatre operations<br />

whereby they may buy even a full season's product<br />

output with a conditional cancellation privilege.<br />

That is a move in the right direction.<br />

Reverting to the question of a so-called rental<br />

formula, we wonder why there could not be a<br />

"common denominator" that could be basically<br />

applied over a large segment of the industry.<br />

Adjustment here and there to fit individual<br />

situations would serve to make it equitable. And,<br />

with the stress and strain and time loss removed<br />

from picture buying diverted by both exhibitors<br />

and distributors into selling the public, there<br />

might, at least, be some progress made toward<br />

that Utopian era.<br />

Carter T.<br />

Barron<br />

Rare, indeed, is the individual who earns for<br />

himself a place in his community as did Carter<br />

T. Barron. He talked with Presidents. He served<br />

his city, his industry and his country. And he<br />

served them exceedingly well. As Loew's Washington<br />

representative for the past 18 years<br />

and diplomat without portfolio for the motion<br />

picture industry—Carter Barron will long be remembered<br />

by the people of the nation's capital<br />

and by the people of this industry.<br />

No greater tribute could be paid a man than<br />

to be referred to as his town's No. 1 Private<br />

Citizen. That is the esteem in which Carter<br />

Barron was held. His untiring efforts in the community,<br />

his genial personality and sincerity and<br />

his genius for organizing and making people<br />

work together created a civic spirit in which<br />

Washington takes pride.<br />

Carter Barron added to the good name of the<br />

motion picture industry. He brought it greater<br />

respect in high places of government and with<br />

whomever he came in contact. He took pleasure<br />

in serving the industry he loved with ceaseless<br />

devotion. He set a fine example of community<br />

service it would be well for others in this industry<br />

to emulate.<br />

V^^C-w


[<br />

MAJOR COMPANY HEADS AGREE<br />

TO TOA ARBITRATION PROGRAM i|<br />

Decide That Distributors<br />

And Exhibitors Should<br />

Be Asked for Support<br />

NEW YORK—Leading distributors and<br />

producers liave agreed with the Theatre<br />

Owners of America that an effort should<br />

be made to enlist the cooperation of exhibitors<br />

and distributors "generally" in<br />

setting up a plan for arbitrating distributor-exhibitor<br />

disputes.<br />

That was the outcome of the well-attended<br />

meeting with TOA officials of top executives<br />

of major companies Wednesday (29) at the<br />

Hotel Astor.<br />

ISSUE JOINT STATEMENT<br />

Afterwards, the following carefully worded<br />

statement was issued;<br />

"An invitation having been extended to<br />

heads of producing and distributing companies<br />

represented at the meeting to ascertain<br />

their attitude toward establishing a<br />

workable system of arbitration in the motion<br />

picture industry to deal with disputes involving<br />

distributors and exhibitors, it was the<br />

consensus that efforts should be made to<br />

obtain the active participation and cooperation<br />

of exhibitors and distributors generally<br />

in the consideration and formulation of such<br />

a program."<br />

Representing TOA. the host, were Herman<br />

M. Levy, general counsel; Walter Reade jr.,<br />

chairman of its distributor-exhibitor relations<br />

committee; S. H. Fabian, Albert M.<br />

pickus and Alfred M. Starr.<br />

The guests werg:<br />

Loew's—Nicholas M. Schenck, William F.<br />

Rodgers, J. Robert Rubin.<br />

Twentieth Century-Fox—Spyros P. Skouras,<br />

Andy W. Smith jr.. Otto E. Koegel.<br />

Paramount — Barney Balaban, A. W.<br />

Schwalberg, Austin C. Keough.<br />

Warner Bros.—Albert Warner, Robert W.<br />

Perkins, Howard Levinson.<br />

Universal-International—John J. O'Connor.<br />

Adolph Schimel, Al Daff.<br />

RKO — Robert Mochrie, Ralston Irving.<br />

Joseph J. Laub, William Zimmerman.<br />

Republic—Theodore R. Black. James R.<br />

Grainger.<br />

Columbia—Jack Cohn. Irving Morass.<br />

Monogram—Edward Morey.<br />

UA, ELC NOT PRESENT<br />

Gradwell Sears. United Artists distribution<br />

head, and William J. Heineman, Eagle<br />

Lion Classics, had been invited, but their<br />

companies were not represented. Ned E.<br />

Depinet, RKO president, was out of town, and<br />

Sam Pinanski. TOA president, who issued the<br />

invitations, was detained in Boston by a cold.<br />

Questions as to what the next move will<br />

be, and who will make it, in seeking to establish<br />

an arbitration system were met with<br />

reference to the formal announcement and<br />

the statement there was nothing to add to<br />

it. Further questioning brought the statement<br />

that no date has been set for another<br />

meeting, but it was intimated that another<br />

meeting will be held. A.sked if there was any<br />

8<br />

Industry Chiefs Holding<br />

Big East-West Confab<br />

NEW YORK—Presidents and top studio<br />

executives of all member companies<br />

of the Motion Picture Ass'n of America<br />

will hold a series of important "eastwest"<br />

meetings at the Phoenix-Biltmor<br />

hotel, Phoenix, Ariz., starting Friday<br />

(8) and continuing for two more<br />

days.<br />

This became known Tuesday (28)<br />

after a meeting of the MPAA board<br />

which Eric Johnston, president, came<br />

from Washington to attend.<br />

Plans for the signing of the new Anglo-American<br />

film pact were revised.<br />

Instead of its being signed in Washington<br />

Wednesday (6), it will be signed<br />

here the previous day at an MPAA<br />

luncheon. Rupert C. G. Somervell, under-secretary<br />

of the British Board of<br />

Trade, will sign for Britain. Johnston<br />

for MPAA and Ellis Arnall, president,<br />

for the Society of Independent Motion<br />

Picture Producers. The Wednesday<br />

luncheon in Washington will still be held,<br />

with U.S. government officials among<br />

those present.<br />

MPAA spokesmen would not discuss the<br />

specific purposes of the east-west meeting,<br />

but since high production officials<br />

will be present, it is certain that the whole<br />

range of production problems, from financing<br />

and budgeting to types of films<br />

produced, will be gone over. Television<br />

competition will supply an impetus for<br />

a concerted effort to improve quality and<br />

marketing.<br />

tentative plan involving use of American<br />

Arbitration Ass'n facilities, as in the past,<br />

there again was no comment.<br />

At the time the conference was called.<br />

TOA said it would consider two points:<br />

(1) Whether or not the industry wishes<br />

and will work for an arbitration system.<br />

(2) Whether or not the objections to such<br />

a system can be solved if approached in a<br />

spirit of compromise and conciliation.<br />

Evidently an agreement was reached that<br />

a survey of the industry, especially regarding<br />

exhibitor participation, will be made as<br />

the initial move. However. Allied States was<br />

not represented at the conference. Questioned<br />

about this. Abram P. Myers, general<br />

counsel, said; "Allied States was not invited<br />

and it does not concern me at all."<br />

Just what problems are susceptible to<br />

arbitration will have to be decided. The<br />

great majority of complaints handled in the<br />

past by the AAA had to do with clearances.<br />

However. Reade's TOA committee has been<br />

studying many trade practices for more than<br />

a year and is in an excellent position to<br />

make recommendations. The work of the<br />

committee has been one of the best guarded<br />

secrets in the industry. A possibility is that<br />

consideration will be given the position taken<br />

by Ellis Arnall, president of the Society of<br />

Independent Motion Picture Producers, that<br />

an industrywide conference be held looking<br />

toward a code of fair trade practices. However,<br />

since the Arnall plan involves consultations<br />

with the Department of Justice, it may<br />

not be looked upon with favor.<br />

TOA efforts to promote extensive use of<br />

t<br />

arbitration go back several years. There<br />

have been optimistic statements from TOA<br />

from time to time suggesting that progress<br />

was being made, but in the end little progress<br />

has been recorded.<br />

Warners, 20th-Fox Given<br />

Antitrust Case Delays<br />

NEW YORK—Warner Bros, and 20th Century-Fox<br />

have been granted extensions of<br />

time for filing plans for divorcement with<br />

the three-judge statutory court. The former<br />

has until January 15 and the latter until<br />

March 5.<br />

Loew's. Inc.. has not asked for an extension<br />

and has not taken part in any negotiations<br />

for a consent decree. There have been<br />

reports that the company might seek some<br />

new move to get a hearing before the Supreme<br />

Court, but the company lawyers refuse<br />

to discuss the case. If no new appeal<br />

is filed, the company will have to file a<br />

divorcement plan by December 5.<br />

The time extensions for Warner Bros, and<br />

20th Century-Fox may prove to be unnecessary.<br />

For some time both companies have<br />

been negotiating with the Department of<br />

Justice for consent decrees and it is understood<br />

that enough progress has been made<br />

to narrow the discussion to details. Agreements<br />

may be reached at any time. The<br />

Justice department did not oppose the requests<br />

for extensions of time and they were<br />

signed Tuesday (28) by Judge Alfred C.<br />

Coxe.<br />

What were called final decrees for Warner<br />

Bros., Loew's and 20th-Fox were handed<br />

down Feb. 8. 1950. These decrees required<br />

the filing of plans for divorcement of theatres<br />

six months from that date—August 8.<br />

An appeal was taken to the U.S. Supreme<br />

Court. This acted as an automatic stay until<br />

the court refused to hear the case June 5.<br />

The six-month time limit for filing plans<br />

again went into effect, but there was another<br />

setback when a petition for a rehearing<br />

was filed. The high court again refused to<br />

review the case October 16.<br />

Hearing on Intercity TV<br />

To Get Industry Views<br />

WASHINGTON—The Federal Communications<br />

commi-ssion announced Thursday (30)<br />

that it has granted permission to the Theatre<br />

Owners of America, 20th Century-Fox and<br />

National Tlieatres Corp. to appear at hearings<br />

on inter-city video scheduled for December<br />

11. Industry attorneys filed requests<br />

for intervention last week. The hearing will<br />

investigate allocations of coaxial cable made<br />

by A. T. & T.<br />

BOXOFFICE December 2, 1950


. .<br />

CAN'T RELEGATE DRIVE-INS<br />

TO STATUS OF SECOND RUNS'<br />

So Court Holds in Giving<br />

Outdoor Exhibitor Right<br />

To Bid for First Runs<br />

PHILADELPHIA—A federal court judge<br />

here this week ruled that distributors cannot<br />

arbitrarily designate drive-in theatres<br />

as subsequent runs and deny them the<br />

right to bid for first run playdates.<br />

This opinion was handed down by Judge<br />

William Kirkpatrick in a suit brought by<br />

David E. Milgram. operator of the Boulevard<br />

Drive-In Theatre located within the city<br />

limits of AUentown, Pa., against the major<br />

distribution.<br />

The decision carries with it broad implications<br />

of how drive-in theatres may<br />

have to be treated hereafter in the channeling<br />

of motion picture tln-ough the industry's<br />

complicated distribution system.<br />

DISTRIBUTORS MAY APPEAL<br />

In effect, what Judge Kirkpatrick said<br />

was that a motion picture theatre is a motion<br />

picture theatre regardless of whether<br />

it is indoor or outdoor and that distributors<br />

cannot differentiate between the two in selling<br />

their product. What the courts have<br />

held as illegal in the selling of motion pictures<br />

for indoor theatres also goes for the<br />

outdoor operation, the court implied. The<br />

same protection goes to both.<br />

The industry cannot relegate the drive-in<br />

to second run status, the court held.<br />

As a number of distributor chiefs within<br />

recent weeks have issued statements to the<br />

effect that they will sell to drive-ins on a<br />

subsequent run basis only, the ruling of<br />

Judge Kirkpatrick may be challenged in the<br />

higher courts. The court issued an injunction<br />

restraining the majors from denying<br />

the Boulevard Drive-In the right to bid<br />

for day-and-date playdates with downtown<br />

AUentown theatres, and from maintaining<br />

the clearance system which has been set<br />

up for the area.<br />

The Boulevard Drive-In was built a year<br />

ago at a cost of about $250,000. It accommodates<br />

900 cars and is located in an attractive<br />

section of AUentown, 2.4 miles from<br />

the business center of the city and 1.7 miles<br />

from the common boundary line between<br />

AUentown and Bethlehem. In effect, first<br />

runs in both of these cities are involved in<br />

the court order.<br />

28-DAY<br />

CLEARANCE CITED<br />

In handing down his decision, Judge Kirkpatrick<br />

pointed to the uniform 28-day clearance<br />

offered the Boulevard Theatre after<br />

all majors had turned down Milgram's request<br />

for first run pictures. "It is incredible<br />

that each proceeded in ignorance of how<br />

the others were dealing with it," the court<br />

said.<br />

Judge Kirkpatrick contended that the evidence<br />

in the case indicated the industry "is<br />

putting mto effect in AUentown a general<br />

program adopted and adhered to by the<br />

directing heads of the industry to relegate<br />

Mayer Sees Changes<br />

Possible in<br />

NEW YORK—The possibility that there<br />

may have to be changes in the structure of<br />

the Council of Motion Picture Organizations<br />

and its financing plans was raised by Arthur<br />

L. Mayer, executive vice-president, in a<br />

speech highlighting a COMPO day luncheon<br />

of Associated Motion Picture Advertisers<br />

held Thursday (30) at the Hotel Piccadilly.<br />

Mayer expressed confidence that COMPO<br />

will solve its problems of membership representation,<br />

an issue pressed by Theatre<br />

Owners of America, and of financing.<br />

Other speakers were: Robert W. Coyne,<br />

special COMPO counsel; Charles E. Mc-<br />

Carthy, information director, and Dick Pitts,<br />

editorial director. Ned E. Depinet, president,<br />

who was scheduled to speak, was unable to<br />

attend. Harry K. McWiUiams, AMPA president,<br />

presided.<br />

Mayer extended an invitation to Ampa<br />

to become a member of COMPO.<br />

"No doubt," he said, "you have read many<br />

alarming stories about COMPO and its problems.<br />

I want to assure you that we who are<br />

dealing with these problems are not disturbed.<br />

It is possible that we shall have to<br />

make some changes in our makeup and in<br />

our financing plans, but, far from being<br />

fatal, such changes will strengthen COMPO<br />

drive-in theatres generaUy to a second run<br />

status."<br />

The majors in their brief contended that<br />

the drive-in theatre being a new and radically<br />

different medium for the exhibition of<br />

motion pictures its "proper position in the<br />

complicated system of clearance and run .<br />

is not yet known, and must ultimately be<br />

found on the basis of experience and judgment<br />

of businessmen charged with the responsibility<br />

of obtaining the most advantageous<br />

outlets for their products. At the present<br />

time, that judgment dictates that a<br />

neighborhood drive-in play on a subsequent<br />

run."<br />

The court, however, did not think this<br />

arbitrary policy could be upheld.<br />

"The considerations moving the defendants<br />

to reject this plaintiff's bids . . . have<br />

basically, nothing to do with the location,<br />

size, equipment, appointments or policy of<br />

operation of his theatre or of any particular<br />

drive-in theatre as compared with others of<br />

the same type, nor with any local competitive<br />

situation," Judge Kirkpatrick said.<br />

"Of course, this case grows out of the<br />

demand of a single theatre owner and local<br />

situation is incidentally, though only accidentally,<br />

involved, but the reasons for refusing<br />

him first run pictures are wholly<br />

COMPO<br />

by broadening the base of its membership.<br />

In any event, having laid a soUd foundation<br />

for cooperative effort by aU branches of the<br />

industry, we are looking forward to a future<br />

of real achievement.<br />

"As one reads the ominous news from<br />

Korea and Lake Success, it becomes more<br />

and more obvious that, quite apart from<br />

exigencies of our own industry situation, the<br />

need for an organizatin like COMPO is imperative.<br />

"If the motion picture industry is to do<br />

its share in the gigantic struggle for freedom<br />

that seems impending, COMPO must<br />

not only be preserved but must be given<br />

the unflagging support of everybody in our<br />

business."<br />

Coyne explained COMPO plans for a survey<br />

to be conducted among exhibitors of<br />

public attitudes toward the industry, and<br />

also touched briefly on the possibility of a<br />

a second survey to be conducted by a professional<br />

polling organization.<br />

McCarthy explained the COMPO plan for<br />

institutional advertising in Editor & Publisher,<br />

and Pitts talked about his recent trip<br />

to Hollywood, where he gathered material<br />

for a series of newspaper stories that are<br />

soon to be published.<br />

directed to the position of the drive-in theatre<br />

in the motion picture industry. The<br />

sum of the testimony is that the plaintiff<br />

is excluded from first run bidding simply<br />

because his theatre is a drive-in. If the<br />

course which has been applied to him is<br />

adhered to generally (and, from the reasons<br />

given, the only possible conclusion is<br />

that it wiU be) no drive-in within 30 or. 40<br />

miles of any city anywhere will get first<br />

run pictures."<br />

"The erection of a fence around an industry<br />

to keep out newcomers is wholly repugnant<br />

to the poUcy which underlies our antitrust<br />

legislation," the court held.<br />

September Ticket Tax Take<br />

On Par With Last Year<br />

WASHINGTON—September boxoffice was<br />

on a par with last year, according to the<br />

Treasury department report this week on<br />

October admissions tax collections, which reflect<br />

the previous month's business.<br />

October collections totaled $35,036,535, as<br />

compared to $35,074,207 in October 1949. Business<br />

was up from that of a month earlier,<br />

but September collections of $31,346,385 were<br />

almost $4,000,000 below the 1949 level.<br />

BOXOFnCE December 2, 1950


Pittsburgh, Cleveland Exchange Areas Hard HiL<br />

THE BIG STORM CLOSES DOWN<br />

THEATRES OVER A WIDE AREA<br />

Boxoifice Loss Runs High;<br />

Deliveries Knocked Out;<br />

Big Drive-In Damage<br />

The devastating snow and wind storm<br />

which struck fiercely in the eastern half<br />

of the country Thanksgiving weekend<br />

virtually paralyzed the film business in<br />

many sectors. Theatres in the Cleveland,<br />

Cincinnati, Pittsburgh and Philadelphia<br />

exchange areas by the dozens were closed<br />

down by the impact of the storm and<br />

drive-ins from northern New York state<br />

to West Virginia and Georgia were both<br />

snowbound and damaged by the wind and<br />

record snow.<br />

BOXOFFICE LOSS HIGH<br />

The loss in revenues will run into hundreds<br />

of thousands of dollars while the extent to<br />

which drive-ins were damaged will not be<br />

known until crews clear highways leading to<br />

the outdoor theatres and the drive-in areas<br />

are cleared of mountainous drifts of snow.<br />

In the Pittsburgh area, it was estimated<br />

that about three-fourths of the theatres closed<br />

down on Saturday. All downtown Pittsburgh<br />

theatres closed for the weekend but business<br />

was down heavily all week. With the city<br />

blanketed by the heaviest snow in its history,<br />

the street cleaning department was unable<br />

to clear the streets sufficiently to handle<br />

traffic and on Thursday the national<br />

guard was called out to halt all traffic from<br />

coming into the city. Some of the neighborhoods<br />

remained open over the weekend to<br />

accommodate walking-distance patrons.<br />

Floods struck with the snow and wind.<br />

W. E. Anderson's Eldred Theatre in Eldred,<br />

Pa., was under 2^4 feet of water. Theatres<br />

in Smethport, Johnsonburg and Port Alleghany<br />

were flooded out. Altoona was completely<br />

without power over the weekend.<br />

CLEVELAND IS HIT HARD<br />

The 18-inch snowfall in<br />

the Cleveland territory<br />

tied up that section of Ohio completely.<br />

All except six theatres were closed by Saturday<br />

but by Sunday downtown houses and<br />

most suburbans were open. The Granada<br />

Theatre, a neighborhood situation, opened<br />

Saturday at the request of residents in the<br />

vicinity of the house who were cut off from<br />

heat and light by a power failure. About 600<br />

patrons turned up for the evening shows.<br />

In Cincinnati it was not the snow so much<br />

as a gas shortage which closed theatres. Low<br />

pressures forced a number of suburban houses<br />

to shut down on Sunday although downtown<br />

theatres were able to keep open. Schools were<br />

closed because of the gas shortage and kid<br />

matinee bu.siness picked up somewhat.<br />

The storm had its effect on the film business<br />

as far .southwest as Arkansas. Fire destroyed<br />

the Ritz Theatre in Parkin, about 30<br />

miles from Memphis during the cold wave.<br />

The fire started when an oil stove exploded<br />

in a tire shop next to the theatre. Damage<br />

Storm Deals Rough Blow<br />

To New York Boxoffkes<br />

NEW YORK—The storm of Saturday (25)<br />

struck a terrific blow at boxoffice revenues<br />

in this area but remarkably little physical<br />

damage resulted from the winds of nearhurricane<br />

velocity and the heavy downpour<br />

of rain. So far as is known, no industryite<br />

was injured. What the boxoffice loss was<br />

will take some time to determine; average<br />

attendance the latter part of the Thanksgiving<br />

week was off at least 50 per cent,<br />

due not just to inclement weather and warnings<br />

over the radio but also to many power<br />

failures. The main physical damage was to<br />

skylights, water tanks, marquees and other<br />

glass.<br />

A Fabian house on Staten Island closed<br />

Saturday when the water tank roof was<br />

blown off, but reopened Sunday. Glass and<br />

some doors were damaged elsewhere. The<br />

circuit also reported that power failure and<br />

a smashed skylight closed its Middletown,<br />

N. Y., house Saturday, but service was restored<br />

the next day. It had the same trouble<br />

at theatres in Pennsylvania.<br />

Power failure closed 17 Century Long<br />

Island houses. Physical damage was negligible.<br />

Winds blew off the roof fan housing<br />

of the Tuxedo, Rugoff & Becker house at<br />

Brighton Beach, L. I., and power failure<br />

closed five of its other houses. Interboro<br />

closed nine Queens houses and lost "some<br />

glass." The Warwick, a Loew's Brooklyn<br />

to the theatre, owned by Strand Enterprises,<br />

and the rest of the building block was estimated<br />

at $500,000.<br />

The complete story of damage to drive-ins<br />

will probably be known within a week, but<br />

it will be heavy. In the Albany exchange district,<br />

the outdoor theatres bore the brunt of<br />

the storm. A number of screen towers were<br />

down, fences and attraction boards were<br />

down. Neil Hellman, Harry Lament and F.<br />

Chase Hathaway, were among the drive-in<br />

operators reporting damaged theatres. The<br />

storm reached a velocity of 75 to 85 miles<br />

an hour and damaged power lines sufficiently<br />

to shut down indoor houses in Cohoes, Watervliet,<br />

Phoenicia and Fleischmanns. The<br />

storm also seriously affected theatre business<br />

in Schenectady, Troy, Gloversville and<br />

other cities in this area.<br />

Film deliveries were disrupted throughout<br />

the east. Out of Pittsburgh alone, 14 film<br />

delivery trucks were snowed under somewhere<br />

along the highways. For a period of three<br />

days there were no deliveries or pickups. A<br />

few prints were returned to exchanges, but<br />

house, was closed three days because of<br />

power failure; otherwise, the circuit reported<br />

"a few" skylights and other glass<br />

smashed. The Harry Brandt circuit reported<br />

"just a couple of pieces from marquees and<br />

some glass." RKO reported no closings but<br />

damaged skylights and roofs and miscellaneous<br />

broken glass.<br />

Many New Jersey theatres were unfortunate,<br />

according to Wilbur Snaper, president<br />

of New Jersey Allied. Some of them<br />

were afflicted with flooded cellars as well<br />

as power failures. Many that closed Saturday<br />

were still closed the next day. Rosenblatt<br />

& Welt had four houses damaged, wvo<br />

m Jersey City and two in Bayonne. They<br />

closed the Star and Empire on Staten<br />

Island Saturday but reopened Sunday.<br />

Walter Reade Theatres officials .said they<br />

were "exceptionally lucky," None of the<br />

New Jersey houses, including drive-ins, closed,<br />

and the only damage was to a few slats<br />

of the pylon of the Woodbridge drive-in,<br />

but Friday business was practically zero<br />

and Saturday business was "way down."<br />

On the other side of the picture, the<br />

Brooklyn Paramount, where Bob Hope made<br />

two personal appearances in connection with<br />

the showing of "Copper Canyon." did a<br />

capacity business Saturday night at a time<br />

when New York City officials were telling<br />

the public to stay at home.<br />

not all exchanges were open. Those exchange<br />

people who did show up were forced<br />

to walk to Filmrow from their homes. Some<br />

enterprising exhibitors hired youngsters to<br />

haul prints to exchanges on sleds, a switch<br />

on the old bicycling technique. Some exhibitors<br />

exchanged prints, with Friday-Saturday<br />

shows shifted to Sunday-Monday<br />

schedules and vice versa. In many instances<br />

clearances of some years standing were<br />

broken with the principal interest being that<br />

of getting film to all exhibitors possible.<br />

The 36-inch snowfall in West Virginia<br />

ended all deliveries and Dewey Mattaccini of<br />

Exhibitor's Service said they would not be<br />

resumed until the highways were cleared.<br />

As a result most drive-ins closed down and<br />

some continued the bill thev had on hand.<br />

Al Adams to BOXOFFICE<br />

NEW YORK— Al Adams, most recently<br />

with RKO. Warners and the J. Walter<br />

Thompson Co., has joined the editorial staff<br />

of BOXOFFICE.<br />

10 BOXOFFICE December 2, 1950


A Message of Vital Importance<br />

To All Exhibitors<br />

Manpower is the life-line of a studio, as pictures are the life-line of a<br />

theatre. We believe that today Paramount has manpower unexcelled in its 39- year<br />

history.<br />

Indeed never before, in my recollection, has there been such an impressive<br />

massing of creative talent in one production organization.<br />

We not only have the industry's greatest boxoffice manpower but we<br />

are using it — aggressively, immediately and effectively — to bring you more pictures<br />

. . . better pictures . . . pictures carefully planned to the needs of today's market.<br />

Paramount has faith in today and tomorrow. Implementing that faith<br />

thru stepped-up studio activity, PARAMOUNT WILL INCREASE ITS<br />

PRODUCTION OF TOP "A" PICTURES IN 1951 BY 50% OVER THE<br />

PRESENT YEAR. In terms of released product, this will substantially raise the<br />

number of Paramount pictures you can play in 1951.<br />

now, our way is<br />

With confidence, let us move ahead together.<br />

At the Paramount Studio<br />

being cleared with Manpower At JVork For You And Paramount.<br />

President, Paramount Pictures Corporation<br />

MANPOWER AT WORK |^


Y. Frank Freeman, Vice-President, in cnarge of production— assisi<br />

Manpower at Work<br />

for You and Paramount<br />

CECIL B. PeMILLE ... AT WORK<br />

The Greatest Show On Earth*<br />

BETTY HUTTON, DOROTHY LAMOUR,<br />

JAMES STEWART stnrtiiiji Jan. 1<br />

FRANK CAPRA<br />

AT WORK<br />

Here Comes The Groom<br />

BING CROSBY, JANE WYMAN,<br />

FRANCHOT TONE, MARIA ALBERGHETTl . . , preparing<br />

The Trial<br />

preparing<br />

WILLIAM WYLER ... AT WORK<br />

Carrie<br />

LAURENCE OLIVIER, JENNIFER JONES,<br />

MIRIAM HOPKINS<br />

Detective Story<br />

Completed<br />

prepa ring<br />

LEO McCAREY<br />

Pardners<br />

BING CROSBY,<br />

AT WORK<br />

BILL (Hopalong Cassidy) BOYD, preparing<br />

CROSBY My Son John preparing<br />

^^^^^<br />

CHARLES BRACKETT . AT WORK<br />

The Mating Season<br />

GENE TIERNEY, JOHN LUND,<br />

MIRIAM HOPKINS, THELMA RITTER<br />

completed<br />

Famous<br />

BING CROSBY with strong star cast preparing<br />

BILLY WILDER<br />

AT WORK<br />

Ace In The Hole<br />

KIRK DOUGLAS, JAN STERLING completed<br />

Untitled Musical<br />

preparing<br />

JO/<br />

fONT^l<br />

I?


), [he<br />

lAL WALLIS<br />

ptember AfFair<br />

AN FONTAINE, JOSEPH GOTTEN<br />

AT WORK<br />

completed<br />

luantrell's Raiders<br />

AN LADD heading star cosr shooting<br />

mior<br />

AN MARTIN, JERRY LEWIS,.. preparing<br />

ie Stooge<br />

AN MARTIN, JERRY LEWl^,.. preparing<br />

ight Man<br />

IRT LANCASTER and famous names preparing<br />

)n And Stranger preparing<br />

riLLIAM PERLBERGlEORGE<br />

SEATON . . AT WORK<br />

Blossom Seeley Story<br />

* ''TY HUTTON and big cast preparing<br />

nything Can Happen<br />

hubarb<br />

MILLAND, JAN STERLING<br />

IVING ASHER<br />

ie Redhead And The Cowboy<br />

jiLENN FORD, RHONDA FLEMING,<br />

3MOND O'BRIEN<br />

l|<br />

iere Comes The Groom<br />

lo-Producerwith Frank Copra)<br />

^EL EPSTEIN<br />

preparing<br />

preparing<br />

AT WORK<br />

completed<br />

preparing<br />

AT WORK<br />

he Goldbergs<br />

•ERTRUDE BERG plus the Radio-TV cast,,. completed<br />

>ear Brat<br />

lONA FREEMAN, EDWARD ARNOLD,<br />

jILLY DE WOLFE, LYLE BETTGER,<br />

preparing<br />

JOSEPH SISTROM . . AT WORK<br />

lubmarine Story<br />

)hrlstmas Without Johnny<br />

preparing<br />

preparing<br />

tOBERT WELCH .... AT WORK<br />

he Lemon Drop Kid<br />

iOB HOPE, MARILYN MAXWELL,<br />

LOYD NOLAN<br />

>»AUL JONES<br />

Ay Favorite Spy<br />

OB HOPE, HEDY LAMARR^<br />

Completed<br />

AT WORK<br />

prepanng<br />

fp.<br />

GEORGE STEVENS . . AT WORK<br />

A Place In The Sun<br />

MONTGOMERY CLIFT, ELIZABETH TAYLOR, ,^<br />

,<br />

SHELLEY WINTERS completed ^y<br />

Something To Live For<br />

JOAN FONTAINE, RAY MILLAND,<br />

TERESA WRIGHT<br />

Shane<br />

><br />

WILLIAM PINE-<br />

WILLIAM THOMAS .<br />

completed<br />

preparing<br />

AT WORK<br />

martin<br />

Passage West*<br />

JOHN PAYNE, DENNIS O'KEEFE,<br />

ARLEEN WHELAN completed ^<br />

The Last Outpost*<br />

RONALD REAGAN, RHONDA FLEMING<br />

Crosswinds*<br />

Hong Kong<br />

The Rebel*<br />

NAT HOLT<br />

shooting<br />

preparing<br />

preparing<br />

preparing<br />

AT WORK<br />

The Great Missouri Raid*<br />

WENDELL COREY, MACDONALD CAREY,<br />

ELLEN DREW completed<br />

Warpath*<br />

EDMOND O'BRIEN, DEAN JAGGER,<br />

fORREST TUCKER<br />

completed<br />

wVs<br />

7<br />

win^s<br />

Devil's Canyon preparing ^<br />

,<br />

RHONDA<br />

HARRY TUGEND ... AT WORK -S<br />

Rendezvous<br />

JOAN FONTAINE and other big names. .. .preparing<br />

Lj^<br />

ROBERT FELLOWS . . AT WORK mar^vn<br />

Casey Jones<br />

preparing<br />

This Is Dynamite preparing<br />

EVERETT RISKIN AT WORK<br />

STEWART<br />

Rage Of The Vulture<br />

ALAN LADD and marquee cast<br />

preparing<br />

^^^"^^^"^^^^^^^^"^^^^^^^^^^^^<br />

ALAN LE MAY AT WORK<br />

CORINNE<br />

_. , * CAIVET<br />

Quebec<br />

JOHN BARRYMORE, JR., CORINNE CALVET completed<br />

GEORGE PAL AT WORK ^<br />

When Worlds Collide* preparing freeman<br />

*ln Color by TECHNICOLOR


^uUe SW^ Zenith Says It Has Films<br />

TOA Talks on COMPO Await<br />

Return of Ned Depinet<br />

RKO head will be busy at three-day district<br />

managers meeting starting Monday (4)<br />

in New York: Ted Gamble's committee seeking<br />

greater representation will await Depinet's<br />

convenience.<br />

Excess Profits Tax Bill<br />

Passes House Group<br />

Ways and means committee approves $3.4<br />

billion tax bill retroactive to July 1, 1950;<br />

to be sent to rules committee; members confident<br />

it would reach floor early next week.<br />

Booking Problem Studies<br />

Scheduled by Paramount<br />

First of three regional sessions held over<br />

weekend in Kttsburgh. with two more set<br />

for New Orleans December 9, 10 and Chicago<br />

December 16, 17; bookers and supervisors<br />

attend.<br />

United Artists Theatres<br />

Yearly Earnings Drop<br />

-X<br />

Circuit and subsidiaries report $614,383 for<br />

12 months ending August 31; total is $281,031<br />

below previous year; receipt of $225,991 from<br />

United California Theatres noted.<br />

X<br />

Eric Johnston Joins Talks<br />

On the Business Outlook<br />

Attends Washington session called by National<br />

Security Resources board to discuss<br />

possible new controls and other problems<br />

growing out of war emergency.<br />

-X<br />

Joint Convention Is Likely<br />

For TOA, TESMA. TEDA<br />

Oscar Neu, TESMA president, says chances<br />

favor three-group conclave in November 1951<br />

at Shoreham hotel, Washington; decision to<br />

be made at early meeting in New York.<br />

X<br />

Old Fox Theatres Corp.<br />

Wins Full Settlement<br />

New York federal court approves plan by<br />

which 20th Century-Pox will make payments<br />

totaling $200,000 in the next two years to<br />

claims made by trustees of the assets.<br />

-X<br />

Gerald L. K. Smith Suit<br />

Vs. 20th-Fox Dismissed<br />

Tulsa, Okla.. judge holds there had been<br />

no invasion of the rights of privacy by the<br />

film company in its production of the film,<br />

"Gentleman's Agreement."<br />

-X<br />

To Rename Ampitheatre<br />

For Carter T. Barron<br />

National capital's sesquicentennlal commission<br />

endorses proposal in memory of Loew's<br />

late eastern division manager; plan dedication<br />

next spring with proceeds for cancer fund.<br />

For Phonevision Tests<br />

CHICAGO—Phonevision has sufficient<br />

feature product to undertake its 90-day<br />

limited commercial test of "home boxoffice<br />

television," but the test scheduled to begin<br />

Fi-iday (D will be delayed for several<br />

days pending final selection of the features<br />

to be used, according to announcement<br />

made by Ted Leitzell of Zenith<br />

Radio Corp.<br />

"Technical preparations for the test have<br />

been in readiness for three months," Leitzell<br />

said, "and commencement of the actual trial<br />

will shortly be made possible by decision of<br />

several of the film producing companies to<br />

provide feature motion picture for the experiment.<br />

From the lists of films now being<br />

made available for the Phonevision test<br />

it will be possible to select a true crosssection<br />

of features of all types so as to make<br />

the 90 films to be used in the test truly representative<br />

of the motion picture industry's<br />

feature production. Zenith representatives<br />

are now in New York, working with the several<br />

cooperating film companies in final<br />

selection of the films to be used."<br />

FIRST TIME IN HOMES<br />

Leitzell pointed out that this will be the<br />

first time that a television audience has had<br />

the choice or the opportvmity to pay for a<br />

home television program of premium entertainment<br />

which could be seen in the home<br />

without advertising or commercials upon<br />

payment of a boxoffice fee.<br />

"In view of the pioneering nature of this<br />

test," said Leitzell, "we are indebted to the<br />

cooperating producers who are making it<br />

possible for us to obtain a wide selection of<br />

full length motion pictures. We are at the<br />

same time indebted to James C. Petrillo,<br />

president of the American Federation of Musicians,<br />

who has given us splendid cooperation<br />

by authorizing television use of the sound<br />

tracks on the films in this 90-day test."<br />

The Chicago test of Phonevision has been<br />

authorized by the Federal Communications<br />

commission for the purpose of gathering data<br />

on whether people desire—and to what extent<br />

they will patronize—a home boxoffice<br />

method of presenting premium programs on<br />

television, and whether Phonevision as such<br />

a system is in the public interest. The 300<br />

test families will be offered a new feature<br />

program every day by Phonevision and will<br />

be charged one dollar for each program they<br />

decide to see in their homes.<br />

NOT YET APPROVED BY FCC<br />

Any television receiver in the Chicago area<br />

turned to channel 2 will be able to receive<br />

the Phonevision broadcasts of the pictures,<br />

but in a manner so jumbled as to be unintelligible.<br />

Only those television receivers<br />

equipped with Phonevision decorders, which<br />

are in the 300 test homes, will be able to<br />

receive the corrected picture and only after<br />

the Phonevision set user has called the transmitting<br />

station and asked to have the key<br />

signal .sent to his set over the telephone.<br />

In this manner Phonevision provides a<br />

'subscription television .service" whereby the<br />

user can pay for premium type programs.<br />

No Comment on Films<br />

At the Home Offices<br />

NEW YORK—Despite the claims of<br />

Zenith Radio Corp. that it is ready to<br />

start its Phonevision tests using features<br />

released 18 months ago or longer, sales<br />

departments of the various major companies<br />

in New York decUned both to<br />

comment on the matter or name any of<br />

the films which might be used.<br />

Originally, Zenith had intended using<br />

unreleased features as the big selling<br />

point for Phonevision but none of the<br />

major companies would agree to give up<br />

new product for the experiment.<br />

If, as Zenith says, the companies have<br />

provided pictures which were released at<br />

least 18 months ago the situation is one<br />

of compromise. Phonevision took what it<br />

could get in the way of fairly recent pictures<br />

instead of unreleased films and<br />

the majors gave up older product rather<br />

than face the possibility of court action,<br />

which had been threatened.<br />

such as movies, to be seen in his home.<br />

Since television sets equipped with Phonevision<br />

will receive regular television broadcasts,<br />

Phonevision will, if approved by the<br />

FCC, provide an auxiliary but not a substitute<br />

for established commercial television.<br />

Leitzell emphasized that authorization of<br />

the 90-day test in no way indicated approval<br />

of Phonevision by the FCC or prior indication<br />

that it would be authorized as a new<br />

public service.<br />

FCC Grants WOR-TV Permit<br />

For SO-Day Skiatron Test<br />

WASHINGTON—The FCC this week grant-<br />

licensee of WOR-TV, per-<br />

ed Teleradio, Inc.,<br />

mission to conduct a 30-day test of Skiatron,<br />

new subscriber-vision TV subscription system<br />

which reportedly dispenses with the decoders<br />

required by Phonevision to unscramble<br />

paid-for programs.<br />

However, the commission refused to allowany<br />

receivers to be placed in homes, as they<br />

did in the case of Phonevision, and restricted<br />

broadcasts to one receiver in the laboratory<br />

—with another to be allowed in the studio.<br />

Files a $450,000 Suit<br />

Against Crescent<br />

BIRMINGHAM—Suit for $450,000 damages<br />

was filed in U.S. district court here Monday<br />

i27) by B. Ward Wright, Alabama City, Ala.,<br />

independent exhibitor, against Crescent<br />

Amusement Co., of Nashville, Tenn., and four<br />

major film distributors. Named as defendants<br />

along with Crescent were RKO Radio, 20th<br />

Century-Fox, United Artists, and Loew's, Inc.<br />

The suit, which charges violation of a<br />

federal court injunction in Nashville and<br />

violation of the Sherman antitrust act, seeks<br />

triple damages.<br />

14 BOXOFFICE December 2, 1950


FIVE SONGS Scott "making vivid impression"<br />

with numbers like"ThatOld Block Magic"and"LetlerFrom<br />

Lady in Love," says Hollywood Reporter.<br />

here, Mr. Exhibitor, long enough to<br />

examine some boxoffice scenes that<br />

speak your language. They all<br />

Date<br />

say:<br />

DARK CITY<br />

Paramount's Fine-Performing Hal Wallis Hit<br />

TERRIFIC SUSPENSE in'SCenes tike this policeprotectect<br />

clip-joint where respectable citizen (brilliantly<br />

played by Don DeFore) is driven to suicide.<br />

"PUNCHFUL MELODRAMA for both keys and<br />

subsequent runs," says Daily Variety as it appraises<br />

the picture's exciting underworld themes.<br />

MEMORABLE ACTING that includes sock performance<br />

of big-town detective by Dean Jogger,<br />

"fresh from an Academy Award," says Film Daily.


J^<br />

Full House in Snow Storm Brings This Advice:<br />

'Book in<br />

Top Personalities<br />

As <strong>Boxoffice</strong> Stimulant'<br />

NEW YORK—"Quit worrying about television<br />

and bring personalities into theatres<br />

six or eight times a<br />

year," advises Robert<br />

M. Weitman.<br />

As most people in<br />

WEATHER WAS REALLY ROUGH<br />

The 25th, for the benefit of those living<br />

away from the eastern seaboard, was about<br />

the windiest day in 15 years or more. Gusts<br />

reached 102 miles an hour. The rain supplied<br />

the New York City reservoirs enough<br />

water to last 25 days—25,000,000,000 gallons,<br />

to be exact. Cornices fell off buildings, marquee<br />

glass cracked, homes went dark, and<br />

many were left without heat. Subways broke<br />

down from time to time and buses couldn't<br />

operate in many flooded places. The new<br />

mayor advised department stores to close<br />

"immediately" and to send employes and<br />

customers home. This sort of thing on the<br />

radio lasted all day.<br />

BOXOFFICE does not publish gross figures<br />

as a rule, but these are particularly<br />

interesting. Up to 6 p, m. Saturday the<br />

full.<br />

Hope was so astonished that he stopped<br />

and asked the audience: "You haven't any<br />

place to go. have you?"<br />

The crowd shouted "No," so Hope rambled<br />

on.<br />

The gross was $8,250. If the weather had<br />

been ideal, it might have gone to $11,000.<br />

Says Weitman: "I say that anything people<br />

want to see, hear or listen to is a<br />

theatre attraction. The way I figure it is<br />

that Hope's appearances on all three mediums—<br />

films, radio and television—react on<br />

each other. He rates top as a radio draw<br />

this business know,<br />

Weitman is an executive<br />

of United Paramount<br />

Theatres and is<br />

managing director of<br />

liglit now and his television rating, even<br />

the New York and<br />

though his appearances are sporadic, is<br />

Brooklyn Paramount<br />

tops. Everybody knows what kind a film<br />

theatres. His thoughts<br />

attraction he is.<br />

on personal appearances<br />

have been developing<br />

for some time "We can't have a long list of draws like<br />

PLENTY TO DRAW FROM<br />

Robert Weitman<br />

,<br />

and he has been doing considerable experimenting<br />

with "acts" in houses of vary-<br />

Right this minute I am negotiatmg to get<br />

Hope, but there are others—young and old.<br />

ing .sizes in towns equally varied.<br />

Martin and Lewis for a February appearance<br />

On Saturday (25) any lingering doubts with their picture. 'At War With the Army.'<br />

he may have had evaporated. He thought at the Paramount.<br />

he was seeing things for a time.<br />

"It makes my blood boil when managers<br />

around the country keep saying: 'If we put<br />

on acts, we will have to talk with the<br />

unions.'<br />

"What's wrong with that? I have to talk<br />

to the unions. Talking is a good thing. We<br />

are going to open a new theatre at Jackson.<br />

Tenn., and we are going to try personal appearances<br />

occasionally as well as acts."<br />

Weitman isn't arguing for a return to<br />

vaudeville; he is looking ahead to the time<br />

when personal appearances of younger players<br />

will be compulsory under their contracts.<br />

He says it will be good for the players and<br />

will prove an important boost for boxoffices.<br />

URGES COMPULSORY PERSONALS<br />

"Personal appearance requirements should<br />

be written into all film contracts." he insists.<br />

"It may be advisable for the distributors<br />

and theatres to share the expense.<br />

O'Keefe, assistant general<br />

gross at the Brooklyn Paramount was $640. Anything that builds a gross isn't just simply<br />

sales manager of Universal-International<br />

out-of-pocket expense."<br />

for the past five years, has resigned, ef-<br />

The picture, "Copper Canyon," had already<br />

been playing a week at the New York Paramount.<br />

an unknown quantity as a film attraction personal affairs involving west coast real<br />

He likes to refer to Marie Wilson, who had fective Jan. 1, 1951. He will look after his<br />

Bob Hope was in town and had been before she made her first picture for Paramount.<br />

Her appearances were sensational has been named.<br />

estate for the next few months. No successor<br />

booked for two evening personal appearances<br />

at the Brooklyn Paramount, but after wherever she went.<br />

O'Keefe rose from branch manager to district<br />

and western sales manager prior to his<br />

looking out his hotel window he wasn't sure Weitman argues from this that radio made<br />

he would get there. The billing was: "Television<br />

preview." He made it with his own he says, and they can do it again.<br />

her a film attraction. Theatres cashed<br />

appointment as assistant sales manager during<br />

his 20 years with Universal. He started<br />

ni,<br />

in the business in 1919 selling theatre equipment.<br />

In 1920 he began selling film with<br />

troupe of about 50 and played the evening "The same thing can happen in television,"<br />

he avers. "The main problem r'.f?ht<br />

shows on a 50-50 basis with the theatre.<br />

the W. W. Hodkinson Co. in Denver.<br />

Weitman didn't like the prospect of driving<br />

now is to convince theatremen they should<br />

across the Manhattan bridge, so he get off their seats and stop thinking this is<br />

went over in the subway and discovered a temporary blow that will cure itself. Something<br />

new has been introduced: we've got<br />

Cranfill Cox Assumes Post<br />

that crossing Flatbush avenue extension in<br />

an 80-mile wind was an adventure.<br />

to do something about it. Let's stop lamenting;<br />

let's u.se everything we can find to get GILMER, TEX.—Cranfill Cox sr. of Gilmer,<br />

As Rotary Governor<br />

At 7:45 p. m. the "Eisenhower blouse and<br />

mink coat .sets," as Weitman described the people into theatres."<br />

Tex., owner-manager of the Gilmer Theatres,<br />

different types of customers, were arriving<br />

is a district governor of Rotary International,<br />

in droves. Top tickets were $1.50. By 8<br />

worldwide service organization, for 1950-51.<br />

o'clock the theatre was jammed and had WB Sets Patriotic Short<br />

As governor, he coordinates the activities of<br />

standees. For the second show it was also NEW YORK—"My Country 'Tls of Thee," 50 Rotary clubs in parts of Arkansas, Oklahoma<br />

latest in the Warner Bros, series of pa-<br />

and Texas. During the year, he will<br />

visit each of the clubs to offer advice and<br />

triotic .shorts in Technicolor, will be released<br />

December 22. The .series was started<br />

with "Give Me Liberty," released in 1936.<br />

Embarrassment Over<br />

'Oliver Twisl' Dates<br />

NEW YORK—"Oliver Twist" is becoming<br />

a .source of general embarrassment to industry<br />

leaders. Eric Johnston, president of<br />

the Motion Picture Ass'n of America, is<br />

among those who has his fingers crossed<br />

hoping the behind-the-scenes controversy<br />

will be ended shortly. Johnston is acting<br />

as national chairman of the 1951 Brotherhood<br />

week drive of the National Conference<br />

of Christians and Jews.<br />

Joseph I. Breen. head of the Production<br />

Code administration on the coast, has refused<br />

to grant a production code seal to<br />

the picture. Up to late Thursday the New<br />

York office of Eagle Lion Classics which is<br />

handling distribution of the J. Arthur Rank<br />

picture was awaiting official word from the<br />

coast that a seal had been denied.<br />

William C. MacMillen jr., president, said<br />

the picture was being offered to other circuits<br />

in addition to Interstate of Texas,<br />

which has already booked it.<br />

No application for an advertising code<br />

seal has been made to the MPAA. Lack of<br />

either a production code or an advertising<br />

code seal would not prevent exhibition. The<br />

MPAA frequently has made it clear that it<br />

doesn't attempt to put any restrictions in<br />

the way of showings. Anyway. Eagle Lion<br />

Classics is not a member and no exhibitor<br />

group owes MPAA any allegiance.<br />

The thing that disturbs MPAA leaders,<br />

however, is the possible public reactions. The<br />

film has been held up a year because of the<br />

violent charges that the Fagin character in<br />

the Dickens story constitutes anti-Semitism.<br />

The MPAA is now engaged in a fight to reduce<br />

or eliminate censorship and it doesn't<br />

want to get into the current argument as<br />

an organization.<br />

Some of the principal members, acting as<br />

individuals, however, are expressing themselves<br />

freely.<br />

A. J. O'Keefe to Leave<br />

U-I After January 1<br />

NEW YORK— A. J.<br />

assistance in Rotary service work and administration.<br />

16 BOXOFFICE December 2. 1950


TOTAL COST: $6,000,000<br />

'Quo Vadis' Is Costliest<br />

Picture Ever Filmed<br />

NEW YORK — "Quo Vadis" will be the<br />

costliest motion picture ever made, Sam Zimbalist,<br />

MGM producer, and Mervyn LeRoy,<br />

director, said Monday (27) on their return<br />

from Rome where it was shot. Some statistics<br />

offered were: Cost, over $6,000,000 compared<br />

with $4,500,000 for "Gone With the Wind,"<br />

300,000 extras used, with 15,000 in the area<br />

scene: 500,000 feet of Technicolor film shot,<br />

which will be reduced to 15,000 for a threehour<br />

show.<br />

Zimbalist and LeRoy called the picture the<br />

biggest spectacle ever produced, for a number<br />

of reasons, including the number of persons<br />

employed and the size and grandeur of<br />

the 55 sets used. Besides, they said, it is a<br />

spectacle with a moving story. They did not<br />

know whether it will be roadshown and<br />

whether there will be an intermission during<br />

its theatre presentation, saying those decisions<br />

were up to William P. Rodgers, MGM<br />

vice-president and general sales manager.<br />

They expect it to have fall 1951 release,<br />

FINISHED IN RECORD TIME<br />

To the amazement of<br />

the Italian industry,<br />

which had wagered the picture couldn't be<br />

finished in under a year— "Fabriola" took 14<br />

months—it was finished in less than five<br />

and a half months. This was accomplished<br />

by shooting six days a week from 9 a. m. to<br />

6 p. m., with one hour for lunch, while Italian<br />

producers allow a four-hour siesta. It happened<br />

at a time when Italy was experiencing<br />

its hottest summer in 70 years. During<br />

one especially hot August day, 132 extras<br />

"passed out, " but there were doctors, nurses<br />

and hospital tents on hand to care for them.<br />

On the hottest days the players received<br />

bonuses; otherwise, they were paid the prevailing<br />

Italian rate.<br />

Both Zimbalist and LeRoy went to considerable<br />

pains to impress upon interviewers<br />

at their press conference their deep appreciation<br />

not only of cooperation afforded by<br />

Italian government officials, but of the earnest<br />

and excellent work of Italian actors after<br />

they had become accustomed to the necessity<br />

for continuous work. There were five interpreters<br />

with the rank and pay of assistant<br />

directors. Unlike Hollywood, the extras were<br />

not obtained through a central casting office<br />

but had to be hired through men who each<br />

controlled a group of 30 players. The system<br />

worked out well, especially when Communist<br />

newspapers attacked the Americans<br />

as exploiters of Italy. A few strikes lasting<br />

only an hour or so were ended through the<br />

cooperation of the group representatives with<br />

Henry Henigson, business manager, who "did<br />

a fine job."<br />

50 FROM HOLLYWOOD<br />

Hollywood was represented by a group of<br />

50, England by a group of similar size and<br />

the remainder in the picture were Italians.<br />

The white horses came from Denmark, the<br />

bulls from Portugal and the lions from France<br />

and Germany. At the close of each day the<br />

Technicolor film was flown to England and<br />

the rushes were received back in four to five<br />

days, a service that also drew praise from<br />

Zimbalist and LeRoy. Five cameras were in<br />

Disney, RKO Renew Pact for 15th Year<br />

Ntd Depiiu-l Isecond from left), president of RKO Radio Pictures, and Walt<br />

Disney, board cliairman of Walt Disney Productions, shake hands following the<br />

signing of a new contract whereby Disney and RKO Radio are renewing their production<br />

and distribution agreement. At far left is Roy O. Disney, president of<br />

Walt Disney Productions; at right, Gunther R. Lessing, Disney's vice-president and<br />

general counsel.<br />

simultaneous action most of the time, with<br />

six shooting the scenes along the Appian<br />

Way.<br />

Deborah Kerr was another who came in for<br />

special praise. LeRoy called her "a great<br />

trouper and good actress." He said she worked<br />

in the hottest weather without complaint,<br />

did everything asked of her, ate the same<br />

Italian food as the rest and, in fact, "held<br />

the company together."<br />

At the conclusion of the interview, LeRoy<br />

left for the coast where his mother is ill. The<br />

Mervyn LeRoy<br />

Sam Zimbalist<br />

HOLLYWOOD — An agreement renewing<br />

for the 15th year the production and distribution<br />

liaison between Walt Disney and<br />

RKO Radio was reached here this week by<br />

Roy O. Disney, president of Walt Disney<br />

Productions, and Ned E. Depinet, president<br />

of RKO Radio Pictures.<br />

Involving worldwide distribution of Disney's<br />

newest feature-length cartoon, "Alice in<br />

Wonderland," as well as 36 cartoon shorts<br />

and three subjects in Disney's live-action<br />

"True Life Adventure" series, the commitment<br />

also calls for RKO Radio and Disney<br />

to participate jointly in the making of "The<br />

Story of Robin Hood" as a live-action feature<br />

in England next year. Disney and RKO<br />

Radio were similarly associated in the filming<br />

of "Treasure Island" in Britain last year.<br />

Commenting upon the new contract,<br />

Depinet expressed the belief that his company<br />

had completed "one of the most significant<br />

film deals in our history."<br />

"Alice in Wonderland" is scheduled for<br />

release during the summer of 1951. Meantime<br />

Disney will send production representatives<br />

to England early next year to<br />

begin preparations for filming "Robin Hood,"<br />

which will be lensed in Technicolor.<br />

The 36 cartoon shorts to which RKO<br />

Radio has acquired distribution rights represent<br />

two years' output by the Disney plant<br />

in Burbank.<br />

First of the three "True Life Adventures"<br />

shorts, now in work, is titled "Nature's Half<br />

Acre," and deals with insects, birds and<br />

flowers. Two others are now being filmed in<br />

natural color, depicting the elk in Washington<br />

and the wild bear in Wyoming.<br />

As part of the new agreement, RKO Radio<br />

will continue to distribute other Disney features<br />

including "Snow White and the Seven<br />

Dwarfs," "Pinocchio," "The Reluctant<br />

Dragon," "Fantasia," "Dumbo," "Bambi,"<br />

"Saludos Amigos," "The Three Caballeros,"<br />

"Make Mine Music," "Song of the South,"<br />

"Fun and Fancy Free." "Melody Time," "So<br />

Dear to My Heart." "Ichabod and Mr. Toad,"<br />

"Cinderella" and "Treasure Island."<br />

film will be edited there and the music cued<br />

in. LeRoy said his plans when that is done<br />

involve only a long rest. Zimbalist said he<br />

will begin producing "Robinson Crusoe" in<br />

Jamaica next year, probably in May.<br />

Loew theatres have been publicizing "Quo<br />

Vadis." Now bulletin boards that have been<br />

displaying stills as they arrived from abroad<br />

are being converted to news bulletins with<br />

photo art and advertisements on the latest<br />

films in work at the studios. On the first<br />

changeover from "Quo Vadis," the boards will<br />

display a 11x14 still from "Pagan Love Song,"<br />

an MGM trade ad, news from the studios, a<br />

pinup of Leslie Caron from "An American<br />

in Paris," an 8x10 black-and-white still from<br />

"Watch the Birdie" and an MGM records<br />

album cover on "Pagan Love Song." The<br />

move is due to the success attending the "Quo<br />

Vadis" publicity.<br />

'Mulatto' Is Retitled<br />

NEW YORK—"The Mulatto," an Italian<br />

picture imported by Scalera Film Distributing<br />

Corp., has been retitled "Angelo." Release<br />

is scheduled for early winter.<br />

BOXOFFICE December 2, 1950 17


: December<br />

j<br />

LETTERS<br />

PRICE A MATTER OF NEGOTIATION<br />

TO BOXOFPICE:<br />

I have read very carefully your open letter<br />

to Larry Woodln and I must compliment you<br />

on the clear-cut, forthright manner in which<br />

you have summed up the situation.<br />

There is entirely too much emphasis today<br />

upon "making profit out of buying rather<br />

than out of selling." Academically, I am a<br />

trained accountant and started in this business<br />

as an auditor. I have wracked my brain<br />

and, like yourself. I cannot for the life of me<br />

find out how a man can go broke by taking<br />

in more and more dollars.<br />

To me, 10 per cent of nothing is still nothing<br />

and it is my good guess that exhibitors<br />

come out better on 50 per cent pictures than<br />

they do on 20 per cent pictures.<br />

I am very happy, however, to learn that<br />

Larry Woodin has changed his way of thinking.<br />

Several years ago I attended an Allied<br />

meeting in Pittsburgh. Mr. Woodin made an<br />

address during the course of which he urged<br />

all of the exhibitor delegates present to forget<br />

about selling the picture and concentrate<br />

on the sale of "popcorn." He quoted figures<br />

to indicate his profits from the sale of popcorn<br />

and offered to supply exhibitors who<br />

might have trouble wiring a machine to meet<br />

ordinance requirements with a special wiring<br />

diagram.<br />

I remember his talk very vividly because<br />

when I got up to make my talk, I suggested<br />

to the distributors present that we, too,<br />

might make a profit from Mr. Woodin's<br />

suggestion. In the final analysis, I pointed<br />

out, people buy popcorn because they like it.<br />

Why not, then, put a popcorn machine in<br />

front of every film exchange and let us cash<br />

in on the extra profit. But then I got serious<br />

and asked a question along these lines: "If<br />

it is true that I can make 'X' dollars out of<br />

popcorn with 200 patrons, then doesn't it<br />

follow that, if I put forth a little extra effort<br />

and induce 300 people to come to my theatre,<br />

my popcorn profits would be proportionately<br />

higher?"<br />

I believe that Larry Woodin is a very<br />

conscientious, energetic and shrewd young<br />

man. I think if he would recognize that terms<br />

are today a matter of negotiation theatre<br />

by theatre and picture by picture and that<br />

there can be nO overall common denominator;<br />

and if he would devote his energies to<br />

helping his fellow exhibitors develop ways<br />

and means of getting people to come to their<br />

theatres, he would really earn the gratitude<br />

of everybody in the business.<br />

A. W. SCHWALBERG<br />

President,<br />

Paramount Film Distributing Corp.<br />

New York, N. Y.<br />

EACH SITUATION INDIVIDUAL<br />

To BOXOFFICE:<br />

I read with interest your editorial-letter<br />

to Larry Woodin and feel you stated the<br />

case perfectly.<br />

Every situation poses its own problems and<br />

the .solution must come from the individual<br />

theatre operation. No "all-inclusive" formula<br />

can ever be reached—no matter how sincere<br />

the exhibitor-distributor relationship may<br />

progress. Human ambitions and jealous<br />

operations lead to strange contracts!<br />

This industry requires constant study by<br />

those in it and a balance approach through<br />

trial and error will bring success and reason<br />

to those capable and deserving.<br />

If the time of the "common-pocketbook"<br />

ever comes, then Utopia could exist in show<br />

business—but this will never be—therefore<br />

each must fight his own battle as best he can<br />

—and measure himself by the results.<br />

Your editorials always are direct and interesting<br />

and a guidance to the industry.<br />

M. LOEWENSTEIN<br />

President,<br />

Theatre Owners of Oklahoma, Inc.,<br />

Oklahoma City, Okla.<br />

A STAR-BUILDING IDEA<br />

To BOXOFPICE:<br />

Your editorial comment (Oct. 21) on developing<br />

new stars brings to mind a "pet"<br />

thought on the subject we have harbored for<br />

some time.<br />

I'd like to see a series of 20-minute subjects<br />

made by one of the larger studios in cooperation<br />

with one of the big-circulation women's<br />

magazines.<br />

These subjects—call them "Screen Tests"<br />

would feature new players in adaptations<br />

from short stories published by the magazine.<br />

The magazine would plug each monthly release<br />

which would in turn give screen credit<br />

to the magazine.<br />

At the end of each subject, have a wellknown<br />

personality introduce the players to<br />

the audience, giving their home towns and<br />

other bits of information about them. Then<br />

ask the audience to write postal cards to the<br />

studio giving the name of the players they<br />

consider deserving of bigger and better parts.<br />

These subjects would have to be well made,<br />

but would be highly exploitable featurettes.<br />

HAROLD ARMISTEAD<br />

Colony Theatres.<br />

Easley. S. C.<br />

WANTS BETTER FILMS, NEW STARS<br />

To BOXOFFICE:<br />

I disagree with the producers that Movies<br />

Are Better Than Ever and can cite many pictures<br />

that were filmed in past years that<br />

eclipse the ones that are now being filmed,<br />

and I also think they had better be getting<br />

new blood for actors. The major part of the<br />

big names are showing their age too fast and<br />

patrons are beginning to tire of them.<br />

Television is bringing out new names, and<br />

don't let television fool you. This medium is<br />

spending just as much for advertising as the<br />

motion picture business, probably more. I<br />

am over 100 miles from a television station,<br />

but my patrons are talking television and<br />

hoping it will soon be nearer here. It's time<br />

that all of us exhibitors had better be waking<br />

up and getting our sleeves rolled up to start<br />

making a bigger thing out of our part of the<br />

theatre business.<br />

COLONEL L. B. FUQUA<br />

Kentucky Theatre EJnterprises,<br />

Eddyville, Ky.<br />

—<br />

NPA Clariiies Order<br />

OnEquipmenlJobs<br />

WASHINGTON—The National Production<br />

Authority this week agreed to give careful<br />

and thorough consideration to the pleas of<br />

the theatre equipment industry that the<br />

recently imposed restrictions on theatre construction<br />

and improvements would cause<br />

them undue hardship.<br />

Following a meeting of government and<br />

industry representatives, NPA film head<br />

Nathan D. Golden said, "We do not intend<br />

to put the theatre supply dealers and manufacturers<br />

out of business, and if the elimination<br />

of remodeling would work a real hardship<br />

on them, due consideration will be given<br />

to<br />

relief."<br />

'HARMONIOUS' MEETING<br />

The meeting, which was described on all<br />

sides as "cordial, cooperative, and harmonious,"<br />

ended with an NPA request that the<br />

industry furnish a detailed statement of its<br />

"operating requirements" under the order to<br />

Golden so that proper consideration could<br />

be given to the points of objection raised<br />

by the industry committee.<br />

The order, which went into effect last<br />

month, bans all new theatre construction<br />

and limits improvements to $5,000 a year.<br />

Chief questions raised concerned the proper<br />

interpretation of the terms "construction,"<br />

"improvements" and "maintenance and repair."<br />

There is no limit on the latter in the<br />

order.<br />

The industry wants these legal technicalities<br />

ironed out. They want a clear definition<br />

of just what will be considered "construction"<br />

and a sharp line of demarcation<br />

drawn between "improvements" and "repair<br />

and maintenance," particularly in regard to<br />

remodeling work. One instance cited is the<br />

proper classification of work where immobile<br />

equipment is set rigidly in place. There is<br />

some doubt as to whether this could be<br />

placed in the "construction" category. Other<br />

question involved the classification of such<br />

jobs as installing air conditioning equipment,<br />

marquee signs, projection booths and equipment<br />

and other remodeling work on existing<br />

houses.<br />

THOSE WHO ATTENDED<br />

Golden and J. W. FoUin. who heads the<br />

new NPA construction controls division, were<br />

the government representatives. Oscar Neu,<br />

Theatre Equipment and Supply and Manufacturers<br />

Ass'n president. Ray Colvin, Theatre<br />

Equipment Dealers Ass'n executive director,<br />

headed the industry delegation. Other<br />

members were: Jack Nolan, National Carbon<br />

Co.; Jack O'Brien, RCA; Homer Snook,<br />

Midwest Theatre Supply Co., Cincinnati;<br />

Joseph Cifre, Joseph Cifre, Inc., Boston, and i<br />

Nash Weil. Wil-Kin Theatre Supply Co..<br />

Atlanta.<br />

To Consider Medal for Jolson<br />

WASHINGTON—A bill authorizing Pi-esident<br />

Truman to bestow posthumously the<br />

country's highest tribute, the Congressional<br />

Medal of Honor, on Al Jolson. was introduced<br />

by Rep. Louis Heller (D.. N. Y.)<br />

the opening day of the "lame duck" session<br />

of Congress. It was referred to the house |<br />

armed services committee for consideration.<br />

18 BOXOFFICE<br />

:<br />

2. 19501


FOR EVERY HOUSE IN THE LAND!<br />

iTi^l"' g;„i*»-"^ CENTURY.FO)(<br />

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the<br />

IHCK' CUtcC S^^^CHt^^<br />

Bidding Variations<br />

HLLIED'S investigation of the bidding<br />

problem disclosed thai bidding isn't the<br />

simple operation one might think. Some<br />

of the bidding has been the product of<br />

salesmen's imaginations.<br />

Several of the major company sales<br />

manager^ have felt for some time that<br />

much of the bidding has not been based<br />

on business considerations. Every exhibitor<br />

has taken up the problem.<br />

William P. Rodgers of MGM recently<br />

suggested that bids be made public.<br />

It has been generally assumed that all<br />

the bidding has been on the initiative of<br />

exhibitors. Recently it has developed that<br />

some salesmen have told certain exhibitors<br />

what their competitors had offered for a<br />

picture before any offer had been made.<br />

This is imaginary bidding, but boosts<br />

rentals just as certainly as real bids boost<br />

them.<br />

There is no way of knowing how widespread<br />

this practice is. It is quite likely<br />

that exchange managers don't know about<br />

it, or, if they do. that the general sales<br />

managers do not know.<br />

How to get some sane rules applied to<br />

bidding Is the current problem.<br />

ABC 9-Month Loss Heavy<br />

PRINCIPAL reason for<br />

the recent revival<br />

of reports of the sale the American<br />

Broadcasting Co. was a net loss of $482,-<br />

000 for the nine months ending September<br />

30. The loss might have been $877,000, but<br />

$297,000 was recovered on federal income<br />

taxes under carry-back provisions of the<br />

internal revenue law.<br />

Every time reports pop up that men<br />

identified with the film business are interested<br />

in buying ABC, the Federal Communications<br />

commission lets it be known<br />

that it will favor an independent purchaser<br />

and that it will not approve control by a<br />

film company. The commission has a<br />

special prejudice against any company<br />

numbered among the antitrust case defendants.<br />

This usually silences the reports. Right<br />

now, however, the reports are not following<br />

the usual pattern. Some well-known exhibitors<br />

are in a mood for insisting that,<br />

if newspapers can own television stations,<br />

theatres should be allowed to do so.<br />

Simpliiied Pressbooks<br />

J^AX YOUNGSTEIN, Paramount vicepresident<br />

in charge of advertising,<br />

publicity and exploitation, is alert to the<br />

shifting currents of exhibitor opinion on<br />

the use of pressbooks. He now calls pressbooks<br />

Showmanship Manuals. He has<br />

restored the composite mats which were<br />

supplied for years. He has recognized the<br />

fact that thousands of exhibitors play<br />

double bills, so the mats are being made<br />

one and three-quarter inches wide and the<br />

two-column mats three and three-quarter<br />

inches wide. This makes it possible for an<br />

exhibitor to put a border around whatever<br />

composite ad he makes up.<br />

He says he still feels that the regular<br />

_^—.By JAMES M.JERAULD<br />

ads are the best that can be used, with<br />

few exceptions, but he has made provisions<br />

for the substitution of local copy, and he<br />

is asking exhibitors to use ads as large as<br />

possible where the rates are low.<br />

This is a cooperative spirit that ought<br />

to be helpful all around.<br />

Arbitration<br />

HRBITRATION seems to be about the<br />

only thing that industry leaders endorse<br />

verbally and then forget.<br />

The Theatre Owners of America's call for<br />

a conference of distributors with TOA<br />

members on arbitration was a step forward,<br />

but how about Allied? No doubt it would<br />

be possible to set up an arbitration system<br />

with the help of the American Arbitration<br />

Ass'n that would not include Allied,<br />

but an industrywide system would have<br />

more prestige.<br />

Formation of the Council of Motion Picture<br />

Organizations has shown what a<br />

tremendous amount of work and tact are<br />

involved in these undertakings. This may<br />

account for the obvious unwillingness of<br />

so many men to step out and take the lead.<br />

Music Hall Lines<br />

\X7HEN the pictures are good the business<br />

certainly is good," said Russell Downing<br />

of the Radio City Music Hall last week.<br />

He had just been outdoors looking at the<br />

lines running from Sixth Ave. along 50th<br />

St. to Rockefeller Plaza and northward on<br />

Rockefeller Plaza to 51st St. and half way<br />

along 51st St. back to Sixth Ave.<br />

A rough guess is that this totals to about<br />

1,500 feet, with the line three deep in most<br />

places.<br />

The day was Friday (24). The same<br />

thing happened Tlianksgiving day. On Saturday<br />

( 25 ) line was even longer and it<br />

started forming before the opening. That's<br />

business, no matter how you look at it!<br />

Charles E. Wilson Heads<br />

AAA 25th Year Group<br />

NEW YORK—Charles E.<br />

Wilson, president<br />

of General Electric Co., has become general<br />

chairman of the American Arbitration Ass'n<br />

25tli anniversary committee, according to A.<br />

C. Croft, AAA president. Wilson has been<br />

a director since 1942.<br />

The association has a national panel of<br />

arbitrators serving many industries and numbering<br />

12,500 members in 1.600 U.S. cities. It<br />

has presided over a number of film disputes<br />

and a decision on one is now pending. Recently<br />

it placed its facilities at the dispcsal<br />

of W. Stuart Symington, defense coordinator.<br />

Showmen to Hear Simons<br />

NEW YORK—Mike Simons, a.ssistanl to<br />

H. M. Richey, MGM exhibitor relations head,<br />

will speak at the December 5 convention of<br />

New England Theatre Owners in Boston.<br />

His topic will be "Selling Tickets to Your<br />

Neighbors."<br />

Schaefer Gives COMPO<br />

World War II Plaque<br />

George J. Schaefer (right) presents<br />

World War II plaque to Arthur L. Mayer.<br />

NEW YORK—The bronze plaque awarded<br />

the War Activities committee by the government<br />

in recognition of the aid of the industry<br />

during World War II has been presented<br />

to the Council of Motion Picture Organizations<br />

by George J. Schaefer, former<br />

chairman of WAC.<br />

"During the war," he said, "all branches<br />

of our business participated in the industry's<br />

war effort, and it is only fitting that<br />

the repository of this plaque should be an<br />

agency in which all branches of the business<br />

are once more united."<br />

The presentation occurred in the new<br />

COMPO offices in the Paramount Bldg.<br />

Arthur L. Mayer, executive vice-president,<br />

accepted it in behalf of the constituent<br />

members.<br />

Kalmenson to Head Group<br />

For Brotherhood Week<br />

NEW YORK—Ben Kalmenson, vice-president<br />

and general sales manager for Warner<br />

Bros., has accepted the post of chairman of<br />

the distribution committee of the motion picture<br />

division of the National Conference of<br />

Christians and Jews for Brotherhood week<br />

1951, according to Charles M. Reagan of<br />

Loew's, Inc., chairman of the motion picture<br />

division.<br />

Bernard Goodman, supervisor of Warner<br />

Bros, exclianges, will assist Kalmenson in<br />

carrying out his duties for Brotherhood week,<br />

which will be observed February 18 to February<br />

25.<br />

Ben Bluestein, William Brereton. Russ<br />

Praser and Harry Mandel have been named<br />

as publicity chairmen by Max E. Youngstein,<br />

national chairman of advertising and publicity<br />

for the motion picture division of the<br />

National Conference of Christians and Jews.<br />

Bluestein will serve in the Memphis exchange<br />

area, Brereton in the Buffalo area,<br />

Fraser in the Des Moines area, and Mandel<br />

in New York. Other appointments are to<br />

be made shortly.<br />

Chosen as Future Star<br />

NEW YORK—The December issue of American<br />

magazine has picked Debbie Reynolds<br />

as a future star. She appears in "Two Weeks<br />

with Love." MGM film.<br />

20<br />

BOXOFFICE December 2, 1950


New Approaches to Sharing<br />

Advertising Costs Needed<br />

Elmer Rhoden jr. says that, both parties willing, there are<br />

many ways to create profitable co-op campaigns<br />

By ELMER RHODEN Jr.<br />

I certainly was gratified when I picked up<br />

the October 14 issue of BOXOFFICE and<br />

found that men like Charles Einfeld, Howard<br />

Dietz. Max Youngstein and R. E. Smith had<br />

taken the time to read and comment on my<br />

first article. I would like, however, if I may,<br />

to elaborate a bit upon my first effort, and<br />

try in some measure to answer Mr. Youngstein's<br />

comments on advertising in the industry.<br />

I agree with Mr. Youngstein in part where<br />

he says it Is a bad situation where only two<br />

and a half to three and a half per cent of the<br />

exhibitor gross is spent on advertising. In<br />

passing, I would like to say our circuit normally<br />

spends from six to seven and a half per<br />

cent, but on many of the top pictures the<br />

percentage is much higher than this. However,<br />

we must all admit one of the easiest<br />

ways to "throw sand in a rat hole" is through<br />

advertising.<br />

Mr. Youngstein states that distributors now<br />

have to pay 80 per cent of saturation booking<br />

advertising. Let's take this statement and<br />

throw it on the sizzling platter. If a picture<br />

has a saturation booking such as Columbia<br />

is now handling on "Petty Girl" in our territory,<br />

the distributor, of course, has to go in<br />

and spend approximately $3,000 to $5,000.<br />

On this picture, Columbia also arranged for<br />

me a 50/50 advertising split over my normal<br />

advertising budget. I think Columbia was<br />

very smart in having the Petty girls come into<br />

Kansas City, having their pictures taken<br />

with our exhibitors, getting front page pictures<br />

and stories in many of the small papers<br />

because of this contact with the exhibitor, all<br />

of which worked out well for Columbia, the<br />

local theatre and the picture.<br />

Although I doubt that the distributor had<br />

to pay 80 per cent for the saturation advertising<br />

bookings, I will state, and I am<br />

certain, that this picture in this particular<br />

territory is running way ahead of the picture<br />

in any other given territory. Columbia,<br />

of course, would have to verify this. Having<br />

this saturation booking, I am sure has enabled<br />

Columbia to sell the picture in this<br />

territory much easier, receive higher terms<br />

and boost the results over what it would<br />

have done normally.<br />

It must be understood, if, as Mr. Youngstein<br />

says, the distributor pays 80 per cent of<br />

saturation booking advertising, he first would<br />

make up his mind that he was not going to<br />

be satisfied with the picture on a normal<br />

gross, and would prefer to go in for local<br />

advertising and spend 80 per cent of this<br />

special cost and by so doing, boost his gross<br />

by approximately 30 per cent. It would seem<br />

to me that this is good business and cheap<br />

advertising. In fact, one Columbia man<br />

stated to me that he was surprised at what<br />

the actual campaign cost amounted to, as it<br />

was. in his mind, most reasonable.<br />

Mr. Youngstein must also realize that the<br />

saturation bookings, the enthusiasm of local<br />

exchange and the spot advertising carries<br />

over also to the exhibitor, and I am sure the<br />

exhibitor would put out twice the effort that<br />

he would have, had the picture broken<br />

normally in his territory and received no<br />

special attention.<br />

I would like to see the film companies participate<br />

m advertising, on the same basis as<br />

the picture has been sold. For instance, if I<br />

buy a picture on scale, and, against the scale,<br />

the picture earned 40 per cent, I would like<br />

to pay 60 per cent of the advertising and the<br />

distributor 40 per cent. For the same reason,<br />

if I bought a picture for a firm 30 per cent<br />

the distributor would pay 30 per cent and I<br />

would pay 70 per cent of the advertising. By<br />

doing this, I believe you create in the exhibitor<br />

advertising ideas and merchandising ideas,<br />

Ceveral weeks ago, Elmer Rhoden<br />

jr., son of a veteran midwest<br />

ex)ubitor, and film buyer for Commonwealth<br />

circuit, wrote an article<br />

for BoxoFPicE in which he<br />

called attention to the need for<br />

improved pressbooks, concentrated<br />

mass regional openings and neio<br />

approaches to advertising of motion<br />

pictures. His provocative article<br />

drew comment from many industry<br />

leaders, all of which subsequently<br />

was published in <strong>Boxoffice</strong>.<br />

I7i the accompanying article,<br />

Rhoden expands on his original<br />

suggestions and offers some<br />

evidence of how his circuit has<br />

hayidled the problem of localizing<br />

nationally prepared campaigns.<br />

which originally made up such a big part of<br />

our business.<br />

As far as saying that the advertising budget<br />

is set up at 600 lines, I can say that our circuit<br />

does not set any advertising budget to<br />

apply on all pictures in all towns. If the<br />

manager is spending too much money, it is<br />

easy to figure if his percentage of advertising<br />

is going way up and his percentage of<br />

gro.ss not responding. If one of our theatres<br />

comes to this stage, we naturally study with<br />

the manager his advertising costs, but otherwise,<br />

it is up to the individual manager to<br />

handle his own situation.<br />

I notice Mr. Youngstein states on pressbooks:<br />

"Why not five or ten pressbooks, why<br />

stop at two?" It was my thought, in my first<br />

article, that with two pressbooks. you could<br />

hit the two major advertising markets, and<br />

the same thought applied to trailers. However,<br />

I am advised these are expensive. I'll<br />

go along on this thought, but maybe this is<br />

penny-wise and pound-foolish. Just how expensive<br />

are they in the light of what they can<br />

do to reflect additional grosses on any given<br />

picture? I stated in my previous article how<br />

Metro-Goldwyn-Mayer's picture, "That Midnight<br />

Kiss" was brought over my particular<br />

circuit from below average to average business.<br />

If we had played this picture off with<br />

the original trailer. I am sure our film rental<br />

would have been much less than the cost of<br />

the second trailer. If the second trailer cost,<br />

just using figures, should be $20,000 and the<br />

rental on the picture was increased $40,000<br />

you could still pocket $20,000, thereby<br />

I'M JUST THE GUY-<br />

— Who Con Prove Movies<br />

t


-<br />

I'll Be In the Lobby When Ihe Show's Over!<br />

CAMPAIGNS USING DOWN-TO-EARTH COPY INCREASED BUSINESS 10 TO 40 PER CENT IN GROSS<br />

Exhibitors who have pressbooks for these pictures at hand can<br />

see for themselves how Commonwealth circuit managers have<br />

utilized the mat service to make up their own localized advertisements.<br />

Down-to-earth language was used in every instance to tell<br />

homefolks about the picture. In several of them the manager's photo<br />

appears with a brief personal message. Says Elmer Rhoden jr.:<br />

"These particular campaigns increased the business over the press<br />

book campaigns, which were used in other towns, anywhere from<br />

10 to 40 per cent in gross. The ads were made up principally by<br />

M. B. Smith, central division manager who is in charge of special<br />

campaign layouts on pictures over the circuit." Wherever his campaigns<br />

were used, Rhoden said, the boxoffice grosses increased.<br />

making the trailer cost 50 per cent of the<br />

additional film rental. Whereas, without the<br />

second trailer, you would not have had any<br />

additional film rental.<br />

I would like also to point out to Mr. Youngstein<br />

the fact the automobile companies spend<br />

millions on advertising, probably in about the<br />

same percentage as Paramount spends on<br />

their pictures. Cigaret companies spend approximately<br />

the same amount, maybe more,<br />

yet when they sell their product to the corner<br />

drug store, the dealer does not have to go<br />

down in his pocket, but is guaranteed his<br />

profit on each package sold.<br />

I am not trying to white-wash any exhibitor<br />

who does not spend money on advertising.<br />

but I am trying to point out that when the<br />

exhibitor spends eight to ten per cent on<br />

this item, he could very easily be throwing<br />

away five per cent, if it is not handled wisely,<br />

and I am quite sure you will agree with me<br />

on this. Let's see if this makes the gravy<br />

run!<br />

I am not trying to criticize, and I realize<br />

that Mr. Youngstein has had much more and<br />

varied experience with advertising than I. but<br />

I am trying only to find a common ground<br />

where the exhibitor and the distributor may<br />

advertise to better advantage for both of us.<br />

I am sure this can be done. A few down-toearth<br />

common-sense examples of money well<br />

spent for advertising has made a devout<br />

disciple out of me for working together, both<br />

spending a few extra dollars and both benefiting<br />

when the run of the picture is over.<br />

I realize that on any pictures, less than<br />

1,000 24-sheets are used. Could it be that<br />

24-sheets are not the best advertising medium<br />

today? If the exhibitors refuse to use 24-<br />

sheets there must be more reasons than<br />

merely budget. I wish to be open-minded<br />

about this, although, with the speed of today's<br />

car and today's living, I am not sure a<br />

24-sheet gets the attention it should receive.<br />

Mr. Youngstein also says that it will not<br />

work to eliminate advertising from nationally<br />

circulated magazines. All right, let's go<br />

along with this statement. However, I am<br />

certain national advertising could be 100 per<br />

cent more effective if the advertising came<br />

out just prior to, and during, the time the<br />

picture is playing in the theatres. As it is.<br />

at the present time, picture after picture has<br />

a lapse of from three to six months between<br />

the time the picture is advertised and it is<br />

booked into the theatres. I believe that the<br />

timing of the national advertising is off and<br />

has been for some time. Naturally, not on all<br />

of the pictures, but on a good many. Certainly<br />

it might coincide with the picture's release<br />

in one part of the country, but how<br />

about the other parts of the country? I do.<br />

though, urge it be tried sometimes releasing<br />

the advertising budget locally via newspapers,<br />

radio, heralds, etc. just to see if, perhaps, the<br />

idea would have merit. We have strung<br />

along with the national advertising idea for<br />

years! Why not try a few of our ideas?<br />

BOXOFFICE :: December 2, 1950 23


UowVI'i<br />

The h\g Egg of<br />

T/ie Egg and I"<br />

was never better!


Produced by HARRIET PARSONS<br />

Directed by GEORGE MARSHALL<br />

i\M DEVINE • GIGI PERREAU • NATALIE WOOD • PHILIP OBER • JACK KIRKWOOD<br />

Screenplay by LOU BRESLOW and DORIS ANDERSON<br />

L


LETTERS<br />

THAT COMPO-TOA CONTROVERSY<br />

A Texas TOA Leader and An Allied Regional Chief Take a Look at the Problem<br />

To BEN SHLYEN:<br />

The affairs of COMPO and TOA seem to<br />

be embracing an unduly important amount<br />

of space in discussions<br />

and in the tradepress.<br />

particularly in regard<br />

to the question of<br />

"representation" in the<br />

structure of this latest<br />

organization.<br />

It seems more truly<br />

not so much a question<br />

of representation, or<br />

laclc of it, as to states or<br />

territories as the minority<br />

position of exhibition<br />

as a whole in Henry Reeve<br />

the basic forming of an organization which<br />

was primarily created to be a sort of United<br />

Nations board for our motion picture industry.<br />

Pew, if any, have fault to find with what<br />

was started in Chicago, and there definitely<br />

is a place for sucli work in our business, sadly<br />

ignored and neglected these many years.<br />

SAYS POLICIES SIDETRACKED<br />

Listening to "The Voice of Main Street"<br />

in Houston it was very apparent that COMPO<br />

had taken a route far off the road map originally<br />

charted. On tlie recoi-d of recent<br />

months and weeks it is hard to see the why<br />

or wherefore of Allied, TOA and COMPO as<br />

it has been operating. Why all three? Exhibition<br />

as a whole is the party needing unified<br />

organization, so lacking to date from<br />

any and all sources. Three exhibitor organizations<br />

of national scope, each with its high<br />

salaried executives, all endeavoring to warrant<br />

those salaries can hardly result in accomplishment<br />

or benefit for tne exhibitor.<br />

As to the much discussed representation<br />

controversy, our question is on the peculiar<br />

situation of organizations such as the AFL<br />

council, MPAA, SIMPP, the Screen Actors<br />

Guild, the tradepress. Variety International,<br />

and two purely localized New York exhibitor<br />

associations having, each of them, an equal<br />

voice with Allied and TOA which represent<br />

thousands of theatres and exhibitors all over<br />

our nation. Exhibition, the theatres and theatre<br />

men and women, are the summation of<br />

all these others, and the direct contact with<br />

the public—we put out what all the others are<br />

m business for. Define and use COMPO's<br />

proper function for which it was originally<br />

created, that can make sense and do a job.<br />

Otherwise the question will endure.<br />

RECORD 'HARDLY GLOWING'<br />

With all the organizing that has been going<br />

on, and all the claims and leg-work that<br />

has been done on many exhibitor organization<br />

projects and problems, the record of accomplishment<br />

is hardly a glowing one. No<br />

need to pick them out, but there has been<br />

much to do about controlling fair selling.<br />

Current selling policies speak for themselves<br />

on the futility of organized control of this<br />

phase of our business. National transportation<br />

and advertising matters have repeatedly<br />

been talked about, but that is all there is to<br />

it.<br />

"Main Street" is not happy over the result<br />

of the tax fight, and the Korean incident was<br />

The current controversy between<br />

the Council of Motion Picture Organizations<br />

and Theatre Owners oj<br />

America over the question of increased<br />

ToA representation in the<br />

CoMPo executive committee has<br />

brought a number of letters to <strong>Boxoffice</strong>.<br />

Two of the letters came from,<br />

exhibitors who are prominent in regional<br />

exhibitor association affairs—<br />

Henry Reeve, Menard, Tex., president<br />

of Texas Theatre Owners, Inc., and<br />

O. F. Sulliva7i, Wichita, Kas., president<br />

of Allied Independent Theatres<br />

of Kansas arid Missouri. While the<br />

men head their regional exhibitor organizations,<br />

their views are expressed<br />

as individuals only.<br />

but an easy excuse to pass an issue that is an<br />

economic necessity for the smaller situations.<br />

Isn't it about time to stop the flag-waving<br />

over what our industry does for our country?<br />

Sure, we've done a job, and we'll always do<br />

it, but Washington has a very high-angled<br />

view of our show business and the representatives<br />

of it who appear at its high functions<br />

we who really and vitally need consideration<br />

haven't a chance.<br />

Exhibitor conventions are mo.st enjoyable<br />

affairs. What comes out of them to benefit<br />

theatre operations and show business? At<br />

Houston, a very fine meeting, one top businessman,<br />

from outside our industry, and one<br />

general sales manager of a producing company<br />

gave out with truly constructive and<br />

usable thinking that could be taken home.<br />

An odd situation that is repeated in conventions<br />

time and time again.<br />

There are so many exhibitors in many<br />

states—north, east, south and west, knowing<br />

the same facts, feeling the same needs,<br />

hoping for the same unanswered results. All<br />

of them realizing that their voices and their<br />

knowledge are not considered, and probably<br />

never will be.<br />

Perhaps there is but one solution. If we<br />

want to stay in this business, just admit its<br />

failings and Impossibilities, forget the wishful<br />

thinking that some organization can take<br />

care of us. Dig into our individual business<br />

and give it the best we've got. We know<br />

"There's No Business Like Show Business,"<br />

and if we don't feel that, we're best out of it.<br />

Most of us are believers in organization<br />

and what It can and should be able to accomplish<br />

for us and our industry—it does<br />

seem that we of the motion picture industry<br />

are least able of all American business institutions<br />

to organize for our own best interest.<br />

That's too bad, for we do such a grand job<br />

in every other way.<br />

Really didnt mean to make this a "Gone<br />

With the Wind" in length. It's not just a one<br />

man angle I can assure you. I think you know<br />

how much I have appreciated your personal<br />

friendship and what you and BOXOFFICE<br />

mean to our industry—you have meant much<br />

to our segment of a great industry.<br />

HENRY REEVE<br />

President, Texas Theatre Owners, Inc.<br />

Menard, Texas.<br />

—<br />

To BEN SHLYEN:<br />

The attitude TOA is taking towards<br />

COMPO may be likened to the attitude that<br />

Russia is taking toward<br />

the United Nations<br />

organizations. I would<br />

not make the accusation<br />

that there is the<br />

same ulterior motive<br />

but the results may be<br />

just as disastrous.<br />

The cooperation of<br />

nations could accomplish<br />

results which<br />

have never been in evidence<br />

in this so-called<br />

civilized world and<br />

the cooperation of the O. F. Sullivan<br />

branches of the motion picture industry<br />

could result in the elimination of adverse<br />

public relations which have ever<br />

been a millstone around the neck of<br />

our industry.<br />

CASE OF 'SPLITTING HAIRS'<br />

With such important accomplishments<br />

through COMPO so evident, it seems<br />

to me that TOA is splitting hairs with<br />

ti>eir objections regarding what they<br />

claim to be inadequate representation. It is<br />

lamentable that dissension in the ranks of<br />

one of COMPO's members will possibly<br />

weaken the effectiveness of the organization<br />

even before an opportunity is given to prove<br />

its merit and this dissension comes at a iiuie<br />

when all efforts should be put forth to seil<br />

COMPO to the exhibitors of this country.<br />

Every regional organization which is a<br />

member of a parent-exhibitors national organization<br />

has complete autonomy and it is<br />

regrettable that TOA would allow dissension<br />

to prevent the national organization's<br />

approval of COMPO. National AUied approved<br />

COMPO and as we have complete local<br />

autonomy, one regional office of Allied did<br />

not see fit to concur in the decision of the<br />

national organization.<br />

SEE OTHER INVOLVEMENTS<br />

I personally believe that some circuits that<br />

are very close to the distributors direct the<br />

policy of some district exhibitor units that<br />

are associated with TOA, so in reality, the<br />

distributors who have their own vote in<br />

COMPO can also influence TOA's vote in<br />

COMPO and on that basis the accusation<br />

could be claimed that the distributors have<br />

unfair representation.<br />

Hundreds of exhibitors who are not members<br />

of any organization have no representation<br />

in COMPO. The ultimate aims of<br />

COMPO are, however, too important to run<br />

the risk of wrecking tlie organization, with<br />

inconsequential criticism, even before it begins<br />

to function. I hope that TOA and their<br />

unimportant criticisms will not justify by<br />

their action, the actions of Russia in that<br />

nation's effort to sabotage the council of<br />

nations.<br />

O. F. SULLIVAN<br />

President,<br />

Allied Independent Theatre Owners<br />

Of Kansas and Missouri<br />

Wichita, Kansas.<br />

26 BOXOFFICE December 2, 1950


Lesser, Pommer Plan<br />

German-Made Film<br />

NEW YORK—The first independent American<br />

feature to be filmed in Germany will be<br />

"The Sixth Column," to be made for Sol<br />

Lesser Productions by Eric Pommer, famous<br />

German producer who made his most recent<br />

pictures in Hollywood and England. The picture<br />

will be made in conjunction with Arthur<br />

Brauner of the C.C.C. Studios, Berlin. Although<br />

distribution has not yet been set, the<br />

feature will probably be released by RKO.<br />

which distribute;; Lesser's "Tarzan" pictures.<br />

POMMER NOW IN GERMANY<br />

i'ommer, who has been in Washington<br />

seeking advice from the U.S. Treasury department<br />

and other government agencies on<br />

the story for "The Sixth Column," which<br />

deals with international counterfeiting, has<br />

left for Germany to make preliminary<br />

arrangements for the filming. He will<br />

then return to America to sign Hollywood<br />

players for the cast. Filming is scheduled<br />

to start in late April or early May. Pommer<br />

will also take over key technicians; the rest<br />

will be local workers.<br />

While the picture will be financed by both<br />

American money and frozen funds, Pommer<br />

does not advocate making films in Germany<br />

just to use up frozen currency. "The Sixth<br />

Column," which will be semi-documentary in<br />

nature, demands German locales to insure<br />

realism, he said. The studios in Germany<br />

are very well equipped, by European standards,<br />

but are not up to the high Hollywood<br />

standards. The German film industry is<br />

now made up of small independents, instead<br />

of a monopoly, as it was before World War<br />

II, according to Pommer.<br />

"The Sixth Column" will have a 50 to 60-<br />

day shooting schedule and should be ready<br />

for fall release, Pommer said. Upton Sinclair,<br />

author of the screenplay, will write and<br />

publish the novel of the same name at the<br />

same time it is being made into a film.<br />

PREVIOUS POMMER FILMS<br />

The Lesser film will be Pommer's first German-made<br />

picture since 1932. Some of his<br />

earlier German triumphs included "Congress<br />

Dances," "The Cabinet of Dr. Caligari" and<br />

"The Blue Angel." which introduced Marlene<br />

Dietrich and starred Emil Jannings.<br />

Later, he made three features, "Jamaica<br />

Inn," "Sidewalks of London" and "The<br />

Beachcomber," in England and "They Knew<br />

What They Wanted," his last Hollywood film,<br />

in 1940. Following the war, Pommer served<br />

as chief of the motion picture branch. Overseas<br />

Military Government of the U.S.. in Germany.<br />

Claude F. Lee Gets Post<br />

With Film Ad Firm<br />

NEW YORK—Claude F. Lee, vice-president<br />

of Tom Connors Associates. Inc.. has joined<br />

the Motion Picture Advertising Service Co.,<br />

of New Orleans as divisional sales man-<br />

Inc.<br />

ager for the northeastern states and associate<br />

director of national advertising sales,<br />

according to Carl J. Mabry, president of the<br />

company.<br />

Lee was formerly director of public relations<br />

for Paramount. He will make his headquarters<br />

in the company's New York office.<br />

Film Daily says;<br />

"It will<br />

enormous<br />

c^^n<br />

BOXOFFICE :: December 2, 1950<br />

27


charles<br />

...the talk of the trade<br />

n3IVCy is<br />

so downright human and wholesomely funny that<br />

family audiences will<br />

be captivated - Showmen's Trade Review.<br />

n3TVCy is<br />

completely enjoyable, distinguished by the<br />

memorable performance of James Stewart - Motion Picture Daily.<br />

n3IVCy is<br />

one of the top comedy entries in years, laughloaded<br />

entertainment - Daily Variety.<br />

uflTVCy has Josephine<br />

Hull in one of the best acting jobs ever done before a<br />

camera - Motion Picture Herald,<br />

lISlTVCy is an outstanding<br />

film assured of top grosses everywhere -^oxo^ce.<br />

nftTVCy is an uproarious, heart-warming comedy hit.<br />

Causes gales of laughter that almost reach hysteria -<br />

Hollywood Reporter, llfllVCy is a high rating, entertaining<br />

picture. Will do a big business.<br />

Is<br />

a show that proves that "movies<br />

are better than ever'' - Exhibitor,<br />

JOSEPHINE HULL •<br />

drake<br />

• cecil kellaway<br />

JESSE WHITE • WALLACE FORD and PEGGY DOW<br />

Screenplay by MAKY (MASK and ciscAK limiliNKY Kmm the I'ulitzer Prize<br />

Play written by MARY CHASK anil [irciiiucil by Iikik K I'KMBERTON<br />

Produced by JOHN BECK • Directed by HENRY KOSTER<br />

HARVEY<br />

Starring<br />

JMEssmm


.(B'^s^'S.®'^^<br />

^i^tributedm^ZZ<br />

RKJDU"""^'- AMERICAN<br />

M,..!/-, • ,^ DETROIT TIMES<br />

---""^rrrSORSHSOS-TEUSRAR.<br />

BOSTON ^°-'^' ,„,,..eE SEHT-.EU<br />

B.a.MORE AMERICAN<br />

„,M,NER<br />

'^'<br />

COLUMBUS 5-3700<br />

international Pictures<br />

1<br />

Universal Intern<br />

445 Park Avenue<br />

^^^^°^^"^^.7Lco..rt.e.llpa.aavertise.ent<br />

^^ ^^UEY^lnfarl<br />

prfparing t.e plates.<br />

on HARVEY and<br />

^^ ^^ ^^<br />

. Department has been aler ^ ^.^.^^<br />

^-W<br />

our P-^-^^^,:;°Xh playdates in the<br />

^^^^^^<br />

page to ^°^j°""? ^^Ved The name o^. ^^^J^ provided, in<br />

as HARVEY - b-^;;,,,a ,, ,^e tie-xn space p<br />

HARVEY will be in<br />

each situation.<br />

We think you may w<br />

accounts of<br />

^av want to advise Y^-r the^^^ 3,, ^elow.*<br />

^^ ^^^^^ ^^^ ^,txes.<br />

the circulation ^^^^ ^^,,,, ge<br />

that you have been ^^^f^ \° ^^, ads will get<br />

^e are ^^Pj^^f^t J's flexibility ^^^^^^ Ja^ertising.<br />

of Pictorial Revi<br />

^^^ ^,,d date<br />

the full advantage ot<br />

Pictorial Review<br />

TV is at work too,<br />

^.rstand<br />

Jacques<br />

KapraUk<br />

^^^^ ^<br />

P- ^- "'^<br />

Totr coto^ three dimensional -t ^^^^^ ^^^^^<br />

preparing f°^^° ^^ £or a Pictorial<br />

Revi<br />

scene from HAKv<br />

in January. *<br />

351.431<br />

Baltimore<br />

666,003<br />

Boston<br />

1,047,522<br />

Chicago<br />

617,345<br />

Detroit<br />

298,6^^<br />

I^ilwaukee<br />

New York<br />

Pittsburgh<br />

Los Angeles<br />

San Francisco<br />

Seattle^<br />

Total<br />

1,186,439<br />

566,741<br />

807,968<br />

588,500<br />

266,649<br />

6,397.259


7iJcL4AiK^to*t<br />

^cficnt<br />

By ISABEL OLDER<br />

for these in the year ending June 30, 1950.<br />

European projector carbons, mostly from<br />

France and Germany, are providing stiff<br />

competition for American suppliers, and are<br />

threatening to absorb the market entirely.<br />

PRODUCTION OF TELEVISION and radio<br />

sets will drop 25 to 40 per cent after the<br />

New Year, in the opinion of industry leaders,<br />

as a result of the 70 per cent cut in civilian<br />

deliveries of cobalt ordered by the National<br />

Production Authority.<br />

Sale of cobalt, frozen temporarily two weeks<br />

ago, were resumed last week at 30 per cent of<br />

the volume during the first half of this year.<br />

This restriction on the steel-hardening agent<br />

important in making magnetized parts of<br />

radio and TV sets, together with the 35 per<br />

cent cut in civilian use of aluminum, effective<br />

January 1, will hit the industry hard.<br />

"The industry faces dwindling production<br />

in the first quarter of 1951—and after that<br />

it will grow worse," said a spokesman for<br />

the Radio-Television Manufacturers Ass'n.<br />

Representatives of RTMA met last week in<br />

Washington with NPA Administrator William<br />

H. Harrison, to consult on the problem caused<br />

by heavy defense stockpiling of radar and<br />

electronics equipment, in closed session. It<br />

was learned here, however, that the industry<br />

group feels that as a result NPA will provide<br />

enough materials to keep the plants running<br />

at a reduced rate, and that defense orders<br />

later would "take up the slack."<br />

Had the freeze on cobalt been continued,<br />

industry plants would have had to shut down<br />

by the end of next month, according to the<br />

spokesman. Cobalt, described as "highly<br />

essential" in the making of magnets for<br />

radio and TV loudspeakers, is imported from<br />

Africa.<br />

Trade Practice Group<br />

Named for Radio-TV<br />

WASHINGTON — Robert C.<br />

Sprague,<br />

president of the Radio-Television Manufacturers<br />

Ass'n, this week appointed an<br />

RTMA trade practice conference committee<br />

to meet with the Federal Trade<br />

commission in a fair trade practice conference<br />

for the television industry.<br />

This move follows closely an announcement<br />

by the Federal Trade commission<br />

that it was looking into the "child appeal"<br />

advertising of several TV set manufacturers,<br />

but RTMA described this as<br />

"pure coincidence."<br />

The fundamental Objective of the conference,<br />

according to RTMA, will be to<br />

extend and apply the trade practice rules<br />

for the radio manufacturing industry,<br />

promulgated June 22, 1939, to the television<br />

manufacturing industry.<br />

atres, and plans to build a strong chain of<br />

outlets in Havana and the interior.<br />

"Film City," in the outskirts of Havana,<br />

is now in operation. Nine U.S. distributors<br />

took up headquarters there in September,<br />

and adequate office facilities have been<br />

provided. Buildings are modern, air-conditioned<br />

and fire resistant.<br />

HAITI IMPORTED 133 FILMS in the year<br />

ending September 1949, of which 70 per cent<br />

were American, with the remaining 30 per cent<br />

exclusively French, the Department of<br />

Commerce reported. A new distributor<br />

entered the field last year and estimates he<br />

will average 30 full-length films a year. Up<br />

to then, two distributors had been doing all<br />

the importing. Current practice is to import<br />

one positive print, rented for six months to<br />

a year, and re-show it in the capital every<br />

two or three months. Average run is about<br />

three days, and annual revenue to U.S. film<br />

industry is estimated at $30,000.<br />

There are 16 theatres operating in Haiti.<br />

IN FINLAND, PRODUCERS expect to complete<br />

15 feature films in 1950. Difficulties<br />

have been great, with production costs rising<br />

from about $26,000 in 1946 to $43,000 in 1950.<br />

The summer was marked by labor conflict<br />

and threatened strikes, resulting in higher<br />

wages for many groups connected with filmmaking.<br />

Admission prices have increased, and<br />

attendance is off. A total of 19 new theatres<br />

have been started in small towns, but 30 have<br />

gone out of business.<br />

One of the most serious problems is the<br />

shortage of raw film. Importation from England<br />

is blocked, although some importation<br />

has been authorized from Belgium. At present<br />

75 per cent of the raw film used comes<br />

from the USSR with the remaining 25 per<br />

cent almost exclusively from the U.S., Golden<br />

said.<br />

PAKISTANI CENSORS VIEWED 52<br />

feature<br />

films during the third quarter of 1950,<br />

according to the Department of Commerce.<br />

Of these 17 were American and 14 Indian.<br />

This is a drop in American competition,<br />

compared to the first nine months of 1950<br />

considered as a whole, during which 177 feature<br />

films were reviewed, of which 34 were<br />

American and 90 Indian.<br />

The formation of the Pakistani Film Advisory<br />

committee may be a significant factor<br />

in this picture. At its first meeting, in August<br />

of this year, it was resolved that Pakistani<br />

theatres should be asked to show a fixed<br />

quota of native films each year, and a subcommittee<br />

was appointed to investigate the<br />

question levying a reciprocal duty on films<br />

imported from foreign countries.<br />

NATHAN GOLDEN of the Commerce Department<br />

film branch also issued several<br />

other reports during the week on motion picture<br />

business in foreign lands.<br />

<strong>Boxoffice</strong> receipts in Havana totaled<br />

$819,000 in the third quarter of this year, he reported.<br />

This is a gain from $692,000 in the same<br />

quarter last year, and $803,500 in the second<br />

quarter of this year. A total of 102 films were<br />

shown, of which 66 were American made, accountng<br />

for 75 per cent of the total gross,<br />

and 17 were Mexican. Six Cuban films were<br />

in production or awaiting release.<br />

A new company, called Cines Cadena de<br />

Ora, S. A., has been formed to develop a chain<br />

of theatres which will specialize in Spanishlanguage<br />

releases. Organized by a large Mexican<br />

theatre impresario, it has taken over<br />

management of the Encanto and Alkazar the-<br />

ARGENTINE THEATRES total 8,057 now<br />

operating, and an additional 465 commercial<br />

outlets using 16mm films. Golden further<br />

reported. About 1,500 35mm houses operate<br />

regularly, the rest are in operation only<br />

part of the year.<br />

Almost every small theatre in the interior<br />

is using old French or German projectors<br />

adapted to sound with Argentine-made equipment.<br />

Equipment used in the Buenos Aires<br />

area is good. The need for U.S. equipment is<br />

great, but only the largest houses could afford<br />

it, even if the government authorized its<br />

purchase.<br />

U.S. carbons are offered in Argentina at<br />

about twice the price of German carbons, because<br />

of the unfavorable exchange rate. All<br />

but the most delicate pieces of equipment are<br />

being manufactured in Argentina, although<br />

the rate is insufficient to meet the demand.<br />

A relatively good 35mm projector, equipped<br />

with Philips sound equipment and sold under<br />

the name of Philips, is made in Argentina and<br />

production ranges from 50 to 70 projectors a<br />

year.<br />

Uranium Firm Under Probe<br />

Headed by Paul McNutt<br />

NEW YORK—State Attorney General<br />

Nathaniel L. Goldstein created a sensation<br />

in financial and film circles by announcing<br />

that he was investigating the sale of American-Canadian<br />

Uranium Co., Ltd., stock under<br />

the "blue sky" laws of the state.<br />

Paul V. McNutt, chairman of the board of<br />

United Artists, is president of American-<br />

Canadian Uranium and Josiaii Marvel jr.,<br />

former minister to Denmark, is vice-president.<br />

Goldstein said that "insiders" control 83<br />

per cent of the stock and that the remaining<br />

17 per cent is being sold in New York for<br />

$3.50 per share. It is listed as having ten<br />

cents par value.<br />

United Para, to Pay 50c<br />

NEW YORK—Directors of United Paramount<br />

Tlieatres, Inc., have voted a dividend<br />

of 50 cents per share on the common, payable<br />

December 20 to holders of record on<br />

December 5. Leonard H. Goldenson, president,<br />

made the announcement.<br />

PERUVIAN CENSORS reviewed 135 feature<br />

films during the third quarter of 1950. Of<br />

these, 51 were U.S. productions and 26 were<br />

Mexican.<br />

Some theatres which were closed have been<br />

renovated and reopened, and several new ones<br />

have been built. Importation of U.S. equipment<br />

is subject to stringent control, and this<br />

equipment is being supplied on an increasing<br />

basis from Europe.<br />

Sale of equipment parts, which is not<br />

restricted, is active. Around $40,000 was spent of record December 1.<br />

Paramount Declares Dividend<br />

NEW YORK—Tlie board of directors of<br />

Paramount Pictures Corp. has voted a quarterly<br />

dividend of 50 cents per share on the<br />

common, payable December 1 1 to stockholders<br />

30 BOXOFFICE December 2, 1950


merica s<br />

Jsfi •/<br />

COLUMBIA PICIURES preseols<br />

JOAN WENDELL<br />

CRAWFORD COREY<br />

•<br />

;^";<br />

ONE OF THE FIVE<br />

BEST PICTURES<br />

OF THE YEAR<br />

•<br />

LUCILE WATSON ALLYN JOSLYN • WILLIAM BISHOP • K.T. STEVENS<br />

Screen Play by Anne Froelick and James Gunn<br />

Based on the Pulitzer Prize winning play. XraiKS Wife." by George Kelly<br />

Produced by WILLIAM DOZIER . Directed by VINCENT SHERMAN<br />

A renowned Pu/ifzer Prize play brings JOAN CRAWFORD her greaiesf emotional role.


—<br />

. . Maxwell<br />

. . . Borrowed<br />

. . Under<br />

. . Bing<br />

. . Dane<br />

. . Van<br />

. . John<br />

^oU^tWMd ^CfiWt<br />

By<br />

IVAN SPEAR<br />

Two Independent Features<br />

Added to Columbia Slate<br />

To Columbia's 1950-51 releasing schedule<br />

have been added two vehicles emanating from<br />

independent production sources—one already<br />

completed, the other set for an early camera<br />

start.<br />

Producer Seymour Nebenzal secured distribution<br />

through Columbia for his recently<br />

completed "M," a r\e^ version of the psychological<br />

chiller which he originally filmed in<br />

Europe in the early '30s. Directed by Joseph<br />

Losey. the opus casts David Wayne in the<br />

role of the neurotic killer which was delineated<br />

in the earlier version by Peter Lorre.<br />

Martin Gabel and Howard DaSilva have the<br />

top supporting roles. It will be released in<br />

March.<br />

The upcoming contribution to the company's<br />

releasing slate is "The Brigand," now<br />

being prepared by Producer Edward Small as<br />

a starring vehicle for Anthony Dexter—who<br />

has the title role in Small's soon-to-bereleased<br />

"Valentino," also made for Columbia.<br />

"The Brigand" is from a novel by Alexandre<br />

Dumas, in whose swashbuckling stories<br />

Small has specialized in the past through the<br />

manufacture of such films as "The Count of<br />

Monte Cristo," "The Man in the Iron Mask"<br />

and "The Corsican Brothers." Tentatively set<br />

to roll early in January, "The Brigand" is<br />

being scripted by George Bruce.<br />

Republic Completes 15 Films;<br />

Major Part Are Westerns<br />

Of a total of 15 completed pictures in Republic's<br />

current backlog—which is, incidentally,<br />

reported as a new all-time high for the<br />

studio—eight, or more than half, are in the<br />

western category.<br />

That's additional proof of the high esteem<br />

in which sagebrushers apparently are being<br />

regarded by most production and distribution<br />

organizations—a film classification which has<br />

been enjoying continuing popularity for the<br />

past several seasons.<br />

The Republic crop includes such larger-<br />

Alan Ladd Lends Name<br />

To Kiddy Cowboy Items<br />

Move over, Hoppy, Gene and Roy<br />

you're about to receive some competition<br />

in the western commercial by-products<br />

field from another actor who—although<br />

not a sagebrush star in the accepted<br />

sense—has toplined .several king-size<br />

saddle operas.<br />

The player is Paramount's Alan Ladd,<br />

currently starring in Pi'oducer Hal Wallis'<br />

"Quantrell's Raiders" and who recently<br />

completed another outdoor opus,<br />

"Branded." Ladd has lent his name to<br />

a complete line of western toys and clothing<br />

for the moppet crowd, including such<br />

standard paraphernalia as cap pistols,<br />

holster .sets, cowboy hats, boots, trick<br />

ropes and the like.<br />

They're due to make their appearance<br />

in time for this year's Christmas trade.<br />

budget subjects as "Oh, Susanna," a Rod<br />

Cameron starrer dealing with California in<br />

gold rush days, as well as such series westerns<br />

as two starring Roy Rogers, one each<br />

with Rocky Lane and Rex Allen, and "Buckaroo<br />

Sheriff of Texas," initialer In a proposed<br />

group featuring two youngsters, Michael<br />

Chapin and Eilene Janssen.<br />

Remainder of the valley studio's backlog<br />

runs the gamut from romantic dramas to<br />

melodramas, comedies and a serial.<br />

'Breakthrough' FoUo'wup<br />

Planned at Warners<br />

In addition to a number of subjects recently<br />

completed, currently filming or in preparatory<br />

stages which deal with the present<br />

Sid Rogell Forms Company<br />

For Independent Films<br />

Most recent addition to the roster of Hollywood's<br />

independent producers is Sid Rogell,<br />

until a few months ago an executive producer<br />

at RKO Radio, who is resuming picturemaking<br />

activity as the head of his own unit.<br />

Rogell's initialer will be a film version of<br />

Jules Verne's adventure novel, "20,000 Leagues<br />

Under the Sea," a completed screenplay<br />

which he acquired from Robert L. Lippert<br />

Productions. It had been on the latter company's<br />

schedule for nearly two years.<br />

Camera work on the opus, under the Rogellian<br />

banner, is slated to get under way early<br />

in 1951 for a release which as yet has not<br />

been announced. Rogell currently is completing<br />

his corporate setup and arranging for<br />

studio space.<br />

Paramount Purchases Rights<br />

To Topical Na'vy Comedy<br />

Waxing topical, but in comedy vein. Paramount<br />

acquired the film rights to "Trumpet<br />

Smith," an original by Ben Finney, which<br />

concerns two young ex-servicemen who are<br />

called back into the navy because of the<br />

current world situation. P. J. Wolfson has<br />

. . . Frank<br />

been signed to write the screenplay and Irving<br />

Asher will be the producer<br />

Capra took time out from his activities as a<br />

producer-director at Paramount to sell his<br />

original story, "Westward the Women," to<br />

MGM. The outdoor action drama, dealing<br />

with the experiences of a guide who brings<br />

the first group of women across the prairies<br />

to the early west, will be directed by William<br />

A. Wellman . Shane, who recently<br />

HE'S THE BEST—Billy WUder (left)<br />

won the Screen Directors Guild's quarterly<br />

award for Iiis megaphoning achievement<br />

on Paramount's "Sunset Boulevard."<br />

Wilder is shown here receiving the<br />

medallion from Joseph Manluewicz,<br />

SDG president, during a recent NBC<br />

broadcast of the Screen Directors' Playhouse,<br />

an SDG-created airshow.<br />

conflict in Korea, Hollywood's filmmaking<br />

fraternity is not neglecting World War 11 as<br />

the subject matter for upcoming celluloid.<br />

At Warners<br />

hung<br />

for example,<br />

out his shingle as an independent producer-director-writer,<br />

where "Breakthrough,"<br />

produced by Bryan Foy and with<br />

added "The Family<br />

David Brian, John Agar and Frank<br />

Way," a comedy<br />

Lovejoy<br />

in the leads, was lensed and<br />

by Milton Raison, to his<br />

docket . the banner of his newly<br />

is now in<br />

release, a foUowup to that story of combat<br />

organized Standard Productions, and to be<br />

in Europe has been<br />

filmed for Allied Artists release, Hal E.<br />

tossed into the productional<br />

hopper. Titled "The Tanks Are Coming,"<br />

it will deal with mechanized<br />

Chester purchased "Models, Inc.," a story by<br />

Alyce Canfield, magazine writer.<br />

facets of<br />

the European campaign.<br />

An original by Joseph I. Breen jr., who U-I Signs Richard Conte<br />

authored "Breakthrough," the new entry will<br />

To Multiple-Fikn Pact<br />

reunite Producer Foy and Stars Brian, Agar<br />

Almost immediately after securing a<br />

and Lovejoy.<br />

lease from the balance of his acting ticket at<br />

20th-Fox, Richard Conte was signed by Universal-International<br />

to a multiple-picture,<br />

non-exclusive contract and booked to star<br />

in "The Hollywood Story" as his first assignment<br />

. Crosby and Bob Hope next<br />

will travel "The Road to Hollywood" as the<br />

sixth in the "Road" series in which they have<br />

co-starred for Paramount . Johnson<br />

was assigned as June Allyson's co-star in<br />

MGM's upcoming romantic comedy, "To(?<br />

Young to Kiss" . Clark and Cathy<br />

O'Donnell will be co-featured in "No Help<br />

Prom Heaven." to be produced for Columbia<br />

release by Lon Appleton and Monty Shaff<br />

from MGM, Ann Miller will<br />

have one of the leads in the RKO Radio<br />

tunefilm, "Two Tickets to Broadway."<br />

Pine and Thomas to Make<br />

'The Las Vegas Story'<br />

Not to be outdone by Universal-International,<br />

at which studio the cameras have<br />

begun grinding on "The Hollywood Story,"<br />

those productional partners. Bill Pine and<br />

Bill Thomas, have cooked up "The Las<br />

Vegas Story" and assigned Lewis R. Foster to<br />

develop the screenplay as an entry on their<br />

Paramount releasing schedule . English<br />

has been signed to direct "Whirlwind,"<br />

new Gene Autry sagebrusher for Columbia<br />

distribution. It will be English's 15th directorial<br />

stint with Autry since 1947 . . . Hal<br />

Walker was handed the megaphone on<br />

"Junior," next on the Hal Wallis slate for<br />

Paramount . . . Producer Samuel Goldwyn<br />

booked Joel Sayre. magazine fiction writer,<br />

to develop a treatment for his tentatively<br />

titled "I Want You," a topical yarn dealing<br />

with army ground forces training.<br />

32 BOXorncE December 2. 195C


•>k. Ready in January!<br />

Robert MUTTON- Steve BRODIE- James EDWARDS Richard LOO<br />

with SID MELTON • RICHARD MONAHAN • WILLIAM CHUN * °"new's°reen'7e°son*'aliiy" Gene EVANS<br />

A ROBERT L. LIPPERT PRESENTATION Written, Directed and Produced by SAMUEL FULLER<br />

s.a.n,<br />

-k. Ready in January! Ready in February!<br />

|V||(ytl I I adventure story behii<br />

history's unforgettable "Last Stand"<br />

¥"^^


MGM Tieups Geared to Aid Subsequents as Well as Key Runs<br />

NEW YORK—Many so-called national promotions<br />

are geared to score their most telling<br />

results at the boxof-<br />

^^^<br />

fices of first run dates<br />

^|H|^k and completely lose<br />

^ ^^^\ ^^^ full penetration<br />

r I originally planned to<br />

W aid the second, third<br />

and neighboring sit-<br />

to create solid campaigns for all situations."<br />

Illustrating his remarks, Terrell outlined<br />

his company's campaign on "King Solomon's<br />

Mines," which this week played in 100 or<br />

more key runs. Three major tieups, arranged<br />

for the film, are with Dodge Motors. A. H.<br />

Pond Co. on a Keepsake diamond ring and<br />

with Ralph Edwards' Truth or Consequences<br />

radio program.<br />

The Dodge tiein is based on the fact that<br />

its trucks carried personnel, equipment and<br />

supplies into Central Africa during the shooting<br />

of the picture. All Dodge regional managers<br />

and field organization members have<br />

received a special program detailing the full<br />

campaign. In addition to the regular MGM<br />

accessories, there is available from Dodge, for<br />

all local dealer tieups, a four-color 32x44 poster,<br />

which will be used as an ad in the December<br />

16 issue of Collier's. Also on hand is<br />

a special 16mm film, "Jungle Safari"; four<br />

books of facts about "King Solomon's Mines":<br />

handbills; co-op ads; suggestions on jungleatmosphere<br />

window displays, and special publicity<br />

releases. In each case, all dealers have<br />

uations, according to<br />

Dan S. Terrell, exploitation<br />

manager for<br />

M e t r o-G o 1 d w y n -<br />

Mayer.<br />

"It has been our been advised of all playdates. with the point<br />

Dan Terrell policy at MGM, in<br />

stressed that "second and third run showings<br />

may have more valuable tiein possibili-<br />

creating tieups for<br />

our pictures." asserts Terrell, "to judge<br />

ties than original runs, because they lend<br />

these campaigns on their effectiveness<br />

themselves to localized activities of individual<br />

dealers when the film is appearing at<br />

not only in first run key-city dates<br />

but also to have the tieup follow through<br />

neighboring theatres."<br />

with its ticket-selling possibilities for subsequent<br />

engagements. In this manner, all exhibitors<br />

can get aboard the bandwagon with mond ring offers $9,000 in rings for the best<br />

The A. H. Pond tieup on the Keepsake dia-<br />

answer to:<br />

enough interest still generated in the tieup<br />

"I would like a Keepsake ring because<br />

. ." . In this connection, the Pond<br />

Co. has available, for all merchants, free<br />

entry blanks, two different-size newspaper ad<br />

mats with art and full credit to the picture,<br />

postcards and two types of three-color window<br />

streamers as well as radio spot announcements.<br />

In addition to the national<br />

prizes, merchants have arranged local contests,<br />

A six-week running sequence on Truth or<br />

Consequences gives the picture full credit on<br />

each radio stanza. It started with a man<br />

being delegated to shoot a lion in Africa.<br />

The man Harvey, through the cooperation of<br />

the program, Safariland. Ltd., and various air<br />

lines, arrived at Banagi Hill where the hunt<br />

took place. A tape recording, which was<br />

made, will be heard on a subsequent program.<br />

Harvey's itinerary schedules him next to visit<br />

"King Solomon's Mines" for a diamond and,<br />

later. Alaska for gold to complete the diamond<br />

ring. Subsequent radio penalties call<br />

for him finding a girl and perhaps getting<br />

married. What will that Ralph Edwards<br />

think of next?<br />

'Bird of Paradise' Tieups<br />

Discussed at a Luncheon<br />

NEW YORK—Manufacturers who are to<br />

have a part in the promotion campaign for<br />

"Bird of Paradise" (20th-Fox) were guests<br />

of Stirling Silliphant, promotion manager<br />

for 20th Century-Fox. at a luncheon held.<br />

Tuesday (28) at Toots Shor's.<br />

Tieups already made for spring and sum-;<br />

mer items include: Dresses. Sheila Lynn;<br />

sportswear, Joselly; handbags, Jenny; hosiery,*<br />

Holeproof; negligees, Tula; jewelry. Coro;'<br />

gloves. Dawnelle; blouses. Dorothy Korby;<br />

scarves. Glentex; foundations. Lily of France;<br />

handkerchiefs. Bloch Freres; bathing suits,<br />

Sea Nymph; shoes, Mademoiselle: millinery,<br />

Betmar; artificial flowers. Aster: separates,<br />

Toni Owen; juniors, Judy and Jill, and bridal<br />

gowns, Murray Hamburger.<br />

PARAMOUNT TRADE SHOWS<br />

DECEMBER 15, 1950<br />

WENDELL COREY<br />

• MACDONALD CAREY • WARD BOND


)<br />

Disney TV Yulelide<br />

Show Top Attraction<br />

NEW YORK—Walt Disney's special onehour<br />

television film production f©r Coca-Cola.<br />

"One Hour in Wonderland." will be telecast<br />

over an NBC network of 62 stations on<br />

Christmas day (4 p. m.. EST), one of the<br />

biggest boxoffice days of the year. This<br />

hookup is considered to be probably the single<br />

greatest competitive TV entertainment coverage<br />

with the possible exception of a presidential<br />

speech or top sports event.<br />

Setting for the video film show will be Disney's<br />

studios, where a Yuletide party given by<br />

the cartoonist will integrate one to two-minute<br />

clips from four of his pictures with production<br />

sequences by Edgar Bergen and other<br />

performers. A so-called "thumb-nail preview"<br />

of Disney's August release. "Alice in Wonderland,"<br />

will take viewers for a behind-thescene<br />

look at the picture in the making.<br />

Bergen will be accompanied by his usual<br />

wooden complement of Charlie McCarthy<br />

and Mortimer Snerd. Others in the cast will<br />

be Bobby Driscoll, who was starred in "Treasure<br />

Island"; Kathryn Beaumont, who is the<br />

voice of Alice in "Alice in Wonderland," and<br />

a group of children of film and radio personalities.<br />

A Disney device, "The Magic Mirror,"<br />

will link the comedy sketches and bring the<br />

youngsters scenes and characters from<br />

"Snow White and the Seven Dwarfs,"<br />

"Clock Cleaners," "Bone Trouble" and "Song<br />

of the South."<br />

Altec Will Service New<br />

GP Theatre TV System<br />

NEW YORK—Altec Service Corp. will service<br />

the new General Precision Laboratory<br />

theatre television system which has been demonstrated<br />

recently in a number of cities,<br />

according to W. E. Green, president of National<br />

Theatre Supply. The system, which<br />

NTS is distributing, is called "Videofilm."<br />

General Precision has developed a recorder<br />

with electronic instead of mechanical control<br />

which the company claims will assure improved<br />

picture quality "equal in all respects<br />

to the original live telecast."<br />

ORDER NOW<br />

NEW SEWED COVERS<br />

Any Color — $1.68<br />

Plastic Leatherette Top<br />

Mohair Sides<br />

For American Bodiform — Avion<br />

Heywood-Wakefield or International.<br />

Send Sample<br />

CHICAGO USED CHAIR MART<br />

829 South State St. Phone WEbsfer 9-4518<br />

Chicago 5,<br />

III.<br />

You're a New York restaiiraliur.<br />

and jiinibo shrimps froni tlu-<br />

Gulf would spice up your nu'Uii.<br />

make your patrons feel like<br />

gourmets!<br />

IHow<br />

much to get 10 Ihs. of<br />

shrimp to New ^ ork from<br />

New Orleans — by Air A.vpress?<br />

2 How long would it take —<br />

by Air Express?<br />

Quick Quizz!<br />

You manufacture TV sets, and<br />

need coils you cant stock-pile.<br />

Yet you must keep yonr assembly<br />

line rolling and dealers<br />

satisfied.<br />

How much to ship 8 lbs. of<br />

^ coils from Boston to Chicago<br />

— by Air Express?<br />

4 How long would it take —<br />

by Air Express? .<br />

(See answers below)<br />

Air Express gives you all these advantages:<br />

Economical — liave you checked Air Express rates lately?<br />

World's fastest transportation method.<br />

Special door-to-door service at no extra cost.<br />

One-carrier responsibility all the way.<br />

1 1 50 cities served direct by air; air-rail to 22,000 off airline points.<br />

Experienced Air Express has handled over 25 million shipments.<br />

Air Express is fastest because your shipments go on all flights of the Scheduled<br />

Airlines. And on the ground you get special pick-up and delivery — at<br />

no extra charge! Use it regularly to keep your business rolling. Phone your<br />

local Air Express Division, Railway Express Agency. ( Many low commodity<br />

rates— investigate!<br />

answers to:<br />

(1) Shipping cost: $2.20. (2) Delivered about 9 hours after order was received.<br />

(3) Shipping cost: $2.57. (4) Picked up at factory 7 p.m., delivered<br />

early next morning.<br />

Rotes Include pick-up ond delivery door<br />

to door in all principal towns and cities<br />

DRIVE-IN EXHIBITORS with<br />

CENTRAL SOUND or POST SPEAKERS!<br />

CONVERT to IN-CAR SPEAKERS<br />

Now at economical prices before the seasonal rush.<br />

Order immediately to assure prompt deUvery.<br />

DRIVE-IN THEATRE MANUFACTURING CO.<br />

729 Ballimore (Phone HA. 8007) Konsm COy, Mo.<br />

Railway Express Agency and ttie<br />

SCHEDULED AIRLINES of the U.S.<br />

BOXOFFICE December 2. 1950 35


160<br />

—<br />

Showmanship<br />

Exhibitors'<br />

To Get 20th-Fox Backing<br />

CHARLOTTE—Twentieth Century-Fox will<br />

work with any exhibitor group planning a<br />

specific bold and aggressive showmanship<br />

plan, Jonas Rosentield jr., advertising manager,<br />

said at the Theatre Owners of North<br />

and South Carolina meeting.<br />

Rosenfield pointed to the five-circuit cooperative<br />

campaign on "All About Eve" in<br />

New York City as an example of showmen<br />

banding together to offset the blows of television<br />

and other entertainment media attracting<br />

people away from the theatre. Calling<br />

television the "No. 1 retail advertiser of<br />

the country." Rosenfield said that a number<br />

of theatre advertising budgets compare unfavorably<br />

with the efforts of TV manufacturers<br />

and producers.<br />

General Release Is Set<br />

For 'Harvey' by U-I<br />

NEW YORK—"Harvey," Universal-International<br />

film starring James Stewart, will be<br />

given general release starting Christmas to<br />

New Year's week with extended key-city runs<br />

at popular prices, according to W. A. Scully,<br />

vice-president and general sales manager,<br />

and Alfred E. Daff. vice-president and new<br />

head of world sales.<br />

The sole exception will be a limited engagement<br />

at the Carthay Circle Theatre,<br />

Hollywood, starting late in December. This<br />

has been set to qualify the film for Academy<br />

Award consideration. As previously reported,<br />

"Harvey" also will open an extended run at<br />

popular prices at the Astor Theati'e here<br />

early in January.<br />

Scully and Daff said the openings will be<br />

backed with heavy advertising and publicity.<br />

CLEARING HOUSE<br />

(Continued from Inside back cover)<br />

THEATRE SEATING<br />

Need chairs? IK-re's Itie .spot, (lur used and<br />

ri'biiilt5 arts aluidy, eomlurtable, attractive and<br />

you're buying 'em from reliable source. Prices<br />

start at $2.95. Send for Cllair Bulletin. Depl.<br />

C, S.O.S. Cinema Supply I'orii., 602 W. 52nd<br />

St.. Xciv York 19.<br />

Patch-0-Seat ceDu-nt. fauning dotb, sultent.<br />

etc. Fensin Seating Co.. ChirniEit 5.<br />

Used chairs, i^uarameed lioud. Advise quaijtlti<br />

wanted. I'hotograplis mailed with quotation. Fen<br />

sin Seatlnc Co.. ChlcaRo 5.<br />

No mare torn seats: Repair with the origins<br />

Patch-A-8eat. Cipmplete kit, $8. General Chai<br />

Co.. Ollcaeo 22. III.<br />

Chair Parts. We lurnlsh most any part ynii re<br />

quire. Send sample for price, brackets, backp<br />

and seats. Ceneral Chair Co.. 1308 Elsinn ,\xe<br />

Oilcago 22. 111.<br />

THERE'S<br />

NO PLACE LIKE A BARBER SHOP TO<br />

Several thousand used niiera chairs now Ir<br />

stock. Can furnish any amimiit yni request. Tul<br />

upholstered hack. Insert patifllinck. Iioxspring anr<br />

spring edge seat. Write for pliulo and staff<br />

incline. amount and We also mnnufairture iiev<br />

chairs, fieneral Chair Co., lnnK-22 Elstnn Ave..<br />

riilcaco 22. HI.<br />

Many years In the sealing business Is youi<br />

giiaranlee. Good used chairs are not ton plentiful<br />

hut we have the pick. Full iiphnlslered. pani<br />

Ij ick and many other styles We furnish proper<br />

slope or level standards to fit your floor. Al'<br />

size I8.\21-lnch chairs. Our prices are lowest<br />

Write for exact photo and price. We furnish pint<br />

for all makes. Send sample Good qiialiiy plasllr<br />

coated leatherette 25x26-lncli. all colors. B5c pa<br />

Chicago Used Ctlalr Mart, 829 South Slate St..<br />

(hlcago 5, 111<br />

No more loose chairs; Get 'Tlrmastone" Anchor<br />

cement, $5 per box. General riiaU- Co., Chicago<br />

22. 111.<br />

Parts for all chairs. Siniii >,.rmile tor uuniai'm<br />

Fensin Seating Co., Chicago 5<br />

Complete seating service, sevin cushion and back<br />

covers. New CTlshlons, parts. Chairs rebuilt in<br />

your theatre without Interninllon. Theatre Seat<br />

Service Co Hermitage Ave , Nashville, Tenn<br />

Complete seating service. No Inierriiption In<br />

falirics. your schedule. Plastics, mohairs. May<br />

we call and quote prices? Midwest Seating Service.<br />

Rox 654. Springfield. Til.<br />

Theatre chairs, many reconditioned, screens, projectors<br />

Trade your Veneers Cushiims. Lone<br />

Star Film Co.. Ilallas. Texas.<br />

BUSINESS STIMULATORS<br />

Bingo die-cut cards. l«o colors. 75 or 100 numbers.<br />

%?, per M, Bingo screen dial. $30. Premium<br />

Products. 339 W. 44lh St., New York 18. N. Y.<br />

Darlaway: 'IVo -sensational new theatre games<br />

of skill. Fill those empty seals. Don't wait<br />

start now. Over 200 theatres now using our games.<br />

No theatre too big or too small. Write or wire<br />

Dartaway Enterprises, Inc., Shawnee, Kas.<br />

Comic books .available as premiums, giveaways<br />

at your kiddy shows. Large v.arlety. latest newsstand<br />

editions. Comics Premium Co., 412B, Greenwich<br />

St , N. Y. C, Publications for premiums<br />

(exclusively) since 1939.<br />

Incomparable jiroven patroiuige builders. 500<br />

v'ard sets. 75 No. die-cut Ringo. $3 per thousand<br />

— also nfhor iinlipie g.imes. Novelty Games Co..<br />

1434 lleUord Ave.. Brooklyn 16. N. Y.<br />

POPCORN MACHINES<br />

antced. Price f<br />

Rebuilt Popcoi Machines for sale. Fully guar-<br />

1 $100. Consolidated Confecsh.<br />

tlons. 1314 S. W.il<br />

Chicago 5, 111.<br />

Cretors. Advance, all Burch. Matiley. electric<br />

frencll fry types. 50 Hollywood type, theatre<br />

special electric juipprrs from $250. Karmelkoru<br />

S. III.<br />

Equipment. 120 ILilsted, Ctilcago 6,<br />

Super Star potu-orn achli good condition.<br />

Lovelady. Tes.is<br />

$175. freight paid Don Th<br />

k<br />

M>meQ9^ees.<br />

HALLMARK BLDG., WILMINGTON, OHIO<br />

'^ BEVERLY HILLS •CHICAGO •CLEVELAND •TORONTO<br />

MEXICO CITY • AUCKLAND • SIDNEY • SINGAPORE<br />

ROME • PARIS • LONDON • HONGKONG • CALCUTTA • KARACHI • CAIRO • ATHENS<br />

HALLMARK'S 6TH ANNUAL CONVENTION • DECEMBER 16 22 • HOTEL STEVENS • CHICAGO<br />

Blevins'<br />

liox'inp"<br />

POPCORN SUPPLIES<br />

I'ops-Hiti<br />

Silverwai<br />

poiu'orn sales! Bi<br />

Village. Nashville. 1<br />

with Wm. A. lingers<br />

•miiim offer Is booming<br />

I'oiicnrn Co., Po|)Corn<br />

.MORE CLASSIFIED ON<br />

INSIDE BACK COVER<br />

36 BOXOFFICE December 2, 1950


i<br />

CHESTER FRIEDMAN<br />

EDITOR<br />

HUGH E. FRAZE<br />

Associate Editor<br />

PRACTICAL IDEAS FOR SELLING SEATS BY PRACTICAL SHOWMEN<br />

y<br />

iVlacu s<br />

l/l/a<br />

^<br />

That is certainly an impressive<br />

program COMPO is formulating to<br />

improve industry relations with the<br />

public. A National Starmakers con- ^<br />

test, an exposition, a series of Institutional<br />

advertisements in Editor<br />

and Publisher—all good stuff, aimed<br />

at creating and stimulating interest<br />

in motion pictures at points where<br />

will do good.<br />

it<br />

We cannot help but note a comparison<br />

between the industry's efforts<br />

to gain a commensurate share<br />

of the entertainment dollar and the<br />

pattern of merchandising used by<br />

some of the nationally known mercantile<br />

firms.<br />

Take Macy's for example. The department<br />

store name has become<br />

synonymous with bargains and sales.<br />

Through decades of advertising, the<br />

public has been sold on the fact that<br />

these bargains reflect a saving. For<br />

years, their ads have carried slogans<br />

which, because of repetitious use,<br />

the public is familiar with. Yet<br />

Macy's would no more run an ad devoted<br />

solely to their thrift slogans<br />

than they would advise their customers<br />

to patronize Gimbel's. The<br />

slogan appears in every ad, but the<br />

important selling copy is concentrated<br />

on specific items—men's suits,<br />

mousetraps, or girdles.<br />

By itself an institutional cam-


14-Ton Missile (It's Real) Rockets Interest in 'Moon'<br />

There have been a lot of "rockets" used to ballyhoo "Destination<br />

Moon" but it remained for H. L. McCormick, manager of the<br />

Fox Rio Grande Theatre at Las Cruces. N. M., to get the genuine<br />

article for an exhibit when he played the picture. After prolonged<br />

and persistent effort, McCormick was successful in getting<br />

officials at the White Sands proving grounds to loan him this<br />

14-ton German V-2. Properly placarded and with four smaller<br />

rockets as auxiliaries, the huge missile was attended night and<br />

day by army ordnance experts who answered questions for<br />

curious passersby and hundreds who were dravm to the scene<br />

by the newspaper and radio publicity. McCormick had a ballyhoo<br />

man standing by in an asbestos fire suit. It was, he reports, as<br />

effective as anything he has ever seen. The unique exhibit is<br />

the first of its kind reported in this country in behalf of a film.<br />

Community Observes<br />

Theatre Anniversary<br />

Vincent Capuano. manager of the Elm Theatre,<br />

West Hartford. Conn., observed the second<br />

anniversary of the opening of the theatre<br />

by promoting a full-page newspaper co-op<br />

ad and arranging a series of special events.<br />

Coincident with Armistic day, he staged a<br />

flag-raising ceremony with veteran contingents<br />

and the Talcott school band. For the<br />

kids, he ran an ice cream eating contest on<br />

the theatre stage, awarding special prizes<br />

promoted from merchants.<br />

A pet show and athletic contests were<br />

staged at Lincoln field, with theatre passes<br />

presented to the winners. For the adults, a<br />

$300 television set was given away on the<br />

basis of lucky-numbered coupons distributed<br />

by cooperating merchants.<br />

A .square dance with free cider and doughnuts<br />

at the school auditorium was another<br />

highlight of the celebration. To advertise<br />

the various events, the merchants sponsored<br />

a full-page newspaper advertisement in the<br />

Hartford Times.<br />

Vets See 'Breakthrough'<br />

Jim McCarthy, manager of the Strand<br />

Theatre, Hartford, invited all local veterans<br />

of the European phase of World War II, holding<br />

medals for meritorious service in the<br />

Normandie breakthrough campaign, to be<br />

guests on opening night of "Breakthrough."<br />

Newspapers noted the occasion with free publicity<br />

including picture credits and playdate<br />

mention.<br />

Ticklish Herald<br />

Rudolph Kramer, manager of the Marble<br />

Hill, New York, used an effective novelty<br />

herald to exploit "Our Very Own." Attached<br />

to each herald was a feather, and the copy<br />

read: "It's a feather in our hat and we're<br />

proud to announce 'Our Very Own,' etc."<br />

Waco's Wa<br />

-^ 5f<br />

(Continued from preceding page)<br />

the industry. It can help to soften up a<br />

tough buyer's market. It can help to overcome<br />

the tenacious competition from<br />

sports and television. It can exert a tremendous<br />

influence on the "lost audience"<br />

and stimulate interest in motion pictures<br />

on a vast general plane. It will serve<br />

to inspire the exhibitor with the knowledge<br />

that movies are better than ever<br />

and provide him with the incentive to<br />

merchandise his product with confidence<br />

and assurance.<br />

Let the exhibitor not forget that COMPO<br />

is no genie from some magical lamp. The<br />

impact of institutional selling will depend<br />

largely upon sound merchandising at the<br />

local level. Its main utility will be to complement<br />

the exhibitor's promotional efforts<br />

—not to replace them.<br />

And let no one forget that any successful<br />

merchandising plan is dependent on<br />

the product and the manner that product<br />

is sold to the public day-by-day, pictureby-picture,<br />

just as Macy's advertises its<br />

special sales features for the day.<br />

— Chester Friedman<br />

tre advertising. E>ery patron received a<br />

coupon redeemable at an adjacent soda foun-<br />

Little Rascal Shorts<br />

Good Kid Stimulant<br />

Lloyd Boyea, manager of tlie Regent Theatre,<br />

Amsterdam, N. Y., promoted a series of<br />

special kid shows featuring the Little Rascals<br />

last spring. They were so successful that he<br />

is repeating them again with an eight-week<br />

series set to end on December 23. His opening<br />

date brought the biggest Saturday<br />

matinee gross in a year and a half.<br />

Boyea promoted eight Hopalong Cassidy<br />

watches from a neighborhood jeweler and<br />

gives one away each week on a lucky number<br />

drawing. Special gifts will be given away<br />

for Mom and Dad at the concluding session.<br />

A lobby display of the watches and gifts<br />

stops the kids in their tracks when they attend<br />

the Regent.<br />

Boyea used his usual advertising channels<br />

to promote advance interest in the Little<br />

Rascal shows and had special circulars distributed<br />

at schools and at a circus held at<br />

the local armory.<br />

Gives Free Ice Cream to<br />

'Good Humor' Patrons<br />

R. E. Agle sr., district manager for the Appalachian<br />

Theatres, Boone. N. C, arranged<br />

with a local ice cream company when he<br />

played "The Good Humor Man" to provide<br />

patrons with free ice cream. Since there is<br />

no Good Humor ice cream in the vicinity of<br />

Boone, Agle called on the Pet Dairy Co. and<br />

promoted free ice cream in return for thea-<br />

tain for a portion of ice cream.<br />

38 — 396 BOXOFFICE Showmandiser :: Dec. 2, 1950


Ballyhoo, Screening<br />

Pay Off Profitably<br />

For Jack Mitchell<br />

Jack Mitchell, manager of the Weslin,<br />

Massillon, Ohio, reports that he has been<br />

busier than a dog with fleas in a burst of<br />

effort to ballyhoo recent screen shows.<br />

For "Cariboo Trail," he had an usher<br />

dressed as a cowboy travel through the<br />

business and shopping areas with a sign<br />

advertising the action highlights of the film<br />

production.<br />

In connection with "Three Little Words."<br />

Mitchell tied up with the dime store to promote<br />

sheet music and records of the picture's<br />

hit tunes in a full window display.<br />

A 70-pound cake was promoted from a<br />

bakery and placed on display in the lobby<br />

five days in advance. Portions of the cake<br />

were served to the first 400 people who attended<br />

the opening day matinee.<br />

Three attractive young girls paraded<br />

through the shopping area carrying cutout<br />

notes lettered with the title of the picture,<br />

theatre name, etc. Theatre employes wore<br />

large buttons in advance of playdate, and a<br />

record player in the lobby plugged the songs<br />

from the film production.<br />

"Stars in My Crown" received widespread<br />

publicity sparked by a private screening held<br />

in advance for 150 ministers and officials of<br />

the PTA. Many of the ministers plugged the<br />

playdate from their pulpits, while the PTA<br />

group urged children to see the film. This<br />

message was delivered in the home as well<br />

as the classroom. The film likewise received<br />

wide endorsement from the religious committee<br />

of the Junior Chamber of Commerce.<br />

Twenty-five gratis plugs were promoted from<br />

the local radio station, and Mitchell reports<br />

outstanding business during the picture's run.<br />

Promo fes Kid Prizes<br />

Bill Hayes, manager of the Empress. Norwalk,<br />

Conn., promoted prizes from a local<br />

toy shop for winners of a children's balloonblowing<br />

contest held in conjunction with his<br />

regular Saturday matinee show. The stunt<br />

was advertised in newspaper ads, circulars<br />

and in the lobby.<br />

Here's an Idea<br />

For Christmas<br />

Exhibitors interested in promoting the<br />

sale of Christmas gift books might be<br />

interested in a stunt which helped to<br />

sell over $300 worth last Christmas for<br />

C. A. Morris, owner-manager of the Morgan<br />

(Minn.) Theatre.<br />

Morris purchased some small evergreens,<br />

a Santa Glaus, sled and reindeer,<br />

and set them up on a large table in the<br />

theare lobby. The entire display was<br />

then sprayed with hot paraffin, giving<br />

it the appearance of a typical winter<br />

scene with a heavy snowfall. Santa was<br />

depicted holding a bag of gift books.<br />

The display attracted hundreds, and<br />

Morris reports that gift book sales zoomed<br />

during the three weeks the display was<br />

in the lobby.<br />

Patrons at the Fabian Theatre, Paterson,<br />

N. I., admire the eye-catching 40xl20-inch<br />

poster advertising "Brealrthrough." Garry<br />

Voorman. manager, placed it in a conspicuous<br />

spot in the lobby. The posters are available<br />

to all theatres having an early playdate.<br />

Fire Prevention Co-Op<br />

Rates Press Bouquet<br />

Combining showmanship and public service<br />

by tieing in with Fire Prevention week<br />

elicited a bouquet in the news columns of<br />

the Chicago Globe for Hugh Borland, manager<br />

of the Louis, Chicago.<br />

The Fire Prevention bureau provided an<br />

exhibit of various fire extinguishers for the<br />

theatre lobby. In addition, the bureau furnished<br />

pamphlets on prevention of fires in<br />

homes. The exhibit was advertised extensively.<br />

The bureau made available several<br />

thousand comic books on fire prevention for<br />

distribution to children attending Saturday<br />

matinee shows during October.<br />

Borland admitted children to the theatre<br />

free every Saturday upon presentation of<br />

20 pounds of scrap paper. The paper was<br />

converted into cash through a junk dealer.<br />

The paper collection was to help eliminate<br />

fire hazards from homes where people save<br />

newspapers.<br />

Resemblance Contest<br />

Exploits 'Black Rose'<br />

A resemblance contest stirred up a lot of<br />

interest in "The Black Rose" for Harold<br />

Steam, manager of the Vogue Theatre,<br />

Bronx, N. Y. Steam advertised for girls who<br />

look like Cecile Aubry, who is featured in<br />

the film, to enter the contest at the theatre.<br />

Prizes were promoted from neighborhood<br />

business firms and awarded to the winner<br />

on the Vogue stage.<br />

The contest was publicized by a trailer,<br />

circulars, lobby display and an exhibit of<br />

the prizes. Incumbent politicians served as<br />

judges and because of the proximity of election<br />

day, the New York Post published a<br />

photo of the judges making the awards to<br />

the winners, with theatre mention.<br />

Lucky Serial Numbers<br />

Gain Free Admission<br />

To 1119' Opening<br />

One of the highlights of Manager Sid<br />

Kleper's campaign to exploit "Dial 1119" at<br />

the College Theatre, New Haven, was a<br />

"lucky" contest sponsored by the New Haven<br />

Herald and radio station WELL Both media<br />

publicized the fact that any person would be<br />

admitted to the theatre free upon presentation<br />

of a dollar bill with the serial sequence,<br />

1119 — or an Army serial number, Social<br />

Security number or auto registration number<br />

ending in 1119.<br />

WELI also sponsored a contest offering<br />

guest tickets as prizes to listeners sending in<br />

penny post cards with the number 1119 inscribed<br />

on it the greatest number of times.<br />

One hundred window cards were distributed<br />

in advance, with scare copy headed: "If you<br />

see this man, 'Dial 1119'." This teaser stunt<br />

created wide local interest. Window displays<br />

were promoted in restaurants, a sporting<br />

goods store, two florists, a camera shop, a<br />

barber shop, and Kresge's.<br />

For street ballyhoo, two girls carrying telephone<br />

instruments bannered with signs, "Dial<br />

1119," toured the downtown business section<br />

and rode buses at peak travel hours. Special<br />

stickers imprinted with copy, "Dial College<br />

Theatre (phone number) for tops in entertainment<br />

. . . See 'Dial 1119' starting, etc.,"<br />

were placed in all public telephone booths.<br />

A small captive baloon was flown above the<br />

theatre, attached to a huge sign with the picture<br />

title and theatre playdates. The New<br />

Haven police department provided an extensive<br />

exhibit of lethal weapons used for emergencies,<br />

as a lobby display. A uniformed policeman<br />

was stationed nearby to answer the<br />

questions of patrons and to protect the<br />

valuable equipment.<br />

Top ranking officers of the police department<br />

attended an advance screening and released<br />

comments for the press.<br />

Marks 30th Year<br />

At Corbin, Ky., Hipp<br />

In November 1920 the Schine circuit<br />

sent a young aggressive showman named<br />

Louis Mereribloom to take over management<br />

of the Hippodrome in Corbin, Ky.<br />

This month, Merenbloom celebrated his<br />

30th anniversary as manager of the Hippodrome,<br />

thereby establishing a unique<br />

record for continuous management in<br />

one location.<br />

In honor of the occasion, public -spirited<br />

merchants ran a full-page newspaper<br />

ad in the Corbin Daily Tribune, citing<br />

Merenbloom for his many services and<br />

interest in community affairs during the<br />

last 30 years. A considerable portion of<br />

the space was devoted to announcements<br />

publicizing the Hippodrome's anniversary<br />

attractions throughout November.<br />

L. W. and J. W. Schine, heads of the<br />

circuit, congratulated Merenbloom and<br />

pledged outstanding bookings to the people<br />

of Corbin during the 30th Anniversary<br />

celebration.<br />

BOXOFFICE Showmandiser — 397 — 39


:<br />

Dec.<br />

Manager in Snrall College Town<br />

Succeeds Wifh 'Different' Ideas<br />

Several years ago, Harold J. Kelly gave<br />

up a 20-year career as a musician to become<br />

manager of the Strand Theatre in<br />

Orono. Me. With no previous experience<br />

at management, during his first year at<br />

the Strand he put the house on a paying<br />

basis after many years of unprofitable enterprise.<br />

Kelly attributes his success to the fact<br />

that he is constantly trying something<br />

different. More than a year ago, when theatre<br />

attendance first began to fall off, he<br />

decided the Strand was not getting enough<br />

patronage from students at the University<br />

of Maine. Accordingly, he called on members<br />

of the college faculty and asked for<br />

their assistance. He was told that if the<br />

theatre were to present films on some of<br />

Shakespeare's works, operettas, foreignlanguage<br />

pictures and almost anything of<br />

educational value, it might help.<br />

Kelly started cautiously by booking<br />

"Henry V." The college cooperated by<br />

making announcements on the public address<br />

system to students in all classes and<br />

through special heralds posted on the university<br />

grounds. The picture rolled up the<br />

largest attendance and gross on record at<br />

the Strand up to that point. Soon after,<br />

he booked "Hamlet." That established a<br />

new house record.<br />

Kelly then decided to concentrate on his<br />

Tuesday night business which was hitting<br />

below average. He booked films in French,<br />

Italian, German and Swedish, with occasional<br />

British pictures worked in. The<br />

department of modern languages at the<br />

university has been especially cooperative,<br />

frequently urging students to see these<br />

films. Business on Tuesday nights has<br />

picked up to about three times what it was<br />

formerly.<br />

Another factor which has been instrumental<br />

in attracting patronage is that of<br />

Football Fans Guess<br />

Scores on Heralds<br />

Ever since the football season started.<br />

Chuck Keeling, manager of the Tower Theatre,<br />

Oklahoma City, has been exploiting his<br />

attractions by special heralds which give<br />

sports fans an opportunity to win theatre<br />

passes by guessing the scores of college football<br />

games.<br />

Tho.se who receive the heralds must mail<br />

or bring them to the Tower Theatre. The<br />

names and addresses thus provide Keeling<br />

with a good source of new names for the<br />

theatre mailing list.<br />

As a .seasonal stunt, and to promote the<br />

sale of gift books. Keeling displayed a huge<br />

pumpkin in the theatre lobby and invited patrons<br />

to guess its weight. Tlie winner was<br />

offered a $5 gift book of tickets, with a number<br />

of trip pa.s.ses going to runnersup. The<br />

pumpkin was displayed in an atmospheric<br />

setting of cornhu.sks, wheat stalks, and<br />

autumn foliage.<br />

capitalizing on newsreel shots having<br />

special local interest. When a minister<br />

from Orono won a prize at Valley Forge,<br />

Paramount News covered the event and<br />

Kelly advertised it locally. He contacted<br />

the minister and informed him that he<br />

was in the newsreel, and the clergyman<br />

passed the information on to his parishioners.<br />

The result was that almost the<br />

entire congregation came to see the show.<br />

Kelly recently staged an all-sports program<br />

consisting of shorts on football, golf,<br />

canoeing, snow carnivals, hunting and<br />

fishing. The two-hour program attracted<br />

more than double the normal capacity of<br />

the theatre. Kelly persists in believing<br />

that extra business is picked up in this<br />

way and that patrons who have not attended<br />

the Strand for a period of time<br />

become reacquainted with the theatre,<br />

facilities, comforts, etc., and develop into<br />

steady patrons again.<br />

On the public relations side, Kelly permits<br />

the high school to use the theat;re for<br />

baccalaureate exercises. Two days a year,<br />

the Kiwanis and Junior Chamber of Commerce<br />

run a free show for kids at the<br />

Strand. The theatre's share in this is to<br />

furnish the film and the operator, with<br />

the civic groups supplying goodies for the<br />

youngsters. It all helps, writes Kelly, as<br />

do other civic services in which the theatre<br />

cooperates.<br />

Orono has a population of about 6,000<br />

and represents a typical small college town.<br />

It is located between two large cities, each<br />

five miles distant. A good many of the<br />

people in Orono patronize the first run<br />

houses in these two cities, so that something<br />

different in the way of entertainment<br />

is necessary to maintain local pati'onage.<br />

Kelly's formula suggests a pattern<br />

which may sound familiar to successful<br />

exhibitors in similar situations.<br />

Women Attempt to Fill<br />

'The Petty Girl' Shoes<br />

Bill Hulbert. manager of the Kent (Ohioi<br />

Theatre, used a Cinderella tieup to help exploit<br />

"The Petty Girl." He obtained a smallsize<br />

pair of shoes and invited women patrons<br />

to "Try Them on in the Lobby. If They Fit.<br />

You Get a Free Pass to See. etc. etc."<br />

Nine pinup stills and a three-sheet display<br />

backed up the stunt with full details on the<br />

contest.<br />

Hulbert promoted windows by using the<br />

catchline. "When the 'Petty Girl' needs a<br />

Hairdresser, she calls, etc."<br />

Publishes a Weekly<br />

A four-page newspaper-style tabloid is being<br />

published weekly by Bob Moscow, manager<br />

of the Rialto Theatre, Atlanta, to publicize<br />

coming screen shows. Advertising pays<br />

all costs of the promotion. Distribution of the<br />

tabloids in hotels, restaurants, night clubs<br />

and at the theatre, assures Moscow of excellent<br />

circulation.<br />

Music Score Exploits<br />

'New Orleans' Date<br />

At Meriden, Conn.<br />

Tony Massella. pinch-hitting as relief manager<br />

at the Palace, Meriden, Conn., capitalized<br />

on the music score from "Toast of<br />

New Orleans" to publicize the playdates two<br />

weeks prior to opening. Before the start<br />

of the daily show, at intermissions and for<br />

exit music, Mario Lanza records were played<br />

over the public address system, interspersed<br />

with announcements of the starting dates.<br />

Disk jockeys on radio station WMMW used<br />

the records and direct announcements plugging<br />

the Palace booking. Lanza recordings<br />

were placed in jukeboxes, with signs calling<br />

attention to the Palace playdates.<br />

Massella distributed 50 window cards in the<br />

downtown areas and in the Italian residential<br />

section. He planted a "cave man vs.<br />

smoothie" contest in the Meriden Record and<br />

the Journal, with Savings bonds and guest<br />

tickets as prizes.<br />

Menus, doilies and place mats in restaurants<br />

and lunch counters were imprinted<br />

with theatre copy. Two thousand bags were<br />

imprinted and distributed at the Growers<br />

Exchange. Two hundred carnations were<br />

distributed at the main downtown intersection<br />

by an attractive young woman. Atached<br />

to each flower was a card imprinted<br />

with special copy.<br />

Theatre employes wore sashes lettered<br />

with the picture title, two weeks prior to<br />

opening, and special display cards were<br />

placed in dance halls, at the bus terminal<br />

and in downtown hotel lobbies. The two<br />

principal music stores In Meriden displayed<br />

records and albums along with stills and<br />

posters bearing full theatre credits.<br />

Public Supports Benefit<br />

For Indigent Veteran<br />

True to the tradition of show business in<br />

being foremost to respond with genuine help<br />

for those who need it. Marvin Dreyer. manager<br />

of the Cameo Theatre. El Sereno. Calif.,<br />

took the initiative in organizing a benefit<br />

for Al Fertig. pain-racked war veteran with<br />

no funds.<br />

Fertig's plight in fighting the dread rheumatoid<br />

arthritis and the lack of funds came<br />

to Dreyer's attention through a news story<br />

in the local newspaper. An Al Fertig benefit<br />

show was immediately booked for the<br />

Cameo. With strong support from service<br />

organizations, the press and local merchants,<br />

the show was well publicized.<br />

Tickets were placed on sale in advance. The<br />

success of the project was lauded in editorials<br />

in the El Sereno Reporter-News, commending<br />

Dreyer and the Cameo Tlieatre.<br />

Clergymen Are Guests<br />

A .screening for clergymen rated extra<br />

publicity when B. C. Waltz jr.. manager of<br />

the Garden Theatre. Davenport. Iowa,<br />

booked "Prince of Peace." One minister endorsed<br />

the film and recommended that all<br />

see it. Orphans were invited to attend a<br />

matinee, with the newspapers contributing<br />

extra stories. A false front was built by<br />

Waltz for current exploitation.<br />

40 — 398 — BOXOFFICE Showmandiser<br />

:<br />

2. 1950


Flash Fronts, Tieups<br />

With Merchants Aid<br />

Small Town Trade<br />

To exploit "Broken Arrow" at the Strand,<br />

Ogdensburg, N. Y., Manager Ray Helson built<br />

a flash front from litho posters and stills<br />

and promoted a window display of Indian<br />

relics from a local merchant. Disk jockeys<br />

plugged Indian song favorites, and Helson<br />

had two placards posted on ferry boats commuting<br />

to Canada, with copy reading: "Ride<br />

this ferry to see "Broken Aitow" at the<br />

Strand, Ogdensburg, etc., etc."<br />

When "The Jackie Robinson Story" played<br />

the Strand, 150 members of the Junior Baseball<br />

league attended the opening show in a<br />

group as guests of the local Kiwanis club.<br />

The Kiwanis sponsor the baseball league and<br />

paid for the 150 tickets at regular admission<br />

prices.<br />

Helson posted signs in three local playgrounds<br />

and the radio sportscaster sponsored<br />

a contest offering free theatre tickets to<br />

listeners who had the right answers to a<br />

baseball quiz.<br />

Music tieins were utilized to exploit "Three<br />

Little Words." Guest tickets were offered to<br />

radio fans of a popular disk jocky who<br />

identified the titles of song hits from the<br />

film production. Music stores displayed full<br />

windows of sheet music and records, picture<br />

accessories and theatre signs.<br />

For a street ballyhoo, a musical display was<br />

built on a flat truck equipped with an amplifier<br />

playing hit tunes from the picture. The<br />

vehicle toured residential and business areas<br />

and all local schools.<br />

At senior dances in two Ogdensburg high<br />

schools, orchestra leaders were induced to<br />

play songs from "Three Little Words," and<br />

announcements were made of the theatre<br />

booking.<br />

Women Are Interviewed<br />

For 'Glass Menagerie'<br />

An "experience" contest conducted over<br />

WEBR helped "The Glass Menagerie" for<br />

Eddie Miller, manager of the Center Theatre,<br />

Buffalo. Bob Wells of WEBR interviewed<br />

women in the theatre lobby on opening day,<br />

asking them to relate how they met their<br />

first "gentleman caller." A Wilcox-Gay Recordette<br />

was awarded the one giving the most<br />

interesting and humorous account. The stun*<br />

was tied in with an incident in "The Glass<br />

Menagerie" when Jane Wyman has her first<br />

gentleman caller. The radio station plugged<br />

the promotion several days in advance.<br />

Cowgirl and Squaw Add<br />

To Ballyhoo on 'Annie'<br />

Prank Moyer. manager of the Grant Theatre,<br />

Georgetown, Ohio, had an automobile<br />

tour all towns within 20 miles of the theatre<br />

to ballyhoo "Annie Get Your Gun." Two girls,<br />

one dressed in Indian costume, the other in<br />

cowgirl outfit, accompanied the car and distributed<br />

cards imprinted with a personal<br />

endorsement of the picture and an invitation<br />

for the public to see it at the Grant.<br />

According to Moyer, the stunt was a success<br />

and could be used profitably by other exhibitors.<br />

Lobby Art With Class<br />

Rederick Hamer, manager<br />

of the Wyandotte<br />

(Mich.) Theatre, is an<br />

old hand at building interest<br />

in his attractions<br />

through ilashy, provocative<br />

lobby displays.<br />

Right, an animated carousel<br />

supports "Pretty<br />

Baby." Dealer provided<br />

free baby food for mothers<br />

on opening day.<br />

The<br />

other displays are simple<br />

and effective.<br />

Bargain $10 Bill Stunt<br />

Grocers' Help Stirs<br />

Covered by Newspaper<br />

Walter Rooney, manager of the American<br />

Theatre, Pittston, Pa., rated a feature story Up Interest for 'Tea'<br />

topped by a three-column head in the local Ed Pyne, manager of the RKO Keith's 105th<br />

daily when he walked along the main street Street Theatre in Cleveland, capitalized on<br />

attempting to sell genuine $10 bills to passersby<br />

for $8.80 in behalf of "Mister 880." sistance in publicizing his playdates on "Tea<br />

the national Lipton's tea tieup to obtain as-<br />

More than 300 persons had an opportunity to for Two." All grocers in the area retailing<br />

take advantage of the unusual offer, but the product used window displays including<br />

few did. Many humorous incidents were encountered<br />

and several times Rooney was al-<br />

The tea company supplied the theatre sam-<br />

posters and full credits.<br />

most arrested as a counterfeiter. The stunt ples of tea bags which were stapled to cards<br />

and the newspaper article resulted in much carrying picture credits and distributed on<br />

word-of-mouth publicity for the picture. the streets. Pyne also tied up with music<br />

stores for window displays plugging the film's<br />

hit tunes. The Fred Astaire studio gave the<br />

theatre 3,000 dance certificates for distribution<br />

to patrons, tieing in with "Tea for Two."<br />

Phone Call to England<br />

Earns Plug for 'Winslow'<br />

When "The Winslow Boy" played the New<br />

Center Theatre in Hartford, advertising manager<br />

Seymour Kroopnick arranged a long distance<br />

call between Robert Donat, star of<br />

the film, at his home in England, and his<br />

mother in Wallingford, Conn. The Hartford<br />

Courant published a picture and ran a story<br />

on the telephone conversation in which the<br />

star and his mother discussed his role in<br />

"The Winslow Boy."<br />

Pie-Eaters Win Toys<br />

For his recent Saturday matinee Junior<br />

Jamboree show at the Norwalk (Conn.) Theatre,<br />

Manager John Hassett advertised a pieeating<br />

contest, with prizes for winners donated<br />

by a local toy shop. Screen show for the<br />

jamboree consisted of a Gene Autry feature,<br />

several cartoons and a number of variety acts.<br />

For "The Black Rose," Pyne promoted 100<br />

"black" roses from a florist which were given<br />

away to women attending the opening matinee.<br />

He further obtained an attractive window<br />

display from the same merchant.<br />

Staffers Close Windows<br />

Of Cars When It Rains<br />

Bill Brandon, manager of the Ritz Theatre,<br />

Marianna, Ga., creates goodwill for the theatre<br />

by rendering a special service to automobile<br />

owners. On rainy days, theatre employes<br />

are dispatched to the downtown area<br />

to close car windows left open by their<br />

owners. A card in placed near the driver's<br />

wheel, imprinted: "It was raining. Your<br />

window was down. We rolled it up. Another<br />

service of the Ritz Theatre."<br />

BOXOFFICE Showmandiser : : Dec.<br />

2, 1950 — 399 — 41


'<br />

Smart Outside Flash Costs Little<br />

And Grabs Passersby Attention<br />

mSa^SnS<br />

Jack Pardue, manager of the Lyric Theatre,<br />

Elkin, N. C, reports that he is constantly<br />

seeking new ways to exploit his shows<br />

economically. Recently, he has been tacking<br />

window cards on each side of street poles in<br />

front of the theatre. This gets his advertising<br />

message before the public effectively and<br />

at practically no cost.<br />

Another inexpensive method he uses to<br />

promote interest in special attractions is to<br />

post a 24-sheet on canvas and suspend it<br />

from the marquee canopy in front of the<br />

theatre. This provides an excellent flash.<br />

Special theatre fronts created from lithos<br />

and permanent display boards have been<br />

found useful by Pardue in ballying his shows.<br />

Apples Fail to Keep<br />

Patrons From 'Eve'<br />

In conjunction with his campaign for "All<br />

About Eve," John Manuel, manager of the<br />

Strand, Cumberland, Md., promoted 2,000<br />

Delicious apples from a local orchard. He<br />

had small flyers imprinted with copy; "An<br />

apple a day keeps the doctor away, a laugh<br />

a day keeps the blues away. Your laugh for<br />

today is 'AH About Eve' etc., etc." These<br />

were fastened to the apples with colored<br />

toothpicks.<br />

Manuel has his two candy girls, dressed in<br />

white uniforms, carry trays of apples into<br />

the downtown business section at lunchtime.<br />

The apples were distributed on main street<br />

and in business offices, banks, beauty shops.<br />

The stunt was repeated throughout the<br />

current engagement of "All About Eve,"<br />

Stages Costume Contest<br />

Joe Giobbia, manager of the Crown, Hartford,<br />

staged a costume contest on the stage<br />

Halloween eve. Prizes promoted from neighborhood<br />

merchants were awarded those<br />

coming in the most unusual and original<br />

getups.<br />

42<br />

Still boards covered with action highlights<br />

from coming and current films attract attention<br />

effectively.<br />

Pardue enlists the aid of local music stores<br />

in promoting attractions with a musical background.<br />

For "Dancing in the Dark," a neighborhood<br />

shop placed a full six-sheet in the<br />

main street window as a background drop.<br />

Theatre playdates were prominent, and many<br />

persons stopped to look.<br />

When he played "12 O'clock High," Pardue<br />

obtained propellors and engine parts<br />

from the local recruiting office of the air<br />

force and exhibited them in front of the theatre,<br />

backed up by oilcloth banners tieing<br />

the feature in with the recruiting drive.<br />

'Next Voice' Screened<br />

For Clergy and PTA<br />

Milt Baline, manager of the Mohawk, Amsterdam,<br />

N. Y., invited clergymen of all<br />

.<br />

faiths, and heads of PTA units to a special<br />

advance screening of "The Next Voice You<br />

Hear . ." The picture received mention<br />

by clergymen at Sunday services a week<br />

prior to opening.<br />

The March of Time subject. "Gathering<br />

Storm," was booked with the picture. Baline<br />

contacted heads of schools and veteran organizations,<br />

advising them of the playdates<br />

and stressing the fact that the short is a<br />

good basis for discussions and debates.<br />

Coloring Contest Plugs<br />

N. Y. Thanksgiving Show<br />

Al Hatoff, manager of the Park, Brooklyn,<br />

N. Y., used a coloring contest to exploit<br />

"Treasure Island," his Thanksgiving holiday<br />

show. Special circulars were prepared containing<br />

a color illustration mat, and the<br />

kids were invited to fill it in. Winners were<br />

awarded free passes to the film. To further<br />

stimulate kid patronage, free comic books<br />

were given away to all children who attended<br />

the<br />

Thanksgiving day matinee.<br />

— 400 —<br />

Rubber Stamp on Bags<br />

Is Favorite Standby<br />

And Inexpensive<br />

A 12-point program helped to promote<br />

"Simset Boulevard" for Tiff Cook, manager<br />

of the Capitol in Toronto. Two weeks before<br />

opening, Cook employed an old standby.<br />

He bought a rubber stamp and for four days<br />

used it to imprint thousands of grocery bags,<br />

record envelopes and paper napkins. Passes<br />

to the storekeepers squared the tieup.<br />

A transparent strip was tacked to the<br />

front of the stage three weeks before opening,<br />

with copy: "'Sunset Boulevard' coming,<br />

etc." Before the show and during intermissions,<br />

the sign was readable to the audience.<br />

Three thousand mailing pieces were sent<br />

to home owners in the district. These were<br />

made up from pressbook clippings and the<br />

reproduction of a scene still from the picture.<br />

Fifty window cards were placed in<br />

stores and directional arrows were tacked to<br />

lampposts at strategic intersections in the<br />

neighborhood. Special art pieces for both the<br />

lobby and outside frame were prepared.<br />

In addition to regular newspaper ads in<br />

the dailies, two-column mats were run in<br />

both north Toronto weekly publications. On<br />

opening day and for several days of the picture's<br />

run, radio spot plugs and promoted<br />

time heralded the playdates over stations<br />

CHUM and CKEY.<br />

Cook obtained a supply of book matches<br />

with picture sales copy from Paramount.<br />

These were given to every patron who purchased<br />

a loge ticket three days before opening.<br />

The extra promotion on this picture gave it<br />

a successful four-week booking at the Capitol.<br />

High Schools Cooperate<br />

In 'Henry V Publicity<br />

Herman Berlin, manager of the Laurelton<br />

(N.Y.) Theatre, tied up with two neighborhood<br />

high schools for cooperation in publicizing<br />

"Henry V."<br />

Teachers from both schools were invitedi<br />

to be guests of the management on opening<br />

day. In return, Berlin received permission<br />

to post signs on bulletin boards, and announcements<br />

were made in all English and<br />

history classes.<br />

A special offset program was prepared for<br />

distribution in homes, merchant ads on the<br />

back page paying for printing and distribution<br />

costs. In addition, the merchants displayed<br />

posters and stills in their windows,<br />

with theatre copy.<br />

Newspaper Promotes<br />

Teenage Contest<br />

Sam Torgen, manager of Keith's, Lowell,<br />

Mass., has an interesting tiein with the Lowell<br />

Sunday Telegram, aimed at getting more patronage<br />

from teenagers. The newspaper takes<br />

pictures of small groups of high school .students.<br />

The pictures are published with circles<br />

drawn around several of the heads. One<br />

lucky winner gets cash; others who are able<br />

to identify themselves receive guest tickets<br />

to the theatre.<br />

BOXOFFICE Showrmandiser Dec. 2, 1950 ^B<br />

_ M


Lawsuit Accusing NSS<br />

Condemned by ITOA<br />

NEW YORK—A defense of National Screen<br />

Service, against which an antitrust action<br />

has been instituted; a decision to condemn<br />

the showing of "Oliver Twist" and a statement<br />

of willingness to participate in establishing<br />

an arbitration system were three<br />

important outcomes of a special meeting<br />

Thursday (30) of the Independent Theatre<br />

Owners of America.<br />

ITOA called attention to a suit instituted<br />

"by a group which has assumed the name of<br />

National Independent Motion Picture Exhibitors<br />

Protective Committee." mentioned "many<br />

years of amicable relations" with NSS and<br />

went on record as disapproving the action.<br />

Counsel was authorized to protect the best<br />

interests of members.<br />

ITOA directed its resolutions committee to<br />

begin preparation of a resolution condemning<br />

the showing of "Oliver Twist" as un-American<br />

and contrary to the principles of brotherhood.<br />

The membership showed great interest in<br />

joining the arbitration efforts of the Theatre<br />

Owners of America, which were detailed<br />

to distributors at a Wednesday (29) meeting,<br />

in setting up a system to deal with distributor-exhibitor<br />

disputes.<br />

Samuel Goldstein, 56,<br />

Railroad Wreck Victim<br />

NEW YORK—Samuel Goldstein, 56, secretary-treasurer<br />

of Guaranteed Films, died<br />

Tuesday (27) as a result of injuries received<br />

in the Long Island railroad wreck Thanksgiving<br />

eve and became the 78th victim. He<br />

lived at 41 Virginia Ave., Rockville Center.<br />

L. I. He leaves his wife. Anne Goldstein;<br />

three children, Gloria, Sylvia and Joseph; his<br />

mother, Bessie Goldstein: three brothers.<br />

Jack, Louis and Jean, and a sister. Millie<br />

Hyams. Services were held Thursday at the<br />

Riverside Chapel, 76th St. and Amsterdam<br />

Ave., Manhattan.<br />

Vaudeville Team Named<br />

For 'Harvey' Benefit<br />

NEW YORK—Jesse Block and his wife<br />

Eve Sully, radio and vaudeville team, have<br />

been named co-chairmen of the ticket committee<br />

for the benefit opening of U-I's<br />

"Harvey" at the Astor Theatre December 20.<br />

Ed Sullivan, columnist and television star,<br />

is chairman of the entertainment committee<br />

for the benefit, which is expected to yield<br />

$150,000 as the first fund-raising event for<br />

the newly established Louise Baer Memorial<br />

fund of the New York Heart Ass'n.<br />

Booker-Salesman's Month<br />

Honors A. W. Schwalberg<br />

NEW YORK — The<br />

Paramount bookersalesman's<br />

month, an annual event since<br />

1948, opened Friday (1) and wUl continue<br />

through December 30. It honors A. W.<br />

Schwalberg, president of the Paramount Film<br />

Distributing Corp.. and will be coordinated<br />

by Monroe Goodman, his executive assistant.<br />

Quotas for features, short subjects and Paramount<br />

News have been set up for each<br />

branch.<br />

Excess Profits Tax Bill<br />

Passes House Group<br />

WASHINGTON — The house ways and<br />

means committee Thursday (30) approved at<br />

$3.4 billion excess profits tax bill retroactive<br />

to July 1, 1950. It was scheduled to be Introduced<br />

Friday (1), sent to the rules committee<br />

Monday, and members were confident<br />

it would reach the floor early next week.<br />

Meanwhile, Senator Walter F. George<br />

(D., Ga.». chairman of the senate finance<br />

committee, said he expected to start hearings<br />

on the measure by Monday (4).<br />

Of particular concern to the motion picture<br />

industry was a provision for campanies<br />

which have split into two corporations during<br />

the base period, which was set as 1946-<br />

1949, or since then. This provision would be<br />

applicable to the film companies forced to<br />

divorce distribution from exhibition.<br />

Under the World War II act. such companies<br />

would have had no previous earning<br />

experience on which to compute the tax.<br />

Under the committee bill, each of the new<br />

corporations formed by the divorcement is<br />

permitted to determine how much of the<br />

parent company's earnings came from assets<br />

which it took over, and to use this figure<br />

as its earnings during the base period.<br />

No provision was made to take care of<br />

frozen foreign earnings which may be remitted<br />

in the future, but industry leaders<br />

here expressed no concern, and were confident<br />

that this omission would be remedied<br />

before final enactment.<br />

The proposed bill fixes base period earnings<br />

credit at 85 per cent of the average<br />

earnings for the best three of the four years<br />

1946-1949. The tax rate was set at 75 per<br />

cent. The committee provided a ceiling of<br />

67 per cent on combined normal, surtax and<br />

excess profits tax. There will not be any<br />

specific exemption, but there is a minimum<br />

credit of $25,000.<br />

Two provisions important to new film<br />

companies and theatres, and those which<br />

CENTURY AWARD—Leslie R.<br />

Schwartz (right), general manager of<br />

Century Theatres, presents the A. H.<br />

Schwartz showmanship award for the<br />

outstanding Century manager of the year,<br />

to Robert Albino, manager of the Avalon<br />

Theatre in Brooklyn, while Fred J.<br />

Schwartz (left), executive vice-president,<br />

looks on.<br />

experienced "growth" were included in the<br />

committee measure. New corporations can<br />

take an earnings credit equal to the average<br />

rate of return on invested capital in their<br />

industry. Companies whose busine.ss has experienced<br />

"growth" can use as their average<br />

earnings base either the last year of the<br />

base period or the average of the last two<br />

years, whichever is higher.<br />

Capitol Hill sources feel that there will<br />

be a more determined effort than was previously<br />

anticipated to get the bill through<br />

the senate once it passes the house, where<br />

not too much difficulty is expected.<br />

New York Theatre Owners<br />

To Honor Impellitteri<br />

NEW YORK—Motion picture theatre owners<br />

of New York will hold a dinner honoring<br />

Vincent Impellitteri, newly elected<br />

mayor of New York, in the grand ballroom<br />

of the Astor hotel December 18. Si Fabian,<br />

president of Fabian Theatres, is general<br />

chairman of the event. Edward N. Rugoff,<br />

president of Rugoff & Becker, is chairman<br />

of the reception committee; Robert M. Weitman,<br />

vice-president of United Paramount<br />

Theatres, is chairman of the entertainment<br />

committee, and Harry N. Brandt, Emanuel<br />

Frisch and Morton Sunshine will also head<br />

other committees.<br />

Jersey Exhibitors Facing<br />

Prospect of Tax Battle<br />

NEW YORK—New Jersey exhibitors are<br />

again facing the prospect of a fight on local<br />

amusement and sales taxes. Except for an<br />

admission tax in Atlantic City, the Allied<br />

unit and a joint committee made up of all<br />

exhibitors and distributors has been able to<br />

stave off these taxes in recent years. The<br />

League of Municipalities, which claims to represent<br />

437 cities and towns, started discussion<br />

of the tax subject at a three-day conference<br />

which began Wednesday (29) at Atlantic<br />

City.<br />

New Rogers Chairman<br />

NEW YORK—Frank Bonacchini. newly appointed<br />

chairman of the night club division<br />

of the Entertainment Industry's Christmas<br />

salute to the Will Rogers Memorial hospital<br />

at Saranac Lake, has called the first meeting<br />

of his committee for December 4 at his<br />

restaurant, Le Coq Rouge. Night club and<br />

restaurant owners will attend to plan participation<br />

in the industry's Five-Mile-Long<br />

Christmas Card campaign for funds.<br />

Robert Weber of Para. Wed<br />

NEW YORK—Robert Weber, assistant to<br />

Howard Minsky, division manager for Paramount,<br />

was married last weekend to Ruth<br />

Bessell in Kenmore, a suburb of Buffalo. The<br />

newlyweds will live in Philadelphia, where<br />

Weber works.<br />

BOXOFFICE December 2, 1950<br />

43


. . William<br />

. .<br />

. . Andrew<br />

. . Paul<br />

. .<br />

( chairman<br />

; arrangements<br />

— a<br />

BROADV\IAy<br />

Tames A. Mulvey, president of Samuel Gold-<br />

' wyn Productions, planed to Hollywood for<br />

conferences at the studio on future product.<br />

Mrs. Frances Goldwyn, wife of the producer,<br />

arrived November 25 for a Manhattan visit<br />

. . . Charles M. Reagan, MGM sales executive,<br />

returned from North Carolina . . . Hugh<br />

Owen, eastern and southern division manager<br />

for Paramount, and A. M. Kane, assistant<br />

division manager, visited the Buffalo, Albany<br />

and Boston branches returning to New York<br />

December 1.<br />

Spyros P. Skouras. president of 20th Century-Fox.<br />

and Al Lichtman. vice-president,<br />

postponed their trip to the coast for studio<br />

conferences . . . Billy Wilder, producer-director<br />

of Paramount's "Ace in the Hole," sailed<br />

for Europe aboard the Liberte to look for new<br />

story material. Mervyn LeRoy. director of<br />

"Quo Vadis." and Sam Zimbalist. producer<br />

of the film which recently was completed in<br />

Rome, returned on the Liberte. Fenton Hamilton,<br />

head electrician on the film, and John<br />

Schmitz, cutter, came in on the same boat<br />

and left for the coast. Margaret Wycherly,<br />

stage and screen actress, and Arthur<br />

Schnabel, pianist and composer, also came in<br />

on the Liberte.<br />

W. S. Tower jr., managing director of the<br />

Westrex Corp. subsidiary. Western Electric<br />

Co., Pty., left November 25 to return to Sydney,<br />

Australia, following discussions with<br />

Westrex executives here . M. Pizor,<br />

vice-president of Lippert F>roductions left for<br />

the coast for various company conferences<br />

and will return east in mid-December .<br />

Milton E. Cohen. ELC eastern division manager,<br />

returned to the home office from a<br />

cJu.<br />

:^^^'<br />

tKe best<br />

And Always On Time!<br />

For Speedy Service cmd<br />

Qaolity Get Tonr Next<br />

Special Trailer From<br />

FILMACICI<br />

MOBILE VENDING CART<br />

for Drive-ln Theatres<br />

DRIVE-IN THEATRE MFG. CO. INC. K?n„?ciirM«<br />

five-week tour of eastern, midwest and western<br />

branches and left again December 1 for<br />

St. Louis, where he will meet J. H. Lutzer,<br />

ELC southern division manager, for a twoweek<br />

inspection trip of the south and southwest<br />

branches.<br />

Walter L. Titus jr., Republic division manager,<br />

went to the Indianapolis branch .<br />

David A. Lipton. national director of advertising<br />

and publicity for U-I. arrived from<br />

Hollywood to direct the advertising, publicity<br />

and exploitation campaign on "Harvey" . . .<br />

Mrs. Helen Rathvon, producer of "The Sun<br />

Sets at Dawn" for ELC. and Philip Shawn,<br />

star of the fUm, will attend the Boston opening.<br />

Max E.<br />

Youngstein, Paramount vice-president,<br />

returned from Toronto, where he conducted<br />

conferences on promoting current and<br />

future releases . . . E. Z. Walters, controller<br />

of Altec Service, is in from the coast . . .<br />

Irving Rubine. vice-president of Stillman<br />

Productions, left for Hollywood November<br />

28 after traveling through the east in connection<br />

with test campaigns on "The Sound<br />

of Fury," Stillman's first release for United<br />

George Muchnic, vice-president<br />

Artists . . .<br />

of Loew's International, left for Japan, where<br />

he will survey business conditions . . . Oscar<br />

Morgan, general sales manager of short subjects<br />

and newsreels for Paramount, left for<br />

Detroit and Cleveland to set up circuit deals<br />

and visit branch offices.<br />

. . . Diana Lynn, who<br />

.<br />

Deborah Kerr, who recently returned from<br />

Rome, where she spent six months making<br />

"Quo Vadis." left for the coast . . . Ronald<br />

Reagan was in to appear on two television<br />

shows to exploit the Pine-Thomas production,<br />

"The Last Outpost"<br />

is starred with Reagan in "Bedtime for<br />

Bonzo" for U-I, also got in from Hollywood<br />

and will make radio and television appearances<br />

Ray, 11 -year-old who<br />

plays the title role in "The Mudlark," arrived<br />

Saturday (2) on the Mauretania for his<br />

first American visit, during which he will<br />

attend the opening at the Rivoli December<br />

21.<br />

Billie Burke has arrived for a ten-day<br />

business trip after completing "Father's Little<br />

Dividend" for MGM . A. Fromhartz,<br />

head of sales control of the Motion Picture<br />

Export Ass'n. reported Friday at Ft. Devens,<br />

Mass., for army service. He had been with<br />

MPEA since 1946. Norman Shaffer, a.ssistant<br />

manager of Loew's State. Syracuse, has also<br />

been inducted into military service . . . Capt.<br />

Jack Goetz. son of Jack Goetz of Republic<br />

Pictures and Consolidated Film Industries,<br />

was married to Maude A. Averetta in New<br />

York November 25. Goetz is on duty at Ft.<br />

Dix. N. J.<br />

Republic has given Director William Witney<br />

a one-year extension on his contract.<br />

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Hospital Xmas Card<br />

Passes 2-Mile Mark<br />

NEW YORK—More than two miles of the<br />

proposed five-mile Christmas greeting—<br />

combination of seasonal tribute and fundraising<br />

stunt for the Will Rogers Memorial<br />

hospital—has been completed, according to<br />

Nicholas J. Matsoukas, campaign director.<br />

The "cards" are being circulated in all parts<br />

of the country.<br />

Matsoukas predicts that the card idea will<br />

top the goal originally set.<br />

The drive will hit its climax December<br />

7 and 9 at the Hotel Astor. Two parties<br />

will be staged in the ballroom on those<br />

days. Stars of the stage, screen, radio and<br />

television and about 200 models will attend.<br />

A dozen network radio shows, including<br />

Strike It Rich and the Charles "Buddy" Rogers<br />

show will originate in the ballroom. Admission<br />

will be free.<br />

Committee assignments were completed at<br />

a meeting held in the board room of Fabian<br />

Theatres in the Paramount Bldg., November<br />

28. Irving Lesser, general chairman of the<br />

Times Square All-Stars Christmas party, presided.<br />

The working committees are: Production<br />

committee in charge of talent—Bob Shapiro<br />

of Paramount Theatres (chairman), Johrmy<br />

Dugan of MCA, Arthur Knorr and Sam<br />

Rausch of the Roxy Theatre, Harry Mayer<br />

of Warner Bros., Harry Levine of Paramount.<br />

Harry Greenman of the Capitol Theatre.<br />

Harry Anger of the General Artists<br />

Corp., Sol Shapiro of the William Morris<br />

Agency and Russell Downing of the Music<br />

Hall: labor relations—Ma j. L. E. Thompson<br />

of RKO Theatres ( chairman i. Charles lucci<br />

of the AFL. Sol Pernick of the lATSE and<br />

Henry Dunn of Agva: radio—James Sauter<br />

)<br />

and reception<br />

committee chairmen—Montague Salmon ol<br />

the Rivoli Theatre, William A. White of<br />

Skouras Theatres Corp.. Syd Gross and Sy<br />

Evans of Gross-Evans Associates and Fred<br />

Hodgson: publicity—Irving Windisch of the<br />

Strand Theatre (chairman); transportation<br />

Larry Puck of CBS (chairman).<br />

RKO District Managers<br />

To Attend Meet in N. Y.<br />

NEW YORK—Robert Mochrie's RKO district<br />

managers arrived for a special meeting<br />

at the Warwick hotel starting December 4.<br />

Coming in were R. J. Folliard. eastern district,<br />

with headquarters in Philadelphia: M.<br />

E. Lefko. Cleveland: H. H. Greenblatt, Chicago:<br />

A. L. Kolitz. Denver: J. H. Maclntyre,<br />

Los Angeles: L. S. Gruenberg, New York<br />

City: David Prince. Atlanta: Ben Y. Cammack.<br />

Dallas, and Leo M. Devaney of Canada,<br />

headquartering in Toronto.<br />

Disney Films to Criterion<br />

NEW YORK—Walt Disney's "The Wonderful<br />

Adventures of Pinocchio" and "Make<br />

Mine Music" will be the feature attractions<br />

for the Christmas season at the Criterion<br />

Theatre, starting December 15. "Pinocchio"<br />

was originally released by RKO in 1940 and<br />

"Make Mine Music" was released by RKO in<br />

1946.<br />

44 BOXOFTICE December 2, 1950


TV Contract Is Ralified<br />

Record Sform Affects All Broadway<br />

By 5 Performer Unions Houses Except Sold-Out 'Cyrano<br />

NEW YORK—The New York members of<br />

five performers' unions represented by Television<br />

Authority ratified a two-year contract<br />

with four television networks and one TV<br />

station at a meeting at the City Center<br />

Casino, November 28. The vote was 486 to<br />

151 for acceptance of the agreement for<br />

minimum wage and working conditions which<br />

will go into effect December 8, according<br />

to present plans.<br />

The agreement was reached after more<br />

than two months of negotiations between<br />

Television Authority and the networks, climaxed<br />

when the union ordered its members<br />

to go out on strike November 17. Television<br />

Authority members held a ratification meeting<br />

in Chicago November 28 and a similar<br />

meeting in Los Angeles November 29.<br />

The unions represented by Television<br />

Authority are the Actors Equity, Chorus<br />

Equity. American Guild of Variety Artists,<br />

American Federation of Radio Artists and<br />

American Guild of Musical Artists. The networks<br />

are National Broadcasting Co.. Columbia<br />

Brodcasting System, American Broadcasting<br />

Co. and DuMont. WOR-TV is the<br />

independent station.<br />

George Heller, national executive secretary<br />

of Television Authority, flew to Los Angeles<br />

immediately following the ratification meeting<br />

in a final effort to reach a working<br />

agreement with Screen Actors Guild in their<br />

jurisdictional dispute over television performers.<br />

Meanwhile. National Labor Relations<br />

Board hearings on the dispute, which have<br />

been in progress on the coast, have been<br />

recessed until December 4.<br />

'Mudlark' Opening Moved<br />

From Roxy to Rivoli<br />

NEW YORK—"The Mudlark," the 20th-<br />

Fox British-made picture, which had been<br />

scheduled to play the Roxy Theatre, has been<br />

switched to the Rivoli Theatre, where it will<br />

open December 21.<br />

The company accepted the Rivoli offer,<br />

said to be the "highest guarantee for a motion<br />

picture in recent Broadway history,"<br />

because the Roxy is committed to unalterable<br />

release dates for "For Heaven's Sake" and<br />

other 20th-Fox features.<br />

Irene Dunne is starred as Queen Victoria,<br />

Alec Guinness plays Disraeli and 11 -year old<br />

Andrew Ray plays the title role. Miss Dunne<br />

and young Ray will attend the New York<br />

opening.<br />

Music Director Signed<br />

NEW YORK—Jack Shaindlin has been<br />

signed as musical director for Louis De-<br />

Rochemont's "Whistle at Eaton Falls." scheduled<br />

for Columbia release. Shaindlin was<br />

also musical director on DeRochemont's "Lost<br />

Boundaries."<br />

Athanasia Skouras to Wed<br />

NEW YORK—George P. and Mrs. Skouras<br />

have announced the engagement of their<br />

daughter Athanasia, to Martin J. Sweeny jr.,<br />

son of Mrs. Martin Sweeny of 227 Park Ave.<br />

Skouras, president of Skouras Theatres, lives<br />

at Rye. N. Y.<br />

NEW YORK—The record storm of the<br />

November 25 weekend seriously affected the<br />

gro.sses at all of the Broadway first runs,<br />

with the single exception of "Cyrano de<br />

Bergerac." which had sold all seats in advance<br />

for the second week of its two-a-day<br />

engagement at the Bijou. Those patrons<br />

unable to attend from the storm-swept<br />

boroughs of Brooklyn. Queens and Staten<br />

Island will be taken care of at later performances,<br />

the Bijou management reported.<br />

With the radio warning people to stay off<br />

the streets Saturday, many even stayed at<br />

home Sunday (26) when the weather became<br />

fair and cold. Despite this, the Roxy<br />

did a very good first week's business with<br />

"The Jackpot." which would have had a<br />

smash gross, the management said. Weathering<br />

the storm better than most of the others<br />

was "King Solomon's Mines." which had<br />

a third week at the Radio City Music Hall<br />

which approached the strong second stanza.<br />

"Two Weeks With Love" had a good first<br />

week at the Capitol but "Never a Dull Moment"<br />

was unable to overcome the poor<br />

newspaper reviews and had a mild first week<br />

at the Rivoli. A surprise was the sensational<br />

business for "The Blue Angel." the<br />

20-year-old German film at the Little Carnegie,<br />

which attested to the popularity of Marlene<br />

Dietrich. "Trio." in its seventh week<br />

at the Sutton: "Prelude to Fame," in its<br />

third week at the Trans-Lux 52nd Street,<br />

and "Last Holiday," in its second week at<br />

the Paris, all held up better than the Hollywood<br />

product at the larger houses.<br />

New pictures that opened during the week<br />

were: "Let's Dance," the 25th anniversary<br />

film at the Paramount: "Woman on the<br />

Run," "Farewell to Yesterday" and "Dial<br />

1119."<br />

(Average Is 100)<br />

Astor—American Guerrilla in the Philippines (20th-<br />

Fox), 3rd wk<br />

Bijou—Cyrano de Bergerac (UA), 2nd wk. of twoa-day<br />

100<br />

- i-io<br />

-<br />

Capitol—Two Weeks With Love (MGM), plus<br />

stage show HO<br />

Criterion—Right Cross (MGM), 2nd wk _ 85<br />

Globe—Tripoli (Para), 3rd wk £0<br />

Little Carnegie—The Blue Angel (Classic Pictures),<br />

revival -- 140<br />

Loews State—Harriet Craig (Col), 4th wk 90<br />

Mayiair— Rio Grande (Rep), 2nd wk _...iOS<br />

Palace—Saddle Tramp (U-I), plus vaudeville 93<br />

Paramount-Copper Canyon (Para), plus stage<br />

show, 2nd wk - 98<br />

Pans— Last Holiday (Siratlord), 2nd wk 110<br />

Park Ave.-iue—Hamlet (U-I), 3rd wk. of return<br />

engagement<br />

8D<br />

Radio City Music Hall—King Solomon's Mines<br />

(MGM), plus snge show, 3rd wk 120<br />

Rivoh—Never a Dull Moment (RKO) - 9b<br />

Roxy—The Iac:


%ei^<br />

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... do not require oil pumps ... must be designed to use<br />

and splash lubrication for efficient<br />

operation.<br />

high-power arc lamps without<br />

light-wasting heat filters.<br />

HERE'S THE PROBLEM<br />

Modern projection demands the use of higher power ore lamps. These lamps<br />

create intense heat which causes buckling and distortion of the film. To prevent<br />

film mutilation and out-of-focus pictures, some projectors require heavy<br />

light-wasting heat filters. These filters waste most of the light added by the<br />

higher power lamps.<br />

HERE'S THE SOLUTION<br />

CENTURY projectors equipped with water-cooled apertures reduce destructive<br />

heat and increase picture brilliance.<br />

Think of this . . . CENTURY high-efficiency mechanisms, plus water-cooling<br />

and with a 90 ampere arc will put as much light on the screen as other projectors<br />

using a 180 ampere arc and heat filters!<br />

HERE'S THE RESULT<br />

• Full brilliance and sharper pictures without loss of light or<br />

wasted power.<br />

• More illumination on the largest screens.<br />

• Film distortion reduced. Focusing trouble minimized.<br />

Projectors equipped for high speed, long focal length, 4" diem. lenses.<br />

Woter cooling is optional— available on all models at slight extra cost.<br />

LUBRICATION IS OLD FASHIONED!<br />

With CENTURY you have no lubrication headaches— no dripping oil or grease<br />

to mess up equipment or film. There are no oil baths or oil pumps to leak or<br />

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CENTURY uses sealed, oil-less bearings and glass-hard, high carbon-chrome<br />

steel gears.<br />

Proof of CENTURY'S simplified, high-efficiency design can be seen in the illustrations<br />

on the right. Ten gears with only two gear meshes between the<br />

shutter and the intermittent com. (Other well known projectors hove from<br />

4 to 12 such meshes and up to 23 gears).<br />

Fewer gears and shafts mean less trouble, lower maintenance, less vibration,<br />

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See your CENTURY dealer about modernizing your projection and<br />

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ALBANY THEATRE<br />

SUPPLY CO.<br />

443 North Pcorl St.<br />

Albany 4, New York<br />

SOLD BY<br />

AMUSEMENT SUPPLY CO.<br />

341 West 44th St.<br />

New York 18, N. Y.<br />

J.F.DUSMAN COMPANY<br />

12 East 25th St.<br />

Baltimore 18, Maryland<br />

PERKINS THEATRE<br />

SUPPLY, INC.<br />

505 Pearl St.<br />

Buffolo 2, New York<br />

46 BOXOFTICE December 2, 1950


—<br />

^<br />

QUICK 75-THEATRE START PUTS<br />

'EVE'<br />

IN NEW YORK HIT CLASS<br />

^ Six Circuits Book Picture, Advertise Cooperatively<br />

And Give It<br />

Equivalent of 80 Weeks Playing Time<br />

NEW YORK—What's the answer to the problem of making a big national flash for<br />

the start of a picture?<br />

Is it massed city openings, massed regional openings, shortened clearances to take<br />

advantage of the first advertising impact, longer clearances to get the full benefit of<br />

a slower play-off in the houses that turn in the most revenue, or is it something new?<br />

Television, for instance?<br />

As the holiday doldrums set<br />

in before Christmas and magnification<br />

of the television specter<br />

becomes habitual in some exhibitor<br />

circles it becomes possible<br />

to get a different answer to<br />

each of these questions.<br />

Nobody has a formula for division<br />

of the advertising appropriation<br />

between mediums any more.<br />

Formulas are being discarded for<br />

a catch-as-catch-can approach.<br />

'EVE'<br />

CITED AS EXAMPLE<br />

Take "All About Eve" as an example.<br />

First, it was going to be<br />

sold on a "scheduled performance"<br />

basis by 20th Century-Fox.<br />

Nobody was to be admitted after<br />

the start of the film. Most people<br />

in the industry took the<br />

proposal seriously. Some few of<br />

the daily papers and other commentators<br />

with a sardonic conviction<br />

that everything novel in<br />

the picture business is a publicity<br />

stunt made their views known.<br />

Then what happened? Just as<br />

soon as Spyros P. Skouras, Andy<br />

W. Smith jr. and Charles Einfeld<br />

decided the new policy<br />

wasn't going to work at the Roxy<br />

Theatre they turned loose a barrage<br />

of advertising selling the<br />

new "continuous policy" basis.<br />

By the time this new campaign<br />

reached its climax leading exhibitors<br />

were convinced "All About Eve" was presold,<br />

and it was. If the campaign had eased<br />

off, nobody would have been surprised. Instead<br />

of easing off, it took a new tack—not<br />

a completely new tack, because massed New<br />

York City openings have been done before<br />

but new insofar as this picture was concerned<br />

because its impact was so sudden.<br />

CONTINUOUS RUNS PROFIT<br />

The "continuous run" policy paid off. The<br />

fUm stayed five weeks with fine grosses.<br />

Five weeks at either the Roxy or the Music<br />

Hall always impresses the hinterlands, because<br />

circuit operators and the larger independents<br />

know there can be no "forced" runs<br />

in houses where the overhead comes up close<br />

to or goes over $100,000 per week.<br />

Then, socko! Smith booked the picture into<br />

75 New York theatres on six circuits on a<br />

day-and-date basis starting Thanksgiving<br />

eve (Nov. 22) with a few exceptions.<br />

Add the five weeks at the Roxy to this total<br />

Starts TOMORROW<br />

AT YOUR FAVORITE<br />

NEIGHBORHOOD THEATRE<br />

Directly after its Broadway Ron.'<br />

The Greatest Holiday<br />

Treat in Movie History!<br />

2iO<br />

^^^^^^^^^ CONTINUOUS<br />

BETTE ANNE GEORGE CELESTE<br />

DAVIS • BAXTER • SANDERS • HOLM<br />

GARY MERRILL- HUGH MARLOWE<br />

. ffui NEW 2nrf Fiitvrt ^^^^—<br />

' QMtJH^Si%/%%M/JU* HOWARD DUFF • BRIAN DONLEVY<br />

Qn^f^mtfwWWtW PEGGY DOW<br />

•<br />

LAWRENCE TIERNEY<br />

Co-Op ad placed in New York newspapers.<br />

of 75 and you have the equivalent of a 80-<br />

week run in New York, but, because it was<br />

concentrated into a short time with a variety<br />

of advertising approaches it became the mosttalked-about-film<br />

current in late November.<br />

Nature intervened. The Saturday following<br />

Thanksgiving the eastern seaboard was hit<br />

by an east wind that knocked cornices off<br />

buildings, broke windows, balled up the<br />

transportation system and kept everybody at<br />

home. It would have been a big theatre day.<br />

Additional space was taken in all dailies for<br />

holdover ads.<br />

It cost plenty of money, but the 75 theatres<br />

involved were happy, because they were<br />

doing stand-up business. Similar campaigns<br />

have been carried out before on big pictures.<br />

The usual division is for the distributor<br />

to pay 35 per cent, with the theatres listed<br />

in the ads taking up the rest of the bill on<br />

a per-theatre or per-seat basis.<br />

Similar multiple-theatre openings are in<br />

the offering on 20th Century-Fox product,<br />

but how many of them, if any, will be on<br />

"All Aboui Eve" is uncertain.<br />

A tremendous amount of work is involved<br />

in arranging one of them. About 100<br />

prints have to be as.sembled in the New<br />

York exchange. Some of them come from as<br />

far west as Salt Lake City. This upsets<br />

regional release schedules, but the results are<br />

considered worthwhile from both the exhibitor<br />

and distributor viewpoint. Prints are<br />

rushed back to exchanges as quickly as possible.<br />

TIMING IS AN ODDITY<br />

In the "All About Eve" campaign the advertising<br />

was extended to radio, TV, outdoor<br />

posting, lobby display and direct mailing.<br />

The opening day ad Thanksgiving eve was<br />

1,000 lines.<br />

In spite of the quick reaction to the "Eve"<br />

campaign—probably stimulated by the surprise<br />

element—this was not the biggest campaign<br />

of the kind put on in New York. Some<br />

of the predecessors have gone over 100 theatres.<br />

Among the big-timers in the simultaneous<br />

run class have been "Duel in the Sun,"<br />

"Cinderella," "Mighty Joe Young" and "Samson<br />

and Delilah."<br />

One of the additional oddities of this campaign<br />

was its timing. The picture already<br />

was being shown around the coimtry and it<br />

was figured that its New York smash would<br />

not only bring in some heavy revenue in the<br />

area where 17 per cent of the country's total<br />

can be expected; it would at the same time<br />

stimulate business elsewhere.<br />

Up to November 25 "Eve" had been held<br />

over for 51 extra weeks in key cities: Philadelphia,<br />

Fox; Oakland, Paramount and<br />

Grand Lake; San Francisco, Fox and United<br />

Nations; Seattle, 5th Avenue and Paramount;<br />

Wilmington. Rialto; Washington, Palace;<br />

Providence, Majestic and Carleton; Toronto,<br />

University, Imperial, Tivoli, Nortown and<br />

Eglinton; Milwaukee, Wisconsin; Rochester,<br />

Paramount; Wichita, Boulevard and Miller;<br />

Trenton, Mayfair; Salt Lake City, Uptown.<br />

Irene Dunne Honor Guest<br />

At 20th-Fox Gathering<br />

NEW YORK—Irene Dunne, starred in "The<br />

Mudlark" (20th-Fox), was given a reception<br />

and cocktail party at the Stork club on<br />

Wednesday (29). Celebrities of the stage,<br />

screen and political and social circles were<br />

present, along with radio, newspaper, national<br />

magazine and tradepress representatives.<br />

Among those invited were Mrs. Eleanor<br />

Roosevelt, Arthur Godfrey, Oscar Hammerstein,<br />

Richard Rodgers, Eric Johnston. Mrs.<br />

Anna Rosenberg, Clare Booth Luce, Gracie<br />

Allen, George Burns, Faye Emerson, Arlene<br />

Francis, James A. and Mrs. Farley, Wendy<br />

Barrie, Henry J. Taylor and Mrs. Taylor,<br />

Bernard Gimbel, Frank Folsom. Robert Lehman,<br />

Louis Sobol and Igor Cassini.<br />

W. C. Michel, Al Lichtman, Murray Silverstone.<br />

Joseph Moskowitz, Andy W. Smith<br />

jr., Charles Einfeld, Otto Koegel, Donald<br />

Henderson, Wilfred Eadie and William C.<br />

Gehring of 20th-Fox also were present.<br />

BOXOFFICE :: December 2, 1950 47


BRITISH FEATURE RUNS GAIN<br />

STEADILY IN ART THEATRES<br />

Seven of 19 Films Runs<br />

On Broadway British;<br />

Art Spots in All Keys<br />

NEW YORK—Although J. Arthur Rank's<br />

ambitious plans of a few years back to<br />

bombard the American market with<br />

British-made films gradually petered out,<br />

first run showings of English features have<br />

shown a steady increase in key cities<br />

during the past year. The tendency now,<br />

however, is to try for longer runs in small<br />

art houses.<br />

TWO MORE SHOW BRITISH<br />

During November, two more of Manhattan's<br />

smaller theatres switched over to a<br />

policy of first run British product. They<br />

were the Trans-Lux 52nd Street, which had<br />

been playing revivals and subsequents, which<br />

opened "Prelude to Fame," J. Arthur Rank<br />

production released by Universal-International.<br />

November 9 and has been playing<br />

to crowded houses since, and the Paris Theatre,<br />

built as the Manhattan showcase for<br />

Pathe Cinema's French features, which<br />

opened "Last Holiday." Associated British<br />

feature being released by Stratford Pictures<br />

in the U.S. The latter, too, was praised by<br />

reviewers and is doing good business.<br />

During the second week in October, seven<br />

out of 19 first run films showing in Manhattan<br />

were British made, the highest number<br />

in Broadway history. One of these, "The<br />

Red Shoes," completed its second year of<br />

two-a-day showings at the Bijou Theatre,<br />

a 589-seat house in the Times Square district,<br />

and chalked up a total of 108 weeks,<br />

the longest run for any film. The Eagle Lion<br />

Classics release then moved over to the<br />

Victoria Theatre November 21 for a continuous<br />

performance engagement. At the same<br />

time, another ELC release, "Kind Hearts and<br />

Coronets," completed its 24th week November<br />

29 and is likely to score a half-year run<br />

at the 453-seat Trans-Lux Madison Avenue<br />

Theatre, where "Tight Little Island" played<br />

20 weeks earlier in 1950. A third ELC release.<br />

"The Winslow Boy," recently completed<br />

18 weeks at the 561 -seat Sutton.<br />

'TRIO' PROBABLY INTO '51<br />

On Broadway, "Treasure Island," a Walt<br />

Disney live-action feature produced in England,<br />

completed 10 weeks at the Mayfair on<br />

Broadway October 23 while "State Secret,"<br />

produced by Douglas Fairbanks jr. in England<br />

and released in the U.S. by Columbia,<br />

ran seven weeks at the Victoria, the same<br />

house where "The Third Man," a Korda-<br />

Selznick production, played 25 weeks earlier<br />

in 1950.<br />

The other recent British-made features<br />

in Manhattan were: "Trio," which opened at<br />

the Sutton October 9 and is likely to run<br />

into 1951, if long waiting lines outside the<br />

tiny 57th St. theatre are any indication; "The<br />

Happiest Years of Your Life," a London Films<br />

production, which packed them in at the<br />

Little Carnegie Theatre for eight weeks<br />

and "Madness of the Heart," a J. Arthur<br />

Rank production released by Uni-<br />

Doubled Duty Threatens<br />

Negative Imports<br />

NEW YORK—Import duties on motion<br />

picture negatives will be doubled January<br />

1 if an international conference now going<br />

on in England does not succeed in<br />

reaching new agreements, the office of<br />

the collector of customs here said Tuesday<br />

(26).<br />

The 1930 tariff act rates were reduced<br />

by agreements among a large number of<br />

nations. Recently Mexico abrogated the<br />

agreements, so the rates will return to<br />

those originally set and all nations will<br />

be affected unless the British conference<br />

works out some sort of a compromise.<br />

The increases now set for January 1<br />

are: Exposed but undeveloped negatives,<br />

from one cent to two cents a foot; exposed<br />

developed negatives, one and onehalf<br />

to three cents; exposed developed<br />

positive film, one-half to one cent.<br />

Cuba alone would not have to pay the<br />

doubled increases because of a special<br />

agreement with the U.S., but would have<br />

to pay lesser increases.<br />

versal-International, at the Park Avenue,<br />

which has been playing British pictures almost<br />

exclusively since U-I took over the lease<br />

from Walter Reade several years ago. The<br />

longest run at the Park Avenue was "Hamlet,"<br />

which ran for 66 weeks at two-a-day.<br />

This Rank film opened a continuous run engagement<br />

at the same house November 10.<br />

Several other midtown art theatres have<br />

occasionally played first run British films,<br />

among them the Art, in Greenwich Village,<br />

which played "Pink String and Sealing Wax,"<br />

one of the first of the Pentagon Pictures releases;<br />

the Stanley, which played Pentagon's<br />

"The Lost People"; the Trans-Lux 72nd St.,<br />

which played Pentagon's "Dear Mr. Prohack."<br />

and the Beacon, on Broadway at 73rd St.,<br />

which played double bills of several first run<br />

British pictures released by Eagle Lion last<br />

spring. All of these houses have reverted to<br />

playing second run British films or revivals<br />

of old American pictures.<br />

In its two years and four weeks at the<br />

Bijou, more than 1,079,396 patrons saw<br />

"The Red Shoes," according to the theatre<br />

boxoffice records. At an average admission<br />

price of $1.80, this represents a gross of<br />

$2,000,000 in its single New York engagement.<br />

However, the appeal of this British-made<br />

film about the ballet, was not limited to<br />

New York alone. "Shoes" set a 59-week first<br />

run mark in Chicago and played 43 weeks in<br />

Boston, 47 weeks in Los Angeles. 40 weeks<br />

in Philadelphia and 31 weeks in San Francisco,<br />

all at $2.40 "roadshow" prices. In all<br />

of these cities, the picture later played a<br />

popular-price engagement.<br />

In addition to the British films playing the<br />

first run houses, the week of November 20 saw<br />

12 other British features advertised in the<br />

New York Times as playing in mid-town or<br />

Greenwich Village houses. They included:<br />

"Tight Little Island," "Salt to the Devil,"<br />

"The Winslow Boy" and "The Glass Mountain,"<br />

all ELC releases; "The Astonished<br />

Heart" and "The Rocking Horse Winner,"<br />

U-I releases; "Hatter's Castle," a Paramount<br />

release; "Henry V," UA release which was<br />

playing in four spots; "Daybreak" and "Dear<br />

Mr. Prohack," Pentagon releases, and "Night<br />

Train" and "Thunder Rock," older independent<br />

British product.<br />

U-I, ELC DISTRIBUTE BULK<br />

During 1950, Universal-International and<br />

Eagle Lion (now Eagle Lion Classics) released<br />

the bulk of the new J. Arthur Rank product<br />

in the U.S. Universal-International had<br />

"Adam and Evalyn," "Madness of the Heart,"<br />

"The Rugged O'Riordans," an Australianmade,<br />

and the popular-price release of "Hamlet."<br />

Eagle Lion had "The Gay Lady," "Salt<br />

to the Devil," "The Amazing Mr. Beecham,"<br />

"The Perfect Woman," "Kind Hearts and<br />

Coronets," "The Glass Mountain," "The Winslow<br />

Boy," "The Blue Lamp," "The Golden<br />

Salamander," "Naughty Arlette," "So Long at<br />

the Pair," "Paper Gallows" and "They Were<br />

Not Divided," in addition to "Eye Witness,"<br />

"The Taming of Dorothy" and "White<br />

Heather," produced by other British companies.<br />

Several of these have not yet had<br />

first runs here.<br />

Among the other majors during 1950, Columbia<br />

had only one British film, "State<br />

Secret," to be released in December; Monogram<br />

had "The Silk Noose" and "Mystery at<br />

the Burlesque"; Paramount had "Trio," coproduced<br />

with J. Arthur Rank; RKO had<br />

"Treasure Island," produced by Walt Disney<br />

in England, and United Artists had "If This<br />

Be Sin," Gregory Ratoff production. In addition,<br />

20th Century-Fox released "Night and<br />

the City" and "The Black Rose." produced by<br />

the company abroad; MGM released "Conspirator"<br />

and "The Miniver Story," both produced<br />

by the company in London, and<br />

Warner Bros, released "The Hasty Heart" and<br />

"Stage Fright," both produced in London<br />

studios. The old Film Classics also released<br />

"Good Time Girl" as one of its last pictures—<br />

in May. Only Republic and Lippert failed<br />

to have any British pictures on the 1960<br />

schedule.<br />

NEW DEAL TO BE PROLIFIC<br />

David O. Selznick released two Britishmade<br />

Korda productions, "The Tliird Man"<br />

and "The Fallen Idol," during 1950 and the<br />

residual selling of these two is now being<br />

handled by Eagle Lion Classics.<br />

The deal with J. Arthur Rank recently<br />

made by the newly formed Pentagon Pictures<br />

Corp. will release a flood of old Briti.sh product<br />

to the U.S. screens. Some of these were<br />

originally handled by Prestige Pictures, U-I<br />

subsidiary, since dissolved, but the bulk of the<br />

159 features listed by Pentagon have never<br />

been shown here.<br />

Unfortunately, many of these Pentagon releases<br />

are not suitable for American audiences<br />

and might influence many patrons<br />

against the better British films released by<br />

U-I and ELC.<br />

48 BOXOFHCE December 2, 1950


. .<br />

. . . George<br />

. . The<br />

. .<br />

. .<br />

. . . Joan<br />

. . Frank<br />

. . Morey<br />

BUFFALO<br />

Terry Carson, assistant manager at the Buf-<br />

' falo Paramount, is finally in the army<br />

after many delays and one cancellation of<br />

his draft call. After a farewell party, his<br />

induction was called off. Then, the call<br />

came again and he is now Camp Dix . . .<br />

at<br />

Suzanne Dalbert, feminine star of "Breakthrough."<br />

was a guest at a press-radio luncheon<br />

given by James H. Eshelman, district<br />

manager of the Buffalo Paramount Corp.<br />

She made personal appearances at the<br />

opening Saturday (2). The recruiting office<br />

cooperated 100 per cent with the Paramount<br />

on the opening. Charles B. Taylor arranged<br />

to place A-boards tieing in recruiting copy<br />

with the picture.<br />

Eleanor Paradeis has resigned as booking<br />

manager in the Lippert exchange and has<br />

been succeeded by Minnie Zachem, operator<br />

of the Oakdale and Artistic theatres . . .<br />

William P. Rosenow, secretary of Skyway<br />

Drive-ins, is booking independent films at<br />

the Theatre Service Organization at 505<br />

Clayton Cornell, publicityadvertising<br />

Pear St. . . .<br />

director for the Cinema Theatres,<br />

headquarters in Rochester but drives to Buffalo<br />

each week to assist Pete Becker, local<br />

manager . . . Buffalo's Katherine Cornell<br />

will open her new play, "Captain Carvallo,"<br />

at the Erlanger December 6. Sir Cedric<br />

Hardwick will have an important role.<br />

Les Pollock, manager of Loew's Theatre in<br />

Rochester, lined up 70 prizes for his annual<br />

Jack Flex,<br />

Thanksgiving cartoon show . . .<br />

former Syracuse exhibitor, now is associated<br />

with Alliance Theatres in the Chicago area.<br />

He was visiting his brother in Newark .<br />

Mrs. Pete Bifarella. wife of the operator of<br />

the new Joylan Theatre in Springville, N. Y.,<br />

was recovering from illness at a Buffalo<br />

hospital. She is the mother of Sally Bifarella,<br />

longtime secretary to Mannie Brown and<br />

Mike Simon at the Paramount exchange<br />

WATCHING A TREATMENT—George<br />

H. Mackenna, general manager of Basil's<br />

Lafayette Theatre in Buffalo, is treasurer<br />

of the Western New York Sister Elizabeth<br />

Kenny Foundation and is very active as<br />

publicity chairman for the present drive<br />

for funds. Here Mackenna watches Buffalo<br />

polio patient Rose M. Muenier receive<br />

treatment at the Kenny Center at 15<br />

Tracy St.. Administering the "hot packs"<br />

is Kenny technician Dorothy A. Fish.<br />

but who now has a federal position in<br />

Springville . . Murray Whiteman, Tent 7<br />

.<br />

first assistant chief barker, returned after<br />

a week in New York to see the new shows<br />

and to buy Christmas tilings for his Song<br />

Shop.<br />

Charles B. Taylor, advertising and publicity<br />

director at Buffalo Paramount Corp.;<br />

Elmer F. Lux; Arthur J. Crosson, organist,<br />

and Jack Grood, Chez Ami, were among the<br />

industry representatives on the Ad club committee<br />

that arranged the appearance of Gen.<br />

Bonner Fellers at a recent luncheon .<br />

Max Friedman, Warner Theatres' film buyer,<br />

and Larry Lapidus, booker, were visitors from<br />

Albany along Filmrow, dropping in especially<br />

to greet Pete DeFazio, local WB manager . . .<br />

The Arthur Godfrey Talent Scouts stage<br />

show will be in Buffalo at the Paramount for<br />

a week starting Saturday (9) and station<br />

WGR which airs the Godfrey show is planning<br />

allout cooperation with the theatre on<br />

the air as well as in its bimonthly publication.<br />

Richard Feldman, manager of the Paramount<br />

Theatre in Syracuse, recently awarded<br />

a scroll of commendation to E. R. Vadeboncoeur<br />

for "his keen interest in civic affairs<br />

and his daily impartial analysis of the news"<br />

following the latter's broadcast from the<br />

Paramount stage before the showing of<br />

"American Guerrilla in the Philippines." The<br />

stunt got some nice breaks in the local press<br />

H. Mackenna, treasurer of the<br />

Western New York Sister Elizabeth Kenny<br />

Foundation, is acting as publicity chairman<br />

of the 1950 fund appeal and is landing some<br />

splendid art and copy in the Buffalo newspapers.<br />

The Graziano brothers, former vaudeville<br />

artists, are now are assistant managers at<br />

the Oswego in Oswego, N. Y., and the State<br />

Theatre in Cortland . Ellen Terry, a<br />

west side community theatre, has become the<br />

temporary church of the Coronation of the<br />

Blessed Virgin Mary parish. Masses will be<br />

held there every Sunday until parishioners<br />

are ready to move into their own church.<br />

The parish has just been created by the<br />

Buffalo bishop.<br />

.<br />

Citizens at Ccloron, N. Y., are pleased to<br />

hear that their own Lucille Ball gets the<br />

role of Angel in DeMille's "The Greatest<br />

Show on Earth." Lucille is very popular in<br />

western New York and a large delegation<br />

from Chautauqua county was on hand when<br />

she appeared recently on the Buffalo Paramount<br />

stage . . . Buffalo's Amanda Blake<br />

is getting plaudits from critics for her work<br />

in "Counterspy Meets Scotland Yard"<br />

The Mancuso Theatre in Batavia will have<br />

Sammy Kaye and his orchestra on stage<br />

Sunday (3) ... Harry Weiner, manager of<br />

the Eckel Theatre in Syracuse, recently ran<br />

a contest to find the "Tarzan" of Syracuse<br />

university, inviting the students to attend the<br />

theatre and vote for the 15 contestants. Merchants<br />

donated prizes. The promotion was<br />

on "Tarzan and the Slave Girl" . . . Arthur<br />

DeBra, director of the community relations<br />

department of the MPAA, spoke at a dinner<br />

in Rochester the other evening, staged jointly<br />

by the American Ass'n of University Women<br />

and the local Motion Picture council.<br />

.<br />

the Schine Riviera in Rochester to enter<br />

business for himself. Norman has been managing<br />

theatres in Kodak Town for a long<br />

time Versage, who has been as-<br />

.sociated with the Kallet circuit in Geneseo<br />

and Martina Theatres in Mount Morris, is<br />

the new a.ssistant manager at the RKO Palace<br />

Don Whitington is<br />

in Rochester . . . doing extensive remodeling and decorating<br />

at the Lincoln Theatre in Rochester.<br />

Dave Goldstein and Herb Ochs closed the<br />

Pic-17 Drive-In in Chautauqua county a few<br />

weeks ago, but kept using goodwill ads on<br />

tlie outdoorer . Hamet has resigned<br />

as a booker in the ELC exchange. He will go<br />

to Vancouver to make his home.<br />

Dorothy Maes is the new secretary to Jack<br />

Chinell at the RKO exchange. She was a<br />

biller in the same office . . . Mrs. Michael<br />

Papero. former secretary, has resigned . . .<br />

Antoinette Puszala is the new biller at RKO<br />

Leary has been named secretary<br />

to Mannie A. Brown, manager of the ELC<br />

exchange. She was secretary to Leon Herman<br />

at Republic.<br />

Spanish Feature Opens<br />

NEW YORK—"Hidden River" (Rio Escondido).<br />

Spanish-language feature produced in<br />

Mexico by Clasa-Mohme. opened at the Little<br />

Cine-Met Theatre November 30. The picture<br />

stars Maria Felix. MacLaren-Andersen<br />

Associates is handling bookings in the U.S.<br />

Bffr&^ SOUND<br />

Model 6<br />

-<br />

S/^H^ BOXOFFICE-<br />

£OfnR COST!<br />

World famous for superior performance and<br />

durability. Chainless. beltless, trouble-free.<br />

All-gear projector drive. Designed for use<br />

with all projector mechanisms,<br />

rm} uiinq Bcidantifne<br />

SOUNDHEADS<br />

Perkins<br />

Theatre Supply Co.<br />

505 Pearl Street,<br />

Buffalo, New York<br />

Norman Wolk has resigned as manager of Complete Theatre Equipment & Supplies<br />

BOXOFFICE December 2, 1950<br />

49


Television Ads Continue<br />

To Overshadow Films<br />

NEW YORK — Television advertising in<br />

newspapers is continuing to completely overshadow<br />

film and radio advertising. In the<br />

New York Times Sunday (26) there were<br />

1,114'j inches of television advertising on<br />

12 pages. Films totaled 201 "4 inches and<br />

radio 28 inches.<br />

Film advertising appeared on four pages<br />

and radio advertising on three.<br />

Free space devoted to the three mediums<br />

was as follows: Radio, 168 inches; television,<br />

174 inciies; films, 189 inches.<br />

Motion picture theatres pay a higher advertising<br />

rate than radio and television.<br />

Recently after Charles Einfeld called the<br />

attention of Theatre Owners of America<br />

members at Houston to the enormous bulk<br />

of automobile and television advertising<br />

when compared with motion picture advertising<br />

film spokesmen replied that the TV<br />

space was due to the current excitement<br />

over the Federal Communications commission<br />

authorizing color television.<br />

The $2,000,000 campaign of the American<br />

Television Dealers and Manufacturers Ass'n<br />

was also cited.<br />

None of the ads of this campaign were<br />

included in the above measurements. The<br />

Times was typical of all the New York<br />

papers and a quick survey of papers in<br />

other important cities where there are television<br />

stations shows the advertising ratio<br />

between films and television about the same.<br />

Radio-TV Checkup Shows<br />

Little Adverse Comment<br />

NETW YORK—A two-week checkup of all<br />

radio and television programs in nine major<br />

cities has showed that what little adverse<br />

comment there has been about films has been<br />

more than offset by praise, according to<br />

Arthur L. Mayer, executive vice-president,<br />

Council of Motion Picture Organizations.<br />

The cities checked were New York, Boston,<br />

Detroit, Cleveland, Chicago, Washington,<br />

Philadelphia. Los Angeles and San Francisco.<br />

Exclusive of gossip broadcasts and picture<br />

reviews, the survey produced 100 comments,<br />

most of them favorable, Mayer said. He<br />

added that radio interviews with Gael Sullivan,<br />

executive secretary. Theatre Owners of<br />

America: Rudy Vallee and Charles Brackett,<br />

Hollywood producer-writer, boosted the industry<br />

over important stations.<br />

COMPO plans similar checkups later.<br />

Melvin Gold Is Elected<br />

NTFC Board Chairman<br />

NEW YORK—Melvin L. Gold, advertisingpublicity<br />

director for National Screen Service,<br />

has been elected chairman of the board of<br />

National Television Film Council. He founded<br />

the organization and was its president for<br />

two years.<br />

Jacques Kopfstein, vice-president of Atlantic<br />

Television Corp., has become vicechairman,<br />

and Paul White, vice-president in<br />

charge of programs. Sally Perle retains the<br />

post of public relations counselor.<br />

Chicago Theatre TV<br />

Plays to Capacity<br />

CHICAGO — Theatre television played<br />

to capacity here Saturday (25) despite<br />

the big storm. With local interest in the<br />

Northwestern-Illinois football game at a<br />

high point, the State-Lake Theatre sold<br />

out all of its 2,700 seats by noon and the<br />

3,200-seat Tivoli on the south side had<br />

the SRO sign up at game time. The<br />

Balaban & Katz circuit scaled the game<br />

at $1.20. To B&K executives, the big<br />

screen telecasting of football has been a<br />

success, with business at capacity when<br />

interest in the game is high.<br />

Century to Extend Tests<br />

Of TV Theatre Programs<br />

NEW YORK—Further experimental use of<br />

television subjects in theatres is to be tested<br />

by the Century circuit here. Recently Century<br />

introduced the Camel News Caravan,<br />

a newsreel type film containing advertising<br />

which was originally scheduled for the air.<br />

This is shown on the two circuit houses<br />

which have large screen television projectors.<br />

One is in the Queens, in Queens Village, and<br />

the other is in the Marine Theatre, Brooklyn.<br />

The Camel Caravan reel is to be continued.<br />

Some Century circuit houses discontinued<br />

use of standard film newsreels about a year<br />

ago because of audience comments to the<br />

effect that much of the material had already<br />

been seen at home or in taverns.<br />

Harold Newman of Century says he does<br />

not consider the Camel show a replacement<br />

of newsreels. He admits he is experimenting<br />

with television on theatre screens. He has<br />

what he describes as "several other projects"<br />

in mind.<br />

Six Eastern Theatres Show<br />

Army-Navy Game on TV<br />

NEW YORK—Six eastern theatres were<br />

scheduled to show the Army-Navy football<br />

game on television. Large-screen presentations<br />

of telecasts will be seen on home sets<br />

offered by Fox, Queens, Marine and Fordham<br />

in New York, Palace in Albany and<br />

Pilgrim in Boston. The Paramount in New<br />

York is refraining.<br />

Eastman Promotes Two,<br />

Adds Them to Board<br />

ROCHESTER—William S. Vaughn, assistant<br />

vice-president of Eastman Kodak, has<br />

been promoted to vice-president and assistant<br />

general manager, and M. Wren Gabel, assistant<br />

to the general manager, has al.so been<br />

made assistant vice-president, in addition to<br />

his former duties. Both have been elected<br />

to the Eastman Kodak board of directors.<br />

New York Asks FCC<br />

For Tele Channel<br />

WASHINGTON—The City of New York<br />

has asked the Federal Communications commission<br />

for assignment of a television channel<br />

so that it can operate a TV station as it operates<br />

a radio station—WNYC. In a letter presented<br />

to the FCC by Seymour N. Siegel,<br />

director of radio communications for the<br />

city. Mayor Vincent R. Impellitteri wrote<br />

that the city will need a television station<br />

because of the "limitless possibilities in television<br />

as a means of visual education in our<br />

schools as well as for our adult citizens."<br />

If the station is authorized, it will be put<br />

at the disposal of the board of education, the<br />

mayor wrote.<br />

William J. Wallin. chancellor of the board<br />

of regents of the University of the State of<br />

New York, told the FCC that Governor Dewey<br />

will be asked to sponsor legislation for creation<br />

of a state educational television authority.<br />

Action along educational lines has also been<br />

taken by the Allen B. DuMont Laboratories,<br />

which has a plant in New Jersey. Discussions<br />

have been held with the Montclair State<br />

Teachers college on a plan for transmitting<br />

closed circuit programs to selected high<br />

schools with a "talk back" arrangement so<br />

that listeners can ask questions and receive<br />

answers.<br />

Cowan Players' Contracts<br />

Call for TV Appearances<br />

NEW YORK—Anticipating a theatre television<br />

network. Cinema Productions will require<br />

all its artists under contract to appear on<br />

theatre TV at least once without charge to<br />

ballyhoo their particular pictures. This contract<br />

clause, which will take precedence over a<br />

commercial radio or video appearance, became<br />

known this week when the Bankers Trust Co.<br />

approved financing arrangements for four<br />

pictures to be made by Lester Cowan for the<br />

exhibitor-backed producing company headed<br />

by M. A. Lightman.<br />

Shooting on the first picture, which will<br />

use the Polaroid three-dimensional process,<br />

will start before the end of the year at the<br />

Movietone Studio in New York. Tentative<br />

title is "The Customer Is Always Right." Applicable<br />

to all theatre screens, the Polaroid<br />

tri-dimension project envisions giving patrons<br />

glasses, which will also be good as sun glasses.<br />

Employing the Cinerama method of panoramic<br />

projection, the second picture is not<br />

expected to be started until June. Using a<br />

145-degree viewing angle instead of 45 degrees,<br />

this film is scheduled to be photographed<br />

in various parts of the country.<br />

Andrea Predicts 50% Cut<br />

In TV Output for 1951<br />

NEW YORK—Pi'oduct ion of television receivers<br />

may be cut 50 per cent next year,<br />

according to Frank A. D. Andrea, president<br />

of Andrea Radio Corp. This would cut the<br />

output to 4,000,000 sets in 1951.<br />

Andrea spoke at a meeting of business<br />

leaders sponsored by Dun & Bradstreet, Inc.,<br />

Tue.sday (28). Andrea said the industry<br />

could not maintain its recent production rate<br />

of 350,000 radios and 200,000 television receivers<br />

a week.<br />

50 BOXOFFICE :<br />

: December 2, 1950


. . The<br />

. . MGM<br />

. . Mrs.<br />

. . Head<br />

. . Contract<br />

. . Manager<br />

. . ELC<br />

Park Ave. Theatre<br />

Reverts to Reade<br />

NEW YORK—The Park Avenue Theatre,<br />

recently operated by Universal-International<br />

as a showcase for J. Ai-thur Rank product,<br />

has reverted to Walter Reade Theatres, which<br />

built and opened the 600-seat house in 1943.<br />

The theatre was leased to U-I shortly after<br />

Reade had made a try at a subscription<br />

policy de.signed to attract class patrons living<br />

in the Park avenue area.<br />

The theatre, which closed November 28<br />

following the expiration of the U-I lease,<br />

will be reopened by Reade as a fir;t run<br />

shortly before Christmas. The theatre was<br />

the first to have television in its lounge and<br />

love seats in the mezzanine. Coffee for the<br />

guests will be continued, Walter Reade said.<br />

During the U-I tenancy, the theatre played<br />

"Hamlet" for 66 weeks on a two-a-day basis,<br />

but the recent Rank pictures have had ,"hort<br />

runs and "The Mad Queen." a Spanishlanguage<br />

feature distributed by Azteca Films,<br />

was one of the last attractions.<br />

Reade rejected offers from television networks<br />

to convert the Park Avenue into a<br />

television theatre because he felt "there is<br />

a definite place for a de luxe theatre of this<br />

type in the New York City scene," he said.<br />

Reade Theatres Co. owns and operates 40<br />

regular theatres and six drive-ins in New<br />

Jersey and upstate New York.<br />

Dorothy Fields Presides<br />

At Jewish Fund Luncheon<br />

NEW YORK—Dorothy Fields, playwright<br />

and lyricist, who is chairman of the theatre<br />

arts division of the current $20,000,000 maintenance<br />

campaign of Federation of Jewish<br />

Philanthropies of New York, was principal<br />

speaker at a luncheon for women connected<br />

with the stage, screen, radio and television.<br />

The luncheon was one of a series of events<br />

planned by the theatre arts division to raise<br />

money for the campaign.<br />

Others seated on the dais at the luncheon<br />

were: Mrs. Barney Balaban, Anita Colby.<br />

Mrs. Simon H. Fabian, Mrs. Oscar Hammerstein,<br />

Radie Harris. Theresa Helburn, Celeste<br />

Holm, Mrs. Lawrence Langner, Jinx Falkenburg,<br />

Mrs. Richard Rodgers. Mrs. Spyros P.<br />

Skouras, Mrs. Louis Eobol, Mrs. Nathan Spingold<br />

and Mrs. Jesse «sinof, women's division<br />

campaign chairman.<br />

Truman May Name Griffis<br />

Ambassador to Spain<br />

WASHINGTON—Stanton Griffis, who recently<br />

resigned as ambassador to Argentina<br />

probably will be appointed ambassador to<br />

Spain, informed circles here said. President<br />

Truman is expected to make the announcement<br />

shortly. Spain has not had a U.S. ambassador<br />

for five years. Griffis is chairman<br />

of the Paramount executive committee. During<br />

his tenure at Argentina he sought to improve<br />

relations between the government of<br />

that country and the U.S. film industry, but<br />

members of the industry here were unwilling<br />

to make some concessions which he suggested.<br />

Title of the RKO film formerly called<br />

"Present for Katy" has been changed to<br />

"The Middle of the Night."<br />

WASHINGTON<br />

. . .<br />

\X7illiam Ltindigan, 20th-Fox star, recently<br />

dropped into the local exchange<br />

Airs. Ben Lust was in Garfield hospital for<br />

a checkup ... A dinner-dance will be given<br />

by Loccl F-13 in the Elks club in January<br />

when the new officers for the co.ning year<br />

are installed<br />

. booker Ida Barezofsky<br />

was on vacation at Grossinger hotel,<br />

Esther Blendman, circuit<br />

Ferndale. N. Y. . . .<br />

cashier, has a new car . auditor<br />

Tom Guinan was at the local office . . .<br />

Manager Norfolk.<br />

Max Cohen went to<br />

Warner booker Ethel Risdon was still talking<br />

about her vacation trip to Montreal,<br />

Toronto and Niagara Falls . Cynthia<br />

. .<br />

Broider has replaced Clara Estes who resigned<br />

to get married ... J. I. Scully, U-I<br />

district manager, was in town several days<br />

. . . Office Manager Stanley Taylor returned<br />

from a vacation in Boston . . . Paramount<br />

Manager Al Benson and bookers Jack<br />

Howe, Bob Cunningham, Fred Von Langen<br />

and Luther Buchanan went to Pittsburgh for<br />

a sales meeting . Lillian Lee's son.<br />

Sergt. Earle Sweikhart, arrived from Germany<br />

where he was stationed several years.<br />

Frances Fischer, daughter of the Bill<br />

Fischers at Columbia, celebrated her 14th<br />

birthday . new student booker is<br />

Walter Hunt . shipper Claude<br />

Ringer has been ill for some time . . . RKO<br />

cashier Agnes Turner made a flying visit lo<br />

Frederick. Md. . clerk Bob<br />

Miller finally got back to Washington after<br />

being snowbound in Altoona, Pa., where .he<br />

went to spend Thanksgiving . . Manager<br />

.<br />

Joseph Brecheen spent Tuesday (28) visiting<br />

exhibitors in Baltimore.<br />

Richard Young, son of 20th-Fox booker<br />

Sara Young, enlisted in the navy and is at<br />

the Great Lakes training station . . . Zelda<br />

Stout is a new employe . Glenn<br />

Norris and his family had rough traveling<br />

from his home in Stateville, N. C, where<br />

they went to spend Thanksgiving with cheir<br />

families. Roads were blocked with snow and<br />

ice.<br />

In the Filmrow Bowling league John<br />

O'Leary's average keeps going up. Recent<br />

standings found him averaging 107 with<br />

Pauline Struck keeping up the women's average<br />

of 97. The RKO exchange is in first<br />

place with 17 wins and 10 losses, and Uni-<br />

\'ersal and Warner tied for second place<br />

with 15 wins and 12 losses. In third place<br />

is 20th-Fox with 13 wins and 14 losses with<br />

Republic and Warner No. 2 bringing up the<br />

rear.<br />

'Kon-Tiki' Reception<br />

NEW YORK—Sol Lesser, distributor of<br />

"Kon-Tiki," documentary film made by Thor<br />

Heyerdahl, and Rand McNally, publishers<br />

of Heyerdahl's recently published book of<br />

the same name, gave a reception and press<br />

preview of the picture at Toots Shor November<br />

28. Heyerdahl was hospitalized and unable<br />

to be present. Among those attending<br />

were Robert Mochrie. RKO sales head; Phil<br />

Reisman. Monroe Greenthal. Sol Schwartz,<br />

Nancy Carroll and Rutgers Neilson. RKO,<br />

which distributes Lesser's "Tarzan" features,<br />

will probably distribute "Kon-Tiki."<br />

COMPO Congratulates<br />

Magazine on Awards<br />

PHILADELPHIA—Ted Patrick, editor of<br />

Holiday magazine, has received from Arthur<br />

Mayer, executive vice-president of the Council<br />

of Motion Picture Organizations, a :Tie~.-<br />

.sage of congratulation for the four new annual<br />

awards to be presented by the magazine<br />

to the industry December 8 at a luncheon<br />

in the 21 club. New York.<br />

The awards will be presented by Robert<br />

E. Sherwood for two motion pictures and<br />

two film industry individuals doing the most<br />

to portray the American democratic way of<br />

life to foreign audiences.<br />

The message from Mayer read: "We wish<br />

to congratulate Holiday magazine on its plan<br />

to present four awards to the motion picture<br />

industry for its interpretation of American<br />

life to foreign audiences.<br />

"We in the picture business have long<br />

been aware that our productions were carrying<br />

the message of America to the far corners<br />

of the world. In giving public recognition<br />

to this impact of motion pictures<br />

abroad Holiday is not only acquainting the<br />

American people with the phase of our<br />

business they should know about, but it<br />

also is promoting a distinctive service to<br />

this industry. You have the best wishes of<br />

the Council of Motion Picture Organizations<br />

for success in your endeavor and if there<br />

is anything we can do to help you in this<br />

work, we shall be glad to do so."<br />

Several Managers Shifted<br />

By Loew's in New York<br />

NEW YORK—Several managers of Loew's.<br />

Inc., theatres have been shifted in the New<br />

York area by Eugene Picker. Mn. Louise<br />

Leonard has gone from the Sheridan to the<br />

Lexington, replacing Robert Gibbons, who<br />

has resigned to enter the restaurant business<br />

in Baltimore. Douglas Helgeson has<br />

moved from the Hilhide to the Sheridan<br />

and has been succeeded by William Klsnert<br />

fro.n Loew's Fairmount.<br />

Other transfers: Seymour Brond, Plaza to<br />

Fairmount: Larry Stark, Boro Park to Plaza;<br />

Daniel Cohen, Palace to Boro Park; Arthur<br />

Dattel, Brevoort to Palace; Wilfred Simon,<br />

relief manager to Brevoort; John O'Connor,<br />

Woodside to Willard; Paul Swater, Willard<br />

to Melba, and Martin Gallagher, Melba to<br />

Woodside.<br />

20th-Fox, Doubleday Co.<br />

Cooperate on 'Mudlark'<br />

NEW YORK—Twentieth Century-Fox has<br />

arranged with Doubleday & Co. for a cooperative<br />

campaign tieing in with the publishing<br />

firm's new $1.49 reprint edition of<br />

"The Mudlark" with the screen version of<br />

the Theodore Bonnet novel. The picture<br />

which will be nationally released in January,<br />

will be the Christmas attraction at the Roxy<br />

Theatre.<br />

Doubleday salesmen in the field will carry<br />

kits of stills from the film, the first time this<br />

r-.ethod has been used to sell<br />

a book to retail<br />

outlets on the strength of the motion picti<br />

rs version. The campaign will also be discussed<br />

at Doubleday's annual sales meeting<br />

December 10.<br />

BOXOFFICE December 2, 1950 N 50-A


. . Wally<br />

. . Ralph<br />

. . . For<br />

. . Hera-y<br />

.<br />

ALBANY<br />

The Variety Club's first television program,<br />

over WRGB. Schenectady, at midnight on<br />

Thanksgiving, netted $900 in telephoned donations.<br />

Mailed contributions were expectsd<br />

to push the total past $1,000, co-chairman<br />

Harry Lament said. Tent 9 officials and executives<br />

of WRGB expressed satisfaction<br />

with the amount raised, although they hoped<br />

it would be larger next year, when an earlier<br />

hour will be sought for the telecast. Lamont<br />

praised the General Electric Co., station<br />

Manager Bob Hanna and others for their<br />

cooperation. The show, staged as part of the<br />

annual Denial week drive on behalf of Camp<br />

Thacher, featured acts from the Colonial<br />

Theatre, the Hawaii Klub. Towpath Inn<br />

and Ten Eyck hotel. Assisting in Schenectady<br />

were Lamont, Gene Lowe, Gene Teper,<br />

Tommy Sternfeld and Al Zink. Chief Barker<br />

Charles A. Smakwitz headed the group working<br />

in Albany. Fabian and Warner switchboards<br />

were used for Albany calls; Fabian<br />

tor Troy, and WRGB for Schenectady.<br />

Charley Wilson of Glass Lake was announced<br />

on the Variety Club telecast as<br />

donor of $50 to Denial week. He is owner<br />

The Ritz<br />

of the Bijou, North Troy . . .<br />

opened a week's engagement Wednesday of<br />

"I'll Get By," which drew well at the Strand<br />

recently, and "The Noose" . Mauro,<br />

manager at National Theatre Supply, reported<br />

installation of new Simplex projection<br />

at the New York State Woodbourne Institution<br />

for Delinquents. It is understood shows<br />

for inmates are screened twice a week. NTS<br />

also recently installed Simplex equipment at<br />

.<br />

Johnny Capano of the State, Troy, staged<br />

a Thanksgiving eve owl show, consisting of<br />

two "sizzling first run" features for an advertised<br />

admission of 14 cents. He also ran<br />

a children's Thanksgiving morning bill at<br />

20 cents Overman, Disney cartoonist,<br />

gave autographed cartoons to the<br />

first 100 children attending a Thank.sgiving<br />

performance at the Colonial. He appeared<br />

on a vaudeville bill at the house three days<br />

the second consecutive year, Warners'<br />

Strand, Madison and Delaware were<br />

reported to have drawn large audiences at<br />

Thanksgiving morning shows consisting of a<br />

Roy Rogers feature and cartoons . . . Blanche<br />

Van Buren, Eagle cashier, was a casualty of<br />

the terrific windstorm which did great damage<br />

here Saturday night. Attempting to cross<br />

Hudson avenue on her way back to the theatre<br />

after supper, she was blown against the<br />

side of a car and suffered knee and leg<br />

bruLses.<br />

The Radio and Television Manufacturers<br />

Ass'n of Washington reported that residents<br />

of Albany, Rensselaer and Schenectady counties<br />

purchased 37,000 television sets in the<br />

past year . "Dutch" Harris, president<br />

of the stage employes union, is recovering<br />

at home after- suffering two broken ribs<br />

in a ladder fall backstage at the Strand. John<br />

Lanahan and George Powers of the Grand<br />

are relieving for Harris.<br />

.<br />

Filmrow visitors included Vivian Sweet,<br />

operating in Salem, Greenwich and Schuylerville;<br />

William H. Aust of Aust's Drive-In,<br />

South Glens Falls. Phil Baroudi, North<br />

Creek, Warrensburg and Indian Lake<br />

Abe Sunberg, former assistant to Neil Hellman<br />

and now a drive-in executive in the<br />

Buffalo area, was a Variety Club visitor . .<br />

.<br />

Joe Miller, former Columbia manager who<br />

now operates a drive-in, was in New York<br />

on business<br />

the Hudson River Training School for Girls,<br />

in Hudson; Green Haven pri.son, Hopewell<br />

Junction; Harlem Valley State hospital,<br />

Wingdale, and New York State Veterans<br />

camp at Mount McGregor, Saratoga.<br />

of those attending the Washington premiere<br />

of U-I's "Harvey" Wednesday at Warners'<br />

Uptown Theatre. The showing was sponsored<br />

by the National Press club.<br />

'Harvey' Capital Preview<br />

WASHINGTON — Cabinet members and<br />

other government dignitaries headed the list<br />

To Write Screen Biography<br />

Irving Brecher has been signed to write a<br />

screen biography of Blossom Seeley, song star<br />

of vaudeville and the musical stage, for<br />

Paramount release.<br />

Albany Area Drive-ins<br />

Suffer Storm Loss<br />

ALBANY—Drive-ins felt the brunt of the<br />

violent windstorm which caused widespread<br />

damage in this area last Saturday. Interruptions<br />

of projection through loss of power<br />

and suspension of heat were reported in<br />

some regular situations, but the chief storm<br />

victims were automobile theatres.<br />

Screen tower blowdowns were reported at<br />

the North Hoosick, West Sand Lake and<br />

Middletown drive-ins. Fence and attraction<br />

boards were uprooted in the Poughkeepsie,<br />

Vails Mills and Lake George openairers, operated,<br />

like the Middletown, by Harry Lamont.<br />

Poughkeepsie had scheduled but canceled<br />

Saturday night shows, the final of the<br />

season. Part of the front of Dave Willig's<br />

Auto-Vision at East Greenbush was damaged.<br />

Bob Willard's Bennington, Vt., drivein<br />

also had some fence damage as did the^<br />

Malta, ten miles from Saratoga.<br />

F. Chase Hathaway, whose North Hoosiclci<br />

was hard hit, reported considerable damage;<br />

at the Fort Warren Drive-In near Castleton,'<br />

Vt. Neil Hellman said the fence at the Lin-'<br />

coin Drive-In at North Philadelphia was)<br />

blown down. Performances scheduled for<br />

Saturday night were canceled, but Manager<br />

Harry Flatter got the theatre back into running<br />

Sunday. Hellman estimated his loss at<br />

$5,000. Minor damage was reported at Fa-'<br />

bian's Saratoga and at the Menands drivein.<br />

Power failures were reported in Cohoes,<br />

Watervliet, Phoenicia and Fleischmanns. Attendance<br />

was so small that only a few refunds<br />

were made.<br />

Part of the roof of a mission church blew<br />

on to the roof of the Royal, Albany, but no<br />

damage to the theatre was done.<br />

About 10,500 homes in Albany were without<br />

power, and many were without heat Satiu--<br />

day night and Sunday. The number in Troy<br />

was 12,100, and in Schenectady, 1,200. Most<br />

of the Albany radio stations went off the<br />

air at some time during the gale.<br />

To Rename Amphitheatre<br />

In Memory of Barron<br />

WASHINGTON — The national capital's<br />

sesquicentennial commission Thursday endorsed<br />

the proposal to rename the Sesquicentennial<br />

Amphitheatre the "Carter T, Barron<br />

Memorial Amphitheatre." The move had<br />

the backing of Secretary of the Interior Oscar<br />

Chapman.<br />

Sesquicentennial General Manager Paul<br />

Massman recommended that the amphitheatre<br />

be dedicated at the opening show next<br />

spring, with proceeds to go to the cancer<br />

fund.<br />

Barron, eastern division manager of Loew's,<br />

and MGM studio representative, died recently<br />

of cancer. He was executive vice-chairman<br />

of the sesquicentennial commission.<br />

NEW ALBANY ( ItliW—The 1951 crew of Variety Tent 9 at Albany face the<br />

cameraman. In the first row, left to right Harold Gabrilove, second assistant chief<br />

barker; Charles Dortic, first assistant; Leo Rosen, chief barker; Nate Winig, doughguy;<br />

Nat Dickman, property master. In the .second row: Al Marchetti. Edward Maloney,<br />

Gerald Alkin, Max Friedman and Eugene Vogel, Jack Olshansky. not appearing here,<br />

is the llth member.<br />

ABC Vending Merger Units<br />

NEW YORK — Allied Beverage Corp..<br />

chartered in Delaware, and Apex Beverage<br />

Corp.. formed in New York, are to be merged<br />

into ABC Vending Corp. as a result of approval<br />

given by the vending company stock-<br />

I<br />

holders at a special meeting held Tuesday<br />

(28).<br />

50-B BOXOFFICE :: December 2, 1950<br />

A


. . John<br />

. .<br />

. .<br />

. . . The<br />

. . The<br />

. . Norman<br />

. . Local<br />

. . The<br />

DISTRIBUTE COIN BOXES—Youngsters<br />

assisted Variety Club members in<br />

distributing containers to Albany stores<br />

and mercantile establishments in the<br />

annual Denial week campaign to raise<br />

825,000 for the operation of the Variety-<br />

Albany Boys Club Camp Thacher for<br />

needy kids. Standing in the back are<br />

left to right Ed Maloney, Paramount<br />

manager, and Gene Vogel, U-I manager,<br />

in charge of the distribution.<br />

VIRGINIA<br />

Cympathy to Charles M. Smith, manager of<br />

the Bristol Lee. on the recent death of his<br />

father-in-law . . . Margaret Barr, Lee cashier,<br />

is on leave and was replaced by Mary Nell<br />

Moore, formerly candy attendant . . . Ogden<br />

Case, former usher at the Bristol Cameo,<br />

was recently promoted to doorman . . . Archer<br />

Eades, Cameo operator, attended the football<br />

game in the Burley Bowl in Johnson<br />

City, Tenn.<br />

.<br />

Winifred Gillenwater, city manager for<br />

Wilby-Kincey Theatres in Bristol, opened<br />

"Tripoli" with cooperation of marines and<br />

VFW Poppy day ballyhoo Rogers,<br />

manager of the Bristol Shelby and Columbia,<br />

was away recently on a hunting trip. He also<br />

journeyed to Washington for a booking session<br />

Jimmy Washburn, sound engineer<br />

. . . for Neighborhood, was checking over the projection<br />

equipment in the Cameo and Lee .<br />

Wendell Johnes, manager of the Dalton, Pulaski,<br />

was in Bristol moving his family .<br />

Frank Bowling, city manager for Neighborhood's<br />

Cameo and Lee, called on John Conner,<br />

city manager at Pulaski Theatres.<br />

Plaza at Peraskie, Pa.,<br />

Is Destroyed by Fire<br />

PERASKIE, PA.—The Plaza Theatre, a<br />

450-seater, was destroyed by fire only a short<br />

time after hundreds of persons left the building<br />

following the last show Sunday (26).<br />

The screen, stage and sound equipment<br />

were a complete loss. The blaze, according<br />

to firemen, apparently started in a ventilating<br />

duct at the roof level and spread into the<br />

theatres. Bernard Hines, owner, was informed<br />

of the fire as he reached home after<br />

spending the day pumping water from the<br />

basement of the Selvil Theatre in SellersvUle,<br />

which he also owns. The Selvil was flooded<br />

during the heavy rainstorm last Saturday.<br />

PHILADELPHIA<br />

The recent storm which swept across the<br />

east did considerable damage to many<br />

theatres. The roof was blown off of the<br />

Orpheum in Orwigsburgh, Pa. Other theatres<br />

closed by storm damage are the Florence<br />

in Florence, N. J.; North Camden, Camden,<br />

N. J.; Martin, Roxy and Garden theatres<br />

in Lock Haven, Pa., and the Victoria,<br />

The big wind broke<br />

Jersey Shore, Pa. . . .<br />

the plate glass windows of National Screen<br />

Service.<br />

The Penn in South Philadelphia closed,<br />

but may reopen December 23 if business<br />

picks up . Frolic Theatre is closed<br />

while a heating system is being installed.<br />

Vandals in the neighborhood have damaged<br />

the theatre's marquee . Weitman,<br />

U-I salesman, will be<br />

married Sunday (3)<br />

Carmen Theatre<br />

has dropped vaudeville<br />

shows and<br />

switched to double features<br />

. . . New officers<br />

of Variety Tent 13 are<br />

Ted Schlanger, chief<br />

barker; Victor H.<br />

Blanc, first assistant;<br />

Ralph Pries, second<br />

assistant; Norman Silverman,<br />

property master;<br />

Cecil Felt, house Ted Schlanger<br />

chairman, and Edward Emanuel, membership<br />

committee chairman.<br />

The contractors on the Midtown Theatre<br />

project of William Goldman are working<br />

day and night to have the theatre ready<br />

for a gala opening December 23. The event<br />

will be spotlighted by the world premiere<br />

of "The Goldbergs."<br />

Arguments on the motion of Independent<br />

Poster Exchanges of Philadelphia, Washington,<br />

Chicago and Charlotte for summary<br />

judgment in their monoply suit will be<br />

heard Monday (11) . . .<br />

Eddie Gabriel clams<br />

that Capital exchange is the first one on<br />

the street for the 35th year to decorate for<br />

Christmas. Capital is distributing a 26-<br />

minute feature on the Royal Canadian<br />

Mounted Police entitled "The Connors Murder<br />

Case."<br />

Rose Shapiro, ELC biller, says she is available<br />

for singing engagements at all types<br />

Sandy Gottlieb,<br />

of entertainment functions . . .<br />

ELC manager, is making preparations<br />

to establish a home here for his family<br />

Sylvia Snyderman has replaced Irving<br />

. . .<br />

Loomis in S-W's billing department. Another<br />

new girl there is Harriet Fingerote.<br />

The Motion Picture Associates committees<br />

for 1950-51 follows: Welfare, Joe Engel, chairman;<br />

Meyer Adelman. William Doyle and<br />

Soeg Horowitz; membership, Ben Bache.<br />

Harry Blumberg and Norman Silverman;<br />

entertainment, Nat Ro.sen. Dick Doherty,<br />

Harry Freedman and Mel Koff; publicity,<br />

Mike Weiss, George Nonamaker; finance.<br />

Jack Beresin, Moe Koppleman and Lou<br />

Formato; constitution and bylaws, Al Cohen,<br />

Al Davis and Max Gillis; publication, David<br />

Titleman, Milt Young and Joe Schaeffer.<br />

HARRISBURG<br />

n big event at the Rio recently was a party<br />

for 1,800 children, staged by Manager<br />

Francis DeVerter. He also held a conte.st<br />

in which 15 boys released 15 gas-filled balloons<br />

containing instruction cards. Finders<br />

were to return the balloons to the theatre<br />

for $10 in cash . Colonial gave a<br />

special preview of "No Way Out" for representatives<br />

of city organizations. Manager<br />

Jack O'Rear was publicity director for the<br />

recent appearance of Elmer Wheeler, lecturer<br />

. . . The Jack D. O'Rears are parents<br />

of their first child, a boy named Dennis.<br />

Sam Oilman, manager of Loew's Regent,<br />

promoted "To Please a Lady" by several<br />

stunts. He ran a newspaper contest offering<br />

prizes and passes to women for the ten best<br />

short rules on how they'd like to be pleased<br />

and the men who know best how to please<br />

the women. He had a tieup with a city<br />

Ford dealer in which three girls toured the<br />

city in new cars. Cooperative advertising<br />

was arranged with the same dealer and the<br />

Firestone representative . . . Dennis Coholan<br />

(4) . . .<br />

Judge Kirkpatrick's opinion in the Boulevard<br />

Drive-In case against the eight majors<br />

contains some interesting dicta to the effect<br />

that clearance policies of distributors are<br />

after a Philadelphia trip.<br />

reasonable restraints of trade only if they<br />

are flexible in character. Spokesmen for<br />

distributors in this area reveal that they<br />

have foreseen such a judicial view. They<br />

are trying to guard themselves by scheduling<br />

pictures according to actual playdates<br />

rather than clearances 307 of<br />

.<br />

projectionists will elect new officers Monday<br />

The girls of 20th-Fox staff gave a<br />

luncheon and shower for Eleanor Cohen, contract<br />

clerk.<br />

of 20th-Fox visited Harrisburg exhibitors . . .<br />

Mark Rubinsky, owner of the Rubinsky circuit,<br />

was back in his office in the Uptown<br />

Opening in Philadelphia<br />

Set for 'The Goldbergs'<br />

NEW YORK—Paramount will open "The<br />

Goldbergs" December 23 at the Midtown<br />

Theatre, Philadelphia. Gertrude Berg, star<br />

of the film, will arrive three days before the<br />

opening to aid radio, television and newspaper<br />

promotion.<br />

Treasury Plugs 'Harvey'<br />

NEW YORK—The U.S. Treasury's payroll<br />

bond division has created a four-color poster<br />

on U-I's "Harvey," which shows the partial<br />

head of a rabbit with the line, "Give an Ear<br />

to Harvey and His Good Advice," as well as a<br />

still of James Stewart, the star. Thirty-five<br />

thousand copies will be distributed to banks,<br />

business offices and industrial plants in 75<br />

key cities.<br />

TAILORED SEAT COVERS<br />

Any Siie — Any Style<br />

Any Quan+i+y<br />

JOHN P. MORGAN CO., INC.<br />

317 N. 13th STREET LO 4-0224<br />

BOXOFFICE December 2, 1950 50-C


TBA Television Clinic<br />

Agenda Completed<br />

NEW YORK—Tlie agenda for the 1950<br />

television clinic of Television Broadcasters<br />

Ass'n, to be held December 8 at the Waldorf-<br />

Astoria, has been set up by Eugene S.<br />

Thomas, clinic chairman and manager of<br />

WOR-TV television operations.<br />

Pi-ogramming and audience research will be<br />

spotlighted during the morning sessions. The<br />

speakers will be M. C. Watters, vice-pre.-,ident<br />

and general manager of WCPO-TV, Cincinnati;<br />

Sylvester L. Weaver, vice-president<br />

in charge of television of the National Broadcasting<br />

Co.: Donald Thornburgh. president<br />

and general manager of WCAU-TV. Philadelphia;<br />

Donald Stewart, general and commercial<br />

manager of DuMonfs WDTV in<br />

Pittsburgh; G. Bennett Larson, vice-president<br />

and general manager of WPIX, New York;<br />

John M. Outler jr., general manager of<br />

WSB-TV, Atlanta, and E. Lawrence Deckinger,<br />

president of Radio-Television Research<br />

Council. C. E. Hooper will demonstrate his<br />

automatic device for checking audiences and<br />

also report on advertising effectiveness.<br />

Speakers at the afternoon session, which<br />

will offer a diversity of subjects, will be Dr.<br />

A. G. Ruthven, president of the University<br />

cf Michigan, who will be introduced by Harry<br />

Bannister, general manager of WWJ-TV in<br />

Detroit; Dwight W. Martin, vice-president of<br />

WLW-TV, Cincinnati; John A. Kennedy of<br />

WSAZ-TV, and Irving R. Rosenhaus, president<br />

and general manager of WATV, Newark.<br />

There will be discussions of the proposed<br />

excess profiles tax and the impact of color<br />

television.<br />

J. R. Poppele, TBA president, will be toastmaster<br />

at the luncheon. The annual meeting<br />

will be held before the clinic opens. Three<br />

directors are to be elected to fill the terms<br />

of Dr. Allen B. DuMont, Joseph McDonald<br />

Richard A. Borel. The reorganization meeting<br />

cf the board of directors will be held in the<br />

afternoon.<br />

Interim German Licenses<br />

Assigned at SIMPP Meet<br />

NEW YORK—Allocation of seven interim<br />

west German film licenses was discussed at<br />

a meeting Tuesday (28) of the Society of<br />

Independent Motion Picture Producers, with<br />

Fllis Arnall, president, presiding. It was decided<br />

that producers with films ready for immediate<br />

distribution will have first claim on<br />

the licenses.<br />

Last year SIMPP received ten licenses.<br />

This year the total may reach 40. Those<br />

arowed member companies of the Motion<br />

Picture Ass'n of America for the current<br />

quarter of the year total 50. Both organizations<br />

are seeking unrestricted imports.<br />

Robert Stillman Is Named<br />

To SIMPP Post on UNESCO<br />

NEW YORK—Robert Stillman, who has<br />

produced "The Sound of Fury" and "Queen<br />

for a Day" for United Artists release in 1951.<br />

has been named by Ellis<br />

Arnall, president of<br />

the Society of Independent Motion Picture<br />

Producers, to represent the organization on<br />

the UNESCO film panel. Myrna Loy is chairman<br />

of the panel.<br />

FLY TO EUROPE—Herbert J. Yates,<br />

Republic Pictures president, and John<br />

Ford, whose first Argosy production for<br />

Republic is the current "Rio Grande,"<br />

left for Europe November 19. Yates will<br />

attend conferences in Great Britain and<br />

France, and Ford will check on location<br />

sites for a picture he expects to film in<br />

Ireland for Republic next spring. They<br />

were accompanied by William Martin<br />

Saal, executive assistant to Yates and<br />

actor Ward Bond. Shown in the photo<br />

are James R. Grainger, Republic executive<br />

vice-president in charge of sales and<br />

distribution, at the airport to say bon<br />

voyage; Bond, Ford, and Yates.<br />

Republic Seeks Employes<br />

For New British Unit<br />

LONDON—Republic Pictures International,<br />

new British distribution company, began<br />

seeking personnel during the week, with<br />

Charles B. Newbery in charge, under the<br />

supervision of Herbert J. Yates, Republic<br />

president, and Richard Altschuler, export<br />

manager, who arrived from New York.<br />

The company is the outgrowth of the end<br />

of a 15-year business relationship mutually<br />

agreed to by Republic and British Lion Film<br />

Corp. British Lion stopped selling Republic<br />

films Monday (27 1 but will continue to service<br />

existing contracts until the new company<br />

is operating, which is expected to be before<br />

the end of the year. The two companies<br />

issued assurances there will be no interference<br />

with the servicing, booking and selling<br />

of Republic films.<br />

Australian Film Men Tour<br />

United States and Canada<br />

NEW YORK—Roy Barmby, chief booker<br />

for Greater Union Theatres of Australia, and<br />

Ted Lane, publicity director for the circuit,<br />

and tradepress representatives were guests<br />

of Capt. Harold Auten at the Lotos club<br />

Thursday (30). Barmby and Lane are on a<br />

tour of the United States and Canada studying<br />

exhibition methods. They left Australia<br />

early in October by plane, stopped off in<br />

San FYancisco and Los Angeles, and then<br />

went to the Theatre Owners of America<br />

convention in Houston. Tliey will leave Monday<br />

(41 for Toronto. On the return trip<br />

they will again stop off in New York and<br />

then will go to Washington. Tliey expect to<br />

be on the coast New Year's and leave shortly<br />

thfreafter for Australia.<br />

Finds U.S. Films Lead<br />

In Latin America<br />

NEW YORK—Hollywood films are still the<br />

most popular in the Latin American market<br />

although British product is also coming into<br />

favor, according to Al Daff, head of worldwide<br />

sales and distribution for Univer.sal-<br />

International. Daff returned from the company's<br />

three-day Latin American sales con- ,<br />

,<br />

ference in Rio de Janeiro late in November, i ^<br />

Daff reported that business conditions are<br />

good in Latin America with the exception<br />

of Argentina, where American pictures are<br />

not being imported because revenue remittances<br />

are still prevented. Twelve of the<br />

forthcoming U-I releases were screened for<br />

the sales meeting and were enthusiastically<br />

received by the Latin American sales force,<br />

Daff reported.<br />

Following the Rio meeting, Daff and John<br />

Davis, managing director of the global J.<br />

Arthur Rank Organization, whose product is<br />

distributed in the U.S. by U-I and Eagle Lion<br />

Classics, visited Sao Paulo. Davis has returned<br />

to England.<br />

Many theatre operators in Latin America<br />

are planning new theatre construction, Daff<br />

said.<br />

Lawlor and Swanink Now<br />

Represent UA Overseas<br />

NEW YORK—John J. Lawlor and John P.<br />

Swanink have been named special United<br />

Artists representatives in India and western<br />

Germany, respectively, according to Al Lowe,<br />

general manager of the foreign department.<br />

Lawlor will be home office liaison with Western<br />

India Theatres, Ltd., the company's distributor<br />

in the territory. He succeeds Carlos<br />

Moore, resigned, who is returning for medical<br />

treatment. Lawlor was with UA in India<br />

from 1933-46 and was general manager there<br />

when he resigned.<br />

Swanink will be home office contact with<br />

Constantin Filmverleih, UA distributor in<br />

western Germany. He has been active in<br />

distribution in Europe for 20 years. For the<br />

last four years he served with the Motion<br />

Picture Export Ass'n in Holland, Austria and<br />

Germany.<br />

Lowe also said that Fred Byrne, chief accountant<br />

in the UA Sydney office since 1929,<br />

has been secretary of the Australian organization,<br />

succeeding Walter Thorburn, elevated<br />

,<br />

to managing director.<br />

Publicity Heads Called<br />

To MGM London Meeting<br />

NEW YORK—Five publicity heads of European<br />

territories will join sales managers<br />

in attending the MGM European sales convention<br />

in London December 11 for "King<br />

Solomon's Mines," according to Morton A.<br />

Spring, first vice-president of Loew's International.<br />

Spring .said that a sales and publicity<br />

convention for one picture is unprecedented<br />

in the history of Loew's International.<br />

Each publicity head will supervise, under<br />

home office direction, the promotion campaigns<br />

in neighboring countries as well as in<br />

his own country. David Lewis, sales manager<br />

for continental Europe, North Africa<br />

and the middle east, will preside.<br />

50-D BOXOFFICE December 2. 1950


OLLYWOOD<br />

NEWS AND VIEWS THE PRODUCTION<br />

(Hollywood Office— Suite 219 at 6404 Hollywood Blvd.: Ivan Svear, Western Manager)<br />

U.S. Court Dismisses<br />

CSU-IATSE Dispute<br />

HOLLYWOOD—A major setback for the<br />

Conference of Studio Unions in its lengthy<br />

fight against major producers and the lATSE,<br />

growing out of the 1946 studio strike, came<br />

when a motion to dismiss, filed by the defendants,<br />

was granted in federal district court<br />

here. CSU attorneys immediately announced<br />

they would appeal the ruling.<br />

The CSU, headed by Herbert K. Sorrell,<br />

originally filed the $43,000,000 suit in 1947,<br />

charging the major companies and the lATSE<br />

had conspired to lock out CSU workers in<br />

asserted violation of antitrust laws. Defendants,<br />

in addition to the lATSE. included<br />

MGM, 20th-Fox. Paramount, Columbia, RKO,<br />

Warners, Republic, Hal Roach, Samuel Goldwyn.<br />

Universal, the Motion Pictures Ass'n<br />

of America, the Paramount and Warner distributing<br />

companies and more than 40 film<br />

executives.<br />

In order to continue a detailed study of<br />

the request, the major studios secured a postponement<br />

until Monday (11) of a meeting<br />

with the Hollywood AFL Film council concerning<br />

the latter's petition for a cost-ofliving<br />

wage boost for nearly 20,000 studio<br />

workers. The unions involved maintain they<br />

are entitled to such an increase because, while<br />

wage scales have remained static since 1947.<br />

living costs have skyrocketed during the<br />

past three years.<br />

Paving the way for the launching of negotiations<br />

for a collective bargaining agreement,<br />

publicists employed by members of the Society<br />

of Independent Motion Picture Producers<br />

and the Independent Motion Picture Pi'oducers<br />

Ass'n. in an election supervised by<br />

the National Labor Relations Board, voted<br />

to select the Screen Publicists Guild as their<br />

bargaining agent. The SPG already has a<br />

basic contract with the major production<br />

companies.<br />

Move to Roach Studios<br />

HOLLYWOOD — Headquarters have been<br />

established at the Hal Roach studios in Culver<br />

City by Mid-Century Productions, newly<br />

formed independent unit, organized by Scenartists<br />

Aubrey Wisberg and Jack PoUexfen.<br />

Basin Drive-In Sold<br />

DURANGO. COLO.—T. R. Knox of Denver<br />

has purchased the Basin Drive-In here.<br />

Mrs. Knox will manage the airer.<br />

East: S. Sylvan Simon, Columbia producer,<br />

will leave late this month for South Africa to<br />

scout locations for an adventure drama which<br />

the studio will produce there in 1951.<br />

West: Robert V. Newman, Republic vicepresident<br />

and executive aide to President<br />

Herbert Yates, returned to his studio desk<br />

after two weeks of conferences with New<br />

York executives.<br />

West: Ray Heindorf, Warner studio musical<br />

director, trained in from Gotham after<br />

completing huddles on music campaigns on<br />

upcoming releases.<br />

West: Ted Tetzlaff, RKO director, accompanied<br />

by Lowell Farrell, unit production<br />

manager, and Lieut. Col. Stanley Latiolais.<br />

technical adviser, planed to Tokyo and<br />

Korea to scout locations for a forthcoming<br />

picture about the Korean war.<br />

West: Producers William Pine and William<br />

Thomas returned from Florida after<br />

scouting locations for their next picture for<br />

Paramount release. They were accompanied<br />

by Director Lewis R. Foster.<br />

South: Bryan Foy. Warner producer,<br />

checked in at the studio after completing<br />

location work at Folsom prison, near Sacramento,<br />

on his cuiTent picture.<br />

East: David A. Lipton, advertising-publicity<br />

director for U-I, planed for Manhattan<br />

for home office conferences.<br />

East: James A. Mulvey, president of Samuel<br />

Goldwyn Productions, returned to his<br />

New York headquarters after parleys here<br />

with Goldwyn anent the 1951 production<br />

program.<br />

West: Sidney Albright, managing director<br />

for 20th Century-Fox in Australia, checked<br />

in at the studio after huddles with New York<br />

officials of the company. He is conferring<br />

here with Darryl F. Zanuck and Joseph M.<br />

Schenck, production chiefs, before returning<br />

to his headquarters in Sydney.<br />

West: Ned E. Depinet, president of RKO,<br />

arrived from New York to sign a new distribution<br />

agreement whereby his company will<br />

continue to release cartoon and live-action<br />

product manufactured by Walt Disney,<br />

TV Actor Struggle<br />

Appears Near End<br />

HOLLYWOOD—That the long-standing<br />

and bitter controversy between the Screen<br />

Actors Guild and Television Authority concerning<br />

jurisdiction over thespians appearing<br />

in motion pictures, no matter through what<br />

medium they are exhibited, might be close<br />

to a settlement was indicated at midweek.<br />

Actmg upon a request from TVA, the SAG's<br />

executive committee postponed for two days<br />

a board meeting which had originally been<br />

called for November 27.<br />

The SAG directorate was informed that<br />

TVA "believes their contract in the live<br />

field"— a recently secured bargaining agreement<br />

— "narrows the issue between us." Possible<br />

settlement of the dispute was up for<br />

discussion at a midweek SAG board session<br />

which two TVA delegates, George Heller and<br />

Ken Carpenter, were scheduled to attend.<br />

Earlier, an NLRB hearing on the jurisdictional<br />

battle had been recessed until Monday<br />

(4). Both SAG and TVA are members<br />

of the Associated Actors and Artistes of<br />

America.<br />

SAG has held firm to its argument that<br />

it should retain jurisdiction over all actors<br />

appearing in any type of film, whether for<br />

theatrical, commercial or video use, w-hile<br />

TVA has been holding out for control over<br />

players appearing in TV pictures.<br />

Under sponsorship of the Family Theatre,<br />

Jerry Fairbanks Productions will shortly<br />

launch filming on "The Joyful Hour," a 60-<br />

minute subject which will be telecast on<br />

Christmas day by major networks and independent<br />

TV outlets. The Rev. Patrick<br />

Peyton, CSC, will produce.<br />

Harry Cohn Will Direct<br />

Cancer Hospital Drive<br />

HOLLYWOOD—Harry Cohn, president of<br />

Columbia, was named chairman of a national<br />

campaign to raise $1,400,000 for the construction<br />

of a new cancer hospital on the grounds<br />

of the City of Hope in Duarte, Calif. Cohn<br />

will head a committee of 100 civic and business<br />

leaders in the drive to complete the first<br />

all-free cancer hospital in America.<br />

Writer Turns Producer<br />

HOLLYWOOD—After several years under<br />

contract as a writer of screen musicals.<br />

George Wells has been elevated to producer<br />

status at MGM. His first assignment as producer-scripter<br />

will be "Broadway Baby." to<br />

star Red Skelton.<br />

BOXOFFICE December 2, 1950 51


STUDIO PERSONNELITIES<br />

Barnstormers<br />

RKO Radio<br />

TIM HOLT was guest oi honor al the sixth annual<br />

Tim Holt day celebration November 25 in El<br />

Ceniro, Brawley, Calexico and Mexicali in the Imperial<br />

valley area, in connection with the oHicial<br />

arrival of Santa Glaus in those communities.<br />

Brielies<br />

Warners<br />

With Gordon Hollingshead producing and Jack<br />

SchoU megging, camera work was launched on<br />

"In Old New York." musical short in the Hit<br />

Parade of the 'SOs series.<br />

Cleffers<br />

Metro<br />

ALBERT SENDREY is composing the music<br />

"<br />

)r "Father's Little Dividend.<br />

Warners<br />

ALEX WORTH will compose<br />

Streetcar Named Desire,"<br />

the score lor "A<br />

MAX STEINER is composing the score lor the<br />

John Wayne starrer, "Operation Pacific."<br />

Meggers<br />

Columbia<br />

JOHN ENGLISH will direct "Whirlwind," the new<br />

Gene Autry starring western, being produced by<br />

Armand Schaefer.<br />

Paramount<br />

HAL WALKER was signed to direct "Junior," upcoming<br />

Dean Martin-Jerry Lewis starring comedy,<br />

to be produced by Hal "Wallis.<br />

Options<br />

Republic<br />

Columbia<br />

LUCILLE BALL and JOHN AGAR will star in<br />

Producer Sam Katzman's "The Magic Carpel,"<br />

which will be directed by Lew Landers. PAT'RICIA<br />

MEDINA and RAYMOND BURR were signed for featured<br />

roles in the production. A comedy spot was<br />

handed GEORGE TOBIAS.<br />

Producer Robert Lord of Santana Productions<br />

signed LUDWIG DONATH for a character lead in<br />

the Humphrey Bogart topliner, "Sirocco," being<br />

directed by Curtis Bernhardt.<br />

Male lead in "No Help From Heaven" will be<br />

DANE CLARK. Femme lead opposite Clark will<br />

be CATHY O'DONNELL. Ralph Murphy will direct<br />

the Lou Appleton-Monty Shaff production, to start<br />

early next year.<br />

As the first of two pictures, PAT O'BRIEN will<br />

star in "Criminal Lawyer," with Rudolph Flothow<br />

producing and Seymour Friedman as the director.<br />

JANE WYATT will star with O'Brien. MIKE MAZURKI<br />

will portray Pat O'Brien's bodyguard.<br />

Independent<br />

male lead in "The the Bridge," being<br />

Set for<br />

produced and directed by Hugo Haas, was Robert<br />

DANE,<br />

GLORIA GRAHAME was signed by Producer Tom<br />

McGowan to star in "The Hyde Side," which is<br />

slated to roll next month with E. A. Dupont<br />

directing.<br />

Metro<br />

GORDON GEBERT, child actor, has been cast<br />

as Ray Milland's son in "People in Love." EILEEN<br />

CHRISTY, young singer and actress, was set for<br />

a supporting part in the picture, hei-ng directed<br />

by Fletcher Morkle.<br />

VAN JOHNSON will star with June Allyson in<br />

"Too Young to Kiss," a romantic comedy to be<br />

produced by Sam Zimbalist.<br />

Monogram<br />

Assembled lor roles in "Rhythm Inn" by Producer<br />

Lindsley Parsons were Dixieland musicians including<br />

WINGY MANONE, PETE DAILEY, MAT-<br />

MATTY<br />

the picture<br />

SMITH, FRITZ and RALPH<br />

were CHARLES<br />

LOCK and WALTER GROSS. Set for<br />

FELD<br />

SANFORD.<br />

Paramount<br />

HOUSELEY STEVENSON and DAVE WILLOCK<br />

were added to the cast of "Rendezvous," the<br />

Harry Tugend production starring Joan Fontaine<br />

and John Lund, MARY ANN and MAUREEN LYNN<br />

REIMER, 14-month-old twins, were cast in the picture.<br />

Also added was ANGELA CLARKE.<br />

A top role in "Here Comes the Groom" was<br />

honied ALEXIS Sl^ITH, JAMES' BARTON and CON-<br />

NIE GILCHRIST were booked for comedy portrayal.<br />

Starring Bing Crosby and Jane Wyman. the opus<br />

IS being produced and directed by Frank Copra.<br />

BERT FREED, Broadway stage actor, was added<br />

to the supporting cast of Producer Hal Wallis'<br />

"Quantrell's Raiders."<br />

RKO Radio<br />

BERNARD SZOLD and PAT PREST are cast additions<br />

to Producer Edmund Grainger's "Flying<br />

Leathernecks."<br />

Republic<br />

Assigned supporting roles in "Night Riders of<br />

Montana," the new Allen "Rocky" Lane sagebrusher,<br />

were ROY BARCROFT, CLAUDIA BARRETT<br />

and MYRON HEALEY. Fred Brannon is directing<br />

for Producer Gordon Kay.<br />

20th Century-Fox<br />

MICHAEL RENNIE, British actor,<br />

long-term ticket.<br />

nked<br />

Actress JEANNE CRAIN was given a one-year<br />

contract extension. She has just completed '"Take<br />

Core of My Little Girl."<br />

Universal-International<br />

RICHARD CONTE and JULIA ADAMS, both signed<br />

to long-term contracts, will be featured in the<br />

upcoming Leonard Goldstein production, "The<br />

Hollywood Story," which William Castle will direct.<br />

Set for a major role was HENRY HULL,<br />

Stage actor VAUGHN TAYLOR was handed a<br />

supporting role in "Francis Goes to the Races."<br />

CECIL KELLAWAY will portray a racehorse owner<br />

in the film which Arthur Lubin is directing, Donald<br />

O'Connor is starred.<br />

Option on actress PEGGIE CASTLE was hoisted<br />

for another year.<br />

JEROME COWAN was handed a character lead<br />

in "Little Egypt."<br />

DOROTHY SHAY, singing star, will have the<br />

femme lead in ""The Real McCoy," next Abbott<br />

and Costello comedy, which will roll in January<br />

with Howard Christie producing, Charles Lamont<br />

directing.<br />

Warners<br />

TOMMY FARRELL was signed for a featured role<br />

in "Strangers on a Train." He is the son oi<br />

actress Glenda Farrell, JOHN BROWN, radio comedian,<br />

was signed lor key supporting role. ROL-<br />

a<br />

LAND MORRIS and EDWARD CLARK are cast additions.<br />

DORIS DAY will enact the title role in "The Helen<br />

Morgan Story," biography of the nightclub singer,<br />

now being prepared by Producer Robert Arthur,<br />

The script is being written by Dean Reisner.<br />

Scripters<br />

RKO Radio<br />

Producer Samuel Goldwyn booked JOEL SAYRE<br />

develop the tentatively titled "I Want You," an<br />

to<br />

original by Samuel Goldwyn jr ,<br />

dealing with army<br />

ground lorces training,<br />

"Girl Gangs," from the original by Inez Robb,<br />

will be screenplayed by VIRGINIA KELLOGG for<br />

Producer Samuel Bischofi,<br />

Republic<br />

RICHARD TREGASKIS, war correspondent and<br />

author, has been assigned to the screenplay ol<br />

"Wings Across the Pacific," aviation drama to be<br />

produced and directed by Allan Dwan.<br />

20th Century-Fox<br />

WALTER BULLOCK has been teamed with Charles<br />

O'Neal on "Golden Girl," which George Jessel will<br />

produce.<br />

Story Buys<br />

Metro<br />

Frank Capra, Paramount producer-director, sold<br />

his original story, "Westward the Women," the to<br />

Culver City studio, where it will be directed By<br />

William A. Wellman, The outdoor action feature<br />

deals with the experiences of a guide who brings<br />

the first group of women westward during frontier<br />

days.<br />

Paramount<br />

"Trumpet Smith," a comedy by Ben Finney, was<br />

acquired for production by Irving Asher, with P. J.<br />

Wolfson assigned to the script. It is a story of exservicemen<br />

who suddenly find themselves back in<br />

uniform.<br />

Technically<br />

Columbia<br />

Whirlwind." Gene Autry start ill be pholo<br />

to<br />

graphed by WILLIAM BRADFORD.<br />

Metro<br />

HAL ROSSON will photograph "Love Is Better<br />

Than Ever."<br />

Film editor on "People in Love" will be ROB-<br />

ERT WATTS.<br />

Monogram<br />

WESLEY BARRY was set as assistant director on<br />

"Rhythm Inn," with WILLIAM SICKNER as cameraman,<br />

DAVID MILTON as art director and EDWARD<br />

J. KAY as musical director.<br />

Paramount<br />

DANIEL L. FAPP, cinematographer, was given an<br />

option hoist lor another two years.<br />

Dance director on "Rendezvous" is FRANCES<br />

GRANT.<br />

RKO Radio<br />

Producers Jerry Wald and Norman Krasna signed<br />

MAC JOHNSON as art director on "T'he Middle of<br />

the Night."<br />

Republic<br />

With JOHN MAC BURNIE at the camera, crew<br />

assignments lor "Night Riders ol Montana" also<br />

include ART VITARELLI. assistant director, and<br />

FRANK HOTALING, art director.<br />

20th Century-Fox<br />

Dance sequences in "The Guy Who Sank the<br />

Navy" will be staged by SEYMOUR FELIX,<br />

Crew lor "David and Bathshebo"' includes R, L,<br />

HOUGH, assistant production manager; F. E. JOHN-<br />

SON, assistant director; CHESTER C. McCOWN,<br />

technical adviser; LEON SHAMROY, cameraman, and<br />

BARBARA MAC LEAN, film editor.<br />

Universal-International<br />

Warners<br />

LE ROY PRINZ has been assigned as dance director<br />

on "Painting the Clouds With Sunshine."<br />

Title Changes<br />

Monogram<br />

"Trail Dust" to SIERRA PASSAGE.<br />

'<br />

"Montana Marshal to MONTANA DESPERADO.<br />

RKO Radio<br />

"Present for Katy" (Wald-Krasna) to THE MID-<br />

DLE OF THE NIGHT.<br />

20th Century-Fox<br />

"The Belle of Market Street" to GOLDEN GIRL,<br />

RKO Sets Starting Dates<br />

For Seven of 12 Features<br />

HOLLYWOOD — Definite starting dates<br />

have been set for the first seven in the<br />

initial year's output of 12 features to be<br />

made for RKO by P>roducers Jerry "Wald<br />

and Norman Krasna. Set to roll are:<br />

"Cowpoke." starring Robert Mitchum. to<br />

be megged by Robert Parrish, December 15;<br />

"The Harder They Fall" and "A Present<br />

for Katie," both January 2; "Strike a Match,"<br />

January 16: "The Blue Veil." which Curtis<br />

Bernhardt will direct, February 1: "Size 12"<br />

and "Girls "Wanted," February 15.<br />

Sidney Solow Named<br />

To Award Committee<br />

HOLLYWOOD— Sidney Solow, west coast<br />

manager ot Consolidated Film Laboratories,<br />

has been named chairman of a special committee<br />

on documentary awards for the forthcoming<br />

23rd annual Oscar derby of the<br />

Academy of Motion Picture Arts and Sciences.<br />

To UNESCO Film Panel<br />

HOLLYWOOD— Producer Robert Stillman<br />

has been appointed the Society of Independent<br />

Motion Picture Producers' representative<br />

on the UNESCO film panel, of which<br />

actress Myrna Loy is chairman.<br />

52<br />

BOXOFFICE December 2, 1950


. . Carl<br />

. . Nat<br />

. . serving<br />

. . was<br />

'Yankee' to Premiere<br />

At Four Star 21sl<br />

HOLLYWOOD—The world premiere engagement<br />

of MGM's "The Magnificent<br />

Yankee" will begin Thursday (21 1 at the<br />

Four Star Theatre here, following a starstudded<br />

invitational premiere on the previous<br />

evening. The film biography of Supreme<br />

Court Justice Oliver Wendell Holmes, starring<br />

Louis Calhern. was produced by Armand<br />

Deutsch and directed by John Sturges.<br />

It will open at the Radio City Music Hall<br />

in New Yorlc in January.<br />

LOS ANGELES<br />

T ured here to attend the recent USC-UCLA<br />

grid classic was Sammy Siegel, Columbia<br />

exploiteer, who had been on a trip to Portland,<br />

Seattle and San Francisco . Saland,<br />

operator of the Mercury film laboratories<br />

in New York, was a Filmrow visitor,<br />

renewing his exhibitor and distributor acquaintances<br />

in this area . Bryant,<br />

Republic office manager, is back on the job<br />

again after a short holiday at Palm Springs.<br />

It was birthday number 74 for Bob Beretta,<br />

salesman for the local National Theatre Supply<br />

branch. He celebrated by pouring drinks<br />

for the house—out of a king-size orange<br />

drink dispenser . . . Frank Fouce, operator of<br />

several Spanish-language houses here, including<br />

the Million Dollar and the California,<br />

planed out for Havana in search of talent for<br />

his accompanying stage shows . . . Bill Toplicker,<br />

theatre broker, flew to Kansas City<br />

and New York on business.<br />

Marquee of the week: "The Leathernecks<br />

Have Landed," "Woman on the Run." at the<br />

American Theatre in Newhall, operated by<br />

Barnes Perdue . . . First screening of MGM's<br />

promotional film, "The Metro-Goldwyn-<br />

Mayer Story," for southern California exhibitors<br />

was held at the Boulevard Theatres<br />

by George Hickey Pacific Coast division sales<br />

manager. The picture is set for additional<br />

screenings in 14 other territories west of the<br />

Mississippi.<br />

Burl Rogers, new owner of the Saticoy Theatre<br />

in Saticoy, checked in on a booking-buying<br />

spree . . . Herb Turpie. western division<br />

manager for Manley Popcorn, hopped up to<br />

Seattle on a business trip . . . Mrs. Celeste<br />

Gordon, secretary to Izzy Berman at the<br />

Eastland circuit, became the mother of a baby<br />

girl, born November 22 . . . Recuperated from<br />

minor surgery, Jim Finkler of the Finkler &<br />

Smith booking service checked out of the<br />

Loma Linda hospital . . . George A. Smith,<br />

Paramount's western division sales manager,<br />

took off for Denver and Salt Lake City for a<br />

week of huddles with branch managers in<br />

those cities.<br />

Services were held for Alan R. Brake. 43,<br />

head of the purchasing department of Pacific<br />

Drive-In Theatres, who died of a lingering<br />

illness. Before affiliating with the drivein<br />

chain. Brake had been associated with<br />

National Theatre Supply and the National<br />

Theatres circuit. He is survived by the wife,<br />

a son and his mother.<br />

III<br />

RANTING that "Movies Are Better<br />

Than Ever" and submitting the opinion<br />

that such evaluation applies most especially<br />

to the king-size westerns which currently<br />

occupy so prominent a place on releasing<br />

.schedules, it nonetheless is difficult to<br />

justify recent bookings in the two local first<br />

run Paramount theatres, the Downtown and<br />

the Hollywood.<br />

After a disappointing two-week run in<br />

those showcases of Republic's "Rio Grande,"<br />

immediately following came Paramount's<br />

"Copper Canyon."<br />

Both are among the best of the 1950 crop<br />

of superwesterns, but despite the popularity<br />

of such category, there probably is a limit to<br />

the amount of sagebrush that the ticket buying<br />

public cares to absorb in a limited period<br />

of time.<br />

A feature of more general character sandwiched<br />

in between the two gallopers would<br />

have manifested shrewder showmanship.<br />

Seems as though you just can't be sure of<br />

anything in this unpredictable industry.<br />

Alex Evelove announced that Warners<br />

would stage the world premiere of "Dallas,"<br />

starring Gray Cooper, in Dallas—which was<br />

as expected.<br />

But in almost the same breath the Burbankian<br />

blurb chief disclosed that "The West<br />

Point Story" had been set to make its debut<br />

not at West Point, but at the Oriental Theatre<br />

in Chicago.<br />

Further from Anxious Alex, information<br />

that "The Australian Davis Cup champs,<br />

Frank Sedgman, Ken McGregor, George<br />

Worthington and Mervin Rose, got their first<br />

view of picture-making with beautiful Jane<br />

Wyman . as their guide through<br />

Warner Bros, studios."<br />

From one racket to another.<br />

From John (I Can Dream, Can't I?) Del<br />

Valle an ornithological tidbit anent "Vultures<br />

are so scarce now in the Arizona skies that<br />

the prop man on Nat Holt's 'Fort Savage' inserted<br />

ads in the Los Angeles, Phoenix and<br />

Flagstaff papers. He needs four trained vultures<br />

..."<br />

What a waste of advertising dollars when<br />

trained vultures can be picked up at a dime<br />

a dozen on the Strip—within spittin' distance<br />

of Producer Holt's office.<br />

Screen credits for Universal-International's<br />

recently previewed "Mystery Submarine" reveal<br />

that the story and screenplay were written<br />

by George W. George and George F.<br />

Slavln.<br />

A gander at the reviews of the opus gives<br />

rise to the theory that it is not always well<br />

to "let George do it."<br />

A morsel from Blake McVeigh, who titillates<br />

the tom-toms on behalf of Producer<br />

Harry M. Popkin and Cardinal Pictures, informs<br />

that Filmmaker Popkin was "accepting<br />

congratulations of his staff" because heavy<br />

floods in central California recently swamped<br />

the location site which had been used in his<br />

current production. It seems, according to<br />

McVeigh, that Popkin avoided heavy losses<br />

by a previous decision to push the shooting<br />

schedule a month ahead of the original plan.<br />

And that's reaching pretty far to give the<br />

boss a congratulatory "yes"; or maybe Producer<br />

Popkin and his crystal ball should be<br />

moved to the meteorological service.<br />

Someone in Al Horwits' U-I blurb department<br />

broadcasts intelligence that "Bonzo,<br />

five-year-old chimpanzee . signed to a<br />

long-term contract by the studio. Pact gives<br />

U-I the chimp's exclusive services for motion<br />

pictures for its duration. Bonzo himself was<br />

brought to the studio for the signing and<br />

personally scratched an 'X' on the bottom<br />

of the contract under the guidance of Michel<br />

Kraike."<br />

And the desperate publicist who monkeyed<br />

around with that one probably had to put<br />

his "X" on the copy.<br />

><br />

As Cinemanians now know, Jaik Rosenstein,<br />

Hollywood reporter and publicist, wrote<br />

a book. On the very yellow jacket thereof appeared<br />

a quote from Dorothy Kilgallen, New<br />

York Journal-American columnist, obviously<br />

written before the tome was in print, to wit:<br />

"Many a movie star is trembling at the<br />

news that Jaik Rosenstein is writing a book<br />

'exposing' the film colony."<br />

Miss Kilgallen was more prophetic than she<br />

thought. Movie stars are trembling—but with<br />

laughter.<br />

><br />

While the tradepress reviews on Producer<br />

Stanley Kramer's United Artists release,<br />

"Cyrano de Bergerac," were unanimous in<br />

singing the picture's praises for its artistry<br />

and productional splendor, the same consensus<br />

opinion held that the feature could do<br />

with a bit of intensive merchandising if it<br />

hoped to become a popular choice with runo'-mill<br />

ticket buyers.<br />

Which situation puts George Glass, veteran<br />

Hollywood press agent and now a vice-president<br />

of Kramer's organization, up against<br />

as tough a chore as has confronted him in<br />

many years. Obviously, Garrulous George<br />

and the know-how he has acquired are<br />

making impressive inroads on the Herculean<br />

task—not the least of which is the selection<br />

of the film as "Movie of the Week" by Life<br />

magazine, and a resultant three pages of<br />

laudatory text and interest-commanding<br />

stills.<br />

Here's an instance where the "let George<br />

do it" routine will pay off.<br />

><br />

Something of a new high in the wishfulthinking<br />

derby was attained by Arthur Eddy,<br />

free-lance praiser, with an item asserting that<br />

20th-Fox's "I'd Climb the Highest Mountain"<br />

had been selected as "the best picture of the<br />

month" for November by the Protestant Motion<br />

Picture Council.<br />

So far as can be learned, that opus hadn't<br />

yet been screened for anyone's appraisal at<br />

the time Artful Arthur's announcement was<br />

made.<br />

BOXOFFICE : : December 2, 1950 53


^(mcOm ^cfront<br />

pOR SOME TIME past the Cinema Exhibitors<br />

Ass'n has been pressing the British<br />

Newsreel Ass'n to drop the arrangement<br />

whereby all newsreels were simultaneously<br />

pressing for a rise in hire charges. Granada<br />

Theatres in particular had been so insistent<br />

that they would not pay the new rates that<br />

for some time they ran their programs without<br />

a newsreel. Now that circuit is back<br />

with newsreels again, but this time it is an<br />

American reel which is outside the association.<br />

Granada is showing in its 60 theatres,<br />

and also at such independent locations which<br />

book it from them, the Heart reel, Telenews,<br />

two editions of which are being flown here<br />

each week and telescoped into one weekly<br />

edition.<br />

Sidney Bernstein made the deal with Telenews<br />

on his last trip to the U.S.A. and the<br />

reel is being edited and processed here by<br />

National Screen Service. In addition to the<br />

matter sent direct from America spot news<br />

is being supplied by the London bureau of<br />

Telenews.<br />

If more contracts are entered Into for the<br />

supply of the reels to houses outside of the<br />

Granada chain the new entrant into the<br />

newsreel field may well bring down the price<br />

of this service—at least for the time being.<br />

While Telenews has only a small organization<br />

in this country it would be possible<br />

for the reel to undersell the British companies,<br />

but there is that if the demand grew<br />

the staff need for more coverage of British<br />

news would obviously add to the overhead.<br />

It has never yet been proved to anyone's<br />

satisfaction that the newsreel adds materially<br />

to a theatre's turnover, but Bernstein's move<br />

in bringing back the reel would Indicate that<br />

it must at least have been missed in the<br />

Granada chain. The charge against newsreels<br />

in the U.S. that they show old news<br />

which viewers have seen on television cannot<br />

yet be made here for although the BBC<br />

has had a television service operating since<br />

long before the war. it is not yet in universal<br />

use here. The main reason is that radio and<br />

television sets carry a high purchase tax in<br />

common with so many other manufactured<br />

articles and the working classes cannot afford<br />

the outlay. Also, since the BBC has not<br />

unlimited funds for their programs the<br />

television here cannot compare in the standard<br />

of its entertainment with a good movie.<br />

PARAMOUNT'S CARLTON Theatre in the<br />

Haymarket looks like paying heavily for its<br />

a.uota this year. After the short run of "The<br />

Elusive Pimpernel," which did very poor business,<br />

It has opened with another British<br />

Lion release, "The Naked Heart," which looks<br />

like continuing the bad record. Not a Korda<br />

picture this time, although released by his<br />

company, the present film was produced by<br />

Nelson Scott and directed by Marc AUegret.<br />

It stars Michele Morgan, Kieron Moore and<br />

Francoise Rosay.<br />

"The Naked Heart" is a very expensive production<br />

that was dogged by bad luck right<br />

from the start. Based on the novel "Maria<br />

Chapdelaine" the story is set in French<br />

Canada in the year 1912 and when a permit<br />

for dollars was refused to shoot on the actual<br />

location the unit went to Austria as ihe<br />

By JOHN SULLIVAN<br />

nearest country with a certain fall of snow<br />

for the exteriors. Arrived there they found<br />

that the snow was the lightest for many<br />

years and this was the first of a series of<br />

setbacks.<br />

Sometimes a setback at the start puts the<br />

crew and actors on their mettle and a good<br />

film is the result. Unfortunately in this case<br />

the reverse is the fact and the picture is<br />

slow, tedious and unbelievable. Miss Morgan,<br />

competent as ever, has little help from her<br />

script which makes her appear an irritating<br />

woman who cannot make up her mind which<br />

of the tlu'ee suitors she should choose. After<br />

far too long a time she decides to settle for<br />

Jack Watling, who is completely miscast as<br />

an illiterate French Canadian trapper. His<br />

Oxford accent among the miscellany of<br />

broken French makes him sound more like<br />

a Rhodes scholar than an uneducated backwoods<br />

boy.<br />

American audiences will be irritated by the<br />

slow direction and overacting of "The Naked<br />

Heart" and Canadian audiences will more<br />

probably be actively annoyed.<br />

J. ARTHUR RANK had some hard words<br />

for independent exhibitors at Leeds during<br />

his recent tour of the provinces. "It would<br />

help us materially, he said, if second run<br />

theatres would go in for more exploitation<br />

schemes. We offer to pay 50 per cent of<br />

the exploitation costs, but they want us to<br />

pay the lot and we will not do so."<br />

Rank had already made these charges at<br />

Glasgow, earlier in his tour and repeated<br />

at Leeds after the local CEA branch had<br />

sent him a telegram complaining about the<br />

remarks made in Scotland.<br />

Apart from the above. Rank also commented<br />

on the Eady plan. He said: "Sir<br />

Wilfred Eady has been a friend of the industry<br />

and has made a good start by putting<br />

on one farthing per seat to help production,<br />

but that is not enough. We need<br />

more help if we are going to get British<br />

film production on a sound basis."<br />

The next step in his tour was to Liverpool<br />

and there, the day after his Leeds .speech<br />

Rank told a press conference: "Out of 12<br />

pictures with the biggest gross at the boxoffice,<br />

six were British and six American.<br />

But the six Briti.sh took more than the<br />

American and certain American films grossed<br />

less than the worst Briti-sh pictures. I would<br />

like exhibitors to take greater advantage of<br />

exploiting to the full those British films<br />

which are of real merit."<br />

THE BENEFITS of Anglo-American production<br />

for independent producers being<br />

obvious the trend is continuing. Marcel<br />

Hellman has just finished his big musical,<br />

"Happy Go Lovely." which was made partly<br />

with American money and now another<br />

independent producer has returned from<br />

Hollywood with a three-picture deal.<br />

This time it is Edward Dryhurst who has<br />

announced that he will make three films<br />

in association with U.S. interests. The first<br />

will be "Castle in the Air," which is based<br />

on a successful London stage show. The<br />

second, "A Bullet in the Ballet," is a comedy<br />

thriller based on a novel by Caryl<br />

Brahms and S. J. Simon. This subject was<br />

originally bought by Ealing studios and has<br />

been bought from them by Dryhurst. The<br />

third production will be made jointly by<br />

Dryhurst and Frederick Brisson and is titled<br />

"Forbidden Cargo." It will be made in Spain<br />

with Dennis O'Keefe in the lead.<br />

Denver Variety Tent 37<br />

Elects New Directors<br />

DENVER—Variety Tent 37 elected the following<br />

directors for 1951: Duke Dunbar, Hall<br />

Baetz, Robert Selig, William Hastings, Ralph<br />

Batschelet, A. P. Archer, Bernie Hynes, Fred<br />

Brown, Joe Ashby, Joe Stone and Harry<br />

Green, and the last five chief barkers, including<br />

Robert Garland. Robert Hill. Tom<br />

Bailey, Milt Hossfeldt and Pat McGee. They<br />

will meet December 31 to elect officers for<br />

the coming year.<br />

The club is putting on an intensive membership<br />

campaign, and hopes to add at least<br />

100 new members. Batschelet, manager of<br />

the Paramount, is chairman of the drive.<br />

Census Shows TV Viewing Holds Up,<br />

Motion Pictures Are Most Wanted<br />

HOLLYWOOD—Movies are the "most<br />

wanted" entertainment on television; theatre<br />

TV is apparently not a popular device,<br />

while Phonevision or some similar<br />

pay-as-you-view method of watching top<br />

films on home video receivers would find<br />

considerable favor with a majority of television<br />

audiences.<br />

Those are among the findings in the<br />

fourth "tele cen.sus" to be undertaken by<br />

students of Woodbury college, Valley college,<br />

Redlands university and San Jose<br />

State college, ba.sed on a "random area<br />

sample" of some 3,000 TV set owners in<br />

Los Angeles, the San Francisco bay area<br />

and the fringe areas of San Bernardino<br />

and Riverside, Calif.<br />

Findings in the door-to-door survey:<br />

TV is not a novelty that will wear off;<br />

there is only a 6 per cent drop in viewing<br />

time with persons who have had sets for<br />

a year or more and only a 7 per cent drop<br />

where sets have been in operation for<br />

two years or more.<br />

Sixty-eight per cent of those interviewed<br />

said they go to the movies less<br />

often since purchasing TV receivers.<br />

Sixty-seven per cent would not pay the<br />

average boxoffice price to see TV on a<br />

large-size theatre screen—even if the show<br />

were available only in that theatre and<br />

not on home video, while 28 per cent indicated<br />

they would patronize such theatre<br />

television performances.<br />

Thirty-nine per cent would pay $1 or<br />

more to see a first run picture on their<br />

home screens; 39 per cent would pay 50<br />

to 85 cents.<br />

Eighty per cent want color TV when it<br />

becomes available.<br />

54 BOXOFFICE December 2, 1950


—<br />

, , . .c<br />

—<br />

•<br />

.<br />

. . Rudy<br />

. . The<br />

•'<br />

. .<br />

. . The<br />

. .<br />

Los Angeles Trade<br />

SAN FRANCISCO<br />

£163u6Q Dy l^yralio pnday night (1) was a night to remember<br />

„„, „„ ^ , ^ J at the Variety Club here when a gala<br />

LOS ANGELES—Several top-draw new- ^<br />

_, , ... . , .<br />

/ ,, ^<br />

, ,, ,.<br />

J t tu < Tahitian night<br />

..r^- held sway. There were nacomers<br />

plus the contuiued strength of King ,. ,. ^ ^. / . .<br />

p & „ ,.<br />

= tive orchestra, native entertainers, an array<br />

Solomons Mines ' lifted the overall first , .<br />

, , ^^ ^„, ,\-<br />

, ,,. ^ .<br />

,t ,, ,, ,, •<br />

of guest stars and an authentic Tahitian<br />

run boxoffice to heights which, considering „. ,<br />

,,, ,<br />

, ^ .<br />

banquet.<br />

, i », All guests were asked to come atoast<br />

performances over recent months, are » j i, , t. ^ ^^. „ ., ,<br />

•<br />

T, 1 .1, tired in beachcomber or sports attire. United<br />

little short of impressive. Racking up the ,. , t, j. ,. - ' , ,.,,,„ .,.<br />

7. ,. . I,<br />

t *• 1<br />

Air lines flew direct t<br />

from the South Pacific<br />

weeks best business, m its initial stanza, was ,, . .,, ^.. , ^,,<br />

J „ .. v.- 1, u j-f u Vanda orchids which were given free to the<br />

'Cyrano de Bergerac, which—benefiting by , ,. _.. . . . , * j ^<br />

" jj s<br />

, ., , ladies. Other events scheduled for the Vaan<br />

invitational premiere and a two-a-day, ^ „, ,. t^ i. ,^ ,^, ,, „<br />

^ ,. , -^ J- „/„ riety Club: December 15, The Harvey Boys<br />

advanced price policy, hit a resounding 250 , .<br />

j i. , , , „„ ,<br />

. ,.,, ., .„ ^ annual roundup and<br />

-i<br />

chuckwagon feed; 22nd,<br />

per cent. Mines, still going strong in its _. . , , , i,. , ,<br />

^ \ ^ xl „ ^ on,^ v, 1 ..All Christmas party for the kids and young m<br />

second stanza, chalked up 200, while All „ * o, * . »t -,, . ^<br />

, , „ „ J ..rriv, IT, * n .- o* " Heart 31st gala New Year's eve jamboree.<br />

About Eve and "The West Point Story<br />

finished their first weeks with 160 and 140, Graham Kislingbury, district manager for<br />

respectively. North Coast Theatres and a member of the<br />

(Average !s 100) dinner committee of the San Francisco Press<br />

^'^^^' '^^^ selected chairman of the Gang<br />

'^All''AbouTEve^!20^'hFoxf°^"''.'°:...*^^^<br />

Egyptian. Loews State—King Solomon's MLnes dinner honoring Geii. Mark W. Clark and<br />

'(MGM), 2nd wk.<br />

Fine Arts Cyrano de Bergerac (UA), advanced<br />

200 qqi Oliver Vickerey*'<br />

at the Pi-ess club No-<br />

250 vember 24. prices General Clark's subject was.<br />

Four Star^Faust and the Devil (Col) 2nd wk...... 50 "Qur Readiness." Vickerey, who is an ob-<br />

Hawau. Orpheum Dial 1119 (MGM); Right Cross<br />

^ ^, , ,. , ,<br />

2nd wk 90 server at the Institute of Nuclear Energy in<br />

(MGM),<br />

100<br />

Hollywood.<br />

Hillstreet,' Pantages—Mad<br />

Pigmy Island (Col)<br />

Downtown Paramounts—Copper<br />

Wednesday (RKO);<br />

Can-<br />

Copenhagen,<br />

_ ,,<br />

Prom „ the European<br />

spoke on<br />

,,.<br />

Viewpoint."<br />

"Atomic<br />

. ^ „<br />

Warfare<br />

yon (Para); Music in the Moonlight (Rep re-<br />

''<br />

UnUe"d^?t?sTs"'°RT.z, c"u'fver, 'gt'dro'cy,- Vogue--<br />

^el Klein of Columbia Was feeling mighty<br />

The Milkman (U-I); Bandit Queen (Uppert) 95 philosophical the Other day. "Today I am<br />

'"^T.rv^Xo^'\^B)"":..''.°^^^^^^^^ 140<br />

a '"a"'' ^aid<br />

got me wearing<br />

Mel, ". .<br />

bifocals!"<br />

an<br />

.<br />

old one.<br />

. Congratulations<br />

They<br />

.<br />

.<br />

to Hannah Oppie, secretary at the ITO<br />

'Mines' Scores Nice 200 of Northern California office. Hannah be-<br />

In San Francisco came grandmother for the second time re-<br />

SAN FRANCISCO—Breaking a record, cently when her daughter gave birth to a<br />

"King Solomon's Mines" rated a boastful baby boy.<br />

200 per cent in its opening week at the Warfield.<br />

The Orpheum boasted 180 for the open- I" town were Robert Taylor and his wife<br />

170<br />

.<br />

ing of "Between Midnight and Dawn." Barbara Stanwyck. Local press covered with<br />

Cinema-Rio Grande<br />

ol 1951 (Rep), 2nd<br />

(Rep), 2nd wk.; Hit Parade<br />

d t. wk „<br />

interviews, capably arranged for by Ted<br />

Galanteer, MGM exploiteer . . . Rotus Har-<br />

Milkman (U-I); Sunset Boulevard<br />

returned from the COMPO executive<br />

^Tparar'^''^<br />

^^^<br />

Fox—The lackpot (2bth-Fox) 160<br />

ygy<br />

board meeting in New York . North-<br />

1-1000 -.-y^..... 100<br />

California ITO held its monthly lunch-<br />

(Col);<br />

Zamba (ELC) !80 eon meeting and nominated officers for the<br />

Golden Gate--South^de<br />

Orpheum Between Midnight<br />

(Mono)<br />

and Dawn<br />

Paramount-Dial 1119 (MGM), plus Lucille Ball<br />

and Desi Amaz on stage 100<br />

December election.<br />

St. Francis—The Glt^ss Menagerie (WB), 3rd wk... 85<br />

United Artists—Three Husbands (UA), 2nd wk 140 Admission prices at the Cascade in Red-<br />

United Naiions--All About Eve (20th.Fox). 5th<br />

^^^ ^.^^ ^^^^ increased, according to Michael<br />

Warfield—King Solomon's Mines (MGM) 200 Kassis, manager . Buchanan, Lakeside<br />

in Tahoe, was here a few days<br />

Local salesmen are giving their all for the<br />

Denver Btisiness Booms,<br />

Will Rogers Memorrial hospital five-mile<br />

Two First Runs Hit 175<br />

long Christmas card drive. All are going to<br />

DENVER—Elegant weekend weather enabled<br />

first runs to run up nice grosses, for<br />

exhibitors to get cards filled with contributions.<br />

the most part.<br />

Aladdin, Tabor, Webber—Three Husbands (UA);<br />

Chain Gang (Col) 175<br />

Broadway—Two Weeks With Love (MGM) 170<br />

Denham—Let's Dance (Para) 140<br />

Denver, Esquire-The lackpot (20th-Fox); Military<br />

Academy (Col) 175<br />

Orpheum—The Miniver Story (MGM); Cow Town<br />

(Col) 95<br />

Paramount- I'll Get By (20th-Fox); Gallant<br />

Thoroughbred (Rep), Znd wk 100<br />

P.ialto—American Guerrilla in the Philippines<br />

(20tli-Fox); Iroquois Trail (UA), 3rd d. t. wk....l25<br />

Vogue—Beouty and the Beast (SR); Satin Slippers<br />

(SR), 2nd wk., reissues 125<br />

Heavy Salt Lake Fogs<br />

Hit Theatre Business<br />

SALT LAKE CITY—Heavy fogs cut attendance<br />

at local theatres during most of<br />

this week, with "King Solomon's Mines" the<br />

least affected and still doing holdout business<br />

at the Lyric in its second week. Unprecedented<br />

fogs kept most theatregoers<br />

home.<br />

Robert Lippert in town from Los Angeles,<br />

as were Robert Lippert jr. and his wife . . .<br />

Sammy Seigel, publicist for Columbia Pictures,<br />

and Anne Belfer, North Coast Tlieatres<br />

publicity gal, worked out a happy promotion<br />

on the opening of "The Fuller Brush<br />

Girl." Some 25,000 heralds were distributed<br />

by Fuller Brush Co. salesmen a week prior<br />

to the opening; a radio station tieup for<br />

daily spots and another tiein with Lucille<br />

Ball's My Favorite Husband program.<br />

Jack Hurley is home recuperating from an<br />

illness . . . Walter Chenoweth, Coronet manager<br />

and the dapper dan of the theatre<br />

business, was seen headed down Filmrow .<br />

San Francisco Theatres is holding a ChrLstmas<br />

drive for sale of gift books, using 150<br />

six-sheets and 25, 24-sheets, personalized<br />

theatre trailers with announcements by Bud<br />

Heide, lobby posters and window card displays<br />

and a contest among employes and<br />

managers.<br />

. . .<br />

Irving M. Levin, division director of San<br />

Francisco Theatres, returned with his family<br />

The<br />

from a week in Palm Springs Coli-seum is being renovated and painted on<br />

the inside as well as outside. Ed Scheeline<br />

is manager . Balboa just finished a<br />

month of giveaways. Four being given away<br />

each Monday night. The Metro and the<br />

Balboa are both working up Christmas co-op<br />

deals with merchants in their neighborhoods.<br />

Scores 'Operation Pacific'<br />

The score for the Warner film, "Operation<br />

Pacific," is being composed by Max Steiner.<br />

METAL POSTER FRAMES<br />

"Wel-Bilt" Banner and Easel Frames<br />

Finishes—Chrome or Wrinkle<br />

Colors—Red, Green, Silver<br />

DRIVE-IN THEATRE MFG. CO. INC.<br />

[Wo<br />

have the<br />

Count on Ul<br />

IN THE SMART STYLING OF THE NEW<br />

HEYWOOD-WAKEFIELD THEATRE CHAIRS<br />

Pnr'tUr Co^'f Disfributors<br />

B. F. SHEARER COMPANY<br />

SEATTLE PORTLAND SAN FRANCISCO LOS ANGELES<br />

2318 SECOND AVE. 1947 N.W KEARNEY 243 GOLDEN GATE AVE. 1964 SO. VERMONT<br />

ELIiot 8247 ATwater 7543 UNderhill 1816 Rochester 1145<br />

"?,f?,''°L'<br />

Jor<br />

YOUR<br />

If^^ATRE<br />

THEi THEATRE EXCHANGE CO.<br />

^ 201 Fini Fine Arts Bldg. Portland 5, Oregon<br />

BOXOFFICE December 2, 1950 55


. . . Apologies<br />

a<br />

SALT LAKE CITY<br />

Diimors that a jury trial will result in one<br />

of the suits brought by distributors<br />

against a local theatre group have been<br />

heard in the federal building. If so. this will<br />

delay the case until spring and will be one<br />

of the few trials of its type in the business<br />

in the country, according to information<br />

along Filmrow . . Active campaigning has<br />

.<br />

been going on for various Variety Club offices.<br />

Elections were this weekend.<br />

Lyle Tuttle of Grace, Ida., is taking over<br />

the theatre at Soda Springs. He plans a remodeling<br />

program ... A vacation in Yellowstone<br />

park two years ago resulted In a<br />

trip to California last week for Arvella Jay,<br />

%ffoa, iL<br />

Progressive Advertisers want<br />

their local screen advertising to<br />

follow the BUSINESS BREVI-<br />

TIES "leader" on your theatre<br />

screen.<br />

Giff Davison's secretary. Seems Arvella witnessed<br />

the attack by a bear on a tourist<br />

in the park and recently the tourist sued<br />

in a coast court for loss of a hand. Arvella<br />

was called to the coast court as a witness<br />

to Nelson Soehlke for a couple<br />

of dropped lines in a recent column. Story<br />

of his acceptance of a salesman's job for<br />

RKO out of Chicago was carried in the<br />

column along with an item about Hal Hawk<br />

taking over a Logan theatre. Inadvertently,<br />

B—<br />

a couple of lines were dropped, so Nelson's<br />

name was left out.<br />

Visitors along Filmrow: Earl Steele of<br />

Nephi, Earl Whittaker of Marysvale. who<br />

LEADER<br />

Cooperate with your local merchants.* RUN . . .<br />

BUSINESS BREVITIES<br />

2269 Ford Parkway<br />

St.<br />

Paul, Minn.<br />

LOCAL SCREEN ADVERTISING OF QUALITY<br />

/ZeJ A. ^^f<br />

FILM INDUSTRIES, INC.<br />

208 So. LaSalle St.<br />

Chicago,<br />

Illinois<br />

has been co-operator of a drive-in at Pasadena<br />

for the past few months; Roy Firmage,<br />

who had his arm in a sling as a result of a<br />

fall in his projection booth, and Karl Rummler<br />

of Salina.<br />

Exploiteers here recently were Cliff Brown,<br />

to set up a campaign on "The Milkman" at<br />

the Uptown and Villa, and Max Bercutt<br />

of Warners, working on "Breakthrough"<br />

and "The West Point Story" . . . Don Campbell,<br />

veteran of 12 years -service at various<br />

exchanges on Filmrow, is new booker at<br />

Paramount, according to Manager Frank H.<br />

Smith.<br />

Warren D. Butler took the occasion of the<br />

opening of "King Solomon's Mines" at the<br />

Lyric to call attention to his second anniversary<br />

as a first run de luxe theatre. The<br />

Lyric opened with "Three Musketeers" in<br />

1948 under its new policy, followed with<br />

"Adam's Rib" last year, and ran half-page<br />

and color ads prior to opening of "Mines"<br />

this year. The opening was preceded by a<br />

long teaser campaign on the picture . . .<br />

Intermountain Theatres grouped all theatres<br />

into a 3xl8-inch ad prior to Thanksgiving,<br />

following a policy similar to its Christmas<br />

advertising.<br />

Theatremen Charged With<br />

Operating Lottery<br />

NAMPA, IDAHO — Richard Conley, manager<br />

of the Fox Majestic and Adelaide theatres<br />

here, has been charged by three Nampa<br />

businessmen with operating a lottery in conjunction<br />

with a drawing held at his theatres.<br />

The complaint was the outgrowth of a promotional<br />

event in which city theatres were<br />

participating. Drawings were set for each<br />

Thursday with $100 in cash to be awarded.<br />

At the end of a sLx-week period, a new Ford<br />

was to be given away. Thirteen merchants<br />

were cooperating with the theatres by giving<br />

free tickets to the drawings for each $1 worth<br />

of merchandise purchased. The complaining<br />

businessmen were not among the group cooperating.<br />

Conley pleaded innocent to the<br />

charges and the case was set for December 12.<br />

Conley and William Lees, owner of the Pix<br />

Theatre which was also taking part in the<br />

drawings, said they had secured the approval<br />

of the county prosecuting attorney before<br />

starting the event. They said the drawings<br />

could not be considered a lottery because<br />

merchants would give tickets to anyone asking<br />

for them, regardless of whether purchases<br />

had been made.<br />

Frank Larson to Wyoming<br />

SHERIDAN, WYO.—Frank Larson of Missoula,<br />

Mont., has taken over as manager<br />

of Fox theatres here. He succeeds Marvin<br />

Skinner, who will manage North Platte, Neb.,<br />

houses.<br />

Riche'y Theatre Reopened<br />

RICHE'V, MONT.—The Richey Theatre<br />

here has been reopened under the management<br />

of Harold Goulding.<br />

ksk our representotiye to call today—No obligation.<br />

•Walch for your beauUiul Ansco-color Christmas season trailer lumiiihod free to OUR<br />

Exhibitors and Customers.<br />

_,/) WE HAVE THE BUYEHS<br />

)\tl LIST WITH<br />

FRED B. LUDWIG, Bkr.<br />

lUeaUe SaUi. div.<br />

''J/<br />

IRV BOWRON, Sales Mgr.<br />

E. 4229 N. Broadway MU-4300<br />

|7i\\<br />

)\\ Portland 13. Ore.<br />

56 BOXOFFICE :: December 2, 1950


. . . Eugent<br />

. . Jean<br />

. . W.<br />

. . George<br />

. . THEY<br />

SEATTLE<br />

T avern DeWaide, wife of George DeWaide,<br />

U-I manager, provided the turkey for the<br />

family's Thanksgiving dinner the easy way:<br />

She won it in a golf tournament at the<br />

Helen Reynolds of<br />

Rainier Golf club . . .<br />

Saffle's Theatre Service entertained her<br />

family for the holiday; Mr. and Mrs. G. A.<br />

Drake of Yakima, her parents, and C. E.<br />

Reynolds, her brother, and his wife and two<br />

daughters from Bremerton . . . Les and Cora<br />

Theuerkauf flew to California for a short<br />

vacation.<br />

Chester Weaver will close his theatre at<br />

Onalaska December 3 for remodeling. It will<br />

reopen December 31 . . . Roy C. Irvine, owner<br />

and manager of the Ritz in Ritzville, tied<br />

his theatre into the election week activity<br />

by showing two comedies, "Fancy Pants" and<br />

"Louisa." His ad in the local paper pictured<br />

a mule and an elephant smiling at each<br />

other plus an admonishment to be sure to<br />

vote.<br />

. . . Jack Neville<br />

"Red" Jacobs, franchise holder on the<br />

coast for Favorite Films, conferred with Buck<br />

Smith, Seattle manager<br />

returned from Florida where he was called<br />

by the serious illness of his sister . . .<br />

Walter Hoffman visited in Portland.<br />

. . . Larry<br />

Recent exhibitors on the Row included<br />

Joe Rosenfield, Spokane; Roy and Layton<br />

Stalcup, Tacoma; Walter Graham, Shelton,<br />

and John H. Hall, Benton City<br />

Pulls, eastern Washington salesman for<br />

Paramount, was in from Spokane . . . Death<br />

claimed two former northwest theatremen<br />

recently. Whitey Merwin, widely known in<br />

the northwest and coast motion picture business,<br />

died of a heart attack on the street<br />

In San Francisco November 21 while on his<br />

way to a doctor. Merwin operated a theatre<br />

in Tacoma several years ago and more recently<br />

a theatre in Burlington. Since his<br />

retirement he has been living in San Francisco,<br />

where he is survived by two daughters.<br />

The other death was that of Al Brake who<br />

died in Los Angeles. He was formerly a<br />

salesman in Seattle with the B. F. Shearer<br />

Co.<br />

Utah Cozy Improved<br />

DUCHESNE, UTAH—New seats and sound<br />

equipment have been installed in the Cozy<br />

Theatre here by Mr. and Mrs. Ralph Halstead.<br />

E. K. Taylor Leaving<br />

Simons Theatres<br />

MISSOULA. MONT.— E. K. Taylor, general<br />

manager of the Simons Amusement Co.<br />

with headquarters here, Tuesday announced<br />

his resignation subject to appointment of a<br />

successor.<br />

Taylor joined Simons in 1913, when a 225-<br />

seat storeroom theatre comprised the firm's<br />

holdings. In 1922, he left Simons to become<br />

manager of the Hippodrome at Spokane.<br />

Three years later, he returned to Simons and<br />

remained until 1929, when he became city<br />

manager for Fox Intermountain Theatres at<br />

Missoula. In 1936, he returned to Simons<br />

as general manager, and saw that organization<br />

grow until the circuit now comprises 18<br />

theatres in Idaho and Montana.<br />

Taylor has been a leader in civic affairs<br />

of Missoula, having served as president of<br />

Chamber of Commerce, president of Kiwanis<br />

club, then lieutenant governor and governor<br />

of the Montana district of Kiwanis. He<br />

served on the first board of the Community<br />

Chest and then headed two of its drives.<br />

He headed the seventh war loan drive and<br />

twice headed Red Cross drives during World<br />

War II. He served on numerous committees<br />

of the Chamber of Commerce and Kiwanis<br />

club and on state committees.<br />

His plans for future are indefinite, but he<br />

will continue to make his home in Missoula,<br />

where he owns business property.<br />

Edna Wilma Simons is president of the<br />

Simons Amusement Co., which operates the<br />

following theatres in Idaho: Wilma and<br />

Grand at Wallace; Rena and Liberty, Kellogg;<br />

Wilma and Dream, Coeur D'Alene;<br />

Liberty, Mullan; Burke at Burke. The circuit<br />

operates the Rialto here and is affiliated<br />

with the following theatres in Montana:<br />

Lake at Poison; Gaiety, Ronan; American<br />

and Park, Roundup; Strand and Park, Livingston,<br />

and Royal, Martin City.<br />

DENVER<br />

John von Herberg has resigned as Paramount<br />

salesman . Smith, Paramount<br />

division manager, was in for talks<br />

with Ward Pennington, and together they<br />

called on circuit officials . . . Pat McGee,<br />

g-eneral manager for Cooper Foundation Theatres,<br />

his wife and their four children spent<br />

Thanksgiving in Oklahoma City . . . William<br />

Keith, district manager for United Artists,<br />

was here calling on circuit accounts ahd<br />

conferring with Clarence Olson, manager.<br />

Al Kolitz, district manager for RKO, will<br />

go to New York to attend the district managers<br />

meeting . McGee, bookers<br />

secretary at RKO, has resigned to move to<br />

Dallas. She was succeeded by Edna Nelson<br />

W. O'Brien, playdate auditor<br />

for Lippert, is spending several weeks in<br />

Denver.<br />

Doris Wille, Republic booker, and her husband,<br />

have adopted a baby boy named Richard<br />

Frederick . Z. Porter, Monogram<br />

auditor who is checking the local exchange,<br />

spent Thanksgiving at his home in Los<br />

Angeles . . . Jerome Safron, district manager<br />

for Columbia, and William Seib, manager<br />

at Salt Lake City, were in Denver calling<br />

on circuits and conferring with Robert Hill,<br />

manager.<br />

Theatre folks seen on Filmrow included<br />

Merle and Ed Lewis, Holyoke, Colo., and<br />

Kearney, Neb.; Dick Bennett, Sheridan, Wyo.;<br />

Carlin Smith, Glenrock, Wyo.; Mr. and Mrs.<br />

Gerald Anderson, Riverton, Wyo.; Clarence<br />

Martin, Hugo; Mrs. Burl Lingle, Estancia.<br />

N. M.; John Roberts, Fort Morgan; Frank<br />

Aydelotte, Fort Collins, and Wilbur Williams,<br />

Boulder.<br />

Chief Drive-In Closes<br />

RIFLE, COLO.—The Chief Drive-In has<br />

been closed here by owners Fred Lind and<br />

Donald Monson.<br />

MOVIES ARE BETTER THAN EVER .<br />

ARE<br />

BUT<br />

THEATRES better<br />

THAN EVER ? ?<br />

. .<br />

• CAN YOUR THEATRE COMPETE IN GLAMOUR WITH THE<br />

LIVING ROOM AND ITS SMALL TV SCREEN?<br />

• AMERICANS ARE A GREGARIOUS PEOPLE .<br />

TO GET OUT AND MINGLE WITH OTHERS.<br />

WANT<br />

• YOUR PATRONS ARE AN ATTRACTION TO OTHER PATRONS<br />

... ARE YOUR CHAIRS ATTRACTIVE AND COMFORTABLE?<br />

• WOMEN STEER THE FAMILY ON THE NIGHT OUT . . . DOES<br />

SHE GUIDE IT TO YOUR<br />

THEATRE?<br />

• ARE YOUR CARPETS THICK AND<br />

RICH LOOKING?<br />

THINK!<br />

i^eamaeiQwmm<br />

337C0LDEN(>ATEAVE.'HE 1-8302.<br />

SAN FRANCISCO 2,CALIF.<br />

BOXOFFICE December 2, 1950 57


Arizona Honors Robert Stillman,<br />

Producer of 'The Sound of Fury'<br />

PHOENIX, ARIZ. — An unprecedented<br />

number of civic honors and awards went to<br />

Robert Stillman, producer of "The Sound of<br />

Fury," at the recent municipal celebration<br />

marking the film's advance showing in this<br />

city where it was filmed.<br />

From Gov. Dan E. Garvey, who had proclaimed<br />

the day "The Sound of Fury day" in<br />

Arizona, with Secretary of State Wesley E.<br />

Bolin presenting for him, came a scroll of<br />

appreciation to Producer Stillman for having<br />

been the first Hollywood producer "to discover<br />

that the state had beautiful and mod-<br />

(W^^tke COS! -<br />

'a\t«)inU .tmittin<br />

irn cities, in addition to spectacular scenery<br />

and wide open spaces." Mayor Nicholas<br />

Udall conferred upon Stillman honorary<br />

Phoenix citizenship.<br />

Chief of Police Earl L. O'Clair, has commended<br />

the film and its theme, and appointed<br />

Stillman an honorary member of the<br />

police force of Phoenix. Sheriff Cal Boies<br />

gave a special award for meritorious service<br />

in behalf of the furtherance of the democratic<br />

way of life in the film.<br />

Lewis E. Haas, general manager of the<br />

Chamber of Commerce, conferred on Stillman<br />

an honorary life membership in that organization.<br />

George E. Yates, head of the<br />

special services department of Arizona State<br />

college at Tempe and associate professor of<br />

journalism, presented Stillman an award for<br />

the film's "contribution toward a responsible<br />

press dedicated to honest and unemotional<br />

reporting."<br />

In above photo. Still (center), holds four<br />

scrolls signifying the honors conferred on him<br />

and his film at the impressive ceremony preceding<br />

the opening of the film at the Fox<br />

Theatre. Left to right: Haas; Bolin; Clyde<br />

Griffin, manager of the Fox; Stillman; Miss<br />

Kathryn Lunsford, Miss America of 1950, and<br />

Dick Smith. Fox West Coast district manager.<br />

Coliseum Remodeling<br />

Now in Its Final Phase<br />

SEATTLE—One of the largest renovation<br />

jobs in recent years got under way on Monday<br />

(27) when the Coliseum, operated by<br />

Evergreen Theatres, closed its doors for the<br />

final stages of a complete remodeling job<br />

that will make this historic theatre one of<br />

the city's most modern and beautiful picture<br />

palaces. It will reopen again in time for<br />

the Christmas holiday business. Since August<br />

1, workmen have been busy with preliminary<br />

alterations, but the work has now<br />

reached the point where the theatre must<br />

close for final completion of a facelifting job<br />

that will cost close to $250,000.<br />

In the interior, a beautiful new main floor<br />

lounge is under construction, with new restrooms<br />

for men and women. There will be<br />

new carpeting, new seating, an all-new heating<br />

and ventilating system, an entirely new<br />

motif in soft pastel decoration, a new proscenium<br />

arch with an Austrian puUup type<br />

of curtain, modernization of sound equipment<br />

and new screen and lighting equipment—all<br />

designed to make the theatre the<br />

last word in beauty and efficiency.<br />

The exterior, too, will be exten.sively remodeled.<br />

The largest neon-lighted sign in<br />

the northwest will be installed, and replacing<br />

the old dome will be a huge revolving disk,<br />

carrying out a Hollywood studio atmosphere.<br />

Tfie old frame doors will be replaced with<br />

solid glass doors and the boxoffice will be<br />

enlarged and beautified.<br />

Frank L. Newman sr., president of Evergreen<br />

Theatres, commented; "We have been<br />

planning for some time to make the Coliseum<br />

one of our finest theatres, and under<br />

the able and artistic direction of B. Marcus<br />

Priteca, nationally known theatre architect,<br />

and the E. F. Schuck Construction Co. to<br />

carry out his ideas, the new Coliseum will be<br />

a thing of beauty and comfort.<br />

Fred Swanstrum Remodels<br />

ASHTON, IDA.—Tlie Star Theatre, recently<br />

purchased by Fi'ed Swanstrum, is undergoing<br />

remodeling.<br />

You can buy cheaper lamps, or more ex><br />

pensive lamps . . . but when you consider<br />

Quality first you can't buy a better lamp for<br />

the money. Model 4570 Lightmaster provides<br />

from 45 to 80 amperes of brilliant, sparkling<br />

light for even the largest screens.<br />

Y\M aiinq Bcidantijne<br />

Model 4570 Hi-lnt«nsity ProjecHon<br />

ARC LAMPS<br />

Projection Equipment &<br />

Maintenance Co.<br />

1975 South Vermont Avenue<br />

Los Angeles, California<br />

Complete Theatre Equipment & Supplies<br />

$40,000 Damages in Fire<br />

At Port Hueneme, Calif.<br />

PORT HUENEME. CALIF.—Fire caused an<br />

estimated $40,000 damage to the Melody Theatre,<br />

392-seat quonset-type .showcase here,<br />

during a regular evening performance, but an<br />

audience of 182 escaped without injury. The<br />

interior was completely gutted.<br />

Owner Mel C. Kennedy attributed the blaze<br />

to a hot light bulb which ignited the curtains.<br />

Projection equipment valued at $7,000<br />

e.scaped .serious damage. The Melody, only<br />

theatre in this community, was opened in<br />

May 1947. Kennedy said he and his partners,<br />

Percy E. Smith and Floyd H. Eddington,<br />

would "probably rebuild."<br />

Sedro Wooley Dream Open<br />

SEDRO WOOLEY, WASH.—The Dream<br />

Theatre here has reopened after a $20,000<br />

remodeling. The entire front of the theatre<br />

was changed and the interior was redecorated.<br />

A new candy and .soft drink dispen.ser and<br />

popcorn warmer were installed in the lobby<br />

which was enlarged.<br />

IN<br />

TRAILERS]<br />

SATISFY SMART SHOWMEN<br />

0tM ' "K/it^ ' Piffle<br />

ITIOli PICTURE SEIiyiCEGi<br />

125 HYDE ST. SAN FRANCISCO (2). CALIF.<br />

Gerald L Karslci .... Pres ideni<br />

THEATRE /ALE/<br />

.arakelian)/^!^!<br />

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t PHONE PROSPECT 5-7146 ]<br />

58 BOXOFFICE December 2, 1950


'<br />

BOXOFFICE<br />

Minneapolis Police<br />

Hunt Stink-Bomber<br />

MINKEAPOLIS—At the request of Bennie<br />

Berger, owner of the downtown Gopher, the<br />

police department is investigating the stink<br />

bombing of that house. Berger told the police<br />

he wants to learn if organized lahor leaders<br />

had anything to do with it.<br />

The bombing. Berger says, followed his refusal<br />

to meet the stagehands union's demand<br />

that he employ a second stagehand full time<br />

at the Gopher when it went to an A-picture<br />

policy with "King Solomon's Mines." Other<br />

Minneapolis de luxe houses have been employing<br />

the extra stagehand. Berger, however,<br />

has defied the union. Rather than to<br />

submit to the demand which he calls an effort<br />

to "featherbed." he declares he'll close<br />

the theatre if there's more such bombing and<br />

police fail to stop it. At the same time he has<br />

offered a reward of $250 for the arrest and<br />

conviction of the person or parties responsible<br />

for the bombing which caused a large number<br />

of patrons to ask for their admission<br />

money back.<br />

There was a conference this week between<br />

Berger and the county attorney regarding the<br />

matter and he also asked the police department<br />

for protection for the theatre.<br />

Twin Cities Bookers Are Guests<br />

Harry Chapman, 47, Dies;<br />

Paramount Salesman<br />

MINNEAPOLIS—Harry Chapman, 47-year<br />

old Paramount salesman, died after a heart<br />

attack here this week. He had been with<br />

Paramount here since 1945 and prior to that<br />

had been with other film companies in a<br />

sales capacity. At the time of his death he<br />

covered the northern Minnesota territory.<br />

He is survived by his wife, his brother Hy,<br />

Columbia manager here, and another brother<br />

who is a film salesman in Milwaukee.<br />

Young Bandit Steals $72<br />

From K. C. Vogue Theatre<br />

KANSAS CITY — A young bandit robbed<br />

the 'Vogue Theatre, 3444 Broadway, of $72<br />

when he held up the cashier in the boxoffice.<br />

Marilyn Young, cashier, said the youth shoved<br />

an empty paper bag through the window.<br />

Beneath the bag was a pistol. She put all<br />

the currency she had in the bag and the bandit<br />

fled.<br />

Kid Thanksgiving Show<br />

MANHATTAN, KAS. — Dave Dallas, TEI<br />

city manager, presented a Thanksgiving party<br />

for "Pop and the youngsters" on Thursday<br />

morning, the idea being to relieve the pressure<br />

at home during meal preparations. In a<br />

two-column ad Dallas announced the show<br />

as a film menu. A Kiddies Quiz show was<br />

presented on the stage and pumpkin pies were<br />

awarded the winners through the courtesy<br />

of a local bakery.<br />

Joseph Kinsella Named<br />

CHARLES CITY, ICWA—Joseph Kinsella<br />

has been named manager of the Gem Theatre<br />

here by Royce 'Winkelman, succeeding<br />

Mrs. 'Winkelman. He is a native of Dubuque<br />

and a veteran of 'World 'War II.<br />

Minneapolis circuit bookers and buyers were guests of Columbia at a luncheon<br />

given there in behalf of the current A. Montague Sweepstaiies drive. Ben Marcus,<br />

division manager, and Hy Chapman, Minneapolis manager, were hosts. Top panel,<br />

left to right: Roger Dietz and Joe Beahen, Columbia bookers; John Farley, Theatre<br />

Associates; Lorand Tritter, Columbia; Bill Donald, TA; Bob Hazelton, Independent<br />

Theatres; Bill Wood, Columbia; Don O'Neil, Minneapolis Amusement Co., and James<br />

Zein, S. E. Heller & Co. Second panel: Marcus; O'Neill, Zein and Tom Burke, TA.<br />

Bottom panel: Dick Toilette, Paul Lundquist, Manager Chapman and Frank Mantzke.<br />

All are of Northwest Theatres except Chapman.<br />

Durwood Circuit Opens<br />

Roxy at Kansas City<br />

KANSAS CITY—The Roxy Theatre, downtown<br />

house operated by the Durwood circuit,<br />

has been reopened after a closedown<br />

of several months. The Durwood office said<br />

reopening was possible through cooperation<br />

of the union.<br />

The policy of the house will be double bill,<br />

with two changes weekly, 9 a. m. to midnight.<br />

The first bill consisted of "Devil's<br />

Doorway" and "Saddle Ti-amp." 'When the<br />

Roxy closed, it had been on a double bill<br />

basis, playing day and date with the Plaza<br />

Theatre, key neighborhood house of the Fox<br />

Midwest circuit. Prior to that policy, the<br />

house had been playing some first run product<br />

and occasional exploitation pictures.<br />

Downtown Kansas City now has four<br />

houses playing second and late run pictures<br />

in addition to its four first runs and the<br />

Orpheum which switches between first runs<br />

and roadshows.<br />

Mrs. Ralph Wareham 111<br />

MANHATTAN, KAS.—Mrs. Ralph Wareham,<br />

wife of the owner of the 'Wareham Theatre<br />

building, was a patient at St. Luke's hospital,<br />

Kansas City, for several days.<br />

3 Managerial Shifts<br />

Made by Tri-States<br />

DES MOINES—Frank Hague, manager of<br />

the Eastown, will go to the Rocket, replacing<br />

E. L. Doherty who will move to the lUini at<br />

Moline. Dick 'Wilson, treasurer of the Des<br />

Moines Theatre will take over the management<br />

of the Eastown and he will be succeeded<br />

by Richard Dougherty, chief usher at<br />

the Paramount. Keith O'Neill, former assistant<br />

at the Des Moines, will become manager<br />

at the Uptown to replace Betty Hensler who<br />

resigned. All are in the Tri-States chain.<br />

Thief Gets Two Pencils<br />

MINNEAPOLIS — Two mechanical<br />

pencils<br />

were the sole loot of a thief w'ho hid in<br />

the 'Vogue Theatre, Sandstone, Minn., near<br />

here, after closing, with the intention of<br />

robbing the showhouse.<br />

Hillbillies Booked by TEI<br />

MANHATTAN. KAS.—Cowboy Copas and<br />

his stars from Grand Ole Opry played a one<br />

day's engagement at the State Theatre here<br />

recently. Copas and his troupe are playing<br />

the TEI circuit in this territory.<br />

December 2, 1950 MW 59


%e!m.<br />

%du». MtnoN pieruitE mimm.<br />

... do not require oil pumps<br />

and splash lubrication for efficient<br />

operation.<br />

. . . must be designed to use<br />

high-power arc lamps without<br />

light-wasting heat filters.<br />

HERE'S THE PROBLEM<br />

Modern projection demands the use of higher power arc lamps. These lamps<br />

create intense heat which causes buckling and distortion of the film. To prevent<br />

film mutilation and out-of-focus pictures, some projectors require heavy<br />

light-wasting heat filters. These filters waste most of the light added by the<br />

higher power lamps.<br />

HERE'S THE SOLUTION<br />

CENTURY projectors equipped with water-cooled apertures reduce destructive<br />

heat and increase picture brilliance.<br />

Think of this . . . CENTURY high-efficiency mechanisms, plus water-cooling<br />

and with a 90 ampere arc will put as much light on the screen as other projectors<br />

using a 180 ampere arc and heat filters!<br />

HERE'S<br />

THE RESULT<br />

• Full brilliance and sharper pictures without loss of light or<br />

wasted power.<br />

• More illumination on the largest screens.<br />

• Film distortion reduced. Focusing trouble minimized.<br />

Projectors equipped for high speed, long focal length, 4" diam. lenses.<br />

Water cooling is optional— avoiloble on all models at slight extra cost.<br />

LUBRICATION IS OLD FASHIONED!<br />

With CENTURY you have no lubrication headaches— no dripping oil or grease<br />

to mess up equipment or film. There are no oil baths or oil pumps to leak or<br />

fail and cause bindups and frozen bearings. To end this costly trouble<br />

CENTURY uses sealed, oil-less bearings and glass-hard, high carbon-chrome<br />

steel gears.<br />

Proof of CENTURY'S simplified, high-efficiency design can be seen in the Illustrations<br />

on the right. Ten gears with only two gear meshes between the<br />

shutter and the intermittent cam. (Other well known projectors have from<br />

4 to 12 such meshes and up to 23 gears).<br />

Fewer gears and shafts mean less trouble, lower maintenance, less vibration,<br />

sharper pictures . . . finer projection.<br />

%e!^<br />

See your CENTURY dealer about modernizing your projection and<br />

sound equipment now, under present government restrictions.<br />

QualityTheatre Supply Co. Des Moines Theatre Supply Co. Shreve Theatre Supply Co.<br />

1515 Davenport St.<br />

Omoha, Nebraska<br />

McCarthy Theatre Supply Co.<br />

67 North Fourth St.<br />

Fargo, North Dakota<br />

1)21 High St.<br />

Des Moines 9, Iowa<br />

217 West 18th St.<br />

Kansas City 8, Missouri<br />

Minneapolis Theatre Supply Co.<br />

75 Glenwood Ave.<br />

Minneapolis 2, Minnesota<br />

60 BOXOFTICE December 2, 1950


. . . Paul<br />

. . Joanne<br />

Trust Suit Continues D E S MOINES<br />

In Kansas City Court<br />

KANSAS CITY—W. D. Fulton, former secretary<br />

of the Brookside Theatre Corp., te.s-<br />

pd<br />

k^vI^cII;<br />

DRIVE-IN THEATRE MFG. CO.<br />

1121-23 High St. Des Moines, Iowa<br />

Heiber. district manager, and Milt Overman,<br />

ments of a "reissue," telling of the addition<br />

exploiteer, were in the ELC office.. to their family of an adopted son! . . . Earl<br />

The latter was working on "Destination Moon,"<br />

tified that after his firm bought the Brookside<br />

which will be released in this territory soon.<br />

Kerr of Colorado was on the Row last week<br />

with his manager, George Hart. Knoxville.<br />

Theatre here, it was doubly hard<br />

To aid the cause, Herman to<br />

Coffman and Jack<br />

buy films from Warner Bros, and<br />

Gibson, salesmen, and<br />

Paul Leatherby, former salesman at Columbia<br />

J. J.<br />

the eight<br />

Sparks, booker,<br />

other distributors named<br />

donned costumes<br />

in Brookside's<br />

and zoomed up and down<br />

and Warners, has opened a restaurant<br />

$2,700,000 damage suit being heard<br />

Filmrow in<br />

in<br />

their make-believe<br />

Madrid, Iowa . . . Confined to bed by doctor's<br />

in U.S.<br />

rockets; incidentally<br />

district court<br />

causing<br />

orders is<br />

here.<br />

a traffic jam<br />

Nate Sandler, who has been<br />

by curious<br />

spectators!<br />

Fulton was on the stand<br />

Sparkle<br />

Wednesday may also have been<br />

unsuccessful in shaking a bad cold which<br />

(29)<br />

celebrating receipt<br />

he's had for several weeks.<br />

of his notice<br />

for his seventh day. During cross-examination<br />

by John F. Caskey. New be<br />

to appear for<br />

his first physical to<br />

York, defense<br />

given him free by<br />

attorney, Fulton<br />

Uncle<br />

said that in 1937, Warners<br />

Sam!<br />

Kiddy Popularity Contest<br />

raised prices on their product for his other Helen Clarke, Republic, will return Monday<br />

SHELLROCK, IOWA—The Shell Theatre<br />

theatres and rejected the contract for the<br />

from a week's vacation . Hoff-<br />

here is sponsoring a popularity contest for<br />

Brookside. He said that many times the man journeyed to Keokuk to visit relatives all children under 12. Prizes are being offered<br />

Brookside was forced to pick up reissues<br />

Webster, Republic manager, has through the cooperation of local business<br />

and back-dated pictures to fill its bills because<br />

sold his home and moved his family into the firms.<br />

it couldn't buy product from the com-<br />

new Wakonda apartments.<br />

panies named. He testified that many times<br />

The death of her mother necessitated Marie<br />

the Brookside, a 25-cent house at the time,<br />

Butcher's absence from her MGM desk for<br />

was forced to play pictures back of 15-cent<br />

several days . . . Rumors around here have it<br />

Fox houses.<br />

that the big lure that made G. Ralph Branton,<br />

Pop-Mor"<br />

general manager of Tri-States Theatres,<br />

LOST ON OTHER DEALS<br />

COSTS LESS TO POP THE BEST<br />

give up his post for<br />

Fulton admitted the company<br />

TV activity is to head<br />

sold the<br />

Horace Heidt's television enterprises.<br />

Brookside to the Fox Midwest Corp. for<br />

Free Delivery Service fo Theatres<br />

more than was paid for the theatre, but Filmrowers and exhibitors were shocked to<br />

added that he and other officers of the corporation<br />

personally lost money in other venthal<br />

of Waterloo, of a heart attack ... A<br />

Supplies<br />

hear of the death November 27 of Lou Rosen-<br />

Complete Line of Popcorn and<br />

tures because of the Brookside operation. former lowan. Dr. Chas. R. Fordyce. son of<br />

He said that in order to get any pictures Mrs. Ida Fordyce of Mont Vernon, is the<br />

at all for other theatres, higher prices had<br />

Whitley Popcorn Co.<br />

recipient of the Samuel L. Warner Memorial<br />

to be paid for film. He operated five other award in recognition of his work in developing<br />

Trenton, Mo.<br />

houses here and one at Kansas City, Kas.,<br />

a film which does not have the fire<br />

at that period.<br />

hazard of the nitrate film. The award was<br />

Harold S. Bradley, realtor who testified presented at the convention of the Motion<br />

that the company was forced to sell to Fox, Picture Engineers at Lake Placid, N. Y. SELL YOUR THEATRE PRIVATELY<br />

has not recovered sufficiently from a heart<br />

Largest coverage in U.S. No "Net" listings.<br />

attack to be available for cross-examination. Salesmen are busy soliciting funds for the<br />

Highest reputation for know-how<br />

PUTS PROFIT AT $267,988<br />

Will Rogers Memorial hospital fund, and a<br />

worthy cause it is, too! . . . Mr. and Mrs. Bill<br />

and fair dealing. 30 years experience including<br />

exhibition. Ask Better Business Bureau,<br />

or our customers. Know your broker.<br />

Dan C. Sernes. accounting firm head, testified<br />

Chambers, exhibitors at Sheridan. Mo., have ARTHUR LEAK Theatre Specialists<br />

before the 14-man jury in the court a new baby daughter, and the Dwight Ayres<br />

3305 Caruth<br />

Dallas E-6-74S9<br />

1109 Orchard Lane<br />

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of Judge Richard M. Duncan about differences<br />

of Keystone, Iowa, sent out clever announce-<br />

CONFIDENTIAL CORRESPONDENCE INVITED<br />

in his accounting of profits realized<br />

by Fox Midwest over the last 12-year period<br />

and the account of the Fox interests. He<br />

said his accounting showed a $267,988 profit<br />

after depreciation while the Fox version was<br />

$187,586. The Fox account showed many<br />

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items such as service charges and rental White Japanese Hulless Popcorn Per 100 lbs. $9.75<br />

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Seme's accounting.<br />

(Packed in 50 lb. bags)<br />

Testimony in the antitrust case against the<br />

Liquid "Popsit Plus" Seasoning Per Case 17.50<br />

nine film companies dragged at times. Fulton's<br />

attorneys protested twice that Caskey<br />

(Pociced 6 gallons per case)<br />

was slowing down the case. Commenting<br />

"Seazo" Coconut Oil Seasoning Per 50 lbs. 17.00<br />

about the relevancy of Caskey's cross-examination.<br />

Morton's Popcorn Salt Per Case 2.95<br />

Judge Duncan said, "You really 10c Popcorn Boxes, 2 ounce Per 1000 8.90<br />

should tell us where we're going," and asked<br />

Caskey to speed up the proceedings.<br />

Three witnesses for the plaintiff have been<br />

10c<br />

1 lb.<br />

Popcorn<br />

Popcorn<br />

Boxes,<br />

Bags,<br />

1% ounce<br />

flat bottom,<br />

Per<br />

Per<br />

1000<br />

1000<br />

7.90<br />

1.65<br />

brown<br />

on the stand in the case so far and two<br />

1 lb. Popcorn Bags, flat bottom, white Per 1000 1.95<br />

others are scheduled. No part of the defense<br />

brown Per 1000 1.20<br />

1/2 lb. Popcorn Bags, flat bottom,<br />

case has yet been neard. Courtroom observers<br />

expect the case to drag on<br />

T/i lb. Popcorn Bags, pinch bottom, brown Per 1000 1.75<br />

at least<br />

three more weeks.<br />

Special Softex % lb. Bags, white Per 1000 2.00<br />

Printed Sacks, 1 lb. flat bottom, white Per 1000 3.10<br />

Printed noiseless, 1 lb. pinch bottom Per 1000 4.15<br />

DRIVE-IN THEATRE<br />

Prices Subject to Change Without Notice<br />

PORT HOLE BLOWER<br />

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Eliminates Dust, Bugs and Rain From ComiiiQ in<br />

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BOXOFFICE December 2, 1950 61


MINNEAPOLIS<br />

Tn the 1930s, when Charlie Weuier. now with<br />

UA here, was manager of the Pantages<br />

and Capitol theatres in Winnipeg, Man., his<br />

stage manager was Jack Byron. For the past<br />

20 years, Weiner has had Byron as his yearly<br />

and constant hunting companion, who,<br />

Charlie says, taught him everything there<br />

was to know about Canadian Honkers down<br />

the line to Hungarian partridge. Rated as<br />

the best shot in that neck of the woods, Byron<br />

was an ideal hunting companion. But Charlie<br />

now is disposing of all of his guns and there'll<br />

be no more hunting seasons for him. Tlie<br />

reason: Jack Byron was buried November 24<br />

at Winnipeg.<br />

a<br />

With Lowell Kaplan and Charlie Rubenstein<br />

now the Northwest Variety Club's new<br />

entertainment committee, plenty of fun is in<br />

store for club members. Already two big<br />

parties are on the schedule. The first will be<br />

December 9 and it'll be a big barn dance<br />

with supplementary entertainment, and an<br />

auction of apparel. Lowell and Chuck<br />

guarantee a good time for all. A New Year's<br />

eve party will be held in the clubrooms. Plan<br />

to attend.<br />

Weighing<br />

B—<br />

each situation individually, the<br />

Minnesota Amusement Co. has decided upon<br />

a 60-cent admission for its leading Mankato<br />

theatre, the State, when that house reopens.<br />

This represents a 10-cent boost in scale . . .<br />

Tlie new big-screen television in Radio City<br />

5o//o«. tL LEADER


. . Howard<br />

. . Mrs.<br />

. . Tony<br />

, . Howard<br />

. . Norman<br />

Kansas City 'Mines'<br />

Is High in 2nd Week<br />

KANSAS CITY—With "King Solomon's<br />

Mines" better than twice the average business<br />

at Loew's Midland. "Let's Dance" holding<br />

up well on its second week at the Paramount,<br />

and "Henry V" doing brisk business<br />

on its fifth run, the boxoffice picture looked<br />

good here the past week. Moreover. Katharine<br />

Hepburn played to enthusiastic crowds<br />

in a three-day engagement at the Orpheum.<br />

"King Solomon's Mines" was held over. At<br />

the Kimo. Manager Bill Meyer said it was<br />

amazing how many patrons he talked to<br />

were seeing "Henry V" for the third or fourth<br />

time.<br />

(Average Is 100)<br />

Esquire—The Immortal Sergeant (20th-Fox);<br />

Wing and a Prayer (20th-Fox), reissues 70<br />

Kimo—Henry V (UA), 5th run 130<br />

Midland—King Solomon's Mines (MGM) 240<br />

Missouri—Where Danger Lives (RKO) Border<br />

Treasure (RKO) 100<br />

Paramount—Let's Dance (Para), 2nd wk,- 17b<br />

Tower, Uptown and Fairway- I'll Get By (20th<br />

Fox); Trigger Jr. (Rep), latter at T<br />

nly..<br />

attention.<br />

Century-Woman on the Run (U-!) 90<br />

Gopher—King Solomon's Mines (MGM), 2nd wk 150<br />

Lync—Soulhside 1-1000 (Mono); Blues Busters<br />

(Mono) 85<br />

Orpheum—Where Danger Lives (RKO) 90<br />

Pan—Prehistoric Woman (ELC), Chain Gang<br />

(Col) 100<br />

Pix—City Ughts (UA), reissue, 3rd wk 90<br />

Radio City— Let's Dance (Para) 100<br />

Stole—American Guerrilla in the Philippines<br />

(20th-Fox) 100<br />

World—The Miniver Story (MGM), 3rd wk SO<br />

Cold Weekend Chills<br />

<strong>Boxoffice</strong> in Omaha<br />

OMAHA—A colder weekend bringing ice<br />

and snow dented what otherwise would<br />

not have been too bad a week at the boxoffice.<br />

"Devil's Doorway" at the State Theatre<br />

came out best.<br />

Omaha—So Young. So Bad (UA): The Lonely<br />

Heart Bandits (Rep) 85<br />

Orpheum—Lady Without a Passport (MGM); The<br />

Happy Years (MGM) -<br />

Paramount—American Guerrilla in the Philippines<br />

95<br />

90<br />

(20th-Fox)<br />

RKO Brandeis—The Fuller Brush Man (Col);<br />

Convicted (Co) 95<br />

Slate—Devil's Doorway (MGM) 105<br />

Town—Across the Badlonds (Col), Custom Agent<br />

(Col) 95<br />

OMAHA<br />

"Cd Hciber, midwest division manager for<br />

ELC, and Manager Carl Olson of Des<br />

Moines were due here to confer with Murry<br />

Greenbaum and Bob Daly, salesmen who<br />

headquarter here. Distribution is out of the<br />

Omaha office in the Film Exchange building<br />

and the two salesmen are there on Mondays<br />

. . . Alice Neal, Warner office manager, injured<br />

an arm in a fall. Lockjaw set in and<br />

she was taken to St. Catherine's hospital.<br />

Latest reports had Alice showing rapid improvement<br />

The Omaha district headed<br />

. . . by William Miskell, the Dust Raiders, led<br />

at the quarter mark in Tri-States eightweek<br />

Thank 'Vou drive . . , Irvin Good is<br />

back with 20th-Fox as a salesman. He rejoined<br />

the exchange when Harold Ironfield<br />

left.<br />

. . . Omaha's<br />

Mrs. Ben Juracek, owner of the Hollywood<br />

Theatre in Cedar Rapids, Neb., was recovering<br />

from an appendectomy<br />

exchange is currently running fifth in the<br />

national Columbia Montague Sweepstakes<br />

drive . . . Jack Renfro, RKO manager, went<br />

to Kansas City for the holidays . . . William<br />

Gaddoni, MGM manager, and his wife<br />

were hosts to the Rich Wilsons and Jack<br />

Jorgenses of the same office on Thanksgiving<br />

. . . Mi's. Mort Ichenberg sr. is here<br />

from New York for a visit with her son, an<br />

Second Week of 'Solomon's Mines'<br />

Paces Minneapolis With 150<br />

MINNEAPOLIS—Film fans had many new<br />

offerings from which to choose last week, the<br />

lone holdovers being "City Lights" and "The<br />

Miniver Story" in their third weeks and the<br />

sensational boxoffice hit, "King Solomon's RKO salesman . Kennedy, Broken<br />

Mines," In its second. Among the fresh Bow, Neb., exhibitor, was in town and reported<br />

starters, "Let's Dance" and "American Guerrilla<br />

commanded most<br />

that his mother had injured a shoul-<br />

in the Philippines," der ... An eye was bothering Jack Andrews,<br />

Paramount salesman . Evelyn Cannon,<br />

MGM office manager, went to Ames,<br />

Iowa, to attend the marriage of a cousin.<br />

William Miskell Chosen<br />

OMAHA—William Miskell, Tri-States Theatres<br />

district manager, has been selected<br />

publicity chairman for the Omaha exchange<br />

area during Brotherhood week, February<br />

18-25.<br />

R. W. Brown Dies<br />

NEOLA, IOWA—R. W. Brown, more than<br />

35 years an exhibitor here, died following<br />

a heart attack. The former owner of the<br />

Phoenix Theatre had been in the hospital<br />

in Council Bluffs. A wife survives.<br />

Bud 'Verhaege, who runs the Lyric Theatre<br />

at St. Edward, Neb., with his dad, Jerry,<br />

has a hobby that is fairly outgrowing his<br />

quarters. He likes model trains, has more<br />

. than 150 feet of track Goodman<br />

is back booking for Warners. He joined the<br />

staff after Joe Weiss was promoted to salesman<br />

. . . Bill Miskell went to Sioux City<br />

BEFORE YOU BUY<br />

during the week .<br />

Nielson, RKO<br />

salesman, has a lame back which slowed him<br />

down ,<br />

Jackson, bu.siness manager<br />

of Local 343. lATSE, was married a<br />

few weeks ago and was on his honeymoon.<br />

Clyde Cooley, 20th-Fox projectionist, has<br />

been convalescing and resting, first in the<br />

hospital and then at home. He expected to<br />

return to work soon.<br />

Oliver Schneider, Osceola, Neb., exhibitor<br />

who has been ill. appeared along Filmrow.<br />

Others noted included: Arnold Meierdierks,<br />

Pender; Carl Johnson, Red Oak; Cliff<br />

Shearon, Genoa; Raymond Brown and<br />

Jamie Booth, Harlan; Mr. and Mrs. H. H.<br />

Feldhans. Schaller; Mr. and Mrs. Frank<br />

Scott, Moville; George March, Vermillion;<br />

Irvin Beck, Wilbur; Harry Lohr, Scribner;<br />

Laura Moorehead, Stromsburg; Mrs. D. L.<br />

Frank, Humboldt; J. E. Holben, Pisgah; Mr.<br />

and Mrs. Alfred Berney, Wolbach; Vern<br />

Blyth, Snyder; Mrs. Laura Moorehead,<br />

Stromsburg; Mr. and Mrs. Arthur Goodwater,<br />

Madison; Harry Hummell, Scribner;<br />

D. P. Campell, Central City; Jeanette Shoeneman<br />

and Pat Plummer, Wahoo; Walter<br />

Yancke, Lincoln, and Woody Simek, Ashland.<br />

Walter Creal is incorporating some ultramodern<br />

features in his Center Theatre about<br />

due for completion.<br />

Ne-w Sound Installed<br />

MARION, IOWA—Motiograph Mirrophonic<br />

sound system has been installed at the Marion<br />

theatre, according to an announcement last<br />

week by G. E. Rathman, manager.<br />

Gets New Projection<br />

BURICE, S. D.—New sound and projection<br />

equipment has been installed at the Burke<br />

Theatre here.<br />

• SEE THE<br />

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Come in and see for yourself why the new INTER-<br />

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THE WESTERN THEATRE<br />

SUPPLY COMPANY<br />

214 N. Fifteenth Phone: Atlantic 9046<br />

Omaha, Neb.<br />

BOXOFFICE December 2, 1950<br />

63


•<br />

. . That<br />

. . Other<br />

. .<br />

Another<br />

ED & MORT ROLSKY<br />

Invite You<br />

To Drop in and Visit With Us at<br />

Our Card ond Gift Shop<br />

Y,,r OowiH.wii Sf.r. Opf.w»<br />

a big selection of Xn<br />

Gilts.<br />

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ishing Box Ollice records<br />

Antonio to Syracuse. Dall^<br />

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ia to Tacoma. THE ONLY in. .<br />

itation picture playing the major circmts.<br />

- Warners<br />

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TKUi AUTHINTIC CAPTURED<br />

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PLUS SECOND SHOCK HIT<br />

"CRIMES OF THE GESTAPO<br />

I<br />

Contact lor 1951 Playdates<br />

Dick C Crane, Gen. Sales Mgr.<br />

Hollywood Producers & Distributors<br />

308 S. Harwood Dallas, Texas<br />

Phone ST-2552<br />

CLASSIFIED ADS—EASY TO USE<br />

K AHS kS<br />

Eddie Ott of Marysville, Kas., runs a night<br />

club and dance hall there and recently put<br />

in a new driveway to his place. The local<br />

paper got a little mixed up and reported he<br />

was building a "drive-in." Now Ott is getting<br />

mail and receiving callers, wanting to sell him<br />

equipment.<br />

will open in this territory December 6 . .<br />

Doug Lightner, city manager at Manhattan;<br />

Frank Dodson of Ellsworth, and Tom Wolfe<br />

of Herington, Kas. were at the Commonwealth<br />

home office Monday (27).<br />

Edward Aaron, midwest division manager<br />

for 20th-Fox, sprained an ankle Sunday (26>,<br />

when he caught his foot between his car<br />

and the curb. Since this necessitated his remaining<br />

at home for several days, the sales<br />

Carpets - Door Mats<br />

B I G E L W<br />

*S M I T H<br />

U. S. ROYALITE<br />

SHAD-0-RUG<br />

CITY<br />

Parkhurst, former general manager of meeting scheduled for the following day was<br />

CE.<br />

Allied here, started Monday i27) as a in his home was quite a shindig the<br />

.<br />

salesman for Lippert Productions Senn<br />

. . .<br />

Lawler and wife have been in Macomb. 111.,<br />

where thev were called by the death of Mrs.<br />

Lawler's father, Thomas Terrill of that city detail the party agenda. Starting with swimming<br />

at four ("For those who have had their<br />

Gretchen Brown, who was a secretary at<br />

commonwealth Theatres nearly 20 years, has bath this year, there'll be checkers and cards<br />

returned from a seven-week vacation on the and ping pong there"', dinner was at seven,<br />

west coast and Is back on the Row with a new after which "Mad Wednesday" was screened<br />

job. She is now at Consolidated Agencies as for the crowd. Phil Blakey, manager, was in<br />

secretary to Clarence Schultz Pauline charge and it could be he wrote the poetic invitations,<br />

but skeptics on the Row were in-<br />

. . .<br />

Krieger contract clerk at MGM, is recovering<br />

from a wrist operation . . . Shirley Foster is clined to credit his wife.<br />

the new booker's secretary at MGM, replacing<br />

Mrs. Dorothy Stamphel who is now oecretary<br />

to Harold Hume at Fox Midwest.<br />

Riverside Drive-In employes put on at the<br />

KCAC on Monday (27 1. Whoever wrote the<br />

invitations cooked up some fancy rhyming to<br />

Jack Braunagel, in charge of drive-ins for<br />

Commonwealth, reports all of their outdoor<br />

shows have closed now except the ones at<br />

Fayetteville and Springfield, which are open<br />

only on weekends.<br />

Commonwealth circuit notes. Bill Baker<br />

sends greetings from Biloxi where he is in the<br />

air force ... Rex Barrett of the Uptown Theatre<br />

in Columbia again held a special screen-<br />

for Stephens college girls. His assistant,<br />

.<br />

ing<br />

Charlie Kleppsattel, has been accepted for<br />

Joan Holscher, assistant regional editor of<br />

officers training and leaves soon Frank<br />

. . .<br />

BOXOFFICE and Kansas City area reporter,<br />

Kennedy at Norton got some nice local press<br />

was married Sunday (26) night at the Christian<br />

church in Independence to Frank Baer<br />

notices when he invited the high school football<br />

team to be his guests at a showing of<br />

and left for a honeymoon in Memphis and<br />

"The Jackie Robinson Story" .<br />

Nashville. Baer is employed at the Kellypublic<br />

relations-minded exhibitor is Jack<br />

Williams Motor car Co. Mrs. Baer will continue<br />

on the staff of BOXOFFICE Dick<br />

Stephenson of Higginsville. He went before<br />

. . .<br />

the city fathers and persuaded them to do<br />

O'Rear and Roy Tucker, engineers at Commonwealth<br />

Theatres, made a trip to Trenton,<br />

away with parking meters on shop and show<br />

days. Result: Jack is very popular with motorists.<br />

Mo to complete plans for air conditioning<br />

the Plaza Theatre there. The Plaza is owned<br />

by W. O. Lenhart, an affiliate of Commonwealth.<br />

local office Teenagers can keep a secret<br />

. . .<br />

Harry Simons, MGM auditor, was at the<br />

because last week 70 of them did surprise<br />

Dave Kent, assistant to Terry Turner, RKO<br />

Bonny Golden, daughter of MGM's Eddie<br />

home office publicist, arrived Monday (27)<br />

Golden, at a birthday party at Holiday House<br />

and was met here by Lou Dufour from St.<br />

in Kansas City, Kas. It was Bonny's 14th<br />

Louis, regional exploiteer. They will work<br />

birthday and the guests were fellow members<br />

on the local campaign for "Outrage," which<br />

of her freshman class at Southwest High<br />

National Screen Service reports Lee<br />

•<br />

,<br />

;<br />

,<br />

,<br />

i<br />

;<br />

Hayob of the Mary Lou at Marshall, Mo.<br />

called Monday (271 as did Harry Till of the<br />

Till at Hamilton, Mo.<br />

. . .<br />

Visiting at Republic was W. D. Fite of the<br />

Fife at Eldorado, Kas.. and John Courter<br />

National<br />

of the Courter at Gallatin. Mo.<br />

Theatre Supply had these exhib-<br />

itors in recently for supplies: Nick Kotsis.<br />

Holden at Holden, Mo.; Irwin Dubinsky from<br />

Fort Madison, Iowa; E. C. Michael, Micklo at<br />

Drive-In, McPherson. Kas.; Doc Cook, Tivoh,<br />

Maryville Mo. exhibitors seen on<br />

.<br />

the Row included F. G. Weary of the Farris<br />

at Richmond. Mo, and Ray Miner of the<br />

Leroy at Leroy, Kas.<br />

Don Davis, district manager for RCA Victor<br />

has been given an additional title by Jack<br />

O'Brien, theatre division sales manager at<br />

the home office in Camden. N. J. The Davis<br />

64<br />

Complete Installation Service — Free Estimates<br />

R. D. MANN CARPET CO.<br />

928-930-932 Central Victor 1171 Kansas C-ty, Mo.<br />

Room 455, Paul Brown Building Chestnut 4499 St. Lou.s, Mo.<br />

CRETORS POPCORN<br />

Tapered Popcorn Boxe:<br />

iy for Prompt Deliver)<br />

POPCORN<br />

Uh St.<br />

Kansas<br />

BOXOFFICE<br />

MACHINES<br />

:: December 2, 1950


BOXOFFICE<br />

. . Bob<br />

1<br />

hobby of taking pictures at company gatherings<br />

and elsewhere and forwarding these is<br />

responsible for O'Brien's suggestion that he<br />

be dubbed "official photographer" in this<br />

20th year of his service with the company.<br />

Columbia salesmen were all in Friday (24<br />

reporting to the auditor. Pat Pinnell, salesman<br />

for the Wichita territory, was there as<br />

the proud father of a baby boy named Roger<br />

Don. Instead of passing out cigars, he<br />

brought in a huge cake for the office, with<br />

this inscription: "We knew he was coming<br />

so we baked a cake." The Pinnell announcement,<br />

which was sent out to friends, was<br />

cleverly designed for trade appreciation, with<br />

Illustrations showing "these changes are<br />

necessary" (a clothesline with typical squares<br />

fluttering) and the caption that "A New *<br />

Is Born."<br />

Manager Al Adler of MGM Monday (27)<br />

was making final preparations for his rest<br />

cruise of Central and South America ports.<br />

He will be gone three and a half weeks and<br />

Eddie Golden will be in charge during his<br />

absence . Scott, who was seen in Columbia<br />

pictures from time to time the past<br />

few years, is now reported to be on the TV-<br />

Nash program which is heard and seen on the<br />

network Saturday nights. Bob is a son of the<br />

Ward Scotts, now living in Denver since<br />

Ward's retirement from 20th-Fox . . . Bernie<br />

Evens, MGM exploitation man, started a vacation<br />

just before Thanksgiving . . . E. D. Van<br />

Duyne, district manager for RCA Service, and<br />

A. A. Hughes, field engineer, returned from<br />

vacations . . . Several of the theatre supply<br />

houses report business is slow, with exhibitors<br />

buying cautiously, and only necessary replacements.<br />

Mrs. Harold Cass, wife of the Warner Bros,<br />

salesman, will enter the Mayo clinic in<br />

Rochester, Minn.. December 5. Harold will be<br />

away from his WB duties for several weeks.<br />

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STEBBINS THEATRE EQUIPMENT CO.<br />

1804 Wyandotte St. Kansas City 8, Mo.<br />

Clyde H. Eadger, Manager<br />

Satisfaction — Alwa'ys<br />

MISSOURI<br />

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L. J. KIMBRIEL, Manager<br />

Phone BAltimore 3070<br />

115 W. 18th I City 8, Mo.<br />

RDCHT MPTCDM<br />

STAGE EQUIPMENT COMPANY<br />

ilUlilMliUllU<br />

New Fox, 800 Sealer<br />

In Winfield, Opens<br />

KANSAS CITY—Elmer Rhoden sr.. president<br />

of Fox Midwest, was among those who<br />

went to Winfield, Kas., for the opening of the<br />

new Fox Theatre there Wednesday (29).<br />

Others from Kansas City, most of whom flew<br />

to Wichita and went on to Winfield, included<br />

Katherine Black, booker; Joe Neger,<br />

20th-Fox manager; Don Davis, district manager<br />

for RCA Victor; Bill Keith, district<br />

manager, United Artists, and Dick O'Rear of<br />

Commonwealth.<br />

A luncheon was held at the hotel for<br />

prominent persons in Winfield, after which<br />

these were taken on a tour of inspection of<br />

the beautiful new theatre, which seats around<br />

800.<br />

Saturday morning a special showing for<br />

children was to be held.<br />

National Theatre Supply furnished much<br />

of the equipment, including Simplex projectors.<br />

Peerless Magnarc lamps, Hertner Transverter,<br />

American Bodiform chairs, Bevelite<br />

marquee letters, Aluminex display cases,<br />

Bausch & Super Cinephor lens, Walcamp<br />

smoking urns. Walker 'Vinyl plastic screen,<br />

Capitol Arc spotlight.<br />

After the opening performance, a buffet<br />

supper was held for Fox officials and their<br />

guests at the Lassen hotel in Wichita, with<br />

Elmer Rhoden and Fred C. Souttar, district<br />

manager, as hosts. Loyce H. Rockhold, Winfield<br />

manager, has been there since 1948 and<br />

with Fox Midwest for 23 years.<br />

Thorough Thieves Get $500<br />

At Omaha Circle Theatre<br />

OMAHA—Burglars on a recent Sunday<br />

morning did a thorough job at the neighborhood<br />

Circle Theatre here. They ransacked<br />

the candy storage room and rifled the candy<br />

corner in the lobby in addition to breaking<br />

open a small safe.<br />

Manager Morris Segal said the exact<br />

amount of cash taken was not known, but<br />

that it was approximately $500. The safe<br />

was removed from a room near the front<br />

of the theatre, taken to the basement and<br />

forced with an iron bar.<br />

Kansas City MPA to Hold<br />

First Annual Session<br />

KANSAS CITY—The MPA of Kansas City<br />

will hold its first annual meeting on December<br />

4 (Monday) at the Santa Fe Hills Country<br />

club. Dinner will be at 6:30 and the<br />

business meeting will follow at which dii-ectors<br />

will be elected.<br />

Finton-Jones Hol


!<br />

Dale McFarland to Coordinafor Post<br />

In New Tri-States Circuit Cabinet<br />

DES MOINES—Tri-States Theatres, which<br />

operates in Iowa. Nebraska and Illinois, will<br />

be guided by a cabinet consisting of the<br />

home office executives and district managers.<br />

A. H. Blank, president of the corporation,<br />

announced this week. Blank announced<br />

the new policy following the recent<br />

resignation of G. Ralph Branton. former<br />

general manager of the company.<br />

Dale H. McFarland, who has been named<br />

to the newly created post of assistant to the<br />

president of Ti'i-States, will serve as coordinator<br />

of the activities of the cabinet as<br />

well as a point of contact between the district<br />

managers, the home office departments<br />

and the president. Duties formerly handled<br />

by Branton have been divided among Mc-<br />

Farland. Leo McKechneay. Tri-States treasurer,<br />

and the district managers: H. D. Grove.<br />

William Miskell and Kermit Carr.<br />

Carr, who has been Des Moines district<br />

manager for the last two years, succeeds<br />

McFarland as chief of the film buying and<br />

booking department. Effective January 1,<br />

the post of Des Moines district manager<br />

will be eliminated. Blank announced. Carr,<br />

DRIVE-INS, ATTENTION!<br />

More Light at Less<br />

Amperage - and 25%<br />

More Burning Time !<br />

DALE H. McFARLAND<br />

STEBBINS THEATRE<br />

Palee, Lawrence, Kas.,<br />

Reopens as First Run<br />

LAWRENCE, KAS.—The newly reopened<br />

Patee Theatre, believed to be the oldest operating<br />

theatre west of the Mississippi river,<br />

has started a new policy of showing single<br />

feature first run films. The house, owned by<br />

Commonwealth Theatres circuit, opened last<br />

month after completion of a remodeling job<br />

which had closed the house since last August.<br />

Further delays in work were caused by the<br />

world situation and material shortages and a<br />

strike in the factory manufacturing the new<br />

seats for the Patee.<br />

The house now has a colorful plastiglas<br />

front, aluminum-trimmed boxoffice. streamlined<br />

concessions stand and mechanically<br />

folding seats. New carpeting and new equipment<br />

also were installed to make the house<br />

over completely from the Patee which first<br />

opened here in 1903.<br />

J. D. King, manager for Commonwealth<br />

here, said that while there are many theatres<br />

in addition to his new duties in the booking<br />

in the western part of the country which<br />

department, will continue to serve as opened before 1903. the Patee is the only one<br />

district manager until January 1. After that, beUeved to have been in continuous operation<br />

for 47 years, Leon Hoffnagle is supervision of Ti-i-States theatres in Waterloo<br />

man-<br />

will be assigned to Grove. These will be ager of the Patee.<br />

in addition to the cities in his present district:<br />

Davenport. Rock Island, Moline and<br />

Cedar Rapids.<br />

Increase Operating Schedule<br />

The ten Tri-States theatres In Des Moines SYLVIA, KAS.—The Sylvia Theatre is now<br />

will be under direct supervision of the home operating under a seven nights a week schedule.<br />

Mr. and Mrs. Vernon Pope are the new<br />

office beginning January 1 with Robert Leonard,<br />

manager of the Paramount, to act in managers at the house.<br />

the capacity of city manager. Leonard will<br />

continue to manage the Paramount and will<br />

supervise also the operation of the nine<br />

other theatres under the direction of the<br />

home office.<br />

"I am most happy that we have been able<br />

to announce these advancements for Mc-<br />

Farland. Carr and Leonard." Blank stated.<br />

"It has always been our policy to develop<br />

our executives and managers from the field.<br />

All three of these men started as ushers and<br />

worked up the ladder to their present important<br />

positions. I know of no better proof<br />

Typical of Ball<br />

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oillite permanent bearings;<br />

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66 BOXOFFICE December 2, 1950


Snapshots and News Briefs<br />

on Charlotte Convention<br />

Directors and newly elected officers of the Theatre Owners of<br />

North and South Carolina line up for the cameraman. Left to<br />

right: Roy Rowe, Burgaw; H. F. Kincey, Charlotte; W. H. Hendrix<br />

jr., Reidsville; Harold Armistead, Easley; J. B. Harvey, retiring<br />

president and new vice-president; H. D. Hearn, Charlotte, new<br />

president; H. E. Buchanan, Hendersonville; Roy L. Champion, vicepresident,<br />

Wilson; H. H. Everett, Charlotte; George D. Carpenter,<br />

Valdese. Other directors not shown in the photo are Ben L. Strozier.<br />

Rock Hill; J. C. Long, Charleston; A. F. Sams, Statcsville,<br />

Jimmy Earnhardt, Edenton.<br />

By HARRY HART<br />

CHARLOTTE—Sidelights of the 38th annual<br />

convention of the Theatre Owners of<br />

North and South Carolina held here last<br />

week:<br />

J. H. Webster and Levin B. Culpepper of<br />

the Carolina Amusement Co., Elizabeth City,<br />

were busy greeting many friends.<br />

C. B. "Seabee" Hayworth, who operates the<br />

drive-in at Pink Hill. N. C. a town of 450<br />

persons, reported he recently had Tex Ritter<br />

as a guest star and played to a capacity<br />

crowd.<br />

Hal Stone, another oldtimer, recently celebrated<br />

the third anniversary of his Motor<br />

Park Drive-In at Clinton and filled it with<br />

patrons. Hal told convention folk about a<br />

patron who came up and asked if he bought<br />

a box of popcorn would he have to go to the<br />

show.<br />

^m<br />

Irvin Rourk of Wilmington was seeking to<br />

find a display of Moonglow lighting, saying<br />

that it is now a must for drive-in operation.<br />

Jim Earnhardt of Edenton, N. C, was telling<br />

that deer and bear roam the swamps<br />

around there.<br />

Bob Bryant of Rock Hill commented he<br />

never knew so many people were helping in<br />

school work until he filmed a shot about activities<br />

in Rock Hill the other day.<br />

Ben Pless of Ashville has sold his new car<br />

dealership so that he can devote more time<br />

to his two drive-ins, one at Ashville and the<br />

other at Hendersonville.<br />

Franklin Frady, booker for the Pless Theatres,<br />

was renewing friendships. A. J. Biggart<br />

of the Motor-In, Lancaster, S. C, was shaking<br />

hands with friends around the lobby.<br />

Charley Holliday of Pinetops disclosed he<br />

just got under the freeze order and has put<br />

a new porcelain front and other repairs on<br />

his theatre there.<br />

H. E. Wessinger and wife of Lexington were<br />

greeted by friends.<br />

Lyle Wilson of Roanoke Rapids signed a<br />

pledge for the Will Rogers Memorial hospital<br />

fund. Al Duren, manager for Paramount in<br />

Charlotte, is taking a very active part in the<br />

fund raising campaign.<br />

R. G. Covington, operator at the Elm Theatre<br />

in Greensboro, was renewing acquaintances<br />

in the lobby of the hotel.<br />

(Continued on next news page)


%ei^<br />

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HERE'S THE PROBLEM<br />

Modern projection demands the use of higher power ore lamps. These lamps<br />

create intense heat which causes buckling and distortion of the film. To prevent<br />

film mutilation and out-of-focus pictures, some projectors require heavy<br />

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higher power lamps.<br />

HERE'S THE SOLUTION<br />

CENTURY projectors equipped with water-cooled apertures reduce destructive<br />

heat and increase picture brilliance.<br />

Think of this . . . CENTURY high-efficiency mechanisms, plus water-cooling<br />

and with a 90 ampere arc will put as much light on the screen as other projectors<br />

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HERE'S THE RESULT<br />

• Full brilliance and sharper pictures without loss of light or<br />

wasted power.<br />

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CENTURY uses sealed, oil-less bearings and glass-hard, high carbon-chrome<br />

steel gears.<br />

Proof of CENTURY'S simplified, high-efficiency design can be seen in the illustrations<br />

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Fewer gears and shafts mean less trouble, lower maintenance, less vibration,<br />

sharper pictures . . . fmer projection.<br />

See your CENTURY dealer about modernizing your projection and<br />

sound equipment nov/, under present government restrictions.<br />

JOE HORNSTEIN, INCORPORATED<br />

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ALON BOYD THEATRE EQUIPMENT CO.<br />

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CAPITAL CITY SUPPLY CO.<br />

161 Walton Street, N. W.<br />

Atlanta, Georgia<br />

STANDARD THEATRE SUPPLY CO.<br />

215 E. Washington St.<br />

Greensboro, North Carolina<br />

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Charlotte, North Carolina<br />

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Birmingham 3, Alabamo<br />

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68 BOXOFFICE December 2, 195


;<br />

^<br />

'<br />

SC<br />

II<br />

Convention Notes<br />

(Continued from preceding news page)<br />

C. H. Cordell of Wallace was the center of<br />

friendly gatherings.<br />

W. H. McManus of Spartanburg was overheard<br />

talking over problems of theatre operation<br />

with Jim Hyatt of Lancaster in the<br />

Bryant Theatre Supply Co. room.<br />

H. F. Kincey shook hands with friends<br />

wherever he went. Dusty Rhodes, general<br />

manager of Dixie Drive-In Theatres arrived<br />

late on account of taking his father to Greenville.<br />

The elder Rhodes had been visiting his<br />

son in Atlanta and became ill.<br />

Charley Fortson and Tip Tipton welcomed<br />

all at the Wil-Kin Theatre Supply room.<br />

Doris and Prank Strange were greeting<br />

friends and making themselves useful.<br />

C. B. Roebuck and wife of Hamilton, N. C,<br />

were at all spots seeking information to help<br />

build patronage.<br />

George Carpenter of Valdese was a popular<br />

figure.<br />

Kenneth Richardson of Seneca, who did<br />

some booking between sessions, reported he<br />

now has an artist to help draw attractive<br />

posters and signs for the New Oconee Theatre.<br />

Charley Utley, Pullers Sams jr. and Carelton<br />

Trotter of Statesville were looking for<br />

new ideas in showmanship.<br />

Clinton Whitlock of Rockingham was talking<br />

with first one and then another about<br />

theatre operation.<br />

Arthur Phillips of Walhalla was getting<br />

acquainted with new theatre folk.<br />

Charles Piequet of Pinehurst as usual was<br />

very busy as he is said to be one of the busiest<br />

exhibitors in the country with two very unusual<br />

theatres. He was president of TON &<br />

for 14 years.<br />

Charles Earle of Forrest Electronic Co. was<br />

getting acquainted with many exhibitors, as<br />

was Buddy Hill of Wake Forest, N. C.<br />

J. V. Dwiggins and H. M. Sloop of the<br />

Main Theatres in Kannapolis took this writer<br />

to luncheon the first day.<br />

R. S. Shores of Winston-Salem, who owns<br />

the drive-in Dobson, was attending his first<br />

TON&SC convention.<br />

« • «<br />

Prank St. Clair was a gracious host at the<br />

Manley, Inc., cocktail party at which an orchestra<br />

played for dancing. A girl in Manley<br />

costume passed popcorn around.<br />

Mr. and Mrs. Howard McNally of Fayetteville<br />

were soon surrounded by old showmen<br />

following their arrival.<br />

Frank Harris and crew of Bryant Theatre<br />

Supply distributed drinks and potato chips<br />

in the Bryant room.<br />

R. E. Brantley of the Tryon (N.C.) theatre<br />

did some booking between sessions.<br />

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Mr, and Mrs. Roy Champion of Wilson<br />

were chatting with friends.<br />

P. G. McGee of Winston-Salem related incidents<br />

of his recent trip to Houston and vacation<br />

in Mexico.<br />

A. P. Lassiter of Conway said business was<br />

still fair in his section.<br />

O. T. Kirvy of Roxboro was meeting old<br />

friends and making new ones.<br />

J. K. Whitley and wife were in from Kannapolis.<br />

Delmer Sherrill of Statesville said he almost<br />

had to pass up the convention what<br />

with managing his drive-in and attending<br />

college.<br />

Frank Bedenfield and Francis White were<br />

there.<br />

Mr. and Mrs. Mitchell Wolfson of Miami<br />

made more friends with their smile and<br />

iiandshakes.<br />

JACKSONVILLE<br />

IJarry Meadows, UA special representative,<br />

visited the office of Floyd Stowe, booker,<br />

recently . . . Mabel Conrad, who was at the<br />

San Marco Theatre for the last few years,<br />

is now managing the Edgewood Theatre . . .<br />

Florida State Theatre's annual holiday dance<br />

has been scheduled for December 28 . . .<br />

Louis Pauza, Paramount booker, has left for<br />

the service . . . Abner Camp is with Paramount<br />

as a salesman.<br />

Exhibitors visiting at the Paramount exchange<br />

were Nat Bernstein of Bernstein Theatres,<br />

Miami; James Frew, Skydrome, Lake<br />

Worth, and the Dania Drive-In, Dania, and<br />

K. T. Barfield of Gainesville, Fla.<br />

Kentwood Elroy Remodeled<br />

KENTWOOD, LA.—The Elroy Theatre here<br />

has been reopened after an extensive remodeling.<br />

New seats in a color scheme of blond<br />

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rugs were added. Roy Saxon is manager.<br />

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BOXOFFICE :: December 2, 1950<br />

69


. . Johnnie<br />

BOOK<br />

NOW<br />

MEMPHIS<br />

n blizzard, accompanied by snow and sleet<br />

and temperatures below last winter's<br />

record, put a crimp in midsouth theatre<br />

business. Local first runs reported a slump<br />

following the cold wave which hit Thanksgiving<br />

day and continued. The icy roads<br />

and streets kept exhibitors from making<br />

booking and shopping trips. A large number<br />

of drive-iiis in the territory closed for the<br />

winter season.<br />

Drive-ins which closed for the winter this<br />

week included: Sky Way, owned by Rockwood<br />

Amusement Co. of Nashville, at Humboldt:<br />

64 Drive-In, owned by William L.<br />

. . .<br />

Spicer, at Russellville, Ark.: Sundown, Paris,<br />

Tenn,; Jaxon. owned by Douglas Pierce,<br />

Jack.son, Tenn., and Paris, Paris, Ark.<br />

M. A. Lightman sr., president of Malco, has<br />

returned from New York . Gannon,<br />

U-I office manager, was on vacation<br />

. . . Fred Myers, Lippert manager, wa.s<br />

home from the sales meeting in Kansas City<br />

. . . Nelson Towler, LP district manager,<br />

was at the local office.<br />

Bowl football game between leading Memphis<br />

Negro teams. Prof. Handy will take<br />

part in the ceremonies and will be honored<br />

by Memphis at the game . . . High adventure<br />

brought high attendance to Memphis first<br />

run houses. Loew's Palace showed "American<br />

Guerrilla in the Philippines"; Loew's<br />

State, "Where Danger Lives"; Warner,<br />

"Breakthrough"; Malco, "Fortunes of Captain<br />

Blood"; and Strand "Tripoli" to improved<br />

attendance.<br />

Prices Raised Five Cents<br />

At Two Alabama Spots<br />

LINEVILLE, ALA.—Adult admissions have<br />

been increased a nickel by the Lineville<br />

Theatre here and the Ashland at Ashland.<br />

Kiddy prices are unchanged at 10 cents.<br />

"Greatly increased operating costs" was<br />

given as the reason for the hike, which is<br />

the first since federal taxes were boosted<br />

to 20 per cent several years ago. The new<br />

price is 35 cents for adults.<br />

ALL BOX OFFICE<br />

HITS<br />

BEYOND THE SACRAMENTO<br />

THE SON OF DAVEY CROCKETT<br />

PRAIRIE SCHOONERS<br />

WILDCAT OF TUCSON<br />

ACROSS THE SIERRAS<br />

NORTH FROM THE LONE STAR<br />

HANDS ACROSS THE ROCKIES<br />

KING OF DODGE CITY<br />

Arthur Groom, manager of Loew's State;<br />

Cecil Vogel, manager of Loew's Palace, and<br />

Louis C. Ingram, MGM manager, are on a<br />

committee which will stage a midnight show<br />

at the State December 17 to raise funds<br />

for the Christmas basket fund conducted<br />

by the Commercial Appeal and American<br />

Legion.<br />

Exhibitors in from Mississippi Includtil<br />

J. H. Moore, Ritz, Crenshaw; Clark Shivley<br />

Skylark Drive-In. Clarksdale; Mr. and Mr.^<br />

A. F. Marlar. Joy. Nettleton; A. N. Ros.^i,<br />

Roxy, Clarksdale, and J. R. Adams, Jeran<br />

and Von, Booneville.<br />

From Arkansas came Orris Collins. Capitol<br />

and Majestic, Paragould; Henley Smith.<br />

Imperial, Pocahontas; W. L. Landers. Landers,<br />

Batesville; Zell Jaynes, Joy, West<br />

Memphis; Tom Ford, Ford, Rector; B. D.<br />

Graves, Sunshine, Cherry Valley; Jimmie<br />

Sharum. Chandell and Metro. Walnut Ridge;<br />

Wake Newsom, Dixie, Marmaduke; Mi', and<br />

Mrs. John D. Lowrey, Lowrey, Russellville;<br />

and Park and Plaza, Bentonville; Bob Lowrey,<br />

Skyvue Drive-In, Jonesboro; Mrs. George<br />

Keller. Joiner, Jomer, and Tom Ford, Ford,<br />

Rector.<br />

Louise Mask, Luez, Bolivar; W. F. Ruff in<br />

jr., Ruffin Amusements Co., Covington; M.<br />

E. Rice jr., Rice, Brownsville, and Mrs.<br />

H. A. Fitch, Erin, Erin, were in from Tennes.see<br />

points . . . J. C. Mohrstadt. Missouri,<br />

Hayti, and president of Midsouth Allied, was<br />

in on business, as were W. C. Kroeger, Shannon<br />

and Maxon, Portageville, Mo., and Gem<br />

and Joy, Osceola, Ark.<br />

Prof. W. C. Handy, daddy of the blues, native<br />

of Memphis, now of New York, will come<br />

here December 5 to attend the annual Blues<br />

PROOF Of superiority<br />

PD-55<br />

SINGLE<br />

CHANNEL<br />

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70 BOXOFFICE December 2, 1950


. . . The<br />

. . . the<br />

NEW ORLEANS<br />

T oe Barcelona, owner of the Regina at<br />

Baton Rouge, has taken over the operation<br />

of three theatres: namely, the Istrouma,<br />

the Avenue and Tivoli, formerly lea.sed by<br />

Roy Pfeiffer. The change will become effective<br />

January 10 . . . Harold F. "Babe" Cohen<br />

went to Mobile with salesman Roy Nicaud<br />

to sell Screen Guild product.<br />

Henry Krumm, a partner with Ernest<br />

Landaiche in Realart Pictures, has severed<br />

his affiliation and retired to his home in San<br />

Antonio . . . Seen at Republic were A. L.<br />

Royal of the Royal Theatres, Meridian, Miss.,<br />

Max Connett of the Roxy, Newton. Miss.,<br />

Paul Ketchum. Century, Texarkana, Ark..<br />

and Nelson Constant. Nelson Theatre,<br />

Kraemer.<br />

Theatre changes reported in this area include<br />

the recent closing of the Sorrell at Sorrell<br />

The Park Drive-In. Crestview, Pla., operated<br />

The Joy at<br />

by J. C. Powell, w^as sold . . .<br />

Laurel, Miss., owned by Booker T. Smoth, has<br />

been closed temporarily for alterations . . .<br />

Charles M. Waterall expects to open his new<br />

Waterall Theatre at Prichard, Ala., around<br />

December 15. It will seat approximately 1,000.<br />

Seen on Filmrow were A. H. Vowell, owner<br />

of the Liberty, Taylorsville, Miss.; Ernest<br />

Drake, Ideal, Ponchatoula, and G. H. Moody,<br />

Meridian Drive-In at Meridian, Miss. . . .<br />

Mary Gonzales, biller, returned to work at<br />

Monogram after a three-week absence due to<br />

illness . . . E. J. Lillis. president of Masterpiece<br />

Pictures, is ill at his Metairie home suffering<br />

from rheumatism.<br />

Mrs. G. Sanders, owner of theatres in Madisonville<br />

and Mandeville. was in . . . Herbert<br />

Hargroder. theatre owner from Hattiesburg,<br />

was booking at Warners . . . E. W. Clinton of<br />

the Mono Theatre, Monticello. Miss., was in<br />

Warner Christmas party for office<br />

personnel will be held December 16 at<br />

Deutsches Haus.<br />

Two Airers Opened<br />

At Shrevepori, La.<br />

SHREVEPORT—Two new drive-ins with<br />

a capacity totaling 1,214 cars have been<br />

opened near here. The Don Drive-In on<br />

Highway 80 east of Kickapoo Plaza near<br />

Bossier City wa.s opened by Don George,<br />

owner of the Don and Venus here and the<br />

Davis at Bossier City. The Barksdale Drive-<br />

In, located near the Barksdale air base, has<br />

been opened by Shipman Bullard and Lillian<br />

Lutzer.<br />

Darrell George, brother of Don, is manager<br />

of the 564-car Don. Booking is done<br />

by Doyle Maynard, general manager of the<br />

Don. The airer features hard surfaced<br />

ramps and a 30x60-foot snack bar. Cost was<br />

set at between $125,000 and $150,000.<br />

The 650-car Barksdale Drive-In is staffed<br />

with local personnel, including Holland<br />

Davis, general manager. A playground for<br />

kiddies has been provided with a merry-goround<br />

and slides and a 200-seat patio is<br />

available for walk-ins.<br />

Martin Theatres Honor<br />

Phenix City Manager<br />

PHENIX CITY, GA.—Henry Whatley,<br />

Phenix City manager, was the "Personality<br />

of the month" featured in the November issue<br />

of the "Martin Tipster."<br />

Whatley began his career with Martin in<br />

1921. when he became a ticket-taker at the<br />

Bonita here. He divided his time until 1937<br />

between Martin Theatres and the Ringling<br />

circus. In 1937, he became manager of the<br />

Phenix City Palace.<br />

DeKalb Theatre Burned<br />

DeKALB, MISS.—The Rex Theatre here<br />

was destroyed by fire early on the morning<br />

of November 12.<br />

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BOXOFFICE :: December 2, 1950 71


. . bui<br />

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Oeveral managerial changes have been made<br />

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Mack Lewis, former city manager in Ensley<br />

for R. M. Kemiedy. has left the theatre lO<br />

take over a laundry and dry cleaning business<br />

operated by his brother, who has gone<br />

back into the service . . . Bill Deitenbeck.<br />

who was city manager in Bessemer, joined<br />

the Kennedy chain as city manager in Ensley<br />

and Guy McDowell, formerly of Anniston, replaces<br />

Deitenbeck as city manager in Besse-<br />

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72<br />

mer . Willeford, former manager<br />

of the Five Points Theatre, is new manager<br />

of Waters' Woodlawn. Joe Lackey went from<br />

the Woodlawn to North Birmingham as manager<br />

of the North Birmingham and the<br />

Delmar . Hopkins is new manager<br />

of the Avon and Ted Daniels is now manager<br />

at Five Points . C. Watts went<br />

to the Tarrant Theatre as manager to succeed<br />

M. B. Shepherd.<br />

.<br />

Emil Bernstecker, district manager lor<br />

Wilby-Kincey, was here on his monthly tour<br />

of the circuit . . . L. A. Holcomb. assistant<br />

manager of the Melba, and his wife are the<br />

parents of another girl. Karen Sue. Holcomb<br />

subbed for W. J. Hampton when the<br />

Galax manager went on vacation . . . Francis<br />

S. Palkenburg, former manager of the Alabama<br />

here, has joined the Motion Picture<br />

Advertising Service staff ... A. E. Chadwick<br />

and his wife, were here from New Orleans to<br />

confer with Milton Schwarz, Alabama representative.<br />

Chadwick is MPAS vice-president<br />

. . Mrs. H. P. Whatley of the Arabian, Arab,<br />

and H. P. Lawrence of the Fox, Blountsville,<br />

were among the Alabama exhibitors on the<br />

Row.<br />

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Jacksonville Sub-Oflice Soon.<br />

— Phone ALpine 7887 —<br />

R. I. (Hap) Barnes Karl (Bud) Chalmo<br />

Albert E. (Al) Rook C. B. (Clifi) Wilson<br />

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Schwalberg to<br />

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At Gulf ATO Parley<br />

NEW ORLEANS—A. W. Schwalberg, president<br />

of Paramount Distributing Corp., will<br />

addre.ss the annual convention of the Allied<br />

Theatre Owners of the Gulf States here<br />

December 5, 6 at the Roosevelt hotel. He<br />

also will conduct a meeting of Paramount<br />

bookers December 8-10. Attending the bookers<br />

meeting will be J. A. Walsh, in charge<br />

of branch operations, and the local manager<br />

William Holliday.<br />

Another Paramount official, Hugh Owen,<br />

eastern-southern division manager, will attend<br />

the Allied convention.<br />

Slated for discussion at the convention<br />

will be film prices and television. Film<br />

clinics, fashioned after those held at the<br />

national convention, will feature the gathering,<br />

according to Abe Berenson, vicepresident<br />

and acting manager of the local<br />

Allied branch and convention chairman.<br />

The clinics will deal with problems of indoor<br />

and drive-in theatres, Berenson said.<br />

Maurice Artigues, general manager of Allied<br />

of the Gulf States, has resigned. Berenson<br />

and Harold Bailey, secretary, are in<br />

charge of the local office.<br />

CHARLOTTE<br />

pilmrow has about returned to normal following<br />

the convention of the Theatre<br />

Owners of North and South Carolina .<br />

Mrs. Walter Griffith, executive secretary of<br />

the TON&SC, has opened her office at .216<br />

West Fourth St. again. During the convention<br />

she moved her headquarters to the<br />

Charlotte hotel.<br />

The Manor Theatre and Charlotte News<br />

film editor Emery Wister worked up a contest<br />

for "King Solomon's Mines" which ran<br />

in Wister's column Sho Nuf, asking the<br />

readers to state in 50 words or less why they<br />

wanted a Keepsake diamond. First prize<br />

was a six-month pass to the theatre and<br />

a chance on the three national prizes—<br />

$5,000, a $3,000 and a $1,000 diamond ring.<br />

Paul Hargett, salesman at Columbia, has<br />

been appointed manager of the Jacksonville<br />

branch to be opened soon . . . E. C. DeBerry,<br />

salesman for Paramount here, was recently<br />

given 50 pounds of country cured ham by<br />

his father. The DeBerry home has become<br />

a popular place on Saturday nights .<br />

The three children of Paramount Exploiteer<br />

Everett Olsen, twins Tom and John and<br />

little Pamela, had their tonsils removed in<br />

Charlotte's Presbyterian hospital , . . Mr.<br />

and Mrs. Morris Littman of Rutherfordton,<br />

N, C. are grandparents. Their daughter<br />

gave birth to a baby girl recently.<br />

Miss Jean Creighton, who is employed in<br />

the 20th-Fox exchange here, and Billy Wilson<br />

Steadman were married recently . . .<br />

Jack London, Republic salesman, was back<br />

on the road again after being ill . . Jimmie<br />

.<br />

Austin opened his new 598-seat Austin Theatre<br />

Stewart Theatres<br />

in Clinton, N. C. . . . completed the remodeling of the Oasis in<br />

Wilson. N. C, and reopened it Tlianksgiving,<br />

naming it the Center.<br />

BOXOFFICE December 2. 1950<br />

a


. . . Esther<br />

. . Roth<br />

. . Any<br />

. . Miamians<br />

. . George<br />

. .<br />

. .<br />

MIAMI<br />

Art Green heads the Variety Club's radio<br />

committee for the December 11 performance<br />

of "Susan and God" at the Mayfair Art.<br />

All proceeds go to the children's hospital . . .<br />

Manger Dan Cudone of Brandt's Roosevelt,<br />

which recently went on a first run policy, has<br />

billed "Macbeth" with Orson 'Welles as a<br />

roadshow picture at popular prices . . . "King<br />

Solomon's Mines" was in its .second week at<br />

the Florida and Colony.<br />

The women's organizations of the local Variety<br />

Club, indefatigable workers ever since<br />

the creation of this division, auditioned professional<br />

tenor and baritone singers to pick<br />

the right performer for the coming fashion<br />

show. The women's committee has had great<br />

success with this form of money-raising plan.<br />

The shows are put on very professionally and<br />

draw well.<br />

Al Wilkie says that the circuit's Paramount<br />

Theatre is scheduled to reopen December 7<br />

instead of November 30 as previously planned.<br />

First attraction will be "Let's Dance," now<br />

at the Claughton Variety, Miami Beach. The<br />

Paramount has been closed while getting a<br />

complete renovation job.<br />

The Miami Variety Club will elect officers<br />

December 4. Among nominees for the crew<br />

are Mark Chartrand, Bill Dock, Jack Bell,<br />

Jesse Weiss ... In pre-Thanksgiving advertising,<br />

the Wometco circuit printed the picture<br />

of a turkey beside the name of each<br />

theatre which had them to give away. That<br />

made a whole flock of birds since 11 theatres<br />

THIS IS<br />

IT/<br />

Smashing Box Ofiice records everyTwhere<br />

San Antonio to Syracuse. Dallas to Denver<br />

Tulsa to Tacoma. THE ONLY independent exploitation<br />

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Fox - Warners - RKO<br />

- Paramount - Colder<br />

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Plus over 1100 independents first 6 ths<br />

oi<br />

participated. A separate ad with special art<br />

further called patrons' attention to the events.<br />

Cecil DeMille, now making a film based on<br />

circus life, spent a recent weekend with the<br />

Ringling circus here . hear that<br />

RKO has assigned John Larkin to get up the<br />

script for "The Miami Story."<br />

ATLANTA<br />

Ceen on the Row early this week were<br />

R. H. Brannon, Holly Theatre, Dahlonega.<br />

Ga.; Mel Brown of the drive-in at<br />

Savannah; Jim Partlow, drive-in, Orlando,<br />

Fla.; Cal Allen. Dandee Drive-In, Columbia,<br />

Tenn.; Neil Edwards, Neil Theatre, Lithonia;<br />

Rufus Getzen, Spalding Drive-In, Griffin;<br />

Ebb Duncan and Clyde Sampler, Duncan<br />

Theatres. CarroUton; Howard Schuessler,<br />

Rome, and Donald Boardman, Skyview<br />

Drive-In, Augusta.<br />

.<br />

Bob Moscow has installed a popcorn machine<br />

at the Rialto Theatre, which is the<br />

first time this theatre has sold popcorn<br />

Johnnie Harrell, Martin Theatres, returned<br />

from a trip to New Orleans.<br />

Mrs. W. M. Richardson, wife of "Snake"<br />

Richardson of Astor Pictures, is convalescing<br />

from a long illness . . . Nat Hancock,<br />

Roosevelt, Jefferson; T. E. Orr, Albertville:<br />

Nat Williams, Thomasville, and A. N. Goldfinger,<br />

West Palm Beach, were in booking<br />

Osley, Exhibitors Service, is<br />

moving into her new home at Stone Mountain.<br />

Later on the Row were Harry Willoughby.<br />

Avondale Theatre, Birmingham; Jimmie<br />

Aaron, Skyway and Bama theatres, Anniston;<br />

R. E. Andrews, Carver Theatre, Rome;<br />

George Wilby, 27th Avenue Drive-In, Miami;<br />

Jay Solomon, Chattanooga; John Carter,<br />

Brookhaven; Roy Mitchell, Stone Mountain,<br />

and John Peck, Pex, Eatonton.<br />

Charlie Clark of Patronage Builders was<br />

back after a trip through south Georgia .<br />

Grover Parsons, ELC manager, returned from<br />

Jacksonville, Fla., where he conferred with<br />

Joe Deitch, Florida State Theatres . . . Lucy<br />

Pruitt of Columbia's billing department was<br />

married to Paul Epps . Haupert,<br />

Columbia home office, was at the local exchange.<br />

The Tower Theatre presents Gene Krupa<br />

this week . Hook, Hook Theatres,<br />

Aliceville, and T. J. Bain, Hallmark Pictures,<br />

were here . time the temperature drops<br />

below 50 degrees in Florence, the Joy Lan<br />

Drive-In gives each car a coupon good for one<br />

gallon of gas to operate car heaters.<br />

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BOXOFFICE December 2, 1950 73


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MEANS<br />

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By HARRY HART<br />

TACK COLE, manager of the Ritz at Toccoa,<br />

J<br />

Ga., and A. L. Whitaker, manager of the<br />

Grand in Cornelia,<br />

Ga., were in the offices<br />

of Co-At-Co Theatres<br />

HART BEATS<br />

in Toccoa wlien I called<br />

and Jack O'Kelly, introduced<br />

me to tliem.<br />

W. M. Snelson told me<br />

that concession sales<br />

at the Ritz were up<br />

since he had installed<br />

a new candy bar.<br />

Fuller Sams of the<br />

Statesville, N. C.<br />

Harry Hart<br />

Theatres<br />

told me that<br />

Rufus Neas has been moved from the Lyric<br />

in Elkin, N. C. to manage the Dixie Theatre<br />

in Scotland Neck, N. C. He said that Jack<br />

Pardue is the new manager of the Lyric,<br />

moving up from the assistant manager's post<br />

at the Reeves.<br />

Tip Tipton, manager of the Wil-Kin Theatre<br />

Supply Co., Charlotte, told me that his<br />

firm had installed Cycloramic screens at the<br />

Weldon, N. C. Center and the Gastonia,<br />

N. C. Carolina. The New Catawaba Theatre<br />

at Hickory, N. C. has installed a new booth<br />

and screen, he said. Wil-Kin has been selling<br />

Green Spot orange drink machines right and<br />

left and has installed them at the Durham,<br />

N. C. Carolina: Statesville, N. C. Playhouse:<br />

two at the Belmont Drive-In. Greenville,<br />

S. C; Sky Way Drive-In, Columbia, S. C;<br />

the Sharon Drive-In, Abbeville, S. C; Foster's<br />

Drive-In, Kershaw, S. C. and the Midway<br />

Theatre, Lancaster, S. C.<br />

furnished by Southeastern Theatre Supply.<br />

The new house will be opened soon.<br />

Charles Moore, Atlanta<br />

manager for<br />

the Wil-Kin Theatre<br />

Supply Co. has been<br />

called back into the<br />

navy and will report to<br />

the Norfolk, Va. base<br />

on December 5. He has<br />

been associated with<br />

Wil-Kin for the last 13<br />

years. He will assume<br />

his former naval<br />

rating of commander.<br />

Charles Moore c. O. Jeffrey, southeastern<br />

general district manager for Alexander,<br />

held a meeting in Atlanta with the<br />

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D. Barnes, Clements, E. D. Collins, L. C.<br />

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Al Clements, who has been in the Kansas<br />

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John Motley at Sumpter. S. C. has remodeled<br />

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and has installed a new marquee.<br />

J. O. Biddle opened his new Box D Drive-<br />

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Charles Theatre in Maryville. Tenn. will be<br />

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74 BOXOFFICE December 2, 1950


J. C. Hunter Elected<br />

Barker by Tent 22<br />

OKLAHOMA CITY — J. C. Hunter, who<br />

heads Talbot theatres in Tulsa, is the new<br />

Variety Tent 22 chief<br />

barker. Hunter, along<br />

with the other newly<br />

elected 1951 Tent 22<br />

officers, will take over<br />

Januray 8.<br />

Other officers<br />

named: C. H. "Buck"<br />

Weaver, Paramount<br />

manager, first assistant:<br />

Harry McKenna<br />

of Southwestern Theatres,<br />

also of the city,<br />

second assistant ;<br />

J. C. Hunter Claude York, ELC<br />

manager, property master, and Charles<br />

Hudgens, Universal manager, doughguy. C. A.<br />

"Dewey" Gibbs, returning chief barker, will<br />

become canvasman.<br />

The election by the new board of directors<br />

was held at noon Monday (27) in the Variety<br />

clubroom. In attendance were McKenna.<br />

York, Glen Alt of Republic, Sam Brunk of<br />

Paramount, Bill Slepka, Okemah exhibitor.<br />

Hudgens, Hunter, Weaver. The new directors<br />

were named November 17. Absent from the<br />

Monday meeting were Dan James, Charles<br />

R. Guthrie, both of the city, and C. B. Akers.<br />

Tulsa.<br />

Oklahoma Loge 30 Names<br />

J. A. Smith President<br />

OKLAHOMA CITY—J. A. Smith, Columbia,<br />

was elected president of the Oklahoma<br />

Loge 30, Colosseum of Motion Picture Salesmen<br />

of America, at a recent meeting. Other<br />

new officers<br />

are Paul Rice, Paramount, vicepresident;<br />

Chester A. Blakeley, RKO, secretary-treasurer,<br />

and Jack Emenhiser, ELC,<br />

sergeant at arms. Re-elected directors are<br />

Jack DeLier, Universal, and Jim Byrd, MOM.<br />

Delegates to the December 2, 3 national<br />

convention in Cincinnati are Smith and<br />

Blakeley. Tom McKean. Paramount, national<br />

treasurer, will also make the trip.<br />

W. Hodges Starts Theatre<br />

WEATHERFORD, OKLA.—Wesley Hodges,<br />

formerly of Anadarko, has started work on a<br />

location in the Hume hotel building here for<br />

the Bulldog Theatre. The house will be<br />

newly decorated and new seats and film<br />

equipment will be installed.<br />

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Parades and Special Activities<br />

Signal 'Dallas Debut in Dallas<br />

DALLAS—Warners' "Dallas" was worldpremiered<br />

at the big Majestic Theatre here<br />

Wednesday (22) with pioneers of the city<br />

present as guest of Interstate circuit and the<br />

WB studio.<br />

Newsreel cameramen filmed many of the<br />

opening events, while activities conducted in<br />

front of the theatre were broadcast. The<br />

Majestic was filled twice for the two night<br />

showings.<br />

Premiere festivities included a parade by<br />

a mounted posse and cowgirls from the<br />

Southern Methodist university, entertainment<br />

by a string band on the sidewalk.<br />

The original script for the film was presented<br />

by the pioneers to the Texas Historical<br />

society in a ceremony in the theatre<br />

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lobby. The pioneers were taken on an airplane<br />

flight over the city so they could see<br />

the town they helped develop.<br />

Shown in the photo of the Majestic front<br />

entertainment are Francis Barr, Interstate<br />

publicist; Pete Teddlie. WRR program director,<br />

and Mayor Wallace Savage of Dallas.<br />

Hardie H. Cluck, Belton,<br />

Dies of Heart Attack<br />

BELTON, TEX.—Hardie H. Cluck, who<br />

operated the Beltonian Theatre here, died<br />

Monday (20) of a heart attack. He was a<br />

member of the Variety Club of Texas.<br />

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kBOXOFFICE December 2, 1950 sw 75


. . The<br />

. . Alan<br />

DALLAS<br />

Jijtrs. Minnie E. Hooks, mother of Grace<br />

Brewer of the Chas. E. Darden Popcorn<br />

Co. and of Alex Hooks, Southern Methodist<br />

baseball coach, died. The funeral was held<br />

at Edgewood, Tex. . Sadler's Wells<br />

ballet company of London played to four<br />

capacity houses at Fair Park auditorium.<br />

More than 17.000 people attended ... A<br />

Texas premiere of "Air Cadet," shot at Randolph<br />

and Williams fields, is expected.<br />

Other visitors: H. H. Stroud. Strand, Hamilton:<br />

Mrs. Maggie E. Scott, Rio in Wallace<br />

and Scott in Odessa; W. E. Cox, Tower,<br />

Seminole; Audrey Cox, Palace, Lemasa; R.<br />

B. Weatherall. Town, Huntsville; Bill Morrow,<br />

Colonial Drivc-In, Longview; Jewel<br />

Archer, West-Mer Drive-In, Mercedes; I. W.<br />

Speckles, Cozy. Schulenberg; R. A. "Skeets"<br />

Noret, Sky- View Drive-In, Lemasa; Gerard<br />

J. Ebeier. Kings Drive-In, San Marcus; Gidney<br />

Talley, Hi-Ho. San Antonio; Jake Webb,<br />

Sunset Drive-In, Temple; W. M. Barnes,<br />

Alvarado. Alvarado; Mrs. Ethel Jones Howze,<br />

Rio, Brownfield; Johnny Blocker. Twin-Falls<br />

and Scottie drive-ins, Wichita Falls.<br />

Exhibitors on the Row: J. T. Hitt, Hico<br />

Theatre, Hico; Millard Jones of the Pyramid<br />

in Beaumont and the Cactus Drive-In Thea-<br />

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Service available through carefully<br />

tre in Odessa; W. O. Bearden, Bearden Theatres,<br />

Lubbock; J. B. Beeson, Fiesta Drive-In,<br />

El Paso; H. E. Harris, Tropic. Elsa; Harry<br />

Clark. Range. Emory; Steven Curly, Arcadia,<br />

Bridgeport; R. H. Thompson. Mecca, Jacksboro;<br />

M. C. Huey. Palace, Gustine; R. Q.<br />

Coleman. Maytex. Maybank; T. L. Ritchie,<br />

Village, Ennis; Henry Reeve, Mission, Menard;<br />

Ben Ferguson, New Nearne Drive-In,<br />

Hearne; Cranfill Cox jr.. Crystal, Gilmer;<br />

R. J. Cordell, Palace. Childress; C. M. Anding,<br />

Haltom. Fort Worth; Eddie Fadel. Elm<br />

Street. Waco; W. C. PhiUips. Hi-Vue Drive-<br />

In. Sulphur Springs; E. L. Walden. Crest,<br />

Seagoville; C. O. Simmons. Plaza, Denton,<br />

and Pete and Howard Srabay, Mesquite,<br />

Jacksboro.<br />

Harold Kenoyer, MGM projectionist, was<br />

here to handle the special screening of<br />

"The<br />

MGM Story" . Mowbry and Adrian<br />

Booth, film stars, flew in to appear at the<br />

Save-a-Life league event held Sunday night<br />

(12) at the Baker hotel . . . Eva Fuller,<br />

formerly with Tower Pictures, is now on the<br />

20th-Fox staff . . . Interstate Theatres is<br />

switching from Thursday opening days to<br />

Saturdays, starting December 9 and running<br />

through the first part of January.<br />

This is one of the first such changes tried<br />

here in recent years.<br />

R. J. O'Donnell, vice-president and general<br />

manager of Interstate Theatres, met Robert<br />

Rossen, producer-director of "The Brave<br />

Bulls" on a trip to New York, Plans are<br />

going ahead for a joint world premiere of<br />

the film in El Paso and Juarez.<br />

Johnnie Blocker has sold his two drive-in<br />

theatres, the Falls and Scottie drive-ins in<br />

Wichita Falls to BuUington, Lee and Mc-<br />

Mahan also of Wichita Falls . . Art Leazenby<br />

.<br />

is the new advertising and publicity<br />

manager at Paramount. He came here from<br />

New York. Art has been with ELC and<br />

before going with them he owned and operated<br />

a theatre in Detroit.<br />

H. H. "Hardie" Cluck of Belton, longtime<br />

Texas showman, died recently . . . Olin Dalton.<br />

producer of 16mm business films, was in<br />

San Antonio shooting scenes for a Rio Grande<br />

Valley picture which is being backed by several<br />

San Antonio firms.<br />

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76 BOXOFTICE December 2. 1950


'<br />

visitor<br />

'<br />

shows,<br />

I Thanksgiving<br />

1 seems<br />

. . Tom<br />

. .<br />

OKLAHOMA CITY<br />

lUfrs. Milt Lipsner, wife of the Monogram<br />

manager in Washington, was back from<br />

a trip east to see her husband. She expects<br />

to be settled in Washington by December 15.<br />

Lipsner left here several weeks ago as Monogram<br />

manager for his new assignment .<br />

Jack and Jimmy Hull report their new<br />

Theatre Associates business, a buying and<br />

booking agency, is doing fine. They formerly<br />

had film distributing agency on the Row.<br />

Prior to that. Jimmy was office manager<br />

of National Screen Service and was with<br />

NSS for about ten years. Jack came from<br />

Georgia in 1948. where he was an exhibitor.<br />

Screen Guild offices which have been completely<br />

redecorated, also have a combination<br />

heating and cooling system . . . Claude Motley<br />

of Video saw the OU and Nebraska foot-<br />

ball game in Norman on Saturday (25) . . .<br />

Also there were Mr. and Mrs. Bob Browning.<br />

Browning is Oklahoma City manager for<br />

Video McKean of Paramount returned<br />

to work Monday (27) .<br />

after a week's<br />

"Kiss Me. Kate" will be at the<br />

Home for three nights and a matinee performance,<br />

starting December 14.<br />

"The Skating Vanities" closed its stand<br />

here Sunday night (26) in the Municipal<br />

auditorium after playing eight performances<br />

to good crowds. "The Miniver Story" opened<br />

Sunday (26) at the Home to inaugurate a<br />

new single bill policy for the house. Charles<br />

Smith, manager, said the single bill will be<br />

backed with a strong short subject program<br />

. . . Orville Braucht, brother of Harold T.<br />

Braucht of the Home, was visiting here<br />

from Merced, Calif. Braucht and Robert D.<br />

Curran, his partner in the Home operation,<br />

were both at the OU-Nebraska game.<br />

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. . . Interstate circuit and<br />

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Qpening Thanksgiving day at the Majestic<br />

Theatre for its southwest premiere was<br />

WB's "Dallas"<br />

several other local business firms will put<br />

in a new downtown parking lot on West<br />

Travis street near the Texas Theatre<br />

An all-girl stage revue opened at the Zarai-ioza<br />

December 1 for an indefinite engagement.<br />

Abe Goldstein is the production manager.<br />

The house will still maintain its present<br />

picture policy.<br />

.<br />

.<br />

Robert Goodall, president of Goodall Electrical<br />

Mfg. Co., Ogallala, Neb., was among<br />

those at the annual meeting of the Southwest<br />

Research Institute . . . W. J. "Dutch"<br />

Cammer, Lippert Productions, Dallas, was<br />

here recently to attend his brother-in-law's<br />

wedding Holstein, U-I's south<br />

Texas salesman, was also in . . William<br />

.<br />

C. "Billy" Rau of the Booking center on<br />

Norwood was among the deer hunters out<br />

bright and early on the first day of the<br />

season weekend visitors<br />

were Manuel P. Pena, Tropical, Pi-ement;<br />

Esteban Praga, Azteca, Natalia; Don Galvan,<br />

Pena, New Braunfels, and Jose Carabaza,<br />

Carabaza Film Exchange, Laredo.<br />

Red River Dave McEnery and his string<br />

band played one night at the Dixie Drive-In,<br />

Seguin, operated by H. A. Daniels ... All<br />

Statewide drive-ins here gave away turkeys<br />

before Thanksgiving . . . Five gobblers were<br />

given as prizes to patrons at the Hi-Park<br />

Drive-In through the courtesy of Miller's<br />

poultry house, opposite the airer.<br />

Diane Ross was being held over for a third<br />

week at Club 55 . . . The Majestic held its<br />

customary children's toy matinee Thanksgiving<br />

morning. Every kid presenting an old<br />

toy was admitted free. The toys will be repaired<br />

and repainted by the San Antonio<br />

fire department and given to orphans here<br />

on Christmas morning. Joske's of Texas<br />

sponsored the early morning showing .<br />

The Alameda will be the first theatre to<br />

have TV here next year. The house was<br />

wired for TV when it was under construction.<br />

The Rigsby Drive-In and Josephine Theatre<br />

played "The Prince of Peace" day and<br />

date, opening Sunday (26) ... It also went<br />

into the Alamo, South Loop 13 and Kelly<br />

drive-ins after Thanksgiving . . Claude<br />

.<br />

Alexander, who has been with Alexander<br />

Film Co. here for 23 years, is supplying TV<br />

trailers (16mm) to local video stations.<br />

Jack A. Pickens, Pickens Theatres, Uvalde,<br />

was among the exhibitors who took in the<br />

TOA convention in Houston recently . .<br />

.<br />

Marie Lucchese is the proud owner of a<br />

rare medal given her by the king of Italy<br />

for her heroic work during the earthquake<br />

which leveled that country In 1913. She is<br />

manager of the Alameda Theatre building.<br />

Son of Actress Signed<br />

Tommy Farrell. son of actress Glenda<br />

Farrell, will play a featured role in Warners'<br />

"Strangers on a Train."<br />

BUFFALO COOLING EQUIPMENT<br />

lOtb n.. 2nd Unit, Santa Fe BIdg. BUFFALO ENGINEERING CO., INC. Dallas. Tex.<br />

Premiere of 'Dallas'<br />

Scores Strong 140<br />

DALLAS—The world premiere showing of<br />

"Dallas" at the Majestic went ahead of all<br />

others, turning in a big 140 per cent. In<br />

second weeks, "King Solomon's Mines" scored<br />

120 at the Melba. and "All About Eve," in<br />

a moveover to the Tower, brought in 100<br />

per cent.<br />

(Average Is 100)<br />

Coronet—The Red Shoes (ELC) 80<br />

Dallas—WThere the Sidewalk Ends {2Gth-Fox);<br />

Farewell to Yesterday (20th-Fox) 100<br />

Majestic— Dallas (V/B) MO<br />

Melba—King Solomon's Mines (MGM), 2nd wk 120<br />

Palace—The Toast of New Orleans (MGM) 75<br />

Tower-All About Eve (20th-Fox), 2nd d. t. wk lOO<br />

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78 BOXOFFICE December 2, 1950


'<br />

will<br />

.'<br />

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,<br />

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)<br />

Grove<br />

I<br />

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Indiana Ass'n Elects<br />

36 Board Members<br />

INDIANAPOLIS—Election of 36 directors<br />

of the Associated Indiana Theatre Owners<br />

was announced by Trueman Rembusch president.<br />

Members elected four for each of the<br />

nine districts. They are:<br />

District 1: H. Lisle Krieghbaum, J. G. Vogel,<br />

Alex Manta and Justin Shauer: district 2:<br />

A. H. Borkenstein, Peter Mailers. Roy Kalver,<br />

and John Micu; district 3: W. T. Studebaker,<br />

Jack Alexander. Sam Neall and S. J. Gregory;<br />

district 4; Marc J. Wolf, M. H. Scheidler,<br />

Trueman Rembusch and Morton Weinberg.<br />

District 5: Guy Hancock, Mannie Marcus,<br />

• Stanley A. B. Cooper and Claude Flater;<br />

district 6: Walter Easley, J. P. Finneran, Roy<br />

E. Harrold, T. L. Mendelssohn; district 7:<br />

Bruce Kixmiller, Oscar Pine, Harry Kornblum,<br />

and E. L. Ornstein: district 8: H. P.<br />

Vonderschmitt, T. C. Baker, Sam Switow<br />

and A. B. Thompson: district 9: Ernest Miller,<br />

Fred J. Dolle, Dudley Williston and Ear)<br />

Cunningham.<br />

B&K Will Close Three<br />

Chicago Subsequents<br />

CHICAGO — The Balaban & Katz chain<br />

will close three of its neighborhood houses<br />

within the next month because of decrease<br />

in boxoffice grosses. A similar action recently<br />

was taken by the Essaness circuit,<br />

which gave a two-week notice to operators in<br />

nine houses two weeks ago. Closing has been<br />

postponed for another week and they will<br />

try to reach an agreement with the operators<br />

to discontinue weekday matinees.<br />

Early this year B&K shuttered the Adand<br />

Albia. neighborhood houses. Warrecently<br />

announced the closing of the<br />

and the Stratford for a bit of remodel-<br />

Warners also annnounced some manchanges<br />

as the circuit has suffered a<br />

big decrease in profits in its southside houses.<br />

Warners has assigned theatres to city Di-<br />

Managers Herbert Wheeler and Harry<br />

t Tyrell, who never before operated theatres.<br />

Wheeler will manage the Avalon and Tyrell<br />

be co-manager of the Capitol. Many independent<br />

neighborhood houses have discontinued<br />

weekday matinees until Christmas.<br />

Indianapolis Manager<br />

Held in Theatre Theft<br />

TERRE HAUTE, IND.—John Arthur, manager<br />

of the Grand Theatre here which was<br />

robbed of $3,673 November 2, was being held<br />

in jail along with an accomplice following<br />

FrJsina Circuit's New Roxy<br />

Is Opened in Springfield<br />

SPRINGFIELD—The newly recoi:istructed<br />

and remodeled Roxy Theatre was reopened<br />

to the public Thanksgiving eve after being<br />

closed for 14 months while reconstruction<br />

work was done. Approximately 2,800 persons<br />

participated in the reopening.<br />

At 6 p. m., R. B. Evans and Earl Worthington<br />

presented a "key" to the theatre to Dominic<br />

Frisina, president of the Frisina Amusement<br />

Co., which operates the Roxy. At 6:30<br />

p. m., the ribbon closing the entrance to the<br />

ornate new lobby was cut and the first of<br />

the crowd filed into the flower banked foyer.<br />

Earlier, a crowd of approximately 1.000<br />

gathered on the sidewalks outside the theatre<br />

aw'aiting admission, in spite of cold,<br />

damp winds. Inside, however, decorations<br />

keyed to the South Seas, done in coral, blue<br />

and beige, nullified the November chill. Most<br />

of those attending first wandered through<br />

the theatre upstairs to the lounge, with deep<br />

leather couches and South Sea mural facing<br />

a huge mirror, and through the balcony,<br />

before finding seats to listen to the recorded<br />

music which preceded "The West Point Story."<br />

In decor, the new theatre is a combination<br />

of newness and tradition, with the modern<br />

and the most contemporary combined<br />

into a soft, restful atmosphere. Predominant<br />

colors are blue, coral and beige, used in the<br />

deep "push back" seats, in the murals and<br />

the new, deep carpeting.<br />

The colors are also present in natural materials,<br />

in the balcony railing of polished<br />

natural wood, and in the low, curving wall of<br />

pink and brick which follows the wall of<br />

the theatre from the side exit to the stage,<br />

in the auditorium. The brick walls, which<br />

are below large, modern murals featuring<br />

Ex-Convict Arrested<br />

In Theatre Robbery<br />

MURPHYSBORO, ILL.—Robert Brewer,<br />

local youth, who is alleged to have taken $44<br />

from the ticket window of the Marlow Theatre<br />

here, has been charged with grand larceny.<br />

Brewer had $39 in his possession when<br />

arrested. He recently was released from the<br />

Southern Illinois penitentiary at Menard, 111.,<br />

after serving time for a similar crime at a<br />

theatre in East St. Louis, 111. In addition to<br />

the charge against him in connection with<br />

the theft of the $44 at the Marlow Theatre,<br />

Brewer must answer to violation of his pa-<br />

their confessions to the burglary plot.<br />

A third man was being sought. Arthur and<br />

Fred role.<br />

B. Slater, of Indianapolis, implicated<br />

another Indianapolis man.<br />

Authorities said they did not suspect Arthur<br />

of complicity in the burglary but that he confessed<br />

November 15, when he was brought to PERCY, ILL.—The Princess Theatre, 400<br />

Vandalism Forces Close<br />

Indianapolis to confront Slater, an extra projectionist<br />

at the theatre. Slater tipped off definite period because of extensive damage<br />

seats, was closed on November 22 for an in-<br />

police to Arthur's part in the plot, police said. done the property by vandals. H. E. Webster,<br />

who also owns the Webster Theatre,<br />

Arthur confessed planning the robbery because<br />

he was short of funds. Police recovered Steeleville, 111., said that although he had<br />

$2,237 from Arthur and Slater and were the full cooperation of the city officials in<br />

searching for the third man. He was paid Percy, vandalism had continued and resulted<br />

$500 for his part in the robbery, Arthur said, in costly damage to the building and contents.<br />

The last show was the night of No-<br />

but was believed to have $1,000 of the money<br />

according to police.<br />

vember 21.<br />

a sailing ship and old mariner's symbols,<br />

are topped with growing palms which fringe<br />

the bottom of the murals with appropriate<br />

"South Sea" green.<br />

All lighting in the auditorium is concealed<br />

in troughs; that in the lobby is a combination<br />

of trough lighting and direct light from<br />

a huge, branching chandelier, modeled on a<br />

renaissance brass light fixture.<br />

Murals are also present in the lobby and<br />

in the lounge, located upstairs at one level<br />

below the balcony. In both. South Sea<br />

themes are presented and both are placed<br />

opposite large mirrors—that in the lobby<br />

fills an entire wall—which gives the illusion<br />

of double murals while providing the light<br />

reflecting advantages of the mirrors.<br />

During the remodeling, the capacity of<br />

the theatre was increased to almost 1,400<br />

seats. Nearly all of them were filled at both<br />

showings of the film. Many of those present<br />

were guests of the Frisina Amusement Co.,<br />

which had invited all members of the construction<br />

crews to attend the opening of the<br />

"finished product" on which they had worked.<br />

Following the opening, more than 400 persons<br />

attended a reception at the Hotel Abraham<br />

Lincoln. Guests at this also included<br />

the construction workers. A buffet lunch<br />

was served, and music for dancing was provided.<br />

Manager Dominec Giachetto estimated that<br />

the cost of the remodeling was at least a quarter<br />

million dollars. All fixtures in the theatre<br />

are new. from the rugs to the chandeliers, and<br />

even the building itself has been completely<br />

rebuilt of steel and concrete, making it virtually<br />

fireproof. Of the old construction,<br />

only one steel beam still remains.<br />

William Mills, Designer<br />

Of Drive-Ins, Dead at 62<br />

ST. LOUIS—William H. Mills, who designed<br />

and constructed several of the drive-in theatres<br />

in the St. Louis area and an architect<br />

and builder here for some 40 years, was buried<br />

in Oak Hill cemetery, St. Louis county, November<br />

23. Mills, 62, died November 19 of<br />

heart disease in his home. He had been in<br />

ill health for .some time. The drive-ins he<br />

designed and constructed included Ronnie's<br />

and the North in St. Louis county and the<br />

Mounds near Collinville. 111. He also was consulted<br />

in connection with the construction<br />

of a number of others in the St. Louis area.<br />

Chicago Drive-In Robbed<br />

CHICAGO—'While 900 patrons parked in<br />

400 cars, watched a western picture recently<br />

at the Family Drive-In at routes 120 and 21<br />

in Grayslake, two bandits in blue jeans held<br />

up the theatre office and escaped with<br />

$1,500. The manager. Richard Tygard, told<br />

Sheriff Christian that when he answered a<br />

knock on his office door, a revolver was<br />

pushed under his nose and the holdup men<br />

forced him to open the safe. They yanked<br />

the phone wires from the wall and escaped.<br />

BOXOFFICE December 2, 1950 83


%ei^<br />

%ilSm^ MOTION PICTURE PROJECTOKS.<br />

... do not require oil pumps<br />

and splash lubrication for efficient<br />

operation.<br />

. . . must be designed to use<br />

high-power arc lamps without<br />

light-wasting heat filters.<br />

HERE'S THE PROBLEM<br />

Modern projection demands the use of higher power arc lamps. These lamps<br />

create intense heat which causes buckling and distortion of the film. To prevent<br />

film mutilation and out-of-focus pictures, some projectors require heavy<br />

light-wasting heat filters. These filters waste most of the light added by the<br />

higher power lamps.<br />

HERE'S<br />

THE SOLUTION<br />

CENTURY projectors equipped with water-cooled apertures reduce destructive<br />

heat and increase picture brilliance.<br />

Think of this . . . CENTURY high-efficiency mechanisms, plus water-cooling<br />

and with a 90 ampere arc will put as much light on the screen as other projectors<br />

using a 180 ampere arc and heat filters!<br />

HERE'S THE RESULT<br />

• Full brilliance and sharper pictures without loss of light or<br />

wasted power.<br />

• More illumination on the largest screens.<br />

• Film distortion reduced. Focusing trouble minimized.<br />

Projectors equipped for high speed, long focal length, 4" diam. lenses.<br />

Water cooling is optional— available on all models at slight extra cost.<br />

LUBRICATION IS OLD FASHIONED!<br />

With CENTURY you have no lubrication headaches— no dripping oil or grease<br />

to mess up equipment or film. There are no oil baths or oil pumps to leak or<br />

fail and cause bindups and frozen bearings. To end this costly trouble<br />

CENTURY uses sealed, oil-less bearings and glass-hard, high carbon-chrome<br />

steel gears.<br />

Proof of CENTURY'S simplified, high-efficiency design can be seen in the illustrations<br />

on the right. Ten gears with only two gear meshes between the<br />

shutter and the intermittent cam. (Other well known projectors have from<br />

4 to 12 such meshes and up to 23 gears).<br />

Fewer gears and shafts mean less trouble, lower maintenance, less vibration,<br />

sharper pictures . . . finer projection.<br />

See your CENTURY dealer about modernizing your projection and<br />

sound equipment now, under present government restrictions.<br />

Midwest Theatre Service<br />

€l Equipment Company<br />

1950 West Belmont Ave.<br />

Chicago 13, Illinois<br />

Joe Hornstein, Inc.<br />

3330 Olive St.<br />

St. Louis 3, Missouri<br />

34 BOXOFTICE December 2, 1950


—<br />

—<br />

-<br />

Holiday Business<br />

Booms in Chicago<br />

CHICAGO—Holiday festivities with parades<br />

and other doings and youngsters out<br />

of school brought huge crowds to downtown<br />

Chicago. The Chicago Theatre had one of<br />

the most unprecedented crowds in the B&K's<br />

history with the personal appearance of<br />

Martin & Lewis on stage and "Woman on<br />

the Run" on the screen, establishing a new<br />

record for the weekend business. The Oriental<br />

also had a smash week with "The West<br />

Point Story." plus a stage show headed by<br />

Yvonne DeCarlo. A twin bill at the State-<br />

Lake, "Rocky Mountain" and "Dial 1119."<br />

had a firm week, and "Hell Town," plus<br />

"Buffalo Stampede" at the Grand had a nice<br />

week.<br />

(Average Is 100)<br />

Chicagc—Woman on the Run (U-I), plus stage<br />

show 150<br />

Grand—Hell Town (RKO), Builalo Stampede<br />

(RKO), reissues 110<br />

Oriental—The West Point Story (WB)<br />

stage<br />

I3C<br />

Palace Let's Dance (Para); Blues Busters<br />

(Mono), 2Tid wk -<br />

Roosevelt—Rio Grande (Rep), 2nd wk<br />

State-Lake—Rocky Mountain (WB); Dial 1119<br />

(MGM)<br />

United Artists-The ladcpot (20th-Fox), 2nd wk<br />

Woods American Guerrilla in the Philippines<br />

(20th-Fox), 2nd wk<br />

World Playhous.^Macbeth (Rep). 2nd wk<br />

Holiday Week Fair<br />

For Indianapolis<br />

INBIANAPOLIS—Considering the Thanksgiving<br />

holiday, Sonja Heinle and her ice<br />

show at the Coliseum and the beginning of<br />

holiday parties, first run houses had a fair<br />

week.<br />

The Glass Menagerie (WB); Holiday<br />

Circle<br />

Rhythm (LP) 90<br />

Indiana American Guerrilla in the Philippines<br />

(20th-Fox) 90<br />

Keith's—Rio Grande (Rep), moveover; Hidden<br />

City - 100<br />

Loew s—The Miniver Story (MGM); Right Cross<br />

(MGM)<br />

9b<br />

Lyric-The Sleeping City (U-1); Deported (U-l), .95<br />

Dezel Dual to A-Houses<br />

CHICAGO—Albert Dezel of Dezel Productions<br />

has completed a contract with the<br />

Downtown Theatre, Detroit, and the Fox<br />

Strand in Milwaukee to exhibit Zane Grey's<br />

"Hell Town," and "Buffalo Stampede," formerly<br />

distributed by Paramount Pictures. Bill<br />

Drake of the Dezel Chicago office is handling<br />

the booking of the Jimmie Stewart 27-minute<br />

subject, "And Then There Were Four," which<br />

has just completed a five-week run at the<br />

Woods here and is being booked in the A-<br />

houses over the Great-States circuit.<br />

New Baden, Ill„ State Sold<br />

NEW BADEN, ILL.—The State Theatre,<br />

300-seater. formerly operated by Standford &<br />

Fritz, has been taken over by Paul Schroeder<br />

and Phil Harris of Lebanon, 111. They are<br />

giving two complete shows nightly and a<br />

matinee on Sundays. The lobby was redecorated<br />

prior to the reopening. Schroeder also<br />

operates the Alamo in Lebanon.<br />

Drive-In Permit Issued<br />

MUNCIE, IND.—A permit for the construction<br />

of a $250,000 theatre at 14th and Madison<br />

has been issued here.<br />

When Roy Rogers brought his show to Springfield's armory, exhibitors throughout<br />

the area took this competitive attraction as a means of stimulating greater interest<br />

in their Roy Rogers Rider clubs. Managers from many nearby towns brought<br />

their young western fans to Springfield to see Rogers. In the accompanying photo,<br />

William Souttar (left) and his assistant, Delbert Stoddard of the Lincoln Theatre,<br />

are shown as some of their Rider club members greet Rogers backstage.<br />

Theatre Water Fountains<br />

Considered by City Board<br />

MILWAUKEE—The position of water fountains<br />

in local motion picture houses is under<br />

consideration in the city common council<br />

here as a result of charges that fountains<br />

are hidden purposely to make them inaccessible<br />

and to compel the patron to buy soft<br />

drinks at the concessions stand.<br />

At a recent common council meeting here,<br />

one alderman, said it was virtually impossible<br />

to find a fountain in a theatre. He<br />

said that in past years it had been the<br />

practice to install water fountains in the<br />

lobby, and added "this appears to be an<br />

obselete practice now."<br />

The matter assumed sufficient importance<br />

to have a hearing scheduled of the housing<br />

committee of the council to investigate location<br />

of water fountains. A new code now in<br />

the making requires that water fountains be<br />

installed in every theatre and that they must<br />

be located conveniently.<br />

Theatre owners appeared at the meeting<br />

and one said that the fountain in his theatre<br />

was directly behind the coke machine.<br />

The fountain he said could be seen from<br />

aisles three to five, but could not be seen<br />

from aisles one and two in the house. He<br />

said there was no fountain on the first<br />

balcony, but there was one on the second.<br />

Illinois Drive-In Loses $1,000<br />

WAUKEGAN, ILL.—Burglars broke into<br />

the office of the Waukegan Drive-In on<br />

Route 41 recently and carried off a safe containing<br />

$1,000. The safe was taken between<br />

the time Henry Rhyan, owner, closed the<br />

place at midnight and William Luecking.<br />

janitor, arrived at 7:30 a. m. to clean the<br />

grounds.<br />

You can buy cheaper lamps, or more expensive<br />

lamps . . . but when you consider<br />

quality first you can't buy a better lamp for<br />

the money. Model 4570 Lightmaster provides<br />

from 45 to 80 amperes of brilliant, sparkling<br />

light for even the largest screens.<br />

rm> aiinq Badantijae<br />

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55 E. Washington St.<br />

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Complete Theatre Ec[uipTne7it & Supplies<br />

BOXOFFICE December 2, 1950 85


. . Mrs.<br />

. . Oral<br />

. . Guy<br />

. . The<br />

INDIANAPOLIS<br />

pobert "Bob" Shook has succeeded Rush<br />

Williams a,s booker at Republic Pictures.<br />

Williams joined the United Artists staff as<br />

office manager, and Mrs. Mary Long succeeds<br />

Mrs. Jean Be.ssisi as cashier, who has<br />

gone to Paramount Pictures exchange as<br />

cashier there . Bess Thomas, wife of<br />

Ray Thomas, booker at U-I, is now working<br />

parttime at Republic Pictures in the general<br />

office.<br />

Hester Colburn, inspector at RKO-Radio<br />

Pictures, who has been away from work for<br />

several weeks because of an injured ankle,<br />

has recovered sufficiently so as to be back<br />

on the job . Lebbetter, who operates<br />

the Howard at Monon, has announced the<br />

birth of a baby boy, born in St. Elizabeth'.-;<br />

hospital, Lafayette, November 3, and named<br />

William Scott. Weight, 5 pounds and 12<br />

ounces.<br />

Jack Van Borsson, who operates the Savoy<br />

and West, Terre Haute, was confined at his<br />

home by influenza . Hancock, operator<br />

of the Prewitt, Plainfield, is on the<br />

sick list . . . George Lindsay, operator of the<br />

Lindsay at Brownsville, Ky., was on the Row<br />

booking and buying . . . Lou Weinberg, from<br />

the sales organization of Columbia Pictures,<br />

""i^fbdi Wprkman<br />

boasts about his tools<br />

• •<br />

/^-^Ye$,lt takes good<br />

equipment, as well<br />

as good workmen, to °<br />

produce fine theatre<br />

screen advertisinj. -»<br />

That's<br />

why<br />

discriminating<br />

Exhibitors<br />

use<br />

BUSINESS<br />

^^<br />

BREVJTIJ^S^<br />

Local Screen Advertising of Quality<br />

w^sm<br />

FILM INDUSTRIES, INC<br />

New York, was in Saturday ( 18 1 pepping<br />

up the boys on the A. Montague and Liquidation<br />

drive.<br />

Herman Morgan, salesman at U-Ii Pictures,<br />

has resigned his position. No one<br />

has been appointed officially to fill the vacancy<br />

, wife of Jules Goldman and<br />

her son have flown to New York City, where<br />

she will spend the holidays . . . Branch manager<br />

Tom O. McCleaster of 20th-Fox was in<br />

Chicago over the weekend for a meeting<br />

of the Central and Midwest district and<br />

branch managers.<br />

Norma Schnarr, the daughter of Mr. and<br />

Mrs. Glen Schnarr who operate the Daisy<br />

Theatre here, flew to Utrecht, Holland, November<br />

16 for an extended visit. She will<br />

visit her many friends in the land of dikes<br />

during the next several months.<br />

Lee L. Goldberg, head of Realart Pictures<br />

exchange, here and Cincinnati, announces<br />

the acquisition for the local exchange territory<br />

of a series of 20 pictures of the Zane<br />

Grey reissues, available to Indiana exhibitors<br />

through the local branch . . . Abe Baker<br />

of the Baker Booking Service has added<br />

the Brokaw Theatre, Angola, Ind.<br />

Universal Pictures entertained the Filmrow<br />

crowd November 18 at the Variety Club of<br />

Indianapolis. There was everything from I<br />

turkeys to orchids. The affair was one of<br />

the best and biggest to date. "Are you tired,<br />

listless, bored or broke?" was the bulletin announcement.<br />

Everybody was there and the<br />

clubrooms were jammed to overflowing. Sam<br />

Oshry, Universal manager, planned the affair.<br />

The United Film Booking Service, headed<br />

by Ted Mendelssohn, has been appointed as<br />

buyer and booker for the Seymour Drivein,<br />

Seymour, Ind., for the year 1951 . . .<br />

"Because of Eve" will open at Keith's Theatre<br />

here December 6. In Indianapolis "Because<br />

of Eve" will be billed as "Adam and<br />

Eve" in order not to cause any confusion<br />

with a picture similar in name, according<br />

to Ted Mendelssohn, distributor of the film<br />

in Indiana.<br />

Exhibitors seen on Filmrow were: Bruce<br />

Kixmiller, Bocknell: E. Orenstein. Marengo;<br />

Earle Payne, Louisville, Ky.; R. L. Norton,<br />

Red Key; Pete Dawson, Louisville, Ky.; Nick<br />

Paikos, Tipton.<br />

GEB^WAR<br />

THE^aJ^rRE EQUIPMENT<br />

442 NORTH ILLINOIS STREET<br />

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Chicago 4, Illinois<br />

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86 BOXOFFICE December 2, 1950


i<br />

Wisconsin Prison Shows<br />

Films on Set Schedule<br />

WAUPUN, WIS.—At the Wisconsin state<br />

prison here, each inmate is permitted to see<br />

motion pictures in the prison hall once a<br />

week as long as he obeys regulations. The<br />

shows, according to the warden, are the same<br />

as those given in the downtown theatres of<br />

this city. The films are selected by a group<br />

consisting of the warden, the deputy warden<br />

and the director of recreation for the prison.<br />

Two DeVry projection machines are used<br />

for the shows—one 16mm and one 35mm.<br />

The theatre has a seating capacity of 894<br />

prisoners. The projection machine is operated<br />

by a prisoner who has become an expert<br />

at it. All in all, the warden declares, the<br />

films shown tend to make the prisoners more<br />

satisfied with their lot—definitely so, he says.<br />

The theatre at the prison is actually the<br />

large prison dining room. The cost of the<br />

movies comes from the inmates' canteen fund.<br />

From the BOXOFFICE Files<br />

(Twenty Years<br />

Ago)<br />

pOR the time being, the future of third<br />

dimension films in Chicago is uncertain.<br />

While critics praise the recent exhibition<br />

at the State-Lake, the public was disappointed.<br />

The apparent lack of depth is complained<br />

of. A semblance of third dimension appeared<br />

but the illusion was so slight that it escaped<br />

all but the most scientific eye.<br />

. . .<br />

Warner Bros, has arranged for benefit midnight<br />

shows in Chicago, the proceeds to<br />

The<br />

be<br />

turned over to needy unemployed<br />

installation of sound in the theatres in the<br />

Chicago area has been the acid test of financial<br />

stability, says Joseph Klein. Chicago<br />

editor of Motion Picture Digest, who reports<br />

that 50 to 60 theatres in the area have<br />

gone dark during the summer and are still<br />

unlighted. "The survivors of this test," he<br />

says, "are emerging from the battle with<br />

flying colors. Their knowledge of showmanship,<br />

acquired under such difficult circumstances,<br />

now serves them profitably."<br />

nOhCOMPLETE THEATRE<br />

IIUH EQUIPMENT<br />

MID-WEST THEATRE<br />

SUPPLY COMPANY, Inc.<br />

Bienkert Projection Equipment — Ideally<br />

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Riley - 5655. Indianapolis, Ind.<br />

Twenty-four hour service<br />

MILWAUKEE<br />

/^pera played the upper eastside Ortiental<br />

Theatre, owned by the St. Cloud Amusement<br />

Co. last week. The New York City<br />

Opera Co. presented "La Traviata" at a $3.60-<br />

$4.80 scale. This, however, is not the first time<br />

a traveling show has been booked into an<br />

auditorium other than the Davidson or Pabst<br />

in downtown Milwaukee.<br />

For the holidays, the neighborhood Bay.<br />

Hollywood and Park theatres staged "Battle<br />

of the Cowboys" programs—Roy Rogers<br />

vs. Hopalong Cassidy—and the tieup<br />

brought good boxoffice returns. The morning<br />

shows were at 25 cents. The three houses<br />

are part of the Standard circuit.<br />

With visual educational becoming more important<br />

each year in the schools, the board<br />

of education has opened a training school for<br />

"projectionists" at the Longfellow school. The<br />

teenagers are being taught how to run the<br />

16mm projectors used in the classroom work<br />

under supervision of Richard Snow, a bus<br />

driver for the local transit company who has<br />

been interested in 16mm projection for some<br />

time.<br />

Plenty of competition for the juvenile holiday<br />

amusement dollar. Two children's operettas<br />

were booked into the Pabst Theatre<br />

for Thanksgiving week and the city recreation<br />

department presented "Cinderella" at<br />

the Lincoln high school at a 10-cent scale.<br />

At two suburban Fox theatres, the Garfield<br />

and Uptown, two shows for the price of<br />

one are put on now and then. "Panic in the<br />

Streets" and "The Petty Girl" were recent<br />

attractions.<br />

St. Louis Ivanhoe Sold<br />

To Jimmy Tappella<br />

ST. LOUIS — The Ivanhoe Theatre, 3239<br />

Ivanhoe Ave., was taken over Monday (20).<br />

by Jimmy Tappella. who a few days before<br />

purchased the building from the estate of the<br />

late Sam Komm. Frank Shelly had operated<br />

the theatre from June 30 to Sunday. November<br />

19. under a sublease from Tappella who<br />

held a lease on the theatre for some years.<br />

Tappella has been associted in the management<br />

of the Columbia and Roxy theatres in<br />

South St. Louis owned by Mrs. Bess Schulter.<br />

Juneau Juno Remodeled<br />

JUNEAU. WIS.—The canopy at the Juno<br />

Theatre here has been remodeled and<br />

equipped with neon lights. The side of the<br />

building was also equipped with neon. Mr<br />

and Mrs. Carl Neitzel. owners of the house<br />

for ten years, recently celebrated their 25th<br />

wedding anniversary. Their son Neal has<br />

enlisted in the National Guard but will remain<br />

in his position as projectionist.<br />

^^<br />

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Theatre Presents Flowers<br />

DWIGHT. ILL.—Ralph Calvin, manager of<br />

the Blackstone Theatre, tied in with a flower<br />

shop for the observance of National flower<br />

week and gave two corsages each night to<br />

the oldest woman present and to the young-<br />

married woman.<br />

est


-<br />

. . Out-of-town<br />

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ST .<br />

LOUIS<br />

Among those from the St. Louis sector who<br />

attended the grand reopening of the Roxy<br />

Theatre, Springfield. 111., a unit of the Frisina<br />

Amusement Co., were: Bill Earle, manager,<br />

and Bill Earle jr., salesman for National<br />

Theatre Supply; Mrs. Earle sr. and their<br />

daughter: Herb Bennin, manager. MGM;<br />

Tom Williamson, salesman, and Lou Palermo,<br />

booker, RKO Radio; Lester Bona, Warner<br />

manager, and Mrs. Bona; Joe Sarfaty, U-I<br />

salesman; Johnny Walsh, co-owner, Flo-<br />

Bimil SOUND<br />

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St. Louis Theatre<br />

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Complete Theatre Equipment & Supplies<br />

Mar Productions; Herman Gorelick. co-owner.<br />

Screen Guild Productions of St. Louis,<br />

and Mrs. Gorelick; Morty Gottlieb, Joe Hornstein,<br />

Inc., St. Louis; Johnny Meinardi, district<br />

manager. Fox Midwest circuit, and Tommy<br />

Tobin, East St. Louis resident manager<br />

of the Frisina-St. Clair Amusement Co.,<br />

Mrs. Tobin and their son Tom jr.<br />

The annual meeting and election of officers<br />

of St. Louis lege of the Colosseum<br />

of Motion Picture Salesmen of America will<br />

be held in the Lindell room, Melbourne hotel,<br />

Bob Lightfoot, Monogram<br />

December 9 . . .<br />

president, and George Ware, 20th-Fox treasurer,<br />

will represent the St. Louis Loge at<br />

the national convention of the Colosseum<br />

to be held in Cincinnati on December 2 and<br />

3.<br />

Jules Chapman, manager of ELC exchange<br />

operations. New York City, spent November<br />

28 and 29 here, conferring with F. J. Lee, St.<br />

Louis manager . exhibitors<br />

on Filmrow included Forrest Pirtle, Jerseyville.<br />

111.; H. M. Hirth, Pacific, Mo.; Bill<br />

Williams, Union, Mo.; Bernie Palmer, Columbia<br />

Amusement Co., Paducah, Ky.; Paul<br />

Schroeder, Lebanon 111., and Tom Bloomer,<br />

Belleville, 111. . . . James H. Arthur. Fanchon<br />

& Marco-St. Louis Amusement Co., has returned<br />

from California . . . Harry C. Arthur<br />

has gone to the west coast.<br />

F. J. Lee, St. Louis manager for ELC,<br />

was in Kansas City to close deals with Fox<br />

Midwest and Commonwealth circuits on<br />

"Destination Moon." Included will be engagements<br />

in 10 theatres of Fox Midvest in<br />

eastern Missouri and southern Illinois, and<br />

the Commonwealth circuit deal covers theatres<br />

in Columbia, Fulton, Washington and<br />

Waynesville, Mo. . State Theatre,<br />

715 Washmgton Ave., has booked Red Skelton<br />

to head a stage show during the week<br />

of December 28th. It will include well-known<br />

entertainers from Hollywood. From here they<br />

will go to Chicago ... A number of drivein<br />

theatre owners from the St. Louis trade<br />

area planned to attend the November 9<br />

meeting at the Emerson hotel. Mount Vernon.<br />

111., arranged by Andy Dietz, Co-operative<br />

Theatres, St. Louis, Mo.<br />

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CHICAGO<br />

C^ity Lights," first released here 19 years<br />

ago, is pulling 'em in at the Surf Theatre,<br />

and the management believes that the<br />

steady flow of customers probably will keep<br />

the old Chaplin number on tap untU well<br />

after the New Year arrives . . . Another<br />

revival, due Christmas week at the Roosevelt,<br />

is "Platinum Blonde," an oldie which<br />

Frank Capra directed in 1931 and which<br />

stars the late Jean Harlow. It will be featured<br />

on a double bill with "Gilda," a film<br />

Rita Hayworth made in 1946 before she became<br />

a princess.<br />

ill . . .<br />

Bruce and Florin Trinz of the old Chicago<br />

theatrical family have a baby daughter<br />

named Bundy. Bruce is general manager at<br />

the Clark Theatre . Pyle has<br />

been appointed MGM publicity chief in the<br />

central division, succeeding Bill Bishop who<br />

. left the organization several weeks ago<br />

Ted Reisch, assistant U-I manager, was home<br />

Joe Berenson, National Theatre<br />

Advertisers, has left on a business trip<br />

through Texas.<br />

An Exhibitor<br />

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THEATRE<br />

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Exclusive Programming Necessary<br />

For Future of Theatre Video<br />

ST. LOUIS—The profitable future of theatre<br />

television will be in exclusive programs<br />

available only in the<br />

theatre, David B. Wallerstein,<br />

division manager<br />

of Publix Great<br />

States Theatres of<br />

Chicago, told theatre<br />

owners of St. Louis,<br />

eastern Missouri and<br />

southern Illinois at<br />

their recent convention<br />

David Wallerstein<br />

here.<br />

Pointing out that<br />

there will always be<br />

an interest in the<br />

events available for<br />

free broadcast video, he said that as soon<br />

as the public comes to realize that certain<br />

events will no longer be available on the<br />

home screen, then theatre television will<br />

have its day.<br />

Plugging theatre television, Wallerstein<br />

said that the comjnercial theatre TV equipment<br />

of today is absolutely adequate for<br />

regular presentation to paying audiences.<br />

The individual operator must decide for<br />

himself on the various methods available,<br />

which all have their advantages and disadvantages.<br />

Once the public sees theatre television,<br />

they have a great interest in it and<br />

there is added enjoyment and interest because<br />

of the theatre environment and audience<br />

association, he said.<br />

The Chicago theatres using big-screen video<br />

have met with considerable success and<br />

have attracted much attention from Chicago<br />

columnists. Jack Mabley of the Chicago<br />

Daily News said, "Theatre television is<br />

a fact. Two thousand saw the Illinois-Washington<br />

game at the State-Lake and Tivoli<br />

and they had a better view of the action<br />

than many people in the stadium.<br />

"Bob O'Brien, secretary-treasurer of United<br />

Paramount Theatres, who was in Chicago<br />

watching theatre TV, is working on a plan to<br />

equip 200 theatres with large-.screen television<br />

next year. The theatre plans to bid<br />

for the World Series, big football games, boxing<br />

matches and the Kentucky Derby."<br />

Mabley figured that if 200 theatres had TV<br />

next year, they could get a gate of $300,000<br />

a game, figuring 1,500 seats per theatre at<br />

$1 a seat. "You can picture the gate in five<br />

or ten years if theatre owners achieve tlieir<br />

objective of putting TV in 6,000 theatres."<br />

Tellmg the assembled theatre owners what<br />

they could do to help put over theatre<br />

video, Wallerstein said: "First, you must<br />

cooperate in every way in supporting the industry<br />

in its request before the FCC for the<br />

allocation of special frequencies for theatre<br />

television. Theatre television must have this<br />

in order to function on a practical and economic<br />

basis." The second step would be to<br />

provide a great number of theatre TV installations.<br />

This would make available on a<br />

profit basis, the great sports events and<br />

elaborate entertainment spectacles, and<br />

would in turn bring down prices on equipment,<br />

the Chicago man said.<br />

To Direct Dialog<br />

Joan Hathaway will act as dialog director<br />

on "Francis Goes to the Races" for Universal.<br />

To Aid Variety Village<br />

TORONTO^While here for the Canadian<br />

Picture Pioneers dinner to honor Simon Meretsky<br />

of Windsor, Vern Hudson, manager of<br />

the Capitol at St. Catharines, reported the<br />

Niagara Penin.sula Theatre Managers Ass'n<br />

had organized its annual turkey draw in aid<br />

of the Variety Village, sponsored by the Toronto<br />

Variety Tent. The winners will be declared<br />

in December. The president of the<br />

Niagara association is Syd Burton, manager<br />

of the Strand at Port Colborne. Last year<br />

the group turned over $700 to the Variety<br />

school.<br />

Adds 'The Foonily Way'<br />

"The Family Way" by Milton Raison has<br />

been added to the upcoming production<br />

docket of Maxwell Shane.<br />

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BOXOFFICE :: December 2, 1950 89


Ludwig Sussman Revives Program<br />

Of World War II for Servicemen<br />

CHICAGO—Ludwig Sussman, veteran theatre<br />

operator, is again giving servicemen and<br />

women a boost by offering a program lie began<br />

in World War II. Servicemen and women<br />

are seeing programs in his theatre, the<br />

Adelphi. 7074 N. Clark St., without charge.<br />

Many theatres gave service personnel reduced<br />

rates or distributed blocks of free<br />

tickets. Sussman went one better. During<br />

World War II, 60.000 service personnel were<br />

admitted free.<br />

Beginning last week, admission was reduced<br />

for persons who bring a package of<br />

cigarets to the theatre to be given to hospitalized<br />

veterans for Christmas. Sussman,<br />

who will be 63 next March 25, has been a<br />

civic booster in Rogers Park, Chicago, since<br />

he bought the theatre in 1927.<br />

He frequently has turned it over to<br />

churches. The Rogers Park Baptist church<br />

held services there for nine months after its<br />

church burned. Christian Scientists often use<br />

the theatre for lectures. Temple Mizpah<br />

uses it for high holiday services.<br />

Bood<br />

Kcdth<br />

During World War II Sussman was civilian<br />

defense commander for 86 blocks in his area.<br />

His theatre sold $250,000 worth of war bonds.<br />

For many years his theatre collected more<br />

money for the infantile paralysis fund than<br />

any other in the Chicago area. The theatre<br />

matched contributions of patrons.<br />

He often gives free shows on Christmas<br />

eve, and in depression days gave free matinees.<br />

He gave 7,000 quarts of milk to needy chilfzatt<br />

on<br />

larth,<br />

For the sake of your children,<br />

buy and use Christmas Seals.<br />

Thanks to Seals, children today<br />

have a far greater chance of escaping<br />

TB than you did.<br />

To give them a still better<br />

chance, send your contribution<br />

today, please.<br />

jitMivc mes-snue, this<br />

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Christmas<br />

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BOXOFFICE<br />

dren during the depression. During thac period<br />

he accepted groceries for admission,<br />

with which he aided between 200 and 300<br />

families for two or three years.<br />

On one occasion he gave one-third of a<br />

week's receipts to the needy in the neighborhood,<br />

a total of $895.<br />

Sussman came to Chicago from St. Joseph,<br />

Mo., in 1916 with 40 cents in his pocket. He<br />

went to work for a grocery chain until he<br />

was able to save and borrow enough money<br />

to buy a delicatessen. He has been a member<br />

of the Rogers Park-Clark Street Business<br />

Ass'n for many years and is a past president.<br />

He has a son Melvin, and a grandson, Steven.<br />

Canadian Industry Up<br />

OTTAWA—The expansion in film production<br />

facilities in the Dominion is reflectced in<br />

a report of Graeme Fraser, secretary-treasurer<br />

of the Ass'n of Motion Picture Producers<br />

and Laboratories of Canada. The organization<br />

now has 21 member companies<br />

across the country, Fraser pointed out, saying<br />

that several new enterprises had been<br />

welcomed into the fold.<br />

Sell Theatre Stock<br />

ASHTON, ILL.—A drive is under way here<br />

to complete sales of an authorized $25,000 in<br />

stock in the Ashton Theatre Corp. The theatre<br />

building is under construction with the<br />

front to be of dimension stone and dark green<br />

structural glass. The leasing of the theatre<br />

has been discussed by stockholders but no<br />

decision has been made.<br />

Benld Grand Reopened<br />

BENLD, ILL.—The Grand Theatre, 450-<br />

seater, operated by Joe Katz, was opened on<br />

November 18 after having been dark from<br />

October 17 due to a dispute between the management<br />

and the projectionists union. Details<br />

of the settlement were not announced.<br />

To Bid on First Runs<br />

HANNIBAL, MO. — Eddie Rosecan, owner<br />

of the 600-seat Rialto, has notified film companies<br />

that he plans to bid for fh-st run product<br />

in competition with the Frisina Amusement<br />

Co.'s 1,500-seat Tom Sawyer and 900-<br />

seat Star, commencing about January 1.<br />

St. Louis Airer Still Open<br />

ST. LOUIS—The Airway Drive-In, St.<br />

Charles Rock road near St. Ann's Village, St.<br />

Louis county, is one of the few drive-ins in<br />

the St. Louis trade area that continues in operation.<br />

The Airway is operated by the Phil<br />

Smith interests of Boston.<br />

Installs New Equipment<br />

PACIFIC, MO.—Tile Royal Theatre, operated<br />

by L. Lieber and H. M. Hirth, has installed<br />

Simplex projectors, Hertner generators,<br />

Magnarc lamps, X-L soundheads and<br />

a Walker high intensity screen, purchased<br />

from National Theatre Supply.<br />

Funeral Services Held<br />

For Maurice Bentley<br />

ST. LOUIS — Funeral services were held<br />

here for Maurice William Bentley. advertising<br />

and public relations man for Skouras<br />

Theatres Corp., who was one of the 77 persons<br />

killed on November 22 in the Long Island<br />

raih-oad wreck in New York.<br />

Bentley was employed by Skouras Bros.<br />

Enterprises, including the St. Louis Amusement<br />

Co. and Theatre Management Co. for<br />

several years prior to moving to New 'Vork<br />

in 1934.<br />

Mrs. Bentley is the daughter of Mrs. L. K.<br />

Hill, 6164 Per.shing Ave., St. Louis. In addition<br />

to his wife, he is survived by four daughters<br />

and a son. They range in age from 2<br />

to 17.<br />

SPRINGFIELD<br />

pirst run theatres in Springfield have all<br />

now increased first run admission prices<br />

from 60 cents to 65 cents including tax, the<br />

same first run prices that prevailed in nearby<br />

communities of comparable size, Decatur<br />

and Perio. Kerasotes Theatres raised prices<br />

from 48 cents to 50 cents in all central Illinois<br />

circuit houses about two months ago.<br />

Roy Rogers and his traveling company<br />

made a one-day appearance in Springfield,<br />

sponsored by the Cathedral Boys high school.<br />

Delegates from Roy Rogers Riders clubs sponsored<br />

by exhibitors in other cities attended<br />

the Springfield show, with the largest group<br />

from Chuck Duncan's Alhambra in Decatur<br />

which has over 4,500 members enrolled in his<br />

club. Peoria selected a king and queen of<br />

the Beverly Theatre club who were escorted<br />

by Manager Frank Larkin and assistant Ivy<br />

Warren. Gene Autry is scheduled for a similar<br />

appearance in the same auditorium on<br />

January 25.<br />

Alex Worth is composing the score for<br />

the Warner picture, "A Streetcar Named Desire."<br />

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J


Krass Circuit Opens<br />

New Detroit House<br />

DETROIT—The second new indoor theatre<br />

to be constructed inside the city of Detroit<br />

since early in World War II, the Arc.<br />

was opened this week by the Krass circuit,<br />

with an impressive opening night for the industry.<br />

The event was combined with the<br />

tradescreening of "For Heaven's Sake," supplied<br />

by 20th-Fox.<br />

The Arc is a 750-seat house on Cass avenue,<br />

located at the fringe of the downtown<br />

district, about seven blocks north of the<br />

Film Exchange building—the first theatre<br />

to be located on Filmrow street within memory.<br />

It is in the center of a hotel and rooming<br />

house district.<br />

Carl Marr of Detroit was architect. Marquee<br />

was installed by Long Sign Co., and<br />

is said to be the first to use fluorescent<br />

tubes back of letters to illuminate the attractions<br />

board.<br />

National Theatre Supply installed Simplex<br />

XL projectors. Simplex sound and Hi-<br />

Intensity lamps, Hertner generators. Walker<br />

Hi-Intensity custom plastic molded screen,<br />

American Bodiform seats and Crestweed carpeting.<br />

Other installations included Mork-Green<br />

draperies, Wagner letters on the sign, Aluminex<br />

display drapes and Voigt lighting fixtures.<br />

Installation in the booth was supervised<br />

by W. P. Dawson of the Roxy, with provision<br />

made for installation of a third projector,<br />

to allow all night or grind policy<br />

operation if considered desirable.<br />

The Arc will be managed by Mrs. Mae<br />

Krass. wife of Jack Krass, head of the circuit.<br />

Mrs. Krass formerly managed the<br />

Coliseum, about a mile away, which is being<br />

razed by the city. The family was well<br />

represented at the opening, including sons<br />

Ted and Marvin Krass, both managing other<br />

circuit houses, and their wives; Louis, Al<br />

and Jacob Krass, brothers of Jack; his sister,<br />

Mrs. Clara Gotthelf, and her husband,<br />

Abe Gotthelf, and his parents, Mr. and<br />

Mrs. Benjamin Krass.<br />

Paramount Publicist<br />

Speaks in Detroit<br />

DETROIT—Milton Hale, special field publicity<br />

representative for Paramount, addressed<br />

the greater Detroit Motion Picture<br />

council December 1, at the Young Women's<br />

Christian Ass'n. Hale talked on his work<br />

with stars, stressing the promotional tour of<br />

Henry Wilcoxon in connection with "Samson<br />

and Delilah."<br />

W. Pa. Exhibitors Will Meet<br />

Jan. 16, 17 in Pittsburgh<br />

PITTSBURGH—The annual convention of<br />

the Allied Motion Picture Theatre Owners<br />

of Western Pennsylvania will be held January<br />

16, 17 at the WiUiam Penn hotel. Officers<br />

wiU be elected and film climes, patterned<br />

after the ones held during the<br />

National Allied convention, will be held.<br />

The title of the MGM picture formerly<br />

called "This Is News" has been changed to<br />

"Too Hot to Print."<br />

At Annual Fete of Pittsburgh<br />

The first annual dinner dance of the<br />

Pittsburgh Lodge 37, Theatrical Mutual<br />

Ass'n, is pictured here. Members include<br />

stagehands, projectionists, musicians, managers<br />

and other theatre employes.<br />

TMA is the oldest benevolent theatrical<br />

association in the world. It was founded<br />

Nov. 25, 1883, as the Theatrical Mechanical<br />

Ass'n for the mutual assistance of<br />

men in the theatrical business. Tlie name<br />

was changed in 1919 to the present one.<br />

Pittsburgh was issued a charter in 1893<br />

as Lodge 37. The lodge was vei-y active<br />

into the 1920s, serving its members beneficially<br />

and socially and carrying out many<br />

charitable works. The new charter was<br />

Ludington Airer Planned<br />

LUDINGTON, MICH.—The West Michigan<br />

Theatre Corp. plans to build a drive-in at<br />

the intersections of Highways 10 and 31 a<br />

mile east of here. Glen Wallace of the Star<br />

Theatre in Scottville is manager of the corporation<br />

which opened a new drive-in at<br />

Traverse City, Mich., this year.<br />

TMA<br />

granted to Pittsburgh by the Grand Lodge<br />

in February 1948. Recent dinner dance<br />

was in honor of the charter members.<br />

Officers of TMA Lodge 37 are Martin<br />

Torreano, president; J. Newell McKelvey,<br />

vice-president; Joseph Antal, treasurer;<br />

Harold O'Donnell, recording secretary;<br />

Thomas Edkins, financial secretary; Julius<br />

Barbera, assistant financial secretary;<br />

Aaron D. Hopkins, sergeant at arms; M.<br />

Ventrone. G. Bickerton and John Martier,<br />

trustees. Dr. James A. Munster, TMA<br />

physician, is honorary life member.<br />

Lodge 37 meets the second Monday of<br />

each month after midnight at Dutch<br />

Henry's second floor dining room.<br />

Signs LOGO Letters<br />

BRADFORD. PA.—Howard A.<br />

Shaffer, assistant<br />

manager of Dipson's Bradford theatre,<br />

w'as especially active on "The Miniver<br />

Story" campaign. Under his signature 1,000<br />

special letters were mailed to area theatregoers.<br />

Graham's Florists cooperated in distributing<br />

Miniver Roses.<br />

BOXOFFICE December 2, 1950 ME 91


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HERE'S<br />

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Modern projection demands the use of higher power arc lamps. These lamps<br />

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HERE'S THE SOLUTION<br />

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sharper pictures . . . finer projection.


LOUISVILLE<br />

'Tom Maxedon, manage!' of the Chakeres<br />

Trail Theatre at Morehead, has been<br />

elected president of the Morehead Kiwanis<br />

Exhibitors on the Row: Tex<br />

club . . .<br />

Richards, State. Crouthersville, Ind.; Bob<br />

Enoch, State and Grand, Elizabethtown; R.<br />

L. Gaines, Riverview Drive-In, Carrollton;<br />

Elmer Schowe. Skyline Drive-In, Madison;<br />

Homer Wirth, Crane; Eric Hammel, Shelby<br />

and Burley, Shelbyville; Ira Dyer, Clinton,<br />

Albany; L. M. Denton, Shepherdsville; T. J.<br />

Harnett, Gala, Sacramento; Gene Lutes,<br />

Capitol, Frankfort; C. K. Arnold, Arco and<br />

Melody, Bardstown; A. N. Miles, Eminence.<br />

The Clarksville Drivc-In between New<br />

Albany and Jeffersonville was the first<br />

drive-in in the Fall cities area to ring down<br />

the curtain (13) for the season . . . Starting<br />

off the Kentucky Ass'n of Theatre Owners'<br />

drive-in membership drive, the Twin, Louisville,<br />

one of the largest and newest drive-in<br />

theatres in the state, has been recorded on<br />

the membership rolls. The Twin is headed<br />

by Lou Arru and is managed by J. M. Arnold.<br />

.<br />

The Roy Rogers show was presented<br />

Thursday (30) at the Jefferson County armory<br />

. . Charlie Wells of the Falls City<br />

Theatre Equipment Co. staff gave a good<br />

account of himself in the recent Cincinnati<br />

Times Star bowling tournament in Norwood,<br />

Ohio, recently. Rolling exceptionally good<br />

pins Charlie appears to have placed in the<br />

money in all events, including singles, doubles<br />

and in team play . . . George Peyton,<br />

manager of the Griffith Theatre. LaGrange,<br />

has returned to his duties following a tour<br />

in the marine corps.<br />

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Tax on Amusements<br />

Beat at New Castle<br />

NEW CASTLE. PA.—City council la.st week<br />

killed the proposed 10 per cent amusement<br />

tax when Councilman E. Gene Schweinsberg<br />

reversed his stand and voted against the<br />

measure which would have been effective on<br />

January 1, 1951. The reversal defeated the<br />

amusement tax by one vote. Inasmuch as It<br />

had been stated that the estimated .$60,000<br />

revenue the tax would bring was needed to<br />

raise the pay of city employes, hopes for<br />

an increase in pay practically disappeared.<br />

Louis Lutz, manager of the Penn and<br />

Victor, had served as spokesman for the<br />

New Castle theatres in opposing the levy.<br />

The campaign sponsored by the amusement<br />

committee had urged the public to "protest<br />

this grab of money from children, students<br />

and workingmen . . . for taxes on practically<br />

all recreation for those who cannot afford,<br />

or do not wish, to go out of the city for a<br />

little recreation." Supporting the opposition<br />

were Local 451 lATSE. John Brogan, business<br />

manager, and Bill Posters and Billers<br />

union No. 118, Mark Must, business manager.<br />

In paid advertising these unions asked the<br />

public to join in protesting "this slugging<br />

of amusement patrons." Prior to the consideration<br />

of the proposed amusement tax<br />

ordinance, the lATSE local presented 1,105<br />

petitions which opposed the "grab." One petition<br />

favored the tax. John Brogan of Local<br />

451 said this made a total of 4,500 against<br />

the tax and five in favor of it.<br />

Don Trepicone Leases<br />

Pittsburgh Elliott<br />

PITTSBURGH—The Elliott on Lorenz avenue<br />

was acquired under long term lease by<br />

Don Trepicone, proprietor of the Sky on<br />

East Ohio street. The Mervis Bros, had operated<br />

the Elliott for 17 years. Maurice Markley<br />

of the State in New Castle is owner of<br />

the Elliott.<br />

Trepicone has been associated with theatres<br />

since he was 9 years old, starting as<br />

a program boy, bill passer and usher. His<br />

initial theatre management was at the Crescent<br />

in Mahoningtown. During World War<br />

II he served in the navy for 29 months.<br />

His wife and family reside in New Castle<br />

and he commutes weekly. Several years ago<br />

he leased the Heights, Crafton Heights, but<br />

he withdrew there to enter the exhibition<br />

field on East Ohio street. He will continue<br />

operation of the Sky. Trepicone, whose lease<br />

at the Elliott was effective on December 1,<br />

will have the theatre closed for nine days<br />

for general housecleaning and renovation.<br />

Opera to Toledo State<br />

TOLEDO—The State Theatre, de luxe<br />

neighborhood house operated by the Carl<br />

Schwyn circuit, will be the scene of a threeday<br />

four-performance season of opera, with<br />

Flora Ward Hineline presenting Alfred Salmaggi's<br />

International Grand Opera group<br />

beginning December 4. The company will<br />

come to Toledo following a week's engagement<br />

in Detroit.<br />

Former film editor David Weisbart will produce<br />

"Mara Maru" and "Inside the Pages"<br />

for Warner release.<br />

WEST VIRGINIA<br />

f^harles Hichle, manager of the Hiehle at<br />

Parke rsburg. received newspaper cooperation<br />

in conjunction with the Movietone<br />

News release which features Parkersburg's<br />

Earl "Rusty" Reed, youthful wizard of firearms.<br />

The Hiehle exhibited the newsreel<br />

The $300,000 Tipton<br />

November 22-28 . . .<br />

Theatre at Huntington, which was recently<br />

destroyed by fire, will be rebuilt . . . Richard<br />

T. Kemper, former Wheeling showman,<br />

has been promoted to Dipson circuit zone<br />

manager for New York and Pennsylvania,<br />

but will continue as manager of the legitimate<br />

Erlanger Theatre at Buffalo.<br />

. . . The<br />

A midget circus was featured on stage recently<br />

at the Ritz in Clarksburg<br />

West Virginia state championship football<br />

team of Parke rsburg high school and its<br />

coaches were honored at a .special ceremony<br />

in the Smoot at Parkersburg. Manager F. T.<br />

Thomas arranged the theatre party. All<br />

members of the squad were guests of Warner<br />

Bros, at "The West Point Story" . . . The<br />

Grove Drive-In at Elm used poultry giveaways<br />

at Thanksgiving.<br />

New Seats at Jackson<br />

JACKSON. MICH.—New seats have been<br />

installed at the Michigan Theatre here. W. S.<br />

McLaren, manager, said that afternoon matinees<br />

were canceled during the installation.<br />

rmBECAUSE OCCT<br />

THEY'RE OCjt<br />

riou^ uiinq Bcillantifne.<br />

RECTIFIERS<br />

Ballantyne Lightmaster Rectifiers are the<br />

largest and fastest selling line in the country<br />

. . . the choice of many of the largest circuits.<br />

They provide a new high in efficiency at the<br />

louest possible pouer cost. The complete line<br />

includes both single and 3-phase rectifiers in<br />

40, 60. 80 and 90 amperes. Regardless of<br />

your needs, you cant buy a better rectifier<br />

for smooth, bright, fiickerless light on your<br />

screen.<br />

Hadden Theatre Supply<br />

Company<br />

209 South Third Street<br />

Louisville, Kentucky<br />

Complete Theatre Equipment & Supplies<br />

BOXOFFICE December 2, 1950<br />

93


. . The<br />

. .<br />

. .<br />

. .<br />

. .<br />

PITTSBURGH<br />

. . . The<br />

The Family at Rochester, Pa., staged a football<br />

fan contest to elect the Beaver<br />

county high school player of the year. Each<br />

ticket for "The Spirit of Notre Dame,"<br />

played for two days, provided one vote, and<br />

a jeweler cooperated by furnishing a de luxe<br />

wrist watch to the gridder named as the<br />

Members of the<br />

player of the year . . .<br />

Butler school safety patrol were treated to<br />

a free show at the Penn in Butler<br />

Latonia in Oil City lined up 16 merchants<br />

to cooperate on "The West Point Story,"<br />

with newspaper displays and "hidden" theatre<br />

passes in their windows.<br />

Dr. Harry C. Winslow, theatre radio man.<br />

and William C. Arthur of Meadville have sold<br />

the National hotel, located at Greenville's<br />

main intersection, to Mr. and Mrs. Herman<br />

Bently, owners of Greenville's Riverview hotel<br />

... In connection with the showing of<br />

"Breakthrough" at the State in<br />

Altoona, the<br />

assault gun company, 1st battalion, 10th<br />

armored cavalry, regiment L, Pennsylvania<br />

National Guard, placed on display in front<br />

of the theatre and in the lobby a 155 MM<br />

howitzer, a 13-ton high speed tractor and<br />

other equipment, including a .30 caliber machine<br />

gun, bazooka and submachine gun. A<br />

special recruiting drive was conducted at<br />

the theatre . . . While most theatres are<br />

grinding "All About Eve." the Lyric in Oil<br />

City has been presenting it daily at one matinee<br />

and one evening exhibition . . . Prior<br />

to Thanksgiving, turkey parties were staged<br />

. . . Exhibitor Michael<br />

at several theatres, including the State,<br />

Youngsville. and the McKean and<br />

Homer<br />

Dipson's<br />

in Bradford<br />

again is active in the annual Chi-istmas parade<br />

on the city's south side.<br />

Sam W. Gould, manager of Warners'<br />

Manos at Greenburg, not only had the<br />

Dodge truck advertising campaign on "King<br />

Solomon's Mines," but he staged a Howard's<br />

Jewelry six-diamond giveaway hunt in the<br />

OUTSTANDING CRAP TSMANSHIP AND ENCINCEftINC<br />

KANE THEATRE<br />

AT KANE, PA.,<br />

has installed new MOTIOGRAPH AA projection<br />

equipment.<br />

ATLAS THEATRE SUPPLY<br />

Cwdon Gllj.son. Mgr.<br />

425 Vail Braam SI. GRant 1-4281 Pittsburoh. Pa.<br />

SAM FINEBERG<br />

TOMMcCLEARY<br />

[<br />

1705 Blvd. of the Allies<br />

PITTSBURGH 19, PA. '<br />

Phone Express 10777<br />

specially decorated lobby. Six real diamonds<br />

were placed in a bowl with imitations. Patrons<br />

who picked out a real diamond had<br />

them mounted without cost at the cooperating<br />

jewelry store . . . With Dave Smith resigned<br />

at Warners' Regent in East Liberty,<br />

Al Skigan of the Squirrel Hill was promoted<br />

to this post, with Harvey "Pete" Brady of<br />

the Model named to the Squirrel Hill . . .<br />

Harry Harris is manager of the Harris<br />

Amusement Co. warehouse at 3875 Bigelow<br />

boulevard, where the circuit now maintains<br />

general offices.<br />

Milton Frank, veteran retired theatre manager,<br />

died in New Castle several weeks ago.<br />

He operated the Crescent in Mahoningtown,<br />

withdrawing from the field In 1929. In the<br />

early days of exhibition he managed Warner<br />

Bros.' old Liberty in New Castle . . . The former<br />

local Sho-Biz-Quiz radio program has<br />

been sold by Bob Post for television which<br />

will bring Karl Krug, Sun-Telegraph; Kaspar<br />

Bonahan, Press, and Harold W. Cohen, Post-<br />

Gazette, to WDTV viewers at 4 p. m., Sundays,<br />

after the first of the New Year .<br />

"Destination Moon" was previewed here by<br />

members of the city school board, Allegheny<br />

Observatory and Buhl Planetarium.<br />

Miriam Weinberger, RKO switchboard operator,<br />

was called from her position by<br />

the death of her father Martin, recently retired<br />

grocer . . . Jules Lapidus, Warner division<br />

executive, was here conferring with<br />

F. D. "Dinty" Moore, district manager, and<br />

Paul Krumenacker, branch manager . .<br />

.<br />

Mervis Bros, have not renewed their lease<br />

on the Elliott on Lorenz avenue which expires<br />

Amusement tax receipts<br />

December 1 . . . at Butler have skidded $7,000, said<br />

A. J. Winters, finance director.<br />

Theatre Supply . . . Irving S. Kay, formerly<br />

with Warner circuit at New Kensington, has<br />

been appointed Dip.son circuit city manager<br />

at Buffalo, N. Y., and resident manager of<br />

the Capitol there.<br />

. . .<br />

David C. Silverman, RKO manager, and<br />

his wife vacationed in Atlantic City<br />

Ralph M. Felton. manager of the Spotlight<br />

88 Drive-In in the Beaver valley, is grandfather<br />

of his first grandchild Susan . . . Joe<br />

Bell, veteran Fayette City exhibitor, reported<br />

that his newly born daughter has<br />

been named Mary Kathleen. The Bells also<br />

have a young son Joe jr., aged 5 . . . Students<br />

and faculty members of East Penns<br />

Valley High school attended the Municipal<br />

in Millheim to see "The Red Stallion" . . .<br />

Jake Pulowski, veteran with National Screen<br />

here who returned to the navy as a gunner's<br />

mate second class, flew here from Norfolk,<br />

Va., recently and returned there in his<br />

automobile. Several weeks ago in Virginia he<br />

met John Bixler, Scottdale exhibitor, who<br />

was vacationing.<br />

The Pennsylvania chamber of commerce is<br />

opposing any increase In business taxes by<br />

the 1951 session of the legislature which will<br />

convene in Harrisburg early in January .<br />

Mr. and Mrs. Norman Mervis of the Mervis<br />

Bros." theatres here will become parents in<br />

February . . . Paul Puntari, 18. of Braddock,<br />

arrested after he held up a store there, confessed<br />

that he robbed the Regent Square<br />

Theatre September 26 . . First of the big<br />

.<br />

Dodge truck advertising tieups on "King<br />

Solomon's Mines" was featured by Greensburg<br />

Motor Co. in conjunction with the opening<br />

of the picture at the Manos there.<br />

Dr. Harry C. Winslow, Meadville theatreradio<br />

executive, was master of ceremonies<br />

at a testimonial program in honor of Rev.<br />

Thomas F. Griffin who left to assume the<br />

post of treasurer of Erie's Gannon college.<br />

Winslow presented the priest with a check for<br />

$1,225, chipped in by several hundred Mead-<br />

Bill Scott, RKO city salesman, and his<br />

bride of two weeks, the former Betty Zeff, ville friends . . . Manos Star at Monessen<br />

have furnished an apartment at Ellsworth reopened recently for weekend operation .<br />

and Negley avenue . . . Dipson's at Bradford<br />

gave a Miniver rose to the first 300 son Ross now represent Ballantjme equip-<br />

Sam Wheeler, former local film man, and his<br />

women in attendance at "The Miniver Story"<br />

Len T.<br />

ment in the Washington area . . .<br />

and a dozen women were given bouquets .<br />

Houghton, Franklin exhibitor, and his bride,<br />

Liberty at McKeesport offered a free pass to the former Charlotte Pentecost of Franklin,<br />

another show to anyone who did not enjoy have been honeiTnooning in Cincinnati, Hot<br />

Springs and Mexico City. They will return<br />

"Mister 880" . Noonan, manager<br />

. . S. S.<br />

of the State at Youngsville, used an endorsement<br />

December 12.<br />

campaign for "Stars in My Crown" . . .<br />

Results of all surveys show that all lines<br />

Park Shoes at Kensington is sponsoring the<br />

of business suffered in the 47-day newspaper<br />

Saturday Fun-O-Club at the Ritz there.<br />

strike which caused a news blackout for the<br />

Prizes for kiddies are displayed in the shoe<br />

city's three dailies. The survey conducted by<br />

store window.<br />

the research and merchandising department<br />

Glen J. Easter, Mount Morris exhibitor, of Ketchum. MacLeod & Grove, national advertising<br />

and public relations agency here,<br />

who has been a 16mm film distributor for<br />

many years, has withdrawn from the latter shows that amusements and spots particu-<br />

.<br />

field, having sold all licenses and prints to larly were hard hit. Several surveys revealed<br />

"Blo.ssom Time," that theatre grosses were 40 to 50 per cent<br />

a New York distributor . . .<br />

which has played dozens of engagements in under average during the period that the<br />

Pittsburgh Pi-e.ss.<br />

over a period of a quarter of a<br />

Sun-Telegraph and Post-Gazette were<br />

century and will be performed here at the not published because of strikes of mailers<br />

new Nixon for one week opening November and truckers.<br />

27 at prices ranging from $1.30 to $3.25. Lee<br />

.nd J. J. Shubert wish to determine if a Columbus Royal Leased<br />

lamer volume of business will compen.sate for<br />

eduction<br />

COLUMBUS—Marion and Elmo Porter<br />

have leased the Royal Tlieatre, 251 E. Main<br />

a 1 in boxoffice prices . . . Joe<br />

Mulone, Cheswick exhibitor and merchant,<br />

St., for five years from Dec. 1, 1950.<br />

has a new truck which he drives to Filmrow<br />

newlywed Mike McGannons Richard Flei.scher will direct Producer Robert<br />

liave furnished an apartment in Perrysville<br />

Stillman's "Island in the Sky" for United<br />

avenue. He's a sales representative for Atlas Artists release.<br />

94 BOXOFFICE December 2, 1950


'<br />

Bob<br />

:<br />

CINCINNATI<br />

Tack Goldman presented a stage show headed<br />

' by Sugar Chile Robinson Thursday and<br />

Friday at his Regal Theatre, Negro patronage<br />

house, along with "Pretty Baby" . . .<br />

Visitors on the Row: Mrs. Thomas, Parkersburg;<br />

C. D. Crawford and G. C. "Spotsy"<br />

Porter, Beckley; Frank Mandros, Charleston;<br />

J. Hank Davidson, Lynchburg; Foster Lane,<br />

Williamsburg; Louis Velas, Cambridge; Mr.<br />

and Mrs. S. S. Hagle. Fort Recovery; Mr.<br />

and Mrs. Marty Burnett of Loew's Theatres,<br />

Columbus, and Walter Brucksick, New Vienna<br />

.. . Mrs. J. Lantry, film secretary, and<br />

her husband have purchased a new home in<br />

New Richmond.<br />

p. T. Murray, U-I manager of branch operations,<br />

was at the local exchange . . . I. C.<br />

Rice. Altec, has been transferred to Albuquerque,<br />

N. M., trading places with Harold Macy<br />

of the latter territory . . . Mrs. Murray Baker,<br />

secretary at Cooperative Theatres, celebrated<br />

a birthday. Her husband is local Schine Theatres<br />

booker. The Bakers had his mother as<br />

a guest from New York for three weeks.<br />

Jay Goldberg of Realart Pictures and wife<br />

were on a vacation in Hollywood, Fla. . . .<br />

Terry Stenger, former secretary to Lev Bugie<br />

at Film Classics, was married November 25<br />

to Norbert Siess. When FC was absorbed by<br />

ELC, Stenger took a position with Avco, parent<br />

company of Crosley Radio Corp. . . . Harry<br />

Riedinger, film trucker, who suffered a stroke<br />

several weeks ago, still is confined in the<br />

Good Samaritan hospital, improving slowly<br />

. . . Bernie Kranze, ELC general sales manager,<br />

was at the local office . . . Marty Seed.<br />

WB salesman, and his wife and family went<br />

to Steuben ville, to spend Thanksgiving with<br />

Mrs. Seed's folks.<br />

Don Keesling of Bramwell, W. Va., was on<br />

another hunting trip . . . Pat Edenfield, secretary-bookkeeper<br />

for the Adeline Ward Theatres<br />

in Somerset, Ky., is recovering after an<br />

operation for removal of a growth near her<br />

heart.<br />

William Kaufelt has joined the booking<br />

staff at RKO to fill the vacancy created when<br />

Coleman was promoted to Kentucky<br />

salesman. Kaufelt formerly was with U-I . . .<br />

Eugene Tunick, former RKO salesman, and<br />

now manager for ELC at Indianapolis, spent<br />

the Thanksgiving holidays with his family in<br />

Cincinnati.<br />

Producer Tom McGowan has signed Gloria<br />

Grahame to star in "The Hyde Side."<br />

Good Pictures Still<br />

Best Defense for TV<br />

SPRINGFIELD, OHIO—Have no fear that<br />

motion pictures are not here to stay, says<br />

Maurice N. Wolf of Boston, a member of the<br />

MGM public relations department. Hollywood<br />

has no intention of darkening the movie<br />

screens because of television, he added.<br />

"Good pictures are doing record busine.ss<br />

just the same as they did in the bu.siest<br />

days," Wolf told members of the Lions club<br />

here. He said this indicates to the industry<br />

that there is a future for the business, regardless<br />

of television which is now seen as<br />

just another medium in the field of entertainment.<br />

The industry also has great faith<br />

that the economy of this country will allow<br />

both films and other mediums to thrive side<br />

by side, he said.<br />

During his stay here. Wolf pointed out that<br />

the motion picture industry is similar to any<br />

other business. Most of its investment is in<br />

communities outside of Hollywood. Of 206,000<br />

persons engaged in the industry, only 31,000<br />

are in Hollywood. He stated that theatres<br />

employ local people, pay local taxes, buy<br />

supplies locally and promote and participate<br />

in projects of community interest and benefit.<br />

"It's a local business," he said.<br />

Detroit UA Five Hikes<br />

Bowling League Lead<br />

DETROIT—United Ai'tists slightly increased<br />

its lead in the Film Bowling league<br />

this week<br />

Team Won Lost Team1 Won Lost<br />

United Artists<br />

S


I<br />

. . Carl<br />

. . Edward<br />

. . John<br />

DETROIT<br />

\I7ilUain VValdholz, Universal salesman, is<br />

leaving to join the Milwaukee staff . . .<br />

Lee Goldsmith, Universal office manager,<br />

went back home to New York City for the<br />

holiday weekend . . . Seymour Herman, Eagle<br />

Lion Classics booker, is moving into a new<br />

apartment on Rochester avenue . . . Jan<br />

Matusik, secretary to Charles Snyder, Allied<br />

executive, has been elected president of the<br />

Catholic Daughters of Detroit.<br />

Robert Hislop is managing the Midtown for<br />

Julius and Milton London, vi'ith Herbert<br />

Schnaar devoting full time to the Theatre<br />

Control Corp. . . Neil Tailing, manager of<br />

.<br />

Cinema Tlieatre, had a busy time Pi-iday<br />

when the main fuse burnt out . . Louis<br />

.<br />

Krass turns out to be an old-timer from the<br />

old Detroit Opera House. He was with it 15<br />

years, working up to assistant manager . . .<br />

ERNIE FORBES THEATRE SUPPLY<br />

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DONOHUE SEATING SERVICE<br />

7119 Webb Ave. Detroit Mich.<br />

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L


. (iUth-1-<br />

—<br />

Detroit Grosses Up;<br />

'Let's Dance' in Lead<br />

DETROIT—Despite increased competition,<br />

business was fair to good at all houses, with<br />

the new United Artists getting a holdover<br />

on its first bill. Thanksgiving day business<br />

was reported super at practically all downtown<br />

shows.<br />

(Average Is 100)<br />

Adams—Bom to Be Bad (RKO), 2nd wk 90<br />

Cinema—The Paris Waltz (Lux Films) 85<br />

Downtown—Hell Tovm (Realart); BuHalo Stampede<br />

(Realarl), reissues 85<br />

Fox—Mister 880 (20lh-Fox),- The Tougher They<br />

Come (Col) 110<br />

Madison—The Fuller Brush Girl (Col); Last ol the<br />

Buccaneers (Col) 90<br />

Michigan— Let's Dance (Para) 115<br />

Palms-S.ale—Gilda (Col); Platinum Blonde (Col),<br />

reissues 85<br />

Paradise—The Federal Mon (ELC), plus stage<br />

show 115<br />

United Artists-The Jackpot (20th-Fox) 100<br />

Btisiness Improves at Pittsburgh;<br />

Stage Show Draws 175 at Perm<br />

PITTSBURGH—A stage show at the Penn<br />

grossed more than the total take of other<br />

theatres in the downtown area. Generally,<br />

business was improved in the seventh week<br />

of the city newspaper strike, which has been<br />

settled. Neighborhood grosses are very depressed<br />

for this season.<br />

Fulton—Edge ol Doom (RKO) 60<br />

Hams—ni Get By (ZOth-Fox), 4 days, 2nd wk bO<br />

J^enn-A Lady Without Passport (MGM), plus<br />

stage show 175<br />

Stanley—Breakthrough (WB) 85<br />

Warner— Ihe Giass Menagerie (WB), 2nd d. t.<br />

'Mines' Leads Cincinnati at 160<br />

As Weather Chills Business<br />

CINCINNATI—"King Solomon's Mines" did<br />

top business last week, hitting 160, and, of<br />

course, remained at the Grand. In all of the<br />

other houses, new pictures were offered for<br />

Thanksgiving week. The extreme winter<br />

weatner, which started Thanksgiving afternoon,<br />

had adverse effects on the holiday<br />

business.<br />

Albee—Two Weeks With Love (MGM) 100<br />

Copitol—I'll Get By (20th-Fox), Srd wk lUU<br />

Grand king Solomon's Mines (MGM) _ IbO<br />

Keiths American Guerrilla in the Philippines<br />

ox) 100<br />

Palace—Breakthrough (WB) 100<br />

Central City Theatre<br />

Destroyed by Fire<br />

CENTRAL CITY, PA.—Fire of undetermined<br />

origin destroyed the Central City<br />

Theatre recently. The inside of the building<br />

was gutted and three sides and the roof were<br />

down. Wind swept flames toward a store and<br />

a garage nearby. Pour hose lines were connecied<br />

in an attempt to stop the fire in the<br />

theatre and prevent outbreaks in neighboring<br />

buildings. Winber firemen were called to<br />

aid the Central City volunteers. The theatre<br />

had been managed for many years by<br />

B. J. Redfoot, veteran exhibitor who also<br />

operates the Arcadia in 'Winber.<br />

Witnesses said that shortly after smoke<br />

was discovered coming from, the theatre<br />

ventilators, the building was a huge mass of<br />

flames. A blast blew out one side of the theatre,<br />

which had been remodeled recently. Loss<br />

was estimated at upwards of $50,000.<br />

COLUMBUS<br />

. . . Harry<br />

JJerman Stofle, a.ssistant at the Palace, became<br />

father of a baby son<br />

Knight has leased the Royal, east Main<br />

street neighborhood house, to Marion and<br />

Elma Porter for five years starting December<br />

John McNulty. former theatre<br />

1 . . . editor of the Columbus Citizen and now<br />

a feature writer for New Yorker magazine,<br />

was in town for the Ohio State-Michigan<br />

game to do a "reporter-at-large" story on<br />

the homecoming classic for the New Yorker.<br />

McNulty is the author of 20th-Fox's "The<br />

Jackpot," starring James Stewart.<br />

Beverly Ann Smith, Upper Arlington High<br />

school homecoming queen, was chosen queen<br />

of queens in finals held on Palace stage<br />

... P. J. Wood, in a letter to newspaper<br />

editors, said that the recent television ads<br />

which stressed discontent in the home in<br />

seeking to sell TV sets, were "nothing less<br />

than an attempt to lure away the movies'<br />

young audience." He added: "The ad might<br />

just as well have said: 'Don't go to the<br />

movies.' "<br />

Civic Ceremony Opens<br />

Detroit UA Theatre<br />

DETROIT—Opening of the United Artists<br />

Theatre drew a distinguished list of civic<br />

leaders, with the Detroit Police band performing<br />

from an elevated platform in front<br />

of the theatre, to set the keynote. Judge<br />

W. McKay Skillman acted as master of<br />

ceremonies, with Mayor Albert E. Cobo delivering<br />

the official welcome of the city from<br />

the stage. The Ukrainian National chorus<br />

presented several numbers in addition to the<br />

screenfare.<br />

On hand for the opening, in addition to<br />

local people, were George Skouras, head of<br />

United Artists Theatres; R. V. Wemple, vicepresident,<br />

and Jules Catsiff. who supervised<br />

the remodeling.<br />

Variety of Cincinnati<br />

Renames Schwartz<br />

CINCINNATI — Vance Schwartz was reelected<br />

chief barker of Variety Tent 3. Jack<br />

Finberg was named<br />

first assistant; Mel<br />

Martin, second assistant;<br />

William Onie,<br />

U'rasurer, and Saul<br />

c;reenberg, secretary.<br />

Ill addition to the<br />

above officers, the following<br />

compose the<br />

crew for 1951: William<br />

Bein, Harry Hartman,<br />

Bob McNabb, Joe<br />

Rosen, Rube Shor,<br />

Louis Wiethe; Lev<br />

Vance Schwartz Bugie, Irving Sochin<br />

and Allan Moritz. Delegates to International<br />

Variety convention are Onie and Noah<br />

Sciiechter, with Shor and Maurice White as<br />

alternates.<br />

The chief project of the local tent is the<br />

Children's Foundling Home.<br />

Avalon at Colon Sold<br />

COLON. MICH.—The Avalon Theatre here<br />

has been sold to Mr. and Mrs. Walter Jacobs<br />

of Jonesville by Robert Swope. The Jacobs<br />

will run the theatre under a family plan.<br />

Jacobs will run the projectors and his wife<br />

and two daughters will take care of other<br />

operations. The Jacobs family has been in<br />

theatre business for 15 years.<br />

'Romeo and Juliet' on Tour<br />

PITTSBURGH—Olivia de Havilland's stage<br />

revival of "Romeo and Juliet" will be featured<br />

at the new Nixon, opening Tuesday<br />

evening, January 30. Following the Pittsburgh<br />

engagement, the show goes to the<br />

Hanna in Cleveland, opening February 6, and<br />

tlie Shubert, Boston, for three weeks, opening<br />

February 13.<br />

Lyle Bettger has been assigned the role of<br />

a love-sick elephant trainer in the Paramount<br />

picture, "The Greatest Show on<br />

Earth."<br />

BOXOFFICE :: December 2, 1950 97


Akron Bingo Menaced<br />

By Taxpayers' Suits<br />

AKRON—Taxpayers' suits may be started<br />

to kiiock out bingo in Akron, threatened<br />

Stanley Denlinger. a prominent local attorney,<br />

who had asked city council to repeal the<br />

local bingo ordinance, by which the city collects<br />

3 per cent tax on gross bingo income.<br />

Denlinger's request was based on his contention<br />

that bingo is regarded as gambling by<br />

some state court decisions, and as legal by<br />

others.<br />

However, city council has decided to take<br />

no action on the antibingo proposal. "As<br />

long a.s the Ohio supreme court regards bingo<br />

as legal if it is not conducted for profit, then<br />

council can do little about it." said Leo A.<br />

Berg, chairman of the council's public welfare<br />

committee. He explained that the city<br />

is able to derive revenue from bingo operators<br />

and also can control them better with<br />

the present ordinance on the books.<br />

Under Ohio law, bingo is legal if operated<br />

for charity and not for personal gain. A proposal<br />

to enact a bill requiring that bingo<br />

operators give a specific amount or percentage<br />

of their gross to charity was not considered,<br />

after Assistant Law Director Nathan<br />

Koplin explained that under state law, the<br />

bingo operators must give all their profits to<br />

charity. However, it was conceded that the<br />

charitable contributions and the gross income<br />

of bingo operators seem all out of proportion.<br />

Publish TV Magazine<br />

PITTSBURGH—The Pittsburgh<br />

Television<br />

News, pocket-size 24-page publication to be<br />

issued weekly, was on newsstands from Altoona<br />

to Steubenville recently. The tri-state<br />

TV weekly carries news of WDTV, Pittsburgh,<br />

and WJAC. Johnstown. William F.<br />

Adler is editor and publisher, and Dan Mc-<br />

Sweeney, advertising manager.<br />

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SEATS<br />

UPHOLSTERED<br />

ANY QUANTITY<br />

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THE BEST FOR LESS<br />

Chair Supplies for All Makes—<br />

Anything and Everything<br />

FENSIN<br />

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PHONE HARRISON 7-1303<br />

1139 S. WABASH AVE. -CHICAGO 5<br />

SHOWMAN'S WIFE VISITS — Roy<br />

Acuff and his Smoky Mountain Boys<br />

appeared in a stage show at the Switow<br />

Amusement Co.'s Grand Theatre in New<br />

Albany, Ind., recently.<br />

Sliown in the picture<br />

is Roy with Mrs. Joe Hedden, wife<br />

of the manager of Switow's Cozy in<br />

Louisville.<br />

Those Early Movie Days<br />

In Meadville Recalled<br />

MEADVILLE, PA.—The golden era of<br />

drama was recalled here recently in an<br />

article in the Tribune-Republican. Research<br />

in Crawford county reveals that the first<br />

theatrical activity in Meadville was the presentation<br />

of a play with local performers in<br />

1824. It was a benefit show with proceeds<br />

going to help the Greeks in their fight for<br />

independence. This resulted in the formation<br />

of the Meadville Thespian society which<br />

presented plays in the Barton House. The<br />

stage had a row of candles set in bare<br />

boards for footlights and the audience sat<br />

on rough board benches. In the early '60s<br />

plays were presented in the Corinthian<br />

Block.<br />

Tlie Meadville Opera House had a grand<br />

opening Oct. 11, 1869, featuring "Ro.sedale,<br />

or the Rifle Ball." This set the stage for<br />

15 years of top-ranking entertainment. The<br />

opera house had one of its biggest audiences<br />

the night of Jan. 8, 1884—the crowd turned<br />

out that night to watch fire destroy the<br />

building. The Academy of Music, now the<br />

Academy Theatre, built in 1885 by Ernest A.<br />

Hempstead, carried on the Opera House traditions<br />

during part of the Opera Houseflickers<br />

interim.<br />

The first "flickers" were shown at the<br />

Academy about 1897. The films had been<br />

shipped to the expre.ss office, and it was<br />

rumored that the man to whom they were<br />

consigned could not pay the charges to get<br />

them out. A number of citizens advanced the<br />

money, and curious people flocked to the<br />

Academy to .see the Black Diamond express<br />

train, and galloping hor.ses pulling a fire<br />

entwine through the streets of New York.<br />

Within two decades, the "flickers" had practically<br />

replaced stage acting as Meadville's<br />

top entertainment.<br />

Michigan Allied Holds<br />

First Film Clinics<br />

DETROIT—The first official film clinic<br />

held by Allied Theatres of Michigan at its<br />

scheduled series of biweekly regional gatherings<br />

across the state was attended by 32<br />

exhibitors at Holland. With Henry Carley,<br />

Holland exhibitor, as chairman, the gathering<br />

was addressed at the luncheon by William<br />

Vandenberg, lieutenant-governor-elect<br />

of Michigan, who said that he was cognizant<br />

of "the important position which the motion<br />

picture theatre holds in the community." Ed<br />

Johnson, president of Michigan Allied, came<br />

from Bay City to attend the gathering.<br />

A special screening of 20th-Fox's "All<br />

About Eve" was held, followed by a roundtable<br />

discussion with Joseph J. Lee, Fox<br />

manager. Exploitation, "better pictures" and<br />

Pox's new deal for the small town exhibitor<br />

were given a frank discussion.<br />

The next film clinic was to be held Friday<br />

(1) at Scottville, Mich.<br />

Charles W. Snyder, executive secretary of<br />

Allied, is sandwiching in appearances before<br />

numerous state gatherings, between the various<br />

clinics. In addition to several talks<br />

before Parent-Teacher groups, he is scheduled<br />

to talk November 30 to the Rotary<br />

club at Sutton's Bay on "The Contribution<br />

of Motion Pictures to American Life," and<br />

on December 5 to the combined service clubs<br />

of Ionia on the same topic.<br />

New Building Regulations<br />

Made at Youngstown, Ohio<br />

YOUNGSTOWN, OHIO—City council has<br />

unanimously approved a revised building<br />

code, with regulations patterned after nationally<br />

recognized standards, to replace the city's<br />

outdated 22-year old code. The new code is<br />

the product of four years w'ork by a building<br />

code committee. It contains restrictions on<br />

use of inflammable and combustible materials<br />

for interior trim and decorative purposes<br />

in public buildings, among its many provisions.<br />

Martin & Lewis Prefer<br />

Film Work to Video<br />

Columbus—Despite their success in<br />

television, Dean Martin and Jerry Lewis<br />

like appearing in films "better than<br />

everything," they told Dean A. Myers,<br />

Dispatch radio and television editor who<br />

interviewed them on their arrival here,<br />

for a three-day stage date at RKO Palace.<br />

"Films are perfectly organized. Everyone<br />

knows what he is doing. It's normal.<br />

You get up at six in the morning and<br />

can go to bed at nine. You can be home<br />

with your wife and children. It's normal."<br />

They told Myers that they rehearsed<br />

70 hours on one show. "That's almost<br />

continuous," said Lewis. "You sleep<br />

when you can and eat when you can."<br />

The comedy team's appearance here followed<br />

by less than 48 hours their TV<br />

show the previous Sunday on the Colgate<br />

Comedy Hour. They were on their<br />

way to Hollywood to make another picture.<br />

98 BOXOFFICE :: December 2, 1950


I<br />

i<br />

Diakon,<br />

J<br />

BriefBiackouiHiis<br />

Theatres in Boston<br />

BOSTON—A high voltage wire twistup<br />

Sunday (19) darkened Boston and surrounding<br />

communities from 6:22 to 7:17 p. m.<br />

Electric company officials said the blackout<br />

occurred when the big wires were being<br />

shifted near Worcester, causing a terrific<br />

overload on the main generating plant of<br />

the Boston Edison Co. on L street in South<br />

Boston, knocking it completely out for nearly<br />

an hour.<br />

In downtown Boston, about half of the<br />

theatre patrons waited while managers<br />

rushed around to get the emergency lights<br />

on. Max Nayor, managing director of the<br />

Metropohtan said: "Most of the patrons<br />

waited for the show to start again. They<br />

grumbled a bit, but we played records for<br />

them. One of the records was 'Lights Out.'<br />

It was a congenial crowd on the whole. They<br />

milled around our huge lobby and bought<br />

candy. In fact we were cleaned out in our<br />

concessions department. Very few asked for<br />

their money back."<br />

At the Keith Memorial, where "All About<br />

Eve" was playing, the crowd good-naturedly<br />

waited until the damage was repaired. Some<br />

asked for rebates and got them. The Kenmore<br />

was able to switch on emergency battery<br />

lights which were adequate. Theatres using<br />

DC current direct were unaffected by the<br />

mishap; namely, the Exeter Street the Mayflower,<br />

the Laff-Movie, the Pilgrim, the<br />

Trans-Lux and the Beacon Hill.<br />

The two drive-ins still open in this area,<br />

the Neponset and the Meadow Glen in Medford<br />

were unaffected. At the Boston Opera<br />

House, where 2,600 people were assembled to<br />

take in the dress rehearsal of the Ed Sullivan<br />

"Toast of the Town" television show,<br />

comedian Victor Borge, featured in the show,<br />

said "What's the matter, don't they pay their<br />

bills here?" and everyone thought it was part<br />

of the act till Sullivan came on the stage with<br />

a flashlight and announced the trouble, asking<br />

everyone to leave. Later, at 8 o'clock,<br />

the regular Toast of the Town show went on<br />

as scheduled with new ticket holders in the<br />

audience. Sullivan was heard to emit a heavy<br />

sigh: "First the threatened strike and then<br />

the blackout. I'll never forget Boston."<br />

Sneaks in Providence<br />

PROVIDENCE — Maurice Druker, Loew's<br />

State manager, has of late been giving his<br />

Monday night patrons an extra added treat,<br />

presenting sneak previews of forthcoming<br />

MGM attractions. No extra tariff is asked<br />

I but response is reported as being "just fair."<br />

This, probably due to the fact that no advance<br />

publicity is given to the sneak preview.<br />

Advertising appears in the local papers only<br />

on the day of the showing and no mention is<br />

made of the title. This is the policy adhered<br />

to by the Loew chain, it is reported.<br />

/T//^^ Cl'mics to Feature<br />

New England IE Parley<br />

Night Club Promotions<br />

Hurt Hartford Houses<br />

HARTFORD—Tlieatres in this area are<br />

becoming increasingly aware of the growth<br />

of competition for the entertainment dollars<br />

on the part of local night clubs. Night spots<br />

are going allout in advertising and promotion<br />

in an effort to draw more money into<br />

their own registers.<br />

Prior to the war, theatremen said, extremely<br />

few night clubs offered floor shows<br />

every night throughout the week. In the<br />

postwar years, however, there has been a<br />

change of policy by night club operators, and<br />

numerous locations now offer entertainment<br />

of some kind dui-ing the week, adding the<br />

attraction of no minimum or cover charge<br />

during the week, but returning the charge on<br />

weekends.<br />

Biggest drawing card is the old Town<br />

Hall Inn, East Hartford, which presents floor<br />

shows nightly except Sunday at $2.50 minimum.<br />

New York floor show attractions are<br />

being presented and the inn management is<br />

utilizing extensive advertising and promotion.<br />

Since inauguration of this policy, the inn has<br />

had to double its seating capacity.<br />

Other night clubs offering top talent, with<br />

minimum or cover charges, are Club Ferdinando,<br />

the Lobster, and Ryan's in Hartford;<br />

Wright's, Plainville; Club Vasques, Middletown.<br />

A promotional method used by night clubs<br />

is nightly distribution of small cards asking<br />

the patron to write down his ideas or suggestions<br />

or even complaints concerning management,<br />

service, etc.<br />

Because the night clubs most closely approximate<br />

policies of the combination motion<br />

picture-vaudeville theatres, such houses as<br />

the 4,200-seat State. Hartford, and 1,200-seat<br />

Palace, New Britain, are using extensive advertising<br />

to remind patrons that top entertainment<br />

is available at the theatres.<br />

British actor Michael Rennie has been<br />

signed for a long-term contract by 20th-Fox.<br />

BOSTON—A. Montague of Columbia and<br />

Steve Broidy of Monogram are expected to<br />

attend the banquet of the Independent Exhibitors<br />

of New England's convention at the<br />

Copley-Plaza hotel December 5. Other head<br />

table guests will be Abram F. Myers, Arthur<br />

Mayer, Samuel Pinanski, Arthur Lockwood,<br />

E. M. Loew, E. Harold Stoneman, Nathan<br />

Yamins, Mike Simons of MGM, W. L. Bendslev,<br />

James Guarino, Arthur Howard and Phil<br />

Smith.<br />

Speakers at the general business meetings,<br />

will be Larry Davee general manager of the<br />

Century Projection Corp., who will speak on<br />

"Projection and Sound, Today and Tomorrow";<br />

Arthur Mayer on COMPO; Abram<br />

Myers and Jack Edwards on "The Presentation<br />

of Flesh in the Theatre."<br />

The convention will start at 10:30 a. m. with<br />

a series of film clinics, which will be followed<br />

by a screening of "The MGM Story" at<br />

Loew's State Theatre at 12 noon.<br />

A cocktail hour hosted by the Lon Hacking<br />

of Image & Sound Service, will precede the<br />

banquet.<br />

The Independent Exhibitors committee on<br />

arrangements is headed by James Guarino,<br />

assisted by Ray Feeley, business manager, W.<br />

Leslie Bendslev, Nathan Yamins, Arthur<br />

Howard, Leonard Goldberg, Daniel Murphy,<br />

Walter Mitchell and Mel Safner.<br />

Albert Pickus Named<br />

HARTFORD — Albert M. Pickus,<br />

regional<br />

vice-president of Theatre Owners of America,<br />

and owner of the Stratford Theatre, Stratford,<br />

Conn., has been appointed civil defense<br />

coordinator there.<br />

Showman's Brother Dies<br />

HARTFORD — Harry Schwartz, prominent<br />

Connecticut attorney, and brother of Jack<br />

Schwartz, operator of the We.st End and<br />

Black Rock Theatres, Bridgeport, Conn., died<br />

recently.<br />

Paul Amadeo Marries<br />

HARTFORD — Paul<br />

W. Amadeo, general<br />

manager, Pike Drive-In, Newington, and Ann<br />

former cashier, E. M. Loew's Theatre,<br />

Hartford, were married here November<br />

18, then left on a New York honeymoon.<br />

DEDICATE NE'W OFFICE—Mayor John Hynes of Boston is shown cutting the<br />

ribbon at the dedication of Warners' new building at 131 Arlington St. in Boston.<br />

Left to right: Herman Maier, chief purchasing agent tor Warner Bros.; local Manager<br />

George Horan; Mayor Hynes; R. A. McGuire, chief auditor for Warner Bros.,<br />

and Bernard Goodman, head of branch operations for the company.<br />

*<br />

isl' BOXOFFICE :: December 2, 1950<br />

k<br />

NE 99


'<br />

%ei^<br />

%iM» MOTION FieiURE PROJECTORS.<br />

... do not require o\\ pumps<br />

and splash lubrication for efficient<br />

operation.<br />

. . . must be designed to use<br />

high-power arc lamps without<br />

light-wasting heat filters.<br />

HERE'S THE PROBLEM<br />

4<br />

Modern projection demands the use of higher power arc lamps. These lamps<br />

create intense heat which causes buckling and distortion of the film. To pre- ;<br />

vent film mutilation and out-of-focus pictures, some projectors require heavy<br />

light-wasting heat filters. These filters waste most of the light added by the<br />

higher power lamps.<br />

!<br />

HERE'S<br />

THE SOLUTION<br />

CENTURY projectors equipped with water-cooled apertures reduce destruc-<br />

;<br />

tive heat and increase picture brilliance.<br />

Think of this . . . CENTURY<br />

high-efficiency mechanisms, plus water-cooling<br />

and with a 90 ampere arc will put as much light on the screen as other projectors<br />

using a 180 ampere arc and heat filters!<br />

HERE'S THE RESULT<br />

• Full brilliance and sharper pictures without loss of light or<br />

wasted power.<br />

• More illumination on the largest screens.<br />

• Film distortion reduced. Focusing trouble minimized.<br />

Projectors equipped for high speed, long focal length, 4" diam. lenses.<br />

Water cooling is optional— available on all models at slight extra cost.<br />

LUBRICATION IS OLD FASHIONED!<br />

With CENTURY you have no lubrication headaches— no dripping oil or grease<br />

to mess up equipment or film. There are no oil baths or oil pumps to leak or<br />

fail and cause bindups and frozen bearings. To end this costly trouble<br />

CENTURY uses sealed, oil-less bearings and glass-hard, high carbon-chrome<br />

steel gears.<br />

Proof of CENTURY'S simplified, high-efficiency design can be seen in<br />

the illustrations<br />

on the right. Ten gears with only two gear meshes between the<br />

shutter and the intermittent cam. (Other well known projectors have from<br />

4 to 12 such meshes and up to 23 gears).<br />

Fewer gears and shafts mean less trouble, lower maintenance, less vibration,<br />

sharper pictures . . . finer projection.<br />

%ei^<br />

See your CENTURY dealer about modernizing your projection and<br />

sound equipment now, under present government restrictions.<br />

MASSACHUSETTS<br />

THEATRE<br />

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CO.<br />

20 Piedmont St.<br />

Boston 16, Mass.<br />

100 BOXOFTICE December 2, 1950


% New England Tent 23<br />

Elects New Board<br />

BOSTON—The Variety Tent 23 of New<br />

England has elected the following crew members:<br />

Walter Brown. Max Levenson, Arthur<br />

Lockwood, James Marshall, Martin Mullin,<br />

Samuel Pinanski, Michael Redstone, Louis<br />

Richmond, Benn Rosenwald, Meyer Stanzler<br />

and Phil Smith. This group, along with five<br />

past chief barkers—Louis Gordon, E. Harold<br />

Stoneman. Joe Cifre. Murray Weiss and John<br />

Dervin—will elect 1951 officers at a meeting<br />

in December. Delegates elected to the Variety<br />

International convention next spring are<br />

Stoneman and Bob Sternberg with Weiss and<br />

Cifre as alternates.<br />

Showing of A-Bomb Reel<br />

Is Viewed as Civic Duty<br />

BOSTON—Stanton H. Davis, booker at<br />

RKO, sent out the following letter to his<br />

accounts:<br />

"I am sending this letter to you as an<br />

officer in the United States air force reserves<br />

rather than as an RKO booker. I consider<br />

this as part of my civic duty as well as<br />

part of my job.<br />

"On September 29, RKO released a 20-<br />

minute subject entitled 'You Can Beat the<br />

A-Bomb.' I need not say too much concerning<br />

this subject as the title describes the<br />

subject matter very completely. We all know<br />

how much the controlling of the atom bomb<br />

means to our very existence. With the world<br />

in the present condition, we are all aware<br />

of the possibilities that exist.<br />

"It is most urgent that you play this tworeeler<br />

immediately upon its availability to<br />

your theatre and once again become a<br />

leader in your community serving the public."<br />

'Lucky' Rating Is Raised;<br />

May Run in Providence<br />

PROVIDENCE — "Third Time Lucky,"<br />

scheduled for presentation at Loew's State recently,<br />

but banned by the local police censor,<br />

may still be shown here. A new twist to the<br />

situation, which raised considerable furore resulting<br />

in newspaper editorials and public<br />

forums, came about when the Legion of<br />

Decency which originally gave the picture a<br />

C rating, changed it to Class B or "objectionable<br />

in part."<br />

It will be interesting to see if local censorship<br />

authorities now permit it to be licensed<br />

for showing here. That has been the custom<br />

in the past, with "Volpone" and "Forever<br />

Amber" as two examples.<br />

Showman's Son and Actor<br />

To Connecticut Offices<br />

HARTFORD — The 1950 state elections<br />

found State Treasurer Joseph Adorno, Republican,<br />

being re-elected, and former actor<br />

named governor of Connecticut. Adorno is a<br />

son of Sal Adorno sr.. owner and operator<br />

of the Palace Theatre, Middletown. Elected<br />

governor was Congressman John Davis Lodge,<br />

formerly of motion picture roles. He defeated<br />

Governor Chester Bowles (Dem.), former<br />

partner in the New York advertising<br />

agency of Benton & Bowles.<br />

BOSTON<br />

T eon Brandt, head of exploitation, advertising<br />

and publicity for ELC was here working<br />

on "The. Sun Sets at Dawn," which will<br />

open at the Paramount and Fenway December<br />

7, with Jack Saef. Joe Mansfield and<br />

Charlie Barron, publicists . , . Charlie Wilcox,<br />

Orleans Theatre, Orleans, made his first appearance<br />

in the district following his release<br />

from the Evans Memorial hospital where he<br />

was under observation for two weeks. Others<br />

on the Row were Elihu Glass, Majestic,<br />

West Springfield; Ned Eisner, Cameo, TJxbridge,<br />

who reports that his new drive-in in<br />

Uxbridge has closed for the season after a<br />

successful first year; Joe Liss, who has taken<br />

over the Astor, Lawrence; Spero Latchis,<br />

Latchis circuit; Curtis Morse, Lafayette,<br />

Haverhill, and Irving Dunn, Granite Square,<br />

Manchester, N. H.<br />

Barbara Lally, secretary to Morris Master<br />

Motion Picture Co., took a leave for two<br />

months and is now touring England, France,<br />

Switzerland and Italy . . . Kenneth Mayer has<br />

rejoined U-I as salesman in the Rhode Island<br />

Alan Strulson of New<br />

territory . . . York has been appointed a salesman at 20th-<br />

Fox with his territory unassigned as yet . . .<br />

At MGM, the western Massachusetts territory<br />

has been given to Joe Rahilly, formerly a<br />

booker, while Gerald McGowan has been<br />

transferred from the Indianapolis territory as<br />

Joseph Rathgeb. former booker at<br />

a booker.<br />

Monogram and Motion Picture Sales, also<br />

has joined the booking staff at Metro.<br />

The Beacon Hill Theatre's Thanksgiving<br />

day picture was "The Golden Salamander,"<br />

accompanied by a two-reeler "The Moor's<br />

Pavane" which had its American premiere<br />

here. Charles Barron of ELC was in on publicity<br />

for "Salamander," arranging a luncheon<br />

for the film critics before the press<br />

screening . . . "The MGM Story" which was<br />

screened at the TOA convention in Houston,<br />

was shown at an invitation screening at<br />

Loew's State. A sound technician came along<br />

with the film to insure its proper handling.<br />

The picture ran about 40 minutes and the<br />

MGM offices were closed for an hour and a<br />

half that day to enable the office staff to<br />

see it. Also invited were the film critics,<br />

radio and press reporters.<br />

married on the Isle<br />

The engagement has been announced of<br />

with the U.S. army during World War II.<br />

Elaine Gaetani, secretary to E. M. Loew, to<br />

Robert Newhook, publicity director of Loew's<br />

Theatres in Boston, with a wedding<br />

Piper Laurie to Star<br />

date set<br />

for February 24. Elaine, the daughter of Dr.<br />

Co-starring with Donald O'Connor in U-I's<br />

and Mrs. Arthur Gaetani lives in Milton,<br />

"Francis Goes to the Races" will be Piper<br />

Laurie.<br />

while Newhook, a Boston university graduate,<br />

class of 1950, resides in Mattapan. Following<br />

a honeymoon into the Canadian Rockies, the<br />

couple will live in Boston, with Elaine resuming<br />

her position at the E. M. Loew circuit.<br />

Mrs. N. Peter Rathvon, producer of "The<br />

Sun Sets at Dawn" which will have its world<br />

premiere at the Paramount and Fenway Theatres<br />

on December 7, will come to Boston for<br />

the opening, accompanied by Philip Shawn,<br />

who has a featured part in the film, and Leon<br />

Brandt, exploitation head of Eagle-Lion<br />

Classics. Joe Mansfield, ELC publicist, is<br />

arranging press and radio interviews for Mrs.<br />

Rathvon.<br />

Roy E. Heffner and his son Roy, jr. each<br />

bagged a buck deer on their latest hunting<br />

trip in the wilds of Moosehead, Maine. They<br />

strapped the bucks on either side of their<br />

auto fenders and caused great interest in the<br />

district when they drove along Church Street<br />

with the unusual display . . . John McGrail,<br />

Universal publicist, has gone to New York to<br />

visit the home office for a few days.<br />

Lou Novins of Paramount Pictures, New<br />

York, will speak at the national convention<br />

of the Kappa Nu fraternity to be held at<br />

the Somer.set hotel here December 24. Leon<br />

Levenson, manager of ATC's candy and vending<br />

department, is serving on the convention<br />

committee. Levenson, a 1928 Harvard graduate,<br />

is an old friend of Novins who graduated<br />

from Boston university in 1929. Other<br />

industryites who are members of the fraternity<br />

are Ted Fleisher, Interstate Theatres;<br />

Harold Gordon, manager of ATC's Waltham<br />

Theatre, and Sam Resnick, Playhouse, Andover.<br />

Ken Prickett of Smith Management Co.,<br />

former MGM publicist here, has returned to<br />

his Quincy home after nearly five months<br />

in the midwest, where he is a district manager<br />

for Philip Smith's drive-in theatres.<br />

He will remain in New England through the<br />

Christmas holidays.<br />

Jack Hauser, president and business agent<br />

of Local 96 of the Worcester projectionists<br />

union, has retired after 30 years as head of<br />

that union . . . Charles H. Parker, projectionist<br />

at the Capitol, Allston, and a member<br />

of Local 182, has retired after 40 years of<br />

service. He will live in New Hampshire where<br />

he has bought a house near Exeter. Another<br />

veteran projectionist of Local 182 has retired.<br />

John H. Mason, operator of the Seville, East<br />

Boston, an ATC theatre, resigned after 25<br />

years of service and will live quietly in<br />

Allston with his family. Ralph K. Jordan,<br />

projectionist at the Franklin Park Theatre,<br />

died at his home.<br />

H. A. Tuccis Celebrate<br />

BRIDGEPORT. CONN. — Henry A. Tucci<br />

of the Poll staff, and his wife Anne celebrated<br />

their fifth wedding anniversary. They were<br />

of Capri while Tucci was<br />

I<br />

I<br />

WILLIAM RISEMAN<br />

ASSOCIATES<br />

Theatre Specialities in<br />

Remodeling and<br />

Redecorating<br />

162 Newbury Street Bost<br />

BOXOmCE December 2, 1950 101<br />

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Larry Wallace, head of the concessions department,<br />

E. M. Loew circuit, was in Milford,<br />

Hartford, and Springfield to close out<br />

concessions at the circuit drive-ins shuttering<br />

for the season . Laskowski is the<br />

new cashier. E. M. Loew's. succeeding Constance<br />

Bucello, who resigned . Manager<br />

George Hudak. E. M. Loew's, has been<br />

classified as 1-A.<br />

.<br />

.<br />

John Patno, assistant at the Alljm. and<br />

his wife observed their fifth wedding anniversary<br />

. , . Al Longo. former publicist for<br />

Loew's Boston theatres now operating his<br />

own public relations agency In Bo.ston.<br />

dropped by for a chat with Fred Greenway<br />

while here in advance of the local appearance<br />

of Ed Sullivan, columnist and television<br />

personality. Some years ago. Greenway<br />

managed Loew's State in Boston<br />

The New Alcazar Theatre. Naugatuck, has<br />

a dinnerware giveaway,<br />

Tom Grosran, manager of the Strand,<br />

Thompsonville. has built a new home<br />

The Gus Schaefers of the Hartford Theatre<br />

circuit have moved into a new home in<br />

Bloomfield . Tom Grace of the<br />

Perakos circuit's Eastwood presided at a<br />

meeting of the East Hartford Chamber of<br />

Commerce retail trade board at the Eastwood<br />

to discuss proposals for Christmas<br />

street lighting in the town.<br />

p M. Loew, head of the Loew Theatres circuit:<br />

and Bruno Weingarten. manger of Loew's Poll, Meriden. Tony Masella. Loew's<br />

entrance to the lobby of the now shuttered<br />

Loew's Norwich-New London Drive-In, Montville.<br />

Conn., were in to look over the site of up to prevent vagrants from congregating in<br />

Meriden manager, says the barrier was put<br />

the new circuit drive-in in suburban Farmington<br />

with George E. Landers, man circuit partner, is serving as radio<br />

the lobby at night.<br />

Mrs. Maurice Shulman, wife of the Shul-<br />

the circuit's<br />

publicity<br />

director ol<br />

Anthony Bray has been promoted to chief<br />

Hartford division manager. The project<br />

the Girl Scouts of Hartford,<br />

supervising radio programs on a num-<br />

is<br />

usher at Loew's Poll Palace . Levinson,<br />

assistant manager, Loew's Poll, Hartford,<br />

not expected to be completed before April<br />

1951. It will have capacity for 850 cars and<br />

ber of metropolitan Hartford area radio<br />

Loew's Poll Bijou, New Haven, visited Acting stations . . . Ray Freeman, former student<br />

cost an estimated $125,000.<br />

Manager John DiBenedetto, Loew's Poll, assistant manager at Loew's Warfield, San<br />

Arline Levin is the new cashier, Center, replacing<br />

Wendy Smith, who resigned. Selma Warner Art, Springfield, was a Hartford ager at the Warner Strand, succeeding An-<br />

Worcester . L. Cotoia. manager, Francisco, has been named assistant man-<br />

Berkowitz has been added to the theatre's visitor . . . Bob Evans, formerly Jim's aide, thony T. Cassente. who resigned to go to<br />

cashiers staff . . . Jim McCarthy. Strand is now working for a Hartford department Los Angeles to make his home.<br />

manager, got a letter from Charlie Atamian, store . . . Ted Harris. State managing director,<br />

was in New York on business.<br />

Manager Lou Cohen of Loew's Poli and<br />

his former assistant for five years, reporting<br />

his<br />

that he and his wife have settled in Sacramento,<br />

Calif. Charlie is in the super market<br />

wife are marking their 31st wedding anniversary<br />

. Kroopnick. promo-<br />

Roger Gagnon, former manager of the<br />

Star, Hartford, and of the Plainfield, Conn.,<br />

business with his father-in-law . . . Maurice<br />

tion director for the 1,200-seat Center, has<br />

theatre, is<br />

Shulman, Shulman Tlieatres. was in New<br />

now working for a Putnam Industrial<br />

resigned to join the staff of the state department<br />

of social service. No replacement<br />

Haven on bookings . S. Purdy, Kounaris-Tolis-Ulyssis<br />

general manager, was in<br />

concern . Capuano. manager<br />

of the West Hartford. Elm, entered Hartford has been name as yet by owner Maurice<br />

from Meriden . Wylie, Wylie Amusement<br />

Enterprises, New Haven, was another ager is Mrs. Minnie Geigel. house cashier<br />

hospital for an operation. Relief man-<br />

Greenberg.<br />

Hartford<br />

Doughty, cashier at the Eastwood,<br />

visitor.<br />

has resigned . Gilberto Is the Rialto's Competes With Airers<br />

Anne Harris, daughter of the State's managing<br />

director, marked her 16th birthday with was in New York<br />

new usher . Klune. Rialto doorman,<br />

With Car Admissions<br />

for a nephew's wedding.<br />

a house party . Henry Boehms (he's At 76. he is one of the oldest theatre doormen<br />

in Hartford . . . Rialto Manager Mike of competing with drive-ins has been start-<br />

HARTFORD—Something new in the way<br />

State advertising manager) are observing<br />

their fifth wedding anniversary . . . Bruno Piccirillo tied-up with a department store ed by Joe Faith, operator of a number ol<br />

Weingarten of the Norwich-New London near the theatre for distribution of free Hopalong<br />

Cassidy candy and buttons in conjunc-<br />

designed to attract car patrons, has been<br />

suburban Hartford theatres. The new policy,<br />

Drive-In leaves Connecticut December 15 for<br />

a Los Angeles vacation ... A temporary tion with the start of a new serial, "Radar started on Mondays and Tuesdays at the<br />

wooden barrier has been erected across the Patrol vs. Spy King."<br />

Faith Carberry Theatre, Bristol, Conn.<br />

Faith's newspaper ads for the house read:<br />

George E. Landers, E. M. Loew circuit "Drive up to the Carberry Theatre every<br />

Hartford division manager, was in Bridgeport. Monday. Tuesday . adult. 44 cents;<br />

Milford. and New Haven . Kaminski. two or more, 88 cents, tax included: all children<br />

arriving in cars admitted free!"<br />

secretary to Manager Bruno Weingarten.<br />

Norwich-New London Drive-In, is engaged to<br />

I<br />

Thomas Hawkins, Norwich police officer.<br />

They will be married in Norwich Dec. 15 . . .<br />

Norwich, Conn., Theatre<br />

Harry Albee, projectionist. Pike Drive-In. got<br />

back from a Maine hunting trip . . . Wayne<br />

To Offer First Run Films<br />

Hilliard, assistant concession manager at the HARTFORD—Ed Lord has switched the<br />

Norwich-New London Drive-In, made a trip Lord Theatre in Norwich on a first run<br />

Typical o( BaManiyne to New York to go ice .skating at Rockefeller policy Wednesday through Saturday. The initial<br />

quality, is che Model<br />

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Center . Morin, Regal manager, booking under the new policy was U-I's<br />

Proiecior . . .<br />

yet It is lower in cost heard from his ex-assistant, Sgt. Pat Bucherri,<br />

now in special services office, 43rd In-<br />

"Louisa" and Republic's "The Pioneer Marshal."<br />

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BOXOFFICE December 2. 1950


Theatre-in-Round May<br />

Start at Providence<br />

PROVIDENCE—Plans are being formulated<br />

hereabouts to bring the "theatre-in-theround"<br />

to this territory, and there's a good<br />

possibility that there may be a race to see<br />

who offers this new popular form of theatrical<br />

entertainment here first. One outfit,<br />

headed by John P. Roberts of adjoining<br />

Cranston, has just announced that a lease<br />

has been obtained on a former night club<br />

establishment on Warwick Avenue just over<br />

the Providence-Cranston city line.<br />

Roberts further announced that alterations<br />

will start soon and installations necessary<br />

for "arena" staging should be completed<br />

in time for the opening set for early in February<br />

1951.<br />

Also in town recently was Alan Gray<br />

Holmes, Worcester, Mass.. theatrical producer,<br />

who presented several touring stage<br />

attractions at the Rhode Island School of<br />

Design auditorium, last season. Holmes put<br />

on a "theatre-in-the-round" in Worcester last<br />

summer with great success, and it was reported<br />

that he was scouting this area with<br />

the. same idea in mind.<br />

Paper Ad Rates Upped<br />

HARTFORD — New Haven circuits have<br />

been informed of a further hike in theatre<br />

advertising rates at the Hartford Courant, effective<br />

December 1. From $2.80 an inch the<br />

rate goes to $3.08 daily. Sunday rate goes<br />

from $3.50 per inch to $3.92.<br />

PROVIDENCE<br />

patrons of the RKO Albee have had their<br />

winter parking problems solved for them<br />

by Dave Levin, manager, who has made arrangements<br />

with the Snow Street garage,<br />

immediately adjacent, to accommodate Albee<br />

patrons at a special discount.<br />

The recent presentation of Charlie Chaplin's<br />

"City Lights" at the Metropolitan not<br />

only resulted in Bradford F. Swan, critic on<br />

the Journal-Bulletin, devoting practically his<br />

entire column praising the film and its artistry,<br />

but it also made the In Perspective<br />

column, which is alternately written by leading<br />

staff writers and has met with such<br />

widespread acclaim that the choicest bits<br />

have been published in book form.<br />

Whoever directs the policy for E. M. Loew's<br />

open airers must be something of a weather<br />

prophet. Almost simultaneously with the<br />

closing of E. M. Loew's Drive-In at the Providence-Pawtucket<br />

city line, winter weather hit<br />

this vicinity with the thermometer dropping<br />

to the middle twenties. All other nearby<br />

ozoners were still operating, despite the frigid<br />

weather, when Thanksgiving had come and<br />

gone.<br />

Employes of the Avon Cinema had plenty<br />

of cause to be thankful on Thanksgiving.<br />

Charles R. Darby, manager, presented every<br />

employe a big, plump turkey ! Recently Darby<br />

scored with plenty of well-planned publicity<br />

on his twin bill of "The King's Jester" and<br />

"Pagliacci." This city has a large Italian<br />

population and Darby arranged a quiz program<br />

on a local radio station, offering guest<br />

tickets. "The Red Shoes," which ran for<br />

eight weeks at the Avon some time ago, has<br />

been scheduled for a return engagement.<br />

The Evening Bulletin recently devoted<br />

nearly half a page, including several pictures,<br />

to the party being arranged for Mr. and Mrs.<br />

Archibald Silverman on this 50th wedding<br />

anniversary. Silverman heads the company<br />

operating the Strand Theatre. The story on<br />

the party, traced the many achievements of<br />

both Mr. and Mrs. Silverman, who are well<br />

known here and abroad for their great charitable<br />

works. It Is understood that many<br />

local, state and national figures from all<br />

walks of life will help the Silvermans mark<br />

their golden anniversary.<br />

It was learned recently that local newspapers<br />

on a number of occasions have returned<br />

national advertisements to theatre<br />

managers with the request that more clothes<br />

adorn the lovelies pictured therein.<br />

To Sponsor Benefit<br />

HARTFORD — Mr. and Mrs. Ray Mc-<br />

Namara of the Allyn Theatre have been<br />

named sponsors of the cerebral palsy benefit<br />

performance at Bushnell auditorium December<br />

2 of the Hartford chapter. Society<br />

for the Preservation and Encouragement of<br />

Barber Shop Quartet Singing in America.<br />

GOODWILL AWARD AND BANKNiGHT<br />

will get the people out of their homes away from the<br />

radio and television<br />

And to Your Theatre<br />

There are over 100 theatres in the New England territory<br />

proving it every week.<br />

IT'S<br />

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Write or call us and we will see you<br />

GOODWILL ADVERTISING COMPANY<br />

22 Church Street Liberty 2-9305 Boston, Mass.<br />

BOXOFFICE :: December 2, 1950 103


. . . Jimmy<br />

—<br />

—<br />

CELEBRATE ANNIVERSARY—Shown above in the office of General Manager<br />

Al Schuman of the Hartford Theatre circuit are officials planning observance<br />

of the chain's fifth anniversary. Front, left to right: Gus Schaefer, treasurer, and<br />

Schuman, president and general manager.<br />

Standing: Ernie Grecula, director of advertising<br />

and publicity and managing director of the Colonial; Michael Piccirillo, Rialto;<br />

Mrs. Kate S. Treske, Lenox; Hugh J. Campbell, Central, West Hartford; George A.<br />

Smith, maintenance director and purchasing agent, and Joseph R. Ruggerio, Lyric.<br />

NEW HAVEN<br />

f^hristmas parties got off to early planning<br />

this year. Twentieth-Pox will celebrate December<br />

6 at Donat's; Columbia will party at<br />

Donafs December 14. and RKO will have a<br />

cocktail party at the exchange, then dinner<br />

and dancing at the Fireside, Milford. December<br />

14. Universal scheduled its party for<br />

December 21 at Donat's . . . Variety Tent 231<br />

is negotiating a lease with Kaysey's for second<br />

floor club quarters . . . Earl Wright of<br />

Columbia made a whirlwind drive for the<br />

success of Earl Wright week, ending December<br />

9.<br />

Most drive-ins, including Waterbury and<br />

East Windsor, closed November 19 . . . The<br />

Hi-Way. Bridgeport, arbitration hearing<br />

brought Bert Jacocks, Harry P. Shaw, Matt<br />

Saunders and Phil Gravitz to town in addition<br />

to those attending the first hearing<br />

. . . Floyd Fitzsimmons, MGM exploiteer. was<br />

in the territory . . . Also John Dombi of the<br />

Brooklawn. Fairfield, Morris Shulman, Shulman<br />

houses, Hartford, and Nat Greenberg,<br />

Strand Amusement. Bridgeport.<br />

Ann Donner of 20th-Fox went to New<br />

Jersey and New York for Thanksgiving . . .<br />

Mrs. Lou Brown, wife of the Loew's Poll<br />

publicity chief, was a welcome visitor for<br />

Thanksgiving after a stay at New Haven hospital<br />

. . . Eva Cooperstack, Universal booker<br />

and office manager, left for a week's vacation<br />

Dorsey and his orchestra. King<br />

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DIPT. B<br />

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Cole Trio. Shorty Surock and Charlie Teagarden<br />

appeared on the Paramount stage November<br />

28. prior to show's opening at the<br />

Paramount in New York. If local response<br />

is good. Jim Darby says there may be more.<br />

The Colonial, Canaan, had vaudeville recently,<br />

including Oliver and Sales, Doris<br />

Patts and Mrs. Waterfall and Whitey Carson,<br />

with "County Fair" on the screen.<br />

Jimmy Tripp, former office boy for Warner<br />

Theatres, has been upped to bookkeeper,<br />

and Kenneth Trelour is a new employe . . .<br />

The 484-seat Alcazar at Naugatuck is now<br />

operated by Waterbury Amusement Co.. has<br />

changed from first and second run to all<br />

second run policy . . . Poxites had a surprise<br />

birthday cake for Sal Popolizio, booker, after<br />

office hours, and presented him a red carnation.<br />

Renovation of the Bailey Whalley Theatre<br />

here will continue for several months with<br />

a new lounge and lobby taking in the<br />

luncheonette next door, a modern candy bar<br />

and redecoration in the offing ... As a<br />

Wednesday feature, Roger Sherman has tied<br />

in with House of Jaquet to give every woman<br />

attending the matinee a $5 one-hour beauty<br />

treatment at the Taft hotel and a jar of<br />

face cream.<br />

Sues Over Clogged Sewer<br />

STRATFORD. CONN.—The Stratford Theatre.<br />

Inc.. owned by Albert M. Pickus. has<br />

filed a $3,500 damage action in common pleas<br />

court against the town of Stratford for damages<br />

allegedly caused by a clogged sewer.<br />

The plaintiff claims water, sewage and refuse<br />

matter from a blocked sewer line backed up<br />

into its theatre, damaging carpets and other<br />

fixtures and causing the theatre to close for<br />

one matinee performance. Tlie theatre says<br />

it expended $1,700 in making repairs and performing<br />

other work to prevent a recurrence<br />

of the incident.<br />

Teamed on 'Battle of Sexes'<br />

Teamed on "Battle of the Sexes." story<br />

about granting suffrage to women throughout<br />

the world, are Producer Wally Kline and<br />

Frederick Dan.<br />

Boston Business So-So<br />

As Holdovers Prevail<br />

BOSTON— All downtown houses are plugging<br />

their Thanksgiving product, with theatres<br />

marking time until that day. Huge<br />

newspaper space has been taken in the<br />

dailies advertising the new films. Holdovers<br />

were in most houses until the holiday engagements.<br />

(Average Is 100)<br />

Astor—Harriet Crerig (Col), 3rd v/k 80<br />

Boston—Where Danger Lives (RKO); Beyond<br />

Purple Hills (Col) 85<br />

Exeter Street— Last Holiday (Mono), 1st wk lOS<br />

Memorial—All About Eve (20th-Fox), 3rd wk 90<br />

Metropolitan Tripoli (Para); Cassino to Korea<br />

(Para) .. 5"<br />

Paramount and Fenway American Guerrilla in<br />

the Philippines (20th-Fox), 2nd wk 85<br />

Slate and Orpheum—Emergency Wedding (Col);<br />

The Fuller Brush Girl (Col) 90<br />

Two Weeks With Love' at 110<br />

Paces New Haven Grosses<br />

NEW HAVEN—"Two Weeks With Love" at<br />

the College and "American Guerrilla" at<br />

the Loew Poll did the best business on the<br />

main stem.<br />

Bijou—Harriet Craig (Col); Eye Witness (ELC),<br />

2nd d, t wk -.,. 70<br />

College—Two Weeks With Love (MGM); Return<br />

of Jesse James (LP) 110<br />

Loews Poll—American Guerrilla in the Philippines<br />

(20th-Fox); Hot Rod (Mono) 106<br />

Paramount—The Outrage (RKO); Hit Parade of<br />

1951 (Rep) 70<br />

Rog=r Sherman—Woman on the Run (U-I): Saddle<br />

Tramp (U-I) BO<br />

"Solomon's Mines' Grosses 225<br />

For Near Hartford Record<br />

HARTFORD—MGM's "King Solomon's<br />

Mines" did biggest trade in months, hitting<br />

records attained by the same distributor's<br />

"Battleground." Other big grossers were<br />

Paramount's "Let's Dance" and Warners'<br />

"West Point Story."<br />

Allyn-Let's Dance (Para); Hostile Country (LP) ,..140<br />

Center—Kind Hearts and Coronets (ELC); shorts... 80<br />

Last of the Buccaneers (Col) Counter<br />

E. M. Loew<br />

Spy Meets Scotland Yard (Col) 115<br />

Palace—American Guerrilla in the Philippines<br />

(20th-Fox) Bomba and the Hidden City (Mono),<br />

2nd wk 140<br />

Poll—King Solomon's Mines (MGM); A Kiss for<br />

Coriiss (UA) 225<br />

Regal—Mad Wednesday (RKO); Rio Grande Patrol<br />

State—Hold That Baby (Mono); stage<br />

,<br />

show 110<br />

(RKO) 00<br />

Strand—West Point Story (WB); loo Palooka<br />

in the Squared Circle (Mono)<br />

.160<br />

Morris Moriarty Named<br />

President of Local 273<br />

ISTEW HAVEN — Morris Moriarty of the<br />

Paramount Theatre was elected president of<br />

lATSE Local 273 at the recent annual election.<br />

Tony Basilicato of the College was<br />

named vice-president and Ernie DeGrosse<br />

of the same theatre, secretary. Edward Boppert<br />

of Loew's Poll was named treasurer.<br />

Matthew Kennedy of the Paramount was<br />

re-elected business agent for the 15th consecutive<br />

year.<br />

Tlie executive board will consist of officers<br />

and Frank Perry of the Roger Sherman and<br />

Edward Jordan of the Wlialley. The finance<br />

board includes officers. Sam Estre of the<br />

College and Andrew Carrano of the Grand.<br />

Novel Advertisement<br />

HARTFORD — Herb Loewith, assistant<br />

manager at Loew's Poli Globe in Bridgeport,<br />

advertises Loew's every time he takes his car<br />

out of the garage.<br />

Tlie plate on his car reads "LOEW."<br />

104 BOXOFHCE December 2, 1950


. . The<br />

. . Sam<br />

. . The<br />

. . . Frances<br />

. . Prompted<br />

. . James<br />

. .<br />

. . Hippodrome<br />

. .<br />

AT 'TRIPOLI' CEREMONY — Special<br />

ceremonies were held at AUyn Theatre,<br />

Hartford, in conjunction with 175th anniversary<br />

of the marine corps and the opening<br />

of "TripoU," which concerns the corps.<br />

Left to right: John A. Patno, assistant<br />

manager; Ray McNamara, Allyn manager;<br />

Douglas O. Harrington, commandant,<br />

Hartford Nutmeg detachment, Marine<br />

Corps league; Mrs. Mary Mandy,<br />

commander. Unknown Soldier Post 12,<br />

DAV.<br />

WORCESTER<br />

Oixty present and past employes of Loew's<br />

.<br />

Poll held a reunion at Villa Vaudreuil,<br />

Shrewsbury, with Manager Harold Maloney<br />

as the guest of honor. Warren B. Kalagher<br />

was chairman of the committee and Barry<br />

Price served as toastmaster Rialto<br />

Park and Greendale awarded Thanksgiving<br />

turkeys to lucky patrons . Wasserman<br />

will present Cornelia Otis Skinner at the<br />

Playhouse January 15.<br />

Bob Bergin, assistant manager of Loew's<br />

Poll, spotted Leland Harris in "All About<br />

Eve." He formerly played with Woi-cester<br />

stock companies . Modern in Marlboro<br />

is running auctions each Friday night, using<br />

"community dollars" . . . The Plymouth was<br />

rented to the Memorial hospital aid society<br />

tor a show December 19, 20 . . . Harold<br />

Maloney, manager, is back at the Poll after<br />

being out a few days with a wrenched back.<br />

The public buildings bureau has been conferring<br />

with Peter Marrone regarding his<br />

proposed open-air theatre on Greenwood<br />

street, but the bureau refuses to grant the<br />

licenses until zoning problems are straightened<br />

out . . . Mr. and Mrs. Arthur A. Blanchard,<br />

Mr. and Mrs. Louis L. Blanchard and<br />

Fred Blanchard, all in theatre business in<br />

Southbridge, have gone to Lakeland, Fla.<br />

Bob Robison, former theatre manager here,<br />

is in Houston. Tex., handling a Lions club<br />

charity show, but writes he expects to return<br />

to Worcester for Christmas . . . Robert<br />

Montgomery, screen and TV star, flew to<br />

nearby Southboro to visit his son, a student<br />

at St. Mark's school.<br />

DRIVE-IN THEATRE CENTER AISLE ilGHTS<br />

With numbered Panels for Ramps with Oiiaiiiie Panels<br />

for Driveway Illumination<br />

DRIVE-IH THEATRE MFG. CO. ^^^;;"]i„<br />

BRIDGEPORT<br />

. . . The<br />

n Ibert M. Pickus, owner-operator of the<br />

Stratford, has accepted the post of civil<br />

defense coordinator for Stratford<br />

Stamford Theatre sustained considerable<br />

-smoke damage from an early morning $80,000<br />

fire in an adjoining building . . . The 242nd<br />

AAA group of the Connecticut national guard,<br />

tied up with Manager James Tobin of the<br />

Warner on "Breakthrough" and displayed<br />

heavy field guns in front of the house during<br />

the engagement.<br />

Manager Matt L. Saunders of Loew's Poli<br />

was in New Haven for the opening of the<br />

new revue, "Bless You All" . . Harold Tabackman,<br />

.<br />

owner-operator of the Bostwick<br />

Theatre, and his wife Evelyn celebrated a<br />

The Strand Amusement<br />

wedding anniversary . . .<br />

Co. has upped admissions a nickel at<br />

the American, Astor, Hippodrome and Rialto.<br />

The circuit's four other houses here remain<br />

unchanged.<br />

Joseph Letezeio, projectionist at the Rivoli,<br />

spent his vacation hunting . . . Business continues<br />

to be poor in both neighborhood and<br />

first runs . . . Katherine C. Shea, who brings<br />

stage plays into the Klein Memorial, will sail<br />

December 28 on a South American cruise . . .<br />

Jack Quinn is planning to increase the seating<br />

capacity of his summer theatre, the Playhouse<br />

in Southbury, from 350 to 500 before<br />

next season.<br />

Managers of the theatres on the Strand<br />

Amusement Co. cii-cuit have organized a<br />

bowling team under the direction of Louis<br />

Jacobson of the Park City . Ludwig<br />

is new on the usher staff at the American<br />

. . . Even the bingo games are beginning to<br />

use dish deals . . . The Horace Heidt show has<br />

been booked into the Lyric for a single performance<br />

on the night of December 26 . . .<br />

Connie Monda, Loew's Majestic cashier, celebrated<br />

a birthday . . . Pauline Medak of the<br />

American boxoffice staff went to Florida for<br />

several weeks.<br />

Herbert Loewith, assistant at Loew's Globe,<br />

has one of those letter auto license plates and<br />

it reads LOEW . by women patrons,<br />

the Stratford Theatre has shifted its<br />

matinees to Tuesdays and Friday at 1;30 p. m.<br />

Mothers said those days and hours were more<br />

convenient during school months . . . James<br />

Pensore, vetei-an projectionist at the PoU,<br />

celebrated a birthday . . . Bridgeporter<br />

Charles Schnee had three of his screenplays<br />

in local first runs the same week. "The Next<br />

Voice You Hear ..." at the Globe, "Born to<br />

Be Bad" at the Majestic and "Tlie Fm-ies" at<br />

the Warner and the Merritt.<br />

The Poli sneak-previewed "King Solomon's<br />

Mines" . . . John DiBenedetto. former Poli<br />

assistant, was in from Worcester for a visit<br />

Conners, assistant at the Majestic,<br />

is a year older . . . Phil "Roxy" Oliver,<br />

manager of the Strand until illness forced<br />

the amputation of a leg, is now out-patient<br />

caahier in the emergency department at<br />

Bridgeport hospital . . . Christopher Kiernan<br />

is back as chief of service at the Poli after<br />

a week in the hospital as a medical patient.<br />

Manager Michael J. Carroll of the American<br />

visited relatives in Schenectady, N. Y. .<br />

Mary Colgan of the Hippodrome boxoffice<br />

staff visited friends at Ft. Devens . . Local<br />

.<br />

.<br />

projectionists enjoyed a midnight party in<br />

Redman's hall . . . John Suwatski has joined<br />

the usher staff at the Hippodrome . . . Projectionist<br />

George F. Antoniak is on leave<br />

from the Astor Manager<br />

Charles P. Gaudino and his wife Rachel celebrated<br />

a wedding anniversary.<br />

PROVIDENCE<br />

p M. Loew's Drive-In at the Piovidence-<br />

Pawtucket city line was the first openairer<br />

to close for the season. Unusually mild<br />

weather has been a source of satisfaction to<br />

most nearby outdoor theatre operators. The<br />

Cranston Auto Theatre, Bay State Drive-In<br />

and Boro Drive-In still are running .<br />

Charles Laughton recently spoke before a<br />

large audience at Veterans' Memorial auditorium.<br />

The event was sponsored by the<br />

Brown alumnae club of Pembroke college<br />

for the benefit of the Rhode Island regional<br />

scholarship fund.<br />

Armistice day gave local theatre operators<br />

a double reason for rejoicing. Holiday weekend<br />

crowds were divided among the leading<br />

first runs and long waits for seating seemed<br />

to be the rule rather than the exception.<br />

More than 100 downtown stores have<br />

started remaining open until 9 p. m. every<br />

Thursday night. Theatremen are watching<br />

the move with interest, believing the theatres<br />

should get added patronage. Leading houses<br />

will be polled after a couple of weeks under<br />

the new shopping setup.<br />

Fay's Theatre recently inaugurated a new<br />

policy of presenting vaudeville and motion<br />

pictures twice a week. In the past. Fay's has<br />

run the same bill for a full week. The new<br />

setup calls for a completely new show every<br />

Sunday and Thursday.<br />

Hcjrold Cummings Ncaned<br />

To Manage Holyoke State<br />

HARTFORD—Harold Cummings, manager<br />

of the E. M. Loew's Riverdale Drive-In, West<br />

Springfield, Mass., which has closed for the<br />

1950 season, has been assigned to manage<br />

the E. M. Loew's State Theatre, Holyoke,<br />

Mass.<br />

Thus far, the E. M. Loew drive-ins at Hartford,<br />

Milford, and West Springfield have<br />

closed. Closing date for the circuit's Norwich-<br />

New London Drive-In, Montville, Conn., has<br />

not been determined as yet, George Landers,<br />

district manager said. As an added business<br />

inducement, the drive-in, managed by Bruno<br />

Weingarten, is offering one gallon of gas free<br />

per car. Weingarten notes in his newspaper<br />

advertising that patrons can run their motors,<br />

keeping on the car heaters, with the free gallon.<br />

English Actress Has Contract<br />

The young English stage actress, Dawn<br />

Addams, has been handed a contract by MGM<br />

and a role in "Kind Lady," the Ethel Barrymore<br />

starrer.<br />

BOXOFFICE :<br />

: December 2, 1950 105


. .<br />

NEW HAMPSHIRE<br />

T ouis DeRochemont of Newington, who produced<br />

the film, "Lost Boundaries," and has<br />

lately been filming "The Whistle at Eaton<br />

Falls," in the Portsmouth-Dover area, has<br />

presented a 16mm projector to the new Dover<br />

recreation center. The gift was made in appreciation<br />

of Dover residents' cooperation in<br />

making the new picture. A number of local<br />

young men and women were used as extras in<br />

the production.<br />

Members of Local 349, American Federation<br />

of Musicians, of Manchester, presented<br />

a concert program at the Veterans' Administration<br />

hospital in that city on Thanksgiving<br />

night.<br />

Ansel Sanborn, Carroll county film circuit<br />

owner, attended the football game between<br />

the University of New Hampshire and<br />

Kent university in Durham. He was accompanied<br />

by his wife and two sons, Richard<br />

and John Sanborn.<br />

Six 10-pound turkeys were given away for<br />

the Thanksgiving holiday at the Interstate<br />

Scenic in Rochester. They were donated by<br />

a local jewelry store.<br />

Roland A. "Buddy" Jenkins, news commentator<br />

for radio station 'WHEB in Portsmouth,<br />

is recovermg from mjunes suffered in an<br />

automobile collision in Somersworth. He was<br />

taken to Frisbie Memorial Hospital in Rochester.<br />

A new radio station is planned in Nashua,<br />

where the City Broadcasting Corp., headed<br />

by Judge Bolic A. Degasis, president, is awaiting<br />

a decision on its petition filed with the<br />

Federal Communications commission. His<br />

associates in operating the station, which will<br />

be a 250-watter, will be J. E. Serwin and<br />

Carter Knight.<br />

Ferris "Gus" Ebol, who was formerly connected<br />

with the Palace in Manchester, is now<br />

assistant manager of the State in Conneaut,<br />

Ohio. The Ohio theatre is managed by<br />

Armand Pepin, who was also formerly connected<br />

with the State Operating Co., which<br />

runs Manchester's leading theatres.<br />

Leonard Young, who is appearing on<br />

"Variety Theatre," a television show, over a<br />

Schenectady, N. Y., station, has been social<br />

director at fashionable Gray's Inn in Jackson<br />

for the past two summers . . . 'Walter S.<br />

Young, owner of the Strand in Farmington,<br />

has been named one of the general chairmen<br />

for the third annual Christmas program to<br />

be sponsored by the Farmington Businessmen's<br />

Ass'n.<br />

No West Haven Ruling<br />

WEST HAVEN, CONN.—State Police Commissioner<br />

Edward J. Hivkey has not yet<br />

reached a decision relative to issuing a permit<br />

for operation of a drive-in here, according<br />

to Capt. Ross Urquhart of the licensing<br />

division. Hearings were held in September<br />

and October on the application of Bowl Outdoor<br />

Theatre Corp. for a permit to open a<br />

600-car drive-in on the south side of Orange<br />

avenue between 'West River and Front street.<br />

Universal has handed Jerome Cowan a<br />

character lead in "Little Egypt."<br />

Tom Duane Quits SRC-<br />

Joins Jack Schlaifer<br />

BOSTON—Tom Duane,<br />

New England district<br />

manager for Selznick Releasing Organization,<br />

has joined the Jack Schlaifer Organ-<br />

TOM DUANE<br />

ization. Inc., as eastern division manager.<br />

Jack Schlaifer is producers' representative for<br />

the N. Peter Rathvon Productions. Duane<br />

had been connected with Paramount Pictures<br />

for 22 years until he entered the armed<br />

service in 1942, serving four years in the air<br />

force, leaving with the rank of major. After<br />

the war he joined Republic as Boston manager<br />

and in 1946 he joined David O. Selznick's<br />

Vanguard Pictures as producer's representative<br />

to United Artists in New England,<br />

New York state and Canada. With the advent<br />

of SRO, he operated as SRO district manager<br />

in<br />

New England.<br />

His offices remain in the same quarters at<br />

12 Piedmont St.<br />

SPRINGFIELD<br />

n t the Falls Theatre, Chicopee: Mrs. Florence<br />

Allen, former cashier of the old Wernick,<br />

has been appointed assistant manager .<br />

new personnel includes: Mrs. Alice Daviau,<br />

cashier; Mrs. Alton Corbeille, Mrs. Ruth Mc-<br />

Guire, candy counter; Allan Pickard, Armand<br />

Bouchard, ushers . . . Philip Law. former<br />

Wernick assistant, a groom recently.<br />

At the Capitol: New ushers, James Mitus,<br />

Paul Griffin, Thomas Doblin and Richard<br />

Bedard.<br />

George A. Post, well known local golfer, is<br />

a proud parent these days, for his son, David<br />

A., appeared at the Capitol in a small role<br />

in "The West Point Story."<br />

David, a sonar man in the navy, plays a<br />

cadet in the picture. He was prominent in<br />

local little theatre circles before going into<br />

the service, and then on to Hollywood.<br />

T'wo Drive-ins Shuttered<br />

HARTFORD—Two E. M. Loew drive-in<br />

theatres in Connecticut has closed for the<br />

season, George E. Landers, Hartford division<br />

manager, announced. Units are at Newington,<br />

and Milford, with reopening slated for<br />

about Easter Sunday, Landers said.<br />

Papers Enter Battle<br />

Against Censorship<br />

PROVIDENCE — Local newspapers have<br />

been taking exception to the city censor's<br />

recent ban of "Third Time Lucky" at Loew's<br />

State here and it is believed in many quarters<br />

that the furore raised over~ the censor's<br />

action is the beginning of a determined fight<br />

for a change in the present system of flim<br />

censorship.<br />

A public forum was held on the "Third<br />

Time Lucky" ban at St. Martin's church here<br />

and questions discussed were "What kind of<br />

a person decides what all of us can see?" and<br />

"How does the Pi'ovidence censor qualify to<br />

tell us what all of us can see?"<br />

A clergyman, a lawyer and an English<br />

instructor were speakers at the forum. Attemps<br />

to have Capt. George W. Cowan, local<br />

censor, attend were in vain. The Rev. Howard<br />

C. Olsen said he invited Cowan to attend the<br />

forum to explain the censorship system and<br />

to answer questions from the public.<br />

"Captain Cowan yelled at me over the telephone,"<br />

Olsen said. "He said, 'You can't drag<br />

me up there. I'm not going to be questioned<br />

by anybody.' "<br />

Lee A. Worrell, local attorney, declared that<br />

Rhode Island's court support of censorship<br />

differed from that of most other states. He<br />

said a decision by the state supreme court in<br />

1939 classed the showing of motion pictures<br />

and the seeing of motion pictures by the public<br />

as a privilege and not a right.<br />

Worrell said there were two courses of action<br />

if the public were dissatisfied with present<br />

censorship. Either have the state legislature<br />

change the law or attack the person who<br />

administers the law.<br />

From the BOXOFFICE Files<br />

(Twenty Years Ago)<br />

THE INDUSTRY is preparing to fight the<br />

proposal of the Massachusetts state commissioner<br />

to the legislature that amusements<br />

be taxed to raise funds to take care of the<br />

cost of the old age assistance law which goes<br />

into effect July 1 next year. The original<br />

proposal was to tax all bottled beverages except<br />

milk at a cent a pint. If this does not<br />

raise the required $3,000,000 needed, it is<br />

proposed to tax amusements to take care of<br />

the deficit.<br />

. . . Tlie Lyric in<br />

Arthur Keenan, former manager of the<br />

new Paramount in Lynn, has been appointed<br />

managing director of the Olympia Theatre.<br />

Ralph Tully who replaces Keenen, comes from<br />

the Capitol in Worcester<br />

Athol, Mass., has reopened under the management<br />

of Larry Handel ... In Providence Edward<br />

M. Fay, local theatre owner, has been<br />

elected for the fifth time to the directorial<br />

. . . Tlie newly<br />

board of the MPTOA at the annual convention<br />

held in Philadelphia<br />

decorated and generally improved Hudson<br />

Theatre in Hudson, Mass.. has opened under<br />

new management.<br />

DRIVE-IN THEATRE IN-A-CAR SPEAKERS<br />

and Junction Boxes. For new jobs or replacenitnis<br />

caused from theft or vandalism<br />

DRIVE-IN THEATRE MFG. CO. Ki^L^'i'ilTM<br />

,106 BOXOFFICE December 2, 1950


Vancouver Theatres<br />

Shun Blue Law Test<br />

VANCOUVER—Theatremen in Vancouver<br />

this week refused to take any stand either<br />

for or against the "wide-open Sunday" plebiscite<br />

which will come before voters here<br />

at the December 13 municipal elections.<br />

"We didn't instigate the plebiscite," said<br />

Frank Gow, provincial manager for Famous<br />

Players Canadian. "We prefer to have nothing<br />

to do with it."<br />

J. Howard Boothe, district manager for<br />

Odeon Theatres, said: "Like Will Rogers, I<br />

don't know anything about it except what<br />

I read in the papers.<br />

"We have taken no part in formation of<br />

the plebiscite. We were never consulted on<br />

the matter. We have never passed an opinion.<br />

I would like to tell you what I think<br />

of the plebiscite, but that is impossible."<br />

Meanwhile, other amusements groups<br />

came out strongly in opposition to the<br />

plebiscite as it now appears. It reads;<br />

"Are you in favor of theatres, cabarets,<br />

dance halls, musical concerts, bowling alleys,<br />

billiard and pool halls, commercial spots,<br />

provincial licensed clubs, horse racing and<br />

other forms of commercial, public recreation<br />

all<br />

and entertainment on Sundays?" The<br />

voter must answer yes or no to the entire<br />

plebiscite. There is no middle course.<br />

Virtually all cabarets, horse racing groups,<br />

dance hall operators, licensed clybs and<br />

other amusements groups opposed the bill,<br />

but many added they were for a modified<br />

open Sunday.<br />

It was believed here that the bill would<br />

not be passed and that its presentation is an<br />

effort on the part of the city council to<br />

kill for once and all demands for a modified<br />

open Sunday.<br />

Mitchell Franklin Wins<br />

In Quest for Electricity<br />

ST. JOHN—Mitchell Franklin, vice-president<br />

of the Franklin & Herschorn circuit,<br />

single-handedly has waged a campaign for<br />

the last six years to have the provincial<br />

electricity distribution extended to Tynemouth<br />

Creek and vicinity, where he has his<br />

summer home, and recently his efforts met<br />

with success. Electric current now is available<br />

to the fishermen, farmers, loggers and<br />

other dwellers in the area, and oil lamps at<br />

last have been discarded.<br />

Franklin has operated a private power<br />

plant for his Tynemouth lodge, and his lone<br />

drive was purely to benefit his neighbors.<br />

For six years he buttonholed politicians and<br />

used the telephone, telegraph and maU until<br />

his persistence was rewarded. Tynemouth<br />

Creek is 23 miles east of here.<br />

Glace Bay Turns Down<br />

Chance to Buy Big Site<br />

GLACE BAY, N. S.—An offer by the<br />

Odeon chain to sell land to the town of<br />

Glace Bay for $25,000 has been rejected<br />

by the town council, which claimed the<br />

price asked by the theatre circuit was "ex-<br />

'cessive."<br />

The land is at Senator's Corner, one of the<br />

busiest sections of town and had been assembled<br />

originally from three owners as a<br />

theatre site. The city was one of the owners<br />

which sold part of the site to Odeon six<br />

years ago. Some council members favored<br />

purchase of the land for a smaller prico<br />

and members discussed use of the site for<br />

a bus terminal or public parking lot.<br />

Odeon does not have a theatre here. Famous<br />

Players is affiliated with the John<br />

Connor estate in operation of the Savoy.<br />

Weiner & Green operate the Russell.<br />

Filmack Trailers Names<br />

Canadian Distributor<br />

TORONTO—Entering the Canadian field<br />

Improve Windsor Capitol<br />

WINDSOR—Under the general supervision<br />

of Gene Fitzgibbons, zone manager of Famous<br />

Players Canadian Corp., the Capitol here,<br />

has been remodeled and new seats were<br />

added. R. E. Knevels is the manager.<br />

New Montreal Firm<br />

Offers French Films<br />

By HELENE BOULERICE<br />

MONTREAL—Serge J. Goutman, for 16<br />

years connected with American film companies<br />

in France<br />

and her north African<br />

Serge J. Goutman<br />

colonies, and for 12 of<br />

those years with the<br />

RKO as director of<br />

that company's Lyons<br />

agency and seven years<br />

with Paris sales office,<br />

has started a distribution<br />

business here,<br />

handling French film<br />

productions.<br />

Goutman is managing<br />

director of Paris-<br />

Canada Filnas, Ltd., at<br />

1520 Mountain St. The company, with a list<br />

already counting some 50 newly produced<br />

features, has made favorable impression in<br />

Quebec's cinemas. In Montreal, for instance,<br />

the company's product has been appearing<br />

for the first time in its 32-year history, the on the screen of the renovated and modernized<br />

Filmack Trailer Co. has appointed Film Art<br />

Trailer Service of Toronto, Ont., as Canadian Canadien.<br />

Goutman said his firm is associated with<br />

distributors. The deal was recently completed one of France's most important film producers,<br />

by Irving Mack, head of the Filmack firm,<br />

M. E. Tenoudji of Paris whose or-<br />

and S. L. Vinsen, president of the Film Art ganization distributes in France and north<br />

Trailer firm. Offices of the Canadian firm Africa and operates a chain of theatres in<br />

will be located at 455 Spadina Ave. in Toronto.<br />

French North Africa.<br />

His company, Goutman declared, is marketing<br />

all newly produced films, and has<br />

assured itself, through able buyers well<br />

Nine Get Adult Rating<br />

versed in Canadian taste, of a long list of<br />

TORONTO—Nine more features have been French film successes.<br />

given the grading of adult entertainment Among them are such prize-winners as<br />

by the Ontario censor board, these being "Le Grand Rendezvous," the only motion<br />

"Alcatraz Island," "Breaking Point," "Kiss picture film show this year at the Opera<br />

Tomorrow Goodbye," "San Quentin," "Chain de Paris; "Entre Onze Heures et Minuit,"<br />

Gang," "Dial 1119," "Lonely Heart Bandits," which had long rims in four of Paris cinemas;<br />

"Underworld Story" and "Three Secrets."<br />

"Gigi." based on Colette's novel, which<br />

is associated with the Grand Prix de Cinemonde<br />

1950 and which earned for Daniele<br />

Delorme the Grand Prix of motion picture<br />

directors; "L'Homme aux Mains d'Argile" in<br />

which the late Marcel Cerdan is featured;<br />

"Envoi de Fleurs," with Tino Rossi, and<br />

"Mademoiselle S'Amuse," a musical featuring<br />

Ray Ventura.<br />

St. John Houses Checked<br />

ST. JOHN—A daily inspection of all theatres<br />

in St. John is now being made by the<br />

local fire department. Once a night a member<br />

of the department, in uniform, visits each<br />

theatre, and looks over the exits, emergency<br />

hose available, projection facilities, basements,<br />

regulation of patrons, etc. For a week,<br />

a fireman in uniform, was stationed at each<br />

theatre while it was in operation, afternoon<br />

and night.<br />

kBOXOFFICE December 2, 1950<br />

V - r '-<br />

MONTREAL BOWLERS START SEASON—Above photo was taken at<br />

the inaugural<br />

gathering of the Motion Picture Bowling league of Montreal showing the majority<br />

of the 60 members ready to start the season. President of the league is Gratton<br />

Kiely, district manager of Warner Bros., who is shown seventh from the right in<br />

the back row.<br />

K 107


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Ltd. Starting November 25 the recently renovated<br />

Laval shows only French-language<br />

films, made either in France or Canada. They<br />

are presented every Saturday, Sunday<br />

Monday and Tuesday. During the balance<br />

of the week, Hollywood films with French<br />

dubbed in will be shown, and on Monday and<br />

Friday nights stage shows featuring five top<br />

acts will be presented. The new Laval Theatre<br />

has been completely furnished with new<br />

seats and equipment. France Film Co. will<br />

supply the films.<br />

Quebec Cinema Booking is renovating,<br />

modernizing and enlarging its office at 5967<br />

Monkland Ave. Walls in pastel color divide<br />

three offices accommodating also L'Affiche<br />

Francaise, Enrg., and a Montreal office for<br />

.<br />

.<br />

. . .<br />

Sterling Films, Ltd., which has its head office<br />

in Toronto Spencer, of the<br />

advertising department of Confederation<br />

Amusements, spent a few days in hospital for<br />

a checkup Larente, manager of<br />

Peei'less Films, announces that his company<br />

will soon distribute original French films and<br />

dubbed first run films . . . Herman Vosberg,<br />

booker at Eagle Lion, won the single and high<br />

triple against Jack KroU, booker at Warner<br />

Bros, at the Exchange bowling league<br />

Ray Lewis, Toronto, president of Alliance<br />

Films, stopped off in Montreal en route to<br />

New York.<br />

. . . Ben<br />

Jean Guy Blouin, of the shipping department<br />

at Montreal Poster Exchange, married<br />

Miss Annette Leblanc, November 25. They<br />

went to Sherbrooke, Que., on their wedding<br />

trip . . . Ethlyn Poplove is a new stenographer<br />

at International Films . . . Jules Boire is the<br />

new owner of the Bijou, Napierville, which<br />

formerly belonged to P. E. Beaudin . . . Raoul<br />

Lafrance, of the Rialto, Limoilou attended<br />

the Quebec Allied Theatres annual meeting<br />

Major and Lucien Major, with<br />

the latter's son Robert, all of the BellerivQ<br />

Valleyfield, visited the exchanges<br />

Langbord, Columbia booker spent the weekend<br />

at Toronto, and Georgina Nicol, stenographer<br />

of the same office, weekended in Ottawa<br />

. . . E. Forest, of the Rio, Marieville,<br />

visited Filmrow.<br />

Several Montreal theatres showed exclusive<br />

French news films of the "Canadian Pilgrim"<br />

plane disaster in the French Alps. Amongst<br />

the cinemas featuring this picture were the<br />

St. Denis and the Cinema de Paris . . . Leo<br />

Choquette, owner of one of the largest chains<br />

of independent theatres in Quebec province,<br />

has been elected to the board of directors of<br />

Miss Jacqueline<br />

East Rim Nickel Mines, Ltd. . . .<br />

Gilbert, of Montreal, was elected<br />

"Miss Cinema, 1950" and received prizes<br />

valued at $8,000, including a motion picture<br />

contract, a well-furnished pur.se. a trip to<br />

Paris and an automobile. Miss Mona Brown<br />

of Quebec City, who came second also received<br />

a motion picture contract and a purse<br />

of $1,000. A special prize of $500 went to<br />

Mi.ss Janie Fluet, of Ottawa.<br />

Robert Keith has been cast as a newspaper<br />

editor in the Bing Crosby topliner, "Here<br />

Comes the Groom," a Paramount picture.<br />

RCA Expert Explains<br />

Color TV Systems<br />

TORONTO—The sharp controversy over<br />

color television now before the courts of the<br />

United States was echoed in Convention Hall<br />

in a lecture to a capacity audience of the<br />

Royal Canadian Institute by Dr. C. B. Jolliffe,<br />

executive vice-president in charge of<br />

laboratories for the Radio Corp. of America,<br />

Princeton, N. J.<br />

He declared a limit would be placed on the<br />

future growth and improvement of color television<br />

by the system recently approved by<br />

the U.S. Federal Communications commission.<br />

The start of color television by this<br />

method which Columbia Broadcasting System<br />

had scheduled for November 20 was<br />

blocked by a Chicago court order.<br />

COLOR ^^DEO DEMONSTRATED<br />

Noting that Canada is just starting to<br />

establish television, Jolliffe said: "It is my<br />

hope that in the development of television<br />

in this country your regulatory and operating<br />

organizations will accept the philosophy<br />

which provides potentials for future growth<br />

in television whether it be black and white<br />

or color.<br />

"Two different philosophies are inherent<br />

in the present situation, he said. One would<br />

have the public accept a system utilizing<br />

older methods, with limited performance and<br />

limited development potentialities, in order<br />

to have color television now. The other concept<br />

would take advantage of technical and<br />

scientific progress with full utilization of<br />

radio channels and would provide for future<br />

growth and even better performance."<br />

Jolliffe demonstrated the all-electronic system<br />

of color television developed in RCA<br />

laboratories.<br />

He also outlined the principles of two other<br />

systems, including the field sequential system<br />

which was approved by the FCC in<br />

October and is now the center of the color<br />

television controversy in the United States.<br />

RED, BLUE, GREEN USED<br />

This latter he described as an incompatible<br />

system. The matter of compatibility is<br />

between the structure of scanning lines in<br />

transmission and receiving. In black and<br />

white television there are 525 such scanning<br />

lines. In the sequential system of color television<br />

the transmission has 405 such lines<br />

and a receiving screen unless adapted gets<br />

only a blur. In the electronic or compatible<br />

system a color telecast will be received in<br />

black and white even if the receiver is not<br />

adapted. If it is adapted the reception is in<br />

color. The compatible system retains greater<br />

definition of detail, he said.<br />

He said all systems for the reproduction of<br />

color were based on the technical fact that<br />

any color impression may be created by superimposing<br />

three properly chosen primary<br />

colors in proper balance. In television the<br />

primary colors used are red, blue and green.<br />

"The basic principle of any color television<br />

system." he said, are: At the camera pickup,<br />

separate the natural colors into its three<br />

primary parts, red, blue and gi-ecn; transmit<br />

these three components over a communication<br />

circuit, and recreate at the receiver the<br />

original color of the televised subject by<br />

superimposing the three primary colors," he<br />

said.<br />

108 BOXOFFICE :: December 2, 1950


. , Marshall<br />

Eve' Draws Excellent<br />

TORONTO<br />

x\S Y QHwUUVcT JjCdQCl Toronto filmites are congratulating George<br />

In Good Toronto Week<br />

the Drive-In Theatre at Owen Sound, which<br />

TORONTO—It could have been called 20th- recently concluded its first season of opera-<br />

Fox week in Toronto because the product tion . . . Paul Tumbull. manager of the Faof<br />

this company occupied the screen of mous Players' Granada at Hamilton, is the<br />

eight of the important theatres. There were new president of the Hamilton Theatre Maneight<br />

holdovers to indicate that business is agers Ass'n. Manager Sam Hebscher of the<br />

really good. ITie oldest of the current en- Odeon Palace is vice-president and Mrs. Jean<br />

gagements consisted of "All About Eve" at Ford of the Windsor continues as secretarythe<br />

University and Nortown and "Trio" at treasurer . . . Bill Trudell, veteran manager<br />

the Hyland. with "Summer Stock" staying of the Famous Players' Capitol at London,<br />

on for a third week at Loew's. Ont., was first prize winner in the Canadian<br />

(Average Moving Picture Digest's showmanship con-<br />

Is 100)<br />

Biltmore—Belle Starr (20th-Fox), reissue; They test With his campaign on "Father Was a<br />

Fc^r:n'-ll^rr"8lo'^2o'h"FolK''2nd^l;k'"!^."';;:.'95<br />

Fullback." Leon Bishop of Toronto Shea's<br />

Loew's—Summer Stock<br />

Odeon—Two Flags West<br />

(MGM), 3rd<br />

(20th-Fox)<br />

S8<br />

110<br />

Hyland—Trio (Para), 5th wk 85 waS a ClOSe SeCOnd.<br />

Imperial—Copper Canyon (Para), 2nd wk 100<br />

wk<br />

.„ , , . ^ .^. • -x <<br />

Toronto fnends are awaiting a visit of<br />

Sheas—The Jackpot (20th-Fox)<br />

"^<br />

, ;„„ v v; DavB Coplan, managing director of Interna-<br />

TivoU and Capitol—My Blue Heaven 20th-Fox); ^. ,<br />

' .<br />

„.f %. ^ j , j<br />

•<br />

ti „ii<br />

The Fireball (20ih-Fox) 95 tional Film Renters. Ltd,, London, He is well<br />

University About Eve (20th-Fox) and Nortown—All known here in the trade, having left Toronto<br />

Upt'own-Hio Grande'TRep) r. ":::^^ ;<br />

for 1944<br />

Manager Leon Bishop of Shea's<br />

and members of his staff were interviewed<br />

'Stars' Makes Excellent Score<br />

during the Movie Quiz program of Toronto's<br />

In Calgary Opening statio CHUM by Gordon Atkinson . . , Anne<br />

CALGARY — With the arrival of cold Goodfellow, cashier of the Toronto Crescent.<br />

weather, theatres are showing almost recordg,<br />

neighborhood house, was held up by a gunbreaking<br />

business, man who secured only $31 in the grab. Most<br />

Capitol—Union Station (Para) Good of the night's receipts had just been removed<br />

Strnd4Zs^iL°^My'^c^'owf \mgm)::::::.-.::^^<br />

to the theatre office before the robbery.<br />

IV/TDTfl Rr^rrrrl IVTootc Premier St. Laurent, Douglas Abbott, min-<br />

IViriA DOara IvieeiSs<br />

^^^^^ ^^ finance, and Mrs, Abbott; Senator<br />

TORONTO—New directors of the Motion ^^^ Beauregard and Mrs, Beauregard and<br />

Picture Theatre Ass'n of Ontario held their premier Duplessis of Quebec were among<br />

first meeting in the board room here. No- ^^e notables who viewed the English presvember<br />

21, with discussion devoted to matters<br />

arising from the general session. The board<br />

entation of "Ti-Coq," French-Canadian corn-<br />

^^jy ^hich is likely to be filmed following<br />

follows: Morris Stein, H, C. D. Main, Roy<br />

jj-g season in New York City. "Ti-Coq" was<br />

MUler of St. Catharines, Sam Fine, C. J. written by and starred in by Gratien Gelinas,<br />

Appel, Harry S. Mandell, Stan Gosnell. Floyd famed in Quebec and in France as Fridolin.<br />

Rumford of Forest. Morris Berlin of Ottawa.<br />

Lou Rosefield of Hamilton. J. D. McCulloch "Paradis Perdu," Parisian film, created a<br />

of Petrolia, and Harland Rankin of Tilbury. record for French films here by entering its<br />

The executive secretary is A. H. Jolley. nth week at La Scala. owned by Cine-France<br />

Distribution . , . A new color film, "This Is<br />

Bergman Publicity Helps Canada," produced by the Canadian National<br />

TORONTO—With "Joan of Arc" playing a Railways, will be shown to King Paul I of<br />

comeback engagement at the Eglinton and Greece in Athens November 28, The film<br />

Victoria, at popular pricecs. the Paradise, has been forwarded to the Canadian legation<br />

neighborhood theatre, cashed in on the Ingrid in the Greek capital. The film was pre-<br />

Bergman publicity by playing "Under Capri- miered in Montreal last year, and recently<br />

corn," Bergman was prominently mentioned was given its world premiere over television<br />

In the Paradise advertising as the star of facilities in the United States. It depicts<br />

"Joan of Arc." the nation as it might be seen from the viewpoint<br />

of an adult visitor, an angler, a school<br />

boy and an artist . , . Sympathy to Lucille<br />

Fillioux, manager of Sovereign Films, on the<br />

death of her mother.<br />

VANCOUVER-Grosses at first runs<br />

Nicholas Ganetakos<br />

conand<br />

B. C. Salamis.<br />

tinue at a medium level, satisfactory for the<br />

national chairman and secretary in Canada<br />

most part but with clinkers here and there. °^ ^^e Greek War Relief fund for ten years.<br />

All About Eve," however, was a standout at ^ho have been honored by King Paul of<br />

the Orpheum and holds. "Kill or Be Killed"<br />

Greece with the Grand Golden Cross of the<br />

and a stage show at Odeon-Hastings was also Commander of the Order of the Phoenix.<br />

'Happiest Days' Out After<br />

sturdy. Two films which disappointed were<br />

Ganetakos is president of United Amusement 12 Weeks Run in Toronto<br />

•The Men" at the Vogue and "Let's Dance"<br />

Theatres Ltd.. an affiliate of Famous Players,<br />

TORONTO—The Toronto first run engagement<br />

of "The Happiest Days of Your Life"<br />

at the Capitol, both only lasted six days.<br />

Salamis. a Montreal exhibitor, is a partner<br />

of A. J. Mason of Springhill, N. S.. president<br />

ca'me to an end after 12 weeks at the International<br />

Cinema which ran "Last Holiday" as<br />

Cme'ma—Broken T^ow ("oth-Fox); Our Very 6wn° of the national Committee. Motion Picture<br />

(RKO), 9 days ..-<br />

^. Fair<br />

._.<br />

Exhibitors Ass'ns of Canada ... Manager Vic<br />

^ommion—A Gir! in a Million (EL); Tea for Tiwo ^_ ^<br />

its<br />

x. m next attraction. Meanwhile, the revival of<br />

i t* i j i ^ i.- i«_<br />

(WB) 2nd d t. wk Fair Nowe of the Toronto Hyland sent out birthjeon-Hastings—Kill<br />

or Be Killed (EL), plus day remembrances to the critics on the oc-<br />

"City Lights" continued for a fifth week at<br />

the Towne Cinema which also has an artfilm<br />

policy.<br />

o'pheum-All Aiout Eve (20th-Foxj, ;::.:;;.::Scell°eni casion Of the second anniversary of the the-<br />

Paradise—The General Died at Dawn (Para); atre's opening , Alexander, office<br />

PlI^e^^n'rFTasl'J-Wyo'.^'rTraii (U-l); Father^"''' manager of the Toronto branch of Astral<br />

Makes Good (Mono) Fair Films Ltd.. recently married Barbara Winston Kid Series Effective<br />

Strand—Trio (Para), 3rd wk Fair<br />

^ Tr.rr.ntn<br />

Studio-A Royal Scandal (Para), revival Fair 01 iOrontO.<br />

TORONTO—Children's Film Library shows<br />

Vogue—The Men (UA) Fair<br />

were conducted at eight neighborhood thea-<br />

Latest member of the Motion Picture The-<br />

20th-Fox Hits Are Leaders atres Ass'n of Ontario is W, Ken Waite of<br />

tres Saturday morning (18), and were again<br />

comparatively effective despite considerable<br />

competition in the form of the annual Santa<br />

Claus parade, marking the introduction of<br />

the Christmas shopping season.<br />

Pat O'Brien Signed<br />

Columbia has signed Pat O'Brien to star in<br />

"Criminal Lawyer" which Rudolph Flothow<br />

will produce.<br />

Complete Sound Systems<br />

Ballantyne offers complete sound systems,<br />

adaptable to theatres of every size, shape, and<br />

seating capacity. These units, consisting of a<br />

pair of soundheads, single or dual channel<br />

amplifier and two-way horn system, will<br />

bring to your theatre unparalleled quality of<br />

reproduction at low cost.<br />

J. M. Rice & Company<br />

202 Canada Building<br />

Winnipeg. Manitoba, Canada<br />

Complete Theatre Equipment & Supplies<br />

BOXOFFICE December 2, 1950<br />

109


. . New<br />

. . . The<br />

. . . Bill<br />

. . . Jack<br />

. . Sam's<br />

. . Bob<br />

I<br />

VANCOUVER<br />

/^harles Chaplin, Toronto, Canadian general<br />

manager for United Artists, conferred<br />

here with Harry Woolfe. Vancouver manager.<br />

Also here was Frank Fisher, Canadian general<br />

manager of Eagle Lion Films, checking<br />

with his B. C. manager, Jack Reid . . . Ivan<br />

Ackery, Orpheum manager, was on the sick<br />

list. Pinch-hitting was Kerrisdale Manager<br />

Les Stratton . faces along theatre<br />

row are Dorice Wall. Orpheum cashier, Bernice<br />

Bobay, Vogue cashier, Irna Miotto at<br />

the Strand, Betty Nedelak and Irene Hewson<br />

at the Rex Theatre. Charlie Watt Odeon-<br />

Hastings doorman, and Harry Lambert<br />

Odeon-Plaza doorman.<br />

Trans-Canada Films Ltd. has purchased<br />

new quarters in the east end to hou.se studios<br />

and offices. Wally Hamtilton, manager,<br />

reported that TCF, Vancouver's only<br />

film production company, is busy shooting<br />

two industrial subjects with local firms and<br />

stores for his showing of "The Jackpot" . . .<br />

The Cinema interrupted its film programs<br />

for the stage showing of the Pacific Opera<br />

Co., which played four shows to fair business.<br />

With the big business now being done on<br />

stage and film combinations at the east side,<br />

Odeon-Hastings reports that the rival Famous<br />

Players may put in stage shows at one<br />

of their downtown theatres . . . Al Jenkins,<br />

PROOF Of superiority<br />

When theatres the world over continue to<br />

make Royal Soundmaster Amplifiers their No.<br />

1 choice for quality reproduction, trouble-free<br />

service, dependability and durability, there is<br />

no better proof of superiority. You. too, will<br />

find an amazing difference in your sound<br />

when you use Royal Soundmaster Amplifiers.<br />

aou?- oiinq BctUaittifoe<br />

AMPLIFIERS<br />

Theatre Equipment<br />

Supply Co.<br />

906 Davie Street<br />

Vancouver, B. C. Canada<br />

Complete Theatre EqxLivment & Supplies<br />

Vogue Theatre manager, was awarded third<br />

prize for his campaign on EL's "Jackie Robinson<br />

Story" in the Canadian Digest Showman.ship<br />

contest. Jenkins won the prize at<br />

the Plaza Theatre before his recent promotion<br />

to the Odeon-Vogue, the chain's showcase.<br />

Famous Players have opened the 1,000-seat<br />

Paramount Theatre at Lethbridge, Alta., built<br />

at a cost of $225,000. It's the third theatre<br />

of the FPC chain in the southern Alberta<br />

city which has a population of 21,000. The<br />

three theatres are operated in partnership<br />

with A. W. Shackelford, former mayor of<br />

Lethbridge, who will also manage the Paramount<br />

. Theatre, a 450-seater at<br />

. . . Garvin's Studios of Vancouver<br />

Maillardville. near New Westminster. B. C,<br />

changed hands when Sam Custovich sold out<br />

to Mrs. M. Eskestand, a newcomer to show<br />

business, who has appointed John Schollar<br />

as manager<br />

have completed interior art at the<br />

Odeon-Vogue.<br />

Two men, surprised "cracking" the safe at<br />

Odeon-Hastiogs, touched off a row-by-row<br />

hunt through the empty playhouse. It was<br />

the third time within a week that places of<br />

entertainment have been chosen as targets<br />

by thieves. A day before, a burglar rifled the<br />

safe of the Palomar Supper club and walked<br />

out past employes carrying between $700 and<br />

$800. A daring raid, pulled in almost identical<br />

fashion, cost the International Cinema<br />

$300. Police believe one man was responsible<br />

for both robberies but to date no suspects<br />

had been booked. Roy McLeod, Hastings<br />

manager, said the safe, although badly damaged,<br />

was not opened but that the men had<br />

been frightened off by police just in time<br />

Paramount Auto-Vue Ltd., with<br />

capital of $150,000, was incorporated recently.<br />

The company headed by Walter Mead<br />

and Pat Murphy, Vancouver theatremen, will<br />

erect a drive-in on the Granview highway<br />

at Burnaby a few miles from here. Dominion<br />

Sound will install all equipment in the<br />

new Paramount outdoor theatre.<br />

Howard Boothe, Odeon district manager,<br />

and Tom Moran, concession head of Odeon,<br />

were on Vancouver island for four days<br />

checking on the chain theatres on the island<br />

Woodward of the Rex Tlieatre staff<br />

celebrated his 68th birthday recently . . .<br />

Stan Pooley, former manager of the Strand<br />

Theatre here, is now manager of Warner's<br />

California Theatre at Santa Barbara, and<br />

Cecil Cameron, former manager of the FPC<br />

Paramount Theatre at New Westminster, is<br />

manager of the Sunset Theatre, Hollywood<br />

Randall, who resigned as Strand<br />

Theatre manager, has now settled in Santa<br />

Maria wath his family and is in another line<br />

of business. Randall reports that theatre<br />

business is very bad and quite a number<br />

of houses have closed in California in the<br />

past few months . . . Don Boyle, manager of<br />

the Empress Theatre, Macleod, Alta., was on<br />

a Hollywood vacation and was a guest of<br />

Star Rod Cameron, who was a visitor to Macleod<br />

two years ago.<br />

Many drive-in theatres built by newcomers<br />

to the industry are not proving the bonanza<br />

anticipated and a number of these outdoor<br />

spots are now for sale. As much as<br />

$150,000 and more was spent on some driveins,<br />

with their owners anticipating a return<br />

of their Investment In a few years. As a result,<br />

they feel they are taking a beating on<br />

their initial outlay and are trying to sell out.<br />

The wife of Howard Boothe, Odeon district<br />

manager, who has been hospitalized for<br />

the last three months with a broken hip,<br />

is recuperating nicely and will return home<br />

soon<br />

. . . Violet Yates. Empire-Universal<br />

.<br />

cashier, is ill with virus pneumonia. Her<br />

husband also is hospitalized . . . Johnny<br />

Cooshek of Odeon is pinch-hitting at the<br />

Marople for Manager Bob Matherson, who is<br />

on a delayed vacation Kelly, head<br />

of Odeon circuit candy business, has moved<br />

his headquarters to new offices in the film<br />

building,<br />

Tom Moran. Canadian head of Odeon con-<br />

. . .<br />

cessions, is here from Toronto on his first<br />

Harry<br />

visit since his appointment<br />

Myers, father of three local showmen—Bill<br />

Myers of the Plaza, Alex of the Kingsway<br />

and Ernest of the Rex—died in New Westminster<br />

at the age of 80 . . . Jack Senior,<br />

UA shipper, is working at the Park and reports<br />

that the two jobs are keeping him<br />

busy . . . R. W. McDonald is a new member<br />

of the British Columbia consor board, which<br />

now consists of Jack Hughes, chief censor,<br />

assisted by Joyce Reed and McDonald.<br />

Johnny White, stagehand at the Vogue, has<br />

moved to the Odeon-Hastings to help out<br />

with the stage show policy. White is business<br />

agent of the Stagehands local . . .<br />

Wally Hamilton, manager of Trans-Canada<br />

Films, and cameraman Ernie Kirkpatrick<br />

are busy shooting a film for British Columbia<br />

packers, telling the full story of salmon.<br />

Saanich municipal council has decided to<br />

rezone the Tillicum-Burnside area to permit<br />

erection of a drive-in to cost $150,000.<br />

Counsel appearing for the Chechik Bros.,<br />

Vancouver theatre owners who propose to<br />

build the outdoor theatre, said it would<br />

enhance value of the property, would lead<br />

to the building of homes and stores and<br />

would be a source of revenue for the municipality.<br />

Saanich is a few miles from Victoria<br />

on Vancouver Island. The outdoor<br />

theatre wUl be a four-screen affair, the first<br />

in western Canada.<br />

The annual Filmrow Christmas party will<br />

be held December 8 at the Cocoanut Grove<br />

cabaret on the Grandview highway near<br />

Vancouver. Committee in charge includes<br />

Rose Isman, WB; Jackie McDermott. MGM;<br />

Bill Warke, Columbia, and Luke Ducette,<br />

Canadian Picture<br />

Empire-Universal . . .<br />

Pioneers' stage smoker at the Olympia was<br />

voted a big success by the 80 old-time theatremen.<br />

It was open to members and their<br />

associates. Both theatres and film exchanges<br />

were well represented. Tliree new members<br />

were introduced—Walter Mead and Ted<br />

Foley of the Studio, Vancouver, and Pat<br />

Murphy of the new Pai-amount Drive-In,<br />

Burnaby. The local branch of CPP is the<br />

largest in western Canada with 75 members.<br />

Alberta has 69 members and Manitoba has<br />

68 members. Total number of CPP in Canada<br />

now is 600.<br />

New amusement companies registered in<br />

British Columbia recently include Royal<br />

Capilano Drive-In Theatre, $200,000. and<br />

North Vancouver Tlieatre Investments. $500,-<br />

000, indicating that two outdoor theatre will<br />

be built in North Vancouver across the<br />

110 BOXOFFICE December 2, 1950


. . G.<br />

. . . The<br />

. .<br />

inlet from Vancouver and will cater to both<br />

North and West Vancouver, with a capacity<br />

of around 1,350 cars. Both are expected to<br />

open in 1951.<br />

Manager of the Capitol, Moose Jaw, Sask..<br />

for 34 years and a member of the Famous<br />

Players 25-Year club. Jack Fields, 69, died<br />

Sydney Mines Theatre<br />

Returned to Odeon<br />

SYDNEY MINES, N. S.—The Nova Scotia<br />

Trust Co., representing the estate of the late<br />

Bill Cuzner, has given up the lease on the<br />

Strand Theatre here although it had three<br />

more years to run. Frank Hopkins, who managed<br />

the Strand for the trust company, will<br />

continue to manage for the Odeon chain.<br />

Cuzner had owned and operated the Strand<br />

for 30 years but had sold the property to<br />

Odeon several years before his death. A<br />

year after selling, he took a lease on the<br />

property and operation has been continued by<br />

the estate.<br />

Odeon also operates the Odeon Theatre at<br />

North Sydney, a neighboring city. Johnny<br />

Farr manages the operation. He had operated<br />

the Rivoli, predecessor to the Odeon, for about<br />

25 years before selling the house. After several<br />

years of store management, he returned<br />

as manager of the Odeon.<br />

Two Disabled Vets Hold<br />

Similar Theatre Jobs<br />

ST. JOHN—Two service employes of the<br />

Franklin & Herschorn theatres here are both<br />

permanently disabled veterans of World War<br />

II. John Ricketts at the Regent wears an<br />

artificial leg as result of war wounds and<br />

Leo Breau at the May Mayfair wears a steel<br />

brace on his back due to a spine injury during<br />

a German air raid on a Canadian army<br />

camp in England.<br />

Set as femme leads in the Monogram film,<br />

"Rhythm Inn," were Jane Frazee and Lois<br />

Collier.<br />

M A R I T I M E S<br />

per a two-day showing of "St. Francis of<br />

Assisi" and "Adventures of Chico," the Star<br />

at Whitney Pier, N. S., hooked up with the<br />

family welfare society of Holy Redeemer<br />

Catholic parish, within which the theatre is<br />

located. For two night shows, the price was<br />

50 cents. One matinee for children cost a<br />

dime. The Star is in the Walker chain .<br />

in a Moose Jaw hospital after an illness of<br />

six weeks. Fields was a veteran of the South<br />

African war and one of the oldest exhibitors<br />

in western Canada . R. Miller of<br />

Wynyard was elected president of Saskatchewan<br />

Motion Picture Exhibitors Ass'n; Jack tion Moon" at the Casino, Halifax, the air<br />

During the three-day exhibition of "Destina-<br />

Watson, Famous Players supervisor, Regina, force provided a display of aviation inventions<br />

in the Casino lobby.<br />

was elected vice-president and Hilliard<br />

Gunn, Regina, was named secretary-treasurer<br />

A Yarmouth, N. S., men's wear store allied<br />

for 1951.<br />

with the Capitol, Yarmouth, managed by<br />

Carnivals with gambling games are definitely<br />

out in any city park property, the stage during a two-day showing of "Chicago<br />

Ernie Hatfield, on a drawing from the theatre<br />

park board has decided. Action came when Deadline." The picture starred Alan Ladd<br />

commissioners considered a request from and the prize for the drawing was an Alan<br />

Crescent Shows to renew their previous site Ladd jacket ... In behalf of "Treasure Island"<br />

and "Beaver Valley" at the Paramount,<br />

agreement. Commissioner Mrs. Buda Brown<br />

said the shows had always been "nothing Halifax, Manager Freeman Skinner reproduced<br />

an eulogy of "Treasure Island" by a<br />

but a headache." The strongly worded resolution<br />

specifically bans carnivals under park local radio commentator. The reproduction<br />

board sponsorship and carnivals sponsored was in special newspaper advertising.<br />

by any other organization on park land.<br />

Fur coats have been introduced as door<br />

prizes for a weekly bingo at the Lyceum,<br />

Sydney, N. S. Admission is $1, and other<br />

prizes include a tenth game top of $100 in<br />

cash and a jackpot of $75. Bingo is being<br />

omitted in the advertising by maritime bingo<br />

promoters, who now are titling their promotions<br />

as "The Big Game" and "The Games."<br />

Patronage seems to be increasing and some<br />

of the bingo halls are functioning every week<br />

night at admissions of from 25 cents to $1<br />

Strand, Sussex, N. B., was used for<br />

a party for school children recently. The late<br />

James D. O'Connell, a Kings county native<br />

who became wealthy as a Cuban sugar<br />

planter, left a fund for annual picnics and<br />

theatre parties for children of Sussex. Bill<br />

and Colin Danson, brothers, succeed their<br />

father, the late Colin Danson. in the Strand<br />

operation.<br />

HANDY<br />

The stage of an outdoor theatre erected by<br />

the city council of Halifax has been assigned<br />

to the Royal Canadian Engineers for use in<br />

training, pending demolition ... A summer<br />

camp of Rennie Foulds, projectionist at the<br />

Capitol, St. John, was destroyed by fire . . .<br />

A talent show, weekly fixture over the air<br />

from Sydney, is being postviewed at the Lyceum,<br />

Sydney. Vince Macintosh, who produced<br />

a weekly show at the Arena. Halifax,<br />

for several months, is in charge.<br />

Gerry McCann, booker at Selznick-AUiance<br />

exchange here quit his job upon his recent<br />

marriage and took his bride to Boston<br />

to live. Manager Morrie Elman is doing the<br />

booking until next spring.<br />

Moncton Empress Dark<br />

For Remodeling Work<br />

ST. JOHN—The 700-seat Empress in<br />

Moncton, Odeon circuit house acquired from<br />

Fred W. Winter, is being extensively remodeled.<br />

A new front will be constructed and<br />

the auditorium and lobby altered. The reopening<br />

will be early in the new year. The<br />

work is being carried out under the supervision<br />

of A. I. Garson, maritime manager for<br />

Odeon.<br />

The Capitol, which adjoins the Empress,<br />

was remodeled during the summer and early<br />

fall by Odeon. It also was acquired from<br />

Winter. It is a 1,000-seater. Greig Jones<br />

manages both houses with Lee April, St.<br />

John, as supervisor.<br />

He Likes Western Films,<br />

She Doesn't—Divorce<br />

ST. JOHN—Disruption here of a marriage<br />

only a year old. has been attributed to like<br />

and dislike for run of the mill sagebrush<br />

sagas of the screen. The male end of the expartnership<br />

is keen for the oaters. while his<br />

departed mate destests them. After a year<br />

of frequent bickerings on the choice of films<br />

they would see, he insisted on going to a<br />

theatre where a western was playing. She<br />

refused. Moreover, she threatened if he saw<br />

the film, she would leave him. Thinking she<br />

didn't mean it, he went. When he came home,<br />

she had packed and gone home to mom and<br />

pop. His efforts to bring her back have<br />

been futile.<br />

Acquires Comedy, 'Trumpet Smith'<br />

"Trumpet Smith," a comedy by Ben Finney,<br />

has been acquired for production by Irving<br />

Asher for Paramount release.<br />

METAL POSTER FRAMES<br />

"Wel-Bill" Banner and Easel Frames<br />

Finishes—Chrome or Wrinkle<br />

Colors—Red, Green, Silver<br />

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. . Casey<br />

. . The<br />

. .<br />

. . . Enjoy<br />

OTTAWA<br />

. . . Bill Curley,<br />

"Traffic on Ottawa's Bank street was blocked<br />

on the opening of "The Milkman" at the<br />

Odeon when Miss Ellen Bompas, well-known<br />

farmerette, milked one of her champion cows<br />

in the center of the street with even the<br />

street cars being held up<br />

manager of the 20th Century Manor at Toronto,<br />

has assumed management of the Nelson<br />

following the retirement of Les Jefferies<br />

on doctor's orders. Curley was previously assistant<br />

manager of the Toronto Downtown<br />

. . . Gordon Adamson said that the secretary<br />

of state has authorized a change in name of<br />

the National Film Society of Canada to Canadian<br />

Film Institute.<br />

The film fraternity in Ottawa has learned<br />

of the serious illness in a local hospital of<br />

the wife of Gordon D. Beavis, manager of<br />

the Odeon . Swedlove of the Linden<br />

conducted a special preview Sunday night<br />

(26) of the French film, "Monsieur Vincent,"<br />

based on the life of St. Vincent de Paul. Representatives<br />

of a number of religious organizations<br />

were present . Knockers club,<br />

an Ottawa community welfare group, staged<br />

its annual vaudeville show Sunday night (26)<br />

at the Famous Players' Capitol with a number<br />

of stage oldtimers being numbered among<br />

the performers<br />

year old Ottawa mother and a graduate in<br />

arts at the University of Ottawa, won the<br />

third prize of $500 and a film contract in the<br />

contest staged by Quebec Productions, Montreal.<br />

Leslie McFarlane. formerly of the National<br />

Film board, has become a lecturer in fiction<br />

writing at the Carleton College, Ottawa, and<br />

will continue through the winter months .<br />

When the Copyright Appeal board meets December<br />

15 in the Supreme Court building, Ottawa,<br />

an application from the Composers,<br />

Authors and Producers Ass'n of Canada for<br />

the imposing of a $500 monthly license fee<br />

on broadcasting stations for televsion rights<br />

for its musical compositions, will be heard.<br />

At the Imperial, where Frank Paul has just<br />

turned over the management to Barney Simmons,<br />

there was a full house for the third<br />

annual theatre party for the Safety Traffic<br />

patrols. Before Paul left for the Park at St.<br />

Catharines, his colleagues presented him with<br />

a pen and pencil set.<br />

Little TV Reception at Montreal<br />

MONTREAL—Nearly 250 persons in this<br />

area own television receivers, but only a<br />

few are getting good results and about<br />

200 of them are getting no reception at all.<br />

Harris Pound, Montreal sales engineer and<br />

one of the city's television pioneers, says<br />

television programs can be picked up "fairly<br />

well" from Schenectady and Syracuse, N. Y.,<br />

and occasionally from as far away as Miami.<br />

Fla. This is only po.ssible. however, with the<br />

use of special aerials and boosters to amplify<br />

the television signals. Pound has four sets,<br />

two of which he built himself. They have<br />

300 per cent more power than sets sold to<br />

the public.<br />

Story by Frank Capra<br />

"Westward the Women," original story by<br />

Frank Capra, will be directed by William A.<br />

Wellman for Metro release.<br />

Windsor Theatres<br />

Fighl Detroit TV<br />

WINDSOR—The first organized protest<br />

against television programs by a group of<br />

theatremen in Canada has been made by exhibitors<br />

here. Although the Dominion will<br />

probably have no TV broadcasting of its own<br />

for another year, the theatres here have already<br />

felt the impact of video because of the<br />

programs from the nearby city of Detroit.<br />

The protest arose over the practice of Detroit<br />

TV studios of using reissued moving<br />

pictures, some of which are booked into the<br />

theatres of Windsor on the Canadian side. A<br />

considerable number of residents in the<br />

Windsor district have TV sets.<br />

To cope with the situation, the Famous<br />

Players' Windsor theatres have combined in<br />

the promoting of a "Greater Movie Season."<br />

for which a number of slogans have been<br />

adopted. One line reads: "Relax, Refresh,<br />

Revitalize! Forget your work-a-day worries<br />

a good show tonight." Six theatres<br />

behind the Windsor campaign are the<br />

Capitol. Tivoli. Palace. Centre. Empire and<br />

Park.<br />

Harvey Harnick Elected<br />

To Board of Trade Post<br />

TORONTO—The new president of the<br />

motion picture branch qf the Toronto Board<br />

of Trade is Harvey Harnick. general sales<br />

manager of Columbia Pictures. He succeed.s<br />

Gurston Allen of Allen Theatres.<br />

Representing the J. Arthur Rank interests,<br />

is the new vice-president of the branch.<br />

Ralph Dale. National Theatre services, who<br />

succeeds F. H. Fisher, general manager of<br />

Eagle Lion.<br />

The executive committee includes Raoul<br />

Auerbach, 20th Century Theatres; William<br />

Redpath, General Films. W. B. Herman, Park<br />

Drive-In Theatres; J. J. Chlsholm, Ontario<br />

manager for Associated Screen News, and<br />

R. W. Bolstad, vice-president of Famous<br />

Players Canadian Corp. The secretary is P. D.<br />

Tolchard of the Board of Trade.<br />

Third Music Royalty Ass'n<br />

Organizing in Dominion<br />

OTTAWA—The Copyright Appeal board of<br />

the Canadian government will hear the application<br />

at Ottawa on December 15 of a<br />

third performing-rights organization for the<br />

Dominion for authority to collect music royalties<br />

from public users. The name of the<br />

new group is La Federation des Auteurs du<br />

Canada, the Canadian Authors federation.<br />

The two associations already in the field are<br />

Composers, Authors and Publishers Ass'n of<br />

Canada and Broadcast Music Inc., both of<br />

which collect a schedule of fees as approved<br />

by the government board.<br />

Committee Picks Kid Films<br />

ST. JOHN—A film committee, representing<br />

the Home and School Ass'ns, Daughters of<br />

Empire, University Women's club and Catholic<br />

Women's league, approves and recommends<br />

pictures for school children. Each<br />

week a list of approvals is issued by the committee.<br />

Eskimo Likes a Laugh<br />

In His Film Diet<br />

MONTREAL—The Eskimo likes a<br />

laugh as well as the white man, so the<br />

newest method of education in the Arctic<br />

is going to have a spicing of roughhouse<br />

humor.<br />

The new medium is the use of filmstrip<br />

drawings, which early in the new<br />

year will get their northern tryout as a<br />

supplement to other methods of bringing<br />

knowledge to the natives.<br />

Because the Eskimo has a keen appreciation<br />

of a robust laugh, the educational<br />

aspects of the strips will be laced with a<br />

bit of pictorial horseplay—his humor<br />

runs along physical lines—to make the<br />

material more palatable.<br />

Four film strips, aimed at giving the<br />

Eskimo an idea of his fellow-Canadians<br />

and at helping him in his own life, have<br />

been completed by the Arctic Division of<br />

the Resources department. They will be<br />

shown north shortly to welfare teachers<br />

at Fort Chimo, Port Harrison, Coppermine,<br />

Port Brabant, Coral Harbor and<br />

Cape Dorset.<br />

The drawings, simple and basic, are on<br />

35mm film and need no complicated<br />

equipment for display. They will be used<br />

to supplement the third edition of the<br />

Eskimo Book of Wisdom, which the Arctic<br />

division now is preparing.<br />

Shaw's Farewell on Film<br />

Proves Draw in Canada<br />

TORONTO — An eight-minute film of<br />

George Bernard Shaw's farewell message to<br />

the world has been arousing wide interest in<br />

Canada, following its release by Astral Films<br />

Ltd., Toronto. The picture was made in 1941<br />

when Shaw was observing his 85th birthday<br />

but it was withheld until his recent death.<br />

The important short, which has been<br />

booked from coast to coast in Canada, has<br />

had ten day-and-date openings in key theatres<br />

of the Canadian Odeon circuit and it is<br />

being widely released because of the fame of<br />

the dramatist and writer.<br />

Once a Month Bingo Policy<br />

Adopted by Ottawa Group<br />

OTTAWA—The Central Canada Exhibition<br />

Ass'n has adopted a policy to restrict bingo<br />

games at the Coliseum, one of the large<br />

buildings at the Ottawa fair gi-ounds controled<br />

by the association, to once a month.<br />

The ruling came after complaints by local<br />

theatre owners that bingo operators were allowed<br />

to run wild in Ottawa. A law governing<br />

games of chance for charity provides<br />

for occasional bingo games. A similar once-amonth<br />

bingo policy at another large hall here<br />

is expected.<br />

DST Out at Toronto<br />

TORONTO—Unwept and<br />

unsung daylight<br />

saving time for Toronto and Hamilton, Ont.,<br />

passed out on Sunday (26), after being extended<br />

two months to conserve power for the<br />

production of war materials. Robert H. Saunders,<br />

chairman of the Ontario Hydro Electric<br />

commission, called on all consumers to restrict<br />

the use of power so that blackouts<br />

would not be necessary in the coming months.<br />

112 BOXOFFICE December 2, 1950


I A.<br />

Loew's Ltd. Net Profits<br />

Down Over Last Year's<br />

TORONTO—The financial report of Marcus<br />

Loew's Theatres Ltd., Toronto, for the<br />

fiscal year ending August 31 revealed a net<br />

profit of $111,531, compared with $115,172 in<br />

the preceding 12 months, for a decline of $3,-<br />

641. Operating profits at $272,134 were down<br />

by the small margin of $3,220. The decrease<br />

was not considered alarming in view of the<br />

considerably greater cost of theatre operation<br />

in practically all departments.<br />

The current assets stood at $691,616 against<br />

current liabilities of $72,074 while the working<br />

capital was $619,542, compared with the previous<br />

$469,491. The surplus moved up from<br />

$380,030 to $471,123. The company has two<br />

theatres in Toronto, Loew's and the Uptown<br />

which seat 2,074 and 2,761 respectively.<br />

WINNIPEG<br />

\TeTy smart timing and showmanship on the<br />

the part of Sam Swartz, manager of the<br />

Grand, resulted in very excellent business<br />

returns on "Ti-iple Threat." booked to open<br />

one day after the final Edmonton-Winnipeg<br />

football game. This city was at fever pitch<br />

after Winnipeg's victory and the forthcoming<br />

Dominion finals with Toronto in the<br />

east. "Triple Threat," among many other<br />

I professional football players, features "In-<br />

I<br />

dian" Jack Jacobs, one of the best players<br />

in the Winnipeg Blue Bombers team.<br />

The Winnipeg Tribune has announced a<br />

theatre rate increase of one cent an agate<br />

line effective February, making it 16^-2 cents<br />

a line. The recent announcement from the<br />

newsprint manufacturers increasing the cost<br />

of newsprint, and continuing high and rising<br />

costs in all other departments of the<br />

newspaper, obliged the Tribune to pass on<br />

some of these costs to the advertiser, said<br />

H. Allardyce, advertising director of the<br />

P Tribune. He also pointed out that theatres<br />

operating regularly throughout the year have<br />

a much lower rate than 75 per cent of the<br />

advertisers.<br />

After playing Russian reissue programs for<br />

a year, Ben Sommers' State has returned to<br />

showing first Winnipeg showings of Russian<br />

product, the first of which is entitled "Symphony<br />

of Life," a musical in color. The first<br />

full length animated cartoon in color, "The<br />

Magic Horse," also made in Moscow and patterned<br />

after Walt Disney's feature-length<br />

fairy tales, will be the State's second first<br />

run feature.<br />

Dividend on Common Stock<br />

Raised by Famous Players<br />

TORONTO — Famous Players Canadian<br />

Corp. has increased the dividend on common<br />

shares for the last quarter of 1950 from 25c<br />

to 30c, payable December 23 to stockholders<br />

of record on December 8.<br />

The raising of the dividend payment, attributed<br />

to good business for the circuit,<br />

caused a jump in the price of Famous Players'<br />

shares on the stock exchanges at Toronto<br />

and Montreal. Quotations went from a recent<br />

$15.75 to $17.25, apparently in anticipation<br />

of an excellent annual report.<br />

CALGARY<br />

TXTith the arrival of subzero weather, the<br />

Chinook Drive-In has closed for the<br />

winter. The Chinook is operated by Western<br />

Drive-In Theatres with Frank H. Kershaw<br />

as managing _<br />

director. Western owns two<br />

drive-ins in Edmonton and oiie in Lethbridge<br />

. . "Blossoms in the Dust" had a<br />

.<br />

record-breaking week at the Rialto in Edmonton.<br />

Owing to a crowded .schedule, it<br />

could not be held over, but was transferred<br />

to the 'Varscona on Saturday. A full house<br />

was reported on the first night's run.<br />

Mrs. W. P. Pilkie, wife of Mayor W. P.<br />

Pilkie of Vermilion, is convalescing in the<br />

University hospital at Edmonton after<br />

an operation. Pilkie operates the Columbia<br />

Theatre in Vermilion ... A new<br />

theatre, the Avalon, has been opened in<br />

Beverly, Alta., suburb of Edmonton, under<br />

the ownership of Dominic Kubalik and<br />

Nick G. Rupstash. Seating capacity is 418.<br />

With the advance of cold, wintry weather,<br />

salesmen on the road have been slowed up.<br />

Business is holding its own.<br />

Anna Neagle Will Appear<br />

At Toronto 'Odette' Bow<br />

TORONTO—For the first time since the<br />

Second World War, Anna Neagle is scheduled<br />

to make a visit to Toronto when she will<br />

make a personal appearance for the North<br />

American premiere of her latest feature,<br />

"Odette," which opens December 7 at the<br />

Imperial. Ai-rangements for the engagements<br />

in Canada were made by President J. J. Fitzgibbons<br />

of Famous Players Canadian Corp.<br />

when he was in London recently.<br />

Theatre Ads Go French<br />

In Nova Scotia Towns<br />

DIGBY, N. S.—The French shore between<br />

Digby and Yarmouth on the Nova Scotia side<br />

of the Bay of Fundy is going French. Almost<br />

all advertising and shop signs, including theatres,<br />

are in French to stress the French atmosphere<br />

for the benefit of tourists. Frenchlanguage<br />

films are screen at Weymouth,<br />

Digby, Meteghan, Church Point, Comeauville,<br />

Little Brook, Concession, Plympton and<br />

Yarmouth.<br />

'The Outlaw' to Halifax<br />

HALIFAX—After a delay of three years,<br />

"The Outlaw," highly controversial Hov;ard<br />

Hughes opus, hit a Halifax screen. It was<br />

shown single bill, with news and a carfci;on,<br />

pt the Paramount, newest Famous Playtr.s<br />

house in the maritimes. It had been screened<br />

at most centers through the maritimes the<br />

past two years.<br />

Toronto Mayfair Opened<br />

TORONTO—The remodeled Mayfair on<br />

suburban Jane street was reopened by 20th<br />

Century Theatres November 27 after numerous<br />

changes in structure and fittings. A<br />

new special policy of first run programs as<br />

been inaugurated at this 478-seat theatre.<br />

RESEARCH BUREAU<br />

for<br />

MODERN THEATRE PLANNERS<br />

ENROLLMENT FORM FOR THE INFORMATION<br />

The MODERN THEATRE<br />

PLANNING mSTITUTE<br />

325 Van Brunt Blvd.<br />

Kansas City 1, Mo.<br />

Gentlemen:<br />

12-2-50<br />

Please enroll us in your RESEARCH BUREAU<br />

to receive information regularly, as released, on<br />

the following subjects for Theatre Planning:<br />

n Acoustics<br />

n Lighting Fixtures<br />

D Air Conditioning q Plumbing Fixtures<br />

D Architectural Service<br />

^ projectors<br />

"Black" Lighting<br />

n Building Material<br />

n Carpets<br />

n Coin Machines<br />

Projection Lamps<br />

n Seating<br />

Signs and Marquees<br />

n Complete Remodeling S°und Equipment<br />

D Decorating<br />

Television<br />

D Drink Dispensers D Theatre Fronts<br />

n Drive-In Equipment D Vending Equipment<br />

D Other Subjects<br />

Theatre<br />

Seating Capacity..<br />

Address<br />

City<br />

State<br />

Signed<br />

Postage-paid reply cords for your further convenience<br />

in obtaining Information are provided in The MODERN<br />

THEATRE RED KEY SECTION (Nov. 18, 1950).<br />

BOXOFFICE :: December 2, 1950 113


A Good Investment


F aturing<br />

i\efreAltment<br />

V service<br />

l»<br />

DECEMBER ^. 1950<br />

Construction - Eqiiminent * Maintenance


I<br />

PROFIT'S GOT I<br />

RHYTHM<br />

There's a steady beat to the extra net exhibitors<br />

can make by adding refreshment<br />

to<br />

entertainment. Day after day, week after<br />

week, the profit from Coca-Cola piles up on<br />

the black side of your ledger. Thousands of<br />

theater operators are making easy money by<br />

offering ice-cold Coca-Cola. Why not join<br />

them? For all details, write The Coca-Cola<br />

Company, P. O. Box 1734, Atlanta, Georgia.


Experience Proves:<br />

Chewing Gum Will Add to Their<br />

Enjoyment of Your Theatre<br />

Paramount Theatre,<br />

Atlanta, Ga., displays<br />

chewing gum for the<br />

convenience of patrons<br />

and for extra revenue.<br />

Mayfair Theatre,<br />

Asbury Park, N. J.,<br />

profits from sale of wellknown,<br />

fast-selling<br />

brands of chewing gum.<br />

You build good will and extra profits by selling<br />

and displaying popular brands of chewing gum<br />

It's a "good, old American custom" for<br />

millions of people to chew gum at the<br />

movies. Chewing gimi helps them relax<br />

and adds to their enjoyment of the theatre.<br />

What's more, hundreds of theatres are<br />

cashing in on the popularity of chewing<br />

gum by making it easily available to<br />

their patrons. You can do the same.<br />

Display popular Wrigley's Spearmint,<br />

Doublemint, "Juicy Fruit", and other<br />

well-advertised, fast-selling brands of<br />

chewing gum within easy sight and reach<br />

of your patrons. They will appreciate this<br />

service which you provide for their enjoyment,<br />

and your sales of chewing gum will<br />

bring in substantial extra revenue.<br />

BOXOFFICE :: December 2, 1950


I<br />

FOR<br />

THE<br />

**t<br />

national<br />

celit:<br />

75 TO 130 AMPERE<br />

HIGH INTENSITY<br />

REFLECTOR TYPE<br />

PROJECTION LAMP<br />

•THERE'5<br />

The MODERN THEATRE SECTION


.<br />

Who says Christmas comes only once a year?<br />

Necco Wafer advertising brings you a<br />

stocking full of profits all year long<br />

-ra3


\ \<br />

^fe^ Let '"Nameless" Syrups<br />

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CANADA DRY SYRUPS TO<br />

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R?<br />

i*<br />

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Put a world-famous name to work<br />

for you. Canada Dry has kept up consistent,<br />

sales-pulling advertising for over<br />

26 years.This pulling power works wonders<br />

for cup-machines. Customers know<br />

that Canada Dry stands for quality. And<br />

repeat customers won't stand for anything<br />

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Canada Dry supplies you with the most popular flavor syrups.<br />

CANADA=DRY<br />

and many other sparkling, delicious, world-famous flavors.<br />

CANADA DRY GINGER ALE INCORPORATED, 100 PARK AVENUE, NEW YORK 17, N. Y.<br />

The MODERN THEATRE SECTIONI


Vol. XVII No. 13<br />

DECEMBER 2, 1950<br />

o n I n I<br />

Adding Profits with Seasonal Specials 8<br />

A Handbook of Successful Refreshment<br />

Merchandising V. L. Wadkins 9<br />

Drive-in Patron Appetites Demand Second Concession 14<br />

Winterizing Theatre Floors Dave E. Smalley 15<br />

Modernism Blended with Local Interest in Theatre Decoration 16<br />

Keep Your Eyes Open for Candy Stand<br />

Demands Ernest A. Grecula 19<br />

Care for Your Carpeting G. Walter Brurting 26<br />

Spectacular Stage Effects Possible by Using New Bandcar 28<br />

Contour Curtain Fits Drum Stage 31<br />

Carbon Saver Ends Timing Worry 32<br />

Indoor Drive-in Theatre Becomes Hub of Multiple Enterprise 38<br />

A Manual of Drive-in Design and Operation,<br />

Part III George M. Petersen 40<br />

DEPARTMENTS:<br />

Floor Coverings 15 Drive-Ins 38<br />

Decorating 16 New Equipment and<br />

Developments 46<br />

Readers' Service Bureau 35<br />

Ljferature 50<br />

Advertiser's Index 36 People and Product 52<br />

ON THE COVER<br />

The luxurious avvearance of the lobby and refreshment service<br />

unit in the Garmar Theatre, Montebello, Calif., illustrates<br />

graphically what can be done to make effective a sales location.<br />

Tilted display shelves afford a maximum of visibility to<br />

the tops and sides of bars displayed. The Manley popper is in<br />

a position for the actual popping of corn to be the most effective<br />

sales stimulant.<br />

An interesting treatment is the slatted canopy above the<br />

stand. Recessed downlights in the ceiling provide illumination.<br />

KENNETH HUDNALL, Managing Editor HERBERT ROUSH, Sales Manager<br />

Published the first Saturday ol each month by Associated Publications and included as a<br />

section in all editions of BOXOFFICE. Editorial or general business correspondence relating<br />

to The MODERN THEATRE section should be addressed to the Publisher, 825 Von<br />

Brunt Blvd., Kansas City 1. Mo. Eastern Representatives: A. J. Blocker and Ralph F.<br />

Scholbe, 9 Rockefeller Plaza, New York 20, N. Y. Central Representatives: Ewing Hutchison<br />

and E. E. Yeck, Room 1478 Pure Oil Bldg., 35 E. Wacker Dr., Chicago, 111. Western<br />

Representative: Bob Wettstein, 672 So. Lafayette Park Place, Los Angeles, Calif.<br />

T,HE past five years might well be<br />

called the adolescence of refreshment<br />

service in the motion picture theatre.<br />

With the end of World War II and the<br />

return to civilian use of confection supplies,<br />

theotremen began to collect the<br />

data from which they could chart a<br />

pattern of scientifically successful<br />

operation.<br />

Jets with theatre operation peculiarities,<br />

During these years, blending the experience<br />

of other types of retail out-<br />

rapid strides have been made in periecting<br />

techniques of food sales to theatre<br />

patrons.<br />

Psychology is on the theotremcm's<br />

side in his campaign to increase refreshment<br />

sales, for history has proved<br />

that the appreciation of entertcdiunent<br />

has been heightened by oppropricrte<br />

foods since the earliest days.<br />

Despite this fact, the purchase of any<br />

kind of sweets at the theatre is of an<br />

impulse nature and theatre concession<br />

men have carefully compiled guideposts<br />

to stimulating these impulses.<br />

Open display of merchandise from<br />

which the patron can help himself has<br />

been used to increase both original<br />

and secondary sales. Experience and<br />

the consensus of exhibitor opinion<br />

seems to indicate that the sight and<br />

smell of popping com helps to create<br />

sales. And, of course, the very location<br />

of the counter itself, affects the<br />

volume of business being done.<br />

Certainly no showman is going to be<br />

apt to disparage the important role<br />

which the merchandising of an everwidening<br />

variety of refreshments has<br />

played in making his property more<br />

valuable. Because of its importance to<br />

the success of theatre operation the<br />

editorial material contained in this issue<br />

has been carefully compiled to present<br />

the successful techniques of several<br />

outstanding exhibitors, all of whom,<br />

however, acknowledge that presenting<br />

film fore is still the prime goal of the<br />

motion picture exhibitor.


ADDING PROFITS WITH<br />

SEASONAL SPECIALS<br />

Illustrated above is the Easter line of candy<br />

specialties just released by the Shotwell Candy<br />

Co. Child appeal, as well as prices in the lowrange<br />

brockets are apparent. Plans for spring<br />

promotions are already being made by many<br />

circuits with Christmas displays now on the counters.<br />

Entire Counter<br />

Can Be Dressed<br />

For Background<br />

TEMMiNG FROM the fact that more<br />

than 80 per cent of all theatre refreshment<br />

purchases are impulses stimulated by attractive<br />

displays, aromas or the sight of<br />

taste-tempting confections, exhibitors almost<br />

universally acknowledge the necessity<br />

for changing both displays and decoration<br />

of the theatre refreshment service counter.<br />

To add highlights to the periodic changes<br />

of refreshment counter arrangement, many<br />

exhibitors take advantage of various seasonal<br />

holidays to add special interest to<br />

the counters. Such holiday promotions can<br />

be planned on a year-round basis and, of<br />

course, should provide for prominent display<br />

well in advance of the holiday being<br />

featured. By the same token, holiday specials<br />

are deader than last week's newspaper<br />

on the day after the event, and<br />

should be changed promptly.<br />

adopted by the circuit by whom he is<br />

For example, one theatre manager whose<br />

refreshment merchandising success has<br />

been such that his practices have been<br />

employed,<br />

follows a general program like this;<br />

beginning Halloween promotion in September,<br />

he switches to a Thanksgiving motif<br />

on October 31. Thanksgiving week he<br />

changes his entire decoration to a Christmas<br />

theme, and Christmas week starts a<br />

nile green color scheme out as background<br />

for his stand which begins to plug spring.<br />

Easter is the first spring holiday to receive<br />

attention, and in Easter week, summer<br />

items are put in and changed regularly.<br />

Two basic elements are involved in capitalizing<br />

on holidays at the refreshment<br />

service counter. In the first place is the<br />

decoration of the stand itself.<br />

As to the sale of .seasonal candy, there is<br />

some division of opinion. In forming plans<br />

for an individual theatre or an individual<br />

circuit it is always wise to remember that<br />

what will not work in one location may be<br />

quite successful in another.<br />

An important qualification to this statement,<br />

however, expresses another wise concession<br />

policy. Never buy too heavily on<br />

seasonal candy specials until you have<br />

worked out a pattern of your own and<br />

know how much merchandise you can sell.<br />

Seasonal candies, like seasonal displays are<br />

dead items on the day after the holiday.<br />

Now then, transposing other theatre refreshment<br />

experience to the field of merchandising<br />

seasonal specials, it has been<br />

generally proved by concession executives<br />

that you cannot sell any patron more<br />

candy at a theatre refreshment counter<br />

than he can consume in the three-hour<br />

period he is inside the theatre.<br />

Should this seem to eliminate attempts<br />

to merchandise seasonal candies, change<br />

your thinking, for in recent years many<br />

national manufacturers of candies have<br />

planned lines of specialties to reach the<br />

impulse market. For instance, illustrated<br />

at the heading of this article is the 1951<br />

Easter specialty line of the Shotwell Candy<br />

Co. which includes a wide variety of items<br />

under the 29-cent limit which seems to be<br />

the price point where theatre sales drop off.<br />

In planning sea.sonal specialty promotions,<br />

exhibitors agree it is necessary to<br />

provide adequate seasonal background in<br />

the overall decoration of the counter. Another<br />

psychological factor of importance is<br />

to have these impulse items readily accessible.<br />

As has been proved, open display<br />

where the patron can help himself, increases<br />

the sale of items many times. The<br />

everyday importance of a sparkling clean<br />

counter and display, plus spotlessly uniformed<br />

attendants, is emphasized in promoting<br />

seasonal or holiday items.<br />

The MODERN THEATRE SECTION


I<br />

most<br />

A HANDBOOK OF SUCCESSFUL<br />

REFRESHMENT MERCHANDISING<br />

by V.<br />

L WADKINS*<br />

OEULING SWEETS in<br />

theatres to swell<br />

profits is OS old as showmanship. And showmanship<br />

is probably as old as man, though<br />

the statements of certain zealots that Noah's<br />

Ark was the first showboat must be taken<br />

with studied reservations.<br />

X HE MOST IMPORTANT faCtOl' abOUt<br />

your refreshment stand is its location. In<br />

our theatres It has been placed in the<br />

advantageous spot possible, and has<br />

been designed and built as part of the<br />

theatre, so as not to give the impression<br />

it was "stuck in" as an afterthought.<br />

Cleanliness is a "must" in handling<br />

things that people eat and drink. As<br />

practically every sale in the theatre is<br />

an impulse sale, a spotlessly clean and<br />

attractive display is all-important.<br />

DRESSING YOUR CANDY CASE<br />

We have developed a method of trimming<br />

our candy cases so that they will be<br />

well balanced, having diversified color arrangement,<br />

making for easy selection on<br />

the part of the customer. Every candy<br />

bar or box item has a complement. For<br />

example. Dots will balance well in a case<br />

with Black Crows, Mounds with Almond<br />

Joys, Fifth Avenue with Oh Henry and<br />

Switzer Licorice with Tootsie Rolls. By<br />

pairing your candy items in this manner<br />

and trimming the case from both ends<br />

toward the middle, you will achieve the<br />

desired results. The diagram on page 10 illustrates<br />

the display of about 55 candy<br />

complements.<br />

We have found that by displaying<br />

last-selling ten-cent items such as<br />

Mounds, Hersheys. Almond Joys and<br />

25 Carat on top of the counter our<br />

percentage of sales in ten-cent items<br />

has jumped from 19 per cent to as<br />

high as 44 per cent. There is some-<br />

*Manager,<br />

County Thee<br />

& Se<br />

Indl<<br />

U N THESE PAGES are presented a condensation<br />

of the manual of candy and popcorn<br />

selling operations recommended to the managers<br />

of the twenty houses in the circuit with which<br />

Wadkins is associated.<br />

Each theatre is equipped with a custom-built<br />

refreshment service counter where both candy<br />

and popcorn are sold quite successfully.<br />

The techniques and opinions expressed in the<br />

manual reflect the experience of this circuit and<br />

have not been edited to conform with any notional<br />

average conditions.<br />

thing about open display which quickens<br />

the impulse to buy. People will<br />

pick up a candy bar and wait with the<br />

money in their hands to be laaited on<br />

where they won't wait to be served<br />

from under glass.<br />

In our theatres, where space permitted,<br />

we have placed backbars, which we regard<br />

with the same degree of emphasis in display<br />

as we do the candy case. The backbar<br />

particularly lends itself to the unit display<br />

of chewing gums, Life Savers, Charms, etc.<br />

Maintain an orderly but "massive" display<br />

of candy on your backbar at all times,<br />

winter and summer.<br />

Candy has to be fresh to bring out all<br />

of the flavor goodness of the ingredients<br />

used in the manufacture of quality candy.<br />

One of the major reasons the public has<br />

accepted candy selling in theatres so enthusiastically<br />

has been that in most instances<br />

it has received candy that is<br />

fresher than that sold in most other re-<br />

( Continued on following pagei<br />

"What passes for entertainment in any<br />

day is the subject of a festive occasion<br />

made more festive by something to chew<br />

on, and the precedent for popcorn, soft<br />

drinks and candy in a theatre is grounded<br />

in ancient custom.<br />

"Today's concession business in theatres<br />

has grown into a big thing. The magic<br />

fact about candy is that it is an impulse<br />

item. In a recent survey the Dupont company<br />

found that 71 per cent of candy sales<br />

In food stores were made on impulse. More<br />

than seven out of 10 candy purchases were<br />

made on impu'se alone. In theatres even a<br />

greater percentage of candy is purchased on<br />

impulse.<br />

"Now If attendance is down in your theatre,<br />

it follows your candy sales will be down<br />

unless you are able to increase the average<br />

amount sold to each customer and create<br />

that impulse to buy in the 40 per cent of<br />

your patrons who do not ordinarily buy. The<br />

odds are with you because 96 out of 100<br />

women and 92 out of 100 men like candy.<br />

The odds are probably 1,000 to 1 that the<br />

average moviegoer has no candy with him<br />

when he enters the theatre. Entertainment<br />

puts people in the mood for candy. And<br />

furthermore, they have two or three hours<br />

In which to enjoy the delicious tidbit which<br />

you are going to sell them."<br />

V. L. WADKINS<br />

Indiana County Theatres Co.<br />

BOXOFTICE<br />

December 2, 1950


Ketreshment<br />

Handbook<br />

(Continued from preceding page)<br />

tail outlets. The freshness is of equal importance<br />

in popcorn.<br />

To maintain the freshness of your candy<br />

it must be rotated in your case. In other<br />

words, as you replenish the case put the<br />

bottom layer on top and also move your<br />

candy from the shelves of the backbar into<br />

the candy case. The all-important thing<br />

to remember is simply this: "Keep your<br />

candy moving!" The candy case should<br />

be cleared out, cleaned and redressed once<br />

each week. Shelves should be kept clean<br />

at all times.<br />

Name brands in candy are a "must."<br />

Trying to sell off-brand merchandise, even<br />

though it carries a higher mark up, is poor<br />

merchandising. We carry only name<br />

brand items which have consumer acceptance.<br />

Your rate of turnover is the key to<br />

candy profits. Good staple items will turn<br />

fast and even though the profit isn't as<br />

great you will sell more in the long run<br />

and will make more profit.<br />

In ordering candy, let the customer<br />

decide which items sell best. Your job<br />

is to reorder in the proportion in which<br />

the items sell. While we are merchandising<br />

approximately 127 candy<br />

items and flavors, we do not sell all<br />

these items in equal quantities. As a<br />

matter of fact, 47 per cent of all our<br />

candy business is being done on 17<br />

items.<br />

However, good merchandising dictates<br />

that we have a wide variety for<br />

our patrons to select from. This fundamental<br />

principle of merchandising<br />

is simple. When you buy a suit of<br />

clothes you expect and demand that<br />

the merchant show you a good selection<br />

from which to choose.<br />

ORDERING MERCHANDISE<br />

Our candy purchase order lists all of<br />

our candy items with the exception of<br />

about 17, which will be added when new<br />

forms are printed. By having the purchase<br />

orders printed with the candy items<br />

already listed, it acts as a check list and<br />

a time saver to your candy girl when she<br />

makes out her weekly order. The manager<br />

should check this list with the candy<br />

girl to make sure that any good selling<br />

item is not omitted from the order.<br />

In order to do a good candy merchandising<br />

job it is necessary to try out new<br />

items from time to time. Items such as<br />

these are pretested in our Latrobe, Pa.,<br />

theatres. If they prove to have ready consumer<br />

acceptance, they are sent to you<br />

on distribution. The theatre reorders them<br />

if they sell, since no further distribution<br />

of these items will otherwise be made. New<br />

items "freshen up" your stock.<br />

// you have an accumulation of several<br />

odd bars whose wrappers have become<br />

soiled or torn, these bars should<br />

be thrown away inot given away) and<br />

your inventory should be marked accordingly.<br />

Diagram for Candy Case Display<br />

(Showing Candy Complements)<br />

SHELF No. 1


A Handy Checklist for<br />

Merchandising Popcorn<br />

• Clean the popping machine doily, inside and<br />

out. Have it spotless, especiolly the gloss<br />

and kettle. Use the kettle cleaning kit ond<br />

follow the directions.<br />

• Hove all supplies at the machine when you<br />

stort the doy.<br />

• To begin popping operotion, first put two<br />

and one-holf ounces of seosoning into the<br />

kettle. Then turn on the kettle switch.<br />

• Lift the kettle lid. When a slight smoke<br />

orises and seems to curl bock under the lid,<br />

turn on the motor ond blower.<br />

• Take o gloss of row corn, with solt added,<br />

and dump immediately into the kettle.<br />

• Quickly refill gloss with corn and add salt.<br />

• Corn should pop out in lorge floky groins.<br />

When it pops out in small groins, adjust the<br />

thermostat to o higher or lower temperature<br />

until the largest grains are obtained.<br />

• When all the corn has popped, dump the<br />

kettle, and refill with seasoning, corn and<br />

salt.<br />

• After popping several kettles of corn, stort<br />

filling<br />

boxes.<br />

• In filling the lock-bottom popcorn box, put<br />

enough corn into the box so that when the<br />

top flaps ore closed, the corn will force the<br />

lock-bottom even.<br />

SALES<br />

TECHNIQUES<br />

By "suggestive selling" we do not<br />

mean "forced sales." However, items<br />

Tnay be suggested when the patron<br />

seems undecided as to what to buy.<br />

Also "new" items may be brought to<br />

the attention of the customer with the<br />

suggestion that he try "this luscious<br />

new candy bar that just came in."<br />

We have ten-cent and 25-cent popcorn<br />

boxes and only through suggestive selling<br />

can 25-cent box sales amount to an appreciable<br />

part of your popcorn business.<br />

When a patron asks for popcorn, the candy<br />

girl should respond with "large or small?"<br />

Do not allow your candy girl to say "10-<br />

cent or 2i5-cent box?" This not only makes<br />

the customer price conscious but at times<br />

may prove embarrassing to him.<br />

Children are the most important segment<br />

to the candy bar purchasing public.<br />

Never make the mistake of palming off<br />

slow-moving items on children. It isn't<br />

fair. Of course, usually you can't anyway.<br />

Kids learn brand names and have<br />

a definite brand preference at an early<br />

age. A recent survey of boys and girls<br />

from 14 to 16 showed that 97.7 per cent<br />

had a favorite brand of candy bar.<br />

• Keep severol boxes in the mochine reody to<br />

sell at oil times, more if business justifies,<br />

and hove a mound of unboxed popcorn for<br />

disploy.<br />

• Keep the mochine running os much as passible<br />

but don't pop too for oheod. This<br />

should be governed by the flow of troffic by<br />

your boxoffice. Alwoys hove enough popped<br />

corn on bond. Patrons will not wait for you<br />

to pop it. On midnight shows, onticipote your<br />

entire needs and hove it popped, and nearly<br />

oil of it boxed, when your boxoffice opens.<br />

• Don't run out of supplies. Keep your inventory<br />

at least two weeks oheod ot all times.<br />

• Never leave the kettle switch on when not<br />

popping. Never use the thermostat for turning<br />

off the kettle.<br />

• Never put the kettle in water. You may pour<br />

water into the kettle.<br />

• After every popping, wipe off the kettle lid,<br />

glass, and top of the inside of the mochine.<br />

• Every time you turn off the kettle switch be<br />

sure to put two and one-half ounces of seasoning<br />

in the kettle and leave it there while<br />

the kettle cools off. This will prevent the<br />

heating element from burning out and also<br />

prevents additional residue from baking into<br />

the<br />

kettle.<br />

We have very definitely found, by experiment,<br />

that half-pound and pound box<br />

candies do not sell in our theatres. As a<br />

matter of fact, any items over 25 cents or<br />

2o cents are loss items with us and consequently<br />

should not be carried in stock.<br />

At this point let me tell you, and<br />

very definitely, that we are not in<br />

competition with any store or stores<br />

outside our theatres. We have proved<br />

this most conclusively. The selling of<br />

candies a7id popcorn in theatres has<br />

tremendously iricreased the Tiational<br />

sales of these items. A very interesting<br />

fact is that one-third of all the<br />

five and ten-cent candy bar business<br />

done in the United States is done<br />

through theatres, which have only tiuo<br />

per cent of the total outlets.<br />

It is most important that all popcorn,<br />

after it has been dumped from the kettle,<br />

is brushed across the corn screen with a<br />

side-to-side motion using the popcorn<br />

scoop. This filters out all unpopped corn<br />

and small kernels that are only half<br />

popped.<br />

Failure to do this can very definitely affect<br />

popcorn sales. The extreme danger<br />

of allowing these unpopped or partially<br />

popped grains of corn to reach the patron<br />

may result in a broken tooth.<br />

ORDERING OF POPCORN, SEASONING<br />

AND SALT<br />

Popcorn should be ordered in amounts<br />

of four, five, eight and ten one-hundredpound<br />

bags per order, depending upon the<br />

amount of popcorn business your theatre<br />

is doing. Ti-y and keep four weeks' stock<br />

on hand.<br />

Seasoning should be ordered in lots of<br />

five cases per order. Shipments of five<br />

cases or more are sent prepaid. Popcorn<br />

salt comes in cases of 24 boxes and should<br />

be ordered one or two cases per order, as<br />

needed.<br />

STORING<br />

POPCORN<br />

All popcorn should be stored in a dry<br />

place. When each hundred-pound bag<br />

is received, the corn should be left in<br />

the moisture proof bag and it then<br />

should be placed in a separate garbage<br />

can with the lid on to keep the mice<br />

from getting into the corn. Keep in<br />

mind that popcorn is food and must<br />

be protected at all times.<br />

A five-gallon can of raw corn should be<br />

kept with your machine to take care of<br />

your daily needs.<br />

POPCORN BAG YIELD<br />

The best popcorn is not necessarily the<br />

cheapest popcorn but rather that which<br />

yields the greatest amount of money from<br />

the sale of a one-hundred-pound bag. In<br />

other words, it isn't so important what we<br />

pay for the corn as it is how much we<br />

get out of it. Below is a popcorn bag<br />

yield table which I have worked out to<br />

spot check your corn. Your bag yield<br />

should run better than $140 per bag with<br />

the quality corn we are now getting.<br />

POPCORN BAG YIELD TABLE<br />

BOXES FILLED APPROXIMATE<br />

BAG YIELD<br />

9 $120.00<br />

9'/4 123.30<br />

VA 126.60<br />

934 130.00<br />

10 133.30<br />

10 '/4 136.60<br />

10 '/2 140.00<br />

10% 143.30<br />

11 146.60<br />

nVi 150.00<br />

11 '/2 153.30<br />

11 % 1 56.00<br />

12 160.00<br />

From 12 ounces of row corn the number of oneand-o-half-ounce<br />

boxes which con be filled is<br />

shown in the left bond column.<br />

The right bond column shows the dollar yield for<br />

eoch hundred-pound bog ot this rate.<br />

t Continued on following page)<br />

BOXOFFICE December 2, 1950 11


I<br />

Continued from preceding page'<br />

To get the maximum bag yield from<br />

popcorn the unpopped corn should be<br />

placed so that it will remain at room<br />

temperature at least 24 hours before<br />

popping. If you are storing your corn<br />

in a cool place, be sure to take out a<br />

sufficient Quantity to remain at room<br />

temperature for a 2i-hour period prior<br />

to popping.<br />

Popcorn pops best at a moisture content<br />

of between 12 and 13 per cent, which is the<br />

condition of the corn when it is processed.<br />

If the moisture content is below 11 or<br />

above 14 per cent, popping will be unsatisfactory.<br />

There is a great difference in the<br />

manner in which popcorn of high and low<br />

moisture content pops.<br />

HUMIDITY AN IMPORTANT FACTOR<br />

Corn too dry pops feebly with a somewhat<br />

muffled sound. The kernels often<br />

only partly split open and the unpopped<br />

area appears rather darkened and scorched.<br />

On the other hand, corn with too much<br />

moisture content pops with a rather loud<br />

explosion although the kernels are small,<br />

rough and jagged.<br />

We do not have moisture measuring instruments<br />

and do not need them. Corn<br />

will sometimes pop better at low temperature<br />

and sometimes better at a high temperature,<br />

depending upon the moisture<br />

content.<br />

ADJUST THERMOSTAT FROM TESTS<br />

By adjusting the thermostat on your<br />

machine you can obtain the maximum results.<br />

To do this, pop one kettle at a<br />

temperature of 450 degrees, another at 475<br />

degrees, another at 500 degrees and another<br />

at 525 degrees. Compare the grains<br />

and use the temperature settng at whch<br />

the largest flaky grains are obtained. In<br />

adjusting these temperature settings, first<br />

pour the seasoning into the kettle and<br />

wait a couple of minutes for the temperature<br />

to rise or fall to the new setting before<br />

popping the next test kettle of corn.<br />

Close supervision should be maintained<br />

to see that the popcorn girl is<br />

not "stuffing" the boxes. This is done<br />

by pili7ig the box beyond the open<br />

flaps arid then crushing the corn into<br />

the box as the flaps are closed.<br />

In filling the lock-bottom boxes<br />

enough corn should be placed into the<br />

box so that when the top flaps are<br />

closed the corn will force the lock bottom<br />

even. The "stuffing" of popcorn<br />

boxes can amount to a loss of from<br />

$15 to $20 in a one hundred pound<br />

bag of unpopped corn.<br />

In some of our theatres we have as<br />

many as two popcorn machines and in<br />

these towns when a breakdown occurs one<br />

machine can do the job until necessary<br />

repairs are made. For towns where wc<br />

only have one machine I have a spare motor<br />

and housing and a thermostat in La-<br />

Representative of the principles set forth in the recently prepared refreshment manual is<br />

the attractive refreshment service counter of the Manos Theatre in Monessen, Pa., shown above.<br />

trobe. Should a breakdown occur, they<br />

call me by telephone and I can give them<br />

immediate service.<br />

Every theatre now has and should always<br />

keep on hand one spare kettle heating<br />

element. This is the most common<br />

part of the machine to burn out and one<br />

which can be easily and quickly replaced,<br />

locally.<br />

POPCORN BOX INVENTORY<br />

Only by maintaining an accurate count<br />

and inventory of your popcorn boxes can<br />

you accurately record the correct amount<br />

of money taken in through the sale of popcorn<br />

and candy. Your popcorn boxes<br />

should be kept under lock and key and inventoried<br />

as accurately as your tickets.<br />

A level should be established for your<br />

theatre and this number of boxes, say<br />

200, should be given to your candy girl at<br />

the opening of business each day. Count<br />

the boxes at the close of each day's business<br />

and the difference between the number<br />

on hand and the number of boxes you<br />

started the day with is the correct number<br />

of boxes sold during that day.<br />

The following day the number of boxes<br />

you sold the day before should be added<br />

to the number on hand which would build<br />

her number of boxes to start the next<br />

day's business back to the level of. say 200.<br />

Money for the amount of popcorn sold<br />

should be taken out of your total popcorn<br />

and candy receipts for that day.<br />

The remainder of the money would be<br />

the amount of candy sold during that day.<br />

The only accurate check you have on candy<br />

is by your weekly physical inventory. With<br />

our popcorn boxes being our sole method<br />

of control it is very clear why these boxes<br />

should be under the personal control of the<br />

manager.<br />

SELECTION OF SALES ATTENDANTS<br />

In the first place the candy girl is one<br />

of the most important cogs in the whole<br />

setup. Is she clean and neat looking? Does<br />

she smile and have a pleasing personality?<br />

She does not have to be a beauty contest<br />

winner but she should certainly be nice<br />

looking. Good looks and sweets go hand<br />

in hand.<br />

Single girls are preferred because the<br />

candy jobs, like our usher jobs, are mostly<br />

parttime work and consequently do not<br />

affoi'd a large salary to a person having to<br />

support a home.<br />

Before a neio girl is put behind your<br />

candy counter, be sure she is thoroughly<br />

instructed in selling candies in theatres<br />

and also thoroughly trained in<br />

the operation of the candy stand including<br />

the popping and boxing of popcorn.<br />

She must be thoroughly indoctrinated<br />

loith the fact that she is selling<br />

food a7id must consequently keep<br />

herself, as well as her candy stand,<br />

spotlessly clean at all times.<br />

UNIFORMS<br />

New poplin, washable uniforms are being<br />

ordered for all candy attendants. Each<br />

candy girl will have two uniforms and<br />

three sets of white changeable cuffs, collars<br />

and white caps. It is the responsibility<br />

of the manager to see that this candy<br />

girl has a crisp, clean uniform on at all<br />

times when behind the counter. This applies<br />

to relief girls as well. These uniforms<br />

button all the way down the front and<br />

are therefore easily and quickly put on.<br />

12 The MODERN THEATRE SECTION


TO MAKE<br />

ND PROFITS<br />

G r R o T A T O R with tour spider-like arms<br />

quickly unscrewed with clock-wise twist<br />

. . . Inside of kettle then easily cleaned<br />

with soft cloth.<br />

SWITCH PANEL is waist-high ...no stretching,<br />

no awkward reaching for concealed<br />

switches. ..three heats: low,medium,high.<br />

Use A NewA(a/nj&/^ Aristocrat<br />

# It's the easiest popcorn machine<br />

to operate. Without taking a single<br />

step, operator can turn on switches,<br />

load and empty kettle, bag or box<br />

the corn, and make change. Greater<br />

efficiency . . . greater profits. And<br />

your greatest source of profits is<br />

the New Cascade Kettle. It pops<br />

out 20-40% greater volume. Fewer<br />

kernels needed to fill a bag or box.<br />

And do the customers like this fluffier<br />

popcorn! For greater profits<br />

any way you look at it, fill out<br />

the coupon today!<br />

j^<br />

REMOVABLE HOOD permits adjustments<br />

in top of machine . . . Electric shock prevented<br />

by circuit breaker operating automatically<br />

as top is r(-mo\ cd.<br />

FOR COMPLETE<br />

MAIL THE COUPQJ<br />

© 1950, MANLEY, INC.<br />

THE BIGGEST NAME IN POPCORN<br />

SAIES AND SERVICE OFFICES IN 37 CITIES • SEE YOUR TELEPHONE DIRECTORY


This view of the romp area of the Cedar<br />

Valley shows the original concession<br />

building at midfield and the remodeled<br />

stable at the back romp. With slightly<br />

different menus for each unit, both are<br />

doing a successful business.<br />

DRIVE-IN PATRON APPETITES DEMAND<br />

SECOND REFRESHMENT SERVICE UNIT<br />

Remodeled Stable at Back Ramp of Cedar Valley<br />

Drive-in Fits<br />

Atmosphere of Southern Charm<br />

X* PPROXIMATELY A YEAR AGO The<br />

Modern Theatre heralded the opening of<br />

one of the south's most luxurious and impressive<br />

drive-in theatres, the Cedar Valley<br />

situation of the Lam Amusement Co.,<br />

located just outside Rome, Ga.<br />

With a full season's operation of the<br />

Cedar Valley under his belt, Thomas Lam,<br />

manager of the theatre, has learned several<br />

rather unusual facts concerning the<br />

eating habits of drive-in patrons. These<br />

facts have been very adeptly turned to<br />

greater refreshment service profits for the<br />

theatre, as illustrated in the pictures on<br />

this page.<br />

For the 500-car situation the Lams originally<br />

provided the usual concession-projection<br />

building in midfield, with walk-in<br />

accommodations and a refreshment patio in<br />

front of the building. In short order the<br />

management discovered that these facilities<br />

were inadequate to handle the fullgrown<br />

appetites of its patronage.<br />

Casting about for a solution they noticed<br />

the neglected stable near the back<br />

property line of the ramp area. Some architectural<br />

ingenuity, a little carpentry,<br />

some paint and display lighting effects . . .<br />

and a second concessions building, in the<br />

southern colonial style of the screen tower,<br />

blossomed to take care of the overflow<br />

from the original unit.<br />

Actually, as it was planned, the new<br />

building provided an entirely new operation<br />

serving different needs from the original<br />

unit. As the refreshment service operation<br />

is now divided, the first building,<br />

at midfield, sells hot dogs, popcorn and soft<br />

drinks.<br />

The remodeled stable, however, represents<br />

some new concepts in drive-in food<br />

merchandising. Designed so that it can<br />

be operated on a cafeteria style, the back<br />

unit makes a specialty of two box lunches.<br />

One contains a half of a southern fried<br />

chicken, french fried potatoes and hot rolls.<br />

An alternate lunch contains french fried<br />

shrimp instead of the chicken. Although<br />

a variety of hot and cold soft drinks are<br />

available, they must be purchased separately.<br />

Either of the box lunch packages<br />

sells for 95 cents.<br />

In addition to the box lunches, hamburgers,<br />

malted milks, coffee and milkshakes<br />

are offered at the new building.<br />

Possibly one reason for the great popularity<br />

of this added service, which is directly<br />

attributable to the delicious food itself, is<br />

the fact that Mrs. Thomas Lam personally<br />

supervises its operation.<br />

One of the nice touches that often separates<br />

a routine situation from an outstanding<br />

one is the imprinting of paper<br />

cups used in the operation. Both the<br />

Cedar Valley name and an illustration of<br />

the screen tower appear in light green ink<br />

on each cup.<br />

In remodeling the stable to create the<br />

second refreshment service unit, restrooms<br />

were built into each end of the structure.<br />

From beginning to end, the services and<br />

facilities of the Cedar Valley operation bespeak<br />

showmanship in the best sense of<br />

the word.<br />

The size of food sales at the remodeled<br />

This closeup view of the stable which became a cafeteria-style concession building shows how<br />

the building lines fitted into the southern colonial styling of the entire drive-in.<br />

stable on the rear of the Cedar Volley Drivein<br />

Theatre may be figured from the completeness<br />

of equipment employed. Shown above is<br />

the double hamburger grill, left, and the double<br />

french friers with their wire baskets at<br />

the right French friers are made by the Griswold<br />

Mfg. Co. Si/ex coffee makers are used<br />

and hamburger grills are made by Hotpoint.<br />

14 The MODERN THEATRE SECTION


WINTERIZING THEATRE FLOORS<br />

by DAVE E. SMALLEY<br />

^^S IN ALL OTHER PHASES Of living,<br />

winter brings its special housekeeping<br />

problems and one of the biggest of these<br />

is<br />

the maintenance of the floors.<br />

There are two ways of facing this problem,<br />

one of which is to accept the situation<br />

as inevitable and do nothing about it.<br />

Floors are bound to get more abuse in bad<br />

weather and the public expects and accepts<br />

the temporary impairment as coincident<br />

with winter.<br />

As a matter of fact, as your customers<br />

shuffle through your lobby they are too<br />

intent upon the objective ahead to notice<br />

or care how your floor looks, and when<br />

they get into the foyer and auditorium it<br />

is too dark to see, even if they did care.<br />

All of which assumption makes it easy to<br />

brush the worry from your mind.<br />

The other way of facing the problem is<br />

to recognize these facts: First, the customer<br />

does see your dirty lobby floor and<br />

it registers unfavorably in his subconscious<br />

mind; second, your floor represents a<br />

big investment and neglect at any time<br />

will cost you money later on: and third,<br />

something can be done about protecting<br />

and maintaining floors successfully in bad<br />

weather.<br />

To begin with, "an ounce of prevention<br />

is worth a pound of cure," so exclude as<br />

much of the winter slush as possible by<br />

keeping the sidewalk clean. With snow on<br />

adjoining sidewalks it is not easy to keep<br />

your own clean, even under your broad<br />

marquee where it is tracked by the endless<br />

stream of customers and passersby. However,<br />

in very bad weather it will pay to<br />

keep one man with a fiber brush busy on<br />

the sidewalk. He can do as much good as<br />

two men with mops on the inside.<br />

To be sure, most of the larger theatres<br />

use corrugated or perforated rubber runners<br />

across the lobby, especially essential<br />

in bad weather. Not only do these runners<br />

go a long way toward cleaning the<br />

shoe soles before they reach the carpeting,<br />

but they may prevent falls on a smooth,<br />

wet floor.<br />

Nevertheless, when the weather drives<br />

the waiting crowd inside the lobby, they<br />

will not all stay on the rubber runners.<br />

Terrazzo and marble floors are likely to<br />

suffer most from dirty, melting snow or<br />

water carried in from the street. Asphalt<br />

tile, ceramic tile, rubber and linoleum are<br />

less easily stained by such conditions.<br />

MARBLE STAINS IN WINTER<br />

Neglecting your terrazzo or marble floor<br />

during the winter will result in a badly<br />

stained floor by next spring. The discoloration<br />

may be so uniform as to be unnoticable<br />

until you move a runner. Harsh<br />

cleaners and hard work will then be necessary<br />

to restore your floor to its natural<br />

tone. And harsh cleaners take a positive<br />

toll from the texture of your floor. Alkaline<br />

solutions seep into the pores of the<br />

marble, including the marble chips of your<br />

terrazzo and, upon drying, swell and cause<br />

the marble to spall. What is known as<br />

"dusting" is usually the result.<br />

If terrazzo or marble does become stained,<br />

alkalies or abrasives are usually necessary<br />

to remove the discoloration, but<br />

abrasives are also hard on marble. Especially<br />

on terrazzo the continued use of<br />

abrasives has a tendency to dull the natural<br />

polish.<br />

Therefore, it is better to protect your<br />

terrazzo or marble before it becomes stained<br />

from winter usage. Since in most parts<br />

of our country really bad weather does<br />

not set in until near Christmas, you should<br />

still have time to winterize your floors.<br />

Of course, before doing anything else,<br />

give the floor a good cleaning. This is done<br />

best and safest with a good neutral soap<br />

or with one of the new synthetic "soap"<br />

cleaners. The latter, which are nearly always<br />

derived from sulphonated alcohol and<br />

are now available from almost all leading<br />

suppliers, are more effective than soap because<br />

they are what is known as "wetting<br />

agents" and have considerable penetrative<br />

action. At the same time they are<br />

safe to use on any washable surface.<br />

Much of the sparkle and the custom-tailored look of the lobby and refreshment counter in<br />

the Harper Theatre in Fontana, Calif., stems from the highly polished terrazzo floor with its<br />

compass point pattern in front of the circular refreshment counter. The theatre was designed by<br />

S. Charles Lee, prominent west coast architect.<br />

WAX GIVES PROTECTION<br />

When the floor is clean and dry, apply<br />

the protective treatment of which there<br />

are two kinds adaptable for terrazzo and<br />

marble. The better of these is floor wax,<br />

preferable the "self-polishing," water wax<br />

type. It is easy to apply, easy to remove<br />

or renew and it not only prevents traffic<br />

stains from penetrating the floor, but<br />

greatly simplifies cleaning. Water, slush<br />

and dust do not adhere to a well waxed<br />

surface. Ordinarily they can be removed<br />

(Continued on page 22)<br />

BOXOFFICE December 2, 1950 15


1<br />

The dramatic quality of illumination in the Guyan auditorium is well<br />

presented in the view above. No white light of any sort, except for small<br />

aisle markers, is used. Hooded black light fixtures create vivid effects in<br />

the fluorescent murals done by the Hanns Teichert studio. A peanut gold<br />

curtain is lowered at intermission and colored spotlights play on the gracefully<br />

draped proscenium.<br />

Modernism Blended With Local<br />

Interest<br />

In<br />

Decoration of West Virginia Theatre<br />

X OLLOwiNG A TREND becoming popular<br />

in many locations, the decoration of<br />

the new Guyan Theatre in Logan, W. Va.,<br />

combines the smartness of modern treatment<br />

in its lobby and foyer with a strictly<br />

localized decor in lounges and auditorium.<br />

The Guyan, one of 23 houses owned by<br />

the Newbold-Keesling circuit of Bramwell,<br />

W. Va., was designed by architect Alex B.<br />

Mahood. The Hanns R. Teichert Co. of<br />

Chicago handled the custom-styled decorations<br />

throughout the house.<br />

Prom its name, which is of Indian origin<br />

and is talien from the nearby Guyan river.<br />

to the murals on its auditorium walls the<br />

new house has been planned to fit this<br />

community.<br />

and are used as exits for departing patrons<br />

exclusively.<br />

Just over the front entrances, on the<br />

inside, are unit heaters with fans to direct<br />

a concentrated stream of heat down in the<br />

area of constantly opening doors.<br />

In the smooth, well-designed lobby of<br />

the Guyan a practical terrazzo floor is patterned<br />

in undulating waves of soft gray<br />

and green. The street wall is finished in<br />

plastic-faced panels of textured ivory over<br />

plaster. The plastic wall finish is of particular<br />

maintenance interest in light of<br />

the fact that it can be cleaned, in most<br />

cases, by wiping with a damp cloth.<br />

Other portions of the lobby walls are<br />

done in dark blue background with leaf<br />

motifs in darker and lighter tones of bluegreen<br />

and accents of white. A ceiling of<br />

dynamic red provides dramatic contrast.<br />

I<br />

COMBINE BRICK AND MARBLE<br />

The theatre front combines red pressed<br />

brick in stacked courses with Tennessei<br />

marble. The vertical name sign is composed<br />

of neon tubing surrounded by white<br />

bulbs in a constant twinkling effect. The<br />

edge of the sign is illuminated with white<br />

chaser bulbs.<br />

<strong>Boxoffice</strong> and doors are recessed from<br />

the front line of the building. In order to<br />

aid in controlling patron traffic patterns<br />

at the showbreak, the two doors on either<br />

side of the boxoffice are equipped with<br />

hardware on the outside to be used as entrances.<br />

The pair of doors on either side<br />

of these have handles on the inside only<br />

In a head-on location, the Guyan refreshment service counter is recessed into the flat base<br />

the semi-circular lobby with auditorium doors on either side. A dark blue and brilliant red<br />

of<br />

color scheme is used here, with dark blue Flexglass as background and trim for the counter.<br />

A Manley popcorn machine is the center element of the stand.<br />

16 The MODERN THEATRE SECTION


In shape the lobby is semi-circular with<br />

the curved side to the front. Stairs leading<br />

in a gradual grade to the balcony are<br />

placed at either side. Recessed entrances<br />

to men's smoking room and the ladie.s'<br />

powder room are just forward of balcony<br />

stairs.<br />

A recessed concession counter faces the<br />

patron as he enters. Set between doors to<br />

the auditorium, it is backed with Flexglass<br />

mirroring which extends above it around<br />

a portion of the lobby wall as trim below<br />

the lighting cove. The back wall of the<br />

lobby, as well as the ceiling, is covered with<br />

acoustical tile.<br />

LOBBY IS COVE LIGHTED<br />

Encircling the lobby is the lighting cove<br />

ring containing recessed downlights for<br />

accent lighting around the perimeter of<br />

the area. Overall illumination is provided<br />

by two rows of neon tubes in the cove.<br />

Within the auditorium the patron is immediately<br />

struck by the impression of large<br />

pictorial areas on each wall, done in glowing<br />

fluorescent colors. As has been so successfully<br />

done in other locations by artists<br />

of the Teichert studio, exhaustive research<br />

has been employed here to provide an<br />

authentic pictorial interperation of Logan's<br />

history, business and social heritage.<br />

Decoration of the Guyan is presented<br />

with a true flair for showmanship. Black<br />

lights, to provide the ultra violet illumination<br />

for the fluorescent murals, are set into<br />

the ceiling and are hooded so that the<br />

beams are thrown on sidewall paintings<br />

with dramatic intensity. Before showtime<br />

and during intermission colored footlights<br />

and borders are thrown on the peanut gold<br />

contour curtain which is lowered when the<br />

screen is not being used. The entire effect<br />

in the Guyan auditorium is soft and restful,<br />

perhaps partly because no white illumination<br />

is provided here at all.<br />

Beyond a decorative technique, lowering<br />

the curtain at intermission and providing<br />

the changing colored lights gives the theatreman<br />

an excellent opportunity to mer-<br />

An interesting wavy pattern<br />

is provided in the terrazzo<br />

flooring of tite lobby. Deep-set<br />

doorways provide room for interesting<br />

mural treatments at<br />

the very entrance of the house.<br />

In the center background is<br />

the door to the smoking<br />

lounge. On the opposite side<br />

of the lobby is the powder<br />

room. Almost adjoining each<br />

is a stairway leading to the<br />

balcony. The three-flavor Spacarb<br />

drink machine along the<br />

curving wall is separated from<br />

the rest of the refreshment<br />

service counter at the Guyan.<br />

chandise the investment he has made in<br />

curtains, seats and carpeting in a modern<br />

theatre.<br />

The excellent taste in executing and<br />

lighting the historical auditorium murals<br />

in the Guyan is indicated by the fact that<br />

low light intensities are used to bring the<br />

murals within the realm of conscious observation,<br />

but not with such force that they<br />

dominate the area.<br />

MURALS CREATE ATMOSPHERE<br />

To quote Hanns Teichert, whose skill<br />

with decorating technique made possible<br />

the fine effects obtained here, "The murals<br />

glow just enough to provide the patron<br />

with a gratifying sense of being comfortably<br />

seated amid luxurious beauty without<br />

having each and every detail so distinct<br />

and bright as to compete with the screen<br />

for his attention."<br />

To further subdue the mural effect, the<br />

various compositions are placed against<br />

walls and ceilings with a dark blue background.<br />

Staggered seating on the orchestra floor<br />

provides good screen vision and relaxing<br />

comfort for 644 patrons. An additional<br />

320 seats are available in the theatre<br />

balcony.<br />

Year-round comfort conditioning in the<br />

theatre is provided by equipment located<br />

in a penthouse above the stage. A gasfired<br />

boiler provides heat which is circulated<br />

throughout the theatre, while summer<br />

cooling is provided by an electrical<br />

refrigeration plant.<br />

Program excellence of a quality to match<br />

the vibrant decoration of the Guyan is provided<br />

from a well-equipped projection<br />

booth. Motiograph projectors and changeovers<br />

with Strong arc lamps project a<br />

brilliant, sharp picture on the Cycloramic<br />

screen in the auditorium. Motiograph<br />

Mirrorphonic sound is used.<br />

According to the owners, approximately<br />

$250,000 was spent in erecting the theatre<br />

building, including equipping it with complete<br />

air conditioning, refrigeration and<br />

circulation systems. An additional $35,000<br />

was spent for the motion picture equipment<br />

it contains.<br />

The house is set on a lot 46x148 feet located<br />

in the main business section of Logan.<br />

Acoustics of the house have been worked<br />

out by using carpeted aisles in the auditorium<br />

with U.S. Gypsum Co.'s Auditone<br />

and Sabinite plaster on walls and ceiling.<br />

CREDITS:<br />

Acoustical material: U. S. Gypsum Co.<br />

Air Conditioning: Conditioned Air, Inc.<br />

Architect: Alex B. Mahood<br />

Arc Lamps: Strong Mogul<br />

Carpets: A'exander Smith<br />

This section of mural from the Guyan auditorium shows how the sophisticated modernism<br />

the foyer and lobby has been replaced with distinct localism in the decor of the rest of<br />

of<br />

the theatre. Exhaustive research provided facts and illustrative data on which the historical<br />

picturization is based.<br />

Curtain Controis: J. R. Clancy, Inc.<br />

Decorator: Hanns R. Teichert Co.<br />

Display frames: Seoluxe by Universal Corp.<br />

Draperies and stage curtains: Premier Studios<br />

Lenses: Kollmorgen Super Snaplite<br />

Projection equipment: Motiograph<br />

Rectifiers: Stronog<br />

Rewinds: Goldberg automatic and Wenzel hand<br />

model<br />

Screen: Cycloramic<br />

Seots: American Seating Co.<br />

BOXOFTICE December 2, 1950 17


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18 The MODERN THEATRE SECTION


i<br />

Keep Your Eyes Open for<br />

Candy Stand Demands!<br />

by ERNEST A. GRECULA*<br />

HeLow MANY times have you stopped<br />

by the candy stand in a theatre, heard a<br />

patron ask the candy attendant for a specific<br />

candy bar, noted the attendant looking<br />

about for the bar and then tell the patron:<br />

"I'm sorry ... I guess we don't have<br />

anything like that here now. How about<br />

coming back later? Maybe I'll find some."<br />

How do you think that patron is going<br />

to size up the service of the theatre candy<br />

stand?<br />

SOFT ICE<br />

CREAM<br />

-FROZEN CUSTARD<br />

(leWVo/ume-long ProfiUl<br />

Big Sellers in Every Season<br />

. . . served fresh from a SWEDEN<br />

Long-profit specialties like soft Ice creom<br />

and frozen custard have become taste sensations<br />

throughout the nation. Serve them<br />

fresh from a SWEDEN Speed Fountain Freezer<br />

and quickly build NEW volume in your<br />

refreshment area.<br />

Versalility — Tbere's<br />

Slodel to Meet Every<br />

Need, each designed to<br />

accommodate any type<br />

of froien specialty.<br />

a<br />

Both<br />

air and water - cooled<br />

models available.<br />

Flavor<br />

Variety — Douhle-head<br />

models allow<br />

you to dispense contini.tiiety<br />

of fruit flavors<br />

. . solve both busy<br />

and slack period prob-<br />

Simplicity of Operation<br />

—Sturdy, self-contained<br />

freezers,<br />

automatic consistency<br />

controls, accessibility<br />

of all parts tor<br />

quick servicing and<br />

cleaning.<br />

Attractiveness—Streamlined,<br />

handsome styling<br />

distinguish the entire<br />

SWEDEN line, add decorative<br />

appeal to your<br />

refreshment area.<br />

Certainly it's diff.cult to ascertain what<br />

kinds of candy will appeal to the majority<br />

of patrons in your theatre, but there are<br />

ways and means of meeting this problem.<br />

One de luxe neighborhood theatre m<br />

Hartford, Conn., has overcome this problem<br />

to a great extent. This is the 1,200-<br />

seat Colonial Theatre of the five-theatre<br />

Hartford Theatre circuit.<br />

The Colonial for many years maintained<br />

only token candy service, that is, only three<br />

candy vending machines, offering six<br />

choices of candy each, scattered throughout<br />

the theatre. This was in effect because<br />

of space being unavailable for a<br />

candy stand.<br />

Last year, however, space was created in<br />

the main lounge, off of which are situated<br />

the men's and ladies' rooms. A candy<br />

stand was built, and care was exercised in<br />

the hiring of the proper personnel.<br />

Married women are employed, primarily<br />

because they seem to know what kind of<br />

candy the youngster patrons at the theatre<br />

will want on a bustling Saturday<br />

afternoon. The policy of having married<br />

women in the stand has worked out surprisingly<br />

well, with younger teenagers aiding<br />

them on busy periods.<br />

Ths Colonial uses a screen trailer during<br />

all performances to remind patrons of<br />

availability of candy service in the main<br />

lounge. Included in the material on the<br />

trailer are names of popular brands offered.<br />

But the theatre's candy stand goes one<br />

b3tter than just reminding patrons of<br />

availability of brand names. Its employes<br />

jot down names of candy bars and other<br />

suggestions voiced casually by patrons during<br />

purchasing time. This jotting is not<br />

done in view of the patrons, but rather<br />

during later slack periods, when the candy<br />

aide can add her own comments to those<br />

she just heard.<br />

To the rear of the Colonial's candy stand<br />

has been erected a wall-length mirror, upon<br />

which appear names of candy bars, soft<br />

drinks, etc., available at the stand. This,<br />

too, serves as continual reminder that the<br />

Colonial's stand is in business to serve<br />

the patron and not just to occupy space.<br />

Hartlord<br />

DEPENDABLE<br />

PERFORMANCE<br />

IN<br />

POPPING<br />

€ ^IfSOLlN<br />

Packed in<br />

fOR<br />

^r.i'iie PORH<br />

T«E Bes<br />

LJ^o ODs. 'N<<br />

50-lb. pails and drums<br />

^<br />

*0 IIQOIO<br />

fORPOPWHe V -<br />

CORH<br />

Packed in<br />

38-lb. palls and drums<br />

MADE BY ONE OF<br />

AMERICA'S LARGEST<br />

REFINERS<br />

For iurther information, write to:<br />

SWEDEN FREEZER MFG. CO.<br />

Dept. N-6 Seattle 99. Wash.<br />

The Warner Garde Theatre, New London,<br />

Conn., has a paper clock displayed in a<br />

front lobby frame. The clock's moveable<br />

paper hands are set daily to indicate what<br />

time the evening's last performance of<br />

feature attraction will start.<br />

In addition, the theatre boxoffice has a<br />

complete daily time schedule posted prominently<br />

on a continual basis.<br />

Nick Brickates is theatre manager, with<br />

John E. Petroski as assistant manager.<br />

The BEST FOODS, mc.<br />

1 East 43rd Street<br />

New York 17, New York<br />

Ij<br />

t<br />

BOXOFFICE<br />

December 2, 1950 19


. . FOR<br />

DRIVE-INS! MAKE<br />

MORE<br />

REFRESHMENT SALES IN<br />

COOL WEATHER!<br />

Take Your Whole Concession Right to the Cars<br />

FOR BETTER SERVICE<br />

and BETTER PROFITS<br />

The HOT BOX<br />

Warmer<br />

with<br />

POPCORN, PEANUTS,<br />

HOT DOGS, ETC.<br />

REMOVABLE BASKETS<br />

Johnny Sells Candy, Too<br />

John Cosani, former president and member<br />

of the board of directors of the National Ass'n<br />

of Candy Wholesalers, congratulates Johnny<br />

Philip Morris on the outstanding job Philip<br />

Morris cigorets is doing to aid the merchandising<br />

of candy. He pledged the industry's<br />

support to the Philip Morris effort to place<br />

thousands of the Johnny tie-in cutouts in every<br />

candy-tobacco outlet in the country.<br />

Buffeteria 50<br />

Amazingly Low Priced<br />

Easy to Push Lighted Signs<br />

FOR HOT - COLD FOODS<br />

A COMPLETE CONCESSION STAND<br />

THOUSANDS OF SATISFIED<br />

CUSTOMERS<br />

For prices and literature use postage-paid card<br />

on the blue insert sheet, and show this ad's Key<br />

No. 20-A or Phone WICHITA 4-5169.<br />

Lower cut shows in detail the 8" boll bearing swivel<br />

wheel adding to easy portability; it also shows new<br />

Coleman kero-gas heater for hot food compartments<br />

The most complete portable vending equipment line<br />

WALKY-SERVICE COMPANY ^^^fc^nT/ kI^ns^^<br />

20<br />

POPCORN<br />

BOXES<br />

6 DIFFERENT SIZES<br />

Ready For Immediate<br />

Write for<br />

Delivery<br />

Samples and Prices<br />

Usa postage-paid blue card in this issue, stating<br />

this ad's key number, 20-B, or write direct to:<br />

KONTNEY CARTON CO.<br />

The NEW Patented SPEED-SCOOP<br />

Three limes more efRcienI, Scoop and pour a<br />

bagful of popcorn in one single easy motion.<br />

Made of light, stainless aluminum. Cool hordwood<br />

handle. Perfectly balanced for maximum efTiciency<br />

and speed. Only $2.50 ot your Theotre Supply<br />

or Popcorn Supply Dealer.<br />

SPEED-SCOOP<br />

109 Thornton Avenue, San Franclico 24, Calif.<br />

Announce Venders for<br />

Orange Juice and Milk<br />

Orange juice and milk are among the<br />

latest refreshment Items to be sold by<br />

automatic vending machines, according to<br />

reports.<br />

Pi'ozen orange juice by Minute Maid has<br />

been tested for several months in locations<br />

where it has been vended by specially built<br />

machines from Mills Industries. Tests have<br />

been favorable enough that the program<br />

is expected to be brought into operation<br />

soon with franchise arrangements for interested<br />

operators. Pi-oduction has been<br />

scheduled for several hundred of the units.<br />

Through several states the sale of fresh<br />

or frozen fruit juices has proved quite<br />

popular in both indoor and drive-in theatre<br />

locations.<br />

The Braun Mfg. Co. has recently announced<br />

future production of a bottle milk<br />

vending unit which will carry more than<br />

a hundred third or half -pint milk bottles.<br />

Add to Norris Line<br />

The Norris Candy Co. has recently announced<br />

the addition of a new type of Peanut<br />

Krunch and a tin of fine assorted<br />

chocolates to the existing Norris candy<br />

line.<br />

The new Norris Peanut Ki'unch is said to<br />

overcome the hard-to-chew characteristic<br />

that has prevented many people from enjoying<br />

peanut brittle in the past.<br />

Another Norris development is a tin of<br />

assorted chocolates, hermetically sealed,<br />

for mailing anywhere in the United States<br />

and for overseas shipments.<br />

The MODERN THEATRE SECTION


p-<br />

t<br />

BOXOFFICE<br />

.<br />

NAMA Elects Officers<br />

Election of the 1950-51 officers of the<br />

National Automatic Merchandising Association<br />

took place at the association's annual<br />

board of directors' meeting held during<br />

the recent convention in Chicago.<br />

Selected as president was J. B. Lanagan.<br />

president of the Nik-O-Lok Co.. to succeed<br />

George M. Seedman of the Rowe Service<br />

Co.<br />

For the first<br />

time in NAMA history, two<br />

vice-presidents were elected. They are<br />

Aaron Goldman, who is president of the<br />

G. B. Macke Corp., and I. H. Houston,<br />

president of Spacarb, Inc.<br />

Reelected to the treasurer and secretary<br />

posts were J. T. Pierson, president of the<br />

Vendo Co., and C. S. Darling, executive<br />

director of NAMA.<br />

Elected to the board of directors to serve<br />

three-year terms were: Thomas B. Donahue,<br />

National Vendors, Inc.: Herbert C.<br />

Ogle, Vending Machine Corp. of America:<br />

R. L. Strain, American Locker Co., and J. B.<br />

Lanagan, new association president and<br />

director.<br />

there's<br />

No Other Popcorn Machine<br />

"just like" a Cretors<br />

Cretors was first to use the wet<br />

popping principle (popping corn<br />

directly in the salt and seasoning)<br />

. . . first with the inverting<br />

popping pan, and the time soving<br />

360° dump. Quiet, efficient<br />

Cretors machines have proven<br />

themselves in action for 65<br />

years.<br />

So why not get the best<br />

. . . get a Cretors.<br />

Check post performonces . . . find out<br />

why theotre men select o Cretors. Yeors<br />

of "know how" go into the making of<br />

each Cretors machine. This experience<br />

means more profits for you, because<br />

Cretors machines lost longer, stand up<br />

better under constant<br />

use, and hove "buy"<br />

oppeol. When choosing<br />

a machine remember,<br />

there's no<br />

other "just like" a<br />

Cretors.<br />

C. CRETORS & CO.<br />

606 W. Cermak Rd., Chicago 16, III.<br />

# ^ife^i<br />

Chosen "Miss Popcorn Week of 1950" in<br />

conjunction with both the annual convention<br />

of the National Association of Popcorn Manufacturers<br />

and national Popcorn Week, redhaired<br />

Jo Valentine of Chicago, is pictured<br />

above with Mr. and Mrs. Beaudot, who headed<br />

the board of judges making the selection.<br />

Beaudot, of the ABC Popcorn Co., worked<br />

with his wife as co-chairman of the entertainment<br />

committee of the convention which<br />

met at the Stevens hotel October 25 to 28.<br />

Thousands of profitminded<br />

dealers and<br />

distributors are Swinging<br />

to Switzer's for<br />

increased<br />

candy business . .<br />

rapid repeat sales. Come on<br />

along—there's profit for you,<br />

too—join the big Swing to<br />

Switzer's. Watch sales soar<br />

hen you display<br />

Switzer's on your<br />

retail counters.<br />

SWITZER'S<br />

ST. LOUIS<br />

December 2, 1950<br />

21


Winterizing Theatre Floors<br />

I<br />

Continued from page 15)<br />

YOU CAN "RELY" ON NATIONAL<br />

THE<br />

NEW<br />

Super-Lite<br />

Vinyl Folding<br />

SCREEN<br />

Malle While .. Non-Yellowing<br />

Flame-Proof ,. Fungus Proof<br />

Can Bo Shipped Parcel Post<br />

Stretches Wrinkle-Free .. Washable<br />

Chromatically Correct .. All Sizes<br />

ASK YOUR DEALER OR WRITE<br />

VOCALITE SCREEN CORP<br />

Roosevelt. New York, U.S.A.<br />

MIg'r's of<br />

The Famous Vocalile Beaded Screen<br />

ENCCDRE<br />

THEATRE CHAIRS<br />

HEYWOOD-ri<br />

WAKEFI ELDJ Menominee<br />

Michigan<br />

with damp mops. When dry. the accumulation<br />

can be removed by the so-called<br />

'dry cleaning" method of polishing with a<br />

floor machine, at the same time restoring<br />

the gloss to the waxed surface.<br />

Wax, however, is regarded by many as a<br />

safety hazard and it is true that some<br />

waxes are naturally slippery and others<br />

are slippery under certain conditions. Only<br />

a wax which has been approved by the<br />

Underwriters' Laboratories should be used.<br />

Being established by scientific tests as a<br />

safe treatment for the floor, you have a<br />

known safety factor and, also, should an<br />

accident occur you have good legal ground<br />

in case of a lawsuit.<br />

LESS SLIP IN SEVERAL COATS<br />

It has been established by recognized<br />

authorities, both by laboratory and practical<br />

tests, that two or three thin coats of<br />

wax are less likely to be slippery than one<br />

coat whether thin or heavy, so choose a<br />

wax for your lobby with not more than<br />

12% solids.<br />

If you are afraid of floor wax, however,<br />

there is still another type of treatment<br />

available upon which you can fully depend<br />

from the standpoint of safety. It consists<br />

of a "water-white." quick drying sealer,<br />

usually made of clear, non-yellowing plastic<br />

material and volatile solvents. Most of<br />

the large manufacturers of floor treatments<br />

makj such a product under the<br />

general classification of "terrazzo sealers."<br />

To be really serviceable such a sealer<br />

should not contain more than 12":; to 15%<br />

solids, the purpose being to fill the fine<br />

pores without leaving more than a negligible<br />

surface coating. Thus sealed, the<br />

stains of traffic cannot penetrate but can<br />

be easily removed with a damp mop. At<br />

the same time an attractive sheen is given<br />

to the floor without danger of slipperiness.<br />

These terrazzo sealers can be applied<br />

with a lambswool applicator like wax, drying<br />

in an hour or so. and one coat is nearly<br />

always sufficient.<br />

USE ONE COAT OF SEALER<br />

These sealers are not lacquers, for lacquers<br />

are not recommended for terrazzo<br />

and marble. Neither should you use the<br />

regular varnish type floor sealers since<br />

they give the floor a yellowish cast that<br />

will grow darker as the coating ages and<br />

it will be difficult to remedy.<br />

But your lobby floor may be of hard tile.<br />

mosaic or similar material. We would not<br />

recommend waxing or sealing glazed tile<br />

since it is already impervious to stain and<br />

wet mopping or dry polishing with a floor<br />

machine seems to be the best bet.<br />

If. however, you have asphalt tile, you<br />

should not use a sealer of any kind. Clean<br />

the floor with a good soap or one of the<br />

.synthetic cleaners mentioned earlier in<br />

I<br />

Continued on opposite page)<br />

GEARS!<br />

They are the tiltimale<br />

in precision manuiacluie— made by highly<br />

skilled opeiators using newest, most modem equipment, tdtatical.<br />

completely interchangeable — ihey save time, trouble, expense,<br />

assure smoother operahon and better<br />

pictures<br />

_ LaVezzi Machine Works<br />

^^<br />

For YOUR<br />

BOXOFFICE<br />

Engrared by<br />

our excluaiTe<br />

process on lucite<br />

to youi<br />

'^pocilications.<br />

LAMOLITE*<br />

ILLUMINATED PRICE ADMISSION SIGNS<br />

Our enlorged plant facilities assure<br />

OVERNIGHT service from coast to coast.<br />

Plastic Signs Engiaved lor the Entire Theatre<br />

'Pat<br />

pend<br />

Bowman<br />

New York 10. N. Y.


wax,<br />

. mops<br />

this article. Avoid oils, naphthas etc. which<br />

t dissolve asphalt, and this includes paste<br />

1 i sweeping compounds, oil-treated<br />

etc.<br />

PREFER WAX FOR ASPHALT TILE<br />

No protective treatment is really adaptable<br />

for asphalt tile except good water wax<br />

and it should be applied in two or three<br />

thin coats, exactly as just recommended<br />

for terrazzo. But, if you are afraid of<br />

floor wax on asphalt, maintain the floor<br />

with daily polishing, using a fine grade<br />

I<br />

No. or 00) of steel wool under your floor<br />

machine. This will remove all adhering accumulations<br />

and give the floor some degree<br />

of sheen. Rubbing by hand with a small<br />

piece of coarser steel wool will often remove<br />

cigaret burns.<br />

If you have inclines paved with asphalt<br />

tile, by all means use rubber runners.<br />

Even more than other types of flooring,<br />

asphalt tile can be slippery whether waxed<br />

or not, and it is more hazardous on a<br />

slant.<br />

Rubber tile, which is always popular in<br />

theatres, is less likely to be slippery regardless<br />

of how it is maintained, though it will<br />

not stand as much neglect and abuse as<br />

asphalt tile.<br />

Rubber floors should be cleaned only<br />

with mild alkaline cleaners or certain of<br />

the new synthetic cleaners. Consult the<br />

manufacturer of your floor or refer to the<br />

approved list of cleaners and waxes issued<br />

yearly by the Rubber Manufacturers'<br />

Ass'n of New York City. Rubber floors<br />

can be slowly ruined by using the wrong<br />

cleaners and, of course, never use lacquers<br />

or sealers of any kind.<br />

Like the other floors just discussed, water<br />

waxes offer the best and the only<br />

recommended protective treatment. By<br />

using two or three thin coats of water<br />

wax, one approved by the Rubber Manufacturers'<br />

Ass'n and the Underwriters'<br />

Laboratories, you will have very little<br />

cause to worry about slipperiness. Pi-equent<br />

buffings with a floor machine will keep the<br />

waxed surface clean and polished. Several<br />

manufacturers of rubber tile recommend<br />

occasional burnishing with fine steel wool,<br />

whether the floor is waxed or not.<br />

Avoid oil and grease of all kinds in the<br />

maintenance of rubber, and this includes<br />

paste or solvent type waxes which are detrimental<br />

to rubber.<br />

Linoleum floors should be cleaned only<br />

with neutral soap or non-alkaline synthetic<br />

cleaners. Avoid alkalies of all kinds in<br />

maintaining linoleum and cork, for alkali<br />

is their natural enemy.<br />

Almost all linoleum manufacturers<br />

recommend waxing. As in the case of asphalt<br />

and rubber, there is no other type<br />

of protective treatment adaptable. Avoid<br />

sealers and lacquers of all<br />

kinds.<br />

MOPPING MAY STAIN LINOLEUM<br />

While good linoleum naturally mops<br />

easily, continued mopping through the<br />

winter on an unwaxed surface may gradually<br />

stain the floor. This may necessitate<br />

the same rigorous cleaning in the spring<br />

as referred to in the case of terrazzo.<br />

Scrubbings are deterimental to linoleums<br />

and should be resorted to as infrequently<br />

as possible. Proper waxing, either with<br />

water wax or solvent type wax, will make<br />

such harsh cleaning methods unnecessary.<br />

Here again, frequent polishing with a floor<br />

machine does a good job of "dry cleaning"<br />

and restores the gloss of the wax.<br />

Naturally, because they are nearest the<br />

street, your bare floors bear the brunt of<br />

winter wear. By the time your customers<br />

reach your carpeting most of the moisture<br />

and soil should have been left behind.<br />

Nevertheless, your carpeting will be subjected<br />

to greater abuse in bad weather.<br />

WEIGHT, 165<br />

$<br />

25<br />

LBS.<br />

DOWN<br />

Balance $10 Monthly<br />

400 DE LUXE<br />

PENNY FORTUNE SCALE<br />

NO SPRINGS<br />

VJRITB FOR PRICES<br />

LARGE CASH BOX HOLDS<br />

$85.00 IN PENNIES<br />

Invented and Made Only by<br />

WATLING<br />

Manufacturing Company<br />

4650 W. Fulton St. Chicago 44, III.<br />

Est. 1889—Telephone: Columbus 1-2772<br />

Cable Address: WATLINGITE, Chicago<br />

BOXOFFICE :: December 2, 1950 23


]0I<br />

I<br />

Winterizing Theatre Floors<br />

(Continued from preceding page)<br />

SMASH<br />

HIT<br />

with<br />

Your Patrons<br />

Clear<br />

Crisp Picfures<br />

with<br />

SUPER SNAPLITE<br />

f/l.9<br />

PROJECTION LENSES<br />

Your patrons will<br />

notice the difference!<br />

Super Snaplites give<br />

you Sharper Pictures,<br />

More Illumination,<br />

Greater Contrast and<br />

Definition.<br />

For the Best in<br />

Projection use Super<br />

Snaplites . . . the<br />

only Projection Lenses<br />

to give you a true<br />

speed off/1.9<br />

in every focal length<br />

up to 7 inches.<br />

Ask for Bulletins<br />

207 and 209<br />

ilolla\oim;Ck ^.<br />

COIMMIKATIOK<br />

Franklin Avenue • Brooklyn 11, N. Y.<br />

YOU GET MORE LIGHT WITH SUPER SNAPLITE'<br />

'/nw^^e a<br />

llPOtt DISIRItUIOII ItlMII t «IIIS[N tID .<br />

J/ntcA- i^arh<br />

about the magic<br />

CYCLORAMIC<br />

. WIDE ANGLE VISION . . . reduces d,slorl,on.l<br />

I NO PERFORATIONS .<br />

SCREEN<br />

. . voil/y more dghl wilhoul glore!<br />

. PERfECT SOUND TRANSMISSION... wilhoul bocblogc ran<br />

FLAMEPROOF ...ani praclicallr indeslruclibh!<br />

> AMAZING NEW DEPTH . . . Ihird dimension effecl/<br />

B. F. SHEARER COMPANY<br />

7A«a/u Cfiiifimtm/ SffrUtUuU<br />

CltT SIRIEI. SU [RUNCISCO • UUU. Wtm» Wm (gUIPIIIII UO • OFFICIS III Ul PIIIICIPM CllllS<br />

It may be so gradual you do not notice<br />

it but your foyer carpet will have become<br />

very soiled by spring if you do nothing<br />

about it. The aisle runners will also suffer<br />

and. to a lesser degree, your mezzanine and<br />

lounging room carpeting.<br />

CARPETS SHOULD BE CLEANED<br />

Certainly your soiled carpeting sliould be<br />

cleaned some time during the winter or it<br />

may be so dirty by spring you can't get it<br />

clean. Also, dirt allowed to remain too<br />

long in any kind of fabric promotes slow<br />

decay.<br />

As a test, take a white rag soaked in<br />

cleaning solution and rub a small spot on<br />

your carpeting. Some of the liquid hand<br />

soap from the lavatory, mixed with some<br />

water, will suffice. This easy test will<br />

quickly tell you how dirty the carpet is.<br />

If very soiled do not let it go until spring,<br />

but shampoo it at once.<br />

If you have outside rug cleaners do your<br />

work, call them in. If you do the work<br />

yourselves, be sure you use a good shampoo,<br />

one that creates a "dry," heavy lather that<br />

doesn't quickly disintegrate. Ordinary<br />

soaps get the carpet too wet, and especially<br />

is this true of the sulphonated alcohol<br />

cleaners which, being wetting agents,<br />

penetrate the carpet, causing it to shrink<br />

and rip at the seams. Also, the wrong kind<br />

of cleaners may leave an offensive odor<br />

and may cause mold.<br />

USE STANDARD SHAMPOO<br />

If you use a standard rug shampoo product,<br />

made by a reputable manufacturer and<br />

follow his instructions, you should have no<br />

trouble. In fact, it is fairly easy, even for a<br />

novice, to shampoo tacked down carpeting.<br />

He has only to be careful about using too<br />

much solution, avoid cleaning too long in<br />

one place, and to be sure he overlaps his<br />

cleaning paths to avoid streaks between<br />

the paths.<br />

For best results, a second operator follows<br />

closely with a vacuum cleaner to<br />

pick up the dirty lather. Or, if a suitable<br />

vacuum cleaner is not available, one<br />

adapted for picking up water, the second<br />

man should squeegee off the excess lather<br />

before it dries back into the carpet.<br />

When the carpet has been cleaned, brush<br />

all the wet nap in the correct direction<br />

before it dries.<br />

By observing the foregoing suggestions<br />

you can keep your theatre spic and span<br />

even during the tough winter weather,<br />

saving yourself and your floors from a<br />

hard, possibly damaging .lob in the spring.<br />

Also, whether or not the customers<br />

realize it at the time, your tidiness in the<br />

midst of untidiness everywhere else will<br />

make a favorable impression, and when<br />

you cater to the amusement seeking public,<br />

good impressions usually add up.<br />

24<br />

The MODERN THEATRE SECTION


THE STRONG TROUPER HIGH INTENSITY ARC<br />

is being installed — and fast — in theatres, night clubs, coliseums, arenas and<br />

stadiums. Circuses carry them. Ice shows declare they have no equal. Schools,<br />

universities and colleges are putting them to work. They're used to spot the<br />

entrance of "rasslers." They've been installed in TV studios. Industrial shows<br />

and conventions call for them. Even churches want them! Projectionists are buying<br />

them In great numbers and putting them out on a rental basis.<br />

The Strong Trouper assures a knife-sharp, steady, uniformly brilliant, dazzling<br />

snow-white spot. It draws only 10 amperes from any 110-volt A.C. convenience outlet.<br />

It's easy to operate. The automatic arc control maintains a constant arc gap,<br />

free from hiss or flicker. A trim of carbons burns one hour and twenty minutes at<br />

21 volts and 45 amperes.<br />

It makes the use of heavy rotating equipment unnecessary. The adjustable, selfregulating<br />

transformer is an integral part of the base. The Strong Trouper is<br />

mounted on casters, easily portable and as easily disassembled for shipping.<br />

is<br />

A horizontal masking control can be angled at 45 degrees in each direction. A<br />

color boomerang contains six slides and an ultraviolet filter holder.<br />

The optical system utilizes a silvered glass reflector and a two-element variable<br />

focal length lens system.<br />

SEE ANY OF THE FOLLOWING DEALERS OR USE COUPON FOR OBTAINING LITERATURE<br />

Albany, N. Y.— National Theatre Supply Co; Albany Theatre<br />

Supply<br />

Atlanta— National Theatre Supply Company<br />

Atlantic City— Boardwalk Film Enterprises<br />

Auburn, N. Y.—Auburn Theatre Epuipment<br />

Baltimore—J. F. Dusman Co.; National Theatre Supply Co.<br />

Boston—J. Cifre, Inc.; National Theatre Supply Co.<br />

Buffalo—Dion Products; National Theatre Supply Co.<br />

Charlotte— National Theatre Supply Co.; Standard Theatre<br />

Company<br />

Chicago—Abbott Theatre<br />

Supply<br />

Equipment Co.; Gardner Jansen,<br />

Equipment Company; National Theatre Supply Company<br />

Denver— National Theatre Supply Co.; Graham Brothers<br />

Des<br />

Detroit—<br />

Moines— National<br />

National Theatre<br />

Theatre<br />

Supply<br />

Supply<br />

Co.<br />

Company<br />

Forty Fort, Pa.—V. M. Tate Theatre Supplies<br />

Greensboro^Standard Theatre Supply Company<br />

Houston—Southwestern Theatre Equipment Company<br />

Indianapolis— National Theatre Supply Company<br />

Kansas City, Mo.—Shreve Theatra Supply; National Theatre<br />

Company<br />

Angeles—J. M.<br />

Supply<br />

Los Boyd; C. J. Holzmueller; National Theatre<br />

THE<br />

STRONG<br />

ELECTRIC CORP.<br />

The World'! Lorgcil Manu-


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you ii see LINTEX<br />

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These collars<br />

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problems with<br />

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V^ARPETiNG REPRESENTS a Substantial<br />

investment in beauty for any theatre.<br />

Probably no other single item does more<br />

to create the necsssary atmosphere of luxury<br />

and elegance in its decor. Since maintaining<br />

both a beautiful and comfortable<br />

house has become so essential, the question<br />

is often asked by managers—what can<br />

I do to ksep my carpeting looking as good<br />

two years from now as it does today? What<br />

can I do to increase its life, its serviceability?<br />

Once carpeting has been laid on a floor,<br />

its durability and ultimate value depends<br />

largely upon the attention it receives. Like<br />

a suit of clothes, it must be kept clean,<br />

for dirt is a carpet's worst enemy.<br />

DAILY VACUUMING VITAL<br />

At least once a day all carpeted areas<br />

should be given a thorough vacuuming.<br />

Where areas are heavily traveled, it is advisable<br />

that this be done following each<br />

performance when possible. Dirt and dust,<br />

if allowed to remain in a carpet, will grind<br />

and embed itself into the pile, cutting the<br />

fibre at the base of the carpet. This, of<br />

course, reduces carpet life.<br />

Though simple maintenance can be performed<br />

from day to day by the theatre's<br />

own crew it is advisable for the manager<br />

to find and establish confidence in a good<br />

local cleaning establishment. No one can<br />

advise better and do more to help the theatre<br />

manager get real dollar value out of<br />

his carpeting purchase than the professional<br />

cleaner. It is wise to allow him to<br />

inspect the carpet periodically and make<br />

his recommendations. Entrust your carpet's<br />

life to his hands. He will add years<br />

to its serviceability and beauty.<br />

PERIODIC INSPECTION<br />

From time to time the local contractor<br />

who made the installation should also be<br />

called in for a thorough and systematic<br />

•Manager oi Contract Sales, A. & M. Karagheucheck<br />

of the entire house. He will no<br />

doubt discover factors which may be contributing<br />

to the carpet's rapid and unnecessary<br />

wear.<br />

No two areas in a theatre receive exactlj<br />

the same amount of traffic, therefore some<br />

parts show wear much more quickly than<br />

others. Rather than wait until these worn<br />

areas appear and unbalance the entire theatre<br />

by shifting the carpeting, it is advisable<br />

to have the local contractor inspect<br />

the entire house at least once every six<br />

months. His trained eye will spot sections<br />

that may be showing wear. He will be able<br />

to advise the best way in which to snift<br />

the carpet and equalize its wear throughout<br />

the entire theatre, to keep the whole<br />

house looking the same.<br />

Stair carpeting receives probably the<br />

most severe wear, therefore it is advisable<br />

to have the contractor check the condition<br />

of the nose of the steps frequently.<br />

If nosings<br />

show excessive wear, carpeting should<br />

be shifted periodically in order to insure<br />

its<br />

maximum wear life.<br />

CHECK FOR LOOSENESS<br />

Occasionally a looseness will appear<br />

where carpet has had to be joined together<br />

in strips. This condition should be frequently<br />

checked. The repair job becomes<br />

harder if you wait until the seams and<br />

joints separate.<br />

Some carpeting, when it has been on<br />

the floor for a time, will develop puckers<br />

and wrinkles, due to peculiar atmospheric<br />

conditions. If left alone and not carefully<br />

restretched, this bulging will cause rapid<br />

wear in the backing as well as in the pile.<br />

Since replacement often becomes necessary<br />

due to excessive wear in certain heavy<br />

traffic areas, theatre owners should allow<br />

some additional yardage for replacement<br />

when carpet is originally purchased. Most<br />

manufacturers say that about five to ten<br />

per cent extra should be included in the<br />

original order to cover replacement needs.<br />

tor<br />

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theatres than ALL other makes COMBINED<br />

At all progressive supply houses.<br />

Prices per hundred, postpaid.<br />

Not Packed in Mixed Sizes.<br />

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5/16 inch or 8mm $2.50<br />

9mm $3.00<br />

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For full information use the postage-paid card, in this issue. Write in this ad's key number 26-C.<br />

26 The MODERN THEATRE SECTION


MIAMI BEACH'S CXUH^ THEATRE<br />

features KROEHLER ^MM-^am seats<br />

Built and operated by Wometco<br />

Theatre Circuit, Mitchell Wolfson<br />

and Sidney Meyer, co-owners.<br />

•<br />

ARCHITECT<br />

MICHAEL J. DeANGELIS<br />

Florida's largest, newest and finest<br />

theatre provides:<br />

• Escalator to balcony<br />

• Tropical garden lobby<br />

• Theatre television<br />

• Completely air-conditioned<br />

• 2500 de luxe seats<br />

• Full depth latex rubber seat units<br />

• 100% nylon fabrics<br />

• Latex rubber upholstered arms<br />

• Deep, spring-filled backs<br />

KROEHLER<br />

THEATRE SEATS<br />

THE WORLD'S FINEST THEATRE SEAT<br />

666 Lake Shore Drive, Chicago 11, Illinois • Canadian Theatre Chair Co., Ltd., 40 St. Patrick St., Toronto 2B, Canada<br />

BOXOFFICE :: December 2, 1950 27


IF YOU ARE<br />

fUSSY' about<br />

PICTURE<br />

QUALITY<br />

Here Is<br />

The Screen<br />

For You!<br />

Spectacular Stage Effects Possible by<br />

Using New Bandcar Without Guide Tracks<br />

W.HETHER OR NOT Stage shows should<br />

return to the motion picture theatre as an<br />

added attraction, a growing number of<br />

neighborhood and suburban theatres are<br />

making a pitch for the position of recreational<br />

center for the community. In the<br />

larger theatres, particularly, it is becoming<br />

less and less unusual for dressing rooms<br />

and stage facilities to be planned into new<br />

theatre design.<br />

Conscious of this trend, it is interesting<br />

to note that at a recent performance at<br />

Purdue University Music Hall, the great<br />

20-ton fire curtain majestically ascended<br />

and the mammoth draw curtain started to<br />

open as the strains of a lively overture<br />

filled the hall. Then the orchestra appeared,<br />

rising from the orchestra pit.<br />

Higher and higher it rose, with all musicstand<br />

lights glowing, until it reached stage<br />

level. Smoothly and without a pause, it<br />

moved onto the stage and continued downstage,<br />

coming to an easy stop at the last<br />

notes of the overture.<br />

Bandcar rising to stage.<br />

Bandcar locked into "up" position.<br />

THE NEW<br />

DA-LITE V-1<br />

FOLDING SCREEN<br />

Every gradation of tone in black and<br />

white film and every shade of color in color<br />

film is brought out with complete fidelity<br />

on Oa-Lite's new V-1 Folding Screen. The<br />

VI is the finest professional theatre screen<br />

Da-Lite has ever produced in 41 years of<br />

leadership in screen manufacturing. Ask<br />

your theatre equipment dealer for a demonstration!<br />

Or send for a sample swatch<br />

and make your own tests and comparisons!<br />

Here is a screen that does justice to your<br />

film attractions. Compare it on any basis;<br />

brilliance, sharpness of detail, quality of<br />

sound transmission. It will spoil you for<br />

nny other screen.<br />

In addition, it gives you all of these moneysaving<br />

advantages:<br />

• Low Transportation Charges<br />

The Da-Lite V-1 is so light and compact,<br />

it can be carried by one man (sec<br />

above) and shipped Parcel Post.<br />

• Economical Installation<br />

by only two men,<br />

• Easy Maintenance<br />

Can be washed by your janitor.<br />

• Fewer Replacements<br />

Fungus-rcsistont. Flameproof. Permascalcd<br />

seams — no stitches to come<br />

loose or break. Seams perforated after<br />

fusing for uniform aging and longer<br />

service.<br />

.\sk your dealer about the new low prices<br />

on this popular Pa-l-ite V-1 Folding .Screen.<br />

Write for illustraled cirrnlar.<br />

DA-LITE SCREEN CO., Inc.<br />

2721 N. Pulaski Rd., Chicago 39, Illinois<br />

Since 1909 Makers of fine Theatre Screeris<br />

BANDCAR TRAVELS WITHOUT GUIDES<br />

This spectacular touch was made possible<br />

by a huge new motorized bandcar recently<br />

designed and installed by J. R.<br />

Clancy, Inc. One of the outstanding features<br />

of this new bandcar is that it requires<br />

no guides built into the stage floor; the<br />

car travels straight without external guiding.<br />

The fact that the car operates on a<br />

smooth stage floor without the necessity<br />

of mutilating the floor by the insertion of<br />

steel guides is considered an important<br />

achievement in theatre engineering. Another<br />

important step in stage equipment<br />

design is the use of all-aluminum structural<br />

members, which greatly reduce the weight<br />

of the car.<br />

The car is electrically operated and<br />

remotely controlled. With the car on the<br />

orchestra lift in the basement position, the<br />

touch of a button starts the lift rising to<br />

stage level. When it is flush with the stage,<br />

the bandcar motor is energized and the<br />

bandcar travels back stage. However, if<br />

the Clancy disappearing microphones are<br />

in the up position, the car will not leave<br />

the lift until the microphones are lowered<br />

into the floor. The instant the car starts<br />

to move off the lift, the elevator is locked<br />

in position so that it cannot be moved until<br />

the car is either completely off or completely<br />

on the elevator. The car then<br />

travels backstage to a predetermined point<br />

where it stops automatically.<br />

On the forward travel, the car proceeds<br />

out to the disappearing microphone position.<br />

If the microphones are up, it will<br />

again stop until they are retracted into the<br />

floor. Furthermore, the car will not pass<br />

this point unless tlie elevator is up in posi-<br />

Bandcar may be used with trailers.<br />

tion to receive it. When it does cross this<br />

line, the elevator is automatically locked in<br />

place until the car takes its position completely<br />

on the elevator, at which time the<br />

elevator-operating circuit is automatically<br />

restored.<br />

The car is fitted with a variety of<br />

parallels and platforms which make possible<br />

a wide variation in orchestra and<br />

band seating and in choral grouping. When<br />

used for stage work only, the bandcar can<br />

also be extended in both length and depth<br />

by means of trailers which practically<br />

double the already mammoth size of the<br />

car. These trailers are easily handled and<br />

are transported by the elevator lift to the<br />

basement for storage. The main car is<br />

stored on the lift itself when not otherwise<br />

in use.<br />

When the bandcar is stored on the orchestra<br />

elevator, the power unit may be<br />

removed, giving the car a completely flat<br />

surface. The orchestra lift can be automatically<br />

spotted flush with the stage floor<br />

either with or without the bandcar on the<br />

lift.<br />

28 The MODERN THEATRE SECTION


Are your projection lamps old enough to vote?<br />

Whether you are still using horse-and-buggy, low intensity lamps<br />

or early-vintage, high intensity reflector lamps, you should bring<br />

your equipment up to date right now.<br />

WHY.'<br />

Because "National" "Suprex" High Intensity carbons give you the<br />

following advantages:<br />

1. Brightest, whitest light available in this size carbon<br />

2. Steadier burning, greater dependability<br />

3. Perfect color balance<br />

4. Complete technical service by National Carbon specialists<br />

5. Made in America by American labor<br />

6. Economical to operate<br />

For complete details, write to National Carbon Division,<br />

Union Carbide and Carbon Corporation, Dept. MT.<br />

when you buy<br />

projector carbons,<br />

buy "NATIONAL"<br />

The terms "Natiofial", "Surrey<br />

are trade-marki<br />

nd •El<br />

eady"<br />

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DhlricI Sales Offices: Atlanta. Chicago, Dallas.<br />

Kansas City, New York, Pittsburgh, San Francisco<br />

Id Canada: National Carbon. Ltd.. Toronto 4<br />

BOXOFFICE December 2, 1950 29


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JLn the last 25 YEARS morc Americans<br />

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Such facts as these, coupled with thfcurrent<br />

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insurance rates and the memory of such<br />

terrible fires as the Coconut Grove disaster<br />

in Boston and the Wyncoff hotel fire in<br />

the south have made theatremen acutely<br />

conscious of the values of treating the<br />

draperies and other fabrics used to give<br />

their interiors the luxury appearance which<br />

is so desired.<br />

Among other compounds which have been<br />

produced in recent years is Flamort with<br />

fire retardants which are patented dry<br />

compounds. Mixed with water, they are<br />

sprayed on unpainted wood, fabrics, paper<br />

or other combustible materials to make<br />

them flame-resistant. The heat of the fire<br />

liberates non-irritating, non-toxic gases<br />

which dilute and cool the products of combustion<br />

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point. At the same time a glaze and<br />

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by the flame. Thus the material<br />

which has been impregnated repels flame.<br />

Due to this double action the tendency to<br />

smolder is eliminated.<br />

Smoldering is the dreaded afterglow<br />

feared by every fire fighter. A glowing<br />

cigaret stub dropped on a carpet or a burning<br />

match dropped on an automobile seat<br />

or bed cover cannot start a fire if the<br />

carpet, upholstery or bed cover has been<br />

treated with such liquids as Flamort.<br />

Surfaces already painted should not be<br />

Fire resistant treatment for theatre curtains.<br />

treated. For this reason many lumber mills<br />

are now treating the raw lumber by immersion<br />

into a Flamort bath so that houses,<br />

barns and other buildings are fireproofed<br />

even before construction. After the solution<br />

has dried, the color of the original<br />

wood returns, and except by actual testing<br />

there is no way to determine by outward<br />

appearance which areas have been treated.<br />

Water soluble wood stains or dyes may<br />

be added to the Flamort solution. Most<br />

good rug shampoos and tints can be combined<br />

with Flamort for textiles, so that a<br />

combination of flame and mothproofing<br />

can be accomplished.<br />

Plamortized textiles have to be retreated<br />

when washed with water, but not when dry<br />

cleaned.<br />

I<br />

DUr«*»a hospital— I'vtn the smallest<br />

needn't take a chancel A Fairbanks-Morse<br />

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Get the facts about Fairbanks-Morse<br />

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Please sencj complete information about<br />

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Address<br />

Cliy<br />

Suie<br />

Be Sure to See WILLIAMS Before You Buy Any Screen<br />

WILLIAMS SCREEN CO.<br />

1679 Summit Lake Blvd. Akron 7, Ohio<br />

The MODERN THEATRE SECTION


I system<br />

jAAjn|-Asdo|<br />

When the front curtain<br />

at the Haven Theatre in<br />

Btaokhoven, Miss., is<br />

S3DI»d<br />

suiejj Ae|dsi(]<br />

paujni 3AaM„<br />

raised it forms the festoon<br />

mlance shown at the right.<br />

This installation is unique<br />

in that the curtain actually<br />

works around a<br />

drum-shaped stage.<br />

Contour Curtain Fits Drum Stage<br />

With the stage almost disappearing from<br />

many modern motion picture theatres, the<br />

striking and dramatic design of installation<br />

at the new Haven Theatre in Brookhaven,<br />

Miss., is more than unique. Designed<br />

in the shape of a snare drum, the<br />

stage extends half of its oval side into the<br />

auditorium.<br />

Faced with the problem of creating contour<br />

curtain machinery for this unusual<br />

shape, J. L. Hicks of Hubert Mitchell Industries<br />

took one look at the completed<br />

stage and wondered why the curtain<br />

couldn't travel a curved track around behind<br />

the theatre's screen.<br />

It had never been done before, but the<br />

has been worked out to the mechanical<br />

and artistic satisfaction of L. E.<br />

Downing, Haven owner, and all concerned.<br />

To quote Hicks on the new arrangement,<br />

"This curtain is of the contour type<br />

which follows the contour of the stage and<br />

is operated up and down rather than in<br />

the old conventional way from side to<br />

side.<br />

"When this curtain is raised, the front<br />

curtain forms a festoon effect valance.<br />

The festoon portion of the front curtain<br />

contains 75 per cent fullness. The portions<br />

from the festoons on each side that<br />

drape to the floor contain 466 per cent<br />

fullness. This is because of the fact that<br />

when the curtain is in the open position,<br />

the side legs of the front curtain must extend<br />

entirely to the floor.<br />

"The front curtain actually extends all<br />

the way behind the screen at the sides.<br />

The ceiling borders, also contour curtains,<br />

follow the same plan."<br />

The stage of the Haven is 40 feet wide<br />

and 22 feet high.<br />

Yes I<br />

New manufaituring<br />

methods have slashed<br />

our costs,..<br />

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• 8" X 10"<br />

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ALUMINUM<br />

SLIDE FRAMES<br />

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• 4x14 $1.00 eoch<br />

• 11x14<br />

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• 14x22<br />

$2.15 each<br />

• 22x28<br />

$3.00 each<br />

• 14x36<br />

$3.00 each<br />

i<br />

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For convincing proof, request o free demonstration.<br />

For Free Literature Address<br />

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• Send for illustraied brochure—<br />

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Peoples Display Frame Co.<br />

1515B Olympic Blvd. Montebello, California<br />

(BOXOFFICE :: December 2, 1950<br />

31


mmmmm<br />

—<br />

,^.<br />

HERES SENSATIONAL NEWSl<br />

Announcing the Brand-New All-Steel<br />

UNIVERSAL CHAIR LINE<br />

i<br />

'<br />

ENGINEERING<br />

OLUTIONARY IN<br />

TRIUMPH!<br />

PRINCIPLI<br />

Makes possible the ultimate in flexibility . . .<br />

a production method that<br />

ERMITS<br />

TREMEN DOUS<br />

SAVINGS FOR THE EXHIBITOR<br />

The Greatest Chair Values in<br />

he History of Show Business.<br />

if THE NEW "WONDER HINGE"—full floating, full compensating,<br />

self aligning—absolutely frictionless, comp'etely silent. This is<br />

truly an amazing advancement in hinge engineering. All working<br />

parts fully enclosed. The "Locked In" feature assures the cushitir<br />

being firmly held in the chair yet not a single tool is required to<br />

remove or replace the seat nnd hinge—completely silent with up<br />

and down rubber stops. Automotic and foolproof seotlifting<br />

mechanism permits easier control by patron and maximum safety<br />

^ NEW DURABILITY—finest all-steel construction— the sturdiest<br />

choir made.<br />

if NEW LUXURIOUS COMFORT—improved relationship of positior<br />

of back to seat—a treat that will keep your patrons coming bock'<br />

-^ NEW SAFETY FOR TOES and CLOTHES—new steel back panelcompletely<br />

covers the seat— prevents pinching hazards. No pro<br />

truding nuts, bolts or screws to snag or tear clothes or hose.<br />

if NEW DESIGN IN STEEL END STANDARDS—more passing room-J<br />

new design in seat pan for greater strength.<br />

if NEW BEAUTY IN SEATING— smort, attractive styling, closed<br />

panel, full length steel center standards—s'eek design.<br />

NOW, FOR THE FIRST TIME , a single custom-built<br />

chair ,s offered in 32 DIFFERENT MODELS , 16 different<br />

construction combinations—each in either retractable<br />

or conventional type. Slide-Back and conixed<br />

with uniformity<br />

if NEW ECONOMY OF MAINTENANCE—new<br />

sign for greater upholstery protection—a super<br />

back and<br />

smooth<br />

pan daf<br />

finish fo *<br />

easy cleaning.<br />

if NEW EASE IN REUPHOLSTERING— for maximum service, mor<br />

even usage, seats can be quickly rotated as to location in th<br />

theatre. It takes but a few seconds—no need to remove screw<br />

it or bolts. In is reupholstering, exceptionally easy to remove an^<br />

replace upholstered parts.<br />

j^ NEW EASE OE INSTALLATION— with any condition, in on<br />

location, in any theatre.<br />

See this sensational new chair now at your local dealers, c<br />

write today for details and prices.<br />

COMPANY<br />

GRAND RAPIDS, MICH.<br />

Bfej^^r^-SS


Carbon Saver Ends Timing Worry<br />

EFFICIENT • DEPENDABLE<br />

RECTIFIERS<br />

for Every Type Projection Lamp<br />

2-Tube<br />

4-Tube<br />

6-Tube<br />

Single and<br />

Thrae Phase<br />

Models for<br />

• Rotating Feed<br />

Angular Trim<br />

High Intensify<br />

• Copper Coated<br />

Coaxial<br />

High Intensity<br />

• 1 K.W. High Intensity<br />

• Low Intensity<br />

Smooth Output Current •<br />

long life<br />

low Operating Temperoture<br />

Flexibility in<br />

Control<br />

It has always been an economical policy<br />

for projectionists to burn up stubs of<br />

carbons and see that they are used down<br />

to the smallest possible piece, but in the<br />

doing of the feat is the necessity to meas-<br />

good.<br />

Faced with this problem, H. L. Cronkhite,<br />

a projectionist with an active mind,<br />

started trying to figure ways in which<br />

these carbon stubs could be used up without<br />

endangering the picture on the screen<br />

in any way.<br />

The final result, which is now available<br />

to projectionists in commercial form, is a<br />

carbon saver which takes any length stub,<br />

and while it's burning it away, heats up a<br />

fresh, full-length carbon in another paii'<br />

of jaws. When the last of one stub burns<br />

out, the new carbon, which is now burning<br />

in the tail of the stub flame, drops into<br />

place and the light continues without a<br />

flicker.<br />

At normal amperage the new carbon will<br />

burn for 22 minutes. Among fellow projectionists<br />

the first question to be asked is<br />

if the changeover from stub to full carnutes'<br />

burning<br />

bon is apparent. The originator of the<br />

new device answers with an emphatic "No."<br />

Because the tip of the new carbon is being<br />

immersed in an increasingly hot flame<br />

from the tail of the burning stub, it is ac-<br />

ure burning time with the eye in the yet<br />

tually burning when it drops into place.<br />

unburned length of carbon. If you stretch<br />

Because the jaws of this carbon holder<br />

things a little too far in your zeal, you may are made of a special heat-resisting, nonmetallic<br />

alloy, the device has no effect on<br />

well have light stoppage before you're<br />

through a reel, and that situation isn't<br />

the permanent magnet in the lamp, and<br />

hence makes no difference in the amperage<br />

at which the lamp burns.<br />

Uplliolster7 and Rug Cleaner<br />

• Not harmful to finest of Tctture<br />

• Not harmful to delicate colors<br />

• Requires no mixing or rinsing<br />

• Leares no rings or stains<br />

• Will not burn or explode<br />

Factory-installed insulators on the device,<br />

which Cronkhite calls the Cron-O-<br />

Matic carbon saver, eliminate the need for<br />

the insulators in any lamp. These may<br />

be removed when the carbon-saving device<br />

is installed.<br />

A kit which accompanies the device provides<br />

for accurate lateral and vertical adjustment.<br />

For the convenience of the projectionist,<br />

the entire post assembly pivots<br />

out away from the heat of the lamp house<br />

for positioning the next stub.<br />

The saver itself is universal in its operation.<br />

All that is necessary to fit it to any<br />

standard lamp is to specify the make of<br />

unit in which it is to go and a base designed<br />

to fit that lamp comes with the<br />

saver.<br />

MAGICLEANEH<br />

Jones St., Newark<br />

COMPANY<br />

3, N.<br />

PROJECTION OPTICS CO., INC.<br />

134 LYELL AVE. . ROCHESTER, N. Y.<br />

SUPER-LITE LENSES<br />

ARE SUPERLATIVE<br />

'W<br />

...for imagt quality, color ne.<br />

rttions and light transmission<br />

SEND FOR CATALOG A-50<br />

11 CITY PARK AVENUE<br />

TOLEDO 2, OHIO<br />

PROJECTION LAMPS • RECTrFIERS<br />

SPOTLIGHTS • REFLECTORS<br />

THEATRE/^<br />

... to meet the demands of the<br />

discriminating e.xhibitor . . for<br />

theatres, drive-ins!<br />

Durable Construction!<br />

American<br />

Beautiful Appearance!<br />

Sensational Designs!<br />

Desk<br />

SMaiiiifiictiiring Company<br />

JOBBERS<br />

Changeable Signs, Stainless Steel Frame. The<br />

new up-to-the-minute Boxoftice Signs. When<br />

ADMISSION<br />

ADULTS FED. TAX SI<br />

TOTAL 50<br />

CHILDREN FED. TAX<br />

TOTAL<br />

II<br />

5sl<br />

prices or taxes<br />

change you<br />

merely change<br />

the letters.<br />

12"x8", 14"x<br />

9", 15"x20"<br />

20"x24", 20"x<br />

30", 24"x3S".<br />

Stock or custom<br />

made signs; lowest prices to deolers with<br />

full profit margins.<br />

L. BAHN CO.<br />

123 W. Canton St. Boston 18, Mass.<br />

BOXOFFICE December 2, 1950 33


ft<br />

«5<br />

low budget'<br />

LIGHT<br />

DIMMING<br />

EQUIPMENT<br />

o low cost<br />

o easy to install<br />

o simple to operate<br />

o flexible in use<br />

POWERSTAT<br />

LIGHT DIMMING<br />

EQUIPMENT<br />

Now light dimming equipment is within the<br />

reach of the many school, church, community,<br />

amateur and small theatre groups<br />

who operate on a low budget. POWER-<br />

STAT Dimmers are low in first cost, easy to<br />

install, inexpensive to operate and flexible<br />

in use. These Underwriters' Laboratories<br />

approved units efficiently convert<br />

power and do not dissipate it in the wasteful<br />

form of heat. They are flexible in that<br />

any number of lamps up to the rated<br />

capacity can be controlled.<br />

Type D1000H, shown above, is a typical<br />

example of a low cost POWERSTAT Dimmer.<br />

It is the only unit of its size and cost<br />

with vertically operated handle and drum<br />

markings. It handles any load up to 1000<br />

watts. Write for Bulletin 749 for information<br />

on the D1000H and other low cost<br />

POWERSTAT Dimmers.<br />

Write 2120D«iner> Avenue, BrUtol, Connecticut<br />

IIIIXI lltUUIIII<br />

rOA Equipment Show<br />

In Topnotch Style<br />

The equipment show which the TOA<br />

convention produced in Houston recently<br />

was a top-caUber trade exposition which<br />

attracted virtually all of the important<br />

manufacturers and dealers in the field.<br />

The huge exposition hall of the Shamrock<br />

hotel, which is a building separate from<br />

the hotel itself, was filled to the walls with<br />

the displays, and very effective they were.<br />

Exhibitors went touring wath huge shopping<br />

bags provided by the convention committee,<br />

to collect confections and a variety<br />

of gadgets distributed at the booths.<br />

Several times daily, convention leaders<br />

took delegations of visitors on conducted<br />

tours of the displays.<br />

The TESMA members put on a big pitch<br />

for one big single showmen's convention<br />

each year in which the exhibitor meeting<br />

and the TESMA show can be combined.<br />

Following is a list of companies with displays<br />

at the show:<br />

Alexander Film Co.<br />

American Chicle Co.<br />

American Desk Mig. Co.<br />

American Electro-Aire<br />

Corp.<br />

American Seating Co.<br />

Beech Nut Packing Co.<br />

B. F, Shearer Co.<br />

Blevins Popcorn Co.<br />

Chase Candy Co.<br />

Coca-Cola Co.<br />

Drive-In Theatre Mfg.<br />

Co.<br />

Eskimo Pie Corp.<br />

F&F Laboratories<br />

General Precision<br />

Laboratory<br />

Hardin Theatre Supply<br />

Co.<br />

Hershey Chocolate Corp.<br />

Houston Popcorn &<br />

Equipment Co.<br />

Knoxville Scenic Studios<br />

Krispy Kist Korn<br />

Machine Co.<br />

Kroehler Mfg. Co.<br />

Lament, Corliss & Co.<br />

Ledbetter Sales Co.<br />

Majestic Enterprises, Inc.<br />

Monley, Inc.<br />

Mars, Inc.<br />

Mission Dry Corp.<br />

Mohawk Carpet Co.<br />

Motion Picture Advertising<br />

Service Co.<br />

McMath-Axilrod Corp.<br />

Noiional Products, Inc.<br />

National Theatre Supply<br />

Co.<br />

Nu-Screen Corp.<br />

Orange Crush Co.<br />

Palmer Electric Co.<br />

Pepsi-Cola Co.,<br />

Poblocki and Sons<br />

Precision Corn Popper,<br />

Inc.<br />

Pronto Popcorn Sales<br />

Corp.<br />

Rancho De Los Cerritos<br />

Raytone Screen Corp.<br />

Rockwood & Co.<br />

Sel-Mix Dispensers, Inc.<br />

Southwestern Theatre<br />

Equipment Co.<br />

Supurdisplay, Inc.<br />

Switzer Licorice Co,<br />

Theatrical Advertising<br />

The Ballantyne Co.<br />

Typhoon Air Conditioning<br />

Co.<br />

Wagner Electric Service,<br />

Inc.<br />

White's Comb Vendors,<br />

Inc.<br />

Wm. Wrigley jr. Co.<br />

Rex Specialty Bag Corp,<br />

Selective Carbonation<br />

Standard Feature Now<br />

The Select-O-Carb feature made available<br />

recently on one model of the Spacarb<br />

coin-operated soft drink machines has become<br />

standard equipment on all models<br />

being sold now. the firm announced recently.<br />

I. H. Houston, president, reports that<br />

orders for the machines containing the new<br />

feature, which makes it possible to select<br />

the amount of carbonation for each of<br />

three drinks contained in one machine,<br />

outweighed orders for machines without<br />

the addition by three to one.<br />

Because of mounting costs, the price of<br />

the hot unit, which makes it possible to<br />

offer two cold and one hot drink through<br />

the winter season, has been increased from<br />

$100 to $125. Cost of the non-carbonated<br />

attachment has been increased from $40<br />

to $50.<br />

34 The MODERN THEATRE SECTION


I READERS' BUREAU For<br />

further information<br />

regarding products advertised or mentioned in this issue, use<br />

the postage-paid reply cards below.<br />

NEW EQUIPMENT and DEVELOPMENTS<br />

Briefed from the full descriptions starting on page 46<br />

Key<br />

MILLS ADOS GRAVITY-FED FREEZER P.595<br />

Becently added to tlie line of custard mactilnes and Ice<br />

is cream freezers of Mills Industries a new model whlct<br />

ia gravity fed and comes complete with mix tank to process<br />

15 gallons of mix an Inur.<br />

HOLLYWOOD CANDY ADOS BIG PAY BAR P-59S<br />

The nev Big Pay candy bar of the Hollywood Candy Co.<br />

is being put up In both a 120-count vend pack and a 24-eount<br />

dliplay box for counter showing.<br />

PROTECTIVE PAINT SMOTHERS FIRE P-597<br />

The American franchise for manufacturing flre-retardant<br />

a<br />

paint proved In Canada to be quite effective is held by<br />

Ocean Chemicals Corp. Paint protects any palntable surface.<br />

MAGICLEANER FOAM NEEDS NO RINSING P-59S<br />

A new foam cleaner for theatre fabrics, upholstery and<br />

is its carpeting said by the Magicleancr Corp., manufacturers,<br />

to need no rinsing after application.<br />

NEW LIGHTING FOR SHALLOW INSTALLATION. .. .P-599<br />

A new "Stripline" system of mounting fluorescent tubes<br />

shalluvr channels has been made available by Ben amin<br />

in<br />

Electric Mfg. Co. The system is approved for cornice lighting.<br />

Kw<br />

Number<br />

ADD DIRECTIONAL SIGNS OF PUSTIC P-604<br />

Associated Ticlfet Co. has recently added directional signs<br />

to a general line of plasti.' illuminated and nonlllumlnaled<br />

theatre signs. Any copy is available.<br />

WHEEL LOCK STOPS SPEAKER THEFT P-605<br />

A hurled lock, offered by Itaytone Screen Co., which se'.'jres<br />

one wheel of a drive-in patron's car when he takes a speaker<br />

from the metal container will not release the car until<br />

the speaker is replaced.<br />

AIR DISTRIBUTORS ARE NOT RECESSED P-60e<br />

A new line of Barber Colman air diffusers is designed for<br />

applications where the units cannot be recessed Into the<br />

celling. Pull air adjustment Is possible.<br />

COATING WATERPROOFS MASONRY P-607<br />

United Laboratories. Inc., announces coating<br />

Hydropel, a<br />

for masonry wal.s which Is said to make them entirely water<br />

repellent. The new coating Is transparent.<br />

MULTICLEAN SCRUBBER EASY TO USE P-608<br />

A wide range of brush sizes and motor power is offered<br />

In the .Multi-Clean vacuum cleaners whl-.1i have been designed<br />

with the comfort and convenience of the operator In mind.<br />

LITERATURE TELLS OF ICE CREAM VENDER. .. .L-1212<br />

A coin-operated vender of five dllferent let cream bars<br />

Is descrllied In colorful literature recently released by ttie<br />

Fred Ueb«l Corp. Ib« vender eiiminita Individual urtons.<br />

MURALS ARE ILLUSTRATED IN COLOR L-1213<br />

A full-color folder recently issued by Foto Murals o(<br />

California desaibea the ilrm s line of scenic murals wblcii<br />

can be applied to uninteresting wall space like wallpaper.<br />

STAGE EQUIPMENT ILLUSTRATED L-12U<br />

Cunirols and equipment of J. it. Clancy, Inc., used in<br />

creaLliig many stage elfecls with curtaUin and band curs. Is<br />

pictured and diagiumed In new llleraiure of llw liim.<br />

VIDEOFILM SYSTEM EXPLAINED L-1215<br />

The rapid system ol transferring a tele^islon image onto<br />

16mm Ijlm tor theatre prujeetiun whkM was exhiUlivd at<br />

is recent naiiunal cuihentlons explained and pictured In<br />

lltuiulure 01 General Precision Labuiutorles.<br />

MAINTENANCE MANUALS AID IN FLOOR CARE..L-1216<br />

A series of reference manuals on the care of many different<br />

typei of flooring is uiTered by .Mulgned<br />

fur use in drlve-ln theatres or large indoor houses.<br />

DISPUY RACK FOR SELF SERVICE P-600<br />

To provide open display of six different types of cellophane-bagged<br />

candles In the small i^)unter space typical of<br />

theatrt counters, Chase Candy Co. offers a new wire display<br />

rack.<br />

PAINT LINE INCLUDES SCREEN BEADING P-601<br />

A new line of theatre paints for both drive-in and Indoor<br />

theatres Is aval'able from Drive-In Theatre Mfg. Co. A kit<br />

(or beading plain screens is featured.<br />

ONE-PIECE CARTON HOLDS CARBONS P-602<br />

A self-locking, one-piece cardboard carton for holding projection<br />

carbons unlll ready (or use has been released by the<br />

National Carbon division of Union Carbide & Carbon Corp.<br />

TRANS-COLOR SCREEN IS CONVEX P-609<br />

The new Trans-Color screen, which projected<br />

receives a<br />

Image on Its convex face and polarizes lighl to soften the<br />

picture, is mounted in a lightweight aluminum frame (or<br />

easy sblpphig and assembly.<br />

LITERATURE<br />

Briefed from the descriptions on page 50<br />

Numb»<br />

TEXTBOOK TESTS THEATRE ADVERTISING L-1210<br />

A new ser\1ce of the Helpful Press provides the thcalrem.in<br />

with a test book to use in pretesting the effectiveness of bis<br />

advertising<br />

copy.<br />

BOOKLET DESCRIBES ROLE OF IN-CAR HEATER. .L-1219<br />

National Heaters, inc., presents the case for using in-ear<br />

healers ut drive-ins where, tliey say. the svosuu may be<br />

extended proiltably by their use.<br />

BOOKLET CATALOGS DRIVE-IN SPEAKERS L-1220<br />

A two-color booklet of Theatre Equipment Co. of America<br />

describes the lirm's line of In-car speakers, ranging from<br />

low to high Id price, and other accessories.<br />

SELF-SERVICE DISPLAY VENDER FOR ICE CREAM. L-1221<br />

Frigldbar, Inc., Illustrates its new self-service dispenser<br />

of frozen confections. A Plexigtas lid shows off mercliandlse<br />

and yet helps bold down the temperature.<br />

RUNNING TIME SHOWN IN WARNING DEVICE. .. .P-603<br />

A reelend alarm which shows the unexpired ninning time<br />

of film on the upper reel and sounds tliree warnings before<br />

it ends is offered by the Reversible Sign Co.<br />

FOLDER DESCRIBES SOFT DRINK LINE L-1211<br />

A folder of the Lucky Club Co tells the prnspcctlve customer<br />

of the advantaces of selling its complete line of<br />

beverages and syrups. The line is backed with advertising.<br />

BOOKLET FITS EXTINGUISHER TO FIRE L-1222<br />

Various types of fires and the different extinguishers<br />

tjDCS of<br />

to be used with each are described in llteratura<br />

of the C-O-Tuo Fire Equipment Co.<br />

ow to Use These<br />

EADERS'<br />

BUREAU COUPONS<br />

, Fill out completely a seporat* coupon<br />

for each New Eqvipment item,<br />

News article or Literature reference<br />

(obovc) which interests you. Likewise<br />

for each Advertised Product (reverse<br />

side of this sheet) about which you<br />

wont more information. Put only one<br />

ktjr aumber in each squor*.<br />

Q|<br />

ilOMMQ.QQ£..<br />

.».,c«.H__,jQ4/i?^A?<br />

.M.<br />

Sia and MA,m_.<br />

MOOaN THEATRE SKHoa «i tOXOFFICE<br />

ICS<br />

JMZ<br />

Um the outer cord to request one<br />

to four iteffls, both cords if requcethg<br />

five to eight.<br />

When you hove filled out the coupons<br />

for each request, detoch the<br />

postcards and moil. No postage<br />

ceded in the U.S. (Affix stomp in<br />

I.)


1<br />

AB<br />

For literature on products advertised or mentioned in this issue, see<br />

READERS' BUREAU<br />

other "a<br />

side of this sheet and read how to use the postcard coupons below.<br />

PRODUCTS ADVERTISED IN<br />

ADMISSION SIGNS<br />

l^molitt Products (Edgar Bowman) 22-E<br />

Bahn. L.. Co 33-0<br />

_<br />

ATTRACTION BOARDS AND LETTERS<br />

Aditr SilhouetU Leiter Co 52-C<br />

Poblocki & Son! 48-A<br />

Service, Wagner Sign Inc 37-A<br />

BOXOFFICE ACCESSORIES<br />

Ori>e-ln Theatre MIg. Co 48-B<br />

CANDY<br />

Nev> England Confectionery Co S-A<br />

Soiuer'i Licorice Co 21-C<br />

CANDY VENDING MACHINES<br />

Columbus Vending Co 52-8<br />

CARBONS<br />

See Projector Carbons<br />

CARPET CLEANER<br />

Magicleaner Co 33-D<br />

CONCESSION CONTRACTORS<br />

Sportservice, Inc 21*A<br />

CONCESSION EQUIPMENT. DRIVE-IN<br />

Walky Service Co 20-A<br />

DISPLAY CASES AND FRAMES, POSTER<br />

Peopirs Display Frame Co 31-B<br />

Poblocki & Sons 48-A<br />

DRINK DISPENSERS, MANUAL<br />

Canada Dry Corp 6-A<br />

DRINKS. SOFT<br />

Canada Dry Corp 6-A<br />

Coca-Cola Co 2-A<br />

ELECTRIC GENERATING PLANTS<br />

Fairbanks-Morse & Co 30-B<br />

EMERGENCY LIGHTING. BATTERY<br />

Lamplighter Products Co., Inc 47-B<br />

FRONTS. THEATRE<br />

Poblocki & Sons 48-A<br />

ICE CREAM FREEZERS<br />

Sweden Freezer Mtg. Co 19-A<br />

KIDDIE RIDES FOR DRIVE-INS<br />

£., E«art, H. Co 43-A<br />

King AmusemenI Co 44-B<br />

Miniature Train Co 44-D<br />

National Amusement Device Co 43-C<br />

LIGHTING CONTROLS. HOUSE & STAGE<br />

Superior Electric Co 34-A<br />

THIS ISSUE<br />

MINIATURE GOLF for DRIVE-INS<br />

Taylor Bros 43.<br />

POPCORN BAGS and CARTONS<br />

Kontney Carton Co 20-B<br />

Manley. Inc u-A<br />

POPCORN MACHINES<br />

C. Cretors & Co 21.B<br />

Manley. Inc 13.A<br />

POPCORN SCOOPS<br />

Speed-Scoop 20-C<br />

POPCORN POPPING LIQUID<br />

Best Foods, Inc 19-8<br />

Manley. Inc U-A<br />

Simonin ol Philadelphia 51-A<br />

POPCORN & SUPPLIES<br />

Manley. Inc U-A<br />

PROGRAM SCHEDULE CARD<br />

Drive-ln Theatre MIg. Co 48-B<br />

PROJECTION LAMPS<br />

Ashcralt MIg. Co 18-A<br />

Ballantyne Co 23-A<br />

Motiograph. Inc 31.<br />

National Theatre Supply 4-A<br />

PROJECTOR CARBONS<br />

National Carbon Co 29-A<br />

PROJECTOR CARBON SAVERS<br />

Call Carbon Couplers 26-C<br />

PROJECTOR LENSES<br />

Kollmorgen Optical Corp 24-A<br />

Projection Optics Corp 33-E<br />

PROJECTORS<br />

Ballaniyne Co 23.A<br />

Initrnalional Projector Corp 1-BC<br />

Motiograph. Inc 31-A<br />

Wenzel Projector Co 50-B<br />

PROJECTOR PARTS<br />

LaVezzi Machine Works 22-D<br />

RECTIFIERS<br />

Strong Electric Corp 33-A<br />

RECTIFIER BULBS<br />

Strickland Electric Co 39-B<br />

REEL-END ALARMS<br />

C. W. Hatke 52-E<br />

REFRESHMENT CART, DRIVE-IN<br />

Walky Service Co 20-A<br />

REWIND SWITCH. AUTOMATIC<br />

Wenzel Projector Co SO-B<br />

RIDES—See Kiddie Ridel<br />

SCALES. PENNY FORTUNE<br />

Watling Manuiacturing Co 23-B<br />

SCREENS. INDOOR THEATRE<br />

Da-Lite Screen Co<br />

Pola-Ray Projection Screen Co<br />

B. F. Shearer Co<br />

Trans-Color Screen Co., Inc 39<br />

Vocalite Screen Corp 22<br />

Williams Screen Co 30<br />

SCREEN TOWERS. DRIVE-IN<br />

Timber Structures. Inc 42-A<br />

SEATING. CONVENTIONAL THEATRES<br />

American Desk MIg. Co 33-B<br />

American Seating Co 44-C<br />

Griggs Eguipment Co 30-A<br />

Heywood-Wakelield Co 22-C<br />

Ideal Seating Co 32-A<br />

Kroehler Mfg. Co 27-A<br />

SEATING, DRIVE-INS, for Walk-In Patrons<br />

American Desk Mfg. Co 33-B<br />

American Sealing Co 44-C<br />

Griggs Equipment Co 30-A<br />

Ideal Seating Co 32-A<br />

SIGNS. DIRECTIONAL. ETC.<br />

Lamolite Products (Edgar Bowman). . .22-E<br />

SNOW CONE MACHINES<br />

Sno-Master 52-D<br />

SOUND SERVICE. PROJECTION<br />

RCA Service Co., Inc 47-A<br />

SPEAKERS. IN-CAR DRIVE-IN<br />

Oiecast Aluminum Speakers. Inc 44-A<br />

International Projector Corp 1-BC<br />

SPEAKING GRILL. BOXOFFICE<br />

Orive-ln Theatre Mfg. Co 48-B<br />

SPOTLIGHTS<br />

Strong Electric Co 25-A<br />

STAGE EQUIPMENT<br />

Automatic Devices Co 50-C<br />

SWEEPERS, VACUUM & BLOWER<br />

National Super Service Co SO-A<br />

TELEVISION & TELEVISION SERVICE<br />

RCA Service Co.. Inc 47-A<br />

THEATRE SUPPLIES & EQUIPMENT<br />

Drive-ln Theatre MIg. Co 48-B<br />

National Theatre Supply Co 22-A<br />

S.O.S. Cinema Supply Co 22-F<br />

TICKET REEL<br />

Drive-ln Theatre Mfg. Co 48-B<br />

UNIFORMS<br />

Reversible Co 26-A<br />

Collar<br />

VENDERS—CANDY, GUM, NUTS<br />

Columbus Vending Co 52-B<br />

Q^-


'<br />

HEPBURN<br />

Are you in the know as to patents?<br />

{'Ohli^inil<br />

DRIVi-IM \<br />

RATHERINE SPENCER, BARBARA WENDEL L<br />

TRACYJ STANWYCK COREyI<br />

'<br />

ADAMS RIB' THELMAJORDON"<br />

WED-THUR-FRI CASH FUND S5000.'<br />

because of fhe exclusive patented method<br />

of<br />

mounting,<br />

WAGNER PLASTIC LETTERS<br />

• are now made windproof, yet are easy to change.<br />

• cannot ireeze to the sign.<br />

• can be slacked in storage without warping.<br />

MORE SIZES<br />

4", 6", 8", 10", 17"<br />

MORE COLORS<br />

Gorgeous red, green, blu<br />

amber and black.<br />

because of patents, only<br />

WAGNER WINDOW-TYPE FRAMES AND GLASS UNITS<br />

• permit openings ond billing space ol ANY HEIGHT OR LENGTH IN<br />

ONE PANEL. (Especially important with drive-ins as they require<br />

extra large displays.) They're the strongest made.<br />

• lyermit servicing lamps, neon and glass without removing the<br />

frames. They are installed separately and before the glass. Reduced<br />

maintenance alone pays for them in a year.<br />

TWINDRIVE-IN MILb<br />

'"" NOW<br />

I PI AY MO<br />

ANNIE GET YOUR GUN<br />

»"» MUTTON - MUSIWl COMEDY<br />

because of patents, only<br />

WAGNER STEEL PANEL CHANGEABLE COPY DISPLAYS<br />

• permit the mounting ol letters directly on the face oi the sign.<br />

• have no channeled bars or other obstructions to catch dirt and<br />

result in streaking the face. Water and soot drain to the rear<br />

of each panel, making it practically self-washing.<br />

• can be shipped knocked-down for inexpensive handling in transit.<br />

Easily and quickly assembled and installed on simple framework<br />

supports or against any wall.<br />

• permit the installation of the only lifetime porcelain enameled<br />

steel backgrounds without ruinous and tmsightly chips on the face.<br />

Wagner also makes aluminum letters in the world's largest<br />

range of sizes, styles and colors. They're also slotted and<br />

patented.<br />

Sold everywhere by dependable dealers who plan ond supervise<br />

each installation. Send coupon today.<br />

because of patents, only Wagner offers<br />

FLEX-WORD FRAME UNITS<br />

for space saving and easy iorming oi small size copy. Make<br />

word plates unnecessary.<br />

WAGNER SIGN SERVICE, INC.<br />

218 S. Hoyne Avenue Chicago 12, Illinois<br />

Please send detoils and prices on Wagner O Frames G Steel<br />

Panels D Plastic Letters n Aluminum Letters.<br />

D Please send BIG FREE CATALOG on Wagner show-selling<br />

equipment, the largest line in the world.<br />

NAME<br />

THEATRE<br />

STREET<br />

CITY & STATE.<br />

I BOXOFFICE December 2. 19.S0 37


*^^^J^


T<br />

I outlet<br />

I<br />

i<br />

I Forced<br />

I<br />

Every Seat Is a Perfect Seat<br />

with the NewTRANS-COLOR<br />

Polarized Convex<br />

PROJECTION SCREEN<br />

At the right are diagrams<br />

of the floor layout<br />

of the indoor driye-in and<br />

the shops and recreation<br />

units which lie in its perimeter.<br />

The 11 ramps are<br />

outlined with entrance<br />

drives and concrete rampend<br />

islands shown.<br />

In the curved strip at<br />

the top of the diagram is<br />

the layout of shops and<br />

entertainment units around<br />

the edge of the building.<br />

including the declcs supporting the automobiles,<br />

and the use of fabricated steel<br />

columns, trusses, purlins and joists above.<br />

"Columns shown on the preliminary<br />

sketches are located to limit maximum<br />

spans of primary and secondary trusses to<br />

a maximum length of 280 feet. The more<br />

generally used types of trusses for these<br />

spans would have depths, from bottom to<br />

top chords, of approximately 30 feet.<br />

Structural costs could be greatly decreased<br />

by using shorter spans and additional<br />

columns, but the additional columns, particularly<br />

when placed closer to the screen<br />

would eliminate quite a number of parking<br />

areas for viewing purposes. In any<br />

case, the larger structures would be up to<br />

90 feet in overall height, grade to roof.<br />

"The roof should be divided into a number<br />

of smaller 'drainage areas,' each with<br />

MAY DROP<br />

OTHER UNITS<br />

"Construction of the indoor drive-in theatres<br />

without facilities for other activities<br />

would be considerably less expensive, and<br />

might be more practical in locations where<br />

sufficient income could not be realized<br />

from the additional space. This type of<br />

construction could be designed to more<br />

readily take advantage of the natural<br />

topography of the site."<br />

1^ 1 1 BOXOFFICE : : December 2. 1950<br />

According to Wallace Agey, vice-president<br />

and sales manager of the developing<br />

firm, the smaller units mentioned by the<br />

engineers can be built for approximately<br />

one million dollars. The larger twin drivein<br />

unit they see as a three-million-dollar<br />

project, and add that the interest and<br />

imagination of several of the country's<br />

larger drive-in theatremen have been<br />

caught by the unusual features of the<br />

scheme.<br />

USE IN-CAR SPEAKERS<br />

In the drive-in theatre portion of the<br />

project, in-car speakers will serve patrons<br />

as in the usual outdoor situation. Instead<br />

of speaker posts, however, the new plan<br />

calls for recessed speaker containers in<br />

concrete dividers which will separate twocar<br />

parking stalls. The walk-in balcony<br />

I<br />

will<br />

its own drainage outlets. In certain locations<br />

be served by standee speakers.<br />

it would be necessary to combine the Placement of a large stage in front of<br />

conduits for roof drainage into an the screen, and the fact that all ramps will<br />

underground storm sewer for disposal at a be connected by gently sloping walkways<br />

suitable outlet. Under certain conditions will make it possible to use the huge auditorium<br />

for the larger structures this could require<br />

for stage presentations, even with<br />

four to five-foot storm sewers.<br />

seats instead of autos if desired.<br />

"Heating and air conditioning requirements<br />

would vary a great deal, depending the fact that the large roof can be sup-<br />

Unique in construction of this type is<br />

upon location and manner of operation. ported quite safely by only three columns<br />

ventilation for removal of exhaust on each side of the twin units. These six<br />

fumes would be a critical requirement in<br />

any case.<br />

roof supports eliminate screen visibility for<br />

only 12 cars on each side, a total of 24<br />

in the entire auditorium.<br />

A large exhaust system has been engineered<br />

to remove all motor gases created<br />

by the incoming cars.<br />

Flexibility of design allows for several<br />

layouts, all smaller than the one pictured<br />

here. A single-screen theatre will accommodate<br />

slightly more than 900 cars or an<br />

alternate twin plan will accommodate<br />

1,200 cars. Neither of these plans, however,<br />

includes the recreation or shopping center.<br />

Gives true third dimension illusion, bringing<br />

out real figures and depth, eliminating distortion<br />

and keystoning from any viewing<br />

angle. No eye strain or glare, adding greatly<br />

to patron comiort.<br />

IT IS A PREVIEW AUDIENCE BUILDER<br />

Unilorm light intensity over entire<br />

no dork or hot spots. Polarization improves<br />

color projection by softening color. Convex<br />

design enables speakers to be placed behind<br />

screen without distortion and provides for better<br />

sound distribution.<br />

Sturdily constructed with aluminum framework<br />

in any size as required. Made to correct<br />

defects in sight and sound for each<br />

situation. Easily and quickly installed.<br />

pTc full details WRITE now or use<br />

ISCREENi the FREE postcard at page 35-<br />

Wnte in this ad's key number, 39-A<br />

TRANS-COLOR SCREEN CO., Inc.<br />

KINGS MOUNTAIN, N. C.<br />

STRfCKLAND<br />

TXi MAU Of HICHUT q^AlITT<br />

IMPROVED!<br />

FIELD TESTED!<br />

MOTION PICTURE TYPE<br />

RECTIFIER BULBS<br />

have enabled several manuiacturers to design<br />

higher voltage rectifiers than previously possible,<br />

because of their outstanding characteristics.<br />

Perhaps they can solve your bulb problem, too,<br />

as they are made for every type of theatre rectifier.<br />

Advise us oi your application, ond we will<br />

make a recommendation without obligation.<br />

STRICKLAND ELECTRIC CO.<br />

1427 E. 18fh Ave. Columbus 11, Ohio<br />

39


PART in<br />

A Manual of<br />

Drive-ln<br />

Design and Operation<br />

by GEORGE M. PETERSEN<br />

Choosing the Proper Drive-ln<br />

Site Can<br />

Build<br />

Business at the <strong>Boxoffice</strong><br />

Despite the current ban on drive-in construction we will continue<br />

to present Mr. Petersen's monthly series. Even at this time<br />

they can be of great service to the showman who is planning to<br />

build at a loter date.<br />

Of current significance is the fact that much informotion contained<br />

in each installment can be of great value in up-grading the<br />

facilities of existing drive-ins. Readers concerned with the latter<br />

qualification will be interested in the author's comments on operations<br />

under the NPA restrictions which appears on page 43.<br />

Sq. Feet<br />

TABLE CONVERTING SQUARE FEET TO ACRES<br />

X*FTER THE EXHIBITOR has determined the approximate capacity<br />

for his drive-in theatre, the next step is to locate a site<br />

for the project that will come close to meeting his requirements.<br />

Few sites will be found that will have all of the desirable features<br />

listed below, so, provided more than one site is available,<br />

the exhibitor must evaluate the various existing features for and<br />

against each site.<br />

Contrary to general opinion, a much better land deal can<br />

be made by the exhibitor retaining the services of an experienced,<br />

honest realtor rather than by one who handles the transaction<br />

himself. The commission is paid by the seller anyway and the<br />

realtor can not only save the exhibitor considerable time, but<br />

can usually negotiate a better deal because of his more intimate<br />

knowledge of the value of the property in question and, frequently,<br />

because of friendship with the seller.<br />

The important features to be considered when selecting a<br />

site are as follows:<br />

1. Obtaining sufficient size.<br />

2. Automobiles should be parked facing in a westerly direction.<br />

3. General slope of land<br />

4. Natural aids to drainage.<br />

5. Type of highways available to sue.<br />

6. Proximity of railroad crossings.<br />

7. Number of traffic lights to be passed.<br />

8. "Distance from center of potential patronage area<br />

9. Surrounding neighborhood.<br />

10. Power supply available to site.<br />

11. Public utilities available to site<br />

12. Zoning for drive-in theatres.<br />

SIZE OF SITE<br />

The average prospective drive-in exhibitor shows a woeful<br />

lack of understanding of the dimensions of land required for<br />

these operations. The following table was prepared to provide<br />

him with a quick resume of various factors. Of course, oddshaped<br />

and iiTPsular-shappd plots are nfton developed into sue-


cessful drive-ins, but the square fool area will be approximately<br />

as shown. The depth dimensions in the table are from the screen<br />

to the rear of the rear drive and to these depths you must add<br />

the distance from the highway to the screen. The actual acreage<br />

that wUl have to be purchased may exceed that quoted, since the<br />

seller frequently refuses to sell a portion of his tract if a small<br />

acreage is left him.<br />

umber ol<br />

TABLE OF SITE REQUfflEMENTS


A Manual of Drive-ln Design<br />

(Continued from preceding page)<br />

In localities where level, slightly rolling land is not available,<br />

the yardage of material to be moved will be excessive. As an<br />

example is a drive-in theatre in the vicinity of Pittsburgh, Pa.,<br />

where the last ramp is 35 feet above the highway and where<br />

some 45,000 yards of material had to be moved. On another site,<br />

on the opposite side of the same city, the rear ramp was sixteen<br />

zi<br />

iy^U'cS^^"'<br />

MARyUflHB<br />

ILLUSTRATION NO. 5. Here is a plan somewhat similar to that shown<br />

in illustration No. 1 in that the combination of the two drives provides<br />

sufficient holding space during the rush period until all incoming traffic<br />

can use the regular entrance drive.<br />

ILLUSTRATION NO. 6. Plans such xis this one, which provides for two<br />

or more entrance drives, often prove satisfactory since the drives will hold<br />

a large number of cars. This plan does require one additional usher to<br />

direct the cars from the several lines into the two lines that pass the<br />

boxoffice.<br />

feet below the level of the highway. Another theatre, in southern<br />

New York state, was 32 feet lower at the last ramp than at the<br />

highway. Such sites can be turned into workable drive-in theatres<br />

if the expense involved is of secondary importance and if the<br />

potential business appears to warrant the expenditure. More detailed<br />

information on this subject is given under the heading of<br />

"Grading and Drainage."<br />

NATURAL AIDS TO PROPER DRAINAGE<br />

Under this feature of the site, the exhibitor should endeavor<br />

to locate some natural or existing means of disposing of surface<br />

water from the theatre area. Such items as brooks, creeks, ditches,<br />

swales, natural sink-holes, or other surface conditions will be of<br />

assistance to the engineer when he is planning the drainage system<br />

for the area.<br />

TYPES OF HIGHWAYS AVAILABLE TO THE SITE<br />

The exhibitor should check the number of highways that are<br />

available to the site and also consider the type of each highway.<br />

There is considerable difference of opinion on the subject of Just<br />

what type of highway is best suited for traffic to drive-in<br />

theatres, although after many years' study of actual operating<br />

conditions in many drive-ins, it is my opinion that the most<br />

desirable location is on a well-maintained, secondary road a<br />

short distance from a high-speed thoroughfare.<br />

There are several excellent reasons for this opinion: chief<br />

among them is the fact that a traffic light, or a traffic officer,<br />

may be placed at the intersection of the two highways to properly<br />

and effectively control traffic to and from the theatre. A<br />

drive-in theatre entrance directly from a main, high-speed artery<br />

presents numerous traffic hazards caused by the incoming patrons<br />

crossing traffic lanes at various places instead of in one specific<br />

location where such traffic can be controlled. Also, there is less<br />

opportunity for traffic accidents and less interference with the<br />

non-theatre-bound traffic if the the theatre is located on the<br />

secondary road.<br />

GRADE CROSSINGS<br />

The necessity of traveling over railroad grade crossings is a<br />

definite negative vote against a site! This type of traffic hazard<br />

should be eliminated, if possible, or an alternative site chosen.<br />

p. P,eo« .end in.ormo.-on on: ^^.^^^^^ ^^^^^„ ,^^,, nearest Timber Structures office, or fill in and mail the coupon.<br />

Timber Structures, Inc.<br />

Screen Towers As You Want Them<br />

Low Cost... Sturdy... Durable<br />

curved to assure freedom from keystoning.<br />

SIMPLE ERECTION<br />

position, or it<br />

0. Box 3782 b. ^^^^^ ^^^^^^ Tower<br />

p. O. BOX 3782-G • PORTLAND 8, OREGON<br />

Build your drive-in theatre around a Timber Strucmres screen tower, and<br />

you get a low cost installation that will give you long time service with a<br />

minimum of maintenance.<br />

PRICED AT $2,067 UPWARD<br />

The A-frame screen tower, illustrated here, is made in three sizes: 30-ft. x 40-ft.;<br />

37'/2-ft- X 50-ft.; and 45-ft. x 60-ft. Prices include all necessary hardware.<br />

Made of structural quality Douglas fir timbers, the A-frame screen tower is<br />

designed to withstand wind velocities up to 100 miles per hour. To save erection<br />

time and labor, face of the tower is made of -%-in. exterior grade waterproof plywood,<br />

with all sides and edges primed and sealed against moisture. Surface is<br />

The A-frame screen tower may be completed on the ground and swung into<br />

may be erected in place. Glare curtains, ladder and walkway optional.<br />

For further information on the A-frame or Swing-Up screen towers, see your<br />

Offices in New York; Chicago; Kansas City, Missouri; Dallas,<br />

Tpxhs: fCugeno, Oregon; Seattle and Spokane, Washington.<br />

TIMBER STRUCTURES. INC., of CALIFORNIA, Oakland, Calii.<br />

TIMBER STRUCTURES of CANADA, Ltd., Peterborough, Ont<br />

Local Representatives Coast to Coast<br />

42 The MODERN THEATRE SECTION


Many regular patrons of drlve-ln theatres<br />

are women who are hesitant about driving<br />

over grade crossings with their children<br />

unless the crossing is properly guarded.<br />

The watchmen, when they are provided<br />

for crossing duty, are usually off duty<br />

after 6 p. m. and the crossings are left<br />

unguarded throughout the night hours.<br />

There can be no argument with the<br />

statement that persons who are out for a<br />

pleasure ride desire to avoid as many traffic<br />

lights as is possible. For this reason<br />

the exhibitor should pay close attention to<br />

the subject of traffic lights and select a<br />

site that can be reached by the greatest<br />

number of patrons having to drive through<br />

the least number of traffic lights.<br />

PROXIMITY TO CENTER OF PATRON AREA<br />

It is advisable to select a site as close as<br />

possible to the center of the area in which<br />

the potential patrons live. This statement<br />

does not mean to convey the idea that the<br />

site should be close to the community, but<br />

refers to it being close to the center of a<br />

group of several small towns.<br />

There are several legitimate differences<br />

of opinion on the subject of whether the<br />

drive-in theatre should be located as near<br />

as possible to the largest community which<br />

it is to serve, or whether it should be located<br />

several miles out in the country. It is my<br />

opinion, again based upon study of many<br />

successful operating drive-ins, that the<br />

most desirable site is near the larger centers<br />

of population in which the majority<br />

of patrons work in factories or offices and<br />

a few miles from town as mentioned previously.<br />

When the drive-in is to be erected<br />

in the center of several rural communities,<br />

however, this item is not so important so<br />

long as the site is on a good highway and<br />

is readily accessible from all of the communities<br />

that it will serve.<br />

NEXT MONTH . . .


Discuss Advantages of<br />

In-Car Heaters at the Drive-ln<br />

With problems of increasing competition,<br />

drive-in showmen from all over the<br />

country met at the recent TOA convention<br />

in Houston to di.scuss common problems.<br />

cost of $17.50 for each heater.<br />

Of particular interest was the consensus<br />

of opinion that in-car heaters can increase<br />

POWER COSTS A FACTOR<br />

business profitably in climates where mild An added problem of<br />

winters without too much snow would<br />

normally cause the darkening of a drive-in<br />

during winter months.<br />

More nearly Reproduces the<br />

The general opinion seemed to be that<br />

entire sound range.<br />

best results were obtained from use of<br />

the 400-watt heater, while problems in<br />

power rates and vandalism seemed to vary<br />

in different localities.<br />

IF A SMALL SPEAKER WERE CAPABLE<br />

YOU WOULD NOT FIND A 12-INCH SPEAKER<br />

PREFER 400-WATT HEATERS<br />

IN YOUR RADIO OR SOUND SYSTEM<br />

According to an Abilene, Tex., exhibitor<br />

who installed 475 of the 200-watt heaters<br />

at his drive-in last season, the entire theatre<br />

will be changed over to 400-watt heaters<br />

this season. The original cost was $10,-<br />

000 and there is to be an additional $10,-<br />

000 for the change this year.<br />

ONLY<br />

A Georgia showman told fellow theatremen<br />

that his experience had proved the<br />

ONE<br />

*>*>#>>* *^ #><br />

BEST<br />

200-watt heaters adequate as long as there<br />

was no wind. All of his later installations<br />

year's operation.<br />

T/je "CO-OP"<br />

DRIVE-IN THEATRES<br />

IS THE FINEST<br />

Increase Your Family Patronage!<br />

DRIVE-IN SPEAKER EVER PRODUCED<br />

REGARDLESS OF PRICE<br />

theft prevention it<br />

DIECAST ALUMINUM<br />

each plug.<br />

Enteitain the children with th* lotMt Idddi*<br />

riding doTices. Compl«t« Una of minicrtur« trains*<br />

auto rides, pony ridei, and airplon* rid«K. Immediate<br />

delivery. Temu arranged.<br />

KING AMUSEMENT CO.<br />

Ml. damans. Mich.<br />

tire circuit is disconnected.<br />

DRIVE-INS!<br />

Seat pedestrian-patrons in<br />

c^meticem<br />

Outdoor<br />

Theatre Chairs<br />

Cradleform j.ols ood de<br />

curved backi insure comi<br />

Bock and seat<br />

solid<br />

wood. All pans durably finished<br />

for outdoors—hardware<br />

O0» %» FACTORY<br />

ed to st-r<<br />

IS NOW COMPLETEI<br />

ffi' ElKtric Conveyors, Infa-nd Bahlilable<br />

for<br />

(Als<<br />

2 INCHES on the end of YOUR NOSE<br />

« jifc CONE -^^^-^^ SPEAKER '^^i^ «<br />

WHALE OF A DIFFERENCE<br />

MOST CONCERNS<br />

BOAST THEIR PRO-<br />

DUCT AS BEST, BUT<br />

ONLY ONE TAKES<br />

'JJifcast .^luininiiin Speakers, ^n<br />

2027 So S.cond SI Si. U'..,: 4. VU.<br />

^ /|i<br />

AMERICAN SEATING COMPANY<br />

Grond Ropids 2. Michigon<br />

Branch Offices and Distributors in Principal Cities<br />

are receiving the 400-watt units. On the<br />

installation of 450 in-car heaters at a new<br />

550-car drive-in this theatreman gave his<br />

wiring costs as $9,600 with an additional<br />

the Georgia location<br />

was a power company ruling which increased<br />

his entire electric power bill the<br />

year 'round by establishing the demand<br />

charge according to the heat load during<br />

the early and late portions of the season.<br />

The power cost during the times heaters<br />

were used was doubled, he explained, adding<br />

that the addition was still profitable<br />

since attendance had been as good in<br />

February as it was in June.<br />

Another Texas showman said his local<br />

power company had arranged a special<br />

rate for his heater system.<br />

A Texas showman who had kept some<br />

rather accurate records, announced that<br />

he has found it cost 14 cents to operate a<br />

heater for a two-hour-and-forty-minute i<br />

period. His observation was that it had<br />

proved profitable to install heaters In a<br />

climate where heat was needed more than<br />

40 days in any year. This statement was<br />

predicated on an admission price of 50<br />

cents with the heater cost spread over one<br />

This exhibitor spent approximately<br />

$31,000 to install heaters in an<br />

800-car system.<br />

In the field of operating problems and<br />

was strongly suggested<br />

that each heater be equipped with its<br />

own switch and that a lock be placed on<br />

Some exhibitors who use heaters<br />

employ a screen trailer explaining that<br />

the heaters will not work on any electrical<br />

circuit except the theatre's so there is no<br />

advantage to taking the heater home. They<br />

also suggest the possible danger of attempting<br />

to disconnect an in-car heater. Others<br />

wrap the two heater wires separately so<br />

that if either wire is cut or broken the en-<br />

that MT miniature trains are<br />

the drive-in's most popular<br />

"ADDED ATTRACTION"<br />

®<br />

1<br />

Write tor FREE Details and Specifications<br />

on the MT Miniature Trains.<br />

MINIATURE TRAIN CO.<br />

RENSSELAER. INDIANA<br />

44<br />

The MODERN THEATRE SECTION


New York Night Club Decor Inspires<br />

Theme for Texas Drive-In Screen Tower<br />

Impressive in its modern treatment is the new Jefferson Drive-In Theatre on West Jefferson<br />

Boulevard in Dallas, shown above. The drive-in accommodates 700 cars and was built by Harold<br />

Gibbons, who also owns the Pike Drive-ln on the Fort Worth highway. The Jefferson was designed<br />

by theatre architect Jack Corgan.<br />

A RESEARCH BUREAU<br />

for MODERN THEATRE PLANNERS<br />

ENROLLMENT FORM FOR FREE INFORMATION<br />

The MODERN THEATRE PLANNING INSTITUTE 12-2-50<br />

825 Van Brunt Blvd.<br />

Kansas City 1, Mo.<br />

Gentlemen:<br />

Please enroll us in your REf/EARCH BUREAU to receive inlormotion regularly, as<br />

released, on the following subjects for Theatre Planning:<br />

D Acoustics<br />

D Air Conditioning<br />

D Architectural Service<br />

D "Black" Lighting<br />

D Building Material<br />

n Carpets<br />

D Coin Machines<br />

a Other Subjects<br />

D Complete Remodeling<br />

n Decorating<br />

n Drink Dispensers<br />

n Drive-In Equipment<br />

n Lighting Fixtures<br />

n Plumbing Fixtures<br />

n Projectors<br />

n Projection Lamps<br />

n Seating<br />

Q Signs and Marquees<br />

Q Sound Equipment<br />

n Television<br />

n Theatre Fronts<br />

n Vending Equipment<br />

Theatre Seating Capacity<br />

Address<br />

City<br />

; State<br />

Signed<br />

(Owner-Manager)<br />

Postage-paid reply cords for your further convenience in obtaining information<br />

are provided on page 35 of this issue.<br />

Architectuial<br />

Advisory Staii<br />

THE PLANNING INSTITUTE is conducted in<br />

collaboration with the following theatre<br />

architects, structural designers and engineers<br />

who have agreed to act as technical advisers<br />

to the Institute and editorial text contributors<br />

to The MODERN THEATRE section of BOX-<br />

OFFICE from their respective localities,<br />

ATLANTA, GA.<br />

Tucker & Howell, Rhodes-Haverty Bldo<br />

BOSTON, IVIASS.<br />

W. Ctiester Browne. 184 Boylston St.<br />

CHARLOTTE. N. C.<br />

IVI. R. Marsll, 509 Builders Bldj. 2<br />

CHICAGO. ILL<br />

Roy B. Blass, 30 N. LaSalle. Cliicago 2<br />

Erwin G. Fredrick, 225 N. IVIicliigan Ave, 1<br />

Edward Paul Lewin, 134 N. LaSaMe St, 2<br />

Rapp & Rapp, 230 N. Micliioan Ave. 1<br />

CINCINNATI, OHIO<br />

Grunkemeyer & Sullivan, 3717 Eastern Ave.<br />

CLEVELAND. OHIO<br />

Georae A. Ebclino, Colonial Arcade 15<br />

DALLAS, TEX.<br />

Jack Corgan, 2008 Jackson St. 1<br />

DECATUR, ALA.<br />

Albert R. Frahn<br />

DENVER, COLO.<br />

Charles D. Strong. 416 C. A. Johnson Bldp.<br />

DES MOINES. IOWA<br />

Wethcrell & Harrison, 506 Shops Bldj.<br />

DETROIT, MICH.<br />

Charles N. Agree. 1140 Book Tower 26<br />

Bennett & Straight, Schaefer BIdg., Dearborn<br />

HENDERSONVILLE, N. C<br />

Erie G. Stillwell. Inc.<br />

JACKSONVILLE. FLA.<br />

Kemp. Buncli & Jackson, 402 Fla. Theatre BIdg.<br />

KANSAS CITY, MO.<br />

Robert 0. Boiler and Dietz Lusk Jr.,<br />

Associated Architects. 7332 Brooklyn Ave.<br />

KNOXVILLE. TENN.<br />

Fred Manley Associates. 216 Twelfth St.<br />

LOS ANGELES, CALIF.<br />

S. Charles Lee. 164S Wilshire Blvd. 14<br />

Paul R. Williams. 3757 Wilshire Blvd.<br />

MINNEAPOLIS. MINN.<br />

Liebenberg & Kaplan, 710 McKnight BIdg.<br />

MONTREAL. QUE.. CAN.<br />

Henry E. Grecnspoon. 1434 St. Catherine W.<br />

NASHVILLE, TENN.<br />

Marr & Holman, 701 Stahlman BIdg. 3<br />

NEW LONDON, CONN.<br />

Arthur Deimel. Mohican Hotel BIdg.<br />

NEW YORK, N. Y.<br />

Michael J. DeAngelis, Paramount BIdg. 18<br />

Wm. I. Hoh.iuser, Inc.. 1S41 Broadway 23<br />

OMAHA, NEB.<br />

H. A. Raapke, 1611 Davenport St.<br />

PHILADELPHIA, PA.<br />

David Supowitz, 246 S. 15th St.<br />

PITTSBURGH. PA.<br />

Victor A. Rigaumont, 5471 Coral St.<br />

PORTLAND, ORE.<br />

J. W. DeYoung, 730 S. W. Salmon St.<br />

ROCHESTER, N. Y.<br />

Michael J. DeAngelis. Cutler BIdg., 42 East Ave.<br />

SALT LAKE CITY, UTAH<br />

Paul K. Evans. 246 E. First South St.<br />

SAN ANTONIO, TEX.<br />

Spillman & Spillman. Chandler BIdg.<br />

SAN FRANCISCO, CALIF.<br />

Vincent G. Raney, 233 Post St.<br />

TORONTO. ONT., CAN.<br />

Kaplan & Sprachman, 305 Dundee St., W.<br />

NOTE: Tbe Institute does not undertake tile<br />

professional functions of an architect or designer.<br />

Its service is intended merely to<br />

place our readers in touch vrith reliable local<br />

sources of preliminary information and advice<br />

on tlieatie planning and structural problems.<br />

gg<br />

\ BOXOFFICE :: December 2. 1950<br />

45


EQUIPMENT €r<br />

DEVELOPMENTS<br />

Mills Offers Gravity-Fed P-595<br />

Freezer for Theatres<br />

A gravity-fed<br />

freezer for frozen<br />

batch ice<br />

with<br />

IM<br />

i„ ^ custard<br />

cream,<br />

or<br />

complete<br />

^ /W\ ^^- I refrigerated mix tank<br />

of five-gallon capacity,<br />

has been added to<br />

the ice cream freezer<br />

line of Mills Industries.<br />

Stainless steel<br />

piping conducts mix<br />

from tank to freezer<br />

barrel, a distance of<br />

only 18 inches.<br />

The maximum flow<br />

is approximately 15<br />

gallons of mix an hour. The tank can be<br />

cleaned easily in position. If desired, a side<br />

cabinet can be added for storage.<br />

Offer Vend and Display Packs<br />

In New Candy Bar<br />

P-596<br />

The Big Pay candy bar, which has recently<br />

been added to the Hollywood Candy<br />

Co.'s line of confections, is available to the<br />

theatreman in both the 120-count vend<br />

pack and the usual 24-count display box.<br />

The new bar is a combination of coconut<br />

nougat, toasted almonds, caramel and<br />

chocolate. According to the Hollywood<br />

officials the bar has received very favorable<br />

reception.<br />

New Paint Provides P-597<br />

Fire Protection<br />

A protective fire-retardant paint which<br />

has been used with outstanding success for<br />

several years in Canada, has recently become<br />

available through the Ocean Chemicals<br />

Corp., American franchise holders.<br />

The paint, which may be used on any<br />

paintable surface, protects from fire by<br />

swelling into a thick, resisting crust to seal<br />

oxygen from the wall or ceiling which has<br />

been painted. Without air. of course, it<br />

is Impossible for the heat of flame to support<br />

combustion. Woods will char or<br />

smolder, but will not burn when treated<br />

with the new product.<br />

FOR MORE<br />

INFORMATION<br />

USE Readers'<br />

Bureau Coupons, page 35<br />

Foam-Type Upholstery Cleaner P-598<br />

Requires No Rinsing<br />

A foam cleaner for<br />

theatre upholstery<br />

and rug fabrics which<br />

requii'es no mixing or<br />

rinsing is offered by<br />

the Magicleaner Co.<br />

A pan, a brush and a<br />

sponge are the only<br />

tools actually required<br />

to apply the<br />

cleaner which wiU<br />

not burn or explode.<br />

Cleaner from the<br />

original container is poured onto a sponge<br />

which is squeezed until all the liquid is<br />

foam. Since the cleaner does not penetrate<br />

the fabric, it dries quickly and requires<br />

no rinsing. Magicleaner can also<br />

be used in several types of upholstery and<br />

rug cleaning machines.<br />

New Lighting System P-599<br />

Allows Shallow Mounting<br />

A new, compact, extra-shallow fluorescent<br />

lighting system for slimline and 40-<br />

watt bipin lamps, called "Strip-Line," and<br />

available in seven different types, is announced<br />

by Benjamin Electric Mfg. Co.<br />

Its unusually shallow channel-depth of<br />

slightly less than one inch makes it possible<br />

to use this system in extremely<br />

limited space, such as is often the case<br />

with cornice lighting, illumination of glass<br />

blocks, charts, murals and shadow boxes<br />

and show window lighting.<br />

The new system includes high -power<br />

factor junction-box type ballasts, which are<br />

mounted remotely from the channel so<br />

that the strips may be attached flush with<br />

the ceiling; special terminal block, which<br />

eliminates wiring, soldering, wire nuts and<br />

wire splicing in installation and exclusive<br />

"Inter-Lok" construction by which channels<br />

may be locked together without couplings<br />

in any one of three different ways.<br />

Candy Display Rack for<br />

Theotre Counters<br />

P-600<br />

For the refreshment service counters of<br />

theatre lobby stands where space is often<br />

at a premium the Chase Candy Co. has<br />

prepared a wire serve-yourself display rack<br />

to hold six rows of cellophane packed candies.<br />

This makes it possible for the theatre<br />

patron to chose from an ample selection<br />

of bulk candy.<br />

Screen Beading Featured in<br />

New Theatre Paint Line<br />

Im<br />

^<br />

P-601<br />

A three-step process for converting a<br />

regular theatre screen into a beaded screen<br />

is featured in a complete new line of exterior<br />

and interior theatre paints offered<br />

by Drive-In Theatre Mfg. Co.<br />

The unique screen treatment process<br />

consists of a screen coating, screen bead<br />

adhesive and blow gun-type of tool for<br />

spraying glass beads onto the surface.<br />

Also included in the line is building<br />

paint, brick and masonry paint, aluminum<br />

paint, border masking for screens, varnishes,<br />

chrome finishes and materials for<br />

use with them.<br />

46 The MODERN THEATRE SECTION


—<br />

—<br />

Carton Protects Carbons<br />

During<br />

Storage<br />

P-602<br />

a::::E<br />

tr^<br />

A new, self-locking container for projection<br />

carbons has recently been announced<br />

by the National Carbon division<br />

of Union Carbide & Carbon Corp. The<br />

carton is said to add materially to the<br />

convenience and protection of carbons<br />

which are stored in the theatre previous<br />

to use.<br />

Because of long flaps which fold into<br />

the box, which is actually of one-piece design,<br />

the carton remains intact even when<br />

opened. No staples, tape or string is used<br />

in storing the boxes.<br />

Ample Warning in<br />

Reelend Alarm<br />

P-603<br />

We install itwe<br />

service it<br />

When you get set for television in your<br />

theatre, RCA Service Engineers are prepared<br />

to help you.<br />

These experts have received intensive<br />

training in the television laboratories and<br />

factories of the Radio Corporation of<br />

America and are qualified to supervise<br />

the installation of complete theatre TV<br />

systems and keep them running.<br />

They will see to it that all video equipment,<br />

including coaxial lines and antennas,<br />

are installed for maximum operating efficiency.<br />

They will give whatever operating<br />

instructions are necessary to your projectionists<br />

on handling the equipment. They<br />

RCA Service Engineers on<br />

television assignments are<br />

factory-trained experts. You<br />

can depend on them to keep<br />

your theatre TV equipment<br />

at peak efficiency.<br />

will be on ready call for quick emergency<br />

service.<br />

Like the Service Plan for motion picture<br />

equipment, RCA's new Theatre TV<br />

Service includes periodic inspection calls<br />

and unlimited emergency service—at reasonable<br />

rates. Tubes and components are<br />

replaced without additional charge when<br />

Parts Plan is included.<br />

t -f f<br />

IMAGINE IT— television programs on<br />

your screen with reliability corresponding<br />

to a motion picture show. It's a fact<br />

when it's backed by RCA Service. Write<br />

for complete information.<br />

A new reelend alarm which not only<br />

gives the projectionist a constant reading<br />

on the projection time left in any reel but<br />

also sounds three distinct bell warnings<br />

near the end of each reel is announced by<br />

the Reversible Sign Co.<br />

A soft rubber roller, which rides on the<br />

film, is designed to avoid film scratching<br />

and is light in weight to avoid wear on<br />

the roller itself. The film arm can be<br />

raised out of the way for quick and easy<br />

threading. Adjustments make it possible to<br />

set alarm rings for any spots from zero<br />

to five minutes before the reel end.<br />

According to the manufacturers, the<br />

alarm is easily attached to any make of<br />

projector magazine.<br />

RCA SERVICE COMPANY. IMC.<br />

A RADIO CORPORATION ofAMERICA SUBSIDIARY<br />

CAMDEN. NEW JERSEY<br />

WHEN LIGHTS GO OUT-<br />

Your Best Friend is a<br />

_ LAMPLIGHTER ^^«eT^e*f^ UNIT<br />

Avoid Panic and Injury<br />

^, Just one of many models<br />

W INQUIRE NOW!<br />

PRODUCTS CO.,<br />

95 ATLANTIC AVE.<br />

BROOKLYN 2, N. Y.<br />

'^%p6c\a\ii\s in Emergency Lighting"<br />

INC.<br />

BOXOFFICE :: December 2, 1950<br />

47


PO0<br />

TO<br />

DRIVE-IN<br />

GREATER<br />

PROFITS<br />

Add Directional Signs<br />

To General Line<br />

MATINEE<br />

" - • 50<<br />

•^H'^EN ,;<br />

20<br />

f<br />

P-604<br />

is returned to its container on the post.<br />

Known as a Speaker-Lok, the unit was<br />

demonstrated at the recent TESMA trade<br />

show in Chicago and the TOA convention<br />

in Houston.<br />

When a speaker has been withdrawn<br />

from the metal container, which is also<br />

said to protect speaker components from<br />

the elements in non-show hours, the lid<br />

locks in the open position and cannot be<br />

closed in any way except by replacing the<br />

speaker. When the lid is closed the iron<br />

guards are dropped to release the locked<br />

wheel.<br />

To the line of admission signs on plastic,<br />

both illuminated and unlighted, the Associated<br />

Ticket Co. has added new directional<br />

signs for theatre use. Employing<br />

various methods of display, the signs may<br />

carry whatever copy the theatreman wishes<br />

since each sign is made to order.<br />

New Ceiling Air Distributors<br />

For Non-Recessed Installation<br />

P-606<br />

Wheel Lock Eliminates<br />

Speaker Loss<br />

P-605<br />

From New Jersey to Missouri, Poblocki<br />

& Sons are furnishing thirteen drive-in<br />

signs for one of the oldest and largest<br />

circuits in the country. An exclusive<br />

phenomenal flashing scheme is the outstanding<br />

feature on all these signs. Investigate<br />

Poblocki "knov/-hov^" first, and<br />

be convinced that your best drive-in<br />

advertising will be done with a Poblocki<br />

sign.<br />

A new device which requires exact positioning<br />

of the drive-in theatre patron's<br />

car to obtain an in-car speaker from a<br />

special metal container, utilizes metal<br />

guards before and behind one front wheel<br />

to hold the car in position until the speaker<br />

Designed for installation where the outlet<br />

cannot be recessed into the ceiling, two<br />

new Barber Colman air distribution outlets<br />

have adjustable air deflection and a high<br />

aspiration rate. Outlet extends only a few<br />

inches above the ceiling surface.<br />

Venturi-Flo units in the new models are<br />

available as supply or combination supply<br />

and return outlets. Supply air deflection<br />

is adjustable from vertical to horizontal<br />

in supply outlets and limited in combination<br />

units to prevent short circuiting of<br />

supply air to the return opening. Outlets<br />

are supplied in a wide range of sizes in a<br />

baked metalescent aluminum finish or<br />

prime coat for painting.<br />

Modernize Your <strong>Boxoffice</strong><br />

SPEAKER<br />

OPENING GRILL<br />

PROGRAM TIME SCHEDULE HOLDER<br />

A great convenience for patrons and timesaver<br />

for cashier. Sturdily constructed of<br />

tempered presdwood for standing or hanging.<br />

Plastic disks with offset<br />

louvres permits perfecl<br />

hearing , yet prevents<br />

cold oij rushing into<br />

ticket booth. For any<br />

round speaker open-<br />

size<br />

ing, easily attached.<br />

ROLL<br />

TICKET HOLDER<br />

Rigidly constructed al<br />

tempered presdwood<br />

with hardwood varnished<br />

roller Wall, table<br />

shelf mounting, inexp<br />

sive but durable.<br />

i^riiTe{Zi.A?,DS6?rs-m^<br />

^asaamm<br />

TICKET vnNDOW SPACE COVER AND LOCK<br />

Heavy clear plastic, custom made for any<br />

size opening. Inside stainless steel locks<br />

prevent vandalism.<br />

For full particulars, write to the company direct or use<br />

the FREE postcard at page 35. This ad's key No. is 4S-B.<br />

DRIVE-IN THEATRE MFG. CO.<br />

729 Baltimore Ave. Kansas City, Mo.<br />

48 The MODERN THEATRE SECTION


'<br />

^<br />

j<br />

Hydropel Is Waterproof P-607<br />

Coating for Masonry<br />

A new product in the field of waterproofing<br />

is announced by United Laboratories.<br />

Inc. Known as Hydropel. the product is<br />

a transparent water-repellent coating for<br />

exterior masonry surfaces of many kinds.<br />

The completely new formulation of<br />

Hydropel is radically different from cement<br />

and other similar paints or coatings.<br />

It does not form a film on the surface and<br />

is completely invisible. The original texture<br />

and color of the building is retained.<br />

Operator Convenience Featured<br />

In Multi-Clean Scrubber<br />

P-608<br />

A NEW<br />

POBLOCKI<br />

ACHIEVEMENT<br />

Making it's bow at the TOA convention<br />

in Dallas, the portrait<br />

type case excited hundreds of<br />

exhibitors. They realized that<br />

the shadow box, tri-dimensional<br />

effect gives great prominence<br />

to poster advertising. The great<br />

beauty of the extra wide, stainless<br />

steel molding is an attention<br />

Scrubbing controls at his fingertips, plus<br />

ease of manipulation of the entire unit,<br />

are features of the new Multi-Clean rug<br />

scrubber models designed to make it easier<br />

for the operator to clean larger carpet<br />

areas more efficiently.<br />

the line are powered by electric motors<br />

from a third-horsepower up to a full<br />

horsepower. Brush sizes of the various<br />

machines range from 12 to 19-inch spreads.<br />

According to the manufacturer, no adjustment<br />

is necessary to switch from wet<br />

to dry pickup. An independent motor cooling<br />

system is installed and the motor is<br />

sealed against dirt, dust and water.<br />

PICTURE WINDOW SIZE<br />

The large glass size gives a picture window effect,<br />

allowing use of several posters in various combinations.<br />

You need all the advertising you can<br />

get — and you get all you need with Poblocki<br />

portrait type, picture window poster cases.<br />

getter, yet artfully demands attention<br />

for the posters within,<br />

which is set back in greater<br />

depth, highlighting the poster<br />

message.<br />

is<br />

The overall impression<br />

one of luxury, and greatly improves<br />

the appearance of any<br />

theatre.<br />

Portrait poster cases are custom<br />

built in any size, to fit your particular<br />

front.<br />

The additional cost<br />

will be forgotten when you see<br />

how portrait cases improve your<br />

theatre facade.<br />

ARE YOU USING ALL YOUR DISPLAY<br />

SPACE TO BEST ADVANTAGE?<br />

Light Polarized by P-609<br />

Convex Screen<br />

A result of 35 years of study and experimentation,<br />

the Trans-Color projection<br />

screen recently presented to the industry<br />

at a theatre premiere, offers solutions to<br />

many of the problems with which theatremen<br />

have been faced in recent years.<br />

A viewing angle increased to 80 degrees<br />

without distortion is achieved by providing<br />

a true convex shape to the screen surface.<br />

Masking and framing problems are solved<br />

by keeping the masking in a flat plane and<br />

mounting the screen in a lightweight<br />

aluminum frame which brings the entire<br />

load within limits which makes it practical<br />

to ship the unit by air if necessary. Assembly<br />

is said to require only a few minutes'<br />

time.<br />

By polarizing the light the screen affords<br />

less glare and gives color projection a<br />

softer, more lifelike quality. A variety of<br />

surface treatments are available in the<br />

screen which now employs screen material<br />

of the Williams Screen Co.<br />

m ^ppfiii<br />

Why limif your poster advertising to<br />

e, the Borry theatre, Pittsburgh,<br />

;ingle case 96"x96". At right, the<br />

e, Chattanooga, Tenn., with a<br />

nbined box office and poster case.<br />

Poblocki & Sons<br />

Milwaukee, Wis.<br />

"standard" size cases, when Poblocki can<br />

give you many extra square feet of show<br />

celling space. Utilize all your available<br />

front to get your poster advertising across<br />

to the public in jumbo Poblocki cases,<br />

custom built to your exact specifications.


—<br />

Choose the<br />

Super that<br />

Meets Your Special<br />

Needs<br />

Any one of these Super Specialized Theatre Cleaners will solve any ond<br />

all of your cleaning problems to your complete satisfaction. All are designed<br />

and tool-equipped for the dependable and thorough performance<br />

of every cleaning job. All are rugged, portable, with fast positive pick up.<br />

The MODEL M. A streamlined Super for heavy duty general use. Light<br />

weight, ready portability, simple operation. A safety trap catches without<br />

damage metal and other solid objects picked up by floor tool.<br />

The MODEL QS. A quiet suction cleoner with the same powerful<br />

Super pick up. Practically noiseless operation. Cleans efficiently<br />

without disturbing or interferring with entertainment. Light weight<br />

and easily portable on any kind of floor.<br />

The MODEL QR All Super features plus wet pick up. Carpets<br />

2. Model QS.<br />

and rugs can be dried after shampooing where they lie. Suds and<br />

scrub water removed from bare floors. Saves time, expense, and inconvenience.<br />

Standard tool equipment enables you to do general and usual cleoning. Special tools for<br />

specific and difficult tasks may be obtained at small additional cost.<br />

Ask your supply dealer for a demonstration. See for your self why thousands of theatre<br />

owners 'solve their problems with a Super. Write for complete data.<br />

NATIONAL SUPER SERVICE COMPANY, INC.<br />

1941 N. 12th Street, Toledo 2, Ohio<br />

SUPER SUCTION<br />

Tlie following concerns have recently<br />

filed copies of interesting descriptive literature<br />

with the Modern Theatre Information<br />

Bureau. Readers who wish copies may<br />

obtain them promptly by using the Readers'<br />

Bureau postcard in this issue of The Modern<br />

Theatre.<br />

L-1210—A SINGLE SHEET which tells the<br />

advantages of a new textbook on advertising<br />

for the theatreman is offered by the<br />

Helpful Pi-ess. According to the publisher,<br />

this service makes it possible to test the<br />

effectiveness of your advertising before it<br />

is published. The author is Calvert Lindquest.<br />

advertising and sales consultant.<br />

L-iail—A FOUR-PAGE FOLDER of the Lucky<br />

Club Co. tells the story of its line of franchise<br />

beverages in the soft drink field. A<br />

full range of flavors, an advertising program<br />

to back up the dealer and a comprehensive<br />

profit story is told in the literature.<br />

L-1212—A TWO-COLOR SINGLE SHEET Of<br />

the Fred Hebel Corp. describes and illustrates<br />

a coin-operated new ice cream vender.<br />

The unit offers buyers a choice of<br />

five different flavors of stick confections.<br />

Because cartoning of individual bars is unnecessary<br />

with this dispenser, an additional<br />

profit is available on each bar.<br />

L-1213 An attractive full-color folder<br />

of the murals available to the theatreman<br />

for dressing a dull corner or wall is offered<br />

by Foto Murals of California. The brochure<br />

gives sizes and price of each mural<br />

and answers a number of the questions<br />

sure to be asked by the exhibitor interested<br />

in this novel decorative treatment.<br />

An "Added" Service to Our Customers<br />

All ADC Curtain Tracks are now being furnished with sash cord for hand-operated<br />

tracks and wire-center bell cord for machine operated tracks — AT NO<br />

EXTRA COST! And, it's the world's finest cord, too. Immediale delivery oi cord<br />

for replacement or stocking purposes. Available in all sizes for all ADC Tracks<br />

and for use with Autodrape & Silver Service Curtain Machines.<br />

AUTOMATIC<br />

DEVICES COMPANY<br />

116 N. 8th St. Allentown, Pa.<br />

SUPPORT THE MOST CELEBRATED CURTAINS IN THE WORLD<br />

Announcing ""PERFECTION IN REFLECTION'<br />

25 YEARS EXPERIENCE<br />

SeamU^A SUoen. a*ut SeeunicA^^ TOAlte ScneeM4.<br />

POLA-RAY NOW PRESENTS<br />

THE PROJECTION SCREEN OF TOMORROW<br />

CUSTOM-BUILT SCREENS TO MEET ALL REQUIREMENTS<br />

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L-1214 Sixteen pages of interesting<br />

photographs, drawings and descriptive<br />

matter are contained in a recent catalog<br />

of J. R. Clancy, Inc., manufacturers of all<br />

kinds of curtain controls and stage equipment.<br />

Shown in the book are outstanding theatre<br />

installations of contour curtains, the<br />

motorized bandcar described in this issue<br />

of The Modern Theatre and other units<br />

of staging equipment.<br />

L-1215 Pull presentation of the new<br />

General Precision Laboratories' Videofilm<br />

method of presenting theatre television is<br />

included in a booklet offered by National<br />

Theatre Supply Co. The book pictures each<br />

element in the chain of equipment which<br />

takes the image from a television camera,<br />

records it on film, processes that film and<br />

puts a finished picture on a theatre screen<br />

within 60 seconds.<br />

Suggested methods of using the complete<br />

system, plus a diagramatic outline of operation<br />

is included in the book.<br />

L-1216 Complete, up-to-date reference<br />

manuals, designed for use by architects,<br />

contractors and supervisors, and classifying<br />

proper floors to suit various conditions<br />

in industry, have been prepared by Multi-<br />

Clean Products, Inc. These manuals pro-<br />

50<br />

Tho MODERN THEATRE SECTION


—<br />

vide for improved floor appearance, longer<br />

life and reduced repair and replacement.<br />

They contain detailed instructions for the<br />

proper care and maintenance of wooden,<br />

asphalt tile, terrazzo, rubber tile, concrete<br />

and linoleum floors.<br />

Also included is a full-color brochure<br />

showing various floor installations and listing<br />

a breakdown of maintenance cost<br />

figures.<br />

L-1217 An interesting, fully illustrated<br />

brochure on Dek-Tufts, for custom-building<br />

simulated upholstery, is available from<br />

Deks, Inc. The four-inch squares are available<br />

in 11 decorative colors and are tough,<br />

durable acetate construction. A center hole<br />

in each tuft provides access for a single<br />

nail which will hold the square in place on<br />

any wooden surface.<br />

By combining various colors to form interesting<br />

patterns, the squares may be used<br />

to provide decoration to theatre standee<br />

rails, doors, entranceways, or refreshment<br />

service counter fronts.<br />

L-1218—A QUICK EASY-TO-READ, four-page<br />

booklet issued by National Theatre Supply<br />

presents a large illustration of the new<br />

Excelite arc lamp, and states its outstanding<br />

features.<br />

The new lamp has been designed for use<br />

at drive-ins or conventional theatres with<br />

large screens.<br />

L-1219 — Two SINGLE SHEETS issued by<br />

National Heaters, Inc., clearly state the<br />

case for the drive-in in-car heater. By<br />

pointing out that a normal operating<br />

season can be extended a total of approximately<br />

20 weeks in spring and fall, the<br />

literature suggests that National heaters<br />

can add considerable drive-in revenue.<br />

L-1220—A FOLDED. TWO-COLOR booklet of<br />

Theatre Equipment Co. of America features<br />

its Teca in-car speakers which are priced<br />

as low as $11.50 a pair, and also illustrates<br />

and describes other speakers in the line<br />

which sell for as much as $18 a pair. In<br />

addition to speakers, the literature lists<br />

downlights, coiled cords and special theftresisting<br />

cord.<br />

L-1221—A FOUR-PAGE, TWO-COLOR booklet<br />

issued by FYigidbar, Inc., illustrates, with<br />

blueprint-style cross-section drawings, the<br />

new frozen confection vender which puts a<br />

refrigerated product within the customer's<br />

reach for added sales.<br />

The booklet illustrates the Plexiglas lid<br />

which covers merchandise in the top of the<br />

unit, and explains that the vender may be<br />

used either for self-service or by a clerk.<br />

The unit is available in either floor or<br />

counter models.<br />

L-1222—A SERIES OF ATTRACTIVE CatalOgmanuals<br />

have recently been released by the<br />

C-O-Two Fire Equipment Co. The manuals<br />

illustrate various uses of the fire extinguishers,<br />

give specifications and construction<br />

drawings plus suggested techniques<br />

of use.<br />

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aroma . . . produces fewer<br />

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BOXOFFICE :: December 2, 1950<br />

51


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Black Light Units and GLO-CRAFT<br />

fluorescent products are endless.<br />

Murals and other types of Block Light<br />

decoration have become recognized<br />

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theaters throughout the v/orld. Theater<br />

ov/ners have reported intense<br />

interest in the captivating beauty of<br />

GLO-CRAFT Black Light Decorating.<br />

Sv^itzer Brothers have the technical<br />

knov/ledge to aid you in drav/-<br />

ing more patrons to your theater<br />

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Pump & Machinery Corp., announced<br />

recently the election of Charles<br />

E. Wilson, former president, to the position<br />

of chairman of the board of directors of<br />

its subsidiary, the Worthington-Gamon<br />

Meter Co. Robert R. Anderson was elected<br />

president of the firm which manufactures<br />

liquid meters. William C. Flanders was<br />

elected vice-president in charge of sales,<br />

and Walter H. Zeis secretary-treasurer.<br />

Because of the expansion of business.<br />

Edgar A. Bowman has recently moved his<br />

entire plant facilities to 682 Sixth Ave.,<br />

New York 10, N. Y. Just barely settled in<br />

the new quarters, output of the expanded<br />

operation is in full swing to meet customer<br />

orders.<br />

Interviewed on television at the recent<br />

TOA convention in Houston were Charles<br />

P. Skouras, left, of 20th Century-Pox and<br />

Mrs. Herbert Griffin, wife of the vicepresident<br />

of International Projector Corp.<br />

A. E. Hungerford. of General Precision<br />

Laboratories, conducts the interview as<br />

part of his firm's demonstration of theatre<br />

television equipment at the show.<br />

New windproof. slotted changeable<br />

copy letters developed by Wagner Sign<br />

Service, Inc., have recently been released<br />

to theatremen.<br />

This new windproof slot, a feature which<br />

is exclusive with Wagner, affords a positive<br />

lock which prevents letters blowing off the<br />

sign even in the most extreme wind. The<br />

letters are also said to be easier to change<br />

than previous letters.<br />

iiiii<br />

In keeping with plans to have experts<br />

in various fields on hand in display booths<br />

at the TESMA show last month, Jake<br />

Mitchell, Worth Laird, Bill LaVezzi, Tom<br />

LaVezzi, Jerry Kremer and Bob LaVezzi<br />

manned the LaVezzi booth to give visitors<br />

authoritative data.<br />

Edward f. Ruder<br />

Recently named<br />

advertising manager<br />

of the Angelica Uniform<br />

Co. is Edward<br />

P. Ruder. Ruder advances<br />

into the position<br />

opened by the<br />

promotion of John<br />

Levey to the position<br />

of Director of Sales<br />

and Promotion.<br />

Neighborhood Theatres as well as larger theatres<br />

with balconies and lounges can profit.<br />

You'll get extra income at no increase in<br />

overhead with these "easy-to-operate" machines.<br />

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52<br />

The MODERN THEATRE SECTION<br />

i


EXHIBITOR HAS HIS SAY<br />

ABOUT<br />

PICTURES<br />

Just as the Barometer vage shovts first run reports on current pictures, this<br />

department is devoted for the most part to reports on subseauent runs, made<br />

by exhibitors themselves. A one-star contributor is new. two stars means the<br />

exhibitor has been writing in for six months or longer, and a three-star contributor<br />

is a regular of one year or more. All exhibitors welcome. Blue Ribbon<br />

pictures are marked thus *>.<br />

COLUMBIA<br />

Candid Microphone (Col) — Short. It is<br />

taking this series time to catch on, but now<br />

some of my patrons are asking for this excellent<br />

short series. Allen Funt, the originator,<br />

has a clever idea and most of the<br />

situations are very humorous. It's fun to<br />

watch people when they don't know they're<br />

being watched. I hope these shorts click.<br />

Played Tues., Wed., Thurs. Weather: Good.—<br />

Carl Neitzel, Juno Theatre, Juneau, Wis.<br />

Local and surrounding area patronage. ' * *<br />

Father Is a Bachelor (Col)—William Holden,<br />

Coleen Gray, Mary Jane Saunders. This<br />

is an excellent small town picture. It was<br />

only fair on drawing power but the film<br />

rental was low and our net was $5 over the<br />

minimum satisfactory. It is good for Sunday<br />

or weekend at low rental. Played Sun., Mon.<br />

Weather: Fair.—E. A. London, State Theatre,<br />

Olivet, Mich. Small town, rural and college<br />

patronage. * * *<br />

Fortunes of Captain Blood, The (Col) —<br />

Louis Hayward, Patricia Medina, George Macready.<br />

Too much costume and not strong<br />

enough cast caused the wallopin' we took<br />

on this one. Paired with Republic's "Flaming<br />

Fury" and on this bill the patrons enjoyed<br />

it much more than they did old Captain<br />

Blood. Costume flickers are dead for this<br />

location. Played Sat. (preview). Sun., Mon.<br />

Weather: Clear and 90 degrees.—Jim Dunbar.<br />

Roxy Theatre, Wichita, Kas. Downtown<br />

subsequent run patronage.<br />

' * ''<br />

Good Humor Man, The (Col)—Jack Carson.<br />

Lola Albright, Jean Wallace. This is a low<br />

grade of slapstick and has no drawing power<br />

here. We lost heavily and should not have<br />

played the picture. Weather: Fair.-E. A.<br />

London, State Theatre, Olivet, Mich. Small<br />

town, rural and college patronage.<br />

* * *<br />

EAGLE LION CLASSICS<br />

Federal Man (ELC) — William Henry,<br />

Pamela Blake. This is a fine action picture to<br />

double with that western on Fri., Sat. A good<br />

print and sound made this one okay, and no<br />

company yet has beaten Eagle Lion's terms.<br />

You fellows in the rural towns, sit up and<br />

take notice! Played Fri., Sat. Weather: Cold.<br />

—I. Roche, Vernon Theatre, Vernon, Fla.<br />

Small town and rural patronage. * * *<br />

Naughty Nineties (ELC) — Reissue. Bud<br />

Abbott, Lou Costello. These two boys never<br />

fail me at the boxoffice. This was one of<br />

their first efforts and just as entertaining in<br />

the slapstick vein as ever. Don't miss it if<br />

these boys do business in your locality.<br />

Doubled it with "Wagonma.ster" (RKO>, a<br />

different style of western with plenty of action<br />

and drama for all. This weak cast performed<br />

ably. Played Fri., Sat. Weather: Fair<br />

and cold.—Jim Dunbar, Roxy Theatre, Wich-<br />

Spoilers, The (ELC) — Reissue. Marlene<br />

Dietrich, John Wayne. Naturally, we can say<br />

this went over to a full house because it was<br />

our annual free Halloween show. The show<br />

itself was pretty good. It had quite a bit of<br />

action. If we could have as many people come<br />

when they pay as when they don't, we might<br />

start making some money. Played Tuesday<br />

only. Weather: A little cool.—Theron Pollard,<br />

Garfield Theatre, Garfield, Utah. Min-<br />

'<br />

ing town patronage.<br />

Desperadoes (Col)—Randolph Scott, Glenn<br />

Ford. If you have an action house or get Timber Fury (ELC)—David Bruce, Laura<br />

results from western pictures, this is your Lee, Nicla DiBruno. Only the children and<br />

answer. It is a lovely picture of its kind.— the most simple souls waste their money on<br />

Harland Rankin, Rankin Enterprises, Chatham,<br />

Ont. Small town patronage. ' * * one isn't doing his books justice. I don't<br />

these James Oliver Curwood stories. Some-<br />

be-<br />

tion they like here.' Played Sun.. Mon. patronage.<br />

Weather: Fair. — Jim Mote, Friendship<br />

Theatre, Sterling. Okla. Small town and Happy Years, The (MGM)—Dean Stockwell,<br />

Darryl Hickman, Scotty Beckett. This<br />

rural patronage. * * * 'Comments of the Week'<br />

Show Diverse Views<br />

"THIS WEEK we take the opposing views<br />

of two exhibitors and run them for<br />

further comment from exhibitor readers.<br />

One from Clinton Bahensky of the Time<br />

Theatre at Albert City, Iowa, read:<br />

"The big pictures just won't do business<br />

in a small town after they have played<br />

all around you."<br />

ita, Kas. Downtown subsequent run patronage.<br />

A few days later this one came in from<br />

* * *<br />

Ken Gorham of the Town Hall Theatre<br />

at Middlebury, Vt., as follows:<br />

"Playing this film ahead of the Roxy<br />

(New York City), also ahead of nearby<br />

cities, stripped me of much good advertising."<br />

Anyone want to comment further on<br />

this?<br />

Black Hand (MGM)—Gene Kelly, J. Carrol<br />

Naish, Teresa Celli. In my estimation this<br />

is not suitable for the rural situations, although<br />

there are action and suspense aplenty<br />

in it. Note to MGM (trailer department):<br />

Any scenes with a crying woman in them<br />

are boxoffice poison for the small towns.<br />

Won't all you small town fellows agree on<br />

lieve they're this bad. Played Fri., Sat.<br />

that? ... I would like to see special trailers<br />

Weather: Fair.—Jim Mote, Friend.ship Theatre,<br />

Sterling, Okla. Small town and rural<br />

made for rural trade use. Played Wed., Thurs.<br />

patronage. * * * Weather: Extremely fine for November.—I.<br />

Roche, Vernon Theatre, Vernon, Fla. Small<br />

LIPPERT PRODUCTIONS<br />

town and rural patronage. * * *<br />

Deputy Marshal (LPi—Jon Hall. Frances Conspirator (MGM)—Robert Taylor, Elizabeth<br />

Taylor, Robert Fleming. This is a good<br />

Langford. Dick Foran. This is an aboveaverage<br />

western that I used to replace my picture that didn't set the world on firemediocre<br />

usual western series. Business was excellent<br />

turnout. Played Mon., Tues.—Har-<br />

because of the co-feature, "In Old Missouri" land Rankin, Rankin Enterprises, Chatham,<br />

(Rep). No complaints. Played Fri., Sat. Ont. Small town patronage. * ' *<br />

Weather: Cold.—Ralph Raspa, State Theatre,<br />

Rivesville, W. Va. Rural patronage. * * *<br />

Duchess of Idaho (MGM)—Esther Williams,<br />

Van Johnson, John Lund. If this picture had<br />

been given to us rental free, we would have<br />

METRO-GOLDWYN-MAYER<br />

just made expenses and our minimum net.<br />

Annie Get Your Gun (MGM)—Betty Hutton,<br />

Howard Keel, Louis Calhern. This ranks<br />

The story is weak and the title is extremely<br />

weak. If Metro had substituted "Sun Valley"<br />

as the finest entertainment we have ever<br />

for "Duchess," the picture would have had<br />

shown on our screen. Our film rental was<br />

more drawing power. We cannot recommend<br />

too high and consequently our net was only<br />

the picture for small towns. Played Sun., Mon.<br />

at the "get-by" figure. Played Sun., Mon.<br />

Weather: Fair.-E. A. London, State Theatre,<br />

Weather: Fair.—E. A. London, State Theatre,<br />

Olivet, Mich. Small town, rural and college<br />

Olivet, Mich. Small town, rural and<br />

patronage.<br />

college patronage.<br />

Battleground (MGM)—Van Johnson, John Duchess of Idaho (MGM)—Esther Williams,<br />

Hodiak, Ricardo Montalban. This epic win Van Johnson, John Lund. Like all other<br />

be good when it is reissued the third or fourth Esther Williams pictures, the story material<br />

time. Comments were fine and attendance was weak, but very likable and entertaining.<br />

normal and a little over for three days midweek.<br />

The excellent story, cast and direction<br />

Of course the average patron likes them<br />

simple and this one was just that. Paired it<br />

made it thoroughly entertaining. Coupled<br />

with "Woman on Pier 13" (RKO) and of the<br />

it<br />

with "Shanghai Chest" (Mono), a below par<br />

two. Duchess was best liked and sold the<br />

Charlie Chan feature. Played Tues., Wed., most tickets. Business was just about normal.<br />

Thursday. Weather: Clear and warm.— Jim Played Sat. (preview). Sun., Mon. Weather:<br />

Dunbar, Roxy Theatre, Wichita. Kas. Downtown<br />

subsequent run patronage. * * * tre, Wichita, Kas. Downtown subsequent run<br />

Clear and warm.—Jim Dunbar, Roxy Thea-<br />

patronage.<br />

WFather of the Bride (MGM) — Spencer<br />

Combination They Like<br />

Tracy, Joan Bennett, Elizabeth Taylor. This<br />

comedy is too sophisticated for our people.<br />

In 'Riding High'<br />

Our attendance was low and the picture did not<br />

TJIDING HIGH (Para) — Bing Crosby, please the majority who came. The film rental<br />

Coleen Gray, Charles Bickford. This was twice what it should have been—you<br />

is much better than I had been led to know the rest of the story. Played Sun., Mon.<br />

believe. I couldn't find a thing wrong Weather: Fair.—E. A. London, State Tlieatre,<br />

with it. It has just about the combina-<br />

Olivet, Mich. Small town, rural and college<br />

is<br />

a high grade family picture with only fair<br />

BOXOFFICE BooldnGuide Dec. 2, 1980


I<br />

Rep), a bill for the<br />

drawing power. It is worth a Sunday date in were all fine in it. Played Pri., Sat., Sun.<br />

.-.mall towns at low flat rental. We netted Weather: Good.—Frank E. Sabin, Majestic<br />

•<br />

my dark night, for my Catholic patrons. atre, Jerome, Ariz. Mining patronage. * Played Fri., Sat. Weather: Fair and cold.—<br />

The priest announced it here and in a<br />

Jim Dunbar, Roxy Theatre, Wichita, Kas.<br />

nearby town. As a result, had a nice crowd. Wagonmaster (RKO) — Ben Johnson, Downtown subsequent run patronage. * * *<br />

This is something all Catholics are interested<br />

in, regardless of locaUty. The sound western that pleased my fans no end. The Fighting Kentuckian, The (Rep) — John<br />

Joanne Dru, Harry Carey jr. A very unusual<br />

wasn't quite up to par but the ceremonies novel musical background was outstanding Wayne, Vera Ralston, Philip Dorn. It seems<br />

and church scenes were good. Played and gave us a very good Sun., Mon. boxoffice. John Wayne can do no wrong. He works in<br />

Thursday. Weather: Fair. — Jim Mote, It was better than "Fort Apache," and was all types of action plays and the verdict is<br />

Friendship Theatre, Sterling, Okla. Small sold flat, for a change. Weather: Snow and always good. Played Tues., Wed. Weather:<br />

town and rural patronage. * • * wind. — Ken Christianson, Roxy Theatre,<br />

just enough to get by. Played Sun., Mon. Theatre, Eureka, Mont., Small town and<br />

Weather: Fair.—E. A. London, State Theatre, rural patronage. • •<br />

From •<br />

Recent Illness<br />

Olivet, Mich. Small town, rural and college<br />

* patronage. *<br />

CINCE '<br />

contributors to these columns<br />

Lives of a Bengal Lancer (Para)—Reissue.<br />

Gary Cooper, Franchot Tone. This did not have become a family, in a sense, 1<br />

Reformer and the Redhead, The CMGM)— do near the business that "Beau Geste" gave think others will be interested in this<br />

Dick Powell, June Allyson, David Wayne. us, but satisfied the patrons. The print was communication from E. A. London of the<br />

This was an opportune picture, played two not too good and the sound recording was State Theatre at Olivet, Mich., which<br />

days prior to the general election. It did average<br />

far from being good. This is a nice weekend says:<br />

business and is a comedy-angle picture, picture, though. What a cast for a movie!<br />

"I am sorry to have neglected your<br />

with a few animals to please the kids. Played Played Fri., Sat. Weather: Cool.—Ken Christianson,<br />

Roxy Theatre, Washburn, N. D.<br />

department but I have been ill since June<br />

Sun., Mon. Weather: Cool.—D. W. Trisko,<br />

and have been<br />

Ritz Theatre, Jerome, Ariz. Mining patronage.<br />

Small town patronage. * * •<br />

unable to participate in<br />

'<br />

the operation of our theatre. Fortunately,<br />

' *<br />

Riding High (Para)—Bing (3rosby, Coleen my wife is an excellent manager or we<br />

Reformer and the Redhead, The (MGM)— Gray, Charles Bickford. After all the lemons would have been forced to close our theatre.<br />

Dick Powell, June Allyson, David Wayne. Bing has appeared in, I was a httle afraid<br />

I have somewhat recovered and will<br />

Funny? You bet! This is a fine family picture<br />

of this one, but it was pleasant surprise. try to be a regular contributor again to<br />

that I recommend to all exhibitors. An The picture is on a down-to-earth level and EHHS. It is still the most valuable de-<br />

trailer excellent plus a fine cast helped to helped to raise Bing's stock. It has an excellent<br />

partment of BOXOFFICE."<br />

cast, with special mention to William<br />

sell this one. I let the first ten redheads in<br />

Orchids to Mrs. London for seeing that<br />

free but 16 showed up, so I let them in too. Demarest, Clarence Muse and Coleen Gray.<br />

the<br />

The price was a little steep, but I had<br />

show went on during her husband's<br />

so The picture built attendance from the first<br />

illness<br />

many good comments that maybe it was night. Played Tues., Wed., Thurs. Weather:<br />

and we are glad to learn of his recovery.<br />

worth it. Played Sun.. Mon. Weather: Cold.— Cool.—Carl P. Neitzel, Juno Theatre. Juneau,<br />

Carl Neitzel, Juno Theatre, Juneau, Wis. Wis. Local and surrounding area patronage.<br />

Local and surrounding area patronage. * • *<br />

• • *<br />

Skipper Surprised His Wife, The (MGM)—<br />

REPUBLIC<br />

Robert Walker, Joan Leslie, Edward Arnold.<br />

Arkansas Judge (Rep) —Reissue. Weaver<br />

This is a good little comedy. We expected<br />

Help Called It a Jewel<br />

Bros, and Elviry. I played this oldie starring<br />

better business but I guess we shouldn't complain.<br />

It's still better than Korea. Played That Pleased Everyone against a personal appearance of Roy Rogers<br />

the Weaver Bros, and Elviry with Roy Rogers<br />

Wed., Thurs.—Harland Rankin, Rankin Enterprises,<br />

Chatham, Ont. Small town pa-<br />

—Jane Wyman, Dennis Morgan, Eve Ar-<br />

us normal business. It is a good hillbilly pic-<br />

LADY TAKES A SAILOR, THE (WB) and Dale Evans in the trade area, and it gave<br />

* * tronage. * den. This is another one I missed because<br />

we were headed for Texas, but my Thurs., Fri. Weather: Cold.—Ken Christianture<br />

that your country people love. Played<br />

help tell me that it was one of those son, Roxy Theatre, Washburn, N. D. Small<br />

MONOGRAM<br />

jewels that please everyone. They said town and rural patronage. * * *<br />

Master Minds (Mono)—Leo Gorcey, Huntz Jane was never better and that people<br />

Hall, William Benedict. If these Bowery Boys left raving about what a grand picture it Blonde Bandit, The (Rep)—Dorothy Patrick,<br />

go in your town, this is a good one. It has was. Business was slightly above average<br />

Gerald Mohr, Robert Stockwell. Re-<br />

plenty of laughs doubled with "Trail's End"<br />

for the change. I'd sure advise you public makes a good grade of program pic-<br />

(Mono) to ten per cent above average busi- to use it. Played Sun., Mon., Tues. tures. Although there were no name stars<br />

ness. Played Pri. night, Sat. afternoon. Weather: Perfect.—Bob Walker, Uintah in the cast, the story was very good and the<br />

~<br />

Weather: Very cold, below freezing.—N. D. Theatre, Fruita, Colo. Small town and picture plea.sed. Doubled with "Susanna Pass"<br />

which made up good Patterson, Tate Theatre, Coldwater, Miss. rural patronage. » » *<br />

Small town and rural patronage.<br />

weekend. Business was average and comments<br />

*<br />

were favorable. Played Fri., Sat.<br />

Triple Trouble (Mono)—Leo Gorcey, Huntz<br />

Weather: Fair.—Carl F. Neitzel, Juno Theatre,<br />

Juneau, Wis. Local and surrounding area<br />

Hall, Pat Collins. If you play this series',<br />

RKO RADIO<br />

get this soon, as it's better than some of their<br />

patronage. * •<br />

last pictures. Weather: Fair. — Jim Mote, Tarzan's Magic Fountain (RKO) — Lex<br />

Friendship Theatre, SterUng, Okla. Small Barker, Brenda Joyce, Albert Dekker. I didn't Brimstone (Rep) —Rod Cameron, Adrian<br />

town and rural patronage. * * * have much of an opportunity to see this first Booth, Walter Brennan. This was well received<br />

by my above-average audience. It's a<br />

of the Barker series, but in general the chimp<br />

PARAMOUNT<br />

seemed to carry the entire production. Judging<br />

from the laughs rolling forth, it was more as it contains plenty of action. This does.<br />

bit old, but no feature can be too old as long<br />

Dear Wife (Para)—William Holden, Joan comedy than jungle adventure. Business was Played Tues., Wed. Weather: Cold.—Ralph<br />

Caulfield, Edward Arnold. This was enjoyable<br />

from start to finish. I wish it were pos-<br />

whether Barker rates better than Weiss-<br />

Rural patronage. * * *<br />

just normal so I can't tell by the boxoffice Raspa, State Theatre, Rivesville, W. Va..<br />

sible to buy one a week as good as this. Edward<br />

Arnold, Bill Holden and Joan Caulfield (Rep.) Played Fri., Sat. Weather: Clear and Dakota (Rep)—Reissue. John Wayne, Vera<br />

muUer. Coupled it with "Rock Island Trail"<br />

warm.—Jim Dunbar, Roxy Theatre, Wichita, Hruba Ralston. I don't know whether this<br />

Kas. Downtown subsequent run patronage. is reissued in your exchanges, but here it has<br />

proved very worth while. The print was good<br />

A Special Documentary<br />

and John Wayne, as usual, never fails to pull<br />

They Live by Night (RKO)—Cathy O'Donnell,<br />

Farley Granger, Howard DaSllva. This action and this picture can be used either at<br />

them in the front doors. There is plenty of<br />

Gets Special Handling<br />

HOLY YEAR 1950 (20th-Fox)—Documentary.<br />

is a very good crime-doesn't-pay show. Noth-<br />

the head or the tail of the week. I coupled<br />

I ran this featurette with a ing big is to be expected from it. Played Fri., it with a fair but high-priced film, "Iroquois<br />

short, musical western and cartoon on Sat. Weather: Cool.—D. W. Trisko, Ritz The-<br />

Trail" (UA) to above-average business.<br />

(Continued on page 4)<br />

Washburn, N. D. Small town patronage. * • • E. A, London Recovers<br />

BOXOrnCE BooklnGuide :: Dec. 2, 1950


Exhibitor Has His Say<br />

(Continued from page 3)<br />

Good. — Prank E. Sabin, Majestic Theatre,<br />

Eureka, Mont. Small town and rural patronage.<br />

• • •<br />

Macbeth (Rep) — Orson Welles, Jeanette<br />

Nolan, Roddy McDowall. I had an idea it<br />

would not be too good at the boxoffice, but<br />

being a college town, we did very well indeed;<br />

for the title of "Macbeth" is really something.<br />

It is worth good playing time. Played Wed.,<br />

Thurs. Weather: Pretty cold and stormy.—<br />

Ken Gorham, Town Hall Theatre, Middlebury,<br />

Vt. College patronage. • • •<br />

This reissue is a fine war picture. If the war<br />

in Korea is helping your boxoffice with war<br />

pictures, this is one of the best. Terms are<br />

most reasonable, too. Played Sun., Mon.<br />

Weather: Cold.—I. Roche, Vernon Theatre,<br />

Vernon, Fla. Small town and rural patronage.<br />

...<br />

Mister 880 (20th-Pox)—Burt Lancaster,<br />

Dorothy McGuire, Edmund Gwenn. This,<br />

ladies and gentlemen, is a natural. It is a<br />

great story (yes, wonderful!) and Edmund<br />

Gwenn is absolutely tops. In fact, they love<br />

him in our city. Played Sun., Mon., Tues.<br />

Weather: Good.—Ken Gorham, Town Hall<br />

Theatre, Middlebury, Vt. College patronage.<br />

. » •<br />

Competitor's Appraisal<br />

Not the Same as His<br />

COMANCHE TERRITORY (U-I)—<br />

Maureen O'Hara, Macdonald Carey, Will<br />

Geer. Our competitor played it and we<br />

asked for his comments. He said it was<br />

beautiful and a good cast but not much<br />

else. I can't agree, as it did above normal<br />

business for us and we received more good<br />

comments than poor, so it was okay for<br />

us. Played Sun., Mon., Tues. Weather:<br />

Fair and cool.—Ken Christianson, Roxy<br />

Theatre, Washburn, N. D. Small town<br />

and rural patronage.<br />

* » •<br />

Plunderers, The (Rep) — Rod Cameron,<br />

Ilona Massey. Adrian Booth. This is a nice<br />

western from Republic in color, that did above<br />

average midweek business. It had romance,<br />

comedy, Indians and all the contents that<br />

make a "western" for the small town. It was<br />

sold right and pleased all. Played Tues., Wed.,<br />

Thurs. Weather: Cool. — Ken Christianson,<br />

Roxy Theatre, Washburn, N. D. Small town<br />

patronage. * * •<br />

Rock Island Trail (Rep)—Forrest Tucker,<br />

Adele Mara, Adrian Booth. This is a nice<br />

Technicolor action picture for the weekend.<br />

We should have had more business but on<br />

Saturday they had a Catholic wedding, and<br />

there isn't anything I've run, even from<br />

MGM, that can buck this kind of celebration,<br />

and it's only once in a lifetime. However, I<br />

wish they would marry any day but Saturday.<br />

Played Sat., Sun. Weather: Cold.—Harland<br />

Rankin, Rankin Enterprises, Chatham, Ont.<br />

Small town patronage. • • •<br />

20th CENTURY-FOX<br />

AU About Eve (20th-Fox) — Bette Davis,<br />

Aime Baxter, George Sanders. My personal<br />

comment is that Pox made a poor selection<br />

when they attempted, and then gave up, what<br />

they believed to be a good stunt in showing<br />

this. This picture has questionable morals,<br />

has very flippant remarks, and while well<br />

done, was not too well received. It's too bad<br />

Bette Davis ran out of cigarets. Played Sun.,<br />

Tues. Weather: Rainy.—M. W. Mattecheck,<br />

Mack Theatre, McMinnville, Ore. City and<br />

rural patronage. * . •<br />

VCome to the Stable (20th-Fox)—Loretta<br />

Young, Celeste Holm, Hugh Marlowe. I<br />

played this Sun., Mon. and believe me, I<br />

sometimes wonder what patrons really want<br />

for entertainment. We had poor houses for<br />

this excellent film. Play it at all times—even<br />

if only to satisfy yourself.—Dave S. Klein,<br />

Astra Theatre, Kitwe/Nkana, Northern<br />

Rhodesia, Africa. Mine and government employe<br />

patronage. »<br />

Guadalcanal Diary (20th-Fox) — Reissue.<br />

Preston Poster, Lloyd Nolan, WUliam Bendix.<br />

Says Occasional Fantasy<br />

Was Well Received<br />

DESTINA'nON MOON (ELC)—Warner<br />

Anderson, John Axcher, Tom Powers.<br />

This picture was well received, and while<br />

fantasy, it was a good drawing card.<br />

Most people expressed satisfaction. One<br />

like this occasionally is different and is<br />

well received. Played Wed., Sat. Weather:<br />

Rainy.—M. W. Mattecheck, Mack Theatre,<br />

McMinnville, Ore. City and rural patronage.<br />

• • •<br />

UNITED ARTISTS<br />

Champagne for Caesar (UA)—Ronald Colman,<br />

Celeste Holm, Vincent Price. This is a<br />

very good comedy take-off on the radio quiz<br />

shows, with Vincent Price stealing the bows.<br />

The picture did just average business and the<br />

title confused the patrons until they had<br />

seen the picture. Play up the laugh angle, as<br />

there is an over-abundance of guffaws. In<br />

most cases, comedies mean cash! Played Sun.,<br />

Mon. Weather: Cold.--Carl F. Neitzel, Juno<br />

Importance of Titles<br />

To Drawing Power<br />

LONDON of the State Theatre at<br />

Jl A.<br />

Olivet, Mich., has analyzed the business<br />

slump in his locality as follows:<br />

"Our business has been down for about<br />

16 months. We have made a careful study<br />

of our local situation and believe we have<br />

found the reasons: 1. Not enough good<br />

pictures (with strong stories). 2. Even<br />

fewer strong titles.<br />

"Titles are extremely important. They<br />

should be pleasing, morally clean and<br />

wholesome, and they should refer to the<br />

main theme of the story. Among the<br />

newer good pictures we have some extremely<br />

weak titles: 'Two Weeks With<br />

Love,' 'To Please a Lady,' 'Toast of New<br />

Orleans,' 'Devil's Doorway,' 'Duchess of<br />

Idaho,' "The Jackpot,' Ittister 880.'<br />

"When we have a good picture with a<br />

good title we have good business and if the<br />

producers will give us a higher percentage<br />

of these, we won't have to worry about<br />

television or anything else."<br />

Theatre, Juneau, Wis. Local and surrounding<br />

area patronage. • • •<br />

Love Happy (UA)—Marx Bros., Ilona Massey,<br />

Vera-Ellen. I thought this would be a<br />

natural for small towns but it didn't click<br />

here. The price was okay though, so we<br />

aren't kicking, even though we had slightly<br />

below average business. Played Thurs., Fri.,<br />

Sat. Weather: Nice.—Clinton Bahensky,<br />

Time Theatre, Albert City, Iowa. Small town<br />

and rural patronage.<br />

•<br />

Red River (UA)—John Wayne, Montgomery<br />

Clift, Walter Brennan. This one came<br />

through under the toughest circumstancespouring<br />

rain both nights. The picture itself<br />

is two years old. Nevertheless, it was the<br />

best Tuesday in four months and an average<br />

Wednesday, so no complaints from me.<br />

Weather: Rain.—Don Donohue, Novate Theatre,<br />

Novato, Calif. Small town and rural<br />

patronage.<br />

•<br />

UNIVERSAL-INTERNATIONAL<br />

Abbott & Costello in the Foreign Legion<br />

(U-D—Bud Abbott, Lou Costello, Patricia<br />

Medina. This team in a first run feature<br />

really brought out the laughs but not the<br />

crowd. We've had plenty of comedies lately<br />

and the people are eating them up. Played<br />

Sun., Mon. Weather: Cold.—Ralph Raspa,<br />

State Theatre, Rivesville, W. Va. Rural patronage.<br />

» • • «.<br />

I<br />

Buccaneer's Girl (U-D—Yvonne DeCarlo, '<br />

Philip Friend, Robert Douglas. If there's anyone<br />

in your vicinity who likes pirates, then<br />

this will be okay. I like this sort of stuff so<br />

I thought it altogether too short, but there<br />

aren't enough in Fruita who have my taste.<br />

However, it did fair business for the midweek<br />

and I about broke even. If I were to do it<br />

over it would go on a double Fri., Sat. If<br />

you can buy it right for such a program, it<br />

should make some dough in action spots.<br />

This has a nice cast, fine color and a fair<br />

story. Played Wed., Thurs. Weather: Beautiful.—Bob<br />

Walker, Uintah Theatre, Fruita,<br />

Colo. Small town and rural patronage. * * •<br />

Kid From Texas, The (U-D—Audie Murphy,<br />

Gale Storm, Albert Dekker. I guess if<br />

you're going to film the life of Billy the Kid.<br />

there's going to be a lot of blood spilled, and<br />

Universal certainly gets that part of the job .<br />

done royally. It's a pretty fair western, J<br />

though, and Audie Murphy makes quite a ]<br />

convincing counterpart of the notorious gunslinger.<br />

If you haven't given them an overdose<br />

of horse opera this year, then this<br />

should be the one you're looking for. Played<br />

Fri., Sat. Weather: Perfect.—Bob Walker,<br />

Uintah Theatre, Fruita, Colo. Rural patronage.<br />

• » •<br />

WARNER BROS.<br />

Colt .45 (WB)—Randolph Scott, Ruth Roman,<br />

Zachary Scott. This is truly a superwestern<br />

in every sense of the word. It has<br />

plenty of everything to satisfy every moviefan.<br />

Comments were better on this than<br />

on any western I have played this year.<br />

The boxoffice was slightly below average, but<br />

I had a near record attendance of kids.<br />

Many sat through it twice or until the parents<br />

dragged them out. Played Fri., Sat.<br />

Weather: Cool.—Carl Neitzel, Juno Theatre,<br />

Juneau, Wis. Local and surrounding area<br />

patronage.<br />

• • •<br />

South of St. Louis (WB) — Joel McCrea.<br />

Alexis Smith, Zachary Scott. This picture<br />

is well done and the selection and work of<br />

the actors are excellent. Joel McCrea and<br />

his supporting male actor thrill, while Alexis<br />

Smith wows the audience. It is well directed<br />

and expensively done. Patrons liked it and it<br />

drew above average attendance.—C. E. Bennewitz.<br />

Royal Theatre, Royalton, Minn.<br />

Small town patronage. • * *<br />

BOXOFFICE BookinGuide Dec. 2, 1950


•<br />

llCassino<br />

5<br />

Alphabetical Picture Guide Index and<br />

REVIEW DICES<br />

^<br />

A<br />

^ Abbott and Costello in the<br />

Foreign Legion (82) U-l 7-22-SO<br />

i5 Across the Badiands (55) Coi 9-16-50<br />

,)3Adam and Evalyn (93) U-l 11-26-49<br />

ISAdmirai Was a Lady, The (85) UA.. 5-13-50<br />

!6AII About Eve (138) 20-Fox 9-16-50<br />

MAIi Over the Town (88) U-l 6-11-49<br />

57 All the Kino's Men (109) Col 11- 5-49<br />

)4 Always Leave Them Laughing<br />

(116) WB 11-26-49<br />

18 Amazing Mr. Beecham, The (85) ELC 1-14-50<br />

11 Ambush (89) MGM 12-24-49<br />

)2 American Guerrilla in the Philippines<br />

(105) 20-Fox 11-11-50<br />

10 And Baby Maites Three (84) Col.. .11-12-49<br />

14 Annie Get Your Gun (107) MGM.. 4-15-50<br />

12 Arizona Cowboy, The (67) Rep 5- 6-50<br />

Arizona Territory (56) Mono<br />

J Armored Car Robbery (67) RKO 6-17-50<br />

12 Asphalt Jungle, The (112) MGM.. 5-6-50<br />

:0 Astonished Heart, The (92) U-l 2-25-50<br />

» Avengers, The (92) Rep 6-24-50<br />

B<br />

Backfire (91) WB 1-21-50<br />

iSBagdad (88) U-l U- 3-49<br />

.7 Baron o( Arizona. The (97) LP 2-1B-50<br />

3 Barricade (75) WB 3-U-50<br />

a Battleground (118) MGM 10- 8-49<br />

13 Beauty on Parade (66) Col 4-15-50<br />

J Belle of Old Mexico (70) Rep 2-4-50<br />

9 Bells of Coronado (67) Rep 1-21-50<br />

;i3 Between Midnight and Dawn<br />

(89) Col ll-lS-50<br />

of 1 Beware Blondie (66) Col 4-8-50<br />

Beyond the Purple Hills (70) CoL.. 7-22-50<br />

6 Big Hangover, The (82) MGM 3-18-50<br />

:gBii Lift, The (120) 20-Fox 4-22-50<br />

Big Timber (73) Mono<br />

:0 Black Hand (92) MGM 1-21-50<br />

; 8 Black Rose, The (119) 20-Fox S-19-50<br />

1 Blazing Sun, The (70) Col 11-11-50<br />

12 Blind Goddess, The (88) U-l 7- 9-49<br />

) 2 Blonde Bandit (60) Rep 1-28-50<br />

Blonde Dynamite (66) Mono<br />

ISBIondie's Hero (67) Col 3-18-50<br />

J 8 Blues Busters (64) Mono 10-28-50<br />

11 Blue Grass of Kentucky (72) Mono. 1-28-50<br />

i 9 Blue Lamp, The (84) ELC 6-24-50<br />

i 5 Bodyhold (63) Col 2-11-50<br />

Bomba and the Hidden City<br />

(71) Mono<br />

17 Bomba on Panther Island (77) Mono. 1-14-50<br />

1<br />

Bond Street (107) Mono 6-10-50<br />

19 Borderline (88) U-l 1-21-50<br />

3 Border Rangers (57) LP 9-30-50<br />

11 Border Treasure (60) RKO 9-2-50<br />

UBorn to Be Bad (94) RKO 8-26-50<br />

IS Born Ycstwdav (98) Col 11-25-50<br />

17 Boy From Indiana (66) ELC 4-22-50<br />

1 5 Branded (95) Para 11-25-50<br />

H Breaking Point. The (97) WB 9- 9-50<br />

I J Breakthrough (91) WB 11- 4-50<br />

I J Bright Leaf (110) WB 5-27-50<br />

1! Broken Arrow (93) 20-Fox 6-17-50<br />

I I Girl Buccaneer's (77) U-l 3-4-50<br />

1 1 Bunco Squad (67) RKO 8-19-50<br />

C<br />

II Caged (97) WB 5-6-50<br />

H Captain Carey, U.S.A. (83) Para.... 2-25-50<br />

I (Captain China (96) Para. 11- 5-49<br />

II Captive Girl (74) Col 4-29-50<br />

1! Capture, The C91) RKO 4-8-50<br />

1 : Cargo to Capetown (80) Col 4- 8-50<br />

1! Cariboo Trail, The (81) 20-Fox.... 7-15-50<br />

to Korea (58) Para 9-30-50<br />

li Chain Gang (70) Col 10-21-50<br />

1 I<br />

Chain Lightning (94) WB 2-4-50<br />

1. Challenge to Lassie (76) MGM 10-29-49<br />

I Champagne for Caesar (99) UA 2-11-50<br />

1<br />

I<br />

Cheaper by the Dozen (86) 20-Fox 4- 1-50<br />

1' Chinatown at Midnight (67) Col. .. 12-17-49<br />

1: Cinderella (75) RKO 12-24-49


t Fvits.<br />

.<br />

- V«rf Good: - Good: = Fain - Poon = V^ry Poor. Is tha amnmarj tt is rated as 2 ploa**. = as 2 mi-nnif<br />

3<br />

T^ (109) P2.1.<br />

i u £ i li i|<br />

? T| 5 I-<br />

E ^1 S| ^i<br />

ZK >.h. xm ^m . ma<br />

.^xi2Gar La HalKaj (92) UA 11-26-19<br />

Uajafeaar Oae-En (7S) UA 7- 1-50<br />

l064Jatsaa S»ts A«aai I96) CaL 8-20-49<br />

U74 JaaHe StaB»e«e (60) Raa- 8- 5-50<br />

8r-l-<br />

6-6-<br />

13—<br />

5-1-1-<br />

KH. Tke (73) ELC<br />

1203 Kaasas Rai4cn (80) U-l U-lS-50<br />

ai4 Kci ta tae Dt; (100) BGB 2- 4-50<br />

1070 Ki< Fr«a CtMlaM. Tkt (89) Rca. 9-10-49<br />

llZlKia Fre* Teoi. Tke (78) U-l 3- 4-50<br />

1189 Kiir or Be KIHed (68) ELC »• 30-50<br />

Killer Skart (76) Maaa.<br />

-1 Kit* Tint Stanch Baa Y«k. n*<br />

•H<br />

( Beiieati as FrifWaai Citjr) (77)<br />

CaL 7-29-50<br />

'^ Kia tkc Uaavf (78) Cat 4-22-50<br />

-S Kai4 Hearts aaa Cwaacts (106) ELC 5-15-SB<br />

-.>OKk>| Sdaaor s Bines (105) BGB 9-30-50<br />

1082 Kin tar Cvlim. A (88) HA 10-22-49


9!<br />

++ Vory Good; + Good; * Fcrir; — Poor: = Very Poor. In th« ummarY ^ U rated aa 2 plusei, — as 2 miniiaes.<br />

t' Pur.w Marshal (60) Reo 1-14-50 —<br />

li!P»itK o( Caori, The (94) ELC 12-10-49 +<br />

U,Plas< Belrne Me (57) MGM 3-11-SO ±:<br />

Kl N" ^"^ (79) ELC 12- 3-49 +<br />

Tlie lliPrMie. (65) LP 10-29-49 -<br />

'llil'»«<br />

- Prelude to Fame (. .) U-l<br />

Prtlty Baby (92) WP 7-29-50 +<br />

T<br />

"U PriKe o« Foxes (107) 20-Fm 8-27-49 ++<br />

^3 Prisoneo in Petticoats (60) Rep... 9-23-50<br />

^ Prbw Warden (62) Col 12-10-49 +<br />

>V.Pj|»y<br />

Island (69) Col 11-18-50 ±<br />

Q<br />

'a a*»saml (79) UA 3- 4-50 H<br />

J<br />

B<br />

Ratfar Secret Senlce (59) LP 1-28-50 ±<br />

C' Raiders of Tomahawk Creek<br />

> (55) Col U- 4-50 +<br />

y Rjoie Justice (57) Mono.<br />

y Rauft Land (56) Mono<br />

-i: Raiture (79) ELC 4-15-50 ±<br />

^ Red Desert (60) LP 12-31-49 *<br />

41 Red, Hot and Blue (84) Para 6-25-49 ±<br />

>!Rol Shoes. The C134) ELC 10-23-48 +<br />

:ij Redwxx) Forest Trail (67) Rep 9-23-50 +<br />

>t} Reformer and the Redhead, The<br />

(90) MGM 3-11-50 +<br />

±<br />

RoKgades of the Saje (56) Col. . . l-Zl-50 .C<br />

-U Return of the Frontiersman (74) WB 5-20-50 ±<br />

kU RetiiTi of Jesse James. Tlie (75) LP 9- 9-50 +<br />

: RIoir from Tucson (60) RKO 6-17-50 +<br />

= ::} High (112) Para. 1-7-50 ++<br />

t Cross C90) MGM 8-26-50 -f<br />

: Grande (60) Reo 11-11-50 ^<br />

.L RxkeUhip XM (78) LP<br />

D RKlinc Horse Winner, The (90) U-l<br />

5- 6-50<br />

6-17-50<br />

-|-<br />

+<br />

.a: Rock Island Trail (90) Rep 5- 6-50 +<br />

t Rocky Mountain (S3) WB 10- 7-50 -|-<br />

U; Rof«s of SherYicod Forest 7- 1-50 +<br />

(80) Col.<br />

The 9-16-50 ±<br />

i; Rookie Fireman. (63) Col<br />

U-l 12-17-49 ±<br />

U-l . . 4-15-50 ±<br />

iC RiHtd O'Riordans.<br />

U Ron for Your<br />

The<br />

Money. A<br />

(76)<br />

(83)<br />

.-L Rustlers or Horseback (60) Rep.. .11-25-50 +<br />

S<br />

Si) S^dle Tramo U-l 9-2-50<br />

HI Salt Lake Raiders (60)<br />

a6)<br />

5-27-50<br />

++<br />

*<br />

Salt to the Dnil (Reviewed as<br />

C<br />

Rep<br />

!- fiiie Us This Day) (120) ELC .. 12-17-49 ± #<br />

At Saason and Delilah (130) Para ...10-29-49 +f -H-<br />

Ij Sands of loo Jima (109) Rep 12-24-49<br />

U Sarmba (64) ELC 4-1-50<br />

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|<br />

FEATURE CHART<br />

Apr<br />

22<br />

Apr<br />

29<br />

May<br />

27<br />

Jun<br />

3<br />

Jun<br />

10<br />

Jun<br />

17<br />

Jun<br />

24<br />

Jul<br />

1<br />

Jul<br />

8<br />

COLUMBIA<br />

ii (84) Comedy 232<br />

FATHER IS A BACHELOR<br />

William<br />

a (7U)<br />

Uolilen-C.<br />

Western<br />

Gray<br />

248<br />

MULE TRAIN<br />

a (67) Comedy 2U6<br />

BLONDIES HERO<br />

I'enrij Sliieldon-L. Slmms<br />

Aritiur Lake-M. Kent<br />

It—Mar. 18—PG-U28<br />

53 (73) West-Dr 230<br />

©THE PALOMINO<br />

Jeronw Courtland-B. Tyler<br />

Joseph Callela-R. BoberU<br />

R—Jan. 27—PQ-1111<br />

gtj (63) Melodrama 216<br />

BODYHOLD<br />

Wlllard Farker-L. Albright<br />

Hillary Brooke-A. Jenkins<br />

R—Keb. U—l'G-1116<br />

John Ireland-E. Bucbanafi<br />

R—Apr. 8—PG-1131<br />

@ (64) Com-Dr 210<br />

MILITARY ACADEMY<br />

WITH THAT TENTH<br />

AVENUE GANG<br />

R—Mar. 25—PG-1128<br />

EAGLE LION<br />

(85) Comedy 021<br />

The Amaiinu Mr. Beecham<br />

A. E. Matthews-C. Parker<br />

Marjorle Pleld)ng-J. Carey<br />

II—Jan. 14—PG-1108<br />

(87) Comedy 019<br />

THE GREAT RUPERT<br />

Jimmy Durante-Terry Moore<br />

Tom Drake-Frank Ortb<br />

It—Jan. 7—PO-1105<br />

(77) Drama 023<br />

The Golden Gloves Story<br />

J. Dtinn-K. O'Morrlson<br />

[Ol (81) Drama<br />

THE VICIOUS YEARS<br />

(66) Drama 024<br />

BOY FROM INDIANA<br />

Lon McCalllster-Lols Butler<br />

Blllle Burke-Geo. Cleveland<br />

K—Apr. 22—PO-1137<br />

(62) Drama 069<br />

The Fightinn Stallion<br />

Bill Edvtards-Dorls Merrick<br />

Forrest Taylor-Don Harvey<br />

R— .\lay 20— PG-1147<br />

(66) Drama 070<br />

(8S) Comedy 234<br />

A Woman of<br />

FORBIDDEN JUNGLE<br />

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Rosalind fiussell-J. Carter Don H.irve>-Alyce Loula<br />

Furrtsl Tailor-Kobt. Cabal<br />

Ray Mllland-E. (Ircenn<br />

R—Mar. 4—FG-1122 II—May 13— PG-1145<br />

B (70) Drama 208 [D (79) Drama<br />

TYRANT OF THE SEA<br />

Rhys Williams- H. Hanoell<br />

RAPTURE<br />

Glenn Langan-L. Miller<br />

V. Perklns-D. Lloyd<br />

18—PG-1125<br />

R—Mar.<br />

Elsy Alblln-D.<br />

R— Apr.<br />

Dumbrllle<br />

15—PG-n35<br />

n (64) Western 266 (87) Drama<br />

THE PERFECT Outcast of Black Mesa<br />

OIB<br />

WOMAN<br />

C. 8tarrett-S. Burnetto Patricia Hoc-N. Patrick<br />

Stanley Holloway<br />

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M. Hyer-Rlchard<br />

R—May 13—Pa-1143 I!—May 13—PO-1145<br />

(80) Drama 236 (68) Drama 029<br />

CARGO TO CAPETOWH KILL OR BE KILLED<br />

B. Craitford-B. Drew<br />

L. Tlerney-G. Coulourls<br />

(89) Drama 238<br />

NO SAD SONGS FOR ME<br />

Margaret Sullavan<br />

Wendell Corey-V. Llndtors<br />

R—Apr. 15—PG-11S3<br />

B (66) Drama 203<br />

BEAUTY ON PARADE<br />

Robert Hutton-R. Warrick<br />

L. Albrlght-J. RIdgely<br />

R—Apr. IB—PO-1133<br />

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CUSTOMS AGENT<br />

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Marlssa O'Brlen-R. Andres<br />

R—Sept. 30— PO-1189<br />

(104) Comedy 031<br />

Kind Hearts and Coronets<br />

Dennis Prlce-V. Hobson<br />

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Jackie Roblnson-M. Watson<br />

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Kent Taylor-Sheila Ryan<br />

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HOSTILE COUNTRY<br />

James Elllson-R. Hayden<br />

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K—May 27—FG-1149<br />

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KILL THE UMPIRE<br />

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Sir Cedric Hardwlcke<br />

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Osa Massen-J. Emery<br />

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WarniT Baxler-K. Booth Paulette Goddard-0. J. Elllson-R. Hayden<br />

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II—June 10—PCt-llSS<br />

Pedro Armendarlz<br />

R—May 20—PG-1147<br />

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R—June 3—PQ-1151<br />

(63) Actlon-Dr [5] (55) Western EH (91) M'drama 233<br />

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4926<br />

TIMBER FURY<br />

CROOKED RIVER<br />

Fortunes of Captain Blood<br />

Louis Hayward-P. Medina David Bruce-Laura Lee<br />

J. Elllson-R. Hayden<br />

F. Knlght-R. Hatton<br />

Q. Macready-Dona Drake N. DlBruno-Sam Flint<br />

R—May 20—PO-1148 R—July 1—PO-1161<br />

Jul<br />

15<br />

Jul<br />

22<br />

Jul<br />

29<br />

H (64) Mus-West 2B1<br />

HOEDOWN<br />

Eddy Arnold-Jeff Donnell<br />

Gulnn Williams<br />

It—July 8—PG-llM<br />

(70) Western 241<br />

Beyond the Purple Hllli<br />

Gene Autry-Jo Dennlsoa<br />

Pat Buttram-D. Beddoe<br />

R—July 22—PO-1170<br />

(73) Melodrama 240<br />

CAPTIVE GIRL<br />

J. Wclssmuller-B. Crabbe<br />

Anita Uioest-RIek Vallln<br />

H— Apr. 29—PO-1139<br />

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David Harding, Counterspy<br />

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R—May 2T—P0-11B«<br />

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Paul Dale-Lorraine Miller<br />

Will Oeer-Bteve Brodle<br />

It—June 10—PG-1155<br />

(102) Drama 244 ED (84) Drama 016<br />

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Otto Knjuer-flammy White<br />

R—July 22— PO- 1168<br />

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R—June 24— FO-1159<br />

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John Derek- Diana Lynn<br />

B—July 1—PQ-1161<br />

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B—.Inly 22—PO-1167<br />

53 (66) Drama 4923<br />

MOTOR PATROL<br />

Don Castle-Jane Nigh<br />

Owenn •'Connor<br />

R—May 13—PO-1144<br />

gg (55) Western 4929<br />

FAST ON THE DRAW<br />

James Ellison<br />

Russell<br />

Hayden<br />

53 (66) Drama 4920<br />

HI -JACKED<br />

Jim Davls-SId Melton<br />

Marsha Jones-David Bruce<br />

B—July 8—Pa-116S<br />

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KEY TO THE CITY<br />

Clark Gable-Loretta Voung<br />

Marilyn Maxwell<br />

R—Feb. 4—Pa-1114<br />

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4—PG-1114<br />

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Teresa CelU-M. Lawrence<br />

R—Jan. 21—PG-HIO<br />

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Robert Taylor-B. Taylor<br />

R. Flemlng-H. Warrender<br />

R—Feb. 11—PG-1116<br />

(7) (84) Comedy 2:<br />

THE YELLOW CAB MAN<br />

Red Skelton-G. DeHavefl<br />

Walter Slezak-J. Qleaaon<br />

R—Feb. 25—PG-1119<br />

E3 (83) Melodrama 23<br />

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Cathy O'Donnell-J. Hagen<br />

R—Dec. 31—PG- 1103<br />

El (93) Blst-West 24<br />

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Joel McCrea-Arlene Dahl<br />

Claude Jarman<br />

R—Mar.<br />

jr.<br />

11—PO-1124<br />

[a (90) Comedy 2.<br />

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Dick Ponell-June AUyson<br />

R—Mar.<br />

11—PG-1124<br />

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PLEASE BELIEVE ME<br />

Deborah Kerr-R. Walker<br />

Mark Stevens-P, Lawford<br />

R—Mar. 11—PG-1124<br />

53 (57) Western 4925<br />

WEST OF WYOMING<br />

Johnny Mack Brown<br />

Max Terbune-G. Davis<br />

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David Bruce-D. O'Flynn<br />

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R—Mar. 11—PG-1124<br />

53 (58) Western 4952<br />

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Johnny Mack Brown<br />

Wendy Waldron-M. Healey<br />

63 (76) Drama 4907<br />

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R—Apr. 29—PG-1140<br />

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Renle Rlano-Joe Yule<br />

Tim Ryan-Jim BannoD<br />

R—Mar. 25—PG-lia?<br />

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Johnny Mack Brown<br />

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Sterling Hayden-L. Calhern<br />

Jean Hagen-J. Wbltmore<br />

H—May 6—PG-1142<br />

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Betty Hutlon-Howard Keel<br />

Louis Calhern-J. C. Nalsh<br />

R—Apr. 15—PG-1134<br />

56] (93) Comedy 3(<br />

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Spencer Tracy-J. Bennett<br />

Elizabeth Taylor-B. Burke<br />

R—May 13—PO-1144<br />

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THE SKIPPER<br />

SURPRISED HIS WIFE<br />

Robert Walker-Joan Leslie<br />

Edward Arnold-S. Bylngton<br />

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Cary Grant-Jose Ferrer<br />

Paula Raymond-S. Hasso<br />

R—June 24—P0-11B9<br />

53 (98) Drama 3!<br />

©DUCHESS OF IDAHO<br />

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It—June 17—PQ-11B8<br />

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R—May 27—PO- II 80<br />

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R—May 20—P0-114a<br />

H) (62) Com-Dr 4912<br />

Humphrey Takes a Ctiance<br />

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R—July 1—PG-1182<br />

ES (67) Mys-Dr 4024<br />

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R—June 17—P0-11S7<br />

a (76) Act-Dr 4905<br />

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Johnny Sheffield<br />

Elena Verdugo<br />

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PARAMOUNT<br />

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Robert Cummlngs-D. Lynn<br />

LIzabetb Soott-Eve Arden<br />

R— Dec. 24—PGllDl<br />

53 (83) Drama 4918<br />

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Alan Ladd-Wanda Hendrli<br />

Francis Lederer-J. Calleia<br />

R—Feb. 25—PG-1120<br />

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Charles Bl?ktord-F. Olfford<br />

B—Jan. 7—PU-1106<br />

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Barbara Stanwyck-J. Lund<br />

Jane Cowl-PhylUs lliaiter<br />

R—Feb. 25— PG-1120<br />

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R—Mar 25—PG-11J7<br />

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S (83) Drama 4023<br />

THE LAWLESS<br />

Macdonald Carey-G. Russell<br />

John Sands-Lee Patrick<br />

R— April 8— PG-1132<br />

15 (96) Drama<br />

OOTREASURE ISy<br />

Bobby Drlscoll-R.<br />

Basil Sydney-W. FlJ<br />

R—July 1—pn-iir


CHECK RUNNING TIME WITH LOCAL EXCHANGES<br />

FEATURE CHART


FEATURE CHART<br />

CHECK RUNNING TIME WITH LOCAL EXCHANGES<br />

Week<br />

Endino


I<br />

r<br />

^•<br />

CHECK RUNNING TIME WITH LOCAL EXCHANGES<br />

FEATURE CHART<br />

REPUBLIC 20TH-FOX UNITED ARTISTS UNIV.-INT'L WARNER BROS. FOREIGN FILMS<br />

^ 60) Western 4966<br />

ylUNTE HIDEOUT<br />

tl "Rocly" L«Be<br />

Wtller<br />

It<br />

12—PQ-11T6<br />

llH .ug.<br />

g 86) Drama 4924<br />

SHOWDOWN<br />

Tl<br />

Windsor<br />

W,!lllolt-M.<br />

Brennan-H. Morgan<br />

ff.^r<br />

ept. 2—PG-1182<br />

(81) West-Drama 020<br />

©CARIBOO TRAIL. THE<br />

liandolph Scott-J. Davis<br />

Karin Booth-Gabby Hayes<br />

R—July 15—PG-1168<br />

(83) Comedy 018<br />

STELU<br />

Ann Sherldan-D. Wayne<br />

Victor Mature-R. Stuart<br />

R—July 22—PG-1168<br />

(93) West-Drama 014<br />

©BROKEN ARROW<br />

James Stewart-J. Chandler<br />

Dobra Paget-B. Ruysdael<br />

R—June 17—Pa-1158<br />

Drama 4928<br />

019<br />

)60)<br />

;LY HEART BANDITS<br />

(120)<br />

©THE<br />

Drama<br />

BUCK ROSE<br />

atli by Patrlck-B. Fuller Tyrone Power-Cecile Aubry<br />

Jo Rockwell Orson Welles-J. Hawkins<br />

Eldredge-R.<br />

2—PG-1181 R—Aug. 19— PO-1178<br />

R.iept.<br />

Western 4953<br />

021<br />

Jje?) (96) Musical<br />

«1/V00D FOREST TRAIL ©MY BLUE HEAVEN<br />

Bi Allen-Jerr Donnell Betty Grable-Dan Dalley<br />

Ct 8ffitzer-Jane Darwell<br />

B-, ept. 23—PG-1187<br />

H90) Drama 5001<br />

StIENDER<br />

y^alstoD-J. Carroll<br />

m )t Breonan-J. Dwell<br />

Rict. 21—PG-1198<br />

^60) Melodrama 4929<br />

tl \tn in Petticoats<br />

:BTila Johns<br />

R—Aug. 5—PO-1173<br />

(78) Comedy (Oxford)<br />

A GIRL IN A MILLION<br />

J. Greennood-H. Wllliama<br />

R—Sept. 23—PG-1188<br />

(ElsUii<br />

(96)<br />

CHILD<br />

Drama<br />

OF MAN<br />

Tove Maes-Edvin Tlemroth<br />

R-^uly 22—PO-1169<br />

(81) Drama (DIat)<br />

TAINTED<br />

Pierre Fresnay-Balpetre<br />

R—Apr. 15—PG-1138<br />

(80) Drama (MOM)<br />

ANGELS OF THE STREETS<br />

Renee Faure-Jany Holt<br />

R—Apr. 15—PG-1136<br />

(93) Dr (Canton-Welner)<br />

MONELLE<br />

Louis Jouvet-Dany Robin<br />

R—Apr. 15—PG-1136<br />

(98) Mus-Com (Dlsclna)<br />

A ROYAL AFFAIR<br />

M. Chevalier-Annie Ducaux<br />

B—Apr. 15—PG-1136<br />

(109) Drama (FUms Inti)<br />

GATES OF THE NIGHT<br />

Nathalie Nattler-Carrett<br />

R—May 6—PG-1141<br />

(86) Comedy (Slrltzky)<br />

Scandals of Clochemerle<br />

Felix Oudart-Brochard<br />

R—June 10—PO-1155<br />

Britain<br />

(81) Comedy (London)<br />

of Happiest Days Your Life<br />

Ala.stair 8im-M, Rutherford<br />

U—Sept. 30—PG-1189<br />

(89) M'drama (Pentagon)<br />

THE LOST PEOPLE<br />

liennLs Price-Mai Zelterllnj<br />

R—Oct.<br />

14— PG-1193<br />

(75) Drama (Pentagon)<br />

Pink String and Sealing Wax<br />

Google WIthers-J. Carol<br />

R—Oct. 14— PG-1193<br />

(93) M'drama (Pentagon)<br />

THIRD TIME LUCKY<br />

Glynls Johns-n. Walsh<br />

U—Oct.<br />

Denmark<br />

France<br />

28—PO-1197<br />

(86) Drama (Dlsrtna)<br />

STORM WITHIN, THE<br />

Jean Marais-Josette Day<br />

R—July<br />

22— PG-1170<br />

(86) Musical (Lux)<br />

PARIS WALTZ, THE<br />

Y. Printemps-Pierre Fresnay<br />

R—Aug.<br />

19—PG-H77<br />

(97) Fantasy (Nayfack)<br />

NOAH'S ARK<br />

Pierre Brasseur-Alerme<br />

R—Sept. 9—PG-1184<br />

(87) Drama (Dlsclna)<br />

CHEAT, THE<br />

Simone SIgnoret-B. BUer<br />

R—Oct. 21—PG-1196<br />

(85) Fantasy (Dlsclna)<br />

SYLVIE AND THE PHANTOM<br />

Odette Joyeux-F. Perier<br />

R—Oct.<br />

21—PO-1195<br />

(86) Fantasy (Dlsclna)<br />

ORPHEUS<br />

Jean Marals-F.<br />

R—Oct.<br />

Perier<br />

14—PG-1194<br />

(94) Drama (Lopert) (100) Drama (Pathe)<br />

STRANGERS IN THE HOUSE SOUVENIR<br />

Raimu-Juliette Faber<br />

R—July 22—PG-1169<br />

Germany<br />

(88) Drama (Vogue) Dr (Frledberg-Katz)<br />

SEVEN JOURNEYS<br />

Bettina Moissi-E. Balqye<br />

(79)<br />

FILM WITHOUT A NAME<br />

H. Neff-WUly Fritsch<br />

R—July 29—PO-1172 K—Oct. 28—PG-1197<br />

(90) Fantasy (Lopert)<br />

ORIGINAL SIN, THE<br />

Bettina Molssl-B. Todd<br />

R—Sept. 9—PG-1183<br />

K '5) Drama 5003<br />

H. lETH<br />

.flr> Welles- J. Nolan<br />

9\ 'Herlihy-R. McDowell<br />

;;H!t. 16—PG-977<br />

"BS?) Outd'r-Mus 4944<br />

(BlTH OF THE<br />

rjEAT DIVIDE<br />

M 05) Super-West B004<br />

il GRANDE<br />

n 17) Western 4954<br />

W R MEXICALI STARS<br />

JMlen-D. Patrick<br />

60) Western 4974<br />

MISS0URIAN5<br />

'<br />

90) Outd'r-Dr 500S<br />

!"ORNIA PASSAGE<br />

t Tucker-Adele Mara<br />

Wis<br />

(92) Act-Drama 029<br />

TWO FLAGS WEST<br />

Joseph Cotten-Llnda Darnell<br />

.leff Chandler-Cornel Wilde<br />

R—Oct. 14—PG-1194<br />

(138) Drama 030<br />

ALL ABOUT EVE<br />

Bette Davis-Anne Baiter<br />

George Sanders-C. Holm<br />

R—Sept. 16—PG-1186<br />

(85) Drama 031<br />

THE JACKPOT<br />

James Stewart-B. Hale<br />

Patricia Medina-J. Gleason<br />

R—Oct. 7—PG-1192<br />

(105) Drama 032<br />

©AMERICAN GUERRILLA<br />

IN THE PHILIPPINES<br />

T>Tone Power-M. Prelle<br />

R—Nov. 11—PO-1202<br />

(92) Comedy 033<br />

FOR HEAVEN'S SAKE<br />

Clifton Webb-Joan Bennett<br />

Robert Cummlngs-B. Gwenn<br />

(113) Tragedy<br />

CYRANO DE BERGERAC<br />

Jose Ferrer-Mala Powers<br />

W. Prince-M. (^arnovsky<br />

R—Nov. 18—PG-1205<br />

53 (78) Comedy 642<br />

THREE HUSBANDS<br />

Eve Arden-Emlyn Williams<br />

Shepperd Strudwlck<br />

R—Nov. 11—PO-1202<br />

(80) Western 104<br />

©KANSAS RAIDERS<br />

Audio Murphy-B. Donlevy<br />

Marguerite Chapman<br />

R—Nov. 18—PG-1203<br />

gS (83) Super-West 008<br />

ROCKY MOUNTAIN<br />

Errol Flyim-Patrlce Wymore<br />

Scott Forbes-G. Wlillams<br />

R—Oct. 7—PO-1192<br />

(87) Comedy 102<br />

THE MILKMAN<br />

Donald 0'(kinnor-P. Laurie<br />

J. Durante-J. Holden<br />

R—Oct. 14—PG-1193<br />

(88) Drama 103 g| (107) Drama 009<br />

DEPORTED<br />

THE WEST POINT STORY<br />

Marta Toren-C. Dauphin James Cagney-V. Mayo<br />

Doris Day-Gordon MacRae<br />

Jeff Chandler-M.<br />

R—Oct.<br />

Bertl<br />

28—Pa-1197 R—Nov. 18—PG-1204<br />

(83) Drama 105<br />

UNDERCOVER GIRL<br />

Aleils Smith-Scott Brady<br />

Gladys George-R. Egan<br />

R—Nov. 11—PG-1202<br />

( .<br />

. ) Drama 106<br />

MYSTERY SUBMARINE<br />

Marta Toren-M. Carey<br />

Robert Douglas-C. Esmonrt<br />

a (91) Drama 010<br />

BREAKTHROUGH<br />

David Brian-John Agar<br />

Frank Lovejoy-B. (^mpbell<br />

B—Nov. 4—PO-1199<br />

S (94) Super-West Oil<br />

©DALLAS<br />

Gary Cooper-Ruth Roman<br />

Steve Cochran-R. Massey<br />

R—Nov. 25—PG-1206<br />

(90) Drama (Grandl)<br />

TOM BOLD<br />

Aldo Fabrizi-A. Benetti<br />

R—Apr. 15—PG-1135<br />

(85) Comedy (MPSC)<br />

MAD ABOUT OPERA<br />

Cino Bechi-Tito Gobbi<br />

K—June 10—PG-1156<br />

(112) Drama (Lux)<br />

BITTER RICE<br />

Silvana Mangano-D.<br />

K—Aug.<br />

Dowllng<br />

6—PG-1174<br />

(81) Comedy (Dlst.)<br />

MY WIDOW AND<br />

Vittorio DeSica-Isa Miranda<br />

R—Sept. 15—PO-1185<br />

(87) Drama (Films Int'l) (90) Drama (Lopert)<br />

WALLS OF MALAPAGA, THE DIFFICULT YEARS<br />

Umberto Spadaro-M. Miranda<br />

Glrottl<br />

Jean Gabin-Isa<br />

R—July 15—PG-1166 B—Sept. 16—PG-1186<br />

(80) Coro-Dr (Superfllm)<br />

ESCAPE INTO DREAMS<br />

Vittorio DeSiiH-A. Fabrizl<br />

R—July 22—PG-1170<br />

(79) Drama (Lui)<br />

PRELUDE TO MADNESS<br />

Roldiino Lupi-J. Servals<br />

R—July 29—PG-1171<br />

(91) Drama (Crest)<br />

HEART AND SOUL<br />

Vittorio DeSica-C. OgUottl<br />

R—Aug. 6—PG-1174<br />

(83) Drama (Glob<br />

BORDER STREET<br />

M. Bronlewska-D, laenlo<br />

R—June 10—PO-llM<br />

(96) M'drama (Lux)<br />

FLESH WILL SURRENDER<br />

Aldo Fabrizi-Y. S.anson<br />

Poland<br />

Spain<br />

R—Nov.<br />

4— PG-1199<br />

(92) M'drama (Globe)<br />

THE TWO ORPHANS<br />

Valentl<br />

Maria Dcnis-0.<br />

R—Nov, 4—PG-1199<br />

(97) Drama (Scalera)<br />

THE MULATTO<br />

Renato Baldini-U. Spadaro<br />

R—Nov. 4—PG-1200<br />

(115) Hist-Dr (Azteca) (102) Dr (CHasa-Mohme)<br />

THE MAD QUEEN REINA SANTA<br />

Reyes Maruchl Fresno-A. Vilar<br />

Aurora Bautlsta-K.<br />

R—June 10— P0-115S R—June 10—PG-1155<br />

(100) Drama (Scandla)<br />

SUNSHINE FOLLOWS RAIN<br />

Mai Zetterllng-Alf KJellln<br />

R—Feb 4—PG-1113<br />

Sweden


SHORTS CHART<br />

Columbia<br />

Prod. No. Title Rel. Date Ratinn Rev'd<br />

ASSORTED COMEDIES<br />

2426 One Shivery Night (I6I/2) 7-13<br />

2416 House About It (I6I/2) . . 7-20<br />

+<br />

±<br />

8-5<br />

9-2<br />

1950-51 SEASON<br />

3411 A Biunder-ful Time<br />

(I61/2) 9-7 — 10-7<br />

3412 Foy Meets Girl (..).. .10- 5<br />

3421 Two Roaming Champs<br />

(161 2) 10-12 + 11-11<br />

3422 A Slip and a Miss (..).ll- 9<br />

CAVALCADE OF BROADWAY<br />

2654 Leon and Eddies (..).. 7-27<br />

1950-51 SEASON<br />

3651 The Versailles (10) 10-26 + 12-2<br />

COLOR FAVORITES<br />

(Technicolor<br />

Reissues)<br />

2610 The Little Moth's Big<br />

6-1 7-8<br />

Flame (SI/2) r£<br />

2611 The Timid Pup (7) 7-6 ++ 8-5<br />

2612 The Gorilla Hunt (8) 8- 3 . .<br />

. .<br />

1950-51 SEASON<br />

3601 Happy Tots' Expedition<br />

(7) 9-7 ± 11-7<br />

3602 Und of Fun (7) 10-5 + 11-11<br />

3603 Peaceful Neighbors (..).ll-6<br />

FAVORITES<br />

COMEDY<br />

(Reissues)<br />

2435 His Ex Marks the Spot<br />

(I71/2) 5-25 ± 9-2<br />

2436 Oh. My Nerves! (17) 7-27<br />

1950-51 SEASON<br />

3431 Shot in the Escape (19) 9-14 - 10-14<br />

3432 Free Rent ( . . ) 11-16<br />

FILM NOVELTIES<br />

3901 Stars of Tomorrow— "Tots<br />

and Teens" (10) 9-28 ± 10-14<br />

JOLLY FROLICS<br />

(Technicolor)<br />

2504 The Miner's Daughter<br />

(6/2) 5-25 ± 7-15<br />

2505 Giddyap (61/2) 7-27 + 9-2<br />

1950-51 SEASON<br />

3501 The Popcorn Story ( . . ) . .11-30<br />

MR. MAGOO<br />

(Technicolor)<br />

3701 Trouble Indemnity (6I/2) . 9-14 +f 9-30<br />

ONE-REEL SPECIALS<br />

2555 Candid Microphone, No. 5<br />

(11) 6-15 -I- 7-8<br />

2556 Candid Microphone, No. 6<br />

(IO/2) 8-17<br />

1950-51 SEASON<br />

3551 Candid Microphone, No. 1<br />

(11) 10-12<br />

MUSIC TO REMEMBER<br />

3751 Borodin's Prince Igor and<br />

Polovetsian Dances (91/2) • • •<br />

3752 Tchaikovsky's Nutcracker<br />

Suite (91/2) + 10-14<br />

3753 Tchaikovsky's Piano Concerto<br />

in B-Flat Minor (10) + 11-11<br />

3754 Grieg's Peer Gynt Suite<br />

(9'/2)<br />

3755 Tchaikovsky's 1812 Overture<br />

(11)<br />

3756 Tchaikovsky's Swan Lake<br />

Ballet (10)<br />

SCREEN SNAPSHOTS<br />

2859 Hollywood Ice Capades<br />

Premiere (10) 6-22 ± 8-5<br />

2860 Hollywood's Famous Feet<br />

(81/2) 7-20<br />

1950-51 SEASON<br />

3851 30th Anniversary Special<br />

(11) 9-28 + 10-14<br />

3852 Fun at Shadow Mountain<br />

(91/2) 10-19<br />

3835 Hollywood Goes to Bat<br />

(91/2) 10-19<br />

STOOGE COMEDIES<br />

2407 Love at First Bite (16) .5-4<br />

2408 Self-Made Maids (16) ... 7- 6 ± 8-5<br />

1950-51 SEASON<br />

3401 Three Hams on Rye<br />

(ISI/2) 9-7 ± 9-30<br />

3402 Studio Stoops (16) 10-5<br />

3403 Slap Happy Sleuths ) 11- 6<br />

. . ( .<br />

VARIETY FAVORITES<br />

3951 Korn Kobblers (11) 9-21 ± 10-14<br />

3952 Drug Store Follies (..).. 11-23<br />

WORLD OF SPORTS<br />

2808 Clown Prince of Golf<br />

(81/2) 5-25 ± 7-8<br />

2809 Diving Acrobats (9) 6-29 -|- 9-2<br />

2810 Kino of the Jockeys (9) 7-20<br />

1950-51 SEASON<br />

3801 Snow Fiesta (9) 9-28 rt 10-14<br />

3802 King of the Pins (..).. 10-19<br />

3803 Mat Masters (..) 11-30<br />

SERIALS<br />

2180 Atom Man vs. Superman.. 7-20 -|- 7- i<br />

15 Chapter.<br />

1950-51 SEASON<br />

3120Pir,ites of the High Seas. 11- 2 + 12-2<br />

15 Chapters<br />

Metro-GoldwYn-Mayer<br />

Prod. No. Title Rel. Date Rating Rev'd<br />

CARTOONS<br />

(Technicolor)<br />

W-46 Wags to Riches (7) 8-13 + 11-5<br />

1949-50 SEASON<br />

W-132 Little Rural Ridino Hood<br />

9-17 10-1<br />

(6)<br />

11-5 10-29<br />

12-24 2-11<br />

W-135 Out-Foxed (8)<br />

W-137 Counterfeit Cat (7) +<br />

W-143 Ventriloquist Cat (7).. ++<br />

W-140 Why Play Leap Frog (7) 2- 4<br />

5-27 7-1<br />

W-144 The Cuckoo Clock (7) . . -H- 6-10 7-22<br />

(8)<br />

W-146 Albert in Blunderland<br />

g-26 ± 9-9<br />

1950-51 SEASON<br />

W-232 Garden Gopher (6) 9-30<br />

W-234The Chump Champ (7). 11- 4<br />

FITZPATRICK THAVELTALKS<br />

T-18 Roaming Through Northern<br />

Ireland (8) 7-9 ++ 10-15<br />

1949-50 SEASON<br />

T-lllFrom Liverpool to Stratford<br />

(9) 9-10 + 10- 1<br />

T-112 Glimpses of Old England<br />

(9) 10- 8 + 10-29<br />

T-113 In Old Amsterdam (9)..U-12 + 12-24<br />

T-114 A Wee Bit of Scotland<br />

(10) 12-17 + 2-4<br />

. 1-21<br />

T-115 Land of Tradition (9) . .<br />

T-116 Colorful Holland (9) ... 3- 4<br />

T-117 Pastoral Panoramas (9) 4-15 -f 7-1<br />

(9) 5-20<br />

T-118 Roaming Thru Michigan<br />

+ 7-1<br />

T-119 To the Coast of Devon<br />

(9) 7-15 + 7-22<br />

T-120 Touring Northern England<br />

7-29 9-9<br />

(9) -f<br />

T-121 Land of Auld Lang Syne<br />

(8) 8-12 H 9-16<br />

T-122 Life on the Thames (9) 8-26 + 9-16<br />

GOLD MEDAL REPRINTS<br />

(Technicolor)<br />

W-161 Lonesome Mouse (8) 11-26<br />

. . .<br />

W-163 The Uninvited Pest (8) 4-29<br />

W-164 Yankee Doodle Mouse<br />

(7) 6-24 + 7-15<br />

1950-51 SEASON<br />

W-261Zoot Cat (7) (reissue) .10- 7<br />

W-262 The Early Bird Dood It<br />

(9) 12-2<br />

NEWS OF THE DAY<br />

(Released Twice Weekly)<br />

PASSING PARADE<br />

K-76City of Children (10)... 8-27<br />

PETE<br />

S-60 Football Thrills No. 12<br />

SMITH SPECIALTIES<br />

(9) 8-27<br />

1949-50 SEASON<br />

S-151 Water Trix (9) 11-5 S-152 How Come? (10) 11-19 +<br />

S-153 We Can Dream, Can't We?<br />

Short BubjectB, listed by company, in order oi release. Running time iollowa<br />

title. First date is national release, second the dale oi review in BOXOFFICE.<br />

Symbol between dates is rating irom the BOXOFFICE review. ttVery Good.<br />

+ Good. — Fair. — Poor. = Very Poor. O Indicates color photography.<br />

+ 10- 1<br />

12-24<br />

12-24<br />

2-11<br />

S-158 Did'Ja Know? (8) 5-6 -f 7- 1<br />

S-159 That's His Story (9)... 6-17 ++ 7-22<br />

S-160 A Wife's Life (8) 7-8 + 7-15<br />

1950-51 SEASON<br />

S-251 Wrong Way Butch (10) . 9- 2<br />

S-252 Football Thrills No. 13<br />

(9) 9-9 tt 9- 9<br />

S-253 Table Toppers (g) 10-21<br />

SILVER ANNIVERSARY SHORT<br />

934 Some of the Best (40) . . 7-15 tf 7-<br />

THE MOVIES AND YOU<br />

Z-172 Moments in Music (10) . 7-13 + 7-:<br />

TOM & JERRY CARTOONS<br />

(Technicolor)<br />

W-44 Heavenly Puss (7) 7-9 + 10-:<br />

1949-50 SEASON<br />

W-131 The Cat and the Mermouse<br />

(8) 9-3 H 10-<br />

W-133 Love That Pup (8) 10-1 + 10-1<br />

W-134 Jerry's Diary (7) 10-22 + 11-<br />

W-136 Tennis Chumps (7) 12-10 + 12-;<br />

W-13g Little Quacker (7) 1-7 + 2-<br />

W-139 Saturday Evening Puss<br />

(7) 1-14<br />

W-141 Texas Tom (7) 3-11<br />

W-142 Jerry and the Lion 4- 8<br />

(7) . .<br />

W-145 Safety Second (7) 7- 1<br />

1950-51 SEASON<br />

W-231 Tom & Jeriy in the<br />

Hollywood Bowl (7) . . . 9-16<br />

W-233The Framed Cat (7)... 10-21<br />

W-235Cueball Cat (7) 11-25<br />

-f 2- 4<br />

Paramount<br />

Prod. No. Title Rel. Date Rating Rev'd<br />

tt<br />

I<br />

12


'<br />

.<br />

20th Century-Fox<br />

d. N o. Title Rcl. Date Rating Rev'd<br />

FEMININE WORLD<br />

r-^<br />

12 Fashions of Yesteryear<br />

(Ilka Chase) (8) Nov. +<br />

MARCH OF TIME<br />

IS, No. 10 The Fight for Better<br />

Schools (20) Oct. +<br />

. 15, No. 11 MacArthur's Japan<br />

(IS) Nov. +<br />

. 15, No. 12 A Chance to Live<br />

(15) Dec. +^<br />

No. . 16, 1 Mid-Century: Half<br />

Way to Where? (17) Feb. +<br />

.16, No. 2 The Male Look<br />

(16) Mar. +<br />

. 16, No.3 Where's the Fire?<br />

(19) April +f<br />

. 16, No. 4 Beauty at Work<br />

(15) June ff<br />

. 16, No. S As Russia Sees It<br />

(16) Aug. ^<br />

MOVIETONE ADVENTURES<br />

'lAhoy, Davy Jones (11) Oct -f<br />

^2 Aboard the Flattop Midway<br />

(8) Nov.<br />

6®Jewel of the Baltic (g) . Dec. -|-<br />

'3 Midwest Metropolis (11) . . Dec. ++<br />

1950 SEASON<br />

1 ©Pattern of Progress (8). Apr. +<br />

MOVIETONE SPECIALTIES<br />

2 The Hunter (8) Aug. -f<br />

3 Shadows in the Snow (9). Sept. fill<br />

Mid-West Metropolis (9).. June ++<br />

I 2 New York Philharmonic<br />

Orch. (10) July<br />

I<br />

3 Music of Manhattan (10).. July ^<br />

MOVIETONE MELODIES<br />

1 Lawrence Welk and His<br />

Champagne Music (10).. Jan. ±<br />

2 Red Ingle and His Gang<br />

(10) Mar. n<br />

3 Skitch Henderson & Orch.<br />

(10) Aug.<br />

4 The Fontaine Sisters (8).. Oct<br />

MOVIETONE NEWS<br />

(Released Twice Weekly)<br />

SPORTS<br />

1 Skiing Is Believing<br />

2 From Jib to Topsail<br />

(10) . .Jan.<br />

(9) . . Feb.<br />

ff<br />

+<br />

I ©Frolic in Sports (8) Mar. -f<br />

?3Drnng Maniacs (9) May +<br />

; i Shooting the Salmon Rapids<br />

:. (10) May +<br />

; J Action With Rod and Reel<br />

.. (10) June +<br />

;) Winning Form (10) July 4-<br />

:? Bowlers' Fair (8) Sent 4-<br />

: J Football Pay-Off Plays<br />

(10)<br />

; ) Circus on the Campus<br />

(10)<br />

2 ITee Girls (10) N<br />

+<br />

11-19<br />

10- 8<br />

4-29<br />

1-14<br />

1-14<br />

4-29<br />

7- 8<br />

7-15<br />

9- 9<br />

9-16<br />

Universal-International<br />

Prod. No. Title Rel. Date Rating Rev'd<br />

CARTOON MELODIES<br />

4388 Sailing With a Song (9). 10- 3<br />

1949-50 SEASON<br />

5381 My Favorite Girl (10).. 11- 7<br />

5382 Songs of the Range (10). 12-26 ±<br />

5383 Dream Dust (10) 2-20 -f<br />

5384 Sing Your Thanks (10) . . 4- 3 i<br />

5385 Harmony Hall (10) 5-29<br />

5386 Melody Moods (9) 7-17 +<br />

5387 Sing Happy (10) g-28 +<br />

5383 Feast of Songs (10) 10-2 i<br />

MUSICAL WESTERNS<br />

4357 The Girl From Gunsioht<br />

(25)<br />

4358 The Pecos Pistol (26)<br />

9-15 ±<br />

10-27 +<br />

1949-50 SEASON<br />

5351 Coyote Canyon (26) ... .11-17 u.<br />

5352 South of Santa Fe (29). .12-22 ff<br />

5353 The Fargo Phantom (24) 2- 9 -f<br />

5354 Gold Strike (25) 3-30 +<br />

5355 Rustler's Ransom (27).. 5-lg ±<br />

5356 Cactus Caravan (26) 7-6 ±<br />

5357 Western Courage (29) . . . 8-31 ff<br />

5358 Ready to Ride (25) 10- 5<br />

NAME BAND MUSICALS<br />

4311 Russ Morgan & Orch. (15) 9- 7 +<br />

4312 Skinnay Ennis & Orch.<br />

(15)<br />

9-28 -f 12-24<br />

4313 Rhythm of the Mambo<br />

(15) 10-26<br />

1949-50 SEASON<br />

5301 Herman's Herd (15) 11-2<br />

5302 Lionel Hampton & Orch<br />

(15) 12-7<br />

5303 Freddie Slack & Orch.<br />

(15) 1. 4<br />

5304 Ethel Smith and the Henry<br />

King Orchestra (15) 2- 1<br />

. .<br />

5305 Sweet Serenade (15).... 3- 1<br />

530S Skitch Henderson & Orch.<br />

(13) 4-19<br />

5307 King Cole Trio and Benny<br />

Carter Orch. (16) 5-17<br />

5308 Claude Thornhill & Orch<br />

(15) 6-14<br />

5309 Sarah Vaughan & Herb<br />

Jeffries (15) 7-12<br />

5310 Red Nichols and His Five<br />

Pennies (15) 8-9<br />

5311 Salute to Duke Ellington<br />

(15) 8-30<br />

5312 Connie Boswell & Les<br />

Brown (15 Orch. 9- 2<br />

5313 Music by Martin (15).. 10-11<br />

Warner Bros.<br />

Prod. No. Title Rel. Date Rating Rev'd<br />

±<br />

SHORTS CHART


Los<br />

SHORTS REVIEWS<br />

Opinions on the Currtnf Short Subjects-<br />

—<br />

Pirates of the High Seas<br />

(15-episode serial)<br />

First episode 27 mins.<br />

Columbia<br />

Others average 16 mins.<br />

Good. Made to order for the serial devotees<br />

and the youngsters, this is an actionpacked<br />

chapter-play about modern day pirates.<br />

The husky acquatic star, Bu.ster<br />

Crabbe, supplies marquee value and is ideally<br />

suited to the role of a two-fisted commander<br />

of a little schooner in the South Seas. While<br />

the first episode devotes too much time to<br />

introducing the characters and setting the<br />

stage for later developments, it winds up<br />

in a blaze of flaming action. The second<br />

episode starts off at a fast pace and will<br />

keep its audiences on the edge of their seats.<br />

Lois Hall adds a touch of romance and Gene<br />

Roth and Hugh Prosser are among the<br />

double-dyed villains.<br />

The Versailles<br />

(Cavalcade of Broadway)<br />

Columbia 10 Mins.<br />

Good. Latest entry in the series devoted<br />

to Broadway nightclubs is an entertaining<br />

musical short even if some audiences may<br />

expect to see Edith Piaf. the current smash<br />

hit at the Versailles. However, Johnnie<br />

Johnston, popular radio and recording star,<br />

scores with his rendition of "La Vie En Rose,"<br />

which Miss Piaf introduced and made famous.<br />

He also sings "You Can't Take It<br />

With You When You Go." Danton Walker,<br />

Broadway columnist, also introduces Copsey<br />

and Ayres, who satirize oriental dancers.<br />

Casper's Spree Under<br />

the Sea<br />

Paramount (Casper Cartoon) 8 Mins.<br />

Good. Imaginative, well drawn and should<br />

be especially appealing to women and children.<br />

Little Casper, the ghost, is cast out by<br />

the other ghosts because he doesn't scare<br />

anybody. He finds friends at the bottom of<br />

the sea. visiting a fish fair and meeting a<br />

pretty little goldfish. Goldie and the other<br />

fish are trapped in a net. Casper rescues them<br />

by scaring the wits out of the fishermen.<br />

Desert Hi-Jinks<br />

(Grantland Rice SportUght)<br />

Paramount<br />

9 Mins.<br />

Good. Interesting scenes of unusual sports<br />

in the Arizona and California deserts. They<br />

include skiing and tobogganing on the desert<br />

sands, and skiing on an irrigation canal<br />

pulled along by an automobile. Especially<br />

good are scenes of a variation of polo in<br />

which lariats are used, and a tortoise race.<br />

The Magnetic Tide<br />

20th-Fox (Documentary) 21 Mins.<br />

Good. This Cinecolor film produced and<br />

directed by Dorothy Silverstone tells the<br />

dramatic story of the new nation of Lsrael.<br />

It shows people at work and play, new arrivals<br />

from distant countries and many<br />

world-famous landmarks in both the Arab<br />

and Jewish sections of Jerusalem. There<br />

are also .shots of Haifa and Tel Aviv. Those<br />

of children are especially appealing. Unfortunately,<br />

some of the photography Is below<br />

par.<br />

Letter to a Rebel<br />

RKO (This Is America) 16 Mins.<br />

Very good. A reissue of an outstanding<br />

short, originally released during the 1947-48<br />

season. An excellent appeal for real unadulterated<br />

Americanism, it is more timely_<br />

now than when it was first shown. It visualizes<br />

a letter sent by an editor of a small<br />

town newspaper to his son, who has expressed<br />

some so-called "liberal" ideas in a college<br />

editorial. He shows the boy how important<br />

the democratic belief in free enterprise is in<br />

comparison with the liberalism which considers<br />

all people "as a corrupt tool of a<br />

depraved economy."<br />

Crocodile Hunters<br />

RKO (Sportscope) 9 Mins.<br />

Good. An unusual and educational short<br />

dealing with the rivers of northern Australia,<br />

where native and white hunters seek<br />

the cunning crocodile. The aborigines harpoon<br />

the reptile as it hides at the bottom of<br />

the river while the professional white hunters<br />

use more modern equipment, such as snare<br />

traps. There are some frightening closeups<br />

of the ferocious reptiles struggling to escape<br />

from the hunters.<br />

Waiting for Baby<br />

RKO (Comedy Specials) 17 Mins.<br />

Good. An attractive and engaging pair of<br />

young players, Robert Neil and Suzi Crandall,<br />

are teamed as a couple who go through<br />

some of the usual newlywed troubles in the<br />

first of a new series. The young husband<br />

oversleeps each morning so his bride tells<br />

him that she has a surprise that will wake<br />

him up without fail. He takes it for granted<br />

she is going to have a baby so he buys toys<br />

and baby supplies until she thinks he is<br />

going crazy. It turns out that she has only<br />

bought an alarm clock which cries like a<br />

baby instead of ringing a bell.<br />

Grandma Moses<br />

AF Films (Art Short) 25 Mins.<br />

Very good. One of the finest educational,<br />

as well as inspirational, shorts. Dealing with<br />

the life and paintings of this most-talkedabout<br />

artist, it is ideal fare for the art<br />

houses, as well as regular theatres in key<br />

cities and in college towns. The 90-year-old<br />

Grandma Moses proves herself a natural<br />

actre.ss, one who is never conscious of the<br />

camera. Splendidly photographed in Technicolor,<br />

it shows the old lady in her farm<br />

house, in the fields and at her painting.<br />

Many closeups of her huge paintings, with<br />

their myriad details are also shown. Commentary<br />

and narration are by Archibald<br />

MacLeish and music is by Hugh Martin. AP<br />

Films is at 1600 Broadway, New York City.<br />

Future Releases<br />

Will Appear Next Week<br />

On This Page<br />

In the Newsreels<br />

Movietone News, No. 94: Winter joins War<br />

in Korea as Allies push on to border; Greek<br />

battalion sails for Korea: Purple Heart decorations;<br />

58 die in Alpine plane crash; helicopter<br />

lands in Vatican City; prince marks<br />

second birthday; women marines at boot<br />

camp; football—Illinois-Ohio State, Princeton-Yale.<br />

News of the Day, No. 224: GIs in Korea<br />

face bitter winter; Texas honors heroic Nisei<br />

ex-GIs; UN aids Arab refugees; "talking"<br />

elephants; Illinois up,sets Ohio State; Army<br />

tops Stanford.<br />

Paramount News, No. 27: Korea makes<br />

world headlines; elephant says a trunk-full;<br />

recover bodies of 58 victims in French Alps;<br />

football highlights—Illinois meets Ohio State,<br />

Los Angeles Rams collide with the New York<br />

Yankees.<br />

Universal News, No. 406: Korea; plane<br />

crash; UN aids Arab refugees; football<br />

Illinois-Ohio State. Princeton- Yale ; Angeles<br />

Rams vs. New York Yankees.<br />

Warner Pathe News, No. 29: UN troops near<br />

China border: Norwegian crown prince visits<br />

U.S.; Warner Bros, honored for "Breakthrough";<br />

UN aid force for 750,000 Arab<br />

refugees; Germany—Nellie, the "talking" elephant;<br />

Army-Stanford game; Princeton-<br />

Yale; Los Angeles Rams-New York Yankees.<br />

•<br />

Movietone News, No. 95: All- American football<br />

team; flood in California; USS New<br />

Jersey recommissioned; Will Rogers memorial;<br />

Long Island railroad wreck.<br />

News of the Day, No. 225: Long Island<br />

railroad wreck; floods in the west; silks in<br />

fashion; New Jersey back in service; turkey<br />

for the Trumans; salute to Will Rogers;<br />

ECA chief in Korea.<br />

Paramount News, No. 28: First pictures of<br />

Russian troop training; school for turkey<br />

carving opens; hospital drive salutes Will<br />

Rogers; stockings in high fashion; Long<br />

Island train disaster stuns nation.<br />

Universal News, No. 407: Long Island railroad<br />

wreck; floods in the west; ECA administrator<br />

in Korea; Will Rogers memorial<br />

hospital; new star in Hollywood; Reds Bagnell<br />

ail-American material.<br />

Warner Pathe News, No. 30: Long Island<br />

railroad crash; California—floods rage on<br />

west coast; Washington—President gets first<br />

atomic dog tag; New York—Will Rogers hospital<br />

drive begins; Korea—ECA chief on<br />

mission to Korea; Hollywood—Ruth Roman<br />

opens marines' drive for toys for tots; new<br />

Episcopal bishop of New York is installed;<br />

navy's new skyshark has two-way propeller.<br />

•<br />

All American News, No. 423: Holiday season<br />

decorations; Missouri state teachers convention<br />

in Kansas City; sorority presents<br />

books to Carver university in Topeka during<br />

National Book week: New York university<br />

trampoline stars; Joe Louis trains<br />

for comeback.<br />

•<br />

Telenews Digest, No. 47 A: Korea—battle<br />

in the sky: people in the news—Maurice<br />

Thorez, Lewis Douglas. Otto Diehls and Kurt<br />

Alder: arms for the west; France—plane<br />

cra.sh; Philippines—105 Communists arrested;<br />

Israel—election brings big gains for Rightists.<br />

Telenews Digest. No. 47B: Report on rearmament<br />

in Germany; Korean civilians rebuild:<br />

Mayor Impellitteri vacations in Cuba;<br />

Germany—Perlon goes into production; New<br />

York—toy train mystery.<br />

14<br />

BOXOFFICE BookinGuide Dec. 2, 1960


Opinions on Current Productions; Exploitips for Selling to the Publit<br />

FEATURE REVIEWS<br />

1 The Goldbergs F<br />

Paramount (5011) 83 Minutes Rel.<br />

; This ofiers delightful entertainment to a ready-made audi-<br />

: ence of the many thousands who have followed the fortunes<br />

: of the amusing Goldberg family for years on the radio and<br />

• now also see and hear its members on television. It is a<br />

(FOR STORY SYNOPSIS ON EACH PICTURE, SEE REVERSE SIDE)<br />

: sure-fire attraction. Gertrude Berg, Philip Loeb and the<br />

: others, all borrowed from the radio-television show, are Pacifu<br />

• excellent. The direction by Walter Hart, who never lets "'^"'l'<br />

; the action become static during the folksy chatter, is top-<br />

: notch. The scene is laid in an apartment house in the Bronx<br />

1 "bounded by the Atlantic on the east and the United States<br />

• on the west." Molly's comments are priceless. She talks<br />

• about letting the children vacation at Pincus' Pines, warns<br />

: them against becoming "eardroppers" and observes: "Five<br />

: people, one bathroom, cooperation, please." It's great fun.<br />

• Gertrude Berg, Philip Loeb, Eli Mintz, Eduard Franz, Larry<br />

: Robinson, Arlene McQuade, Betty Walker.


FEATURE REVIEWS Story Synopsis; Adlines for Newspaper and Programs<br />

THE STORY: ,<br />

"The Mudlark"<br />

A waterfront waif, young Andrew Ray, picked up a medallion<br />

bearing the likeness of Queen Victoria. Curious to<br />

see the lady, whom he thinks looks like a "mother," he<br />

makes his way to Windsor Castle, where the queen—grieving<br />

over the death of her husband. Prince Albert—has been in<br />

(Alec Guinness) has been unsuccessfully attempting to persuade<br />

Victoria (Irene Dunne) to resume active participation ^p^<br />

in the affairs of her country. When young Andrew is cap- .^^jj',<br />

tured a great furore develops; Disraeli, in an impassioned<br />

speech in the House of Comons, thumps for a program of<br />

social reform that would provide for such underprivileged<br />

youngsters: and Victoria appears again before her subjects.<br />

CATCHLINES:<br />

The Tender, Touching, Compelling Story ... Of a Great<br />

Lady Who Lived in the Past . . . Until a Wandering Waif<br />

Touched the Depths of Her Compassion . . . It's Heartwarming<br />

Entertainment.


.<br />

wi<br />

, Mioef.<br />

A:S: 10c per word, Tninimiim $1.00, cash with copy. Four insertions ior price of three.<br />

xi>lNG DATE: Monday noon preceding publication date. Send copy and answers to<br />

Box Numbers to BOXOFFICE. 825 Van Brunt Blvd., Kansas City 1, Mo. •<br />

HELP WANTED<br />

extra cash? Manager, operators—daytime,<br />

U ur neighborhood merchants advertising gifts,<br />

ilcjrs, pencils, matches, etc. Average order<br />

;irn:25. Free samples. Klncole, 8916 Linwood,<br />

;«[ Mich.<br />

.<br />

HiOM". '^*" Kansas tow-n. Woman preferred.<br />

W^'e. -1086.<br />

theatre Savannah, Georgia. Must be<br />

[„ r'lil in exploitation. Please give full inft)<br />

.>ii .md send photograph. P. 0. Box 1294,<br />

• Oiiio Roadshow Exploitation picplus<br />

commission on book sales,<br />

experience. <strong>Boxoffice</strong>, 4088.<br />

Eiienced projectionist, married, no children.<br />

ji > -etl impcorn. Write first letter stating<br />

>uinif(i, referpflce and experience. PosirelMii<br />

drinker or noater. <strong>Boxoffice</strong>. 4089.<br />

POSITIONS WANTED<br />

ictionist, 28. married, do not smoke or<br />

6 yMFs experiwice. Now employed, desires<br />

prefers South. References. <strong>Boxoffice</strong>,<br />

Ire executive, early forties, excellent refer-<br />

;upervi.'=or or manager of de luxe operation<br />

or California preferred. Boxoffiw, 4071.<br />

ifler. booker, buyer. Young, now successnployed.<br />

Desires place with future. Prefer<br />

dent or small growing circuit. Best ref-<br />

Would like to have position where I<br />

lo booking and buying as I have devoted<br />

'<br />

my time to this. <strong>Boxoffice</strong>. 4073.<br />

Ire manager called to active duty being<br />

;ed due to dependency, as of December<br />

-iild like to re-locate. <strong>Boxoffice</strong>. 40T9.<br />

iger, proven buyer, booker, exploiteer.<br />

operation and malntenajice. wife cashier.<br />

ch;mge where winters are moderate or<br />

References, Veteran. <strong>Boxoffice</strong>, 4090.<br />

ger. age 38, veteran, draft exempt, fully<br />

iced publicity, promotions. <strong>Boxoffice</strong>. 4091.<br />

SIGNS<br />

Way to Paint Signs. Use letter patterns,<br />

loppy work and wasted time. No experi-<br />

?ded for expert work. Write for free samohn<br />

Ratm, B-1329, Central Ave., Chicago<br />

jTUDIO AND PRODUCTION<br />

EQUIPMENT<br />

lan processing iwntrol sensitometer. $795:<br />

SjTic Sound Dubbing Projectors, $395:<br />

Howell step printer, rebuilt. $995:<br />

16mm iens. original cost $1.800— $995:<br />

\rttli camera doliies 2 seats, $242.50:<br />

35mm step printers, with light changers.<br />

$795: Presto studio disc recorder. $195:<br />

55/16mm sound reduction printer, worth<br />

-$3,495: Prestoseal automatic hot splicer,<br />

iSmm. good used. $350; sensational new<br />

atic .Ir. 16mm developing machines (incl.<br />

1.095: Auricon Cinevoice. demonstrator,<br />

i-ton refrigeration plant. 230 DC motor.<br />

Cyemo 35mm spider turret news cameras.<br />

Jacltground process outfit with pro,iector,<br />

Selsyn motors, lenses. 15'x20' sween.<br />

$4,995. Send for catilog Sturelab Sup-<br />

Hept- C. S.n.S. Cinema Supply Corp.,<br />

52nd St.. New Yorll 19.<br />

VE-IN THEATHE EQUIPMENT<br />

ins—Be Wise—Be Tlirifty. Order now<br />

Lay-A-ffay Plan. Small deposit holds<br />

It until re


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