Boxoffice-December.02.1950
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m flHlBIll<br />
Entered is Mcond-titu natter at the Pott Otflct<br />
at Kansas City, Mo., vndv the act ot March 3, 1879.<br />
NATIONAL EXECUTIVE EDITION<br />
Including the Sectional News Pages of All Editioni<br />
DECEMBER 2, 1950<br />
Auditorium of the Odeon Theatre recently opened in Ottawa by Odeon Theatres of Canada.
1<br />
IF RIP VAN WINKLE<br />
WOKE UP TODAY!<br />
Naturally Mr. Van Winkle asked a lot of question<br />
about industry happenings.<br />
''When I dozed off, years ago," said Mr. Van Winkle<br />
"there was a young Lion named Leo of M-G-M wh(<br />
was the talk of the entire industry. Who's doing th<br />
roaring now?"<br />
I<br />
M.G-M's TECHNICOLOR GIANT!<br />
"KING<br />
SOLOMON'S<br />
MINES"<br />
Breaking records at<br />
Radio City Music Hall<br />
and across the nation!
(A .rvos\«-<br />
I<br />
Celebrate the<br />
Happy Holidays<br />
with a Big M-G-M<br />
Technicolor Musical<br />
tc<br />
PAGAN<br />
LOVE<br />
SONG"<br />
BIG ADVENTURE<br />
INDIA!<br />
ii-G-M's<br />
IRAMA FILMED IN<br />
Rudyard Kipling's<br />
fi<br />
KIM"<br />
TECHNICOLOR<br />
MASTERPIECE<br />
Thousands in the Cast!<br />
fes indeed! Mr. Van Winkle found that M-G-M was<br />
till the big noise of the industry—that's what probably<br />
/oke him up. And when he heard about the magnificent<br />
'MGNIFICENT YANKEE" and "MR. IMPERIUM"<br />
nd "ACROSS THE WIDE MISSOURI" and all the<br />
ither M-G-M enterprises he did hand-springs.<br />
V^<br />
ftV^^tS<br />
CA^^
VIRGINIA DORIS OOROON<br />
CAGNEY* MAYO - DAY* M«RAE- NELSON BREAKTHROUGH" DAVID BRIAN JOHNM<br />
f'*':<br />
"TUC U/CQT DHIMT QTHPV" «"' *lan hale ledtiy<br />
ir p,od.cedby<br />
SEILER . BRI<br />
FRANK LOVEJOY SUZANNE LE;rsaER.BRif<br />
f^<br />
story Joseplii"^'<br />
Screen Play by BERNARD GIRARO anij TLD SHLRDLMAN • from a Story by Josephi"^'<br />
Screen Play by JOHN MONKS, JR., CHARLES HOFFMAN & IRVING WALLACE From a Story by Irving Wallace • Ori|inal<br />
Songs by Jule Slyne and Semmy Cahn • Musical Diiection by Ray Hemdoil • Dance Numbers Directed by leRoy Prim<br />
mmmt^mmimmm
Technicolor<br />
Gi!Y COOPER^ RUTH ROMAN STEVE COCHRAN<br />
Dj I A^"<br />
ar<br />
'^^'"""' '*'^^^" • BARBARA PAYTON Directed by STUART HEISLER<br />
Produced by ANTHONY VEILLER Music by Max Stciner Written by JOHN TWIST<br />
'""^mm/mf^ m n j<br />
HIGHWAYSOr ' STEVE COCHRAN<br />
'<br />
VIRGINIA GREY- GABY ANDRE "ZoSsra^'<br />
Produced by BRYAN FOY
ICTURE<br />
OF THE<br />
IL<br />
E"!<br />
Debra Paget and Louis Jourdan pause in the day's occupation to lunch on the set of 20th<br />
Century-Fox's "Bird of Paradise." The place is Hawaii, the picture is in Technicolor and also<br />
stars Jeff Chandler, and the advance word hails it as a major offering for 1951. The big<br />
campaign will sell it around the world!<br />
(Advertisement)
j<br />
,<br />
—<br />
'<br />
w-;"'i,uffl»^'''W<br />
'I<br />
i. tiy ' ij iii,! i|jJ!'yMWM<br />
IE NATIONAL FILM WEEKLY<br />
Published in Nine Sectional Editions<br />
BEN<br />
SHLYEN<br />
dilor-in-Chief and Publisher<br />
MES M. JERAULD Editor<br />
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jSE SHLYEN Managing Editoi<br />
AN SPEAR Western Editor<br />
:N HUDNALL Equipment Editor<br />
HN G. TlNSLEY-.Advertlsing Mgr.<br />
Published Every Saturday by<br />
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itorial Offices: 9 Rockefeller Plaza, Ne»<br />
rk 20, N. Y. John 0. Tlnsley, Advertli-<br />
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)el Older, manager. Phone Wlsoonsin<br />
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ter Gate, W. 2. Telephone Pad-<br />
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Ushers of: The MODERN THEATRE.<br />
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'ICE; BOXOFFICE BAROMETER.<br />
any: 21-23 Walter Ave.. M. Berrlgan.<br />
Ingham: The News, Eddie Badger.<br />
an: Frances W. Harding, Lib. 2-9305.<br />
rlotte: 216 W. 4th, Pauline Griffith,<br />
cinnall: 4029 Reading. Ltlllan Lazarus,<br />
eland: Elsie Loeb. Falrmount 1-0046.<br />
las: l^e Times-Herald. Virgil Miers.<br />
er: 1645 I.afayette. Jack Rose.<br />
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roit: Foi Theatre Bldg., H. F. Reves.<br />
apolis: Route 8. Bos T70, Howard<br />
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nphls: 707 Spring St., Null Adams,<br />
ivaukee: 3057 No. Murray. John Hubel.<br />
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Orleans: Frances Jordan. N.O. Statet<br />
City: Terminal Bldg.. Polly Trindle.<br />
iha: World-Herald Bldg., Lou Gecdes.<br />
ladelphla: 5363 Berks, Norman Shlgon.<br />
sbnrgh: R, F. Kilngensmith. 616 Jeanette.<br />
WUklnsburg. Churchill 1-3800.<br />
Hand. Ore. : Keith Petzold. Broadway<br />
heatre. Advertiaing: Mel Hickman. 901<br />
tomlnal Sales Bldg.. ATwater 4107.<br />
Louis: 5149 Rosa. David Barrett.<br />
. Lake City: Deseret News. H. Pearson.<br />
Antonio: 210 Slocum Place. G. 9718.<br />
J. B. Ketner.<br />
Francisco: Oall Lipman. 25 Taylor St..<br />
Tdway 3-4812. Advertising: Jerry Noell,<br />
Howard Bldg.. 209 Post St..<br />
Tlkon 6-2522.<br />
tie: 1303 Campus Pkwy, Dave Ballard<br />
In<br />
Canada<br />
:ary: Ibt Albertan, Helen Anderson.<br />
treaJ: 4330 Wilson, Roy Carmlchael.<br />
lolm: 116 Prince Edward, W. MoNuIty.<br />
"ito: R. R. 1, York Mills, M. Galbralth.<br />
auver: Lyric Theatre Bldg., Jack Droy.<br />
''ilpeg: 282 Ruperts, Ben Sommcrs.<br />
ember Audit Bureau of Circulations<br />
red as Second Class<br />
J<br />
matter at Post<br />
" e. Kansas City. Mo. Sectional Edition,<br />
> per year; National Edition, |7.J0.<br />
'CEMBER 2, 1950<br />
^<br />
58 No. 5<br />
AN APPROACH 70 UTOPIA<br />
' HE singleness of thought contained in<br />
three letters from readers published in this issue<br />
gives emphasis to the point they make: That<br />
film rental terms are a matter of individual negotiation.<br />
So say two exhibitor leaders, Henry<br />
Reeve, president of the Texas Theatre Owners,<br />
and Morris Loewenstein, president of the Theatre<br />
Owners of Oklahoma, and A. W. Schwalberg,<br />
president of Paramount Film Distributing<br />
Corp.<br />
Mr. Reeve gives organization efforts to regulate<br />
or control fair selling practices little credit<br />
for accomplishment, calling such efforts futile.<br />
And he says, "If we want to stay in this business,<br />
just admit its failings and impossibilities,<br />
forget the wishful thinking that some organization<br />
can take care of us and dig into our individual<br />
business and give it the best we've got."<br />
Mr. Loewenstein says, "Every situation poses<br />
its own problems and the solution must come<br />
from the individual theatre operation. No 'allinclusive'<br />
formula can ever be reached—no matter<br />
how sincere the exhibitor-distributor relationship.<br />
... If the time of the 'commonpocketbook'<br />
ever comes, then Utopia could exist<br />
in show business—but this will never be—therefore<br />
each must fight his own battle as best he<br />
can—and measure himself by the results."<br />
Mr. Schwalberg states, "Terms are today a<br />
matter of negotiation theatre by theatre and<br />
picture by picture . . . there can be no overall<br />
common denominator." At the same time, Mr.<br />
Schwalberg urges that exhibitors devote their<br />
energies to developing ways and means of getting<br />
people to come to their theatre. With this<br />
we are heartily in accord. It certainly would<br />
be a better business, if everyone exerted his<br />
greatest efforts in this direction. But, we wonder,<br />
if picture-by-picture negotiations do not<br />
impinge extraordinarily upon the time of such<br />
efforts? Perhaps not in the instance of chahi<br />
organizations where film buying is done by other<br />
than the theatre manager upon whom falls the<br />
job of selling the pictures to the public. However,<br />
where an individual operator has to attend<br />
to both functions, it is quite a different matter.<br />
The picture-by-picture dealing is, by the way,<br />
the result of organization activity that did away<br />
with whole-season buying that obtained prior to<br />
1940. When the consent decree went into effect<br />
that year for a trial run, which lasted three years,<br />
pictures were sold and bought in groups containing<br />
up to five. Later court decrees dictated<br />
otherwise. There are, of course, buyer advantages<br />
in these dictums. But one may question<br />
whether the game has been worth the candle.<br />
It must be remembered that the seller also gained<br />
advantage in the changeover—advantage in<br />
which, doubtless, is based the increasing rental<br />
trend of which exhibitors complain.<br />
A modification in this buyer-seller situation<br />
has been introduced by several distributing<br />
firms, largely for the smaller theatre operations<br />
whereby they may buy even a full season's product<br />
output with a conditional cancellation privilege.<br />
That is a move in the right direction.<br />
Reverting to the question of a so-called rental<br />
formula, we wonder why there could not be a<br />
"common denominator" that could be basically<br />
applied over a large segment of the industry.<br />
Adjustment here and there to fit individual<br />
situations would serve to make it equitable. And,<br />
with the stress and strain and time loss removed<br />
from picture buying diverted by both exhibitors<br />
and distributors into selling the public, there<br />
might, at least, be some progress made toward<br />
that Utopian era.<br />
Carter T.<br />
Barron<br />
Rare, indeed, is the individual who earns for<br />
himself a place in his community as did Carter<br />
T. Barron. He talked with Presidents. He served<br />
his city, his industry and his country. And he<br />
served them exceedingly well. As Loew's Washington<br />
representative for the past 18 years<br />
and diplomat without portfolio for the motion<br />
picture industry—Carter Barron will long be remembered<br />
by the people of the nation's capital<br />
and by the people of this industry.<br />
No greater tribute could be paid a man than<br />
to be referred to as his town's No. 1 Private<br />
Citizen. That is the esteem in which Carter<br />
Barron was held. His untiring efforts in the community,<br />
his genial personality and sincerity and<br />
his genius for organizing and making people<br />
work together created a civic spirit in which<br />
Washington takes pride.<br />
Carter Barron added to the good name of the<br />
motion picture industry. He brought it greater<br />
respect in high places of government and with<br />
whomever he came in contact. He took pleasure<br />
in serving the industry he loved with ceaseless<br />
devotion. He set a fine example of community<br />
service it would be well for others in this industry<br />
to emulate.<br />
V^^C-w
[<br />
MAJOR COMPANY HEADS AGREE<br />
TO TOA ARBITRATION PROGRAM i|<br />
Decide That Distributors<br />
And Exhibitors Should<br />
Be Asked for Support<br />
NEW YORK—Leading distributors and<br />
producers liave agreed with the Theatre<br />
Owners of America that an effort should<br />
be made to enlist the cooperation of exhibitors<br />
and distributors "generally" in<br />
setting up a plan for arbitrating distributor-exhibitor<br />
disputes.<br />
That was the outcome of the well-attended<br />
meeting with TOA officials of top executives<br />
of major companies Wednesday (29) at the<br />
Hotel Astor.<br />
ISSUE JOINT STATEMENT<br />
Afterwards, the following carefully worded<br />
statement was issued;<br />
"An invitation having been extended to<br />
heads of producing and distributing companies<br />
represented at the meeting to ascertain<br />
their attitude toward establishing a<br />
workable system of arbitration in the motion<br />
picture industry to deal with disputes involving<br />
distributors and exhibitors, it was the<br />
consensus that efforts should be made to<br />
obtain the active participation and cooperation<br />
of exhibitors and distributors generally<br />
in the consideration and formulation of such<br />
a program."<br />
Representing TOA. the host, were Herman<br />
M. Levy, general counsel; Walter Reade jr.,<br />
chairman of its distributor-exhibitor relations<br />
committee; S. H. Fabian, Albert M.<br />
pickus and Alfred M. Starr.<br />
The guests werg:<br />
Loew's—Nicholas M. Schenck, William F.<br />
Rodgers, J. Robert Rubin.<br />
Twentieth Century-Fox—Spyros P. Skouras,<br />
Andy W. Smith jr.. Otto E. Koegel.<br />
Paramount — Barney Balaban, A. W.<br />
Schwalberg, Austin C. Keough.<br />
Warner Bros.—Albert Warner, Robert W.<br />
Perkins, Howard Levinson.<br />
Universal-International—John J. O'Connor.<br />
Adolph Schimel, Al Daff.<br />
RKO — Robert Mochrie, Ralston Irving.<br />
Joseph J. Laub, William Zimmerman.<br />
Republic—Theodore R. Black. James R.<br />
Grainger.<br />
Columbia—Jack Cohn. Irving Morass.<br />
Monogram—Edward Morey.<br />
UA, ELC NOT PRESENT<br />
Gradwell Sears. United Artists distribution<br />
head, and William J. Heineman, Eagle<br />
Lion Classics, had been invited, but their<br />
companies were not represented. Ned E.<br />
Depinet, RKO president, was out of town, and<br />
Sam Pinanski. TOA president, who issued the<br />
invitations, was detained in Boston by a cold.<br />
Questions as to what the next move will<br />
be, and who will make it, in seeking to establish<br />
an arbitration system were met with<br />
reference to the formal announcement and<br />
the statement there was nothing to add to<br />
it. Further questioning brought the statement<br />
that no date has been set for another<br />
meeting, but it was intimated that another<br />
meeting will be held. A.sked if there was any<br />
8<br />
Industry Chiefs Holding<br />
Big East-West Confab<br />
NEW YORK—Presidents and top studio<br />
executives of all member companies<br />
of the Motion Picture Ass'n of America<br />
will hold a series of important "eastwest"<br />
meetings at the Phoenix-Biltmor<br />
hotel, Phoenix, Ariz., starting Friday<br />
(8) and continuing for two more<br />
days.<br />
This became known Tuesday (28)<br />
after a meeting of the MPAA board<br />
which Eric Johnston, president, came<br />
from Washington to attend.<br />
Plans for the signing of the new Anglo-American<br />
film pact were revised.<br />
Instead of its being signed in Washington<br />
Wednesday (6), it will be signed<br />
here the previous day at an MPAA<br />
luncheon. Rupert C. G. Somervell, under-secretary<br />
of the British Board of<br />
Trade, will sign for Britain. Johnston<br />
for MPAA and Ellis Arnall, president,<br />
for the Society of Independent Motion<br />
Picture Producers. The Wednesday<br />
luncheon in Washington will still be held,<br />
with U.S. government officials among<br />
those present.<br />
MPAA spokesmen would not discuss the<br />
specific purposes of the east-west meeting,<br />
but since high production officials<br />
will be present, it is certain that the whole<br />
range of production problems, from financing<br />
and budgeting to types of films<br />
produced, will be gone over. Television<br />
competition will supply an impetus for<br />
a concerted effort to improve quality and<br />
marketing.<br />
tentative plan involving use of American<br />
Arbitration Ass'n facilities, as in the past,<br />
there again was no comment.<br />
At the time the conference was called.<br />
TOA said it would consider two points:<br />
(1) Whether or not the industry wishes<br />
and will work for an arbitration system.<br />
(2) Whether or not the objections to such<br />
a system can be solved if approached in a<br />
spirit of compromise and conciliation.<br />
Evidently an agreement was reached that<br />
a survey of the industry, especially regarding<br />
exhibitor participation, will be made as<br />
the initial move. However. Allied States was<br />
not represented at the conference. Questioned<br />
about this. Abram P. Myers, general<br />
counsel, said; "Allied States was not invited<br />
and it does not concern me at all."<br />
Just what problems are susceptible to<br />
arbitration will have to be decided. The<br />
great majority of complaints handled in the<br />
past by the AAA had to do with clearances.<br />
However. Reade's TOA committee has been<br />
studying many trade practices for more than<br />
a year and is in an excellent position to<br />
make recommendations. The work of the<br />
committee has been one of the best guarded<br />
secrets in the industry. A possibility is that<br />
consideration will be given the position taken<br />
by Ellis Arnall, president of the Society of<br />
Independent Motion Picture Producers, that<br />
an industrywide conference be held looking<br />
toward a code of fair trade practices. However,<br />
since the Arnall plan involves consultations<br />
with the Department of Justice, it may<br />
not be looked upon with favor.<br />
TOA efforts to promote extensive use of<br />
t<br />
arbitration go back several years. There<br />
have been optimistic statements from TOA<br />
from time to time suggesting that progress<br />
was being made, but in the end little progress<br />
has been recorded.<br />
Warners, 20th-Fox Given<br />
Antitrust Case Delays<br />
NEW YORK—Warner Bros, and 20th Century-Fox<br />
have been granted extensions of<br />
time for filing plans for divorcement with<br />
the three-judge statutory court. The former<br />
has until January 15 and the latter until<br />
March 5.<br />
Loew's. Inc.. has not asked for an extension<br />
and has not taken part in any negotiations<br />
for a consent decree. There have been<br />
reports that the company might seek some<br />
new move to get a hearing before the Supreme<br />
Court, but the company lawyers refuse<br />
to discuss the case. If no new appeal<br />
is filed, the company will have to file a<br />
divorcement plan by December 5.<br />
The time extensions for Warner Bros, and<br />
20th Century-Fox may prove to be unnecessary.<br />
For some time both companies have<br />
been negotiating with the Department of<br />
Justice for consent decrees and it is understood<br />
that enough progress has been made<br />
to narrow the discussion to details. Agreements<br />
may be reached at any time. The<br />
Justice department did not oppose the requests<br />
for extensions of time and they were<br />
signed Tuesday (28) by Judge Alfred C.<br />
Coxe.<br />
What were called final decrees for Warner<br />
Bros., Loew's and 20th-Fox were handed<br />
down Feb. 8. 1950. These decrees required<br />
the filing of plans for divorcement of theatres<br />
six months from that date—August 8.<br />
An appeal was taken to the U.S. Supreme<br />
Court. This acted as an automatic stay until<br />
the court refused to hear the case June 5.<br />
The six-month time limit for filing plans<br />
again went into effect, but there was another<br />
setback when a petition for a rehearing<br />
was filed. The high court again refused to<br />
review the case October 16.<br />
Hearing on Intercity TV<br />
To Get Industry Views<br />
WASHINGTON—The Federal Communications<br />
commi-ssion announced Thursday (30)<br />
that it has granted permission to the Theatre<br />
Owners of America, 20th Century-Fox and<br />
National Tlieatres Corp. to appear at hearings<br />
on inter-city video scheduled for December<br />
11. Industry attorneys filed requests<br />
for intervention last week. The hearing will<br />
investigate allocations of coaxial cable made<br />
by A. T. & T.<br />
BOXOFFICE December 2, 1950
. .<br />
CAN'T RELEGATE DRIVE-INS<br />
TO STATUS OF SECOND RUNS'<br />
So Court Holds in Giving<br />
Outdoor Exhibitor Right<br />
To Bid for First Runs<br />
PHILADELPHIA—A federal court judge<br />
here this week ruled that distributors cannot<br />
arbitrarily designate drive-in theatres<br />
as subsequent runs and deny them the<br />
right to bid for first run playdates.<br />
This opinion was handed down by Judge<br />
William Kirkpatrick in a suit brought by<br />
David E. Milgram. operator of the Boulevard<br />
Drive-In Theatre located within the city<br />
limits of AUentown, Pa., against the major<br />
distribution.<br />
The decision carries with it broad implications<br />
of how drive-in theatres may<br />
have to be treated hereafter in the channeling<br />
of motion picture tln-ough the industry's<br />
complicated distribution system.<br />
DISTRIBUTORS MAY APPEAL<br />
In effect, what Judge Kirkpatrick said<br />
was that a motion picture theatre is a motion<br />
picture theatre regardless of whether<br />
it is indoor or outdoor and that distributors<br />
cannot differentiate between the two in selling<br />
their product. What the courts have<br />
held as illegal in the selling of motion pictures<br />
for indoor theatres also goes for the<br />
outdoor operation, the court implied. The<br />
same protection goes to both.<br />
The industry cannot relegate the drive-in<br />
to second run status, the court held.<br />
As a number of distributor chiefs within<br />
recent weeks have issued statements to the<br />
effect that they will sell to drive-ins on a<br />
subsequent run basis only, the ruling of<br />
Judge Kirkpatrick may be challenged in the<br />
higher courts. The court issued an injunction<br />
restraining the majors from denying<br />
the Boulevard Drive-In the right to bid<br />
for day-and-date playdates with downtown<br />
AUentown theatres, and from maintaining<br />
the clearance system which has been set<br />
up for the area.<br />
The Boulevard Drive-In was built a year<br />
ago at a cost of about $250,000. It accommodates<br />
900 cars and is located in an attractive<br />
section of AUentown, 2.4 miles from<br />
the business center of the city and 1.7 miles<br />
from the common boundary line between<br />
AUentown and Bethlehem. In effect, first<br />
runs in both of these cities are involved in<br />
the court order.<br />
28-DAY<br />
CLEARANCE CITED<br />
In handing down his decision, Judge Kirkpatrick<br />
pointed to the uniform 28-day clearance<br />
offered the Boulevard Theatre after<br />
all majors had turned down Milgram's request<br />
for first run pictures. "It is incredible<br />
that each proceeded in ignorance of how<br />
the others were dealing with it," the court<br />
said.<br />
Judge Kirkpatrick contended that the evidence<br />
in the case indicated the industry "is<br />
putting mto effect in AUentown a general<br />
program adopted and adhered to by the<br />
directing heads of the industry to relegate<br />
Mayer Sees Changes<br />
Possible in<br />
NEW YORK—The possibility that there<br />
may have to be changes in the structure of<br />
the Council of Motion Picture Organizations<br />
and its financing plans was raised by Arthur<br />
L. Mayer, executive vice-president, in a<br />
speech highlighting a COMPO day luncheon<br />
of Associated Motion Picture Advertisers<br />
held Thursday (30) at the Hotel Piccadilly.<br />
Mayer expressed confidence that COMPO<br />
will solve its problems of membership representation,<br />
an issue pressed by Theatre<br />
Owners of America, and of financing.<br />
Other speakers were: Robert W. Coyne,<br />
special COMPO counsel; Charles E. Mc-<br />
Carthy, information director, and Dick Pitts,<br />
editorial director. Ned E. Depinet, president,<br />
who was scheduled to speak, was unable to<br />
attend. Harry K. McWiUiams, AMPA president,<br />
presided.<br />
Mayer extended an invitation to Ampa<br />
to become a member of COMPO.<br />
"No doubt," he said, "you have read many<br />
alarming stories about COMPO and its problems.<br />
I want to assure you that we who are<br />
dealing with these problems are not disturbed.<br />
It is possible that we shall have to<br />
make some changes in our makeup and in<br />
our financing plans, but, far from being<br />
fatal, such changes will strengthen COMPO<br />
drive-in theatres generaUy to a second run<br />
status."<br />
The majors in their brief contended that<br />
the drive-in theatre being a new and radically<br />
different medium for the exhibition of<br />
motion pictures its "proper position in the<br />
complicated system of clearance and run .<br />
is not yet known, and must ultimately be<br />
found on the basis of experience and judgment<br />
of businessmen charged with the responsibility<br />
of obtaining the most advantageous<br />
outlets for their products. At the present<br />
time, that judgment dictates that a<br />
neighborhood drive-in play on a subsequent<br />
run."<br />
The court, however, did not think this<br />
arbitrary policy could be upheld.<br />
"The considerations moving the defendants<br />
to reject this plaintiff's bids . . . have<br />
basically, nothing to do with the location,<br />
size, equipment, appointments or policy of<br />
operation of his theatre or of any particular<br />
drive-in theatre as compared with others of<br />
the same type, nor with any local competitive<br />
situation," Judge Kirkpatrick said.<br />
"Of course, this case grows out of the<br />
demand of a single theatre owner and local<br />
situation is incidentally, though only accidentally,<br />
involved, but the reasons for refusing<br />
him first run pictures are wholly<br />
COMPO<br />
by broadening the base of its membership.<br />
In any event, having laid a soUd foundation<br />
for cooperative effort by aU branches of the<br />
industry, we are looking forward to a future<br />
of real achievement.<br />
"As one reads the ominous news from<br />
Korea and Lake Success, it becomes more<br />
and more obvious that, quite apart from<br />
exigencies of our own industry situation, the<br />
need for an organizatin like COMPO is imperative.<br />
"If the motion picture industry is to do<br />
its share in the gigantic struggle for freedom<br />
that seems impending, COMPO must<br />
not only be preserved but must be given<br />
the unflagging support of everybody in our<br />
business."<br />
Coyne explained COMPO plans for a survey<br />
to be conducted among exhibitors of<br />
public attitudes toward the industry, and<br />
also touched briefly on the possibility of a<br />
a second survey to be conducted by a professional<br />
polling organization.<br />
McCarthy explained the COMPO plan for<br />
institutional advertising in Editor & Publisher,<br />
and Pitts talked about his recent trip<br />
to Hollywood, where he gathered material<br />
for a series of newspaper stories that are<br />
soon to be published.<br />
directed to the position of the drive-in theatre<br />
in the motion picture industry. The<br />
sum of the testimony is that the plaintiff<br />
is excluded from first run bidding simply<br />
because his theatre is a drive-in. If the<br />
course which has been applied to him is<br />
adhered to generally (and, from the reasons<br />
given, the only possible conclusion is<br />
that it wiU be) no drive-in within 30 or. 40<br />
miles of any city anywhere will get first<br />
run pictures."<br />
"The erection of a fence around an industry<br />
to keep out newcomers is wholly repugnant<br />
to the poUcy which underlies our antitrust<br />
legislation," the court held.<br />
September Ticket Tax Take<br />
On Par With Last Year<br />
WASHINGTON—September boxoffice was<br />
on a par with last year, according to the<br />
Treasury department report this week on<br />
October admissions tax collections, which reflect<br />
the previous month's business.<br />
October collections totaled $35,036,535, as<br />
compared to $35,074,207 in October 1949. Business<br />
was up from that of a month earlier,<br />
but September collections of $31,346,385 were<br />
almost $4,000,000 below the 1949 level.<br />
BOXOFnCE December 2, 1950
Pittsburgh, Cleveland Exchange Areas Hard HiL<br />
THE BIG STORM CLOSES DOWN<br />
THEATRES OVER A WIDE AREA<br />
Boxoifice Loss Runs High;<br />
Deliveries Knocked Out;<br />
Big Drive-In Damage<br />
The devastating snow and wind storm<br />
which struck fiercely in the eastern half<br />
of the country Thanksgiving weekend<br />
virtually paralyzed the film business in<br />
many sectors. Theatres in the Cleveland,<br />
Cincinnati, Pittsburgh and Philadelphia<br />
exchange areas by the dozens were closed<br />
down by the impact of the storm and<br />
drive-ins from northern New York state<br />
to West Virginia and Georgia were both<br />
snowbound and damaged by the wind and<br />
record snow.<br />
BOXOFFICE LOSS HIGH<br />
The loss in revenues will run into hundreds<br />
of thousands of dollars while the extent to<br />
which drive-ins were damaged will not be<br />
known until crews clear highways leading to<br />
the outdoor theatres and the drive-in areas<br />
are cleared of mountainous drifts of snow.<br />
In the Pittsburgh area, it was estimated<br />
that about three-fourths of the theatres closed<br />
down on Saturday. All downtown Pittsburgh<br />
theatres closed for the weekend but business<br />
was down heavily all week. With the city<br />
blanketed by the heaviest snow in its history,<br />
the street cleaning department was unable<br />
to clear the streets sufficiently to handle<br />
traffic and on Thursday the national<br />
guard was called out to halt all traffic from<br />
coming into the city. Some of the neighborhoods<br />
remained open over the weekend to<br />
accommodate walking-distance patrons.<br />
Floods struck with the snow and wind.<br />
W. E. Anderson's Eldred Theatre in Eldred,<br />
Pa., was under 2^4 feet of water. Theatres<br />
in Smethport, Johnsonburg and Port Alleghany<br />
were flooded out. Altoona was completely<br />
without power over the weekend.<br />
CLEVELAND IS HIT HARD<br />
The 18-inch snowfall in<br />
the Cleveland territory<br />
tied up that section of Ohio completely.<br />
All except six theatres were closed by Saturday<br />
but by Sunday downtown houses and<br />
most suburbans were open. The Granada<br />
Theatre, a neighborhood situation, opened<br />
Saturday at the request of residents in the<br />
vicinity of the house who were cut off from<br />
heat and light by a power failure. About 600<br />
patrons turned up for the evening shows.<br />
In Cincinnati it was not the snow so much<br />
as a gas shortage which closed theatres. Low<br />
pressures forced a number of suburban houses<br />
to shut down on Sunday although downtown<br />
theatres were able to keep open. Schools were<br />
closed because of the gas shortage and kid<br />
matinee bu.siness picked up somewhat.<br />
The storm had its effect on the film business<br />
as far .southwest as Arkansas. Fire destroyed<br />
the Ritz Theatre in Parkin, about 30<br />
miles from Memphis during the cold wave.<br />
The fire started when an oil stove exploded<br />
in a tire shop next to the theatre. Damage<br />
Storm Deals Rough Blow<br />
To New York Boxoffkes<br />
NEW YORK—The storm of Saturday (25)<br />
struck a terrific blow at boxoffice revenues<br />
in this area but remarkably little physical<br />
damage resulted from the winds of nearhurricane<br />
velocity and the heavy downpour<br />
of rain. So far as is known, no industryite<br />
was injured. What the boxoffice loss was<br />
will take some time to determine; average<br />
attendance the latter part of the Thanksgiving<br />
week was off at least 50 per cent,<br />
due not just to inclement weather and warnings<br />
over the radio but also to many power<br />
failures. The main physical damage was to<br />
skylights, water tanks, marquees and other<br />
glass.<br />
A Fabian house on Staten Island closed<br />
Saturday when the water tank roof was<br />
blown off, but reopened Sunday. Glass and<br />
some doors were damaged elsewhere. The<br />
circuit also reported that power failure and<br />
a smashed skylight closed its Middletown,<br />
N. Y., house Saturday, but service was restored<br />
the next day. It had the same trouble<br />
at theatres in Pennsylvania.<br />
Power failure closed 17 Century Long<br />
Island houses. Physical damage was negligible.<br />
Winds blew off the roof fan housing<br />
of the Tuxedo, Rugoff & Becker house at<br />
Brighton Beach, L. I., and power failure<br />
closed five of its other houses. Interboro<br />
closed nine Queens houses and lost "some<br />
glass." The Warwick, a Loew's Brooklyn<br />
to the theatre, owned by Strand Enterprises,<br />
and the rest of the building block was estimated<br />
at $500,000.<br />
The complete story of damage to drive-ins<br />
will probably be known within a week, but<br />
it will be heavy. In the Albany exchange district,<br />
the outdoor theatres bore the brunt of<br />
the storm. A number of screen towers were<br />
down, fences and attraction boards were<br />
down. Neil Hellman, Harry Lament and F.<br />
Chase Hathaway, were among the drive-in<br />
operators reporting damaged theatres. The<br />
storm reached a velocity of 75 to 85 miles<br />
an hour and damaged power lines sufficiently<br />
to shut down indoor houses in Cohoes, Watervliet,<br />
Phoenicia and Fleischmanns. The<br />
storm also seriously affected theatre business<br />
in Schenectady, Troy, Gloversville and<br />
other cities in this area.<br />
Film deliveries were disrupted throughout<br />
the east. Out of Pittsburgh alone, 14 film<br />
delivery trucks were snowed under somewhere<br />
along the highways. For a period of three<br />
days there were no deliveries or pickups. A<br />
few prints were returned to exchanges, but<br />
house, was closed three days because of<br />
power failure; otherwise, the circuit reported<br />
"a few" skylights and other glass<br />
smashed. The Harry Brandt circuit reported<br />
"just a couple of pieces from marquees and<br />
some glass." RKO reported no closings but<br />
damaged skylights and roofs and miscellaneous<br />
broken glass.<br />
Many New Jersey theatres were unfortunate,<br />
according to Wilbur Snaper, president<br />
of New Jersey Allied. Some of them<br />
were afflicted with flooded cellars as well<br />
as power failures. Many that closed Saturday<br />
were still closed the next day. Rosenblatt<br />
& Welt had four houses damaged, wvo<br />
m Jersey City and two in Bayonne. They<br />
closed the Star and Empire on Staten<br />
Island Saturday but reopened Sunday.<br />
Walter Reade Theatres officials .said they<br />
were "exceptionally lucky," None of the<br />
New Jersey houses, including drive-ins, closed,<br />
and the only damage was to a few slats<br />
of the pylon of the Woodbridge drive-in,<br />
but Friday business was practically zero<br />
and Saturday business was "way down."<br />
On the other side of the picture, the<br />
Brooklyn Paramount, where Bob Hope made<br />
two personal appearances in connection with<br />
the showing of "Copper Canyon." did a<br />
capacity business Saturday night at a time<br />
when New York City officials were telling<br />
the public to stay at home.<br />
not all exchanges were open. Those exchange<br />
people who did show up were forced<br />
to walk to Filmrow from their homes. Some<br />
enterprising exhibitors hired youngsters to<br />
haul prints to exchanges on sleds, a switch<br />
on the old bicycling technique. Some exhibitors<br />
exchanged prints, with Friday-Saturday<br />
shows shifted to Sunday-Monday<br />
schedules and vice versa. In many instances<br />
clearances of some years standing were<br />
broken with the principal interest being that<br />
of getting film to all exhibitors possible.<br />
The 36-inch snowfall in West Virginia<br />
ended all deliveries and Dewey Mattaccini of<br />
Exhibitor's Service said they would not be<br />
resumed until the highways were cleared.<br />
As a result most drive-ins closed down and<br />
some continued the bill thev had on hand.<br />
Al Adams to BOXOFFICE<br />
NEW YORK— Al Adams, most recently<br />
with RKO. Warners and the J. Walter<br />
Thompson Co., has joined the editorial staff<br />
of BOXOFFICE.<br />
10 BOXOFFICE December 2, 1950
A Message of Vital Importance<br />
To All Exhibitors<br />
Manpower is the life-line of a studio, as pictures are the life-line of a<br />
theatre. We believe that today Paramount has manpower unexcelled in its 39- year<br />
history.<br />
Indeed never before, in my recollection, has there been such an impressive<br />
massing of creative talent in one production organization.<br />
We not only have the industry's greatest boxoffice manpower but we<br />
are using it — aggressively, immediately and effectively — to bring you more pictures<br />
. . . better pictures . . . pictures carefully planned to the needs of today's market.<br />
Paramount has faith in today and tomorrow. Implementing that faith<br />
thru stepped-up studio activity, PARAMOUNT WILL INCREASE ITS<br />
PRODUCTION OF TOP "A" PICTURES IN 1951 BY 50% OVER THE<br />
PRESENT YEAR. In terms of released product, this will substantially raise the<br />
number of Paramount pictures you can play in 1951.<br />
now, our way is<br />
With confidence, let us move ahead together.<br />
At the Paramount Studio<br />
being cleared with Manpower At JVork For You And Paramount.<br />
President, Paramount Pictures Corporation<br />
MANPOWER AT WORK |^
Y. Frank Freeman, Vice-President, in cnarge of production— assisi<br />
Manpower at Work<br />
for You and Paramount<br />
CECIL B. PeMILLE ... AT WORK<br />
The Greatest Show On Earth*<br />
BETTY HUTTON, DOROTHY LAMOUR,<br />
JAMES STEWART stnrtiiiji Jan. 1<br />
FRANK CAPRA<br />
AT WORK<br />
Here Comes The Groom<br />
BING CROSBY, JANE WYMAN,<br />
FRANCHOT TONE, MARIA ALBERGHETTl . . , preparing<br />
The Trial<br />
preparing<br />
WILLIAM WYLER ... AT WORK<br />
Carrie<br />
LAURENCE OLIVIER, JENNIFER JONES,<br />
MIRIAM HOPKINS<br />
Detective Story<br />
Completed<br />
prepa ring<br />
LEO McCAREY<br />
Pardners<br />
BING CROSBY,<br />
AT WORK<br />
BILL (Hopalong Cassidy) BOYD, preparing<br />
CROSBY My Son John preparing<br />
^^^^^<br />
CHARLES BRACKETT . AT WORK<br />
The Mating Season<br />
GENE TIERNEY, JOHN LUND,<br />
MIRIAM HOPKINS, THELMA RITTER<br />
completed<br />
Famous<br />
BING CROSBY with strong star cast preparing<br />
BILLY WILDER<br />
AT WORK<br />
Ace In The Hole<br />
KIRK DOUGLAS, JAN STERLING completed<br />
Untitled Musical<br />
preparing<br />
JO/<br />
fONT^l<br />
I?
), [he<br />
lAL WALLIS<br />
ptember AfFair<br />
AN FONTAINE, JOSEPH GOTTEN<br />
AT WORK<br />
completed<br />
luantrell's Raiders<br />
AN LADD heading star cosr shooting<br />
mior<br />
AN MARTIN, JERRY LEWIS,.. preparing<br />
ie Stooge<br />
AN MARTIN, JERRY LEWl^,.. preparing<br />
ight Man<br />
IRT LANCASTER and famous names preparing<br />
)n And Stranger preparing<br />
riLLIAM PERLBERGlEORGE<br />
SEATON . . AT WORK<br />
Blossom Seeley Story<br />
* ''TY HUTTON and big cast preparing<br />
nything Can Happen<br />
hubarb<br />
MILLAND, JAN STERLING<br />
IVING ASHER<br />
ie Redhead And The Cowboy<br />
jiLENN FORD, RHONDA FLEMING,<br />
3MOND O'BRIEN<br />
l|<br />
iere Comes The Groom<br />
lo-Producerwith Frank Copra)<br />
^EL EPSTEIN<br />
preparing<br />
preparing<br />
AT WORK<br />
completed<br />
preparing<br />
AT WORK<br />
he Goldbergs<br />
•ERTRUDE BERG plus the Radio-TV cast,,. completed<br />
>ear Brat<br />
lONA FREEMAN, EDWARD ARNOLD,<br />
jILLY DE WOLFE, LYLE BETTGER,<br />
preparing<br />
JOSEPH SISTROM . . AT WORK<br />
lubmarine Story<br />
)hrlstmas Without Johnny<br />
preparing<br />
preparing<br />
tOBERT WELCH .... AT WORK<br />
he Lemon Drop Kid<br />
iOB HOPE, MARILYN MAXWELL,<br />
LOYD NOLAN<br />
>»AUL JONES<br />
Ay Favorite Spy<br />
OB HOPE, HEDY LAMARR^<br />
Completed<br />
AT WORK<br />
prepanng<br />
fp.<br />
GEORGE STEVENS . . AT WORK<br />
A Place In The Sun<br />
MONTGOMERY CLIFT, ELIZABETH TAYLOR, ,^<br />
,<br />
SHELLEY WINTERS completed ^y<br />
Something To Live For<br />
JOAN FONTAINE, RAY MILLAND,<br />
TERESA WRIGHT<br />
Shane<br />
><br />
WILLIAM PINE-<br />
WILLIAM THOMAS .<br />
completed<br />
preparing<br />
AT WORK<br />
martin<br />
Passage West*<br />
JOHN PAYNE, DENNIS O'KEEFE,<br />
ARLEEN WHELAN completed ^<br />
The Last Outpost*<br />
RONALD REAGAN, RHONDA FLEMING<br />
Crosswinds*<br />
Hong Kong<br />
The Rebel*<br />
NAT HOLT<br />
shooting<br />
preparing<br />
preparing<br />
preparing<br />
AT WORK<br />
The Great Missouri Raid*<br />
WENDELL COREY, MACDONALD CAREY,<br />
ELLEN DREW completed<br />
Warpath*<br />
EDMOND O'BRIEN, DEAN JAGGER,<br />
fORREST TUCKER<br />
completed<br />
wVs<br />
7<br />
win^s<br />
Devil's Canyon preparing ^<br />
,<br />
RHONDA<br />
HARRY TUGEND ... AT WORK -S<br />
Rendezvous<br />
JOAN FONTAINE and other big names. .. .preparing<br />
Lj^<br />
ROBERT FELLOWS . . AT WORK mar^vn<br />
Casey Jones<br />
preparing<br />
This Is Dynamite preparing<br />
EVERETT RISKIN AT WORK<br />
STEWART<br />
Rage Of The Vulture<br />
ALAN LADD and marquee cast<br />
preparing<br />
^^^"^^^"^^^^^^^^"^^^^^^^^^^^^<br />
ALAN LE MAY AT WORK<br />
CORINNE<br />
_. , * CAIVET<br />
Quebec<br />
JOHN BARRYMORE, JR., CORINNE CALVET completed<br />
GEORGE PAL AT WORK ^<br />
When Worlds Collide* preparing freeman<br />
*ln Color by TECHNICOLOR
^uUe SW^ Zenith Says It Has Films<br />
TOA Talks on COMPO Await<br />
Return of Ned Depinet<br />
RKO head will be busy at three-day district<br />
managers meeting starting Monday (4)<br />
in New York: Ted Gamble's committee seeking<br />
greater representation will await Depinet's<br />
convenience.<br />
Excess Profits Tax Bill<br />
Passes House Group<br />
Ways and means committee approves $3.4<br />
billion tax bill retroactive to July 1, 1950;<br />
to be sent to rules committee; members confident<br />
it would reach floor early next week.<br />
Booking Problem Studies<br />
Scheduled by Paramount<br />
First of three regional sessions held over<br />
weekend in Kttsburgh. with two more set<br />
for New Orleans December 9, 10 and Chicago<br />
December 16, 17; bookers and supervisors<br />
attend.<br />
United Artists Theatres<br />
Yearly Earnings Drop<br />
-X<br />
Circuit and subsidiaries report $614,383 for<br />
12 months ending August 31; total is $281,031<br />
below previous year; receipt of $225,991 from<br />
United California Theatres noted.<br />
X<br />
Eric Johnston Joins Talks<br />
On the Business Outlook<br />
Attends Washington session called by National<br />
Security Resources board to discuss<br />
possible new controls and other problems<br />
growing out of war emergency.<br />
-X<br />
Joint Convention Is Likely<br />
For TOA, TESMA. TEDA<br />
Oscar Neu, TESMA president, says chances<br />
favor three-group conclave in November 1951<br />
at Shoreham hotel, Washington; decision to<br />
be made at early meeting in New York.<br />
X<br />
Old Fox Theatres Corp.<br />
Wins Full Settlement<br />
New York federal court approves plan by<br />
which 20th Century-Pox will make payments<br />
totaling $200,000 in the next two years to<br />
claims made by trustees of the assets.<br />
-X<br />
Gerald L. K. Smith Suit<br />
Vs. 20th-Fox Dismissed<br />
Tulsa, Okla.. judge holds there had been<br />
no invasion of the rights of privacy by the<br />
film company in its production of the film,<br />
"Gentleman's Agreement."<br />
-X<br />
To Rename Ampitheatre<br />
For Carter T. Barron<br />
National capital's sesquicentennlal commission<br />
endorses proposal in memory of Loew's<br />
late eastern division manager; plan dedication<br />
next spring with proceeds for cancer fund.<br />
For Phonevision Tests<br />
CHICAGO—Phonevision has sufficient<br />
feature product to undertake its 90-day<br />
limited commercial test of "home boxoffice<br />
television," but the test scheduled to begin<br />
Fi-iday (D will be delayed for several<br />
days pending final selection of the features<br />
to be used, according to announcement<br />
made by Ted Leitzell of Zenith<br />
Radio Corp.<br />
"Technical preparations for the test have<br />
been in readiness for three months," Leitzell<br />
said, "and commencement of the actual trial<br />
will shortly be made possible by decision of<br />
several of the film producing companies to<br />
provide feature motion picture for the experiment.<br />
From the lists of films now being<br />
made available for the Phonevision test<br />
it will be possible to select a true crosssection<br />
of features of all types so as to make<br />
the 90 films to be used in the test truly representative<br />
of the motion picture industry's<br />
feature production. Zenith representatives<br />
are now in New York, working with the several<br />
cooperating film companies in final<br />
selection of the films to be used."<br />
FIRST TIME IN HOMES<br />
Leitzell pointed out that this will be the<br />
first time that a television audience has had<br />
the choice or the opportvmity to pay for a<br />
home television program of premium entertainment<br />
which could be seen in the home<br />
without advertising or commercials upon<br />
payment of a boxoffice fee.<br />
"In view of the pioneering nature of this<br />
test," said Leitzell, "we are indebted to the<br />
cooperating producers who are making it<br />
possible for us to obtain a wide selection of<br />
full length motion pictures. We are at the<br />
same time indebted to James C. Petrillo,<br />
president of the American Federation of Musicians,<br />
who has given us splendid cooperation<br />
by authorizing television use of the sound<br />
tracks on the films in this 90-day test."<br />
The Chicago test of Phonevision has been<br />
authorized by the Federal Communications<br />
commission for the purpose of gathering data<br />
on whether people desire—and to what extent<br />
they will patronize—a home boxoffice<br />
method of presenting premium programs on<br />
television, and whether Phonevision as such<br />
a system is in the public interest. The 300<br />
test families will be offered a new feature<br />
program every day by Phonevision and will<br />
be charged one dollar for each program they<br />
decide to see in their homes.<br />
NOT YET APPROVED BY FCC<br />
Any television receiver in the Chicago area<br />
turned to channel 2 will be able to receive<br />
the Phonevision broadcasts of the pictures,<br />
but in a manner so jumbled as to be unintelligible.<br />
Only those television receivers<br />
equipped with Phonevision decorders, which<br />
are in the 300 test homes, will be able to<br />
receive the corrected picture and only after<br />
the Phonevision set user has called the transmitting<br />
station and asked to have the key<br />
signal .sent to his set over the telephone.<br />
In this manner Phonevision provides a<br />
'subscription television .service" whereby the<br />
user can pay for premium type programs.<br />
No Comment on Films<br />
At the Home Offices<br />
NEW YORK—Despite the claims of<br />
Zenith Radio Corp. that it is ready to<br />
start its Phonevision tests using features<br />
released 18 months ago or longer, sales<br />
departments of the various major companies<br />
in New York decUned both to<br />
comment on the matter or name any of<br />
the films which might be used.<br />
Originally, Zenith had intended using<br />
unreleased features as the big selling<br />
point for Phonevision but none of the<br />
major companies would agree to give up<br />
new product for the experiment.<br />
If, as Zenith says, the companies have<br />
provided pictures which were released at<br />
least 18 months ago the situation is one<br />
of compromise. Phonevision took what it<br />
could get in the way of fairly recent pictures<br />
instead of unreleased films and<br />
the majors gave up older product rather<br />
than face the possibility of court action,<br />
which had been threatened.<br />
such as movies, to be seen in his home.<br />
Since television sets equipped with Phonevision<br />
will receive regular television broadcasts,<br />
Phonevision will, if approved by the<br />
FCC, provide an auxiliary but not a substitute<br />
for established commercial television.<br />
Leitzell emphasized that authorization of<br />
the 90-day test in no way indicated approval<br />
of Phonevision by the FCC or prior indication<br />
that it would be authorized as a new<br />
public service.<br />
FCC Grants WOR-TV Permit<br />
For SO-Day Skiatron Test<br />
WASHINGTON—The FCC this week grant-<br />
licensee of WOR-TV, per-<br />
ed Teleradio, Inc.,<br />
mission to conduct a 30-day test of Skiatron,<br />
new subscriber-vision TV subscription system<br />
which reportedly dispenses with the decoders<br />
required by Phonevision to unscramble<br />
paid-for programs.<br />
However, the commission refused to allowany<br />
receivers to be placed in homes, as they<br />
did in the case of Phonevision, and restricted<br />
broadcasts to one receiver in the laboratory<br />
—with another to be allowed in the studio.<br />
Files a $450,000 Suit<br />
Against Crescent<br />
BIRMINGHAM—Suit for $450,000 damages<br />
was filed in U.S. district court here Monday<br />
i27) by B. Ward Wright, Alabama City, Ala.,<br />
independent exhibitor, against Crescent<br />
Amusement Co., of Nashville, Tenn., and four<br />
major film distributors. Named as defendants<br />
along with Crescent were RKO Radio, 20th<br />
Century-Fox, United Artists, and Loew's, Inc.<br />
The suit, which charges violation of a<br />
federal court injunction in Nashville and<br />
violation of the Sherman antitrust act, seeks<br />
triple damages.<br />
14 BOXOFFICE December 2, 1950
FIVE SONGS Scott "making vivid impression"<br />
with numbers like"ThatOld Block Magic"and"LetlerFrom<br />
Lady in Love," says Hollywood Reporter.<br />
here, Mr. Exhibitor, long enough to<br />
examine some boxoffice scenes that<br />
speak your language. They all<br />
Date<br />
say:<br />
DARK CITY<br />
Paramount's Fine-Performing Hal Wallis Hit<br />
TERRIFIC SUSPENSE in'SCenes tike this policeprotectect<br />
clip-joint where respectable citizen (brilliantly<br />
played by Don DeFore) is driven to suicide.<br />
"PUNCHFUL MELODRAMA for both keys and<br />
subsequent runs," says Daily Variety as it appraises<br />
the picture's exciting underworld themes.<br />
MEMORABLE ACTING that includes sock performance<br />
of big-town detective by Dean Jogger,<br />
"fresh from an Academy Award," says Film Daily.
J^<br />
Full House in Snow Storm Brings This Advice:<br />
'Book in<br />
Top Personalities<br />
As <strong>Boxoffice</strong> Stimulant'<br />
NEW YORK—"Quit worrying about television<br />
and bring personalities into theatres<br />
six or eight times a<br />
year," advises Robert<br />
M. Weitman.<br />
As most people in<br />
WEATHER WAS REALLY ROUGH<br />
The 25th, for the benefit of those living<br />
away from the eastern seaboard, was about<br />
the windiest day in 15 years or more. Gusts<br />
reached 102 miles an hour. The rain supplied<br />
the New York City reservoirs enough<br />
water to last 25 days—25,000,000,000 gallons,<br />
to be exact. Cornices fell off buildings, marquee<br />
glass cracked, homes went dark, and<br />
many were left without heat. Subways broke<br />
down from time to time and buses couldn't<br />
operate in many flooded places. The new<br />
mayor advised department stores to close<br />
"immediately" and to send employes and<br />
customers home. This sort of thing on the<br />
radio lasted all day.<br />
BOXOFFICE does not publish gross figures<br />
as a rule, but these are particularly<br />
interesting. Up to 6 p, m. Saturday the<br />
full.<br />
Hope was so astonished that he stopped<br />
and asked the audience: "You haven't any<br />
place to go. have you?"<br />
The crowd shouted "No," so Hope rambled<br />
on.<br />
The gross was $8,250. If the weather had<br />
been ideal, it might have gone to $11,000.<br />
Says Weitman: "I say that anything people<br />
want to see, hear or listen to is a<br />
theatre attraction. The way I figure it is<br />
that Hope's appearances on all three mediums—<br />
films, radio and television—react on<br />
each other. He rates top as a radio draw<br />
this business know,<br />
Weitman is an executive<br />
of United Paramount<br />
Theatres and is<br />
managing director of<br />
liglit now and his television rating, even<br />
the New York and<br />
though his appearances are sporadic, is<br />
Brooklyn Paramount<br />
tops. Everybody knows what kind a film<br />
theatres. His thoughts<br />
attraction he is.<br />
on personal appearances<br />
have been developing<br />
for some time "We can't have a long list of draws like<br />
PLENTY TO DRAW FROM<br />
Robert Weitman<br />
,<br />
and he has been doing considerable experimenting<br />
with "acts" in houses of vary-<br />
Right this minute I am negotiatmg to get<br />
Hope, but there are others—young and old.<br />
ing .sizes in towns equally varied.<br />
Martin and Lewis for a February appearance<br />
On Saturday (25) any lingering doubts with their picture. 'At War With the Army.'<br />
he may have had evaporated. He thought at the Paramount.<br />
he was seeing things for a time.<br />
"It makes my blood boil when managers<br />
around the country keep saying: 'If we put<br />
on acts, we will have to talk with the<br />
unions.'<br />
"What's wrong with that? I have to talk<br />
to the unions. Talking is a good thing. We<br />
are going to open a new theatre at Jackson.<br />
Tenn., and we are going to try personal appearances<br />
occasionally as well as acts."<br />
Weitman isn't arguing for a return to<br />
vaudeville; he is looking ahead to the time<br />
when personal appearances of younger players<br />
will be compulsory under their contracts.<br />
He says it will be good for the players and<br />
will prove an important boost for boxoffices.<br />
URGES COMPULSORY PERSONALS<br />
"Personal appearance requirements should<br />
be written into all film contracts." he insists.<br />
"It may be advisable for the distributors<br />
and theatres to share the expense.<br />
O'Keefe, assistant general<br />
gross at the Brooklyn Paramount was $640. Anything that builds a gross isn't just simply<br />
sales manager of Universal-International<br />
out-of-pocket expense."<br />
for the past five years, has resigned, ef-<br />
The picture, "Copper Canyon," had already<br />
been playing a week at the New York Paramount.<br />
an unknown quantity as a film attraction personal affairs involving west coast real<br />
He likes to refer to Marie Wilson, who had fective Jan. 1, 1951. He will look after his<br />
Bob Hope was in town and had been before she made her first picture for Paramount.<br />
Her appearances were sensational has been named.<br />
estate for the next few months. No successor<br />
booked for two evening personal appearances<br />
at the Brooklyn Paramount, but after wherever she went.<br />
O'Keefe rose from branch manager to district<br />
and western sales manager prior to his<br />
looking out his hotel window he wasn't sure Weitman argues from this that radio made<br />
he would get there. The billing was: "Television<br />
preview." He made it with his own he says, and they can do it again.<br />
her a film attraction. Theatres cashed<br />
appointment as assistant sales manager during<br />
his 20 years with Universal. He started<br />
ni,<br />
in the business in 1919 selling theatre equipment.<br />
In 1920 he began selling film with<br />
troupe of about 50 and played the evening "The same thing can happen in television,"<br />
he avers. "The main problem r'.f?ht<br />
shows on a 50-50 basis with the theatre.<br />
the W. W. Hodkinson Co. in Denver.<br />
Weitman didn't like the prospect of driving<br />
now is to convince theatremen they should<br />
across the Manhattan bridge, so he get off their seats and stop thinking this is<br />
went over in the subway and discovered a temporary blow that will cure itself. Something<br />
new has been introduced: we've got<br />
Cranfill Cox Assumes Post<br />
that crossing Flatbush avenue extension in<br />
an 80-mile wind was an adventure.<br />
to do something about it. Let's stop lamenting;<br />
let's u.se everything we can find to get GILMER, TEX.—Cranfill Cox sr. of Gilmer,<br />
As Rotary Governor<br />
At 7:45 p. m. the "Eisenhower blouse and<br />
mink coat .sets," as Weitman described the people into theatres."<br />
Tex., owner-manager of the Gilmer Theatres,<br />
different types of customers, were arriving<br />
is a district governor of Rotary International,<br />
in droves. Top tickets were $1.50. By 8<br />
worldwide service organization, for 1950-51.<br />
o'clock the theatre was jammed and had WB Sets Patriotic Short<br />
As governor, he coordinates the activities of<br />
standees. For the second show it was also NEW YORK—"My Country 'Tls of Thee," 50 Rotary clubs in parts of Arkansas, Oklahoma<br />
latest in the Warner Bros, series of pa-<br />
and Texas. During the year, he will<br />
visit each of the clubs to offer advice and<br />
triotic .shorts in Technicolor, will be released<br />
December 22. The .series was started<br />
with "Give Me Liberty," released in 1936.<br />
Embarrassment Over<br />
'Oliver Twisl' Dates<br />
NEW YORK—"Oliver Twist" is becoming<br />
a .source of general embarrassment to industry<br />
leaders. Eric Johnston, president of<br />
the Motion Picture Ass'n of America, is<br />
among those who has his fingers crossed<br />
hoping the behind-the-scenes controversy<br />
will be ended shortly. Johnston is acting<br />
as national chairman of the 1951 Brotherhood<br />
week drive of the National Conference<br />
of Christians and Jews.<br />
Joseph I. Breen. head of the Production<br />
Code administration on the coast, has refused<br />
to grant a production code seal to<br />
the picture. Up to late Thursday the New<br />
York office of Eagle Lion Classics which is<br />
handling distribution of the J. Arthur Rank<br />
picture was awaiting official word from the<br />
coast that a seal had been denied.<br />
William C. MacMillen jr., president, said<br />
the picture was being offered to other circuits<br />
in addition to Interstate of Texas,<br />
which has already booked it.<br />
No application for an advertising code<br />
seal has been made to the MPAA. Lack of<br />
either a production code or an advertising<br />
code seal would not prevent exhibition. The<br />
MPAA frequently has made it clear that it<br />
doesn't attempt to put any restrictions in<br />
the way of showings. Anyway. Eagle Lion<br />
Classics is not a member and no exhibitor<br />
group owes MPAA any allegiance.<br />
The thing that disturbs MPAA leaders,<br />
however, is the possible public reactions. The<br />
film has been held up a year because of the<br />
violent charges that the Fagin character in<br />
the Dickens story constitutes anti-Semitism.<br />
The MPAA is now engaged in a fight to reduce<br />
or eliminate censorship and it doesn't<br />
want to get into the current argument as<br />
an organization.<br />
Some of the principal members, acting as<br />
individuals, however, are expressing themselves<br />
freely.<br />
A. J. O'Keefe to Leave<br />
U-I After January 1<br />
NEW YORK— A. J.<br />
assistance in Rotary service work and administration.<br />
16 BOXOFFICE December 2. 1950
TOTAL COST: $6,000,000<br />
'Quo Vadis' Is Costliest<br />
Picture Ever Filmed<br />
NEW YORK — "Quo Vadis" will be the<br />
costliest motion picture ever made, Sam Zimbalist,<br />
MGM producer, and Mervyn LeRoy,<br />
director, said Monday (27) on their return<br />
from Rome where it was shot. Some statistics<br />
offered were: Cost, over $6,000,000 compared<br />
with $4,500,000 for "Gone With the Wind,"<br />
300,000 extras used, with 15,000 in the area<br />
scene: 500,000 feet of Technicolor film shot,<br />
which will be reduced to 15,000 for a threehour<br />
show.<br />
Zimbalist and LeRoy called the picture the<br />
biggest spectacle ever produced, for a number<br />
of reasons, including the number of persons<br />
employed and the size and grandeur of<br />
the 55 sets used. Besides, they said, it is a<br />
spectacle with a moving story. They did not<br />
know whether it will be roadshown and<br />
whether there will be an intermission during<br />
its theatre presentation, saying those decisions<br />
were up to William P. Rodgers, MGM<br />
vice-president and general sales manager.<br />
They expect it to have fall 1951 release,<br />
FINISHED IN RECORD TIME<br />
To the amazement of<br />
the Italian industry,<br />
which had wagered the picture couldn't be<br />
finished in under a year— "Fabriola" took 14<br />
months—it was finished in less than five<br />
and a half months. This was accomplished<br />
by shooting six days a week from 9 a. m. to<br />
6 p. m., with one hour for lunch, while Italian<br />
producers allow a four-hour siesta. It happened<br />
at a time when Italy was experiencing<br />
its hottest summer in 70 years. During<br />
one especially hot August day, 132 extras<br />
"passed out, " but there were doctors, nurses<br />
and hospital tents on hand to care for them.<br />
On the hottest days the players received<br />
bonuses; otherwise, they were paid the prevailing<br />
Italian rate.<br />
Both Zimbalist and LeRoy went to considerable<br />
pains to impress upon interviewers<br />
at their press conference their deep appreciation<br />
not only of cooperation afforded by<br />
Italian government officials, but of the earnest<br />
and excellent work of Italian actors after<br />
they had become accustomed to the necessity<br />
for continuous work. There were five interpreters<br />
with the rank and pay of assistant<br />
directors. Unlike Hollywood, the extras were<br />
not obtained through a central casting office<br />
but had to be hired through men who each<br />
controlled a group of 30 players. The system<br />
worked out well, especially when Communist<br />
newspapers attacked the Americans<br />
as exploiters of Italy. A few strikes lasting<br />
only an hour or so were ended through the<br />
cooperation of the group representatives with<br />
Henry Henigson, business manager, who "did<br />
a fine job."<br />
50 FROM HOLLYWOOD<br />
Hollywood was represented by a group of<br />
50, England by a group of similar size and<br />
the remainder in the picture were Italians.<br />
The white horses came from Denmark, the<br />
bulls from Portugal and the lions from France<br />
and Germany. At the close of each day the<br />
Technicolor film was flown to England and<br />
the rushes were received back in four to five<br />
days, a service that also drew praise from<br />
Zimbalist and LeRoy. Five cameras were in<br />
Disney, RKO Renew Pact for 15th Year<br />
Ntd Depiiu-l Isecond from left), president of RKO Radio Pictures, and Walt<br />
Disney, board cliairman of Walt Disney Productions, shake hands following the<br />
signing of a new contract whereby Disney and RKO Radio are renewing their production<br />
and distribution agreement. At far left is Roy O. Disney, president of<br />
Walt Disney Productions; at right, Gunther R. Lessing, Disney's vice-president and<br />
general counsel.<br />
simultaneous action most of the time, with<br />
six shooting the scenes along the Appian<br />
Way.<br />
Deborah Kerr was another who came in for<br />
special praise. LeRoy called her "a great<br />
trouper and good actress." He said she worked<br />
in the hottest weather without complaint,<br />
did everything asked of her, ate the same<br />
Italian food as the rest and, in fact, "held<br />
the company together."<br />
At the conclusion of the interview, LeRoy<br />
left for the coast where his mother is ill. The<br />
Mervyn LeRoy<br />
Sam Zimbalist<br />
HOLLYWOOD — An agreement renewing<br />
for the 15th year the production and distribution<br />
liaison between Walt Disney and<br />
RKO Radio was reached here this week by<br />
Roy O. Disney, president of Walt Disney<br />
Productions, and Ned E. Depinet, president<br />
of RKO Radio Pictures.<br />
Involving worldwide distribution of Disney's<br />
newest feature-length cartoon, "Alice in<br />
Wonderland," as well as 36 cartoon shorts<br />
and three subjects in Disney's live-action<br />
"True Life Adventure" series, the commitment<br />
also calls for RKO Radio and Disney<br />
to participate jointly in the making of "The<br />
Story of Robin Hood" as a live-action feature<br />
in England next year. Disney and RKO<br />
Radio were similarly associated in the filming<br />
of "Treasure Island" in Britain last year.<br />
Commenting upon the new contract,<br />
Depinet expressed the belief that his company<br />
had completed "one of the most significant<br />
film deals in our history."<br />
"Alice in Wonderland" is scheduled for<br />
release during the summer of 1951. Meantime<br />
Disney will send production representatives<br />
to England early next year to<br />
begin preparations for filming "Robin Hood,"<br />
which will be lensed in Technicolor.<br />
The 36 cartoon shorts to which RKO<br />
Radio has acquired distribution rights represent<br />
two years' output by the Disney plant<br />
in Burbank.<br />
First of the three "True Life Adventures"<br />
shorts, now in work, is titled "Nature's Half<br />
Acre," and deals with insects, birds and<br />
flowers. Two others are now being filmed in<br />
natural color, depicting the elk in Washington<br />
and the wild bear in Wyoming.<br />
As part of the new agreement, RKO Radio<br />
will continue to distribute other Disney features<br />
including "Snow White and the Seven<br />
Dwarfs," "Pinocchio," "The Reluctant<br />
Dragon," "Fantasia," "Dumbo," "Bambi,"<br />
"Saludos Amigos," "The Three Caballeros,"<br />
"Make Mine Music," "Song of the South,"<br />
"Fun and Fancy Free." "Melody Time," "So<br />
Dear to My Heart." "Ichabod and Mr. Toad,"<br />
"Cinderella" and "Treasure Island."<br />
film will be edited there and the music cued<br />
in. LeRoy said his plans when that is done<br />
involve only a long rest. Zimbalist said he<br />
will begin producing "Robinson Crusoe" in<br />
Jamaica next year, probably in May.<br />
Loew theatres have been publicizing "Quo<br />
Vadis." Now bulletin boards that have been<br />
displaying stills as they arrived from abroad<br />
are being converted to news bulletins with<br />
photo art and advertisements on the latest<br />
films in work at the studios. On the first<br />
changeover from "Quo Vadis," the boards will<br />
display a 11x14 still from "Pagan Love Song,"<br />
an MGM trade ad, news from the studios, a<br />
pinup of Leslie Caron from "An American<br />
in Paris," an 8x10 black-and-white still from<br />
"Watch the Birdie" and an MGM records<br />
album cover on "Pagan Love Song." The<br />
move is due to the success attending the "Quo<br />
Vadis" publicity.<br />
'Mulatto' Is Retitled<br />
NEW YORK—"The Mulatto," an Italian<br />
picture imported by Scalera Film Distributing<br />
Corp., has been retitled "Angelo." Release<br />
is scheduled for early winter.<br />
BOXOFFICE December 2, 1950 17
: December<br />
j<br />
LETTERS<br />
PRICE A MATTER OF NEGOTIATION<br />
TO BOXOFPICE:<br />
I have read very carefully your open letter<br />
to Larry Woodln and I must compliment you<br />
on the clear-cut, forthright manner in which<br />
you have summed up the situation.<br />
There is entirely too much emphasis today<br />
upon "making profit out of buying rather<br />
than out of selling." Academically, I am a<br />
trained accountant and started in this business<br />
as an auditor. I have wracked my brain<br />
and, like yourself. I cannot for the life of me<br />
find out how a man can go broke by taking<br />
in more and more dollars.<br />
To me, 10 per cent of nothing is still nothing<br />
and it is my good guess that exhibitors<br />
come out better on 50 per cent pictures than<br />
they do on 20 per cent pictures.<br />
I am very happy, however, to learn that<br />
Larry Woodin has changed his way of thinking.<br />
Several years ago I attended an Allied<br />
meeting in Pittsburgh. Mr. Woodin made an<br />
address during the course of which he urged<br />
all of the exhibitor delegates present to forget<br />
about selling the picture and concentrate<br />
on the sale of "popcorn." He quoted figures<br />
to indicate his profits from the sale of popcorn<br />
and offered to supply exhibitors who<br />
might have trouble wiring a machine to meet<br />
ordinance requirements with a special wiring<br />
diagram.<br />
I remember his talk very vividly because<br />
when I got up to make my talk, I suggested<br />
to the distributors present that we, too,<br />
might make a profit from Mr. Woodin's<br />
suggestion. In the final analysis, I pointed<br />
out, people buy popcorn because they like it.<br />
Why not, then, put a popcorn machine in<br />
front of every film exchange and let us cash<br />
in on the extra profit. But then I got serious<br />
and asked a question along these lines: "If<br />
it is true that I can make 'X' dollars out of<br />
popcorn with 200 patrons, then doesn't it<br />
follow that, if I put forth a little extra effort<br />
and induce 300 people to come to my theatre,<br />
my popcorn profits would be proportionately<br />
higher?"<br />
I believe that Larry Woodin is a very<br />
conscientious, energetic and shrewd young<br />
man. I think if he would recognize that terms<br />
are today a matter of negotiation theatre<br />
by theatre and picture by picture and that<br />
there can be nO overall common denominator;<br />
and if he would devote his energies to<br />
helping his fellow exhibitors develop ways<br />
and means of getting people to come to their<br />
theatres, he would really earn the gratitude<br />
of everybody in the business.<br />
A. W. SCHWALBERG<br />
President,<br />
Paramount Film Distributing Corp.<br />
New York, N. Y.<br />
EACH SITUATION INDIVIDUAL<br />
To BOXOFFICE:<br />
I read with interest your editorial-letter<br />
to Larry Woodin and feel you stated the<br />
case perfectly.<br />
Every situation poses its own problems and<br />
the .solution must come from the individual<br />
theatre operation. No "all-inclusive" formula<br />
can ever be reached—no matter how sincere<br />
the exhibitor-distributor relationship may<br />
progress. Human ambitions and jealous<br />
operations lead to strange contracts!<br />
This industry requires constant study by<br />
those in it and a balance approach through<br />
trial and error will bring success and reason<br />
to those capable and deserving.<br />
If the time of the "common-pocketbook"<br />
ever comes, then Utopia could exist in show<br />
business—but this will never be—therefore<br />
each must fight his own battle as best he can<br />
—and measure himself by the results.<br />
Your editorials always are direct and interesting<br />
and a guidance to the industry.<br />
M. LOEWENSTEIN<br />
President,<br />
Theatre Owners of Oklahoma, Inc.,<br />
Oklahoma City, Okla.<br />
A STAR-BUILDING IDEA<br />
To BOXOFPICE:<br />
Your editorial comment (Oct. 21) on developing<br />
new stars brings to mind a "pet"<br />
thought on the subject we have harbored for<br />
some time.<br />
I'd like to see a series of 20-minute subjects<br />
made by one of the larger studios in cooperation<br />
with one of the big-circulation women's<br />
magazines.<br />
These subjects—call them "Screen Tests"<br />
would feature new players in adaptations<br />
from short stories published by the magazine.<br />
The magazine would plug each monthly release<br />
which would in turn give screen credit<br />
to the magazine.<br />
At the end of each subject, have a wellknown<br />
personality introduce the players to<br />
the audience, giving their home towns and<br />
other bits of information about them. Then<br />
ask the audience to write postal cards to the<br />
studio giving the name of the players they<br />
consider deserving of bigger and better parts.<br />
These subjects would have to be well made,<br />
but would be highly exploitable featurettes.<br />
HAROLD ARMISTEAD<br />
Colony Theatres.<br />
Easley. S. C.<br />
WANTS BETTER FILMS, NEW STARS<br />
To BOXOFFICE:<br />
I disagree with the producers that Movies<br />
Are Better Than Ever and can cite many pictures<br />
that were filmed in past years that<br />
eclipse the ones that are now being filmed,<br />
and I also think they had better be getting<br />
new blood for actors. The major part of the<br />
big names are showing their age too fast and<br />
patrons are beginning to tire of them.<br />
Television is bringing out new names, and<br />
don't let television fool you. This medium is<br />
spending just as much for advertising as the<br />
motion picture business, probably more. I<br />
am over 100 miles from a television station,<br />
but my patrons are talking television and<br />
hoping it will soon be nearer here. It's time<br />
that all of us exhibitors had better be waking<br />
up and getting our sleeves rolled up to start<br />
making a bigger thing out of our part of the<br />
theatre business.<br />
COLONEL L. B. FUQUA<br />
Kentucky Theatre EJnterprises,<br />
Eddyville, Ky.<br />
—<br />
NPA Clariiies Order<br />
OnEquipmenlJobs<br />
WASHINGTON—The National Production<br />
Authority this week agreed to give careful<br />
and thorough consideration to the pleas of<br />
the theatre equipment industry that the<br />
recently imposed restrictions on theatre construction<br />
and improvements would cause<br />
them undue hardship.<br />
Following a meeting of government and<br />
industry representatives, NPA film head<br />
Nathan D. Golden said, "We do not intend<br />
to put the theatre supply dealers and manufacturers<br />
out of business, and if the elimination<br />
of remodeling would work a real hardship<br />
on them, due consideration will be given<br />
to<br />
relief."<br />
'HARMONIOUS' MEETING<br />
The meeting, which was described on all<br />
sides as "cordial, cooperative, and harmonious,"<br />
ended with an NPA request that the<br />
industry furnish a detailed statement of its<br />
"operating requirements" under the order to<br />
Golden so that proper consideration could<br />
be given to the points of objection raised<br />
by the industry committee.<br />
The order, which went into effect last<br />
month, bans all new theatre construction<br />
and limits improvements to $5,000 a year.<br />
Chief questions raised concerned the proper<br />
interpretation of the terms "construction,"<br />
"improvements" and "maintenance and repair."<br />
There is no limit on the latter in the<br />
order.<br />
The industry wants these legal technicalities<br />
ironed out. They want a clear definition<br />
of just what will be considered "construction"<br />
and a sharp line of demarcation<br />
drawn between "improvements" and "repair<br />
and maintenance," particularly in regard to<br />
remodeling work. One instance cited is the<br />
proper classification of work where immobile<br />
equipment is set rigidly in place. There is<br />
some doubt as to whether this could be<br />
placed in the "construction" category. Other<br />
question involved the classification of such<br />
jobs as installing air conditioning equipment,<br />
marquee signs, projection booths and equipment<br />
and other remodeling work on existing<br />
houses.<br />
THOSE WHO ATTENDED<br />
Golden and J. W. FoUin. who heads the<br />
new NPA construction controls division, were<br />
the government representatives. Oscar Neu,<br />
Theatre Equipment and Supply and Manufacturers<br />
Ass'n president. Ray Colvin, Theatre<br />
Equipment Dealers Ass'n executive director,<br />
headed the industry delegation. Other<br />
members were: Jack Nolan, National Carbon<br />
Co.; Jack O'Brien, RCA; Homer Snook,<br />
Midwest Theatre Supply Co., Cincinnati;<br />
Joseph Cifre, Joseph Cifre, Inc., Boston, and i<br />
Nash Weil. Wil-Kin Theatre Supply Co..<br />
Atlanta.<br />
To Consider Medal for Jolson<br />
WASHINGTON—A bill authorizing Pi-esident<br />
Truman to bestow posthumously the<br />
country's highest tribute, the Congressional<br />
Medal of Honor, on Al Jolson. was introduced<br />
by Rep. Louis Heller (D.. N. Y.)<br />
the opening day of the "lame duck" session<br />
of Congress. It was referred to the house |<br />
armed services committee for consideration.<br />
18 BOXOFFICE<br />
:<br />
2. 19501
FOR EVERY HOUSE IN THE LAND!<br />
iTi^l"' g;„i*»-"^ CENTURY.FO)(<br />
'**^^.<br />
/
the<br />
IHCK' CUtcC S^^^CHt^^<br />
Bidding Variations<br />
HLLIED'S investigation of the bidding<br />
problem disclosed thai bidding isn't the<br />
simple operation one might think. Some<br />
of the bidding has been the product of<br />
salesmen's imaginations.<br />
Several of the major company sales<br />
manager^ have felt for some time that<br />
much of the bidding has not been based<br />
on business considerations. Every exhibitor<br />
has taken up the problem.<br />
William P. Rodgers of MGM recently<br />
suggested that bids be made public.<br />
It has been generally assumed that all<br />
the bidding has been on the initiative of<br />
exhibitors. Recently it has developed that<br />
some salesmen have told certain exhibitors<br />
what their competitors had offered for a<br />
picture before any offer had been made.<br />
This is imaginary bidding, but boosts<br />
rentals just as certainly as real bids boost<br />
them.<br />
There is no way of knowing how widespread<br />
this practice is. It is quite likely<br />
that exchange managers don't know about<br />
it, or, if they do. that the general sales<br />
managers do not know.<br />
How to get some sane rules applied to<br />
bidding Is the current problem.<br />
ABC 9-Month Loss Heavy<br />
PRINCIPAL reason for<br />
the recent revival<br />
of reports of the sale the American<br />
Broadcasting Co. was a net loss of $482,-<br />
000 for the nine months ending September<br />
30. The loss might have been $877,000, but<br />
$297,000 was recovered on federal income<br />
taxes under carry-back provisions of the<br />
internal revenue law.<br />
Every time reports pop up that men<br />
identified with the film business are interested<br />
in buying ABC, the Federal Communications<br />
commission lets it be known<br />
that it will favor an independent purchaser<br />
and that it will not approve control by a<br />
film company. The commission has a<br />
special prejudice against any company<br />
numbered among the antitrust case defendants.<br />
This usually silences the reports. Right<br />
now, however, the reports are not following<br />
the usual pattern. Some well-known exhibitors<br />
are in a mood for insisting that,<br />
if newspapers can own television stations,<br />
theatres should be allowed to do so.<br />
Simpliiied Pressbooks<br />
J^AX YOUNGSTEIN, Paramount vicepresident<br />
in charge of advertising,<br />
publicity and exploitation, is alert to the<br />
shifting currents of exhibitor opinion on<br />
the use of pressbooks. He now calls pressbooks<br />
Showmanship Manuals. He has<br />
restored the composite mats which were<br />
supplied for years. He has recognized the<br />
fact that thousands of exhibitors play<br />
double bills, so the mats are being made<br />
one and three-quarter inches wide and the<br />
two-column mats three and three-quarter<br />
inches wide. This makes it possible for an<br />
exhibitor to put a border around whatever<br />
composite ad he makes up.<br />
He says he still feels that the regular<br />
_^—.By JAMES M.JERAULD<br />
ads are the best that can be used, with<br />
few exceptions, but he has made provisions<br />
for the substitution of local copy, and he<br />
is asking exhibitors to use ads as large as<br />
possible where the rates are low.<br />
This is a cooperative spirit that ought<br />
to be helpful all around.<br />
Arbitration<br />
HRBITRATION seems to be about the<br />
only thing that industry leaders endorse<br />
verbally and then forget.<br />
The Theatre Owners of America's call for<br />
a conference of distributors with TOA<br />
members on arbitration was a step forward,<br />
but how about Allied? No doubt it would<br />
be possible to set up an arbitration system<br />
with the help of the American Arbitration<br />
Ass'n that would not include Allied,<br />
but an industrywide system would have<br />
more prestige.<br />
Formation of the Council of Motion Picture<br />
Organizations has shown what a<br />
tremendous amount of work and tact are<br />
involved in these undertakings. This may<br />
account for the obvious unwillingness of<br />
so many men to step out and take the lead.<br />
Music Hall Lines<br />
\X7HEN the pictures are good the business<br />
certainly is good," said Russell Downing<br />
of the Radio City Music Hall last week.<br />
He had just been outdoors looking at the<br />
lines running from Sixth Ave. along 50th<br />
St. to Rockefeller Plaza and northward on<br />
Rockefeller Plaza to 51st St. and half way<br />
along 51st St. back to Sixth Ave.<br />
A rough guess is that this totals to about<br />
1,500 feet, with the line three deep in most<br />
places.<br />
The day was Friday (24). The same<br />
thing happened Tlianksgiving day. On Saturday<br />
( 25 ) line was even longer and it<br />
started forming before the opening. That's<br />
business, no matter how you look at it!<br />
Charles E. Wilson Heads<br />
AAA 25th Year Group<br />
NEW YORK—Charles E.<br />
Wilson, president<br />
of General Electric Co., has become general<br />
chairman of the American Arbitration Ass'n<br />
25tli anniversary committee, according to A.<br />
C. Croft, AAA president. Wilson has been<br />
a director since 1942.<br />
The association has a national panel of<br />
arbitrators serving many industries and numbering<br />
12,500 members in 1.600 U.S. cities. It<br />
has presided over a number of film disputes<br />
and a decision on one is now pending. Recently<br />
it placed its facilities at the dispcsal<br />
of W. Stuart Symington, defense coordinator.<br />
Showmen to Hear Simons<br />
NEW YORK—Mike Simons, a.ssistanl to<br />
H. M. Richey, MGM exhibitor relations head,<br />
will speak at the December 5 convention of<br />
New England Theatre Owners in Boston.<br />
His topic will be "Selling Tickets to Your<br />
Neighbors."<br />
Schaefer Gives COMPO<br />
World War II Plaque<br />
George J. Schaefer (right) presents<br />
World War II plaque to Arthur L. Mayer.<br />
NEW YORK—The bronze plaque awarded<br />
the War Activities committee by the government<br />
in recognition of the aid of the industry<br />
during World War II has been presented<br />
to the Council of Motion Picture Organizations<br />
by George J. Schaefer, former<br />
chairman of WAC.<br />
"During the war," he said, "all branches<br />
of our business participated in the industry's<br />
war effort, and it is only fitting that<br />
the repository of this plaque should be an<br />
agency in which all branches of the business<br />
are once more united."<br />
The presentation occurred in the new<br />
COMPO offices in the Paramount Bldg.<br />
Arthur L. Mayer, executive vice-president,<br />
accepted it in behalf of the constituent<br />
members.<br />
Kalmenson to Head Group<br />
For Brotherhood Week<br />
NEW YORK—Ben Kalmenson, vice-president<br />
and general sales manager for Warner<br />
Bros., has accepted the post of chairman of<br />
the distribution committee of the motion picture<br />
division of the National Conference of<br />
Christians and Jews for Brotherhood week<br />
1951, according to Charles M. Reagan of<br />
Loew's, Inc., chairman of the motion picture<br />
division.<br />
Bernard Goodman, supervisor of Warner<br />
Bros, exclianges, will assist Kalmenson in<br />
carrying out his duties for Brotherhood week,<br />
which will be observed February 18 to February<br />
25.<br />
Ben Bluestein, William Brereton. Russ<br />
Praser and Harry Mandel have been named<br />
as publicity chairmen by Max E. Youngstein,<br />
national chairman of advertising and publicity<br />
for the motion picture division of the<br />
National Conference of Christians and Jews.<br />
Bluestein will serve in the Memphis exchange<br />
area, Brereton in the Buffalo area,<br />
Fraser in the Des Moines area, and Mandel<br />
in New York. Other appointments are to<br />
be made shortly.<br />
Chosen as Future Star<br />
NEW YORK—The December issue of American<br />
magazine has picked Debbie Reynolds<br />
as a future star. She appears in "Two Weeks<br />
with Love." MGM film.<br />
20<br />
BOXOFFICE December 2, 1950
New Approaches to Sharing<br />
Advertising Costs Needed<br />
Elmer Rhoden jr. says that, both parties willing, there are<br />
many ways to create profitable co-op campaigns<br />
By ELMER RHODEN Jr.<br />
I certainly was gratified when I picked up<br />
the October 14 issue of BOXOFFICE and<br />
found that men like Charles Einfeld, Howard<br />
Dietz. Max Youngstein and R. E. Smith had<br />
taken the time to read and comment on my<br />
first article. I would like, however, if I may,<br />
to elaborate a bit upon my first effort, and<br />
try in some measure to answer Mr. Youngstein's<br />
comments on advertising in the industry.<br />
I agree with Mr. Youngstein in part where<br />
he says it Is a bad situation where only two<br />
and a half to three and a half per cent of the<br />
exhibitor gross is spent on advertising. In<br />
passing, I would like to say our circuit normally<br />
spends from six to seven and a half per<br />
cent, but on many of the top pictures the<br />
percentage is much higher than this. However,<br />
we must all admit one of the easiest<br />
ways to "throw sand in a rat hole" is through<br />
advertising.<br />
Mr. Youngstein states that distributors now<br />
have to pay 80 per cent of saturation booking<br />
advertising. Let's take this statement and<br />
throw it on the sizzling platter. If a picture<br />
has a saturation booking such as Columbia<br />
is now handling on "Petty Girl" in our territory,<br />
the distributor, of course, has to go in<br />
and spend approximately $3,000 to $5,000.<br />
On this picture, Columbia also arranged for<br />
me a 50/50 advertising split over my normal<br />
advertising budget. I think Columbia was<br />
very smart in having the Petty girls come into<br />
Kansas City, having their pictures taken<br />
with our exhibitors, getting front page pictures<br />
and stories in many of the small papers<br />
because of this contact with the exhibitor, all<br />
of which worked out well for Columbia, the<br />
local theatre and the picture.<br />
Although I doubt that the distributor had<br />
to pay 80 per cent for the saturation advertising<br />
bookings, I will state, and I am<br />
certain, that this picture in this particular<br />
territory is running way ahead of the picture<br />
in any other given territory. Columbia,<br />
of course, would have to verify this. Having<br />
this saturation booking, I am sure has enabled<br />
Columbia to sell the picture in this<br />
territory much easier, receive higher terms<br />
and boost the results over what it would<br />
have done normally.<br />
It must be understood, if, as Mr. Youngstein<br />
says, the distributor pays 80 per cent of<br />
saturation booking advertising, he first would<br />
make up his mind that he was not going to<br />
be satisfied with the picture on a normal<br />
gross, and would prefer to go in for local<br />
advertising and spend 80 per cent of this<br />
special cost and by so doing, boost his gross<br />
by approximately 30 per cent. It would seem<br />
to me that this is good business and cheap<br />
advertising. In fact, one Columbia man<br />
stated to me that he was surprised at what<br />
the actual campaign cost amounted to, as it<br />
was. in his mind, most reasonable.<br />
Mr. Youngstein must also realize that the<br />
saturation bookings, the enthusiasm of local<br />
exchange and the spot advertising carries<br />
over also to the exhibitor, and I am sure the<br />
exhibitor would put out twice the effort that<br />
he would have, had the picture broken<br />
normally in his territory and received no<br />
special attention.<br />
I would like to see the film companies participate<br />
m advertising, on the same basis as<br />
the picture has been sold. For instance, if I<br />
buy a picture on scale, and, against the scale,<br />
the picture earned 40 per cent, I would like<br />
to pay 60 per cent of the advertising and the<br />
distributor 40 per cent. For the same reason,<br />
if I bought a picture for a firm 30 per cent<br />
the distributor would pay 30 per cent and I<br />
would pay 70 per cent of the advertising. By<br />
doing this, I believe you create in the exhibitor<br />
advertising ideas and merchandising ideas,<br />
Ceveral weeks ago, Elmer Rhoden<br />
jr., son of a veteran midwest<br />
ex)ubitor, and film buyer for Commonwealth<br />
circuit, wrote an article<br />
for BoxoFPicE in which he<br />
called attention to the need for<br />
improved pressbooks, concentrated<br />
mass regional openings and neio<br />
approaches to advertising of motion<br />
pictures. His provocative article<br />
drew comment from many industry<br />
leaders, all of which subsequently<br />
was published in <strong>Boxoffice</strong>.<br />
I7i the accompanying article,<br />
Rhoden expands on his original<br />
suggestions and offers some<br />
evidence of how his circuit has<br />
hayidled the problem of localizing<br />
nationally prepared campaigns.<br />
which originally made up such a big part of<br />
our business.<br />
As far as saying that the advertising budget<br />
is set up at 600 lines, I can say that our circuit<br />
does not set any advertising budget to<br />
apply on all pictures in all towns. If the<br />
manager is spending too much money, it is<br />
easy to figure if his percentage of advertising<br />
is going way up and his percentage of<br />
gro.ss not responding. If one of our theatres<br />
comes to this stage, we naturally study with<br />
the manager his advertising costs, but otherwise,<br />
it is up to the individual manager to<br />
handle his own situation.<br />
I notice Mr. Youngstein states on pressbooks:<br />
"Why not five or ten pressbooks, why<br />
stop at two?" It was my thought, in my first<br />
article, that with two pressbooks. you could<br />
hit the two major advertising markets, and<br />
the same thought applied to trailers. However,<br />
I am advised these are expensive. I'll<br />
go along on this thought, but maybe this is<br />
penny-wise and pound-foolish. Just how expensive<br />
are they in the light of what they can<br />
do to reflect additional grosses on any given<br />
picture? I stated in my previous article how<br />
Metro-Goldwyn-Mayer's picture, "That Midnight<br />
Kiss" was brought over my particular<br />
circuit from below average to average business.<br />
If we had played this picture off with<br />
the original trailer. I am sure our film rental<br />
would have been much less than the cost of<br />
the second trailer. If the second trailer cost,<br />
just using figures, should be $20,000 and the<br />
rental on the picture was increased $40,000<br />
you could still pocket $20,000, thereby<br />
I'M JUST THE GUY-<br />
— Who Con Prove Movies<br />
t
-<br />
I'll Be In the Lobby When Ihe Show's Over!<br />
CAMPAIGNS USING DOWN-TO-EARTH COPY INCREASED BUSINESS 10 TO 40 PER CENT IN GROSS<br />
Exhibitors who have pressbooks for these pictures at hand can<br />
see for themselves how Commonwealth circuit managers have<br />
utilized the mat service to make up their own localized advertisements.<br />
Down-to-earth language was used in every instance to tell<br />
homefolks about the picture. In several of them the manager's photo<br />
appears with a brief personal message. Says Elmer Rhoden jr.:<br />
"These particular campaigns increased the business over the press<br />
book campaigns, which were used in other towns, anywhere from<br />
10 to 40 per cent in gross. The ads were made up principally by<br />
M. B. Smith, central division manager who is in charge of special<br />
campaign layouts on pictures over the circuit." Wherever his campaigns<br />
were used, Rhoden said, the boxoffice grosses increased.<br />
making the trailer cost 50 per cent of the<br />
additional film rental. Whereas, without the<br />
second trailer, you would not have had any<br />
additional film rental.<br />
I would like also to point out to Mr. Youngstein<br />
the fact the automobile companies spend<br />
millions on advertising, probably in about the<br />
same percentage as Paramount spends on<br />
their pictures. Cigaret companies spend approximately<br />
the same amount, maybe more,<br />
yet when they sell their product to the corner<br />
drug store, the dealer does not have to go<br />
down in his pocket, but is guaranteed his<br />
profit on each package sold.<br />
I am not trying to white-wash any exhibitor<br />
who does not spend money on advertising.<br />
but I am trying to point out that when the<br />
exhibitor spends eight to ten per cent on<br />
this item, he could very easily be throwing<br />
away five per cent, if it is not handled wisely,<br />
and I am quite sure you will agree with me<br />
on this. Let's see if this makes the gravy<br />
run!<br />
I am not trying to criticize, and I realize<br />
that Mr. Youngstein has had much more and<br />
varied experience with advertising than I. but<br />
I am trying only to find a common ground<br />
where the exhibitor and the distributor may<br />
advertise to better advantage for both of us.<br />
I am sure this can be done. A few down-toearth<br />
common-sense examples of money well<br />
spent for advertising has made a devout<br />
disciple out of me for working together, both<br />
spending a few extra dollars and both benefiting<br />
when the run of the picture is over.<br />
I realize that on any pictures, less than<br />
1,000 24-sheets are used. Could it be that<br />
24-sheets are not the best advertising medium<br />
today? If the exhibitors refuse to use 24-<br />
sheets there must be more reasons than<br />
merely budget. I wish to be open-minded<br />
about this, although, with the speed of today's<br />
car and today's living, I am not sure a<br />
24-sheet gets the attention it should receive.<br />
Mr. Youngstein also says that it will not<br />
work to eliminate advertising from nationally<br />
circulated magazines. All right, let's go<br />
along with this statement. However, I am<br />
certain national advertising could be 100 per<br />
cent more effective if the advertising came<br />
out just prior to, and during, the time the<br />
picture is playing in the theatres. As it is.<br />
at the present time, picture after picture has<br />
a lapse of from three to six months between<br />
the time the picture is advertised and it is<br />
booked into the theatres. I believe that the<br />
timing of the national advertising is off and<br />
has been for some time. Naturally, not on all<br />
of the pictures, but on a good many. Certainly<br />
it might coincide with the picture's release<br />
in one part of the country, but how<br />
about the other parts of the country? I do.<br />
though, urge it be tried sometimes releasing<br />
the advertising budget locally via newspapers,<br />
radio, heralds, etc. just to see if, perhaps, the<br />
idea would have merit. We have strung<br />
along with the national advertising idea for<br />
years! Why not try a few of our ideas?<br />
BOXOFFICE :: December 2, 1950 23
UowVI'i<br />
The h\g Egg of<br />
T/ie Egg and I"<br />
was never better!
Produced by HARRIET PARSONS<br />
Directed by GEORGE MARSHALL<br />
i\M DEVINE • GIGI PERREAU • NATALIE WOOD • PHILIP OBER • JACK KIRKWOOD<br />
Screenplay by LOU BRESLOW and DORIS ANDERSON<br />
L
LETTERS<br />
THAT COMPO-TOA CONTROVERSY<br />
A Texas TOA Leader and An Allied Regional Chief Take a Look at the Problem<br />
To BEN SHLYEN:<br />
The affairs of COMPO and TOA seem to<br />
be embracing an unduly important amount<br />
of space in discussions<br />
and in the tradepress.<br />
particularly in regard<br />
to the question of<br />
"representation" in the<br />
structure of this latest<br />
organization.<br />
It seems more truly<br />
not so much a question<br />
of representation, or<br />
laclc of it, as to states or<br />
territories as the minority<br />
position of exhibition<br />
as a whole in Henry Reeve<br />
the basic forming of an organization which<br />
was primarily created to be a sort of United<br />
Nations board for our motion picture industry.<br />
Pew, if any, have fault to find with what<br />
was started in Chicago, and there definitely<br />
is a place for sucli work in our business, sadly<br />
ignored and neglected these many years.<br />
SAYS POLICIES SIDETRACKED<br />
Listening to "The Voice of Main Street"<br />
in Houston it was very apparent that COMPO<br />
had taken a route far off the road map originally<br />
charted. On tlie recoi-d of recent<br />
months and weeks it is hard to see the why<br />
or wherefore of Allied, TOA and COMPO as<br />
it has been operating. Why all three? Exhibition<br />
as a whole is the party needing unified<br />
organization, so lacking to date from<br />
any and all sources. Three exhibitor organizations<br />
of national scope, each with its high<br />
salaried executives, all endeavoring to warrant<br />
those salaries can hardly result in accomplishment<br />
or benefit for tne exhibitor.<br />
As to the much discussed representation<br />
controversy, our question is on the peculiar<br />
situation of organizations such as the AFL<br />
council, MPAA, SIMPP, the Screen Actors<br />
Guild, the tradepress. Variety International,<br />
and two purely localized New York exhibitor<br />
associations having, each of them, an equal<br />
voice with Allied and TOA which represent<br />
thousands of theatres and exhibitors all over<br />
our nation. Exhibition, the theatres and theatre<br />
men and women, are the summation of<br />
all these others, and the direct contact with<br />
the public—we put out what all the others are<br />
m business for. Define and use COMPO's<br />
proper function for which it was originally<br />
created, that can make sense and do a job.<br />
Otherwise the question will endure.<br />
RECORD 'HARDLY GLOWING'<br />
With all the organizing that has been going<br />
on, and all the claims and leg-work that<br />
has been done on many exhibitor organization<br />
projects and problems, the record of accomplishment<br />
is hardly a glowing one. No<br />
need to pick them out, but there has been<br />
much to do about controlling fair selling.<br />
Current selling policies speak for themselves<br />
on the futility of organized control of this<br />
phase of our business. National transportation<br />
and advertising matters have repeatedly<br />
been talked about, but that is all there is to<br />
it.<br />
"Main Street" is not happy over the result<br />
of the tax fight, and the Korean incident was<br />
The current controversy between<br />
the Council of Motion Picture Organizations<br />
and Theatre Owners oj<br />
America over the question of increased<br />
ToA representation in the<br />
CoMPo executive committee has<br />
brought a number of letters to <strong>Boxoffice</strong>.<br />
Two of the letters came from,<br />
exhibitors who are prominent in regional<br />
exhibitor association affairs—<br />
Henry Reeve, Menard, Tex., president<br />
of Texas Theatre Owners, Inc., and<br />
O. F. Sulliva7i, Wichita, Kas., president<br />
of Allied Independent Theatres<br />
of Kansas arid Missouri. While the<br />
men head their regional exhibitor organizations,<br />
their views are expressed<br />
as individuals only.<br />
but an easy excuse to pass an issue that is an<br />
economic necessity for the smaller situations.<br />
Isn't it about time to stop the flag-waving<br />
over what our industry does for our country?<br />
Sure, we've done a job, and we'll always do<br />
it, but Washington has a very high-angled<br />
view of our show business and the representatives<br />
of it who appear at its high functions<br />
we who really and vitally need consideration<br />
haven't a chance.<br />
Exhibitor conventions are mo.st enjoyable<br />
affairs. What comes out of them to benefit<br />
theatre operations and show business? At<br />
Houston, a very fine meeting, one top businessman,<br />
from outside our industry, and one<br />
general sales manager of a producing company<br />
gave out with truly constructive and<br />
usable thinking that could be taken home.<br />
An odd situation that is repeated in conventions<br />
time and time again.<br />
There are so many exhibitors in many<br />
states—north, east, south and west, knowing<br />
the same facts, feeling the same needs,<br />
hoping for the same unanswered results. All<br />
of them realizing that their voices and their<br />
knowledge are not considered, and probably<br />
never will be.<br />
Perhaps there is but one solution. If we<br />
want to stay in this business, just admit its<br />
failings and Impossibilities, forget the wishful<br />
thinking that some organization can take<br />
care of us. Dig into our individual business<br />
and give it the best we've got. We know<br />
"There's No Business Like Show Business,"<br />
and if we don't feel that, we're best out of it.<br />
Most of us are believers in organization<br />
and what It can and should be able to accomplish<br />
for us and our industry—it does<br />
seem that we of the motion picture industry<br />
are least able of all American business institutions<br />
to organize for our own best interest.<br />
That's too bad, for we do such a grand job<br />
in every other way.<br />
Really didnt mean to make this a "Gone<br />
With the Wind" in length. It's not just a one<br />
man angle I can assure you. I think you know<br />
how much I have appreciated your personal<br />
friendship and what you and BOXOFFICE<br />
mean to our industry—you have meant much<br />
to our segment of a great industry.<br />
HENRY REEVE<br />
President, Texas Theatre Owners, Inc.<br />
Menard, Texas.<br />
—<br />
To BEN SHLYEN:<br />
The attitude TOA is taking towards<br />
COMPO may be likened to the attitude that<br />
Russia is taking toward<br />
the United Nations<br />
organizations. I would<br />
not make the accusation<br />
that there is the<br />
same ulterior motive<br />
but the results may be<br />
just as disastrous.<br />
The cooperation of<br />
nations could accomplish<br />
results which<br />
have never been in evidence<br />
in this so-called<br />
civilized world and<br />
the cooperation of the O. F. Sullivan<br />
branches of the motion picture industry<br />
could result in the elimination of adverse<br />
public relations which have ever<br />
been a millstone around the neck of<br />
our industry.<br />
CASE OF 'SPLITTING HAIRS'<br />
With such important accomplishments<br />
through COMPO so evident, it seems<br />
to me that TOA is splitting hairs with<br />
ti>eir objections regarding what they<br />
claim to be inadequate representation. It is<br />
lamentable that dissension in the ranks of<br />
one of COMPO's members will possibly<br />
weaken the effectiveness of the organization<br />
even before an opportunity is given to prove<br />
its merit and this dissension comes at a iiuie<br />
when all efforts should be put forth to seil<br />
COMPO to the exhibitors of this country.<br />
Every regional organization which is a<br />
member of a parent-exhibitors national organization<br />
has complete autonomy and it is<br />
regrettable that TOA would allow dissension<br />
to prevent the national organization's<br />
approval of COMPO. National AUied approved<br />
COMPO and as we have complete local<br />
autonomy, one regional office of Allied did<br />
not see fit to concur in the decision of the<br />
national organization.<br />
SEE OTHER INVOLVEMENTS<br />
I personally believe that some circuits that<br />
are very close to the distributors direct the<br />
policy of some district exhibitor units that<br />
are associated with TOA, so in reality, the<br />
distributors who have their own vote in<br />
COMPO can also influence TOA's vote in<br />
COMPO and on that basis the accusation<br />
could be claimed that the distributors have<br />
unfair representation.<br />
Hundreds of exhibitors who are not members<br />
of any organization have no representation<br />
in COMPO. The ultimate aims of<br />
COMPO are, however, too important to run<br />
the risk of wrecking tlie organization, with<br />
inconsequential criticism, even before it begins<br />
to function. I hope that TOA and their<br />
unimportant criticisms will not justify by<br />
their action, the actions of Russia in that<br />
nation's effort to sabotage the council of<br />
nations.<br />
O. F. SULLIVAN<br />
President,<br />
Allied Independent Theatre Owners<br />
Of Kansas and Missouri<br />
Wichita, Kansas.<br />
26 BOXOFFICE December 2, 1950
Lesser, Pommer Plan<br />
German-Made Film<br />
NEW YORK—The first independent American<br />
feature to be filmed in Germany will be<br />
"The Sixth Column," to be made for Sol<br />
Lesser Productions by Eric Pommer, famous<br />
German producer who made his most recent<br />
pictures in Hollywood and England. The picture<br />
will be made in conjunction with Arthur<br />
Brauner of the C.C.C. Studios, Berlin. Although<br />
distribution has not yet been set, the<br />
feature will probably be released by RKO.<br />
which distribute;; Lesser's "Tarzan" pictures.<br />
POMMER NOW IN GERMANY<br />
i'ommer, who has been in Washington<br />
seeking advice from the U.S. Treasury department<br />
and other government agencies on<br />
the story for "The Sixth Column," which<br />
deals with international counterfeiting, has<br />
left for Germany to make preliminary<br />
arrangements for the filming. He will<br />
then return to America to sign Hollywood<br />
players for the cast. Filming is scheduled<br />
to start in late April or early May. Pommer<br />
will also take over key technicians; the rest<br />
will be local workers.<br />
While the picture will be financed by both<br />
American money and frozen funds, Pommer<br />
does not advocate making films in Germany<br />
just to use up frozen currency. "The Sixth<br />
Column," which will be semi-documentary in<br />
nature, demands German locales to insure<br />
realism, he said. The studios in Germany<br />
are very well equipped, by European standards,<br />
but are not up to the high Hollywood<br />
standards. The German film industry is<br />
now made up of small independents, instead<br />
of a monopoly, as it was before World War<br />
II, according to Pommer.<br />
"The Sixth Column" will have a 50 to 60-<br />
day shooting schedule and should be ready<br />
for fall release, Pommer said. Upton Sinclair,<br />
author of the screenplay, will write and<br />
publish the novel of the same name at the<br />
same time it is being made into a film.<br />
PREVIOUS POMMER FILMS<br />
The Lesser film will be Pommer's first German-made<br />
picture since 1932. Some of his<br />
earlier German triumphs included "Congress<br />
Dances," "The Cabinet of Dr. Caligari" and<br />
"The Blue Angel." which introduced Marlene<br />
Dietrich and starred Emil Jannings.<br />
Later, he made three features, "Jamaica<br />
Inn," "Sidewalks of London" and "The<br />
Beachcomber," in England and "They Knew<br />
What They Wanted," his last Hollywood film,<br />
in 1940. Following the war, Pommer served<br />
as chief of the motion picture branch. Overseas<br />
Military Government of the U.S.. in Germany.<br />
Claude F. Lee Gets Post<br />
With Film Ad Firm<br />
NEW YORK—Claude F. Lee, vice-president<br />
of Tom Connors Associates. Inc.. has joined<br />
the Motion Picture Advertising Service Co.,<br />
of New Orleans as divisional sales man-<br />
Inc.<br />
ager for the northeastern states and associate<br />
director of national advertising sales,<br />
according to Carl J. Mabry, president of the<br />
company.<br />
Lee was formerly director of public relations<br />
for Paramount. He will make his headquarters<br />
in the company's New York office.<br />
Film Daily says;<br />
"It will<br />
enormous<br />
c^^n<br />
BOXOFFICE :: December 2, 1950<br />
27
charles<br />
...the talk of the trade<br />
n3IVCy is<br />
so downright human and wholesomely funny that<br />
family audiences will<br />
be captivated - Showmen's Trade Review.<br />
n3TVCy is<br />
completely enjoyable, distinguished by the<br />
memorable performance of James Stewart - Motion Picture Daily.<br />
n3IVCy is<br />
one of the top comedy entries in years, laughloaded<br />
entertainment - Daily Variety.<br />
uflTVCy has Josephine<br />
Hull in one of the best acting jobs ever done before a<br />
camera - Motion Picture Herald,<br />
lISlTVCy is an outstanding<br />
film assured of top grosses everywhere -^oxo^ce.<br />
nftTVCy is an uproarious, heart-warming comedy hit.<br />
Causes gales of laughter that almost reach hysteria -<br />
Hollywood Reporter, llfllVCy is a high rating, entertaining<br />
picture. Will do a big business.<br />
Is<br />
a show that proves that "movies<br />
are better than ever'' - Exhibitor,<br />
JOSEPHINE HULL •<br />
drake<br />
• cecil kellaway<br />
JESSE WHITE • WALLACE FORD and PEGGY DOW<br />
Screenplay by MAKY (MASK and ciscAK limiliNKY Kmm the I'ulitzer Prize<br />
Play written by MARY CHASK anil [irciiiucil by Iikik K I'KMBERTON<br />
Produced by JOHN BECK • Directed by HENRY KOSTER<br />
HARVEY<br />
Starring<br />
JMEssmm
.(B'^s^'S.®'^^<br />
^i^tributedm^ZZ<br />
RKJDU"""^'- AMERICAN<br />
M,..!/-, • ,^ DETROIT TIMES<br />
---""^rrrSORSHSOS-TEUSRAR.<br />
BOSTON ^°-'^' ,„,,..eE SEHT-.EU<br />
B.a.MORE AMERICAN<br />
„,M,NER<br />
'^'<br />
COLUMBUS 5-3700<br />
international Pictures<br />
1<br />
Universal Intern<br />
445 Park Avenue<br />
^^^^°^^"^^.7Lco..rt.e.llpa.aavertise.ent<br />
^^ ^^UEY^lnfarl<br />
prfparing t.e plates.<br />
on HARVEY and<br />
^^ ^^ ^^<br />
. Department has been aler ^ ^.^.^^<br />
^-W<br />
our P-^-^^^,:;°Xh playdates in the<br />
^^^^^^<br />
page to ^°^j°""? ^^Ved The name o^. ^^^J^ provided, in<br />
as HARVEY - b-^;;,,,a ,, ,^e tie-xn space p<br />
HARVEY will be in<br />
each situation.<br />
We think you may w<br />
accounts of<br />
^av want to advise Y^-r the^^^ 3,, ^elow.*<br />
^^ ^^^^^ ^^^ ^,txes.<br />
the circulation ^^^^ ^^,,,, ge<br />
that you have been ^^^f^ \° ^^, ads will get<br />
^e are ^^Pj^^f^t J's flexibility ^^^^^^ Ja^ertising.<br />
of Pictorial Revi<br />
^^^ ^,,d date<br />
the full advantage ot<br />
Pictorial Review<br />
TV is at work too,<br />
^.rstand<br />
Jacques<br />
KapraUk<br />
^^^^ ^<br />
P- ^- "'^<br />
Totr coto^ three dimensional -t ^^^^^ ^^^^^<br />
preparing f°^^° ^^ £or a Pictorial<br />
Revi<br />
scene from HAKv<br />
in January. *<br />
351.431<br />
Baltimore<br />
666,003<br />
Boston<br />
1,047,522<br />
Chicago<br />
617,345<br />
Detroit<br />
298,6^^<br />
I^ilwaukee<br />
New York<br />
Pittsburgh<br />
Los Angeles<br />
San Francisco<br />
Seattle^<br />
Total<br />
1,186,439<br />
566,741<br />
807,968<br />
588,500<br />
266,649<br />
6,397.259
7iJcL4AiK^to*t<br />
^cficnt<br />
By ISABEL OLDER<br />
for these in the year ending June 30, 1950.<br />
European projector carbons, mostly from<br />
France and Germany, are providing stiff<br />
competition for American suppliers, and are<br />
threatening to absorb the market entirely.<br />
PRODUCTION OF TELEVISION and radio<br />
sets will drop 25 to 40 per cent after the<br />
New Year, in the opinion of industry leaders,<br />
as a result of the 70 per cent cut in civilian<br />
deliveries of cobalt ordered by the National<br />
Production Authority.<br />
Sale of cobalt, frozen temporarily two weeks<br />
ago, were resumed last week at 30 per cent of<br />
the volume during the first half of this year.<br />
This restriction on the steel-hardening agent<br />
important in making magnetized parts of<br />
radio and TV sets, together with the 35 per<br />
cent cut in civilian use of aluminum, effective<br />
January 1, will hit the industry hard.<br />
"The industry faces dwindling production<br />
in the first quarter of 1951—and after that<br />
it will grow worse," said a spokesman for<br />
the Radio-Television Manufacturers Ass'n.<br />
Representatives of RTMA met last week in<br />
Washington with NPA Administrator William<br />
H. Harrison, to consult on the problem caused<br />
by heavy defense stockpiling of radar and<br />
electronics equipment, in closed session. It<br />
was learned here, however, that the industry<br />
group feels that as a result NPA will provide<br />
enough materials to keep the plants running<br />
at a reduced rate, and that defense orders<br />
later would "take up the slack."<br />
Had the freeze on cobalt been continued,<br />
industry plants would have had to shut down<br />
by the end of next month, according to the<br />
spokesman. Cobalt, described as "highly<br />
essential" in the making of magnets for<br />
radio and TV loudspeakers, is imported from<br />
Africa.<br />
Trade Practice Group<br />
Named for Radio-TV<br />
WASHINGTON — Robert C.<br />
Sprague,<br />
president of the Radio-Television Manufacturers<br />
Ass'n, this week appointed an<br />
RTMA trade practice conference committee<br />
to meet with the Federal Trade<br />
commission in a fair trade practice conference<br />
for the television industry.<br />
This move follows closely an announcement<br />
by the Federal Trade commission<br />
that it was looking into the "child appeal"<br />
advertising of several TV set manufacturers,<br />
but RTMA described this as<br />
"pure coincidence."<br />
The fundamental Objective of the conference,<br />
according to RTMA, will be to<br />
extend and apply the trade practice rules<br />
for the radio manufacturing industry,<br />
promulgated June 22, 1939, to the television<br />
manufacturing industry.<br />
atres, and plans to build a strong chain of<br />
outlets in Havana and the interior.<br />
"Film City," in the outskirts of Havana,<br />
is now in operation. Nine U.S. distributors<br />
took up headquarters there in September,<br />
and adequate office facilities have been<br />
provided. Buildings are modern, air-conditioned<br />
and fire resistant.<br />
HAITI IMPORTED 133 FILMS in the year<br />
ending September 1949, of which 70 per cent<br />
were American, with the remaining 30 per cent<br />
exclusively French, the Department of<br />
Commerce reported. A new distributor<br />
entered the field last year and estimates he<br />
will average 30 full-length films a year. Up<br />
to then, two distributors had been doing all<br />
the importing. Current practice is to import<br />
one positive print, rented for six months to<br />
a year, and re-show it in the capital every<br />
two or three months. Average run is about<br />
three days, and annual revenue to U.S. film<br />
industry is estimated at $30,000.<br />
There are 16 theatres operating in Haiti.<br />
IN FINLAND, PRODUCERS expect to complete<br />
15 feature films in 1950. Difficulties<br />
have been great, with production costs rising<br />
from about $26,000 in 1946 to $43,000 in 1950.<br />
The summer was marked by labor conflict<br />
and threatened strikes, resulting in higher<br />
wages for many groups connected with filmmaking.<br />
Admission prices have increased, and<br />
attendance is off. A total of 19 new theatres<br />
have been started in small towns, but 30 have<br />
gone out of business.<br />
One of the most serious problems is the<br />
shortage of raw film. Importation from England<br />
is blocked, although some importation<br />
has been authorized from Belgium. At present<br />
75 per cent of the raw film used comes<br />
from the USSR with the remaining 25 per<br />
cent almost exclusively from the U.S., Golden<br />
said.<br />
PAKISTANI CENSORS VIEWED 52<br />
feature<br />
films during the third quarter of 1950,<br />
according to the Department of Commerce.<br />
Of these 17 were American and 14 Indian.<br />
This is a drop in American competition,<br />
compared to the first nine months of 1950<br />
considered as a whole, during which 177 feature<br />
films were reviewed, of which 34 were<br />
American and 90 Indian.<br />
The formation of the Pakistani Film Advisory<br />
committee may be a significant factor<br />
in this picture. At its first meeting, in August<br />
of this year, it was resolved that Pakistani<br />
theatres should be asked to show a fixed<br />
quota of native films each year, and a subcommittee<br />
was appointed to investigate the<br />
question levying a reciprocal duty on films<br />
imported from foreign countries.<br />
NATHAN GOLDEN of the Commerce Department<br />
film branch also issued several<br />
other reports during the week on motion picture<br />
business in foreign lands.<br />
<strong>Boxoffice</strong> receipts in Havana totaled<br />
$819,000 in the third quarter of this year, he reported.<br />
This is a gain from $692,000 in the same<br />
quarter last year, and $803,500 in the second<br />
quarter of this year. A total of 102 films were<br />
shown, of which 66 were American made, accountng<br />
for 75 per cent of the total gross,<br />
and 17 were Mexican. Six Cuban films were<br />
in production or awaiting release.<br />
A new company, called Cines Cadena de<br />
Ora, S. A., has been formed to develop a chain<br />
of theatres which will specialize in Spanishlanguage<br />
releases. Organized by a large Mexican<br />
theatre impresario, it has taken over<br />
management of the Encanto and Alkazar the-<br />
ARGENTINE THEATRES total 8,057 now<br />
operating, and an additional 465 commercial<br />
outlets using 16mm films. Golden further<br />
reported. About 1,500 35mm houses operate<br />
regularly, the rest are in operation only<br />
part of the year.<br />
Almost every small theatre in the interior<br />
is using old French or German projectors<br />
adapted to sound with Argentine-made equipment.<br />
Equipment used in the Buenos Aires<br />
area is good. The need for U.S. equipment is<br />
great, but only the largest houses could afford<br />
it, even if the government authorized its<br />
purchase.<br />
U.S. carbons are offered in Argentina at<br />
about twice the price of German carbons, because<br />
of the unfavorable exchange rate. All<br />
but the most delicate pieces of equipment are<br />
being manufactured in Argentina, although<br />
the rate is insufficient to meet the demand.<br />
A relatively good 35mm projector, equipped<br />
with Philips sound equipment and sold under<br />
the name of Philips, is made in Argentina and<br />
production ranges from 50 to 70 projectors a<br />
year.<br />
Uranium Firm Under Probe<br />
Headed by Paul McNutt<br />
NEW YORK—State Attorney General<br />
Nathaniel L. Goldstein created a sensation<br />
in financial and film circles by announcing<br />
that he was investigating the sale of American-Canadian<br />
Uranium Co., Ltd., stock under<br />
the "blue sky" laws of the state.<br />
Paul V. McNutt, chairman of the board of<br />
United Artists, is president of American-<br />
Canadian Uranium and Josiaii Marvel jr.,<br />
former minister to Denmark, is vice-president.<br />
Goldstein said that "insiders" control 83<br />
per cent of the stock and that the remaining<br />
17 per cent is being sold in New York for<br />
$3.50 per share. It is listed as having ten<br />
cents par value.<br />
United Para, to Pay 50c<br />
NEW YORK—Directors of United Paramount<br />
Tlieatres, Inc., have voted a dividend<br />
of 50 cents per share on the common, payable<br />
December 20 to holders of record on<br />
December 5. Leonard H. Goldenson, president,<br />
made the announcement.<br />
PERUVIAN CENSORS reviewed 135 feature<br />
films during the third quarter of 1950. Of<br />
these, 51 were U.S. productions and 26 were<br />
Mexican.<br />
Some theatres which were closed have been<br />
renovated and reopened, and several new ones<br />
have been built. Importation of U.S. equipment<br />
is subject to stringent control, and this<br />
equipment is being supplied on an increasing<br />
basis from Europe.<br />
Sale of equipment parts, which is not<br />
restricted, is active. Around $40,000 was spent of record December 1.<br />
Paramount Declares Dividend<br />
NEW YORK—Tlie board of directors of<br />
Paramount Pictures Corp. has voted a quarterly<br />
dividend of 50 cents per share on the<br />
common, payable December 1 1 to stockholders<br />
30 BOXOFFICE December 2, 1950
merica s<br />
Jsfi •/<br />
COLUMBIA PICIURES preseols<br />
JOAN WENDELL<br />
CRAWFORD COREY<br />
•<br />
;^";<br />
ONE OF THE FIVE<br />
BEST PICTURES<br />
OF THE YEAR<br />
•<br />
LUCILE WATSON ALLYN JOSLYN • WILLIAM BISHOP • K.T. STEVENS<br />
Screen Play by Anne Froelick and James Gunn<br />
Based on the Pulitzer Prize winning play. XraiKS Wife." by George Kelly<br />
Produced by WILLIAM DOZIER . Directed by VINCENT SHERMAN<br />
A renowned Pu/ifzer Prize play brings JOAN CRAWFORD her greaiesf emotional role.
—<br />
. . Maxwell<br />
. . . Borrowed<br />
. . Under<br />
. . Bing<br />
. . Dane<br />
. . Van<br />
. . John<br />
^oU^tWMd ^CfiWt<br />
By<br />
IVAN SPEAR<br />
Two Independent Features<br />
Added to Columbia Slate<br />
To Columbia's 1950-51 releasing schedule<br />
have been added two vehicles emanating from<br />
independent production sources—one already<br />
completed, the other set for an early camera<br />
start.<br />
Producer Seymour Nebenzal secured distribution<br />
through Columbia for his recently<br />
completed "M," a r\e^ version of the psychological<br />
chiller which he originally filmed in<br />
Europe in the early '30s. Directed by Joseph<br />
Losey. the opus casts David Wayne in the<br />
role of the neurotic killer which was delineated<br />
in the earlier version by Peter Lorre.<br />
Martin Gabel and Howard DaSilva have the<br />
top supporting roles. It will be released in<br />
March.<br />
The upcoming contribution to the company's<br />
releasing slate is "The Brigand," now<br />
being prepared by Producer Edward Small as<br />
a starring vehicle for Anthony Dexter—who<br />
has the title role in Small's soon-to-bereleased<br />
"Valentino," also made for Columbia.<br />
"The Brigand" is from a novel by Alexandre<br />
Dumas, in whose swashbuckling stories<br />
Small has specialized in the past through the<br />
manufacture of such films as "The Count of<br />
Monte Cristo," "The Man in the Iron Mask"<br />
and "The Corsican Brothers." Tentatively set<br />
to roll early in January, "The Brigand" is<br />
being scripted by George Bruce.<br />
Republic Completes 15 Films;<br />
Major Part Are Westerns<br />
Of a total of 15 completed pictures in Republic's<br />
current backlog—which is, incidentally,<br />
reported as a new all-time high for the<br />
studio—eight, or more than half, are in the<br />
western category.<br />
That's additional proof of the high esteem<br />
in which sagebrushers apparently are being<br />
regarded by most production and distribution<br />
organizations—a film classification which has<br />
been enjoying continuing popularity for the<br />
past several seasons.<br />
The Republic crop includes such larger-<br />
Alan Ladd Lends Name<br />
To Kiddy Cowboy Items<br />
Move over, Hoppy, Gene and Roy<br />
you're about to receive some competition<br />
in the western commercial by-products<br />
field from another actor who—although<br />
not a sagebrush star in the accepted<br />
sense—has toplined .several king-size<br />
saddle operas.<br />
The player is Paramount's Alan Ladd,<br />
currently starring in Pi'oducer Hal Wallis'<br />
"Quantrell's Raiders" and who recently<br />
completed another outdoor opus,<br />
"Branded." Ladd has lent his name to<br />
a complete line of western toys and clothing<br />
for the moppet crowd, including such<br />
standard paraphernalia as cap pistols,<br />
holster .sets, cowboy hats, boots, trick<br />
ropes and the like.<br />
They're due to make their appearance<br />
in time for this year's Christmas trade.<br />
budget subjects as "Oh, Susanna," a Rod<br />
Cameron starrer dealing with California in<br />
gold rush days, as well as such series westerns<br />
as two starring Roy Rogers, one each<br />
with Rocky Lane and Rex Allen, and "Buckaroo<br />
Sheriff of Texas," initialer In a proposed<br />
group featuring two youngsters, Michael<br />
Chapin and Eilene Janssen.<br />
Remainder of the valley studio's backlog<br />
runs the gamut from romantic dramas to<br />
melodramas, comedies and a serial.<br />
'Breakthrough' FoUo'wup<br />
Planned at Warners<br />
In addition to a number of subjects recently<br />
completed, currently filming or in preparatory<br />
stages which deal with the present<br />
Sid Rogell Forms Company<br />
For Independent Films<br />
Most recent addition to the roster of Hollywood's<br />
independent producers is Sid Rogell,<br />
until a few months ago an executive producer<br />
at RKO Radio, who is resuming picturemaking<br />
activity as the head of his own unit.<br />
Rogell's initialer will be a film version of<br />
Jules Verne's adventure novel, "20,000 Leagues<br />
Under the Sea," a completed screenplay<br />
which he acquired from Robert L. Lippert<br />
Productions. It had been on the latter company's<br />
schedule for nearly two years.<br />
Camera work on the opus, under the Rogellian<br />
banner, is slated to get under way early<br />
in 1951 for a release which as yet has not<br />
been announced. Rogell currently is completing<br />
his corporate setup and arranging for<br />
studio space.<br />
Paramount Purchases Rights<br />
To Topical Na'vy Comedy<br />
Waxing topical, but in comedy vein. Paramount<br />
acquired the film rights to "Trumpet<br />
Smith," an original by Ben Finney, which<br />
concerns two young ex-servicemen who are<br />
called back into the navy because of the<br />
current world situation. P. J. Wolfson has<br />
. . . Frank<br />
been signed to write the screenplay and Irving<br />
Asher will be the producer<br />
Capra took time out from his activities as a<br />
producer-director at Paramount to sell his<br />
original story, "Westward the Women," to<br />
MGM. The outdoor action drama, dealing<br />
with the experiences of a guide who brings<br />
the first group of women across the prairies<br />
to the early west, will be directed by William<br />
A. Wellman . Shane, who recently<br />
HE'S THE BEST—Billy WUder (left)<br />
won the Screen Directors Guild's quarterly<br />
award for Iiis megaphoning achievement<br />
on Paramount's "Sunset Boulevard."<br />
Wilder is shown here receiving the<br />
medallion from Joseph Manluewicz,<br />
SDG president, during a recent NBC<br />
broadcast of the Screen Directors' Playhouse,<br />
an SDG-created airshow.<br />
conflict in Korea, Hollywood's filmmaking<br />
fraternity is not neglecting World War 11 as<br />
the subject matter for upcoming celluloid.<br />
At Warners<br />
hung<br />
for example,<br />
out his shingle as an independent producer-director-writer,<br />
where "Breakthrough,"<br />
produced by Bryan Foy and with<br />
added "The Family<br />
David Brian, John Agar and Frank<br />
Way," a comedy<br />
Lovejoy<br />
in the leads, was lensed and<br />
by Milton Raison, to his<br />
docket . the banner of his newly<br />
is now in<br />
release, a foUowup to that story of combat<br />
organized Standard Productions, and to be<br />
in Europe has been<br />
filmed for Allied Artists release, Hal E.<br />
tossed into the productional<br />
hopper. Titled "The Tanks Are Coming,"<br />
it will deal with mechanized<br />
Chester purchased "Models, Inc.," a story by<br />
Alyce Canfield, magazine writer.<br />
facets of<br />
the European campaign.<br />
An original by Joseph I. Breen jr., who U-I Signs Richard Conte<br />
authored "Breakthrough," the new entry will<br />
To Multiple-Fikn Pact<br />
reunite Producer Foy and Stars Brian, Agar<br />
Almost immediately after securing a<br />
and Lovejoy.<br />
lease from the balance of his acting ticket at<br />
20th-Fox, Richard Conte was signed by Universal-International<br />
to a multiple-picture,<br />
non-exclusive contract and booked to star<br />
in "The Hollywood Story" as his first assignment<br />
. Crosby and Bob Hope next<br />
will travel "The Road to Hollywood" as the<br />
sixth in the "Road" series in which they have<br />
co-starred for Paramount . Johnson<br />
was assigned as June Allyson's co-star in<br />
MGM's upcoming romantic comedy, "To(?<br />
Young to Kiss" . Clark and Cathy<br />
O'Donnell will be co-featured in "No Help<br />
Prom Heaven." to be produced for Columbia<br />
release by Lon Appleton and Monty Shaff<br />
from MGM, Ann Miller will<br />
have one of the leads in the RKO Radio<br />
tunefilm, "Two Tickets to Broadway."<br />
Pine and Thomas to Make<br />
'The Las Vegas Story'<br />
Not to be outdone by Universal-International,<br />
at which studio the cameras have<br />
begun grinding on "The Hollywood Story,"<br />
those productional partners. Bill Pine and<br />
Bill Thomas, have cooked up "The Las<br />
Vegas Story" and assigned Lewis R. Foster to<br />
develop the screenplay as an entry on their<br />
Paramount releasing schedule . English<br />
has been signed to direct "Whirlwind,"<br />
new Gene Autry sagebrusher for Columbia<br />
distribution. It will be English's 15th directorial<br />
stint with Autry since 1947 . . . Hal<br />
Walker was handed the megaphone on<br />
"Junior," next on the Hal Wallis slate for<br />
Paramount . . . Producer Samuel Goldwyn<br />
booked Joel Sayre. magazine fiction writer,<br />
to develop a treatment for his tentatively<br />
titled "I Want You," a topical yarn dealing<br />
with army ground forces training.<br />
32 BOXorncE December 2. 195C
•>k. Ready in January!<br />
Robert MUTTON- Steve BRODIE- James EDWARDS Richard LOO<br />
with SID MELTON • RICHARD MONAHAN • WILLIAM CHUN * °"new's°reen'7e°son*'aliiy" Gene EVANS<br />
A ROBERT L. LIPPERT PRESENTATION Written, Directed and Produced by SAMUEL FULLER<br />
s.a.n,<br />
-k. Ready in January! Ready in February!<br />
|V||(ytl I I adventure story behii<br />
history's unforgettable "Last Stand"<br />
¥"^^
MGM Tieups Geared to Aid Subsequents as Well as Key Runs<br />
NEW YORK—Many so-called national promotions<br />
are geared to score their most telling<br />
results at the boxof-<br />
^^^<br />
fices of first run dates<br />
^|H|^k and completely lose<br />
^ ^^^\ ^^^ full penetration<br />
r I originally planned to<br />
W aid the second, third<br />
and neighboring sit-<br />
to create solid campaigns for all situations."<br />
Illustrating his remarks, Terrell outlined<br />
his company's campaign on "King Solomon's<br />
Mines," which this week played in 100 or<br />
more key runs. Three major tieups, arranged<br />
for the film, are with Dodge Motors. A. H.<br />
Pond Co. on a Keepsake diamond ring and<br />
with Ralph Edwards' Truth or Consequences<br />
radio program.<br />
The Dodge tiein is based on the fact that<br />
its trucks carried personnel, equipment and<br />
supplies into Central Africa during the shooting<br />
of the picture. All Dodge regional managers<br />
and field organization members have<br />
received a special program detailing the full<br />
campaign. In addition to the regular MGM<br />
accessories, there is available from Dodge, for<br />
all local dealer tieups, a four-color 32x44 poster,<br />
which will be used as an ad in the December<br />
16 issue of Collier's. Also on hand is<br />
a special 16mm film, "Jungle Safari"; four<br />
books of facts about "King Solomon's Mines":<br />
handbills; co-op ads; suggestions on jungleatmosphere<br />
window displays, and special publicity<br />
releases. In each case, all dealers have<br />
uations, according to<br />
Dan S. Terrell, exploitation<br />
manager for<br />
M e t r o-G o 1 d w y n -<br />
Mayer.<br />
"It has been our been advised of all playdates. with the point<br />
Dan Terrell policy at MGM, in<br />
stressed that "second and third run showings<br />
may have more valuable tiein possibili-<br />
creating tieups for<br />
our pictures." asserts Terrell, "to judge<br />
ties than original runs, because they lend<br />
these campaigns on their effectiveness<br />
themselves to localized activities of individual<br />
dealers when the film is appearing at<br />
not only in first run key-city dates<br />
but also to have the tieup follow through<br />
neighboring theatres."<br />
with its ticket-selling possibilities for subsequent<br />
engagements. In this manner, all exhibitors<br />
can get aboard the bandwagon with mond ring offers $9,000 in rings for the best<br />
The A. H. Pond tieup on the Keepsake dia-<br />
answer to:<br />
enough interest still generated in the tieup<br />
"I would like a Keepsake ring because<br />
. ." . In this connection, the Pond<br />
Co. has available, for all merchants, free<br />
entry blanks, two different-size newspaper ad<br />
mats with art and full credit to the picture,<br />
postcards and two types of three-color window<br />
streamers as well as radio spot announcements.<br />
In addition to the national<br />
prizes, merchants have arranged local contests,<br />
A six-week running sequence on Truth or<br />
Consequences gives the picture full credit on<br />
each radio stanza. It started with a man<br />
being delegated to shoot a lion in Africa.<br />
The man Harvey, through the cooperation of<br />
the program, Safariland. Ltd., and various air<br />
lines, arrived at Banagi Hill where the hunt<br />
took place. A tape recording, which was<br />
made, will be heard on a subsequent program.<br />
Harvey's itinerary schedules him next to visit<br />
"King Solomon's Mines" for a diamond and,<br />
later. Alaska for gold to complete the diamond<br />
ring. Subsequent radio penalties call<br />
for him finding a girl and perhaps getting<br />
married. What will that Ralph Edwards<br />
think of next?<br />
'Bird of Paradise' Tieups<br />
Discussed at a Luncheon<br />
NEW YORK—Manufacturers who are to<br />
have a part in the promotion campaign for<br />
"Bird of Paradise" (20th-Fox) were guests<br />
of Stirling Silliphant, promotion manager<br />
for 20th Century-Fox. at a luncheon held.<br />
Tuesday (28) at Toots Shor's.<br />
Tieups already made for spring and sum-;<br />
mer items include: Dresses. Sheila Lynn;<br />
sportswear, Joselly; handbags, Jenny; hosiery,*<br />
Holeproof; negligees, Tula; jewelry. Coro;'<br />
gloves. Dawnelle; blouses. Dorothy Korby;<br />
scarves. Glentex; foundations. Lily of France;<br />
handkerchiefs. Bloch Freres; bathing suits,<br />
Sea Nymph; shoes, Mademoiselle: millinery,<br />
Betmar; artificial flowers. Aster: separates,<br />
Toni Owen; juniors, Judy and Jill, and bridal<br />
gowns, Murray Hamburger.<br />
PARAMOUNT TRADE SHOWS<br />
DECEMBER 15, 1950<br />
WENDELL COREY<br />
• MACDONALD CAREY • WARD BOND
)<br />
Disney TV Yulelide<br />
Show Top Attraction<br />
NEW YORK—Walt Disney's special onehour<br />
television film production f©r Coca-Cola.<br />
"One Hour in Wonderland." will be telecast<br />
over an NBC network of 62 stations on<br />
Christmas day (4 p. m.. EST), one of the<br />
biggest boxoffice days of the year. This<br />
hookup is considered to be probably the single<br />
greatest competitive TV entertainment coverage<br />
with the possible exception of a presidential<br />
speech or top sports event.<br />
Setting for the video film show will be Disney's<br />
studios, where a Yuletide party given by<br />
the cartoonist will integrate one to two-minute<br />
clips from four of his pictures with production<br />
sequences by Edgar Bergen and other<br />
performers. A so-called "thumb-nail preview"<br />
of Disney's August release. "Alice in Wonderland,"<br />
will take viewers for a behind-thescene<br />
look at the picture in the making.<br />
Bergen will be accompanied by his usual<br />
wooden complement of Charlie McCarthy<br />
and Mortimer Snerd. Others in the cast will<br />
be Bobby Driscoll, who was starred in "Treasure<br />
Island"; Kathryn Beaumont, who is the<br />
voice of Alice in "Alice in Wonderland," and<br />
a group of children of film and radio personalities.<br />
A Disney device, "The Magic Mirror,"<br />
will link the comedy sketches and bring the<br />
youngsters scenes and characters from<br />
"Snow White and the Seven Dwarfs,"<br />
"Clock Cleaners," "Bone Trouble" and "Song<br />
of the South."<br />
Altec Will Service New<br />
GP Theatre TV System<br />
NEW YORK—Altec Service Corp. will service<br />
the new General Precision Laboratory<br />
theatre television system which has been demonstrated<br />
recently in a number of cities,<br />
according to W. E. Green, president of National<br />
Theatre Supply. The system, which<br />
NTS is distributing, is called "Videofilm."<br />
General Precision has developed a recorder<br />
with electronic instead of mechanical control<br />
which the company claims will assure improved<br />
picture quality "equal in all respects<br />
to the original live telecast."<br />
ORDER NOW<br />
NEW SEWED COVERS<br />
Any Color — $1.68<br />
Plastic Leatherette Top<br />
Mohair Sides<br />
For American Bodiform — Avion<br />
Heywood-Wakefield or International.<br />
Send Sample<br />
CHICAGO USED CHAIR MART<br />
829 South State St. Phone WEbsfer 9-4518<br />
Chicago 5,<br />
III.<br />
You're a New York restaiiraliur.<br />
and jiinibo shrimps froni tlu-<br />
Gulf would spice up your nu'Uii.<br />
make your patrons feel like<br />
gourmets!<br />
IHow<br />
much to get 10 Ihs. of<br />
shrimp to New ^ ork from<br />
New Orleans — by Air A.vpress?<br />
2 How long would it take —<br />
by Air Express?<br />
Quick Quizz!<br />
You manufacture TV sets, and<br />
need coils you cant stock-pile.<br />
Yet you must keep yonr assembly<br />
line rolling and dealers<br />
satisfied.<br />
How much to ship 8 lbs. of<br />
^ coils from Boston to Chicago<br />
— by Air Express?<br />
4 How long would it take —<br />
by Air Express? .<br />
(See answers below)<br />
Air Express gives you all these advantages:<br />
Economical — liave you checked Air Express rates lately?<br />
World's fastest transportation method.<br />
Special door-to-door service at no extra cost.<br />
One-carrier responsibility all the way.<br />
1 1 50 cities served direct by air; air-rail to 22,000 off airline points.<br />
Experienced Air Express has handled over 25 million shipments.<br />
Air Express is fastest because your shipments go on all flights of the Scheduled<br />
Airlines. And on the ground you get special pick-up and delivery — at<br />
no extra charge! Use it regularly to keep your business rolling. Phone your<br />
local Air Express Division, Railway Express Agency. ( Many low commodity<br />
rates— investigate!<br />
answers to:<br />
(1) Shipping cost: $2.20. (2) Delivered about 9 hours after order was received.<br />
(3) Shipping cost: $2.57. (4) Picked up at factory 7 p.m., delivered<br />
early next morning.<br />
Rotes Include pick-up ond delivery door<br />
to door in all principal towns and cities<br />
DRIVE-IN EXHIBITORS with<br />
CENTRAL SOUND or POST SPEAKERS!<br />
CONVERT to IN-CAR SPEAKERS<br />
Now at economical prices before the seasonal rush.<br />
Order immediately to assure prompt deUvery.<br />
DRIVE-IN THEATRE MANUFACTURING CO.<br />
729 Ballimore (Phone HA. 8007) Konsm COy, Mo.<br />
Railway Express Agency and ttie<br />
SCHEDULED AIRLINES of the U.S.<br />
BOXOFFICE December 2. 1950 35
160<br />
—<br />
Showmanship<br />
Exhibitors'<br />
To Get 20th-Fox Backing<br />
CHARLOTTE—Twentieth Century-Fox will<br />
work with any exhibitor group planning a<br />
specific bold and aggressive showmanship<br />
plan, Jonas Rosentield jr., advertising manager,<br />
said at the Theatre Owners of North<br />
and South Carolina meeting.<br />
Rosenfield pointed to the five-circuit cooperative<br />
campaign on "All About Eve" in<br />
New York City as an example of showmen<br />
banding together to offset the blows of television<br />
and other entertainment media attracting<br />
people away from the theatre. Calling<br />
television the "No. 1 retail advertiser of<br />
the country." Rosenfield said that a number<br />
of theatre advertising budgets compare unfavorably<br />
with the efforts of TV manufacturers<br />
and producers.<br />
General Release Is Set<br />
For 'Harvey' by U-I<br />
NEW YORK—"Harvey," Universal-International<br />
film starring James Stewart, will be<br />
given general release starting Christmas to<br />
New Year's week with extended key-city runs<br />
at popular prices, according to W. A. Scully,<br />
vice-president and general sales manager,<br />
and Alfred E. Daff. vice-president and new<br />
head of world sales.<br />
The sole exception will be a limited engagement<br />
at the Carthay Circle Theatre,<br />
Hollywood, starting late in December. This<br />
has been set to qualify the film for Academy<br />
Award consideration. As previously reported,<br />
"Harvey" also will open an extended run at<br />
popular prices at the Astor Theati'e here<br />
early in January.<br />
Scully and Daff said the openings will be<br />
backed with heavy advertising and publicity.<br />
CLEARING HOUSE<br />
(Continued from Inside back cover)<br />
THEATRE SEATING<br />
Need chairs? IK-re's Itie .spot, (lur used and<br />
ri'biiilt5 arts aluidy, eomlurtable, attractive and<br />
you're buying 'em from reliable source. Prices<br />
start at $2.95. Send for Cllair Bulletin. Depl.<br />
C, S.O.S. Cinema Supply I'orii., 602 W. 52nd<br />
St.. Xciv York 19.<br />
Patch-0-Seat ceDu-nt. fauning dotb, sultent.<br />
etc. Fensin Seating Co.. ChirniEit 5.<br />
Used chairs, i^uarameed lioud. Advise quaijtlti<br />
wanted. I'hotograplis mailed with quotation. Fen<br />
sin Seatlnc Co.. ChlcaRo 5.<br />
No mare torn seats: Repair with the origins<br />
Patch-A-8eat. Cipmplete kit, $8. General Chai<br />
Co.. Ollcaeo 22. III.<br />
Chair Parts. We lurnlsh most any part ynii re<br />
quire. Send sample for price, brackets, backp<br />
and seats. Ceneral Chair Co.. 1308 Elsinn ,\xe<br />
Oilcago 22. 111.<br />
THERE'S<br />
NO PLACE LIKE A BARBER SHOP TO<br />
Several thousand used niiera chairs now Ir<br />
stock. Can furnish any amimiit yni request. Tul<br />
upholstered hack. Insert patifllinck. Iioxspring anr<br />
spring edge seat. Write for pliulo and staff<br />
incline. amount and We also mnnufairture iiev<br />
chairs, fieneral Chair Co., lnnK-22 Elstnn Ave..<br />
riilcaco 22. HI.<br />
Many years In the sealing business Is youi<br />
giiaranlee. Good used chairs are not ton plentiful<br />
hut we have the pick. Full iiphnlslered. pani<br />
Ij ick and many other styles We furnish proper<br />
slope or level standards to fit your floor. Al'<br />
size I8.\21-lnch chairs. Our prices are lowest<br />
Write for exact photo and price. We furnish pint<br />
for all makes. Send sample Good qiialiiy plasllr<br />
coated leatherette 25x26-lncli. all colors. B5c pa<br />
Chicago Used Ctlalr Mart, 829 South Slate St..<br />
(hlcago 5, 111<br />
No more loose chairs; Get 'Tlrmastone" Anchor<br />
cement, $5 per box. General riiaU- Co., Chicago<br />
22. 111.<br />
Parts for all chairs. Siniii >,.rmile tor uuniai'm<br />
Fensin Seating Co., Chicago 5<br />
Complete seating service, sevin cushion and back<br />
covers. New CTlshlons, parts. Chairs rebuilt in<br />
your theatre without Interninllon. Theatre Seat<br />
Service Co Hermitage Ave , Nashville, Tenn<br />
Complete seating service. No Inierriiption In<br />
falirics. your schedule. Plastics, mohairs. May<br />
we call and quote prices? Midwest Seating Service.<br />
Rox 654. Springfield. Til.<br />
Theatre chairs, many reconditioned, screens, projectors<br />
Trade your Veneers Cushiims. Lone<br />
Star Film Co.. Ilallas. Texas.<br />
BUSINESS STIMULATORS<br />
Bingo die-cut cards. l«o colors. 75 or 100 numbers.<br />
%?, per M, Bingo screen dial. $30. Premium<br />
Products. 339 W. 44lh St., New York 18. N. Y.<br />
Darlaway: 'IVo -sensational new theatre games<br />
of skill. Fill those empty seals. Don't wait<br />
start now. Over 200 theatres now using our games.<br />
No theatre too big or too small. Write or wire<br />
Dartaway Enterprises, Inc., Shawnee, Kas.<br />
Comic books .available as premiums, giveaways<br />
at your kiddy shows. Large v.arlety. latest newsstand<br />
editions. Comics Premium Co., 412B, Greenwich<br />
St , N. Y. C, Publications for premiums<br />
(exclusively) since 1939.<br />
Incomparable jiroven patroiuige builders. 500<br />
v'ard sets. 75 No. die-cut Ringo. $3 per thousand<br />
— also nfhor iinlipie g.imes. Novelty Games Co..<br />
1434 lleUord Ave.. Brooklyn 16. N. Y.<br />
POPCORN MACHINES<br />
antced. Price f<br />
Rebuilt Popcoi Machines for sale. Fully guar-<br />
1 $100. Consolidated Confecsh.<br />
tlons. 1314 S. W.il<br />
Chicago 5, 111.<br />
Cretors. Advance, all Burch. Matiley. electric<br />
frencll fry types. 50 Hollywood type, theatre<br />
special electric juipprrs from $250. Karmelkoru<br />
S. III.<br />
Equipment. 120 ILilsted, Ctilcago 6,<br />
Super Star potu-orn achli good condition.<br />
Lovelady. Tes.is<br />
$175. freight paid Don Th<br />
k<br />
M>meQ9^ees.<br />
HALLMARK BLDG., WILMINGTON, OHIO<br />
'^ BEVERLY HILLS •CHICAGO •CLEVELAND •TORONTO<br />
MEXICO CITY • AUCKLAND • SIDNEY • SINGAPORE<br />
ROME • PARIS • LONDON • HONGKONG • CALCUTTA • KARACHI • CAIRO • ATHENS<br />
HALLMARK'S 6TH ANNUAL CONVENTION • DECEMBER 16 22 • HOTEL STEVENS • CHICAGO<br />
Blevins'<br />
liox'inp"<br />
POPCORN SUPPLIES<br />
I'ops-Hiti<br />
Silverwai<br />
poiu'orn sales! Bi<br />
Village. Nashville. 1<br />
with Wm. A. lingers<br />
•miiim offer Is booming<br />
I'oiicnrn Co., Po|)Corn<br />
.MORE CLASSIFIED ON<br />
INSIDE BACK COVER<br />
36 BOXOFFICE December 2, 1950
i<br />
CHESTER FRIEDMAN<br />
EDITOR<br />
HUGH E. FRAZE<br />
Associate Editor<br />
PRACTICAL IDEAS FOR SELLING SEATS BY PRACTICAL SHOWMEN<br />
y<br />
iVlacu s<br />
l/l/a<br />
^<br />
That is certainly an impressive<br />
program COMPO is formulating to<br />
improve industry relations with the<br />
public. A National Starmakers con- ^<br />
test, an exposition, a series of Institutional<br />
advertisements in Editor<br />
and Publisher—all good stuff, aimed<br />
at creating and stimulating interest<br />
in motion pictures at points where<br />
will do good.<br />
it<br />
We cannot help but note a comparison<br />
between the industry's efforts<br />
to gain a commensurate share<br />
of the entertainment dollar and the<br />
pattern of merchandising used by<br />
some of the nationally known mercantile<br />
firms.<br />
Take Macy's for example. The department<br />
store name has become<br />
synonymous with bargains and sales.<br />
Through decades of advertising, the<br />
public has been sold on the fact that<br />
these bargains reflect a saving. For<br />
years, their ads have carried slogans<br />
which, because of repetitious use,<br />
the public is familiar with. Yet<br />
Macy's would no more run an ad devoted<br />
solely to their thrift slogans<br />
than they would advise their customers<br />
to patronize Gimbel's. The<br />
slogan appears in every ad, but the<br />
important selling copy is concentrated<br />
on specific items—men's suits,<br />
mousetraps, or girdles.<br />
By itself an institutional cam-
14-Ton Missile (It's Real) Rockets Interest in 'Moon'<br />
There have been a lot of "rockets" used to ballyhoo "Destination<br />
Moon" but it remained for H. L. McCormick, manager of the<br />
Fox Rio Grande Theatre at Las Cruces. N. M., to get the genuine<br />
article for an exhibit when he played the picture. After prolonged<br />
and persistent effort, McCormick was successful in getting<br />
officials at the White Sands proving grounds to loan him this<br />
14-ton German V-2. Properly placarded and with four smaller<br />
rockets as auxiliaries, the huge missile was attended night and<br />
day by army ordnance experts who answered questions for<br />
curious passersby and hundreds who were dravm to the scene<br />
by the newspaper and radio publicity. McCormick had a ballyhoo<br />
man standing by in an asbestos fire suit. It was, he reports, as<br />
effective as anything he has ever seen. The unique exhibit is<br />
the first of its kind reported in this country in behalf of a film.<br />
Community Observes<br />
Theatre Anniversary<br />
Vincent Capuano. manager of the Elm Theatre,<br />
West Hartford. Conn., observed the second<br />
anniversary of the opening of the theatre<br />
by promoting a full-page newspaper co-op<br />
ad and arranging a series of special events.<br />
Coincident with Armistic day, he staged a<br />
flag-raising ceremony with veteran contingents<br />
and the Talcott school band. For the<br />
kids, he ran an ice cream eating contest on<br />
the theatre stage, awarding special prizes<br />
promoted from merchants.<br />
A pet show and athletic contests were<br />
staged at Lincoln field, with theatre passes<br />
presented to the winners. For the adults, a<br />
$300 television set was given away on the<br />
basis of lucky-numbered coupons distributed<br />
by cooperating merchants.<br />
A .square dance with free cider and doughnuts<br />
at the school auditorium was another<br />
highlight of the celebration. To advertise<br />
the various events, the merchants sponsored<br />
a full-page newspaper advertisement in the<br />
Hartford Times.<br />
Vets See 'Breakthrough'<br />
Jim McCarthy, manager of the Strand<br />
Theatre, Hartford, invited all local veterans<br />
of the European phase of World War II, holding<br />
medals for meritorious service in the<br />
Normandie breakthrough campaign, to be<br />
guests on opening night of "Breakthrough."<br />
Newspapers noted the occasion with free publicity<br />
including picture credits and playdate<br />
mention.<br />
Ticklish Herald<br />
Rudolph Kramer, manager of the Marble<br />
Hill, New York, used an effective novelty<br />
herald to exploit "Our Very Own." Attached<br />
to each herald was a feather, and the copy<br />
read: "It's a feather in our hat and we're<br />
proud to announce 'Our Very Own,' etc."<br />
Waco's Wa<br />
-^ 5f<br />
(Continued from preceding page)<br />
the industry. It can help to soften up a<br />
tough buyer's market. It can help to overcome<br />
the tenacious competition from<br />
sports and television. It can exert a tremendous<br />
influence on the "lost audience"<br />
and stimulate interest in motion pictures<br />
on a vast general plane. It will serve<br />
to inspire the exhibitor with the knowledge<br />
that movies are better than ever<br />
and provide him with the incentive to<br />
merchandise his product with confidence<br />
and assurance.<br />
Let the exhibitor not forget that COMPO<br />
is no genie from some magical lamp. The<br />
impact of institutional selling will depend<br />
largely upon sound merchandising at the<br />
local level. Its main utility will be to complement<br />
the exhibitor's promotional efforts<br />
—not to replace them.<br />
And let no one forget that any successful<br />
merchandising plan is dependent on<br />
the product and the manner that product<br />
is sold to the public day-by-day, pictureby-picture,<br />
just as Macy's advertises its<br />
special sales features for the day.<br />
— Chester Friedman<br />
tre advertising. E>ery patron received a<br />
coupon redeemable at an adjacent soda foun-<br />
Little Rascal Shorts<br />
Good Kid Stimulant<br />
Lloyd Boyea, manager of tlie Regent Theatre,<br />
Amsterdam, N. Y., promoted a series of<br />
special kid shows featuring the Little Rascals<br />
last spring. They were so successful that he<br />
is repeating them again with an eight-week<br />
series set to end on December 23. His opening<br />
date brought the biggest Saturday<br />
matinee gross in a year and a half.<br />
Boyea promoted eight Hopalong Cassidy<br />
watches from a neighborhood jeweler and<br />
gives one away each week on a lucky number<br />
drawing. Special gifts will be given away<br />
for Mom and Dad at the concluding session.<br />
A lobby display of the watches and gifts<br />
stops the kids in their tracks when they attend<br />
the Regent.<br />
Boyea used his usual advertising channels<br />
to promote advance interest in the Little<br />
Rascal shows and had special circulars distributed<br />
at schools and at a circus held at<br />
the local armory.<br />
Gives Free Ice Cream to<br />
'Good Humor' Patrons<br />
R. E. Agle sr., district manager for the Appalachian<br />
Theatres, Boone. N. C, arranged<br />
with a local ice cream company when he<br />
played "The Good Humor Man" to provide<br />
patrons with free ice cream. Since there is<br />
no Good Humor ice cream in the vicinity of<br />
Boone, Agle called on the Pet Dairy Co. and<br />
promoted free ice cream in return for thea-<br />
tain for a portion of ice cream.<br />
38 — 396 BOXOFFICE Showmandiser :: Dec. 2, 1950
Ballyhoo, Screening<br />
Pay Off Profitably<br />
For Jack Mitchell<br />
Jack Mitchell, manager of the Weslin,<br />
Massillon, Ohio, reports that he has been<br />
busier than a dog with fleas in a burst of<br />
effort to ballyhoo recent screen shows.<br />
For "Cariboo Trail," he had an usher<br />
dressed as a cowboy travel through the<br />
business and shopping areas with a sign<br />
advertising the action highlights of the film<br />
production.<br />
In connection with "Three Little Words."<br />
Mitchell tied up with the dime store to promote<br />
sheet music and records of the picture's<br />
hit tunes in a full window display.<br />
A 70-pound cake was promoted from a<br />
bakery and placed on display in the lobby<br />
five days in advance. Portions of the cake<br />
were served to the first 400 people who attended<br />
the opening day matinee.<br />
Three attractive young girls paraded<br />
through the shopping area carrying cutout<br />
notes lettered with the title of the picture,<br />
theatre name, etc. Theatre employes wore<br />
large buttons in advance of playdate, and a<br />
record player in the lobby plugged the songs<br />
from the film production.<br />
"Stars in My Crown" received widespread<br />
publicity sparked by a private screening held<br />
in advance for 150 ministers and officials of<br />
the PTA. Many of the ministers plugged the<br />
playdate from their pulpits, while the PTA<br />
group urged children to see the film. This<br />
message was delivered in the home as well<br />
as the classroom. The film likewise received<br />
wide endorsement from the religious committee<br />
of the Junior Chamber of Commerce.<br />
Twenty-five gratis plugs were promoted from<br />
the local radio station, and Mitchell reports<br />
outstanding business during the picture's run.<br />
Promo fes Kid Prizes<br />
Bill Hayes, manager of the Empress. Norwalk,<br />
Conn., promoted prizes from a local<br />
toy shop for winners of a children's balloonblowing<br />
contest held in conjunction with his<br />
regular Saturday matinee show. The stunt<br />
was advertised in newspaper ads, circulars<br />
and in the lobby.<br />
Here's an Idea<br />
For Christmas<br />
Exhibitors interested in promoting the<br />
sale of Christmas gift books might be<br />
interested in a stunt which helped to<br />
sell over $300 worth last Christmas for<br />
C. A. Morris, owner-manager of the Morgan<br />
(Minn.) Theatre.<br />
Morris purchased some small evergreens,<br />
a Santa Glaus, sled and reindeer,<br />
and set them up on a large table in the<br />
theare lobby. The entire display was<br />
then sprayed with hot paraffin, giving<br />
it the appearance of a typical winter<br />
scene with a heavy snowfall. Santa was<br />
depicted holding a bag of gift books.<br />
The display attracted hundreds, and<br />
Morris reports that gift book sales zoomed<br />
during the three weeks the display was<br />
in the lobby.<br />
Patrons at the Fabian Theatre, Paterson,<br />
N. I., admire the eye-catching 40xl20-inch<br />
poster advertising "Brealrthrough." Garry<br />
Voorman. manager, placed it in a conspicuous<br />
spot in the lobby. The posters are available<br />
to all theatres having an early playdate.<br />
Fire Prevention Co-Op<br />
Rates Press Bouquet<br />
Combining showmanship and public service<br />
by tieing in with Fire Prevention week<br />
elicited a bouquet in the news columns of<br />
the Chicago Globe for Hugh Borland, manager<br />
of the Louis, Chicago.<br />
The Fire Prevention bureau provided an<br />
exhibit of various fire extinguishers for the<br />
theatre lobby. In addition, the bureau furnished<br />
pamphlets on prevention of fires in<br />
homes. The exhibit was advertised extensively.<br />
The bureau made available several<br />
thousand comic books on fire prevention for<br />
distribution to children attending Saturday<br />
matinee shows during October.<br />
Borland admitted children to the theatre<br />
free every Saturday upon presentation of<br />
20 pounds of scrap paper. The paper was<br />
converted into cash through a junk dealer.<br />
The paper collection was to help eliminate<br />
fire hazards from homes where people save<br />
newspapers.<br />
Resemblance Contest<br />
Exploits 'Black Rose'<br />
A resemblance contest stirred up a lot of<br />
interest in "The Black Rose" for Harold<br />
Steam, manager of the Vogue Theatre,<br />
Bronx, N. Y. Steam advertised for girls who<br />
look like Cecile Aubry, who is featured in<br />
the film, to enter the contest at the theatre.<br />
Prizes were promoted from neighborhood<br />
business firms and awarded to the winner<br />
on the Vogue stage.<br />
The contest was publicized by a trailer,<br />
circulars, lobby display and an exhibit of<br />
the prizes. Incumbent politicians served as<br />
judges and because of the proximity of election<br />
day, the New York Post published a<br />
photo of the judges making the awards to<br />
the winners, with theatre mention.<br />
Lucky Serial Numbers<br />
Gain Free Admission<br />
To 1119' Opening<br />
One of the highlights of Manager Sid<br />
Kleper's campaign to exploit "Dial 1119" at<br />
the College Theatre, New Haven, was a<br />
"lucky" contest sponsored by the New Haven<br />
Herald and radio station WELL Both media<br />
publicized the fact that any person would be<br />
admitted to the theatre free upon presentation<br />
of a dollar bill with the serial sequence,<br />
1119 — or an Army serial number, Social<br />
Security number or auto registration number<br />
ending in 1119.<br />
WELI also sponsored a contest offering<br />
guest tickets as prizes to listeners sending in<br />
penny post cards with the number 1119 inscribed<br />
on it the greatest number of times.<br />
One hundred window cards were distributed<br />
in advance, with scare copy headed: "If you<br />
see this man, 'Dial 1119'." This teaser stunt<br />
created wide local interest. Window displays<br />
were promoted in restaurants, a sporting<br />
goods store, two florists, a camera shop, a<br />
barber shop, and Kresge's.<br />
For street ballyhoo, two girls carrying telephone<br />
instruments bannered with signs, "Dial<br />
1119," toured the downtown business section<br />
and rode buses at peak travel hours. Special<br />
stickers imprinted with copy, "Dial College<br />
Theatre (phone number) for tops in entertainment<br />
. . . See 'Dial 1119' starting, etc.,"<br />
were placed in all public telephone booths.<br />
A small captive baloon was flown above the<br />
theatre, attached to a huge sign with the picture<br />
title and theatre playdates. The New<br />
Haven police department provided an extensive<br />
exhibit of lethal weapons used for emergencies,<br />
as a lobby display. A uniformed policeman<br />
was stationed nearby to answer the<br />
questions of patrons and to protect the<br />
valuable equipment.<br />
Top ranking officers of the police department<br />
attended an advance screening and released<br />
comments for the press.<br />
Marks 30th Year<br />
At Corbin, Ky., Hipp<br />
In November 1920 the Schine circuit<br />
sent a young aggressive showman named<br />
Louis Mereribloom to take over management<br />
of the Hippodrome in Corbin, Ky.<br />
This month, Merenbloom celebrated his<br />
30th anniversary as manager of the Hippodrome,<br />
thereby establishing a unique<br />
record for continuous management in<br />
one location.<br />
In honor of the occasion, public -spirited<br />
merchants ran a full-page newspaper<br />
ad in the Corbin Daily Tribune, citing<br />
Merenbloom for his many services and<br />
interest in community affairs during the<br />
last 30 years. A considerable portion of<br />
the space was devoted to announcements<br />
publicizing the Hippodrome's anniversary<br />
attractions throughout November.<br />
L. W. and J. W. Schine, heads of the<br />
circuit, congratulated Merenbloom and<br />
pledged outstanding bookings to the people<br />
of Corbin during the 30th Anniversary<br />
celebration.<br />
BOXOFFICE Showmandiser — 397 — 39
:<br />
Dec.<br />
Manager in Snrall College Town<br />
Succeeds Wifh 'Different' Ideas<br />
Several years ago, Harold J. Kelly gave<br />
up a 20-year career as a musician to become<br />
manager of the Strand Theatre in<br />
Orono. Me. With no previous experience<br />
at management, during his first year at<br />
the Strand he put the house on a paying<br />
basis after many years of unprofitable enterprise.<br />
Kelly attributes his success to the fact<br />
that he is constantly trying something<br />
different. More than a year ago, when theatre<br />
attendance first began to fall off, he<br />
decided the Strand was not getting enough<br />
patronage from students at the University<br />
of Maine. Accordingly, he called on members<br />
of the college faculty and asked for<br />
their assistance. He was told that if the<br />
theatre were to present films on some of<br />
Shakespeare's works, operettas, foreignlanguage<br />
pictures and almost anything of<br />
educational value, it might help.<br />
Kelly started cautiously by booking<br />
"Henry V." The college cooperated by<br />
making announcements on the public address<br />
system to students in all classes and<br />
through special heralds posted on the university<br />
grounds. The picture rolled up the<br />
largest attendance and gross on record at<br />
the Strand up to that point. Soon after,<br />
he booked "Hamlet." That established a<br />
new house record.<br />
Kelly then decided to concentrate on his<br />
Tuesday night business which was hitting<br />
below average. He booked films in French,<br />
Italian, German and Swedish, with occasional<br />
British pictures worked in. The<br />
department of modern languages at the<br />
university has been especially cooperative,<br />
frequently urging students to see these<br />
films. Business on Tuesday nights has<br />
picked up to about three times what it was<br />
formerly.<br />
Another factor which has been instrumental<br />
in attracting patronage is that of<br />
Football Fans Guess<br />
Scores on Heralds<br />
Ever since the football season started.<br />
Chuck Keeling, manager of the Tower Theatre,<br />
Oklahoma City, has been exploiting his<br />
attractions by special heralds which give<br />
sports fans an opportunity to win theatre<br />
passes by guessing the scores of college football<br />
games.<br />
Tho.se who receive the heralds must mail<br />
or bring them to the Tower Theatre. The<br />
names and addresses thus provide Keeling<br />
with a good source of new names for the<br />
theatre mailing list.<br />
As a .seasonal stunt, and to promote the<br />
sale of gift books. Keeling displayed a huge<br />
pumpkin in the theatre lobby and invited patrons<br />
to guess its weight. Tlie winner was<br />
offered a $5 gift book of tickets, with a number<br />
of trip pa.s.ses going to runnersup. The<br />
pumpkin was displayed in an atmospheric<br />
setting of cornhu.sks, wheat stalks, and<br />
autumn foliage.<br />
capitalizing on newsreel shots having<br />
special local interest. When a minister<br />
from Orono won a prize at Valley Forge,<br />
Paramount News covered the event and<br />
Kelly advertised it locally. He contacted<br />
the minister and informed him that he<br />
was in the newsreel, and the clergyman<br />
passed the information on to his parishioners.<br />
The result was that almost the<br />
entire congregation came to see the show.<br />
Kelly recently staged an all-sports program<br />
consisting of shorts on football, golf,<br />
canoeing, snow carnivals, hunting and<br />
fishing. The two-hour program attracted<br />
more than double the normal capacity of<br />
the theatre. Kelly persists in believing<br />
that extra business is picked up in this<br />
way and that patrons who have not attended<br />
the Strand for a period of time<br />
become reacquainted with the theatre,<br />
facilities, comforts, etc., and develop into<br />
steady patrons again.<br />
On the public relations side, Kelly permits<br />
the high school to use the theat;re for<br />
baccalaureate exercises. Two days a year,<br />
the Kiwanis and Junior Chamber of Commerce<br />
run a free show for kids at the<br />
Strand. The theatre's share in this is to<br />
furnish the film and the operator, with<br />
the civic groups supplying goodies for the<br />
youngsters. It all helps, writes Kelly, as<br />
do other civic services in which the theatre<br />
cooperates.<br />
Orono has a population of about 6,000<br />
and represents a typical small college town.<br />
It is located between two large cities, each<br />
five miles distant. A good many of the<br />
people in Orono patronize the first run<br />
houses in these two cities, so that something<br />
different in the way of entertainment<br />
is necessary to maintain local pati'onage.<br />
Kelly's formula suggests a pattern<br />
which may sound familiar to successful<br />
exhibitors in similar situations.<br />
Women Attempt to Fill<br />
'The Petty Girl' Shoes<br />
Bill Hulbert. manager of the Kent (Ohioi<br />
Theatre, used a Cinderella tieup to help exploit<br />
"The Petty Girl." He obtained a smallsize<br />
pair of shoes and invited women patrons<br />
to "Try Them on in the Lobby. If They Fit.<br />
You Get a Free Pass to See. etc. etc."<br />
Nine pinup stills and a three-sheet display<br />
backed up the stunt with full details on the<br />
contest.<br />
Hulbert promoted windows by using the<br />
catchline. "When the 'Petty Girl' needs a<br />
Hairdresser, she calls, etc."<br />
Publishes a Weekly<br />
A four-page newspaper-style tabloid is being<br />
published weekly by Bob Moscow, manager<br />
of the Rialto Theatre, Atlanta, to publicize<br />
coming screen shows. Advertising pays<br />
all costs of the promotion. Distribution of the<br />
tabloids in hotels, restaurants, night clubs<br />
and at the theatre, assures Moscow of excellent<br />
circulation.<br />
Music Score Exploits<br />
'New Orleans' Date<br />
At Meriden, Conn.<br />
Tony Massella. pinch-hitting as relief manager<br />
at the Palace, Meriden, Conn., capitalized<br />
on the music score from "Toast of<br />
New Orleans" to publicize the playdates two<br />
weeks prior to opening. Before the start<br />
of the daily show, at intermissions and for<br />
exit music, Mario Lanza records were played<br />
over the public address system, interspersed<br />
with announcements of the starting dates.<br />
Disk jockeys on radio station WMMW used<br />
the records and direct announcements plugging<br />
the Palace booking. Lanza recordings<br />
were placed in jukeboxes, with signs calling<br />
attention to the Palace playdates.<br />
Massella distributed 50 window cards in the<br />
downtown areas and in the Italian residential<br />
section. He planted a "cave man vs.<br />
smoothie" contest in the Meriden Record and<br />
the Journal, with Savings bonds and guest<br />
tickets as prizes.<br />
Menus, doilies and place mats in restaurants<br />
and lunch counters were imprinted<br />
with theatre copy. Two thousand bags were<br />
imprinted and distributed at the Growers<br />
Exchange. Two hundred carnations were<br />
distributed at the main downtown intersection<br />
by an attractive young woman. Atached<br />
to each flower was a card imprinted<br />
with special copy.<br />
Theatre employes wore sashes lettered<br />
with the picture title, two weeks prior to<br />
opening, and special display cards were<br />
placed in dance halls, at the bus terminal<br />
and in downtown hotel lobbies. The two<br />
principal music stores In Meriden displayed<br />
records and albums along with stills and<br />
posters bearing full theatre credits.<br />
Public Supports Benefit<br />
For Indigent Veteran<br />
True to the tradition of show business in<br />
being foremost to respond with genuine help<br />
for those who need it. Marvin Dreyer. manager<br />
of the Cameo Theatre. El Sereno. Calif.,<br />
took the initiative in organizing a benefit<br />
for Al Fertig. pain-racked war veteran with<br />
no funds.<br />
Fertig's plight in fighting the dread rheumatoid<br />
arthritis and the lack of funds came<br />
to Dreyer's attention through a news story<br />
in the local newspaper. An Al Fertig benefit<br />
show was immediately booked for the<br />
Cameo. With strong support from service<br />
organizations, the press and local merchants,<br />
the show was well publicized.<br />
Tickets were placed on sale in advance. The<br />
success of the project was lauded in editorials<br />
in the El Sereno Reporter-News, commending<br />
Dreyer and the Cameo Tlieatre.<br />
Clergymen Are Guests<br />
A .screening for clergymen rated extra<br />
publicity when B. C. Waltz jr.. manager of<br />
the Garden Theatre. Davenport. Iowa,<br />
booked "Prince of Peace." One minister endorsed<br />
the film and recommended that all<br />
see it. Orphans were invited to attend a<br />
matinee, with the newspapers contributing<br />
extra stories. A false front was built by<br />
Waltz for current exploitation.<br />
40 — 398 — BOXOFFICE Showmandiser<br />
:<br />
2. 1950
Flash Fronts, Tieups<br />
With Merchants Aid<br />
Small Town Trade<br />
To exploit "Broken Arrow" at the Strand,<br />
Ogdensburg, N. Y., Manager Ray Helson built<br />
a flash front from litho posters and stills<br />
and promoted a window display of Indian<br />
relics from a local merchant. Disk jockeys<br />
plugged Indian song favorites, and Helson<br />
had two placards posted on ferry boats commuting<br />
to Canada, with copy reading: "Ride<br />
this ferry to see "Broken Aitow" at the<br />
Strand, Ogdensburg, etc., etc."<br />
When "The Jackie Robinson Story" played<br />
the Strand, 150 members of the Junior Baseball<br />
league attended the opening show in a<br />
group as guests of the local Kiwanis club.<br />
The Kiwanis sponsor the baseball league and<br />
paid for the 150 tickets at regular admission<br />
prices.<br />
Helson posted signs in three local playgrounds<br />
and the radio sportscaster sponsored<br />
a contest offering free theatre tickets to<br />
listeners who had the right answers to a<br />
baseball quiz.<br />
Music tieins were utilized to exploit "Three<br />
Little Words." Guest tickets were offered to<br />
radio fans of a popular disk jocky who<br />
identified the titles of song hits from the<br />
film production. Music stores displayed full<br />
windows of sheet music and records, picture<br />
accessories and theatre signs.<br />
For a street ballyhoo, a musical display was<br />
built on a flat truck equipped with an amplifier<br />
playing hit tunes from the picture. The<br />
vehicle toured residential and business areas<br />
and all local schools.<br />
At senior dances in two Ogdensburg high<br />
schools, orchestra leaders were induced to<br />
play songs from "Three Little Words," and<br />
announcements were made of the theatre<br />
booking.<br />
Women Are Interviewed<br />
For 'Glass Menagerie'<br />
An "experience" contest conducted over<br />
WEBR helped "The Glass Menagerie" for<br />
Eddie Miller, manager of the Center Theatre,<br />
Buffalo. Bob Wells of WEBR interviewed<br />
women in the theatre lobby on opening day,<br />
asking them to relate how they met their<br />
first "gentleman caller." A Wilcox-Gay Recordette<br />
was awarded the one giving the most<br />
interesting and humorous account. The stun*<br />
was tied in with an incident in "The Glass<br />
Menagerie" when Jane Wyman has her first<br />
gentleman caller. The radio station plugged<br />
the promotion several days in advance.<br />
Cowgirl and Squaw Add<br />
To Ballyhoo on 'Annie'<br />
Prank Moyer. manager of the Grant Theatre,<br />
Georgetown, Ohio, had an automobile<br />
tour all towns within 20 miles of the theatre<br />
to ballyhoo "Annie Get Your Gun." Two girls,<br />
one dressed in Indian costume, the other in<br />
cowgirl outfit, accompanied the car and distributed<br />
cards imprinted with a personal<br />
endorsement of the picture and an invitation<br />
for the public to see it at the Grant.<br />
According to Moyer, the stunt was a success<br />
and could be used profitably by other exhibitors.<br />
Lobby Art With Class<br />
Rederick Hamer, manager<br />
of the Wyandotte<br />
(Mich.) Theatre, is an<br />
old hand at building interest<br />
in his attractions<br />
through ilashy, provocative<br />
lobby displays.<br />
Right, an animated carousel<br />
supports "Pretty<br />
Baby." Dealer provided<br />
free baby food for mothers<br />
on opening day.<br />
The<br />
other displays are simple<br />
and effective.<br />
Bargain $10 Bill Stunt<br />
Grocers' Help Stirs<br />
Covered by Newspaper<br />
Walter Rooney, manager of the American<br />
Theatre, Pittston, Pa., rated a feature story Up Interest for 'Tea'<br />
topped by a three-column head in the local Ed Pyne, manager of the RKO Keith's 105th<br />
daily when he walked along the main street Street Theatre in Cleveland, capitalized on<br />
attempting to sell genuine $10 bills to passersby<br />
for $8.80 in behalf of "Mister 880." sistance in publicizing his playdates on "Tea<br />
the national Lipton's tea tieup to obtain as-<br />
More than 300 persons had an opportunity to for Two." All grocers in the area retailing<br />
take advantage of the unusual offer, but the product used window displays including<br />
few did. Many humorous incidents were encountered<br />
and several times Rooney was al-<br />
The tea company supplied the theatre sam-<br />
posters and full credits.<br />
most arrested as a counterfeiter. The stunt ples of tea bags which were stapled to cards<br />
and the newspaper article resulted in much carrying picture credits and distributed on<br />
word-of-mouth publicity for the picture. the streets. Pyne also tied up with music<br />
stores for window displays plugging the film's<br />
hit tunes. The Fred Astaire studio gave the<br />
theatre 3,000 dance certificates for distribution<br />
to patrons, tieing in with "Tea for Two."<br />
Phone Call to England<br />
Earns Plug for 'Winslow'<br />
When "The Winslow Boy" played the New<br />
Center Theatre in Hartford, advertising manager<br />
Seymour Kroopnick arranged a long distance<br />
call between Robert Donat, star of<br />
the film, at his home in England, and his<br />
mother in Wallingford, Conn. The Hartford<br />
Courant published a picture and ran a story<br />
on the telephone conversation in which the<br />
star and his mother discussed his role in<br />
"The Winslow Boy."<br />
Pie-Eaters Win Toys<br />
For his recent Saturday matinee Junior<br />
Jamboree show at the Norwalk (Conn.) Theatre,<br />
Manager John Hassett advertised a pieeating<br />
contest, with prizes for winners donated<br />
by a local toy shop. Screen show for the<br />
jamboree consisted of a Gene Autry feature,<br />
several cartoons and a number of variety acts.<br />
For "The Black Rose," Pyne promoted 100<br />
"black" roses from a florist which were given<br />
away to women attending the opening matinee.<br />
He further obtained an attractive window<br />
display from the same merchant.<br />
Staffers Close Windows<br />
Of Cars When It Rains<br />
Bill Brandon, manager of the Ritz Theatre,<br />
Marianna, Ga., creates goodwill for the theatre<br />
by rendering a special service to automobile<br />
owners. On rainy days, theatre employes<br />
are dispatched to the downtown area<br />
to close car windows left open by their<br />
owners. A card in placed near the driver's<br />
wheel, imprinted: "It was raining. Your<br />
window was down. We rolled it up. Another<br />
service of the Ritz Theatre."<br />
BOXOFFICE Showmandiser : : Dec.<br />
2, 1950 — 399 — 41
'<br />
Smart Outside Flash Costs Little<br />
And Grabs Passersby Attention<br />
mSa^SnS<br />
Jack Pardue, manager of the Lyric Theatre,<br />
Elkin, N. C, reports that he is constantly<br />
seeking new ways to exploit his shows<br />
economically. Recently, he has been tacking<br />
window cards on each side of street poles in<br />
front of the theatre. This gets his advertising<br />
message before the public effectively and<br />
at practically no cost.<br />
Another inexpensive method he uses to<br />
promote interest in special attractions is to<br />
post a 24-sheet on canvas and suspend it<br />
from the marquee canopy in front of the<br />
theatre. This provides an excellent flash.<br />
Special theatre fronts created from lithos<br />
and permanent display boards have been<br />
found useful by Pardue in ballying his shows.<br />
Apples Fail to Keep<br />
Patrons From 'Eve'<br />
In conjunction with his campaign for "All<br />
About Eve," John Manuel, manager of the<br />
Strand, Cumberland, Md., promoted 2,000<br />
Delicious apples from a local orchard. He<br />
had small flyers imprinted with copy; "An<br />
apple a day keeps the doctor away, a laugh<br />
a day keeps the blues away. Your laugh for<br />
today is 'AH About Eve' etc., etc." These<br />
were fastened to the apples with colored<br />
toothpicks.<br />
Manuel has his two candy girls, dressed in<br />
white uniforms, carry trays of apples into<br />
the downtown business section at lunchtime.<br />
The apples were distributed on main street<br />
and in business offices, banks, beauty shops.<br />
The stunt was repeated throughout the<br />
current engagement of "All About Eve,"<br />
Stages Costume Contest<br />
Joe Giobbia, manager of the Crown, Hartford,<br />
staged a costume contest on the stage<br />
Halloween eve. Prizes promoted from neighborhood<br />
merchants were awarded those<br />
coming in the most unusual and original<br />
getups.<br />
42<br />
Still boards covered with action highlights<br />
from coming and current films attract attention<br />
effectively.<br />
Pardue enlists the aid of local music stores<br />
in promoting attractions with a musical background.<br />
For "Dancing in the Dark," a neighborhood<br />
shop placed a full six-sheet in the<br />
main street window as a background drop.<br />
Theatre playdates were prominent, and many<br />
persons stopped to look.<br />
When he played "12 O'clock High," Pardue<br />
obtained propellors and engine parts<br />
from the local recruiting office of the air<br />
force and exhibited them in front of the theatre,<br />
backed up by oilcloth banners tieing<br />
the feature in with the recruiting drive.<br />
'Next Voice' Screened<br />
For Clergy and PTA<br />
Milt Baline, manager of the Mohawk, Amsterdam,<br />
N. Y., invited clergymen of all<br />
.<br />
faiths, and heads of PTA units to a special<br />
advance screening of "The Next Voice You<br />
Hear . ." The picture received mention<br />
by clergymen at Sunday services a week<br />
prior to opening.<br />
The March of Time subject. "Gathering<br />
Storm," was booked with the picture. Baline<br />
contacted heads of schools and veteran organizations,<br />
advising them of the playdates<br />
and stressing the fact that the short is a<br />
good basis for discussions and debates.<br />
Coloring Contest Plugs<br />
N. Y. Thanksgiving Show<br />
Al Hatoff, manager of the Park, Brooklyn,<br />
N. Y., used a coloring contest to exploit<br />
"Treasure Island," his Thanksgiving holiday<br />
show. Special circulars were prepared containing<br />
a color illustration mat, and the<br />
kids were invited to fill it in. Winners were<br />
awarded free passes to the film. To further<br />
stimulate kid patronage, free comic books<br />
were given away to all children who attended<br />
the<br />
Thanksgiving day matinee.<br />
— 400 —<br />
Rubber Stamp on Bags<br />
Is Favorite Standby<br />
And Inexpensive<br />
A 12-point program helped to promote<br />
"Simset Boulevard" for Tiff Cook, manager<br />
of the Capitol in Toronto. Two weeks before<br />
opening, Cook employed an old standby.<br />
He bought a rubber stamp and for four days<br />
used it to imprint thousands of grocery bags,<br />
record envelopes and paper napkins. Passes<br />
to the storekeepers squared the tieup.<br />
A transparent strip was tacked to the<br />
front of the stage three weeks before opening,<br />
with copy: "'Sunset Boulevard' coming,<br />
etc." Before the show and during intermissions,<br />
the sign was readable to the audience.<br />
Three thousand mailing pieces were sent<br />
to home owners in the district. These were<br />
made up from pressbook clippings and the<br />
reproduction of a scene still from the picture.<br />
Fifty window cards were placed in<br />
stores and directional arrows were tacked to<br />
lampposts at strategic intersections in the<br />
neighborhood. Special art pieces for both the<br />
lobby and outside frame were prepared.<br />
In addition to regular newspaper ads in<br />
the dailies, two-column mats were run in<br />
both north Toronto weekly publications. On<br />
opening day and for several days of the picture's<br />
run, radio spot plugs and promoted<br />
time heralded the playdates over stations<br />
CHUM and CKEY.<br />
Cook obtained a supply of book matches<br />
with picture sales copy from Paramount.<br />
These were given to every patron who purchased<br />
a loge ticket three days before opening.<br />
The extra promotion on this picture gave it<br />
a successful four-week booking at the Capitol.<br />
High Schools Cooperate<br />
In 'Henry V Publicity<br />
Herman Berlin, manager of the Laurelton<br />
(N.Y.) Theatre, tied up with two neighborhood<br />
high schools for cooperation in publicizing<br />
"Henry V."<br />
Teachers from both schools were invitedi<br />
to be guests of the management on opening<br />
day. In return, Berlin received permission<br />
to post signs on bulletin boards, and announcements<br />
were made in all English and<br />
history classes.<br />
A special offset program was prepared for<br />
distribution in homes, merchant ads on the<br />
back page paying for printing and distribution<br />
costs. In addition, the merchants displayed<br />
posters and stills in their windows,<br />
with theatre copy.<br />
Newspaper Promotes<br />
Teenage Contest<br />
Sam Torgen, manager of Keith's, Lowell,<br />
Mass., has an interesting tiein with the Lowell<br />
Sunday Telegram, aimed at getting more patronage<br />
from teenagers. The newspaper takes<br />
pictures of small groups of high school .students.<br />
The pictures are published with circles<br />
drawn around several of the heads. One<br />
lucky winner gets cash; others who are able<br />
to identify themselves receive guest tickets<br />
to the theatre.<br />
BOXOFFICE Showrmandiser Dec. 2, 1950 ^B<br />
_ M
Lawsuit Accusing NSS<br />
Condemned by ITOA<br />
NEW YORK—A defense of National Screen<br />
Service, against which an antitrust action<br />
has been instituted; a decision to condemn<br />
the showing of "Oliver Twist" and a statement<br />
of willingness to participate in establishing<br />
an arbitration system were three<br />
important outcomes of a special meeting<br />
Thursday (30) of the Independent Theatre<br />
Owners of America.<br />
ITOA called attention to a suit instituted<br />
"by a group which has assumed the name of<br />
National Independent Motion Picture Exhibitors<br />
Protective Committee." mentioned "many<br />
years of amicable relations" with NSS and<br />
went on record as disapproving the action.<br />
Counsel was authorized to protect the best<br />
interests of members.<br />
ITOA directed its resolutions committee to<br />
begin preparation of a resolution condemning<br />
the showing of "Oliver Twist" as un-American<br />
and contrary to the principles of brotherhood.<br />
The membership showed great interest in<br />
joining the arbitration efforts of the Theatre<br />
Owners of America, which were detailed<br />
to distributors at a Wednesday (29) meeting,<br />
in setting up a system to deal with distributor-exhibitor<br />
disputes.<br />
Samuel Goldstein, 56,<br />
Railroad Wreck Victim<br />
NEW YORK—Samuel Goldstein, 56, secretary-treasurer<br />
of Guaranteed Films, died<br />
Tuesday (27) as a result of injuries received<br />
in the Long Island railroad wreck Thanksgiving<br />
eve and became the 78th victim. He<br />
lived at 41 Virginia Ave., Rockville Center.<br />
L. I. He leaves his wife. Anne Goldstein;<br />
three children, Gloria, Sylvia and Joseph; his<br />
mother, Bessie Goldstein: three brothers.<br />
Jack, Louis and Jean, and a sister. Millie<br />
Hyams. Services were held Thursday at the<br />
Riverside Chapel, 76th St. and Amsterdam<br />
Ave., Manhattan.<br />
Vaudeville Team Named<br />
For 'Harvey' Benefit<br />
NEW YORK—Jesse Block and his wife<br />
Eve Sully, radio and vaudeville team, have<br />
been named co-chairmen of the ticket committee<br />
for the benefit opening of U-I's<br />
"Harvey" at the Astor Theatre December 20.<br />
Ed Sullivan, columnist and television star,<br />
is chairman of the entertainment committee<br />
for the benefit, which is expected to yield<br />
$150,000 as the first fund-raising event for<br />
the newly established Louise Baer Memorial<br />
fund of the New York Heart Ass'n.<br />
Booker-Salesman's Month<br />
Honors A. W. Schwalberg<br />
NEW YORK — The<br />
Paramount bookersalesman's<br />
month, an annual event since<br />
1948, opened Friday (1) and wUl continue<br />
through December 30. It honors A. W.<br />
Schwalberg, president of the Paramount Film<br />
Distributing Corp.. and will be coordinated<br />
by Monroe Goodman, his executive assistant.<br />
Quotas for features, short subjects and Paramount<br />
News have been set up for each<br />
branch.<br />
Excess Profits Tax Bill<br />
Passes House Group<br />
WASHINGTON — The house ways and<br />
means committee Thursday (30) approved at<br />
$3.4 billion excess profits tax bill retroactive<br />
to July 1, 1950. It was scheduled to be Introduced<br />
Friday (1), sent to the rules committee<br />
Monday, and members were confident<br />
it would reach the floor early next week.<br />
Meanwhile, Senator Walter F. George<br />
(D., Ga.». chairman of the senate finance<br />
committee, said he expected to start hearings<br />
on the measure by Monday (4).<br />
Of particular concern to the motion picture<br />
industry was a provision for campanies<br />
which have split into two corporations during<br />
the base period, which was set as 1946-<br />
1949, or since then. This provision would be<br />
applicable to the film companies forced to<br />
divorce distribution from exhibition.<br />
Under the World War II act. such companies<br />
would have had no previous earning<br />
experience on which to compute the tax.<br />
Under the committee bill, each of the new<br />
corporations formed by the divorcement is<br />
permitted to determine how much of the<br />
parent company's earnings came from assets<br />
which it took over, and to use this figure<br />
as its earnings during the base period.<br />
No provision was made to take care of<br />
frozen foreign earnings which may be remitted<br />
in the future, but industry leaders<br />
here expressed no concern, and were confident<br />
that this omission would be remedied<br />
before final enactment.<br />
The proposed bill fixes base period earnings<br />
credit at 85 per cent of the average<br />
earnings for the best three of the four years<br />
1946-1949. The tax rate was set at 75 per<br />
cent. The committee provided a ceiling of<br />
67 per cent on combined normal, surtax and<br />
excess profits tax. There will not be any<br />
specific exemption, but there is a minimum<br />
credit of $25,000.<br />
Two provisions important to new film<br />
companies and theatres, and those which<br />
CENTURY AWARD—Leslie R.<br />
Schwartz (right), general manager of<br />
Century Theatres, presents the A. H.<br />
Schwartz showmanship award for the<br />
outstanding Century manager of the year,<br />
to Robert Albino, manager of the Avalon<br />
Theatre in Brooklyn, while Fred J.<br />
Schwartz (left), executive vice-president,<br />
looks on.<br />
experienced "growth" were included in the<br />
committee measure. New corporations can<br />
take an earnings credit equal to the average<br />
rate of return on invested capital in their<br />
industry. Companies whose busine.ss has experienced<br />
"growth" can use as their average<br />
earnings base either the last year of the<br />
base period or the average of the last two<br />
years, whichever is higher.<br />
Capitol Hill sources feel that there will<br />
be a more determined effort than was previously<br />
anticipated to get the bill through<br />
the senate once it passes the house, where<br />
not too much difficulty is expected.<br />
New York Theatre Owners<br />
To Honor Impellitteri<br />
NEW YORK—Motion picture theatre owners<br />
of New York will hold a dinner honoring<br />
Vincent Impellitteri, newly elected<br />
mayor of New York, in the grand ballroom<br />
of the Astor hotel December 18. Si Fabian,<br />
president of Fabian Theatres, is general<br />
chairman of the event. Edward N. Rugoff,<br />
president of Rugoff & Becker, is chairman<br />
of the reception committee; Robert M. Weitman,<br />
vice-president of United Paramount<br />
Theatres, is chairman of the entertainment<br />
committee, and Harry N. Brandt, Emanuel<br />
Frisch and Morton Sunshine will also head<br />
other committees.<br />
Jersey Exhibitors Facing<br />
Prospect of Tax Battle<br />
NEW YORK—New Jersey exhibitors are<br />
again facing the prospect of a fight on local<br />
amusement and sales taxes. Except for an<br />
admission tax in Atlantic City, the Allied<br />
unit and a joint committee made up of all<br />
exhibitors and distributors has been able to<br />
stave off these taxes in recent years. The<br />
League of Municipalities, which claims to represent<br />
437 cities and towns, started discussion<br />
of the tax subject at a three-day conference<br />
which began Wednesday (29) at Atlantic<br />
City.<br />
New Rogers Chairman<br />
NEW YORK—Frank Bonacchini. newly appointed<br />
chairman of the night club division<br />
of the Entertainment Industry's Christmas<br />
salute to the Will Rogers Memorial hospital<br />
at Saranac Lake, has called the first meeting<br />
of his committee for December 4 at his<br />
restaurant, Le Coq Rouge. Night club and<br />
restaurant owners will attend to plan participation<br />
in the industry's Five-Mile-Long<br />
Christmas Card campaign for funds.<br />
Robert Weber of Para. Wed<br />
NEW YORK—Robert Weber, assistant to<br />
Howard Minsky, division manager for Paramount,<br />
was married last weekend to Ruth<br />
Bessell in Kenmore, a suburb of Buffalo. The<br />
newlyweds will live in Philadelphia, where<br />
Weber works.<br />
BOXOFFICE December 2, 1950<br />
43
. . William<br />
. .<br />
. . Andrew<br />
. . Paul<br />
. .<br />
( chairman<br />
; arrangements<br />
— a<br />
BROADV\IAy<br />
Tames A. Mulvey, president of Samuel Gold-<br />
' wyn Productions, planed to Hollywood for<br />
conferences at the studio on future product.<br />
Mrs. Frances Goldwyn, wife of the producer,<br />
arrived November 25 for a Manhattan visit<br />
. . . Charles M. Reagan, MGM sales executive,<br />
returned from North Carolina . . . Hugh<br />
Owen, eastern and southern division manager<br />
for Paramount, and A. M. Kane, assistant<br />
division manager, visited the Buffalo, Albany<br />
and Boston branches returning to New York<br />
December 1.<br />
Spyros P. Skouras. president of 20th Century-Fox.<br />
and Al Lichtman. vice-president,<br />
postponed their trip to the coast for studio<br />
conferences . . . Billy Wilder, producer-director<br />
of Paramount's "Ace in the Hole," sailed<br />
for Europe aboard the Liberte to look for new<br />
story material. Mervyn LeRoy. director of<br />
"Quo Vadis." and Sam Zimbalist. producer<br />
of the film which recently was completed in<br />
Rome, returned on the Liberte. Fenton Hamilton,<br />
head electrician on the film, and John<br />
Schmitz, cutter, came in on the same boat<br />
and left for the coast. Margaret Wycherly,<br />
stage and screen actress, and Arthur<br />
Schnabel, pianist and composer, also came in<br />
on the Liberte.<br />
W. S. Tower jr., managing director of the<br />
Westrex Corp. subsidiary. Western Electric<br />
Co., Pty., left November 25 to return to Sydney,<br />
Australia, following discussions with<br />
Westrex executives here . M. Pizor,<br />
vice-president of Lippert F>roductions left for<br />
the coast for various company conferences<br />
and will return east in mid-December .<br />
Milton E. Cohen. ELC eastern division manager,<br />
returned to the home office from a<br />
cJu.<br />
:^^^'<br />
tKe best<br />
And Always On Time!<br />
For Speedy Service cmd<br />
Qaolity Get Tonr Next<br />
Special Trailer From<br />
FILMACICI<br />
MOBILE VENDING CART<br />
for Drive-ln Theatres<br />
DRIVE-IN THEATRE MFG. CO. INC. K?n„?ciirM«<br />
five-week tour of eastern, midwest and western<br />
branches and left again December 1 for<br />
St. Louis, where he will meet J. H. Lutzer,<br />
ELC southern division manager, for a twoweek<br />
inspection trip of the south and southwest<br />
branches.<br />
Walter L. Titus jr., Republic division manager,<br />
went to the Indianapolis branch .<br />
David A. Lipton. national director of advertising<br />
and publicity for U-I. arrived from<br />
Hollywood to direct the advertising, publicity<br />
and exploitation campaign on "Harvey" . . .<br />
Mrs. Helen Rathvon, producer of "The Sun<br />
Sets at Dawn" for ELC. and Philip Shawn,<br />
star of the fUm, will attend the Boston opening.<br />
Max E.<br />
Youngstein, Paramount vice-president,<br />
returned from Toronto, where he conducted<br />
conferences on promoting current and<br />
future releases . . . E. Z. Walters, controller<br />
of Altec Service, is in from the coast . . .<br />
Irving Rubine. vice-president of Stillman<br />
Productions, left for Hollywood November<br />
28 after traveling through the east in connection<br />
with test campaigns on "The Sound<br />
of Fury," Stillman's first release for United<br />
George Muchnic, vice-president<br />
Artists . . .<br />
of Loew's International, left for Japan, where<br />
he will survey business conditions . . . Oscar<br />
Morgan, general sales manager of short subjects<br />
and newsreels for Paramount, left for<br />
Detroit and Cleveland to set up circuit deals<br />
and visit branch offices.<br />
. . . Diana Lynn, who<br />
.<br />
Deborah Kerr, who recently returned from<br />
Rome, where she spent six months making<br />
"Quo Vadis." left for the coast . . . Ronald<br />
Reagan was in to appear on two television<br />
shows to exploit the Pine-Thomas production,<br />
"The Last Outpost"<br />
is starred with Reagan in "Bedtime for<br />
Bonzo" for U-I, also got in from Hollywood<br />
and will make radio and television appearances<br />
Ray, 11 -year-old who<br />
plays the title role in "The Mudlark," arrived<br />
Saturday (2) on the Mauretania for his<br />
first American visit, during which he will<br />
attend the opening at the Rivoli December<br />
21.<br />
Billie Burke has arrived for a ten-day<br />
business trip after completing "Father's Little<br />
Dividend" for MGM . A. Fromhartz,<br />
head of sales control of the Motion Picture<br />
Export Ass'n. reported Friday at Ft. Devens,<br />
Mass., for army service. He had been with<br />
MPEA since 1946. Norman Shaffer, a.ssistant<br />
manager of Loew's State. Syracuse, has also<br />
been inducted into military service . . . Capt.<br />
Jack Goetz. son of Jack Goetz of Republic<br />
Pictures and Consolidated Film Industries,<br />
was married to Maude A. Averetta in New<br />
York November 25. Goetz is on duty at Ft.<br />
Dix. N. J.<br />
Republic has given Director William Witney<br />
a one-year extension on his contract.<br />
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Hospital Xmas Card<br />
Passes 2-Mile Mark<br />
NEW YORK—More than two miles of the<br />
proposed five-mile Christmas greeting—<br />
combination of seasonal tribute and fundraising<br />
stunt for the Will Rogers Memorial<br />
hospital—has been completed, according to<br />
Nicholas J. Matsoukas, campaign director.<br />
The "cards" are being circulated in all parts<br />
of the country.<br />
Matsoukas predicts that the card idea will<br />
top the goal originally set.<br />
The drive will hit its climax December<br />
7 and 9 at the Hotel Astor. Two parties<br />
will be staged in the ballroom on those<br />
days. Stars of the stage, screen, radio and<br />
television and about 200 models will attend.<br />
A dozen network radio shows, including<br />
Strike It Rich and the Charles "Buddy" Rogers<br />
show will originate in the ballroom. Admission<br />
will be free.<br />
Committee assignments were completed at<br />
a meeting held in the board room of Fabian<br />
Theatres in the Paramount Bldg., November<br />
28. Irving Lesser, general chairman of the<br />
Times Square All-Stars Christmas party, presided.<br />
The working committees are: Production<br />
committee in charge of talent—Bob Shapiro<br />
of Paramount Theatres (chairman), Johrmy<br />
Dugan of MCA, Arthur Knorr and Sam<br />
Rausch of the Roxy Theatre, Harry Mayer<br />
of Warner Bros., Harry Levine of Paramount.<br />
Harry Greenman of the Capitol Theatre.<br />
Harry Anger of the General Artists<br />
Corp., Sol Shapiro of the William Morris<br />
Agency and Russell Downing of the Music<br />
Hall: labor relations—Ma j. L. E. Thompson<br />
of RKO Theatres ( chairman i. Charles lucci<br />
of the AFL. Sol Pernick of the lATSE and<br />
Henry Dunn of Agva: radio—James Sauter<br />
)<br />
and reception<br />
committee chairmen—Montague Salmon ol<br />
the Rivoli Theatre, William A. White of<br />
Skouras Theatres Corp.. Syd Gross and Sy<br />
Evans of Gross-Evans Associates and Fred<br />
Hodgson: publicity—Irving Windisch of the<br />
Strand Theatre (chairman); transportation<br />
Larry Puck of CBS (chairman).<br />
RKO District Managers<br />
To Attend Meet in N. Y.<br />
NEW YORK—Robert Mochrie's RKO district<br />
managers arrived for a special meeting<br />
at the Warwick hotel starting December 4.<br />
Coming in were R. J. Folliard. eastern district,<br />
with headquarters in Philadelphia: M.<br />
E. Lefko. Cleveland: H. H. Greenblatt, Chicago:<br />
A. L. Kolitz. Denver: J. H. Maclntyre,<br />
Los Angeles: L. S. Gruenberg, New York<br />
City: David Prince. Atlanta: Ben Y. Cammack.<br />
Dallas, and Leo M. Devaney of Canada,<br />
headquartering in Toronto.<br />
Disney Films to Criterion<br />
NEW YORK—Walt Disney's "The Wonderful<br />
Adventures of Pinocchio" and "Make<br />
Mine Music" will be the feature attractions<br />
for the Christmas season at the Criterion<br />
Theatre, starting December 15. "Pinocchio"<br />
was originally released by RKO in 1940 and<br />
"Make Mine Music" was released by RKO in<br />
1946.<br />
44 BOXOFTICE December 2, 1950
TV Contract Is Ralified<br />
Record Sform Affects All Broadway<br />
By 5 Performer Unions Houses Except Sold-Out 'Cyrano<br />
NEW YORK—The New York members of<br />
five performers' unions represented by Television<br />
Authority ratified a two-year contract<br />
with four television networks and one TV<br />
station at a meeting at the City Center<br />
Casino, November 28. The vote was 486 to<br />
151 for acceptance of the agreement for<br />
minimum wage and working conditions which<br />
will go into effect December 8, according<br />
to present plans.<br />
The agreement was reached after more<br />
than two months of negotiations between<br />
Television Authority and the networks, climaxed<br />
when the union ordered its members<br />
to go out on strike November 17. Television<br />
Authority members held a ratification meeting<br />
in Chicago November 28 and a similar<br />
meeting in Los Angeles November 29.<br />
The unions represented by Television<br />
Authority are the Actors Equity, Chorus<br />
Equity. American Guild of Variety Artists,<br />
American Federation of Radio Artists and<br />
American Guild of Musical Artists. The networks<br />
are National Broadcasting Co.. Columbia<br />
Brodcasting System, American Broadcasting<br />
Co. and DuMont. WOR-TV is the<br />
independent station.<br />
George Heller, national executive secretary<br />
of Television Authority, flew to Los Angeles<br />
immediately following the ratification meeting<br />
in a final effort to reach a working<br />
agreement with Screen Actors Guild in their<br />
jurisdictional dispute over television performers.<br />
Meanwhile. National Labor Relations<br />
Board hearings on the dispute, which have<br />
been in progress on the coast, have been<br />
recessed until December 4.<br />
'Mudlark' Opening Moved<br />
From Roxy to Rivoli<br />
NEW YORK—"The Mudlark," the 20th-<br />
Fox British-made picture, which had been<br />
scheduled to play the Roxy Theatre, has been<br />
switched to the Rivoli Theatre, where it will<br />
open December 21.<br />
The company accepted the Rivoli offer,<br />
said to be the "highest guarantee for a motion<br />
picture in recent Broadway history,"<br />
because the Roxy is committed to unalterable<br />
release dates for "For Heaven's Sake" and<br />
other 20th-Fox features.<br />
Irene Dunne is starred as Queen Victoria,<br />
Alec Guinness plays Disraeli and 11 -year old<br />
Andrew Ray plays the title role. Miss Dunne<br />
and young Ray will attend the New York<br />
opening.<br />
Music Director Signed<br />
NEW YORK—Jack Shaindlin has been<br />
signed as musical director for Louis De-<br />
Rochemont's "Whistle at Eaton Falls." scheduled<br />
for Columbia release. Shaindlin was<br />
also musical director on DeRochemont's "Lost<br />
Boundaries."<br />
Athanasia Skouras to Wed<br />
NEW YORK—George P. and Mrs. Skouras<br />
have announced the engagement of their<br />
daughter Athanasia, to Martin J. Sweeny jr.,<br />
son of Mrs. Martin Sweeny of 227 Park Ave.<br />
Skouras, president of Skouras Theatres, lives<br />
at Rye. N. Y.<br />
NEW YORK—The record storm of the<br />
November 25 weekend seriously affected the<br />
gro.sses at all of the Broadway first runs,<br />
with the single exception of "Cyrano de<br />
Bergerac." which had sold all seats in advance<br />
for the second week of its two-a-day<br />
engagement at the Bijou. Those patrons<br />
unable to attend from the storm-swept<br />
boroughs of Brooklyn. Queens and Staten<br />
Island will be taken care of at later performances,<br />
the Bijou management reported.<br />
With the radio warning people to stay off<br />
the streets Saturday, many even stayed at<br />
home Sunday (26) when the weather became<br />
fair and cold. Despite this, the Roxy<br />
did a very good first week's business with<br />
"The Jackpot." which would have had a<br />
smash gross, the management said. Weathering<br />
the storm better than most of the others<br />
was "King Solomon's Mines." which had<br />
a third week at the Radio City Music Hall<br />
which approached the strong second stanza.<br />
"Two Weeks With Love" had a good first<br />
week at the Capitol but "Never a Dull Moment"<br />
was unable to overcome the poor<br />
newspaper reviews and had a mild first week<br />
at the Rivoli. A surprise was the sensational<br />
business for "The Blue Angel." the<br />
20-year-old German film at the Little Carnegie,<br />
which attested to the popularity of Marlene<br />
Dietrich. "Trio." in its seventh week<br />
at the Sutton: "Prelude to Fame," in its<br />
third week at the Trans-Lux 52nd Street,<br />
and "Last Holiday," in its second week at<br />
the Paris, all held up better than the Hollywood<br />
product at the larger houses.<br />
New pictures that opened during the week<br />
were: "Let's Dance," the 25th anniversary<br />
film at the Paramount: "Woman on the<br />
Run," "Farewell to Yesterday" and "Dial<br />
1119."<br />
(Average Is 100)<br />
Astor—American Guerrilla in the Philippines (20th-<br />
Fox), 3rd wk<br />
Bijou—Cyrano de Bergerac (UA), 2nd wk. of twoa-day<br />
100<br />
- i-io<br />
-<br />
Capitol—Two Weeks With Love (MGM), plus<br />
stage show HO<br />
Criterion—Right Cross (MGM), 2nd wk _ 85<br />
Globe—Tripoli (Para), 3rd wk £0<br />
Little Carnegie—The Blue Angel (Classic Pictures),<br />
revival -- 140<br />
Loews State—Harriet Craig (Col), 4th wk 90<br />
Mayiair— Rio Grande (Rep), 2nd wk _...iOS<br />
Palace—Saddle Tramp (U-I), plus vaudeville 93<br />
Paramount-Copper Canyon (Para), plus stage<br />
show, 2nd wk - 98<br />
Pans— Last Holiday (Siratlord), 2nd wk 110<br />
Park Ave.-iue—Hamlet (U-I), 3rd wk. of return<br />
engagement<br />
8D<br />
Radio City Music Hall—King Solomon's Mines<br />
(MGM), plus snge show, 3rd wk 120<br />
Rivoh—Never a Dull Moment (RKO) - 9b<br />
Roxy—The Iac:
%ei^<br />
%imi MOTION PICTURE mJECTORS...<br />
... do not require oil pumps ... must be designed to use<br />
and splash lubrication for efficient<br />
operation.<br />
high-power arc lamps without<br />
light-wasting heat filters.<br />
HERE'S THE PROBLEM<br />
Modern projection demands the use of higher power ore lamps. These lamps<br />
create intense heat which causes buckling and distortion of the film. To prevent<br />
film mutilation and out-of-focus pictures, some projectors require heavy<br />
light-wasting heat filters. These filters waste most of the light added by the<br />
higher power lamps.<br />
HERE'S THE SOLUTION<br />
CENTURY projectors equipped with water-cooled apertures reduce destructive<br />
heat and increase picture brilliance.<br />
Think of this . . . CENTURY high-efficiency mechanisms, plus water-cooling<br />
and with a 90 ampere arc will put as much light on the screen as other projectors<br />
using a 180 ampere arc and heat filters!<br />
HERE'S THE RESULT<br />
• Full brilliance and sharper pictures without loss of light or<br />
wasted power.<br />
• More illumination on the largest screens.<br />
• Film distortion reduced. Focusing trouble minimized.<br />
Projectors equipped for high speed, long focal length, 4" diem. lenses.<br />
Woter cooling is optional— available on all models at slight extra cost.<br />
LUBRICATION IS OLD FASHIONED!<br />
With CENTURY you have no lubrication headaches— no dripping oil or grease<br />
to mess up equipment or film. There are no oil baths or oil pumps to leak or<br />
fail and cause bindups and frozen bearings. To end this costly trouble<br />
CENTURY uses sealed, oil-less bearings and glass-hard, high carbon-chrome<br />
steel gears.<br />
Proof of CENTURY'S simplified, high-efficiency design can be seen in the illustrations<br />
on the right. Ten gears with only two gear meshes between the<br />
shutter and the intermittent com. (Other well known projectors hove from<br />
4 to 12 such meshes and up to 23 gears).<br />
Fewer gears and shafts mean less trouble, lower maintenance, less vibration,<br />
sharper pictures . . . finer projection.<br />
See your CENTURY dealer about modernizing your projection and<br />
sound equipment now, under present government restrictions.<br />
ALBANY THEATRE<br />
SUPPLY CO.<br />
443 North Pcorl St.<br />
Albany 4, New York<br />
SOLD BY<br />
AMUSEMENT SUPPLY CO.<br />
341 West 44th St.<br />
New York 18, N. Y.<br />
J.F.DUSMAN COMPANY<br />
12 East 25th St.<br />
Baltimore 18, Maryland<br />
PERKINS THEATRE<br />
SUPPLY, INC.<br />
505 Pearl St.<br />
Buffolo 2, New York<br />
46 BOXOFTICE December 2, 1950
—<br />
^<br />
QUICK 75-THEATRE START PUTS<br />
'EVE'<br />
IN NEW YORK HIT CLASS<br />
^ Six Circuits Book Picture, Advertise Cooperatively<br />
And Give It<br />
Equivalent of 80 Weeks Playing Time<br />
NEW YORK—What's the answer to the problem of making a big national flash for<br />
the start of a picture?<br />
Is it massed city openings, massed regional openings, shortened clearances to take<br />
advantage of the first advertising impact, longer clearances to get the full benefit of<br />
a slower play-off in the houses that turn in the most revenue, or is it something new?<br />
Television, for instance?<br />
As the holiday doldrums set<br />
in before Christmas and magnification<br />
of the television specter<br />
becomes habitual in some exhibitor<br />
circles it becomes possible<br />
to get a different answer to<br />
each of these questions.<br />
Nobody has a formula for division<br />
of the advertising appropriation<br />
between mediums any more.<br />
Formulas are being discarded for<br />
a catch-as-catch-can approach.<br />
'EVE'<br />
CITED AS EXAMPLE<br />
Take "All About Eve" as an example.<br />
First, it was going to be<br />
sold on a "scheduled performance"<br />
basis by 20th Century-Fox.<br />
Nobody was to be admitted after<br />
the start of the film. Most people<br />
in the industry took the<br />
proposal seriously. Some few of<br />
the daily papers and other commentators<br />
with a sardonic conviction<br />
that everything novel in<br />
the picture business is a publicity<br />
stunt made their views known.<br />
Then what happened? Just as<br />
soon as Spyros P. Skouras, Andy<br />
W. Smith jr. and Charles Einfeld<br />
decided the new policy<br />
wasn't going to work at the Roxy<br />
Theatre they turned loose a barrage<br />
of advertising selling the<br />
new "continuous policy" basis.<br />
By the time this new campaign<br />
reached its climax leading exhibitors<br />
were convinced "All About Eve" was presold,<br />
and it was. If the campaign had eased<br />
off, nobody would have been surprised. Instead<br />
of easing off, it took a new tack—not<br />
a completely new tack, because massed New<br />
York City openings have been done before<br />
but new insofar as this picture was concerned<br />
because its impact was so sudden.<br />
CONTINUOUS RUNS PROFIT<br />
The "continuous run" policy paid off. The<br />
fUm stayed five weeks with fine grosses.<br />
Five weeks at either the Roxy or the Music<br />
Hall always impresses the hinterlands, because<br />
circuit operators and the larger independents<br />
know there can be no "forced" runs<br />
in houses where the overhead comes up close<br />
to or goes over $100,000 per week.<br />
Then, socko! Smith booked the picture into<br />
75 New York theatres on six circuits on a<br />
day-and-date basis starting Thanksgiving<br />
eve (Nov. 22) with a few exceptions.<br />
Add the five weeks at the Roxy to this total<br />
Starts TOMORROW<br />
AT YOUR FAVORITE<br />
NEIGHBORHOOD THEATRE<br />
Directly after its Broadway Ron.'<br />
The Greatest Holiday<br />
Treat in Movie History!<br />
2iO<br />
^^^^^^^^^ CONTINUOUS<br />
BETTE ANNE GEORGE CELESTE<br />
DAVIS • BAXTER • SANDERS • HOLM<br />
GARY MERRILL- HUGH MARLOWE<br />
. ffui NEW 2nrf Fiitvrt ^^^^—<br />
' QMtJH^Si%/%%M/JU* HOWARD DUFF • BRIAN DONLEVY<br />
Qn^f^mtfwWWtW PEGGY DOW<br />
•<br />
LAWRENCE TIERNEY<br />
Co-Op ad placed in New York newspapers.<br />
of 75 and you have the equivalent of a 80-<br />
week run in New York, but, because it was<br />
concentrated into a short time with a variety<br />
of advertising approaches it became the mosttalked-about-film<br />
current in late November.<br />
Nature intervened. The Saturday following<br />
Thanksgiving the eastern seaboard was hit<br />
by an east wind that knocked cornices off<br />
buildings, broke windows, balled up the<br />
transportation system and kept everybody at<br />
home. It would have been a big theatre day.<br />
Additional space was taken in all dailies for<br />
holdover ads.<br />
It cost plenty of money, but the 75 theatres<br />
involved were happy, because they were<br />
doing stand-up business. Similar campaigns<br />
have been carried out before on big pictures.<br />
The usual division is for the distributor<br />
to pay 35 per cent, with the theatres listed<br />
in the ads taking up the rest of the bill on<br />
a per-theatre or per-seat basis.<br />
Similar multiple-theatre openings are in<br />
the offering on 20th Century-Fox product,<br />
but how many of them, if any, will be on<br />
"All Aboui Eve" is uncertain.<br />
A tremendous amount of work is involved<br />
in arranging one of them. About 100<br />
prints have to be as.sembled in the New<br />
York exchange. Some of them come from as<br />
far west as Salt Lake City. This upsets<br />
regional release schedules, but the results are<br />
considered worthwhile from both the exhibitor<br />
and distributor viewpoint. Prints are<br />
rushed back to exchanges as quickly as possible.<br />
TIMING IS AN ODDITY<br />
In the "All About Eve" campaign the advertising<br />
was extended to radio, TV, outdoor<br />
posting, lobby display and direct mailing.<br />
The opening day ad Thanksgiving eve was<br />
1,000 lines.<br />
In spite of the quick reaction to the "Eve"<br />
campaign—probably stimulated by the surprise<br />
element—this was not the biggest campaign<br />
of the kind put on in New York. Some<br />
of the predecessors have gone over 100 theatres.<br />
Among the big-timers in the simultaneous<br />
run class have been "Duel in the Sun,"<br />
"Cinderella," "Mighty Joe Young" and "Samson<br />
and Delilah."<br />
One of the additional oddities of this campaign<br />
was its timing. The picture already<br />
was being shown around the coimtry and it<br />
was figured that its New York smash would<br />
not only bring in some heavy revenue in the<br />
area where 17 per cent of the country's total<br />
can be expected; it would at the same time<br />
stimulate business elsewhere.<br />
Up to November 25 "Eve" had been held<br />
over for 51 extra weeks in key cities: Philadelphia,<br />
Fox; Oakland, Paramount and<br />
Grand Lake; San Francisco, Fox and United<br />
Nations; Seattle, 5th Avenue and Paramount;<br />
Wilmington. Rialto; Washington, Palace;<br />
Providence, Majestic and Carleton; Toronto,<br />
University, Imperial, Tivoli, Nortown and<br />
Eglinton; Milwaukee, Wisconsin; Rochester,<br />
Paramount; Wichita, Boulevard and Miller;<br />
Trenton, Mayfair; Salt Lake City, Uptown.<br />
Irene Dunne Honor Guest<br />
At 20th-Fox Gathering<br />
NEW YORK—Irene Dunne, starred in "The<br />
Mudlark" (20th-Fox), was given a reception<br />
and cocktail party at the Stork club on<br />
Wednesday (29). Celebrities of the stage,<br />
screen and political and social circles were<br />
present, along with radio, newspaper, national<br />
magazine and tradepress representatives.<br />
Among those invited were Mrs. Eleanor<br />
Roosevelt, Arthur Godfrey, Oscar Hammerstein,<br />
Richard Rodgers, Eric Johnston. Mrs.<br />
Anna Rosenberg, Clare Booth Luce, Gracie<br />
Allen, George Burns, Faye Emerson, Arlene<br />
Francis, James A. and Mrs. Farley, Wendy<br />
Barrie, Henry J. Taylor and Mrs. Taylor,<br />
Bernard Gimbel, Frank Folsom. Robert Lehman,<br />
Louis Sobol and Igor Cassini.<br />
W. C. Michel, Al Lichtman, Murray Silverstone.<br />
Joseph Moskowitz, Andy W. Smith<br />
jr., Charles Einfeld, Otto Koegel, Donald<br />
Henderson, Wilfred Eadie and William C.<br />
Gehring of 20th-Fox also were present.<br />
BOXOFFICE :: December 2, 1950 47
BRITISH FEATURE RUNS GAIN<br />
STEADILY IN ART THEATRES<br />
Seven of 19 Films Runs<br />
On Broadway British;<br />
Art Spots in All Keys<br />
NEW YORK—Although J. Arthur Rank's<br />
ambitious plans of a few years back to<br />
bombard the American market with<br />
British-made films gradually petered out,<br />
first run showings of English features have<br />
shown a steady increase in key cities<br />
during the past year. The tendency now,<br />
however, is to try for longer runs in small<br />
art houses.<br />
TWO MORE SHOW BRITISH<br />
During November, two more of Manhattan's<br />
smaller theatres switched over to a<br />
policy of first run British product. They<br />
were the Trans-Lux 52nd Street, which had<br />
been playing revivals and subsequents, which<br />
opened "Prelude to Fame," J. Arthur Rank<br />
production released by Universal-International.<br />
November 9 and has been playing<br />
to crowded houses since, and the Paris Theatre,<br />
built as the Manhattan showcase for<br />
Pathe Cinema's French features, which<br />
opened "Last Holiday." Associated British<br />
feature being released by Stratford Pictures<br />
in the U.S. The latter, too, was praised by<br />
reviewers and is doing good business.<br />
During the second week in October, seven<br />
out of 19 first run films showing in Manhattan<br />
were British made, the highest number<br />
in Broadway history. One of these, "The<br />
Red Shoes," completed its second year of<br />
two-a-day showings at the Bijou Theatre,<br />
a 589-seat house in the Times Square district,<br />
and chalked up a total of 108 weeks,<br />
the longest run for any film. The Eagle Lion<br />
Classics release then moved over to the<br />
Victoria Theatre November 21 for a continuous<br />
performance engagement. At the same<br />
time, another ELC release, "Kind Hearts and<br />
Coronets," completed its 24th week November<br />
29 and is likely to score a half-year run<br />
at the 453-seat Trans-Lux Madison Avenue<br />
Theatre, where "Tight Little Island" played<br />
20 weeks earlier in 1950. A third ELC release.<br />
"The Winslow Boy," recently completed<br />
18 weeks at the 561 -seat Sutton.<br />
'TRIO' PROBABLY INTO '51<br />
On Broadway, "Treasure Island," a Walt<br />
Disney live-action feature produced in England,<br />
completed 10 weeks at the Mayfair on<br />
Broadway October 23 while "State Secret,"<br />
produced by Douglas Fairbanks jr. in England<br />
and released in the U.S. by Columbia,<br />
ran seven weeks at the Victoria, the same<br />
house where "The Third Man," a Korda-<br />
Selznick production, played 25 weeks earlier<br />
in 1950.<br />
The other recent British-made features<br />
in Manhattan were: "Trio," which opened at<br />
the Sutton October 9 and is likely to run<br />
into 1951, if long waiting lines outside the<br />
tiny 57th St. theatre are any indication; "The<br />
Happiest Years of Your Life," a London Films<br />
production, which packed them in at the<br />
Little Carnegie Theatre for eight weeks<br />
and "Madness of the Heart," a J. Arthur<br />
Rank production released by Uni-<br />
Doubled Duty Threatens<br />
Negative Imports<br />
NEW YORK—Import duties on motion<br />
picture negatives will be doubled January<br />
1 if an international conference now going<br />
on in England does not succeed in<br />
reaching new agreements, the office of<br />
the collector of customs here said Tuesday<br />
(26).<br />
The 1930 tariff act rates were reduced<br />
by agreements among a large number of<br />
nations. Recently Mexico abrogated the<br />
agreements, so the rates will return to<br />
those originally set and all nations will<br />
be affected unless the British conference<br />
works out some sort of a compromise.<br />
The increases now set for January 1<br />
are: Exposed but undeveloped negatives,<br />
from one cent to two cents a foot; exposed<br />
developed negatives, one and onehalf<br />
to three cents; exposed developed<br />
positive film, one-half to one cent.<br />
Cuba alone would not have to pay the<br />
doubled increases because of a special<br />
agreement with the U.S., but would have<br />
to pay lesser increases.<br />
versal-International, at the Park Avenue,<br />
which has been playing British pictures almost<br />
exclusively since U-I took over the lease<br />
from Walter Reade several years ago. The<br />
longest run at the Park Avenue was "Hamlet,"<br />
which ran for 66 weeks at two-a-day.<br />
This Rank film opened a continuous run engagement<br />
at the same house November 10.<br />
Several other midtown art theatres have<br />
occasionally played first run British films,<br />
among them the Art, in Greenwich Village,<br />
which played "Pink String and Sealing Wax,"<br />
one of the first of the Pentagon Pictures releases;<br />
the Stanley, which played Pentagon's<br />
"The Lost People"; the Trans-Lux 72nd St.,<br />
which played Pentagon's "Dear Mr. Prohack."<br />
and the Beacon, on Broadway at 73rd St.,<br />
which played double bills of several first run<br />
British pictures released by Eagle Lion last<br />
spring. All of these houses have reverted to<br />
playing second run British films or revivals<br />
of old American pictures.<br />
In its two years and four weeks at the<br />
Bijou, more than 1,079,396 patrons saw<br />
"The Red Shoes," according to the theatre<br />
boxoffice records. At an average admission<br />
price of $1.80, this represents a gross of<br />
$2,000,000 in its single New York engagement.<br />
However, the appeal of this British-made<br />
film about the ballet, was not limited to<br />
New York alone. "Shoes" set a 59-week first<br />
run mark in Chicago and played 43 weeks in<br />
Boston, 47 weeks in Los Angeles. 40 weeks<br />
in Philadelphia and 31 weeks in San Francisco,<br />
all at $2.40 "roadshow" prices. In all<br />
of these cities, the picture later played a<br />
popular-price engagement.<br />
In addition to the British films playing the<br />
first run houses, the week of November 20 saw<br />
12 other British features advertised in the<br />
New York Times as playing in mid-town or<br />
Greenwich Village houses. They included:<br />
"Tight Little Island," "Salt to the Devil,"<br />
"The Winslow Boy" and "The Glass Mountain,"<br />
all ELC releases; "The Astonished<br />
Heart" and "The Rocking Horse Winner,"<br />
U-I releases; "Hatter's Castle," a Paramount<br />
release; "Henry V," UA release which was<br />
playing in four spots; "Daybreak" and "Dear<br />
Mr. Prohack," Pentagon releases, and "Night<br />
Train" and "Thunder Rock," older independent<br />
British product.<br />
U-I, ELC DISTRIBUTE BULK<br />
During 1950, Universal-International and<br />
Eagle Lion (now Eagle Lion Classics) released<br />
the bulk of the new J. Arthur Rank product<br />
in the U.S. Universal-International had<br />
"Adam and Evalyn," "Madness of the Heart,"<br />
"The Rugged O'Riordans," an Australianmade,<br />
and the popular-price release of "Hamlet."<br />
Eagle Lion had "The Gay Lady," "Salt<br />
to the Devil," "The Amazing Mr. Beecham,"<br />
"The Perfect Woman," "Kind Hearts and<br />
Coronets," "The Glass Mountain," "The Winslow<br />
Boy," "The Blue Lamp," "The Golden<br />
Salamander," "Naughty Arlette," "So Long at<br />
the Pair," "Paper Gallows" and "They Were<br />
Not Divided," in addition to "Eye Witness,"<br />
"The Taming of Dorothy" and "White<br />
Heather," produced by other British companies.<br />
Several of these have not yet had<br />
first runs here.<br />
Among the other majors during 1950, Columbia<br />
had only one British film, "State<br />
Secret," to be released in December; Monogram<br />
had "The Silk Noose" and "Mystery at<br />
the Burlesque"; Paramount had "Trio," coproduced<br />
with J. Arthur Rank; RKO had<br />
"Treasure Island," produced by Walt Disney<br />
in England, and United Artists had "If This<br />
Be Sin," Gregory Ratoff production. In addition,<br />
20th Century-Fox released "Night and<br />
the City" and "The Black Rose." produced by<br />
the company abroad; MGM released "Conspirator"<br />
and "The Miniver Story," both produced<br />
by the company in London, and<br />
Warner Bros, released "The Hasty Heart" and<br />
"Stage Fright," both produced in London<br />
studios. The old Film Classics also released<br />
"Good Time Girl" as one of its last pictures—<br />
in May. Only Republic and Lippert failed<br />
to have any British pictures on the 1960<br />
schedule.<br />
NEW DEAL TO BE PROLIFIC<br />
David O. Selznick released two Britishmade<br />
Korda productions, "The Tliird Man"<br />
and "The Fallen Idol," during 1950 and the<br />
residual selling of these two is now being<br />
handled by Eagle Lion Classics.<br />
The deal with J. Arthur Rank recently<br />
made by the newly formed Pentagon Pictures<br />
Corp. will release a flood of old Briti.sh product<br />
to the U.S. screens. Some of these were<br />
originally handled by Prestige Pictures, U-I<br />
subsidiary, since dissolved, but the bulk of the<br />
159 features listed by Pentagon have never<br />
been shown here.<br />
Unfortunately, many of these Pentagon releases<br />
are not suitable for American audiences<br />
and might influence many patrons<br />
against the better British films released by<br />
U-I and ELC.<br />
48 BOXOFHCE December 2, 1950
. .<br />
. . . George<br />
. . The<br />
. .<br />
. .<br />
. . . Joan<br />
. . Frank<br />
. . Morey<br />
BUFFALO<br />
Terry Carson, assistant manager at the Buf-<br />
' falo Paramount, is finally in the army<br />
after many delays and one cancellation of<br />
his draft call. After a farewell party, his<br />
induction was called off. Then, the call<br />
came again and he is now Camp Dix . . .<br />
at<br />
Suzanne Dalbert, feminine star of "Breakthrough."<br />
was a guest at a press-radio luncheon<br />
given by James H. Eshelman, district<br />
manager of the Buffalo Paramount Corp.<br />
She made personal appearances at the<br />
opening Saturday (2). The recruiting office<br />
cooperated 100 per cent with the Paramount<br />
on the opening. Charles B. Taylor arranged<br />
to place A-boards tieing in recruiting copy<br />
with the picture.<br />
Eleanor Paradeis has resigned as booking<br />
manager in the Lippert exchange and has<br />
been succeeded by Minnie Zachem, operator<br />
of the Oakdale and Artistic theatres . . .<br />
William P. Rosenow, secretary of Skyway<br />
Drive-ins, is booking independent films at<br />
the Theatre Service Organization at 505<br />
Clayton Cornell, publicityadvertising<br />
Pear St. . . .<br />
director for the Cinema Theatres,<br />
headquarters in Rochester but drives to Buffalo<br />
each week to assist Pete Becker, local<br />
manager . . . Buffalo's Katherine Cornell<br />
will open her new play, "Captain Carvallo,"<br />
at the Erlanger December 6. Sir Cedric<br />
Hardwick will have an important role.<br />
Les Pollock, manager of Loew's Theatre in<br />
Rochester, lined up 70 prizes for his annual<br />
Jack Flex,<br />
Thanksgiving cartoon show . . .<br />
former Syracuse exhibitor, now is associated<br />
with Alliance Theatres in the Chicago area.<br />
He was visiting his brother in Newark .<br />
Mrs. Pete Bifarella. wife of the operator of<br />
the new Joylan Theatre in Springville, N. Y.,<br />
was recovering from illness at a Buffalo<br />
hospital. She is the mother of Sally Bifarella,<br />
longtime secretary to Mannie Brown and<br />
Mike Simon at the Paramount exchange<br />
WATCHING A TREATMENT—George<br />
H. Mackenna, general manager of Basil's<br />
Lafayette Theatre in Buffalo, is treasurer<br />
of the Western New York Sister Elizabeth<br />
Kenny Foundation and is very active as<br />
publicity chairman for the present drive<br />
for funds. Here Mackenna watches Buffalo<br />
polio patient Rose M. Muenier receive<br />
treatment at the Kenny Center at 15<br />
Tracy St.. Administering the "hot packs"<br />
is Kenny technician Dorothy A. Fish.<br />
but who now has a federal position in<br />
Springville . . Murray Whiteman, Tent 7<br />
.<br />
first assistant chief barker, returned after<br />
a week in New York to see the new shows<br />
and to buy Christmas tilings for his Song<br />
Shop.<br />
Charles B. Taylor, advertising and publicity<br />
director at Buffalo Paramount Corp.;<br />
Elmer F. Lux; Arthur J. Crosson, organist,<br />
and Jack Grood, Chez Ami, were among the<br />
industry representatives on the Ad club committee<br />
that arranged the appearance of Gen.<br />
Bonner Fellers at a recent luncheon .<br />
Max Friedman, Warner Theatres' film buyer,<br />
and Larry Lapidus, booker, were visitors from<br />
Albany along Filmrow, dropping in especially<br />
to greet Pete DeFazio, local WB manager . . .<br />
The Arthur Godfrey Talent Scouts stage<br />
show will be in Buffalo at the Paramount for<br />
a week starting Saturday (9) and station<br />
WGR which airs the Godfrey show is planning<br />
allout cooperation with the theatre on<br />
the air as well as in its bimonthly publication.<br />
Richard Feldman, manager of the Paramount<br />
Theatre in Syracuse, recently awarded<br />
a scroll of commendation to E. R. Vadeboncoeur<br />
for "his keen interest in civic affairs<br />
and his daily impartial analysis of the news"<br />
following the latter's broadcast from the<br />
Paramount stage before the showing of<br />
"American Guerrilla in the Philippines." The<br />
stunt got some nice breaks in the local press<br />
H. Mackenna, treasurer of the<br />
Western New York Sister Elizabeth Kenny<br />
Foundation, is acting as publicity chairman<br />
of the 1950 fund appeal and is landing some<br />
splendid art and copy in the Buffalo newspapers.<br />
The Graziano brothers, former vaudeville<br />
artists, are now are assistant managers at<br />
the Oswego in Oswego, N. Y., and the State<br />
Theatre in Cortland . Ellen Terry, a<br />
west side community theatre, has become the<br />
temporary church of the Coronation of the<br />
Blessed Virgin Mary parish. Masses will be<br />
held there every Sunday until parishioners<br />
are ready to move into their own church.<br />
The parish has just been created by the<br />
Buffalo bishop.<br />
.<br />
Citizens at Ccloron, N. Y., are pleased to<br />
hear that their own Lucille Ball gets the<br />
role of Angel in DeMille's "The Greatest<br />
Show on Earth." Lucille is very popular in<br />
western New York and a large delegation<br />
from Chautauqua county was on hand when<br />
she appeared recently on the Buffalo Paramount<br />
stage . . . Buffalo's Amanda Blake<br />
is getting plaudits from critics for her work<br />
in "Counterspy Meets Scotland Yard"<br />
The Mancuso Theatre in Batavia will have<br />
Sammy Kaye and his orchestra on stage<br />
Sunday (3) ... Harry Weiner, manager of<br />
the Eckel Theatre in Syracuse, recently ran<br />
a contest to find the "Tarzan" of Syracuse<br />
university, inviting the students to attend the<br />
theatre and vote for the 15 contestants. Merchants<br />
donated prizes. The promotion was<br />
on "Tarzan and the Slave Girl" . . . Arthur<br />
DeBra, director of the community relations<br />
department of the MPAA, spoke at a dinner<br />
in Rochester the other evening, staged jointly<br />
by the American Ass'n of University Women<br />
and the local Motion Picture council.<br />
.<br />
the Schine Riviera in Rochester to enter<br />
business for himself. Norman has been managing<br />
theatres in Kodak Town for a long<br />
time Versage, who has been as-<br />
.sociated with the Kallet circuit in Geneseo<br />
and Martina Theatres in Mount Morris, is<br />
the new a.ssistant manager at the RKO Palace<br />
Don Whitington is<br />
in Rochester . . . doing extensive remodeling and decorating<br />
at the Lincoln Theatre in Rochester.<br />
Dave Goldstein and Herb Ochs closed the<br />
Pic-17 Drive-In in Chautauqua county a few<br />
weeks ago, but kept using goodwill ads on<br />
tlie outdoorer . Hamet has resigned<br />
as a booker in the ELC exchange. He will go<br />
to Vancouver to make his home.<br />
Dorothy Maes is the new secretary to Jack<br />
Chinell at the RKO exchange. She was a<br />
biller in the same office . . . Mrs. Michael<br />
Papero. former secretary, has resigned . . .<br />
Antoinette Puszala is the new biller at RKO<br />
Leary has been named secretary<br />
to Mannie A. Brown, manager of the ELC<br />
exchange. She was secretary to Leon Herman<br />
at Republic.<br />
Spanish Feature Opens<br />
NEW YORK—"Hidden River" (Rio Escondido).<br />
Spanish-language feature produced in<br />
Mexico by Clasa-Mohme. opened at the Little<br />
Cine-Met Theatre November 30. The picture<br />
stars Maria Felix. MacLaren-Andersen<br />
Associates is handling bookings in the U.S.<br />
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Norman Wolk has resigned as manager of Complete Theatre Equipment & Supplies<br />
BOXOFFICE December 2, 1950<br />
49
Television Ads Continue<br />
To Overshadow Films<br />
NEW YORK — Television advertising in<br />
newspapers is continuing to completely overshadow<br />
film and radio advertising. In the<br />
New York Times Sunday (26) there were<br />
1,114'j inches of television advertising on<br />
12 pages. Films totaled 201 "4 inches and<br />
radio 28 inches.<br />
Film advertising appeared on four pages<br />
and radio advertising on three.<br />
Free space devoted to the three mediums<br />
was as follows: Radio, 168 inches; television,<br />
174 inciies; films, 189 inches.<br />
Motion picture theatres pay a higher advertising<br />
rate than radio and television.<br />
Recently after Charles Einfeld called the<br />
attention of Theatre Owners of America<br />
members at Houston to the enormous bulk<br />
of automobile and television advertising<br />
when compared with motion picture advertising<br />
film spokesmen replied that the TV<br />
space was due to the current excitement<br />
over the Federal Communications commission<br />
authorizing color television.<br />
The $2,000,000 campaign of the American<br />
Television Dealers and Manufacturers Ass'n<br />
was also cited.<br />
None of the ads of this campaign were<br />
included in the above measurements. The<br />
Times was typical of all the New York<br />
papers and a quick survey of papers in<br />
other important cities where there are television<br />
stations shows the advertising ratio<br />
between films and television about the same.<br />
Radio-TV Checkup Shows<br />
Little Adverse Comment<br />
NETW YORK—A two-week checkup of all<br />
radio and television programs in nine major<br />
cities has showed that what little adverse<br />
comment there has been about films has been<br />
more than offset by praise, according to<br />
Arthur L. Mayer, executive vice-president,<br />
Council of Motion Picture Organizations.<br />
The cities checked were New York, Boston,<br />
Detroit, Cleveland, Chicago, Washington,<br />
Philadelphia. Los Angeles and San Francisco.<br />
Exclusive of gossip broadcasts and picture<br />
reviews, the survey produced 100 comments,<br />
most of them favorable, Mayer said. He<br />
added that radio interviews with Gael Sullivan,<br />
executive secretary. Theatre Owners of<br />
America: Rudy Vallee and Charles Brackett,<br />
Hollywood producer-writer, boosted the industry<br />
over important stations.<br />
COMPO plans similar checkups later.<br />
Melvin Gold Is Elected<br />
NTFC Board Chairman<br />
NEW YORK—Melvin L. Gold, advertisingpublicity<br />
director for National Screen Service,<br />
has been elected chairman of the board of<br />
National Television Film Council. He founded<br />
the organization and was its president for<br />
two years.<br />
Jacques Kopfstein, vice-president of Atlantic<br />
Television Corp., has become vicechairman,<br />
and Paul White, vice-president in<br />
charge of programs. Sally Perle retains the<br />
post of public relations counselor.<br />
Chicago Theatre TV<br />
Plays to Capacity<br />
CHICAGO — Theatre television played<br />
to capacity here Saturday (25) despite<br />
the big storm. With local interest in the<br />
Northwestern-Illinois football game at a<br />
high point, the State-Lake Theatre sold<br />
out all of its 2,700 seats by noon and the<br />
3,200-seat Tivoli on the south side had<br />
the SRO sign up at game time. The<br />
Balaban & Katz circuit scaled the game<br />
at $1.20. To B&K executives, the big<br />
screen telecasting of football has been a<br />
success, with business at capacity when<br />
interest in the game is high.<br />
Century to Extend Tests<br />
Of TV Theatre Programs<br />
NEW YORK—Further experimental use of<br />
television subjects in theatres is to be tested<br />
by the Century circuit here. Recently Century<br />
introduced the Camel News Caravan,<br />
a newsreel type film containing advertising<br />
which was originally scheduled for the air.<br />
This is shown on the two circuit houses<br />
which have large screen television projectors.<br />
One is in the Queens, in Queens Village, and<br />
the other is in the Marine Theatre, Brooklyn.<br />
The Camel Caravan reel is to be continued.<br />
Some Century circuit houses discontinued<br />
use of standard film newsreels about a year<br />
ago because of audience comments to the<br />
effect that much of the material had already<br />
been seen at home or in taverns.<br />
Harold Newman of Century says he does<br />
not consider the Camel show a replacement<br />
of newsreels. He admits he is experimenting<br />
with television on theatre screens. He has<br />
what he describes as "several other projects"<br />
in mind.<br />
Six Eastern Theatres Show<br />
Army-Navy Game on TV<br />
NEW YORK—Six eastern theatres were<br />
scheduled to show the Army-Navy football<br />
game on television. Large-screen presentations<br />
of telecasts will be seen on home sets<br />
offered by Fox, Queens, Marine and Fordham<br />
in New York, Palace in Albany and<br />
Pilgrim in Boston. The Paramount in New<br />
York is refraining.<br />
Eastman Promotes Two,<br />
Adds Them to Board<br />
ROCHESTER—William S. Vaughn, assistant<br />
vice-president of Eastman Kodak, has<br />
been promoted to vice-president and assistant<br />
general manager, and M. Wren Gabel, assistant<br />
to the general manager, has al.so been<br />
made assistant vice-president, in addition to<br />
his former duties. Both have been elected<br />
to the Eastman Kodak board of directors.<br />
New York Asks FCC<br />
For Tele Channel<br />
WASHINGTON—The City of New York<br />
has asked the Federal Communications commission<br />
for assignment of a television channel<br />
so that it can operate a TV station as it operates<br />
a radio station—WNYC. In a letter presented<br />
to the FCC by Seymour N. Siegel,<br />
director of radio communications for the<br />
city. Mayor Vincent R. Impellitteri wrote<br />
that the city will need a television station<br />
because of the "limitless possibilities in television<br />
as a means of visual education in our<br />
schools as well as for our adult citizens."<br />
If the station is authorized, it will be put<br />
at the disposal of the board of education, the<br />
mayor wrote.<br />
William J. Wallin. chancellor of the board<br />
of regents of the University of the State of<br />
New York, told the FCC that Governor Dewey<br />
will be asked to sponsor legislation for creation<br />
of a state educational television authority.<br />
Action along educational lines has also been<br />
taken by the Allen B. DuMont Laboratories,<br />
which has a plant in New Jersey. Discussions<br />
have been held with the Montclair State<br />
Teachers college on a plan for transmitting<br />
closed circuit programs to selected high<br />
schools with a "talk back" arrangement so<br />
that listeners can ask questions and receive<br />
answers.<br />
Cowan Players' Contracts<br />
Call for TV Appearances<br />
NEW YORK—Anticipating a theatre television<br />
network. Cinema Productions will require<br />
all its artists under contract to appear on<br />
theatre TV at least once without charge to<br />
ballyhoo their particular pictures. This contract<br />
clause, which will take precedence over a<br />
commercial radio or video appearance, became<br />
known this week when the Bankers Trust Co.<br />
approved financing arrangements for four<br />
pictures to be made by Lester Cowan for the<br />
exhibitor-backed producing company headed<br />
by M. A. Lightman.<br />
Shooting on the first picture, which will<br />
use the Polaroid three-dimensional process,<br />
will start before the end of the year at the<br />
Movietone Studio in New York. Tentative<br />
title is "The Customer Is Always Right." Applicable<br />
to all theatre screens, the Polaroid<br />
tri-dimension project envisions giving patrons<br />
glasses, which will also be good as sun glasses.<br />
Employing the Cinerama method of panoramic<br />
projection, the second picture is not<br />
expected to be started until June. Using a<br />
145-degree viewing angle instead of 45 degrees,<br />
this film is scheduled to be photographed<br />
in various parts of the country.<br />
Andrea Predicts 50% Cut<br />
In TV Output for 1951<br />
NEW YORK—Pi'oduct ion of television receivers<br />
may be cut 50 per cent next year,<br />
according to Frank A. D. Andrea, president<br />
of Andrea Radio Corp. This would cut the<br />
output to 4,000,000 sets in 1951.<br />
Andrea spoke at a meeting of business<br />
leaders sponsored by Dun & Bradstreet, Inc.,<br />
Tue.sday (28). Andrea said the industry<br />
could not maintain its recent production rate<br />
of 350,000 radios and 200,000 television receivers<br />
a week.<br />
50 BOXOFFICE :<br />
: December 2, 1950
. . The<br />
. . MGM<br />
. . Mrs.<br />
. . Head<br />
. . Contract<br />
. . Manager<br />
. . ELC<br />
Park Ave. Theatre<br />
Reverts to Reade<br />
NEW YORK—The Park Avenue Theatre,<br />
recently operated by Universal-International<br />
as a showcase for J. Ai-thur Rank product,<br />
has reverted to Walter Reade Theatres, which<br />
built and opened the 600-seat house in 1943.<br />
The theatre was leased to U-I shortly after<br />
Reade had made a try at a subscription<br />
policy de.signed to attract class patrons living<br />
in the Park avenue area.<br />
The theatre, which closed November 28<br />
following the expiration of the U-I lease,<br />
will be reopened by Reade as a fir;t run<br />
shortly before Christmas. The theatre was<br />
the first to have television in its lounge and<br />
love seats in the mezzanine. Coffee for the<br />
guests will be continued, Walter Reade said.<br />
During the U-I tenancy, the theatre played<br />
"Hamlet" for 66 weeks on a two-a-day basis,<br />
but the recent Rank pictures have had ,"hort<br />
runs and "The Mad Queen." a Spanishlanguage<br />
feature distributed by Azteca Films,<br />
was one of the last attractions.<br />
Reade rejected offers from television networks<br />
to convert the Park Avenue into a<br />
television theatre because he felt "there is<br />
a definite place for a de luxe theatre of this<br />
type in the New York City scene," he said.<br />
Reade Theatres Co. owns and operates 40<br />
regular theatres and six drive-ins in New<br />
Jersey and upstate New York.<br />
Dorothy Fields Presides<br />
At Jewish Fund Luncheon<br />
NEW YORK—Dorothy Fields, playwright<br />
and lyricist, who is chairman of the theatre<br />
arts division of the current $20,000,000 maintenance<br />
campaign of Federation of Jewish<br />
Philanthropies of New York, was principal<br />
speaker at a luncheon for women connected<br />
with the stage, screen, radio and television.<br />
The luncheon was one of a series of events<br />
planned by the theatre arts division to raise<br />
money for the campaign.<br />
Others seated on the dais at the luncheon<br />
were: Mrs. Barney Balaban, Anita Colby.<br />
Mrs. Simon H. Fabian, Mrs. Oscar Hammerstein,<br />
Radie Harris. Theresa Helburn, Celeste<br />
Holm, Mrs. Lawrence Langner, Jinx Falkenburg,<br />
Mrs. Richard Rodgers. Mrs. Spyros P.<br />
Skouras, Mrs. Louis Eobol, Mrs. Nathan Spingold<br />
and Mrs. Jesse «sinof, women's division<br />
campaign chairman.<br />
Truman May Name Griffis<br />
Ambassador to Spain<br />
WASHINGTON—Stanton Griffis, who recently<br />
resigned as ambassador to Argentina<br />
probably will be appointed ambassador to<br />
Spain, informed circles here said. President<br />
Truman is expected to make the announcement<br />
shortly. Spain has not had a U.S. ambassador<br />
for five years. Griffis is chairman<br />
of the Paramount executive committee. During<br />
his tenure at Argentina he sought to improve<br />
relations between the government of<br />
that country and the U.S. film industry, but<br />
members of the industry here were unwilling<br />
to make some concessions which he suggested.<br />
Title of the RKO film formerly called<br />
"Present for Katy" has been changed to<br />
"The Middle of the Night."<br />
WASHINGTON<br />
. . .<br />
\X7illiam Ltindigan, 20th-Fox star, recently<br />
dropped into the local exchange<br />
Airs. Ben Lust was in Garfield hospital for<br />
a checkup ... A dinner-dance will be given<br />
by Loccl F-13 in the Elks club in January<br />
when the new officers for the co.ning year<br />
are installed<br />
. booker Ida Barezofsky<br />
was on vacation at Grossinger hotel,<br />
Esther Blendman, circuit<br />
Ferndale. N. Y. . . .<br />
cashier, has a new car . auditor<br />
Tom Guinan was at the local office . . .<br />
Manager Norfolk.<br />
Max Cohen went to<br />
Warner booker Ethel Risdon was still talking<br />
about her vacation trip to Montreal,<br />
Toronto and Niagara Falls . Cynthia<br />
. .<br />
Broider has replaced Clara Estes who resigned<br />
to get married ... J. I. Scully, U-I<br />
district manager, was in town several days<br />
. . . Office Manager Stanley Taylor returned<br />
from a vacation in Boston . . . Paramount<br />
Manager Al Benson and bookers Jack<br />
Howe, Bob Cunningham, Fred Von Langen<br />
and Luther Buchanan went to Pittsburgh for<br />
a sales meeting . Lillian Lee's son.<br />
Sergt. Earle Sweikhart, arrived from Germany<br />
where he was stationed several years.<br />
Frances Fischer, daughter of the Bill<br />
Fischers at Columbia, celebrated her 14th<br />
birthday . new student booker is<br />
Walter Hunt . shipper Claude<br />
Ringer has been ill for some time . . . RKO<br />
cashier Agnes Turner made a flying visit lo<br />
Frederick. Md. . clerk Bob<br />
Miller finally got back to Washington after<br />
being snowbound in Altoona, Pa., where .he<br />
went to spend Thanksgiving . . Manager<br />
.<br />
Joseph Brecheen spent Tuesday (28) visiting<br />
exhibitors in Baltimore.<br />
Richard Young, son of 20th-Fox booker<br />
Sara Young, enlisted in the navy and is at<br />
the Great Lakes training station . . . Zelda<br />
Stout is a new employe . Glenn<br />
Norris and his family had rough traveling<br />
from his home in Stateville, N. C, where<br />
they went to spend Thanksgiving with cheir<br />
families. Roads were blocked with snow and<br />
ice.<br />
In the Filmrow Bowling league John<br />
O'Leary's average keeps going up. Recent<br />
standings found him averaging 107 with<br />
Pauline Struck keeping up the women's average<br />
of 97. The RKO exchange is in first<br />
place with 17 wins and 10 losses, and Uni-<br />
\'ersal and Warner tied for second place<br />
with 15 wins and 12 losses. In third place<br />
is 20th-Fox with 13 wins and 14 losses with<br />
Republic and Warner No. 2 bringing up the<br />
rear.<br />
'Kon-Tiki' Reception<br />
NEW YORK—Sol Lesser, distributor of<br />
"Kon-Tiki," documentary film made by Thor<br />
Heyerdahl, and Rand McNally, publishers<br />
of Heyerdahl's recently published book of<br />
the same name, gave a reception and press<br />
preview of the picture at Toots Shor November<br />
28. Heyerdahl was hospitalized and unable<br />
to be present. Among those attending<br />
were Robert Mochrie. RKO sales head; Phil<br />
Reisman. Monroe Greenthal. Sol Schwartz,<br />
Nancy Carroll and Rutgers Neilson. RKO,<br />
which distributes Lesser's "Tarzan" features,<br />
will probably distribute "Kon-Tiki."<br />
COMPO Congratulates<br />
Magazine on Awards<br />
PHILADELPHIA—Ted Patrick, editor of<br />
Holiday magazine, has received from Arthur<br />
Mayer, executive vice-president of the Council<br />
of Motion Picture Organizations, a :Tie~.-<br />
.sage of congratulation for the four new annual<br />
awards to be presented by the magazine<br />
to the industry December 8 at a luncheon<br />
in the 21 club. New York.<br />
The awards will be presented by Robert<br />
E. Sherwood for two motion pictures and<br />
two film industry individuals doing the most<br />
to portray the American democratic way of<br />
life to foreign audiences.<br />
The message from Mayer read: "We wish<br />
to congratulate Holiday magazine on its plan<br />
to present four awards to the motion picture<br />
industry for its interpretation of American<br />
life to foreign audiences.<br />
"We in the picture business have long<br />
been aware that our productions were carrying<br />
the message of America to the far corners<br />
of the world. In giving public recognition<br />
to this impact of motion pictures<br />
abroad Holiday is not only acquainting the<br />
American people with the phase of our<br />
business they should know about, but it<br />
also is promoting a distinctive service to<br />
this industry. You have the best wishes of<br />
the Council of Motion Picture Organizations<br />
for success in your endeavor and if there<br />
is anything we can do to help you in this<br />
work, we shall be glad to do so."<br />
Several Managers Shifted<br />
By Loew's in New York<br />
NEW YORK—Several managers of Loew's.<br />
Inc., theatres have been shifted in the New<br />
York area by Eugene Picker. Mn. Louise<br />
Leonard has gone from the Sheridan to the<br />
Lexington, replacing Robert Gibbons, who<br />
has resigned to enter the restaurant business<br />
in Baltimore. Douglas Helgeson has<br />
moved from the Hilhide to the Sheridan<br />
and has been succeeded by William Klsnert<br />
fro.n Loew's Fairmount.<br />
Other transfers: Seymour Brond, Plaza to<br />
Fairmount: Larry Stark, Boro Park to Plaza;<br />
Daniel Cohen, Palace to Boro Park; Arthur<br />
Dattel, Brevoort to Palace; Wilfred Simon,<br />
relief manager to Brevoort; John O'Connor,<br />
Woodside to Willard; Paul Swater, Willard<br />
to Melba, and Martin Gallagher, Melba to<br />
Woodside.<br />
20th-Fox, Doubleday Co.<br />
Cooperate on 'Mudlark'<br />
NEW YORK—Twentieth Century-Fox has<br />
arranged with Doubleday & Co. for a cooperative<br />
campaign tieing in with the publishing<br />
firm's new $1.49 reprint edition of<br />
"The Mudlark" with the screen version of<br />
the Theodore Bonnet novel. The picture<br />
which will be nationally released in January,<br />
will be the Christmas attraction at the Roxy<br />
Theatre.<br />
Doubleday salesmen in the field will carry<br />
kits of stills from the film, the first time this<br />
r-.ethod has been used to sell<br />
a book to retail<br />
outlets on the strength of the motion picti<br />
rs version. The campaign will also be discussed<br />
at Doubleday's annual sales meeting<br />
December 10.<br />
BOXOFFICE December 2, 1950 N 50-A
. . Wally<br />
. . Ralph<br />
. . . For<br />
. . Hera-y<br />
.<br />
ALBANY<br />
The Variety Club's first television program,<br />
over WRGB. Schenectady, at midnight on<br />
Thanksgiving, netted $900 in telephoned donations.<br />
Mailed contributions were expectsd<br />
to push the total past $1,000, co-chairman<br />
Harry Lament said. Tent 9 officials and executives<br />
of WRGB expressed satisfaction<br />
with the amount raised, although they hoped<br />
it would be larger next year, when an earlier<br />
hour will be sought for the telecast. Lamont<br />
praised the General Electric Co., station<br />
Manager Bob Hanna and others for their<br />
cooperation. The show, staged as part of the<br />
annual Denial week drive on behalf of Camp<br />
Thacher, featured acts from the Colonial<br />
Theatre, the Hawaii Klub. Towpath Inn<br />
and Ten Eyck hotel. Assisting in Schenectady<br />
were Lamont, Gene Lowe, Gene Teper,<br />
Tommy Sternfeld and Al Zink. Chief Barker<br />
Charles A. Smakwitz headed the group working<br />
in Albany. Fabian and Warner switchboards<br />
were used for Albany calls; Fabian<br />
tor Troy, and WRGB for Schenectady.<br />
Charley Wilson of Glass Lake was announced<br />
on the Variety Club telecast as<br />
donor of $50 to Denial week. He is owner<br />
The Ritz<br />
of the Bijou, North Troy . . .<br />
opened a week's engagement Wednesday of<br />
"I'll Get By," which drew well at the Strand<br />
recently, and "The Noose" . Mauro,<br />
manager at National Theatre Supply, reported<br />
installation of new Simplex projection<br />
at the New York State Woodbourne Institution<br />
for Delinquents. It is understood shows<br />
for inmates are screened twice a week. NTS<br />
also recently installed Simplex equipment at<br />
.<br />
Johnny Capano of the State, Troy, staged<br />
a Thanksgiving eve owl show, consisting of<br />
two "sizzling first run" features for an advertised<br />
admission of 14 cents. He also ran<br />
a children's Thanksgiving morning bill at<br />
20 cents Overman, Disney cartoonist,<br />
gave autographed cartoons to the<br />
first 100 children attending a Thank.sgiving<br />
performance at the Colonial. He appeared<br />
on a vaudeville bill at the house three days<br />
the second consecutive year, Warners'<br />
Strand, Madison and Delaware were<br />
reported to have drawn large audiences at<br />
Thanksgiving morning shows consisting of a<br />
Roy Rogers feature and cartoons . . . Blanche<br />
Van Buren, Eagle cashier, was a casualty of<br />
the terrific windstorm which did great damage<br />
here Saturday night. Attempting to cross<br />
Hudson avenue on her way back to the theatre<br />
after supper, she was blown against the<br />
side of a car and suffered knee and leg<br />
bruLses.<br />
The Radio and Television Manufacturers<br />
Ass'n of Washington reported that residents<br />
of Albany, Rensselaer and Schenectady counties<br />
purchased 37,000 television sets in the<br />
past year . "Dutch" Harris, president<br />
of the stage employes union, is recovering<br />
at home after- suffering two broken ribs<br />
in a ladder fall backstage at the Strand. John<br />
Lanahan and George Powers of the Grand<br />
are relieving for Harris.<br />
.<br />
Filmrow visitors included Vivian Sweet,<br />
operating in Salem, Greenwich and Schuylerville;<br />
William H. Aust of Aust's Drive-In,<br />
South Glens Falls. Phil Baroudi, North<br />
Creek, Warrensburg and Indian Lake<br />
Abe Sunberg, former assistant to Neil Hellman<br />
and now a drive-in executive in the<br />
Buffalo area, was a Variety Club visitor . .<br />
.<br />
Joe Miller, former Columbia manager who<br />
now operates a drive-in, was in New York<br />
on business<br />
the Hudson River Training School for Girls,<br />
in Hudson; Green Haven pri.son, Hopewell<br />
Junction; Harlem Valley State hospital,<br />
Wingdale, and New York State Veterans<br />
camp at Mount McGregor, Saratoga.<br />
of those attending the Washington premiere<br />
of U-I's "Harvey" Wednesday at Warners'<br />
Uptown Theatre. The showing was sponsored<br />
by the National Press club.<br />
'Harvey' Capital Preview<br />
WASHINGTON — Cabinet members and<br />
other government dignitaries headed the list<br />
To Write Screen Biography<br />
Irving Brecher has been signed to write a<br />
screen biography of Blossom Seeley, song star<br />
of vaudeville and the musical stage, for<br />
Paramount release.<br />
Albany Area Drive-ins<br />
Suffer Storm Loss<br />
ALBANY—Drive-ins felt the brunt of the<br />
violent windstorm which caused widespread<br />
damage in this area last Saturday. Interruptions<br />
of projection through loss of power<br />
and suspension of heat were reported in<br />
some regular situations, but the chief storm<br />
victims were automobile theatres.<br />
Screen tower blowdowns were reported at<br />
the North Hoosick, West Sand Lake and<br />
Middletown drive-ins. Fence and attraction<br />
boards were uprooted in the Poughkeepsie,<br />
Vails Mills and Lake George openairers, operated,<br />
like the Middletown, by Harry Lamont.<br />
Poughkeepsie had scheduled but canceled<br />
Saturday night shows, the final of the<br />
season. Part of the front of Dave Willig's<br />
Auto-Vision at East Greenbush was damaged.<br />
Bob Willard's Bennington, Vt., drivein<br />
also had some fence damage as did the^<br />
Malta, ten miles from Saratoga.<br />
F. Chase Hathaway, whose North Hoosiclci<br />
was hard hit, reported considerable damage;<br />
at the Fort Warren Drive-In near Castleton,'<br />
Vt. Neil Hellman said the fence at the Lin-'<br />
coin Drive-In at North Philadelphia was)<br />
blown down. Performances scheduled for<br />
Saturday night were canceled, but Manager<br />
Harry Flatter got the theatre back into running<br />
Sunday. Hellman estimated his loss at<br />
$5,000. Minor damage was reported at Fa-'<br />
bian's Saratoga and at the Menands drivein.<br />
Power failures were reported in Cohoes,<br />
Watervliet, Phoenicia and Fleischmanns. Attendance<br />
was so small that only a few refunds<br />
were made.<br />
Part of the roof of a mission church blew<br />
on to the roof of the Royal, Albany, but no<br />
damage to the theatre was done.<br />
About 10,500 homes in Albany were without<br />
power, and many were without heat Satiu--<br />
day night and Sunday. The number in Troy<br />
was 12,100, and in Schenectady, 1,200. Most<br />
of the Albany radio stations went off the<br />
air at some time during the gale.<br />
To Rename Amphitheatre<br />
In Memory of Barron<br />
WASHINGTON — The national capital's<br />
sesquicentennial commission Thursday endorsed<br />
the proposal to rename the Sesquicentennial<br />
Amphitheatre the "Carter T, Barron<br />
Memorial Amphitheatre." The move had<br />
the backing of Secretary of the Interior Oscar<br />
Chapman.<br />
Sesquicentennial General Manager Paul<br />
Massman recommended that the amphitheatre<br />
be dedicated at the opening show next<br />
spring, with proceeds to go to the cancer<br />
fund.<br />
Barron, eastern division manager of Loew's,<br />
and MGM studio representative, died recently<br />
of cancer. He was executive vice-chairman<br />
of the sesquicentennial commission.<br />
NEW ALBANY ( ItliW—The 1951 crew of Variety Tent 9 at Albany face the<br />
cameraman. In the first row, left to right Harold Gabrilove, second assistant chief<br />
barker; Charles Dortic, first assistant; Leo Rosen, chief barker; Nate Winig, doughguy;<br />
Nat Dickman, property master. In the .second row: Al Marchetti. Edward Maloney,<br />
Gerald Alkin, Max Friedman and Eugene Vogel, Jack Olshansky. not appearing here,<br />
is the llth member.<br />
ABC Vending Merger Units<br />
NEW YORK — Allied Beverage Corp..<br />
chartered in Delaware, and Apex Beverage<br />
Corp.. formed in New York, are to be merged<br />
into ABC Vending Corp. as a result of approval<br />
given by the vending company stock-<br />
I<br />
holders at a special meeting held Tuesday<br />
(28).<br />
50-B BOXOFFICE :: December 2, 1950<br />
A
. . John<br />
. .<br />
. .<br />
. . . The<br />
. . The<br />
. . Norman<br />
. . Local<br />
. . The<br />
DISTRIBUTE COIN BOXES—Youngsters<br />
assisted Variety Club members in<br />
distributing containers to Albany stores<br />
and mercantile establishments in the<br />
annual Denial week campaign to raise<br />
825,000 for the operation of the Variety-<br />
Albany Boys Club Camp Thacher for<br />
needy kids. Standing in the back are<br />
left to right Ed Maloney, Paramount<br />
manager, and Gene Vogel, U-I manager,<br />
in charge of the distribution.<br />
VIRGINIA<br />
Cympathy to Charles M. Smith, manager of<br />
the Bristol Lee. on the recent death of his<br />
father-in-law . . . Margaret Barr, Lee cashier,<br />
is on leave and was replaced by Mary Nell<br />
Moore, formerly candy attendant . . . Ogden<br />
Case, former usher at the Bristol Cameo,<br />
was recently promoted to doorman . . . Archer<br />
Eades, Cameo operator, attended the football<br />
game in the Burley Bowl in Johnson<br />
City, Tenn.<br />
.<br />
Winifred Gillenwater, city manager for<br />
Wilby-Kincey Theatres in Bristol, opened<br />
"Tripoli" with cooperation of marines and<br />
VFW Poppy day ballyhoo Rogers,<br />
manager of the Bristol Shelby and Columbia,<br />
was away recently on a hunting trip. He also<br />
journeyed to Washington for a booking session<br />
Jimmy Washburn, sound engineer<br />
. . . for Neighborhood, was checking over the projection<br />
equipment in the Cameo and Lee .<br />
Wendell Johnes, manager of the Dalton, Pulaski,<br />
was in Bristol moving his family .<br />
Frank Bowling, city manager for Neighborhood's<br />
Cameo and Lee, called on John Conner,<br />
city manager at Pulaski Theatres.<br />
Plaza at Peraskie, Pa.,<br />
Is Destroyed by Fire<br />
PERASKIE, PA.—The Plaza Theatre, a<br />
450-seater, was destroyed by fire only a short<br />
time after hundreds of persons left the building<br />
following the last show Sunday (26).<br />
The screen, stage and sound equipment<br />
were a complete loss. The blaze, according<br />
to firemen, apparently started in a ventilating<br />
duct at the roof level and spread into the<br />
theatres. Bernard Hines, owner, was informed<br />
of the fire as he reached home after<br />
spending the day pumping water from the<br />
basement of the Selvil Theatre in SellersvUle,<br />
which he also owns. The Selvil was flooded<br />
during the heavy rainstorm last Saturday.<br />
PHILADELPHIA<br />
The recent storm which swept across the<br />
east did considerable damage to many<br />
theatres. The roof was blown off of the<br />
Orpheum in Orwigsburgh, Pa. Other theatres<br />
closed by storm damage are the Florence<br />
in Florence, N. J.; North Camden, Camden,<br />
N. J.; Martin, Roxy and Garden theatres<br />
in Lock Haven, Pa., and the Victoria,<br />
The big wind broke<br />
Jersey Shore, Pa. . . .<br />
the plate glass windows of National Screen<br />
Service.<br />
The Penn in South Philadelphia closed,<br />
but may reopen December 23 if business<br />
picks up . Frolic Theatre is closed<br />
while a heating system is being installed.<br />
Vandals in the neighborhood have damaged<br />
the theatre's marquee . Weitman,<br />
U-I salesman, will be<br />
married Sunday (3)<br />
Carmen Theatre<br />
has dropped vaudeville<br />
shows and<br />
switched to double features<br />
. . . New officers<br />
of Variety Tent 13 are<br />
Ted Schlanger, chief<br />
barker; Victor H.<br />
Blanc, first assistant;<br />
Ralph Pries, second<br />
assistant; Norman Silverman,<br />
property master;<br />
Cecil Felt, house Ted Schlanger<br />
chairman, and Edward Emanuel, membership<br />
committee chairman.<br />
The contractors on the Midtown Theatre<br />
project of William Goldman are working<br />
day and night to have the theatre ready<br />
for a gala opening December 23. The event<br />
will be spotlighted by the world premiere<br />
of "The Goldbergs."<br />
Arguments on the motion of Independent<br />
Poster Exchanges of Philadelphia, Washington,<br />
Chicago and Charlotte for summary<br />
judgment in their monoply suit will be<br />
heard Monday (11) . . .<br />
Eddie Gabriel clams<br />
that Capital exchange is the first one on<br />
the street for the 35th year to decorate for<br />
Christmas. Capital is distributing a 26-<br />
minute feature on the Royal Canadian<br />
Mounted Police entitled "The Connors Murder<br />
Case."<br />
Rose Shapiro, ELC biller, says she is available<br />
for singing engagements at all types<br />
Sandy Gottlieb,<br />
of entertainment functions . . .<br />
ELC manager, is making preparations<br />
to establish a home here for his family<br />
Sylvia Snyderman has replaced Irving<br />
. . .<br />
Loomis in S-W's billing department. Another<br />
new girl there is Harriet Fingerote.<br />
The Motion Picture Associates committees<br />
for 1950-51 follows: Welfare, Joe Engel, chairman;<br />
Meyer Adelman. William Doyle and<br />
Soeg Horowitz; membership, Ben Bache.<br />
Harry Blumberg and Norman Silverman;<br />
entertainment, Nat Ro.sen. Dick Doherty,<br />
Harry Freedman and Mel Koff; publicity,<br />
Mike Weiss, George Nonamaker; finance.<br />
Jack Beresin, Moe Koppleman and Lou<br />
Formato; constitution and bylaws, Al Cohen,<br />
Al Davis and Max Gillis; publication, David<br />
Titleman, Milt Young and Joe Schaeffer.<br />
HARRISBURG<br />
n big event at the Rio recently was a party<br />
for 1,800 children, staged by Manager<br />
Francis DeVerter. He also held a conte.st<br />
in which 15 boys released 15 gas-filled balloons<br />
containing instruction cards. Finders<br />
were to return the balloons to the theatre<br />
for $10 in cash . Colonial gave a<br />
special preview of "No Way Out" for representatives<br />
of city organizations. Manager<br />
Jack O'Rear was publicity director for the<br />
recent appearance of Elmer Wheeler, lecturer<br />
. . . The Jack D. O'Rears are parents<br />
of their first child, a boy named Dennis.<br />
Sam Oilman, manager of Loew's Regent,<br />
promoted "To Please a Lady" by several<br />
stunts. He ran a newspaper contest offering<br />
prizes and passes to women for the ten best<br />
short rules on how they'd like to be pleased<br />
and the men who know best how to please<br />
the women. He had a tieup with a city<br />
Ford dealer in which three girls toured the<br />
city in new cars. Cooperative advertising<br />
was arranged with the same dealer and the<br />
Firestone representative . . . Dennis Coholan<br />
(4) . . .<br />
Judge Kirkpatrick's opinion in the Boulevard<br />
Drive-In case against the eight majors<br />
contains some interesting dicta to the effect<br />
that clearance policies of distributors are<br />
after a Philadelphia trip.<br />
reasonable restraints of trade only if they<br />
are flexible in character. Spokesmen for<br />
distributors in this area reveal that they<br />
have foreseen such a judicial view. They<br />
are trying to guard themselves by scheduling<br />
pictures according to actual playdates<br />
rather than clearances 307 of<br />
.<br />
projectionists will elect new officers Monday<br />
The girls of 20th-Fox staff gave a<br />
luncheon and shower for Eleanor Cohen, contract<br />
clerk.<br />
of 20th-Fox visited Harrisburg exhibitors . . .<br />
Mark Rubinsky, owner of the Rubinsky circuit,<br />
was back in his office in the Uptown<br />
Opening in Philadelphia<br />
Set for 'The Goldbergs'<br />
NEW YORK—Paramount will open "The<br />
Goldbergs" December 23 at the Midtown<br />
Theatre, Philadelphia. Gertrude Berg, star<br />
of the film, will arrive three days before the<br />
opening to aid radio, television and newspaper<br />
promotion.<br />
Treasury Plugs 'Harvey'<br />
NEW YORK—The U.S. Treasury's payroll<br />
bond division has created a four-color poster<br />
on U-I's "Harvey," which shows the partial<br />
head of a rabbit with the line, "Give an Ear<br />
to Harvey and His Good Advice," as well as a<br />
still of James Stewart, the star. Thirty-five<br />
thousand copies will be distributed to banks,<br />
business offices and industrial plants in 75<br />
key cities.<br />
TAILORED SEAT COVERS<br />
Any Siie — Any Style<br />
Any Quan+i+y<br />
JOHN P. MORGAN CO., INC.<br />
317 N. 13th STREET LO 4-0224<br />
BOXOFFICE December 2, 1950 50-C
TBA Television Clinic<br />
Agenda Completed<br />
NEW YORK—Tlie agenda for the 1950<br />
television clinic of Television Broadcasters<br />
Ass'n, to be held December 8 at the Waldorf-<br />
Astoria, has been set up by Eugene S.<br />
Thomas, clinic chairman and manager of<br />
WOR-TV television operations.<br />
Pi-ogramming and audience research will be<br />
spotlighted during the morning sessions. The<br />
speakers will be M. C. Watters, vice-pre.-,ident<br />
and general manager of WCPO-TV, Cincinnati;<br />
Sylvester L. Weaver, vice-president<br />
in charge of television of the National Broadcasting<br />
Co.: Donald Thornburgh. president<br />
and general manager of WCAU-TV. Philadelphia;<br />
Donald Stewart, general and commercial<br />
manager of DuMonfs WDTV in<br />
Pittsburgh; G. Bennett Larson, vice-president<br />
and general manager of WPIX, New York;<br />
John M. Outler jr., general manager of<br />
WSB-TV, Atlanta, and E. Lawrence Deckinger,<br />
president of Radio-Television Research<br />
Council. C. E. Hooper will demonstrate his<br />
automatic device for checking audiences and<br />
also report on advertising effectiveness.<br />
Speakers at the afternoon session, which<br />
will offer a diversity of subjects, will be Dr.<br />
A. G. Ruthven, president of the University<br />
cf Michigan, who will be introduced by Harry<br />
Bannister, general manager of WWJ-TV in<br />
Detroit; Dwight W. Martin, vice-president of<br />
WLW-TV, Cincinnati; John A. Kennedy of<br />
WSAZ-TV, and Irving R. Rosenhaus, president<br />
and general manager of WATV, Newark.<br />
There will be discussions of the proposed<br />
excess profiles tax and the impact of color<br />
television.<br />
J. R. Poppele, TBA president, will be toastmaster<br />
at the luncheon. The annual meeting<br />
will be held before the clinic opens. Three<br />
directors are to be elected to fill the terms<br />
of Dr. Allen B. DuMont, Joseph McDonald<br />
Richard A. Borel. The reorganization meeting<br />
cf the board of directors will be held in the<br />
afternoon.<br />
Interim German Licenses<br />
Assigned at SIMPP Meet<br />
NEW YORK—Allocation of seven interim<br />
west German film licenses was discussed at<br />
a meeting Tuesday (28) of the Society of<br />
Independent Motion Picture Producers, with<br />
Fllis Arnall, president, presiding. It was decided<br />
that producers with films ready for immediate<br />
distribution will have first claim on<br />
the licenses.<br />
Last year SIMPP received ten licenses.<br />
This year the total may reach 40. Those<br />
arowed member companies of the Motion<br />
Picture Ass'n of America for the current<br />
quarter of the year total 50. Both organizations<br />
are seeking unrestricted imports.<br />
Robert Stillman Is Named<br />
To SIMPP Post on UNESCO<br />
NEW YORK—Robert Stillman, who has<br />
produced "The Sound of Fury" and "Queen<br />
for a Day" for United Artists release in 1951.<br />
has been named by Ellis<br />
Arnall, president of<br />
the Society of Independent Motion Picture<br />
Producers, to represent the organization on<br />
the UNESCO film panel. Myrna Loy is chairman<br />
of the panel.<br />
FLY TO EUROPE—Herbert J. Yates,<br />
Republic Pictures president, and John<br />
Ford, whose first Argosy production for<br />
Republic is the current "Rio Grande,"<br />
left for Europe November 19. Yates will<br />
attend conferences in Great Britain and<br />
France, and Ford will check on location<br />
sites for a picture he expects to film in<br />
Ireland for Republic next spring. They<br />
were accompanied by William Martin<br />
Saal, executive assistant to Yates and<br />
actor Ward Bond. Shown in the photo<br />
are James R. Grainger, Republic executive<br />
vice-president in charge of sales and<br />
distribution, at the airport to say bon<br />
voyage; Bond, Ford, and Yates.<br />
Republic Seeks Employes<br />
For New British Unit<br />
LONDON—Republic Pictures International,<br />
new British distribution company, began<br />
seeking personnel during the week, with<br />
Charles B. Newbery in charge, under the<br />
supervision of Herbert J. Yates, Republic<br />
president, and Richard Altschuler, export<br />
manager, who arrived from New York.<br />
The company is the outgrowth of the end<br />
of a 15-year business relationship mutually<br />
agreed to by Republic and British Lion Film<br />
Corp. British Lion stopped selling Republic<br />
films Monday (27 1 but will continue to service<br />
existing contracts until the new company<br />
is operating, which is expected to be before<br />
the end of the year. The two companies<br />
issued assurances there will be no interference<br />
with the servicing, booking and selling<br />
of Republic films.<br />
Australian Film Men Tour<br />
United States and Canada<br />
NEW YORK—Roy Barmby, chief booker<br />
for Greater Union Theatres of Australia, and<br />
Ted Lane, publicity director for the circuit,<br />
and tradepress representatives were guests<br />
of Capt. Harold Auten at the Lotos club<br />
Thursday (30). Barmby and Lane are on a<br />
tour of the United States and Canada studying<br />
exhibition methods. They left Australia<br />
early in October by plane, stopped off in<br />
San FYancisco and Los Angeles, and then<br />
went to the Theatre Owners of America<br />
convention in Houston. Tliey will leave Monday<br />
(41 for Toronto. On the return trip<br />
they will again stop off in New York and<br />
then will go to Washington. Tliey expect to<br />
be on the coast New Year's and leave shortly<br />
thfreafter for Australia.<br />
Finds U.S. Films Lead<br />
In Latin America<br />
NEW YORK—Hollywood films are still the<br />
most popular in the Latin American market<br />
although British product is also coming into<br />
favor, according to Al Daff, head of worldwide<br />
sales and distribution for Univer.sal-<br />
International. Daff returned from the company's<br />
three-day Latin American sales con- ,<br />
,<br />
ference in Rio de Janeiro late in November, i ^<br />
Daff reported that business conditions are<br />
good in Latin America with the exception<br />
of Argentina, where American pictures are<br />
not being imported because revenue remittances<br />
are still prevented. Twelve of the<br />
forthcoming U-I releases were screened for<br />
the sales meeting and were enthusiastically<br />
received by the Latin American sales force,<br />
Daff reported.<br />
Following the Rio meeting, Daff and John<br />
Davis, managing director of the global J.<br />
Arthur Rank Organization, whose product is<br />
distributed in the U.S. by U-I and Eagle Lion<br />
Classics, visited Sao Paulo. Davis has returned<br />
to England.<br />
Many theatre operators in Latin America<br />
are planning new theatre construction, Daff<br />
said.<br />
Lawlor and Swanink Now<br />
Represent UA Overseas<br />
NEW YORK—John J. Lawlor and John P.<br />
Swanink have been named special United<br />
Artists representatives in India and western<br />
Germany, respectively, according to Al Lowe,<br />
general manager of the foreign department.<br />
Lawlor will be home office liaison with Western<br />
India Theatres, Ltd., the company's distributor<br />
in the territory. He succeeds Carlos<br />
Moore, resigned, who is returning for medical<br />
treatment. Lawlor was with UA in India<br />
from 1933-46 and was general manager there<br />
when he resigned.<br />
Swanink will be home office contact with<br />
Constantin Filmverleih, UA distributor in<br />
western Germany. He has been active in<br />
distribution in Europe for 20 years. For the<br />
last four years he served with the Motion<br />
Picture Export Ass'n in Holland, Austria and<br />
Germany.<br />
Lowe also said that Fred Byrne, chief accountant<br />
in the UA Sydney office since 1929,<br />
has been secretary of the Australian organization,<br />
succeeding Walter Thorburn, elevated<br />
,<br />
to managing director.<br />
Publicity Heads Called<br />
To MGM London Meeting<br />
NEW YORK—Five publicity heads of European<br />
territories will join sales managers<br />
in attending the MGM European sales convention<br />
in London December 11 for "King<br />
Solomon's Mines," according to Morton A.<br />
Spring, first vice-president of Loew's International.<br />
Spring .said that a sales and publicity<br />
convention for one picture is unprecedented<br />
in the history of Loew's International.<br />
Each publicity head will supervise, under<br />
home office direction, the promotion campaigns<br />
in neighboring countries as well as in<br />
his own country. David Lewis, sales manager<br />
for continental Europe, North Africa<br />
and the middle east, will preside.<br />
50-D BOXOFFICE December 2. 1950
OLLYWOOD<br />
NEWS AND VIEWS THE PRODUCTION<br />
(Hollywood Office— Suite 219 at 6404 Hollywood Blvd.: Ivan Svear, Western Manager)<br />
U.S. Court Dismisses<br />
CSU-IATSE Dispute<br />
HOLLYWOOD—A major setback for the<br />
Conference of Studio Unions in its lengthy<br />
fight against major producers and the lATSE,<br />
growing out of the 1946 studio strike, came<br />
when a motion to dismiss, filed by the defendants,<br />
was granted in federal district court<br />
here. CSU attorneys immediately announced<br />
they would appeal the ruling.<br />
The CSU, headed by Herbert K. Sorrell,<br />
originally filed the $43,000,000 suit in 1947,<br />
charging the major companies and the lATSE<br />
had conspired to lock out CSU workers in<br />
asserted violation of antitrust laws. Defendants,<br />
in addition to the lATSE. included<br />
MGM, 20th-Fox. Paramount, Columbia, RKO,<br />
Warners, Republic, Hal Roach, Samuel Goldwyn.<br />
Universal, the Motion Pictures Ass'n<br />
of America, the Paramount and Warner distributing<br />
companies and more than 40 film<br />
executives.<br />
In order to continue a detailed study of<br />
the request, the major studios secured a postponement<br />
until Monday (11) of a meeting<br />
with the Hollywood AFL Film council concerning<br />
the latter's petition for a cost-ofliving<br />
wage boost for nearly 20,000 studio<br />
workers. The unions involved maintain they<br />
are entitled to such an increase because, while<br />
wage scales have remained static since 1947.<br />
living costs have skyrocketed during the<br />
past three years.<br />
Paving the way for the launching of negotiations<br />
for a collective bargaining agreement,<br />
publicists employed by members of the Society<br />
of Independent Motion Picture Producers<br />
and the Independent Motion Picture Pi'oducers<br />
Ass'n. in an election supervised by<br />
the National Labor Relations Board, voted<br />
to select the Screen Publicists Guild as their<br />
bargaining agent. The SPG already has a<br />
basic contract with the major production<br />
companies.<br />
Move to Roach Studios<br />
HOLLYWOOD — Headquarters have been<br />
established at the Hal Roach studios in Culver<br />
City by Mid-Century Productions, newly<br />
formed independent unit, organized by Scenartists<br />
Aubrey Wisberg and Jack PoUexfen.<br />
Basin Drive-In Sold<br />
DURANGO. COLO.—T. R. Knox of Denver<br />
has purchased the Basin Drive-In here.<br />
Mrs. Knox will manage the airer.<br />
East: S. Sylvan Simon, Columbia producer,<br />
will leave late this month for South Africa to<br />
scout locations for an adventure drama which<br />
the studio will produce there in 1951.<br />
West: Robert V. Newman, Republic vicepresident<br />
and executive aide to President<br />
Herbert Yates, returned to his studio desk<br />
after two weeks of conferences with New<br />
York executives.<br />
West: Ray Heindorf, Warner studio musical<br />
director, trained in from Gotham after<br />
completing huddles on music campaigns on<br />
upcoming releases.<br />
West: Ted Tetzlaff, RKO director, accompanied<br />
by Lowell Farrell, unit production<br />
manager, and Lieut. Col. Stanley Latiolais.<br />
technical adviser, planed to Tokyo and<br />
Korea to scout locations for a forthcoming<br />
picture about the Korean war.<br />
West: Producers William Pine and William<br />
Thomas returned from Florida after<br />
scouting locations for their next picture for<br />
Paramount release. They were accompanied<br />
by Director Lewis R. Foster.<br />
South: Bryan Foy. Warner producer,<br />
checked in at the studio after completing<br />
location work at Folsom prison, near Sacramento,<br />
on his cuiTent picture.<br />
East: David A. Lipton, advertising-publicity<br />
director for U-I, planed for Manhattan<br />
for home office conferences.<br />
East: James A. Mulvey, president of Samuel<br />
Goldwyn Productions, returned to his<br />
New York headquarters after parleys here<br />
with Goldwyn anent the 1951 production<br />
program.<br />
West: Sidney Albright, managing director<br />
for 20th Century-Fox in Australia, checked<br />
in at the studio after huddles with New York<br />
officials of the company. He is conferring<br />
here with Darryl F. Zanuck and Joseph M.<br />
Schenck, production chiefs, before returning<br />
to his headquarters in Sydney.<br />
West: Ned E. Depinet, president of RKO,<br />
arrived from New York to sign a new distribution<br />
agreement whereby his company will<br />
continue to release cartoon and live-action<br />
product manufactured by Walt Disney,<br />
TV Actor Struggle<br />
Appears Near End<br />
HOLLYWOOD—That the long-standing<br />
and bitter controversy between the Screen<br />
Actors Guild and Television Authority concerning<br />
jurisdiction over thespians appearing<br />
in motion pictures, no matter through what<br />
medium they are exhibited, might be close<br />
to a settlement was indicated at midweek.<br />
Actmg upon a request from TVA, the SAG's<br />
executive committee postponed for two days<br />
a board meeting which had originally been<br />
called for November 27.<br />
The SAG directorate was informed that<br />
TVA "believes their contract in the live<br />
field"— a recently secured bargaining agreement<br />
— "narrows the issue between us." Possible<br />
settlement of the dispute was up for<br />
discussion at a midweek SAG board session<br />
which two TVA delegates, George Heller and<br />
Ken Carpenter, were scheduled to attend.<br />
Earlier, an NLRB hearing on the jurisdictional<br />
battle had been recessed until Monday<br />
(4). Both SAG and TVA are members<br />
of the Associated Actors and Artistes of<br />
America.<br />
SAG has held firm to its argument that<br />
it should retain jurisdiction over all actors<br />
appearing in any type of film, whether for<br />
theatrical, commercial or video use, w-hile<br />
TVA has been holding out for control over<br />
players appearing in TV pictures.<br />
Under sponsorship of the Family Theatre,<br />
Jerry Fairbanks Productions will shortly<br />
launch filming on "The Joyful Hour," a 60-<br />
minute subject which will be telecast on<br />
Christmas day by major networks and independent<br />
TV outlets. The Rev. Patrick<br />
Peyton, CSC, will produce.<br />
Harry Cohn Will Direct<br />
Cancer Hospital Drive<br />
HOLLYWOOD—Harry Cohn, president of<br />
Columbia, was named chairman of a national<br />
campaign to raise $1,400,000 for the construction<br />
of a new cancer hospital on the grounds<br />
of the City of Hope in Duarte, Calif. Cohn<br />
will head a committee of 100 civic and business<br />
leaders in the drive to complete the first<br />
all-free cancer hospital in America.<br />
Writer Turns Producer<br />
HOLLYWOOD—After several years under<br />
contract as a writer of screen musicals.<br />
George Wells has been elevated to producer<br />
status at MGM. His first assignment as producer-scripter<br />
will be "Broadway Baby." to<br />
star Red Skelton.<br />
BOXOFFICE December 2, 1950 51
STUDIO PERSONNELITIES<br />
Barnstormers<br />
RKO Radio<br />
TIM HOLT was guest oi honor al the sixth annual<br />
Tim Holt day celebration November 25 in El<br />
Ceniro, Brawley, Calexico and Mexicali in the Imperial<br />
valley area, in connection with the oHicial<br />
arrival of Santa Glaus in those communities.<br />
Brielies<br />
Warners<br />
With Gordon Hollingshead producing and Jack<br />
SchoU megging, camera work was launched on<br />
"In Old New York." musical short in the Hit<br />
Parade of the 'SOs series.<br />
Cleffers<br />
Metro<br />
ALBERT SENDREY is composing the music<br />
"<br />
)r "Father's Little Dividend.<br />
Warners<br />
ALEX WORTH will compose<br />
Streetcar Named Desire,"<br />
the score lor "A<br />
MAX STEINER is composing the score lor the<br />
John Wayne starrer, "Operation Pacific."<br />
Meggers<br />
Columbia<br />
JOHN ENGLISH will direct "Whirlwind," the new<br />
Gene Autry starring western, being produced by<br />
Armand Schaefer.<br />
Paramount<br />
HAL WALKER was signed to direct "Junior," upcoming<br />
Dean Martin-Jerry Lewis starring comedy,<br />
to be produced by Hal "Wallis.<br />
Options<br />
Republic<br />
Columbia<br />
LUCILLE BALL and JOHN AGAR will star in<br />
Producer Sam Katzman's "The Magic Carpel,"<br />
which will be directed by Lew Landers. PAT'RICIA<br />
MEDINA and RAYMOND BURR were signed for featured<br />
roles in the production. A comedy spot was<br />
handed GEORGE TOBIAS.<br />
Producer Robert Lord of Santana Productions<br />
signed LUDWIG DONATH for a character lead in<br />
the Humphrey Bogart topliner, "Sirocco," being<br />
directed by Curtis Bernhardt.<br />
Male lead in "No Help From Heaven" will be<br />
DANE CLARK. Femme lead opposite Clark will<br />
be CATHY O'DONNELL. Ralph Murphy will direct<br />
the Lou Appleton-Monty Shaff production, to start<br />
early next year.<br />
As the first of two pictures, PAT O'BRIEN will<br />
star in "Criminal Lawyer," with Rudolph Flothow<br />
producing and Seymour Friedman as the director.<br />
JANE WYATT will star with O'Brien. MIKE MAZURKI<br />
will portray Pat O'Brien's bodyguard.<br />
Independent<br />
male lead in "The the Bridge," being<br />
Set for<br />
produced and directed by Hugo Haas, was Robert<br />
DANE,<br />
GLORIA GRAHAME was signed by Producer Tom<br />
McGowan to star in "The Hyde Side," which is<br />
slated to roll next month with E. A. Dupont<br />
directing.<br />
Metro<br />
GORDON GEBERT, child actor, has been cast<br />
as Ray Milland's son in "People in Love." EILEEN<br />
CHRISTY, young singer and actress, was set for<br />
a supporting part in the picture, hei-ng directed<br />
by Fletcher Morkle.<br />
VAN JOHNSON will star with June Allyson in<br />
"Too Young to Kiss," a romantic comedy to be<br />
produced by Sam Zimbalist.<br />
Monogram<br />
Assembled lor roles in "Rhythm Inn" by Producer<br />
Lindsley Parsons were Dixieland musicians including<br />
WINGY MANONE, PETE DAILEY, MAT-<br />
MATTY<br />
the picture<br />
SMITH, FRITZ and RALPH<br />
were CHARLES<br />
LOCK and WALTER GROSS. Set for<br />
FELD<br />
SANFORD.<br />
Paramount<br />
HOUSELEY STEVENSON and DAVE WILLOCK<br />
were added to the cast of "Rendezvous," the<br />
Harry Tugend production starring Joan Fontaine<br />
and John Lund, MARY ANN and MAUREEN LYNN<br />
REIMER, 14-month-old twins, were cast in the picture.<br />
Also added was ANGELA CLARKE.<br />
A top role in "Here Comes the Groom" was<br />
honied ALEXIS Sl^ITH, JAMES' BARTON and CON-<br />
NIE GILCHRIST were booked for comedy portrayal.<br />
Starring Bing Crosby and Jane Wyman. the opus<br />
IS being produced and directed by Frank Copra.<br />
BERT FREED, Broadway stage actor, was added<br />
to the supporting cast of Producer Hal Wallis'<br />
"Quantrell's Raiders."<br />
RKO Radio<br />
BERNARD SZOLD and PAT PREST are cast additions<br />
to Producer Edmund Grainger's "Flying<br />
Leathernecks."<br />
Republic<br />
Assigned supporting roles in "Night Riders of<br />
Montana," the new Allen "Rocky" Lane sagebrusher,<br />
were ROY BARCROFT, CLAUDIA BARRETT<br />
and MYRON HEALEY. Fred Brannon is directing<br />
for Producer Gordon Kay.<br />
20th Century-Fox<br />
MICHAEL RENNIE, British actor,<br />
long-term ticket.<br />
nked<br />
Actress JEANNE CRAIN was given a one-year<br />
contract extension. She has just completed '"Take<br />
Core of My Little Girl."<br />
Universal-International<br />
RICHARD CONTE and JULIA ADAMS, both signed<br />
to long-term contracts, will be featured in the<br />
upcoming Leonard Goldstein production, "The<br />
Hollywood Story," which William Castle will direct.<br />
Set for a major role was HENRY HULL,<br />
Stage actor VAUGHN TAYLOR was handed a<br />
supporting role in "Francis Goes to the Races."<br />
CECIL KELLAWAY will portray a racehorse owner<br />
in the film which Arthur Lubin is directing, Donald<br />
O'Connor is starred.<br />
Option on actress PEGGIE CASTLE was hoisted<br />
for another year.<br />
JEROME COWAN was handed a character lead<br />
in "Little Egypt."<br />
DOROTHY SHAY, singing star, will have the<br />
femme lead in ""The Real McCoy," next Abbott<br />
and Costello comedy, which will roll in January<br />
with Howard Christie producing, Charles Lamont<br />
directing.<br />
Warners<br />
TOMMY FARRELL was signed for a featured role<br />
in "Strangers on a Train." He is the son oi<br />
actress Glenda Farrell, JOHN BROWN, radio comedian,<br />
was signed lor key supporting role. ROL-<br />
a<br />
LAND MORRIS and EDWARD CLARK are cast additions.<br />
DORIS DAY will enact the title role in "The Helen<br />
Morgan Story," biography of the nightclub singer,<br />
now being prepared by Producer Robert Arthur,<br />
The script is being written by Dean Reisner.<br />
Scripters<br />
RKO Radio<br />
Producer Samuel Goldwyn booked JOEL SAYRE<br />
develop the tentatively titled "I Want You," an<br />
to<br />
original by Samuel Goldwyn jr ,<br />
dealing with army<br />
ground lorces training,<br />
"Girl Gangs," from the original by Inez Robb,<br />
will be screenplayed by VIRGINIA KELLOGG for<br />
Producer Samuel Bischofi,<br />
Republic<br />
RICHARD TREGASKIS, war correspondent and<br />
author, has been assigned to the screenplay ol<br />
"Wings Across the Pacific," aviation drama to be<br />
produced and directed by Allan Dwan.<br />
20th Century-Fox<br />
WALTER BULLOCK has been teamed with Charles<br />
O'Neal on "Golden Girl," which George Jessel will<br />
produce.<br />
Story Buys<br />
Metro<br />
Frank Capra, Paramount producer-director, sold<br />
his original story, "Westward the Women," the to<br />
Culver City studio, where it will be directed By<br />
William A. Wellman, The outdoor action feature<br />
deals with the experiences of a guide who brings<br />
the first group of women westward during frontier<br />
days.<br />
Paramount<br />
"Trumpet Smith," a comedy by Ben Finney, was<br />
acquired for production by Irving Asher, with P. J.<br />
Wolfson assigned to the script. It is a story of exservicemen<br />
who suddenly find themselves back in<br />
uniform.<br />
Technically<br />
Columbia<br />
Whirlwind." Gene Autry start ill be pholo<br />
to<br />
graphed by WILLIAM BRADFORD.<br />
Metro<br />
HAL ROSSON will photograph "Love Is Better<br />
Than Ever."<br />
Film editor on "People in Love" will be ROB-<br />
ERT WATTS.<br />
Monogram<br />
WESLEY BARRY was set as assistant director on<br />
"Rhythm Inn," with WILLIAM SICKNER as cameraman,<br />
DAVID MILTON as art director and EDWARD<br />
J. KAY as musical director.<br />
Paramount<br />
DANIEL L. FAPP, cinematographer, was given an<br />
option hoist lor another two years.<br />
Dance director on "Rendezvous" is FRANCES<br />
GRANT.<br />
RKO Radio<br />
Producers Jerry Wald and Norman Krasna signed<br />
MAC JOHNSON as art director on "T'he Middle of<br />
the Night."<br />
Republic<br />
With JOHN MAC BURNIE at the camera, crew<br />
assignments lor "Night Riders ol Montana" also<br />
include ART VITARELLI. assistant director, and<br />
FRANK HOTALING, art director.<br />
20th Century-Fox<br />
Dance sequences in "The Guy Who Sank the<br />
Navy" will be staged by SEYMOUR FELIX,<br />
Crew lor "David and Bathshebo"' includes R, L,<br />
HOUGH, assistant production manager; F. E. JOHN-<br />
SON, assistant director; CHESTER C. McCOWN,<br />
technical adviser; LEON SHAMROY, cameraman, and<br />
BARBARA MAC LEAN, film editor.<br />
Universal-International<br />
Warners<br />
LE ROY PRINZ has been assigned as dance director<br />
on "Painting the Clouds With Sunshine."<br />
Title Changes<br />
Monogram<br />
"Trail Dust" to SIERRA PASSAGE.<br />
'<br />
"Montana Marshal to MONTANA DESPERADO.<br />
RKO Radio<br />
"Present for Katy" (Wald-Krasna) to THE MID-<br />
DLE OF THE NIGHT.<br />
20th Century-Fox<br />
"The Belle of Market Street" to GOLDEN GIRL,<br />
RKO Sets Starting Dates<br />
For Seven of 12 Features<br />
HOLLYWOOD — Definite starting dates<br />
have been set for the first seven in the<br />
initial year's output of 12 features to be<br />
made for RKO by P>roducers Jerry "Wald<br />
and Norman Krasna. Set to roll are:<br />
"Cowpoke." starring Robert Mitchum. to<br />
be megged by Robert Parrish, December 15;<br />
"The Harder They Fall" and "A Present<br />
for Katie," both January 2; "Strike a Match,"<br />
January 16: "The Blue Veil." which Curtis<br />
Bernhardt will direct, February 1: "Size 12"<br />
and "Girls "Wanted," February 15.<br />
Sidney Solow Named<br />
To Award Committee<br />
HOLLYWOOD— Sidney Solow, west coast<br />
manager ot Consolidated Film Laboratories,<br />
has been named chairman of a special committee<br />
on documentary awards for the forthcoming<br />
23rd annual Oscar derby of the<br />
Academy of Motion Picture Arts and Sciences.<br />
To UNESCO Film Panel<br />
HOLLYWOOD— Producer Robert Stillman<br />
has been appointed the Society of Independent<br />
Motion Picture Producers' representative<br />
on the UNESCO film panel, of which<br />
actress Myrna Loy is chairman.<br />
52<br />
BOXOFFICE December 2, 1950
. . Carl<br />
. . Nat<br />
. . serving<br />
. . was<br />
'Yankee' to Premiere<br />
At Four Star 21sl<br />
HOLLYWOOD—The world premiere engagement<br />
of MGM's "The Magnificent<br />
Yankee" will begin Thursday (21 1 at the<br />
Four Star Theatre here, following a starstudded<br />
invitational premiere on the previous<br />
evening. The film biography of Supreme<br />
Court Justice Oliver Wendell Holmes, starring<br />
Louis Calhern. was produced by Armand<br />
Deutsch and directed by John Sturges.<br />
It will open at the Radio City Music Hall<br />
in New Yorlc in January.<br />
LOS ANGELES<br />
T ured here to attend the recent USC-UCLA<br />
grid classic was Sammy Siegel, Columbia<br />
exploiteer, who had been on a trip to Portland,<br />
Seattle and San Francisco . Saland,<br />
operator of the Mercury film laboratories<br />
in New York, was a Filmrow visitor,<br />
renewing his exhibitor and distributor acquaintances<br />
in this area . Bryant,<br />
Republic office manager, is back on the job<br />
again after a short holiday at Palm Springs.<br />
It was birthday number 74 for Bob Beretta,<br />
salesman for the local National Theatre Supply<br />
branch. He celebrated by pouring drinks<br />
for the house—out of a king-size orange<br />
drink dispenser . . . Frank Fouce, operator of<br />
several Spanish-language houses here, including<br />
the Million Dollar and the California,<br />
planed out for Havana in search of talent for<br />
his accompanying stage shows . . . Bill Toplicker,<br />
theatre broker, flew to Kansas City<br />
and New York on business.<br />
Marquee of the week: "The Leathernecks<br />
Have Landed," "Woman on the Run." at the<br />
American Theatre in Newhall, operated by<br />
Barnes Perdue . . . First screening of MGM's<br />
promotional film, "The Metro-Goldwyn-<br />
Mayer Story," for southern California exhibitors<br />
was held at the Boulevard Theatres<br />
by George Hickey Pacific Coast division sales<br />
manager. The picture is set for additional<br />
screenings in 14 other territories west of the<br />
Mississippi.<br />
Burl Rogers, new owner of the Saticoy Theatre<br />
in Saticoy, checked in on a booking-buying<br />
spree . . . Herb Turpie. western division<br />
manager for Manley Popcorn, hopped up to<br />
Seattle on a business trip . . . Mrs. Celeste<br />
Gordon, secretary to Izzy Berman at the<br />
Eastland circuit, became the mother of a baby<br />
girl, born November 22 . . . Recuperated from<br />
minor surgery, Jim Finkler of the Finkler &<br />
Smith booking service checked out of the<br />
Loma Linda hospital . . . George A. Smith,<br />
Paramount's western division sales manager,<br />
took off for Denver and Salt Lake City for a<br />
week of huddles with branch managers in<br />
those cities.<br />
Services were held for Alan R. Brake. 43,<br />
head of the purchasing department of Pacific<br />
Drive-In Theatres, who died of a lingering<br />
illness. Before affiliating with the drivein<br />
chain. Brake had been associated with<br />
National Theatre Supply and the National<br />
Theatres circuit. He is survived by the wife,<br />
a son and his mother.<br />
III<br />
RANTING that "Movies Are Better<br />
Than Ever" and submitting the opinion<br />
that such evaluation applies most especially<br />
to the king-size westerns which currently<br />
occupy so prominent a place on releasing<br />
.schedules, it nonetheless is difficult to<br />
justify recent bookings in the two local first<br />
run Paramount theatres, the Downtown and<br />
the Hollywood.<br />
After a disappointing two-week run in<br />
those showcases of Republic's "Rio Grande,"<br />
immediately following came Paramount's<br />
"Copper Canyon."<br />
Both are among the best of the 1950 crop<br />
of superwesterns, but despite the popularity<br />
of such category, there probably is a limit to<br />
the amount of sagebrush that the ticket buying<br />
public cares to absorb in a limited period<br />
of time.<br />
A feature of more general character sandwiched<br />
in between the two gallopers would<br />
have manifested shrewder showmanship.<br />
Seems as though you just can't be sure of<br />
anything in this unpredictable industry.<br />
Alex Evelove announced that Warners<br />
would stage the world premiere of "Dallas,"<br />
starring Gray Cooper, in Dallas—which was<br />
as expected.<br />
But in almost the same breath the Burbankian<br />
blurb chief disclosed that "The West<br />
Point Story" had been set to make its debut<br />
not at West Point, but at the Oriental Theatre<br />
in Chicago.<br />
Further from Anxious Alex, information<br />
that "The Australian Davis Cup champs,<br />
Frank Sedgman, Ken McGregor, George<br />
Worthington and Mervin Rose, got their first<br />
view of picture-making with beautiful Jane<br />
Wyman . as their guide through<br />
Warner Bros, studios."<br />
From one racket to another.<br />
From John (I Can Dream, Can't I?) Del<br />
Valle an ornithological tidbit anent "Vultures<br />
are so scarce now in the Arizona skies that<br />
the prop man on Nat Holt's 'Fort Savage' inserted<br />
ads in the Los Angeles, Phoenix and<br />
Flagstaff papers. He needs four trained vultures<br />
..."<br />
What a waste of advertising dollars when<br />
trained vultures can be picked up at a dime<br />
a dozen on the Strip—within spittin' distance<br />
of Producer Holt's office.<br />
Screen credits for Universal-International's<br />
recently previewed "Mystery Submarine" reveal<br />
that the story and screenplay were written<br />
by George W. George and George F.<br />
Slavln.<br />
A gander at the reviews of the opus gives<br />
rise to the theory that it is not always well<br />
to "let George do it."<br />
A morsel from Blake McVeigh, who titillates<br />
the tom-toms on behalf of Producer<br />
Harry M. Popkin and Cardinal Pictures, informs<br />
that Filmmaker Popkin was "accepting<br />
congratulations of his staff" because heavy<br />
floods in central California recently swamped<br />
the location site which had been used in his<br />
current production. It seems, according to<br />
McVeigh, that Popkin avoided heavy losses<br />
by a previous decision to push the shooting<br />
schedule a month ahead of the original plan.<br />
And that's reaching pretty far to give the<br />
boss a congratulatory "yes"; or maybe Producer<br />
Popkin and his crystal ball should be<br />
moved to the meteorological service.<br />
Someone in Al Horwits' U-I blurb department<br />
broadcasts intelligence that "Bonzo,<br />
five-year-old chimpanzee . signed to a<br />
long-term contract by the studio. Pact gives<br />
U-I the chimp's exclusive services for motion<br />
pictures for its duration. Bonzo himself was<br />
brought to the studio for the signing and<br />
personally scratched an 'X' on the bottom<br />
of the contract under the guidance of Michel<br />
Kraike."<br />
And the desperate publicist who monkeyed<br />
around with that one probably had to put<br />
his "X" on the copy.<br />
><br />
As Cinemanians now know, Jaik Rosenstein,<br />
Hollywood reporter and publicist, wrote<br />
a book. On the very yellow jacket thereof appeared<br />
a quote from Dorothy Kilgallen, New<br />
York Journal-American columnist, obviously<br />
written before the tome was in print, to wit:<br />
"Many a movie star is trembling at the<br />
news that Jaik Rosenstein is writing a book<br />
'exposing' the film colony."<br />
Miss Kilgallen was more prophetic than she<br />
thought. Movie stars are trembling—but with<br />
laughter.<br />
><br />
While the tradepress reviews on Producer<br />
Stanley Kramer's United Artists release,<br />
"Cyrano de Bergerac," were unanimous in<br />
singing the picture's praises for its artistry<br />
and productional splendor, the same consensus<br />
opinion held that the feature could do<br />
with a bit of intensive merchandising if it<br />
hoped to become a popular choice with runo'-mill<br />
ticket buyers.<br />
Which situation puts George Glass, veteran<br />
Hollywood press agent and now a vice-president<br />
of Kramer's organization, up against<br />
as tough a chore as has confronted him in<br />
many years. Obviously, Garrulous George<br />
and the know-how he has acquired are<br />
making impressive inroads on the Herculean<br />
task—not the least of which is the selection<br />
of the film as "Movie of the Week" by Life<br />
magazine, and a resultant three pages of<br />
laudatory text and interest-commanding<br />
stills.<br />
Here's an instance where the "let George<br />
do it" routine will pay off.<br />
><br />
Something of a new high in the wishfulthinking<br />
derby was attained by Arthur Eddy,<br />
free-lance praiser, with an item asserting that<br />
20th-Fox's "I'd Climb the Highest Mountain"<br />
had been selected as "the best picture of the<br />
month" for November by the Protestant Motion<br />
Picture Council.<br />
So far as can be learned, that opus hadn't<br />
yet been screened for anyone's appraisal at<br />
the time Artful Arthur's announcement was<br />
made.<br />
BOXOFFICE : : December 2, 1950 53
^(mcOm ^cfront<br />
pOR SOME TIME past the Cinema Exhibitors<br />
Ass'n has been pressing the British<br />
Newsreel Ass'n to drop the arrangement<br />
whereby all newsreels were simultaneously<br />
pressing for a rise in hire charges. Granada<br />
Theatres in particular had been so insistent<br />
that they would not pay the new rates that<br />
for some time they ran their programs without<br />
a newsreel. Now that circuit is back<br />
with newsreels again, but this time it is an<br />
American reel which is outside the association.<br />
Granada is showing in its 60 theatres,<br />
and also at such independent locations which<br />
book it from them, the Heart reel, Telenews,<br />
two editions of which are being flown here<br />
each week and telescoped into one weekly<br />
edition.<br />
Sidney Bernstein made the deal with Telenews<br />
on his last trip to the U.S.A. and the<br />
reel is being edited and processed here by<br />
National Screen Service. In addition to the<br />
matter sent direct from America spot news<br />
is being supplied by the London bureau of<br />
Telenews.<br />
If more contracts are entered Into for the<br />
supply of the reels to houses outside of the<br />
Granada chain the new entrant into the<br />
newsreel field may well bring down the price<br />
of this service—at least for the time being.<br />
While Telenews has only a small organization<br />
in this country it would be possible<br />
for the reel to undersell the British companies,<br />
but there is that if the demand grew<br />
the staff need for more coverage of British<br />
news would obviously add to the overhead.<br />
It has never yet been proved to anyone's<br />
satisfaction that the newsreel adds materially<br />
to a theatre's turnover, but Bernstein's move<br />
in bringing back the reel would Indicate that<br />
it must at least have been missed in the<br />
Granada chain. The charge against newsreels<br />
in the U.S. that they show old news<br />
which viewers have seen on television cannot<br />
yet be made here for although the BBC<br />
has had a television service operating since<br />
long before the war. it is not yet in universal<br />
use here. The main reason is that radio and<br />
television sets carry a high purchase tax in<br />
common with so many other manufactured<br />
articles and the working classes cannot afford<br />
the outlay. Also, since the BBC has not<br />
unlimited funds for their programs the<br />
television here cannot compare in the standard<br />
of its entertainment with a good movie.<br />
PARAMOUNT'S CARLTON Theatre in the<br />
Haymarket looks like paying heavily for its<br />
a.uota this year. After the short run of "The<br />
Elusive Pimpernel," which did very poor business,<br />
It has opened with another British<br />
Lion release, "The Naked Heart," which looks<br />
like continuing the bad record. Not a Korda<br />
picture this time, although released by his<br />
company, the present film was produced by<br />
Nelson Scott and directed by Marc AUegret.<br />
It stars Michele Morgan, Kieron Moore and<br />
Francoise Rosay.<br />
"The Naked Heart" is a very expensive production<br />
that was dogged by bad luck right<br />
from the start. Based on the novel "Maria<br />
Chapdelaine" the story is set in French<br />
Canada in the year 1912 and when a permit<br />
for dollars was refused to shoot on the actual<br />
location the unit went to Austria as ihe<br />
By JOHN SULLIVAN<br />
nearest country with a certain fall of snow<br />
for the exteriors. Arrived there they found<br />
that the snow was the lightest for many<br />
years and this was the first of a series of<br />
setbacks.<br />
Sometimes a setback at the start puts the<br />
crew and actors on their mettle and a good<br />
film is the result. Unfortunately in this case<br />
the reverse is the fact and the picture is<br />
slow, tedious and unbelievable. Miss Morgan,<br />
competent as ever, has little help from her<br />
script which makes her appear an irritating<br />
woman who cannot make up her mind which<br />
of the tlu'ee suitors she should choose. After<br />
far too long a time she decides to settle for<br />
Jack Watling, who is completely miscast as<br />
an illiterate French Canadian trapper. His<br />
Oxford accent among the miscellany of<br />
broken French makes him sound more like<br />
a Rhodes scholar than an uneducated backwoods<br />
boy.<br />
American audiences will be irritated by the<br />
slow direction and overacting of "The Naked<br />
Heart" and Canadian audiences will more<br />
probably be actively annoyed.<br />
J. ARTHUR RANK had some hard words<br />
for independent exhibitors at Leeds during<br />
his recent tour of the provinces. "It would<br />
help us materially, he said, if second run<br />
theatres would go in for more exploitation<br />
schemes. We offer to pay 50 per cent of<br />
the exploitation costs, but they want us to<br />
pay the lot and we will not do so."<br />
Rank had already made these charges at<br />
Glasgow, earlier in his tour and repeated<br />
at Leeds after the local CEA branch had<br />
sent him a telegram complaining about the<br />
remarks made in Scotland.<br />
Apart from the above. Rank also commented<br />
on the Eady plan. He said: "Sir<br />
Wilfred Eady has been a friend of the industry<br />
and has made a good start by putting<br />
on one farthing per seat to help production,<br />
but that is not enough. We need<br />
more help if we are going to get British<br />
film production on a sound basis."<br />
The next step in his tour was to Liverpool<br />
and there, the day after his Leeds .speech<br />
Rank told a press conference: "Out of 12<br />
pictures with the biggest gross at the boxoffice,<br />
six were British and six American.<br />
But the six Briti.sh took more than the<br />
American and certain American films grossed<br />
less than the worst Briti-sh pictures. I would<br />
like exhibitors to take greater advantage of<br />
exploiting to the full those British films<br />
which are of real merit."<br />
THE BENEFITS of Anglo-American production<br />
for independent producers being<br />
obvious the trend is continuing. Marcel<br />
Hellman has just finished his big musical,<br />
"Happy Go Lovely." which was made partly<br />
with American money and now another<br />
independent producer has returned from<br />
Hollywood with a three-picture deal.<br />
This time it is Edward Dryhurst who has<br />
announced that he will make three films<br />
in association with U.S. interests. The first<br />
will be "Castle in the Air," which is based<br />
on a successful London stage show. The<br />
second, "A Bullet in the Ballet," is a comedy<br />
thriller based on a novel by Caryl<br />
Brahms and S. J. Simon. This subject was<br />
originally bought by Ealing studios and has<br />
been bought from them by Dryhurst. The<br />
third production will be made jointly by<br />
Dryhurst and Frederick Brisson and is titled<br />
"Forbidden Cargo." It will be made in Spain<br />
with Dennis O'Keefe in the lead.<br />
Denver Variety Tent 37<br />
Elects New Directors<br />
DENVER—Variety Tent 37 elected the following<br />
directors for 1951: Duke Dunbar, Hall<br />
Baetz, Robert Selig, William Hastings, Ralph<br />
Batschelet, A. P. Archer, Bernie Hynes, Fred<br />
Brown, Joe Ashby, Joe Stone and Harry<br />
Green, and the last five chief barkers, including<br />
Robert Garland. Robert Hill. Tom<br />
Bailey, Milt Hossfeldt and Pat McGee. They<br />
will meet December 31 to elect officers for<br />
the coming year.<br />
The club is putting on an intensive membership<br />
campaign, and hopes to add at least<br />
100 new members. Batschelet, manager of<br />
the Paramount, is chairman of the drive.<br />
Census Shows TV Viewing Holds Up,<br />
Motion Pictures Are Most Wanted<br />
HOLLYWOOD—Movies are the "most<br />
wanted" entertainment on television; theatre<br />
TV is apparently not a popular device,<br />
while Phonevision or some similar<br />
pay-as-you-view method of watching top<br />
films on home video receivers would find<br />
considerable favor with a majority of television<br />
audiences.<br />
Those are among the findings in the<br />
fourth "tele cen.sus" to be undertaken by<br />
students of Woodbury college, Valley college,<br />
Redlands university and San Jose<br />
State college, ba.sed on a "random area<br />
sample" of some 3,000 TV set owners in<br />
Los Angeles, the San Francisco bay area<br />
and the fringe areas of San Bernardino<br />
and Riverside, Calif.<br />
Findings in the door-to-door survey:<br />
TV is not a novelty that will wear off;<br />
there is only a 6 per cent drop in viewing<br />
time with persons who have had sets for<br />
a year or more and only a 7 per cent drop<br />
where sets have been in operation for<br />
two years or more.<br />
Sixty-eight per cent of those interviewed<br />
said they go to the movies less<br />
often since purchasing TV receivers.<br />
Sixty-seven per cent would not pay the<br />
average boxoffice price to see TV on a<br />
large-size theatre screen—even if the show<br />
were available only in that theatre and<br />
not on home video, while 28 per cent indicated<br />
they would patronize such theatre<br />
television performances.<br />
Thirty-nine per cent would pay $1 or<br />
more to see a first run picture on their<br />
home screens; 39 per cent would pay 50<br />
to 85 cents.<br />
Eighty per cent want color TV when it<br />
becomes available.<br />
54 BOXOFFICE December 2, 1950
—<br />
, , . .c<br />
—<br />
•<br />
.<br />
. . Rudy<br />
. . The<br />
•'<br />
. .<br />
. . The<br />
. .<br />
Los Angeles Trade<br />
SAN FRANCISCO<br />
£163u6Q Dy l^yralio pnday night (1) was a night to remember<br />
„„, „„ ^ , ^ J at the Variety Club here when a gala<br />
LOS ANGELES—Several top-draw new- ^<br />
_, , ... . , .<br />
/ ,, ^<br />
, ,, ,.<br />
J t tu < Tahitian night<br />
..r^- held sway. There were nacomers<br />
plus the contuiued strength of King ,. ,. ^ ^. / . .<br />
p & „ ,.<br />
= tive orchestra, native entertainers, an array<br />
Solomons Mines ' lifted the overall first , .<br />
, , ^^ ^„, ,\-<br />
, ,,. ^ .<br />
,t ,, ,, ,, •<br />
of guest stars and an authentic Tahitian<br />
run boxoffice to heights which, considering „. ,<br />
,,, ,<br />
, ^ .<br />
banquet.<br />
, i », All guests were asked to come atoast<br />
performances over recent months, are » j i, , t. ^ ^^. „ ., ,<br />
•<br />
T, 1 .1, tired in beachcomber or sports attire. United<br />
little short of impressive. Racking up the ,. , t, j. ,. - ' , ,.,,,„ .,.<br />
7. ,. . I,<br />
t *• 1<br />
Air lines flew direct t<br />
from the South Pacific<br />
weeks best business, m its initial stanza, was ,, . .,, ^.. , ^,,<br />
J „ .. v.- 1, u j-f u Vanda orchids which were given free to the<br />
'Cyrano de Bergerac, which—benefiting by , ,. _.. . . . , * j ^<br />
" jj s<br />
, ., , ladies. Other events scheduled for the Vaan<br />
invitational premiere and a two-a-day, ^ „, ,. t^ i. ,^ ,^, ,, „<br />
^ ,. , -^ J- „/„ riety Club: December 15, The Harvey Boys<br />
advanced price policy, hit a resounding 250 , .<br />
j i. , , , „„ ,<br />
. ,.,, ., .„ ^ annual roundup and<br />
-i<br />
chuckwagon feed; 22nd,<br />
per cent. Mines, still going strong in its _. . , , , i,. , ,<br />
^ \ ^ xl „ ^ on,^ v, 1 ..All Christmas party for the kids and young m<br />
second stanza, chalked up 200, while All „ * o, * . »t -,, . ^<br />
, , „ „ J ..rriv, IT, * n .- o* " Heart 31st gala New Year's eve jamboree.<br />
About Eve and "The West Point Story<br />
finished their first weeks with 160 and 140, Graham Kislingbury, district manager for<br />
respectively. North Coast Theatres and a member of the<br />
(Average !s 100) dinner committee of the San Francisco Press<br />
^'^^^' '^^^ selected chairman of the Gang<br />
'^All''AbouTEve^!20^'hFoxf°^"''.'°:...*^^^<br />
Egyptian. Loews State—King Solomon's MLnes dinner honoring Geii. Mark W. Clark and<br />
'(MGM), 2nd wk.<br />
Fine Arts Cyrano de Bergerac (UA), advanced<br />
200 qqi Oliver Vickerey*'<br />
at the Pi-ess club No-<br />
250 vember 24. prices General Clark's subject was.<br />
Four Star^Faust and the Devil (Col) 2nd wk...... 50 "Qur Readiness." Vickerey, who is an ob-<br />
Hawau. Orpheum Dial 1119 (MGM); Right Cross<br />
^ ^, , ,. , ,<br />
2nd wk 90 server at the Institute of Nuclear Energy in<br />
(MGM),<br />
100<br />
Hollywood.<br />
Hillstreet,' Pantages—Mad<br />
Pigmy Island (Col)<br />
Downtown Paramounts—Copper<br />
Wednesday (RKO);<br />
Can-<br />
Copenhagen,<br />
_ ,,<br />
Prom „ the European<br />
spoke on<br />
,,.<br />
Viewpoint."<br />
"Atomic<br />
. ^ „<br />
Warfare<br />
yon (Para); Music in the Moonlight (Rep re-<br />
''<br />
UnUe"d^?t?sTs"'°RT.z, c"u'fver, 'gt'dro'cy,- Vogue--<br />
^el Klein of Columbia Was feeling mighty<br />
The Milkman (U-I); Bandit Queen (Uppert) 95 philosophical the Other day. "Today I am<br />
'"^T.rv^Xo^'\^B)"":..''.°^^^^^^^^ 140<br />
a '"a"'' ^aid<br />
got me wearing<br />
Mel, ". .<br />
bifocals!"<br />
an<br />
.<br />
old one.<br />
. Congratulations<br />
They<br />
.<br />
.<br />
to Hannah Oppie, secretary at the ITO<br />
'Mines' Scores Nice 200 of Northern California office. Hannah be-<br />
In San Francisco came grandmother for the second time re-<br />
SAN FRANCISCO—Breaking a record, cently when her daughter gave birth to a<br />
"King Solomon's Mines" rated a boastful baby boy.<br />
200 per cent in its opening week at the Warfield.<br />
The Orpheum boasted 180 for the open- I" town were Robert Taylor and his wife<br />
170<br />
.<br />
ing of "Between Midnight and Dawn." Barbara Stanwyck. Local press covered with<br />
Cinema-Rio Grande<br />
ol 1951 (Rep), 2nd<br />
(Rep), 2nd wk.; Hit Parade<br />
d t. wk „<br />
interviews, capably arranged for by Ted<br />
Galanteer, MGM exploiteer . . . Rotus Har-<br />
Milkman (U-I); Sunset Boulevard<br />
returned from the COMPO executive<br />
^Tparar'^''^<br />
^^^<br />
Fox—The lackpot (2bth-Fox) 160<br />
ygy<br />
board meeting in New York . North-<br />
1-1000 -.-y^..... 100<br />
California ITO held its monthly lunch-<br />
(Col);<br />
Zamba (ELC) !80 eon meeting and nominated officers for the<br />
Golden Gate--South^de<br />
Orpheum Between Midnight<br />
(Mono)<br />
and Dawn<br />
Paramount-Dial 1119 (MGM), plus Lucille Ball<br />
and Desi Amaz on stage 100<br />
December election.<br />
St. Francis—The Glt^ss Menagerie (WB), 3rd wk... 85<br />
United Artists—Three Husbands (UA), 2nd wk 140 Admission prices at the Cascade in Red-<br />
United Naiions--All About Eve (20th.Fox). 5th<br />
^^^ ^.^^ ^^^^ increased, according to Michael<br />
Warfield—King Solomon's Mines (MGM) 200 Kassis, manager . Buchanan, Lakeside<br />
in Tahoe, was here a few days<br />
Local salesmen are giving their all for the<br />
Denver Btisiness Booms,<br />
Will Rogers Memorrial hospital five-mile<br />
Two First Runs Hit 175<br />
long Christmas card drive. All are going to<br />
DENVER—Elegant weekend weather enabled<br />
first runs to run up nice grosses, for<br />
exhibitors to get cards filled with contributions.<br />
the most part.<br />
Aladdin, Tabor, Webber—Three Husbands (UA);<br />
Chain Gang (Col) 175<br />
Broadway—Two Weeks With Love (MGM) 170<br />
Denham—Let's Dance (Para) 140<br />
Denver, Esquire-The lackpot (20th-Fox); Military<br />
Academy (Col) 175<br />
Orpheum—The Miniver Story (MGM); Cow Town<br />
(Col) 95<br />
Paramount- I'll Get By (20th-Fox); Gallant<br />
Thoroughbred (Rep), Znd wk 100<br />
P.ialto—American Guerrilla in the Philippines<br />
(20tli-Fox); Iroquois Trail (UA), 3rd d. t. wk....l25<br />
Vogue—Beouty and the Beast (SR); Satin Slippers<br />
(SR), 2nd wk., reissues 125<br />
Heavy Salt Lake Fogs<br />
Hit Theatre Business<br />
SALT LAKE CITY—Heavy fogs cut attendance<br />
at local theatres during most of<br />
this week, with "King Solomon's Mines" the<br />
least affected and still doing holdout business<br />
at the Lyric in its second week. Unprecedented<br />
fogs kept most theatregoers<br />
home.<br />
Robert Lippert in town from Los Angeles,<br />
as were Robert Lippert jr. and his wife . . .<br />
Sammy Seigel, publicist for Columbia Pictures,<br />
and Anne Belfer, North Coast Tlieatres<br />
publicity gal, worked out a happy promotion<br />
on the opening of "The Fuller Brush<br />
Girl." Some 25,000 heralds were distributed<br />
by Fuller Brush Co. salesmen a week prior<br />
to the opening; a radio station tieup for<br />
daily spots and another tiein with Lucille<br />
Ball's My Favorite Husband program.<br />
Jack Hurley is home recuperating from an<br />
illness . . . Walter Chenoweth, Coronet manager<br />
and the dapper dan of the theatre<br />
business, was seen headed down Filmrow .<br />
San Francisco Theatres is holding a ChrLstmas<br />
drive for sale of gift books, using 150<br />
six-sheets and 25, 24-sheets, personalized<br />
theatre trailers with announcements by Bud<br />
Heide, lobby posters and window card displays<br />
and a contest among employes and<br />
managers.<br />
. . .<br />
Irving M. Levin, division director of San<br />
Francisco Theatres, returned with his family<br />
The<br />
from a week in Palm Springs Coli-seum is being renovated and painted on<br />
the inside as well as outside. Ed Scheeline<br />
is manager . Balboa just finished a<br />
month of giveaways. Four being given away<br />
each Monday night. The Metro and the<br />
Balboa are both working up Christmas co-op<br />
deals with merchants in their neighborhoods.<br />
Scores 'Operation Pacific'<br />
The score for the Warner film, "Operation<br />
Pacific," is being composed by Max Steiner.<br />
METAL POSTER FRAMES<br />
"Wel-Bilt" Banner and Easel Frames<br />
Finishes—Chrome or Wrinkle<br />
Colors—Red, Green, Silver<br />
DRIVE-IN THEATRE MFG. CO. INC.<br />
[Wo<br />
have the<br />
Count on Ul<br />
IN THE SMART STYLING OF THE NEW<br />
HEYWOOD-WAKEFIELD THEATRE CHAIRS<br />
Pnr'tUr Co^'f Disfributors<br />
B. F. SHEARER COMPANY<br />
SEATTLE PORTLAND SAN FRANCISCO LOS ANGELES<br />
2318 SECOND AVE. 1947 N.W KEARNEY 243 GOLDEN GATE AVE. 1964 SO. VERMONT<br />
ELIiot 8247 ATwater 7543 UNderhill 1816 Rochester 1145<br />
"?,f?,''°L'<br />
Jor<br />
YOUR<br />
If^^ATRE<br />
THEi THEATRE EXCHANGE CO.<br />
^ 201 Fini Fine Arts Bldg. Portland 5, Oregon<br />
BOXOFFICE December 2, 1950 55
. . . Apologies<br />
a<br />
SALT LAKE CITY<br />
Diimors that a jury trial will result in one<br />
of the suits brought by distributors<br />
against a local theatre group have been<br />
heard in the federal building. If so. this will<br />
delay the case until spring and will be one<br />
of the few trials of its type in the business<br />
in the country, according to information<br />
along Filmrow . . Active campaigning has<br />
.<br />
been going on for various Variety Club offices.<br />
Elections were this weekend.<br />
Lyle Tuttle of Grace, Ida., is taking over<br />
the theatre at Soda Springs. He plans a remodeling<br />
program ... A vacation in Yellowstone<br />
park two years ago resulted In a<br />
trip to California last week for Arvella Jay,<br />
%ffoa, iL<br />
Progressive Advertisers want<br />
their local screen advertising to<br />
follow the BUSINESS BREVI-<br />
TIES "leader" on your theatre<br />
screen.<br />
Giff Davison's secretary. Seems Arvella witnessed<br />
the attack by a bear on a tourist<br />
in the park and recently the tourist sued<br />
in a coast court for loss of a hand. Arvella<br />
was called to the coast court as a witness<br />
to Nelson Soehlke for a couple<br />
of dropped lines in a recent column. Story<br />
of his acceptance of a salesman's job for<br />
RKO out of Chicago was carried in the<br />
column along with an item about Hal Hawk<br />
taking over a Logan theatre. Inadvertently,<br />
B—<br />
a couple of lines were dropped, so Nelson's<br />
name was left out.<br />
Visitors along Filmrow: Earl Steele of<br />
Nephi, Earl Whittaker of Marysvale. who<br />
LEADER<br />
Cooperate with your local merchants.* RUN . . .<br />
BUSINESS BREVITIES<br />
2269 Ford Parkway<br />
St.<br />
Paul, Minn.<br />
LOCAL SCREEN ADVERTISING OF QUALITY<br />
/ZeJ A. ^^f<br />
FILM INDUSTRIES, INC.<br />
208 So. LaSalle St.<br />
Chicago,<br />
Illinois<br />
has been co-operator of a drive-in at Pasadena<br />
for the past few months; Roy Firmage,<br />
who had his arm in a sling as a result of a<br />
fall in his projection booth, and Karl Rummler<br />
of Salina.<br />
Exploiteers here recently were Cliff Brown,<br />
to set up a campaign on "The Milkman" at<br />
the Uptown and Villa, and Max Bercutt<br />
of Warners, working on "Breakthrough"<br />
and "The West Point Story" . . . Don Campbell,<br />
veteran of 12 years -service at various<br />
exchanges on Filmrow, is new booker at<br />
Paramount, according to Manager Frank H.<br />
Smith.<br />
Warren D. Butler took the occasion of the<br />
opening of "King Solomon's Mines" at the<br />
Lyric to call attention to his second anniversary<br />
as a first run de luxe theatre. The<br />
Lyric opened with "Three Musketeers" in<br />
1948 under its new policy, followed with<br />
"Adam's Rib" last year, and ran half-page<br />
and color ads prior to opening of "Mines"<br />
this year. The opening was preceded by a<br />
long teaser campaign on the picture . . .<br />
Intermountain Theatres grouped all theatres<br />
into a 3xl8-inch ad prior to Thanksgiving,<br />
following a policy similar to its Christmas<br />
advertising.<br />
Theatremen Charged With<br />
Operating Lottery<br />
NAMPA, IDAHO — Richard Conley, manager<br />
of the Fox Majestic and Adelaide theatres<br />
here, has been charged by three Nampa<br />
businessmen with operating a lottery in conjunction<br />
with a drawing held at his theatres.<br />
The complaint was the outgrowth of a promotional<br />
event in which city theatres were<br />
participating. Drawings were set for each<br />
Thursday with $100 in cash to be awarded.<br />
At the end of a sLx-week period, a new Ford<br />
was to be given away. Thirteen merchants<br />
were cooperating with the theatres by giving<br />
free tickets to the drawings for each $1 worth<br />
of merchandise purchased. The complaining<br />
businessmen were not among the group cooperating.<br />
Conley pleaded innocent to the<br />
charges and the case was set for December 12.<br />
Conley and William Lees, owner of the Pix<br />
Theatre which was also taking part in the<br />
drawings, said they had secured the approval<br />
of the county prosecuting attorney before<br />
starting the event. They said the drawings<br />
could not be considered a lottery because<br />
merchants would give tickets to anyone asking<br />
for them, regardless of whether purchases<br />
had been made.<br />
Frank Larson to Wyoming<br />
SHERIDAN, WYO.—Frank Larson of Missoula,<br />
Mont., has taken over as manager<br />
of Fox theatres here. He succeeds Marvin<br />
Skinner, who will manage North Platte, Neb.,<br />
houses.<br />
Riche'y Theatre Reopened<br />
RICHE'V, MONT.—The Richey Theatre<br />
here has been reopened under the management<br />
of Harold Goulding.<br />
ksk our representotiye to call today—No obligation.<br />
•Walch for your beauUiul Ansco-color Christmas season trailer lumiiihod free to OUR<br />
Exhibitors and Customers.<br />
_,/) WE HAVE THE BUYEHS<br />
)\tl LIST WITH<br />
FRED B. LUDWIG, Bkr.<br />
lUeaUe SaUi. div.<br />
''J/<br />
IRV BOWRON, Sales Mgr.<br />
E. 4229 N. Broadway MU-4300<br />
|7i\\<br />
)\\ Portland 13. Ore.<br />
56 BOXOFFICE :: December 2, 1950
. . . Eugent<br />
. . Jean<br />
. . W.<br />
. . George<br />
. . THEY<br />
SEATTLE<br />
T avern DeWaide, wife of George DeWaide,<br />
U-I manager, provided the turkey for the<br />
family's Thanksgiving dinner the easy way:<br />
She won it in a golf tournament at the<br />
Helen Reynolds of<br />
Rainier Golf club . . .<br />
Saffle's Theatre Service entertained her<br />
family for the holiday; Mr. and Mrs. G. A.<br />
Drake of Yakima, her parents, and C. E.<br />
Reynolds, her brother, and his wife and two<br />
daughters from Bremerton . . . Les and Cora<br />
Theuerkauf flew to California for a short<br />
vacation.<br />
Chester Weaver will close his theatre at<br />
Onalaska December 3 for remodeling. It will<br />
reopen December 31 . . . Roy C. Irvine, owner<br />
and manager of the Ritz in Ritzville, tied<br />
his theatre into the election week activity<br />
by showing two comedies, "Fancy Pants" and<br />
"Louisa." His ad in the local paper pictured<br />
a mule and an elephant smiling at each<br />
other plus an admonishment to be sure to<br />
vote.<br />
. . . Jack Neville<br />
"Red" Jacobs, franchise holder on the<br />
coast for Favorite Films, conferred with Buck<br />
Smith, Seattle manager<br />
returned from Florida where he was called<br />
by the serious illness of his sister . . .<br />
Walter Hoffman visited in Portland.<br />
. . . Larry<br />
Recent exhibitors on the Row included<br />
Joe Rosenfield, Spokane; Roy and Layton<br />
Stalcup, Tacoma; Walter Graham, Shelton,<br />
and John H. Hall, Benton City<br />
Pulls, eastern Washington salesman for<br />
Paramount, was in from Spokane . . . Death<br />
claimed two former northwest theatremen<br />
recently. Whitey Merwin, widely known in<br />
the northwest and coast motion picture business,<br />
died of a heart attack on the street<br />
In San Francisco November 21 while on his<br />
way to a doctor. Merwin operated a theatre<br />
in Tacoma several years ago and more recently<br />
a theatre in Burlington. Since his<br />
retirement he has been living in San Francisco,<br />
where he is survived by two daughters.<br />
The other death was that of Al Brake who<br />
died in Los Angeles. He was formerly a<br />
salesman in Seattle with the B. F. Shearer<br />
Co.<br />
Utah Cozy Improved<br />
DUCHESNE, UTAH—New seats and sound<br />
equipment have been installed in the Cozy<br />
Theatre here by Mr. and Mrs. Ralph Halstead.<br />
E. K. Taylor Leaving<br />
Simons Theatres<br />
MISSOULA. MONT.— E. K. Taylor, general<br />
manager of the Simons Amusement Co.<br />
with headquarters here, Tuesday announced<br />
his resignation subject to appointment of a<br />
successor.<br />
Taylor joined Simons in 1913, when a 225-<br />
seat storeroom theatre comprised the firm's<br />
holdings. In 1922, he left Simons to become<br />
manager of the Hippodrome at Spokane.<br />
Three years later, he returned to Simons and<br />
remained until 1929, when he became city<br />
manager for Fox Intermountain Theatres at<br />
Missoula. In 1936, he returned to Simons<br />
as general manager, and saw that organization<br />
grow until the circuit now comprises 18<br />
theatres in Idaho and Montana.<br />
Taylor has been a leader in civic affairs<br />
of Missoula, having served as president of<br />
Chamber of Commerce, president of Kiwanis<br />
club, then lieutenant governor and governor<br />
of the Montana district of Kiwanis. He<br />
served on the first board of the Community<br />
Chest and then headed two of its drives.<br />
He headed the seventh war loan drive and<br />
twice headed Red Cross drives during World<br />
War II. He served on numerous committees<br />
of the Chamber of Commerce and Kiwanis<br />
club and on state committees.<br />
His plans for future are indefinite, but he<br />
will continue to make his home in Missoula,<br />
where he owns business property.<br />
Edna Wilma Simons is president of the<br />
Simons Amusement Co., which operates the<br />
following theatres in Idaho: Wilma and<br />
Grand at Wallace; Rena and Liberty, Kellogg;<br />
Wilma and Dream, Coeur D'Alene;<br />
Liberty, Mullan; Burke at Burke. The circuit<br />
operates the Rialto here and is affiliated<br />
with the following theatres in Montana:<br />
Lake at Poison; Gaiety, Ronan; American<br />
and Park, Roundup; Strand and Park, Livingston,<br />
and Royal, Martin City.<br />
DENVER<br />
John von Herberg has resigned as Paramount<br />
salesman . Smith, Paramount<br />
division manager, was in for talks<br />
with Ward Pennington, and together they<br />
called on circuit officials . . . Pat McGee,<br />
g-eneral manager for Cooper Foundation Theatres,<br />
his wife and their four children spent<br />
Thanksgiving in Oklahoma City . . . William<br />
Keith, district manager for United Artists,<br />
was here calling on circuit accounts ahd<br />
conferring with Clarence Olson, manager.<br />
Al Kolitz, district manager for RKO, will<br />
go to New York to attend the district managers<br />
meeting . McGee, bookers<br />
secretary at RKO, has resigned to move to<br />
Dallas. She was succeeded by Edna Nelson<br />
W. O'Brien, playdate auditor<br />
for Lippert, is spending several weeks in<br />
Denver.<br />
Doris Wille, Republic booker, and her husband,<br />
have adopted a baby boy named Richard<br />
Frederick . Z. Porter, Monogram<br />
auditor who is checking the local exchange,<br />
spent Thanksgiving at his home in Los<br />
Angeles . . . Jerome Safron, district manager<br />
for Columbia, and William Seib, manager<br />
at Salt Lake City, were in Denver calling<br />
on circuits and conferring with Robert Hill,<br />
manager.<br />
Theatre folks seen on Filmrow included<br />
Merle and Ed Lewis, Holyoke, Colo., and<br />
Kearney, Neb.; Dick Bennett, Sheridan, Wyo.;<br />
Carlin Smith, Glenrock, Wyo.; Mr. and Mrs.<br />
Gerald Anderson, Riverton, Wyo.; Clarence<br />
Martin, Hugo; Mrs. Burl Lingle, Estancia.<br />
N. M.; John Roberts, Fort Morgan; Frank<br />
Aydelotte, Fort Collins, and Wilbur Williams,<br />
Boulder.<br />
Chief Drive-In Closes<br />
RIFLE, COLO.—The Chief Drive-In has<br />
been closed here by owners Fred Lind and<br />
Donald Monson.<br />
MOVIES ARE BETTER THAN EVER .<br />
ARE<br />
BUT<br />
THEATRES better<br />
THAN EVER ? ?<br />
. .<br />
• CAN YOUR THEATRE COMPETE IN GLAMOUR WITH THE<br />
LIVING ROOM AND ITS SMALL TV SCREEN?<br />
• AMERICANS ARE A GREGARIOUS PEOPLE .<br />
TO GET OUT AND MINGLE WITH OTHERS.<br />
WANT<br />
• YOUR PATRONS ARE AN ATTRACTION TO OTHER PATRONS<br />
... ARE YOUR CHAIRS ATTRACTIVE AND COMFORTABLE?<br />
• WOMEN STEER THE FAMILY ON THE NIGHT OUT . . . DOES<br />
SHE GUIDE IT TO YOUR<br />
THEATRE?<br />
• ARE YOUR CARPETS THICK AND<br />
RICH LOOKING?<br />
THINK!<br />
i^eamaeiQwmm<br />
337C0LDEN(>ATEAVE.'HE 1-8302.<br />
SAN FRANCISCO 2,CALIF.<br />
BOXOFFICE December 2, 1950 57
Arizona Honors Robert Stillman,<br />
Producer of 'The Sound of Fury'<br />
PHOENIX, ARIZ. — An unprecedented<br />
number of civic honors and awards went to<br />
Robert Stillman, producer of "The Sound of<br />
Fury," at the recent municipal celebration<br />
marking the film's advance showing in this<br />
city where it was filmed.<br />
From Gov. Dan E. Garvey, who had proclaimed<br />
the day "The Sound of Fury day" in<br />
Arizona, with Secretary of State Wesley E.<br />
Bolin presenting for him, came a scroll of<br />
appreciation to Producer Stillman for having<br />
been the first Hollywood producer "to discover<br />
that the state had beautiful and mod-<br />
(W^^tke COS! -<br />
'a\t«)inU .tmittin<br />
irn cities, in addition to spectacular scenery<br />
and wide open spaces." Mayor Nicholas<br />
Udall conferred upon Stillman honorary<br />
Phoenix citizenship.<br />
Chief of Police Earl L. O'Clair, has commended<br />
the film and its theme, and appointed<br />
Stillman an honorary member of the<br />
police force of Phoenix. Sheriff Cal Boies<br />
gave a special award for meritorious service<br />
in behalf of the furtherance of the democratic<br />
way of life in the film.<br />
Lewis E. Haas, general manager of the<br />
Chamber of Commerce, conferred on Stillman<br />
an honorary life membership in that organization.<br />
George E. Yates, head of the<br />
special services department of Arizona State<br />
college at Tempe and associate professor of<br />
journalism, presented Stillman an award for<br />
the film's "contribution toward a responsible<br />
press dedicated to honest and unemotional<br />
reporting."<br />
In above photo. Still (center), holds four<br />
scrolls signifying the honors conferred on him<br />
and his film at the impressive ceremony preceding<br />
the opening of the film at the Fox<br />
Theatre. Left to right: Haas; Bolin; Clyde<br />
Griffin, manager of the Fox; Stillman; Miss<br />
Kathryn Lunsford, Miss America of 1950, and<br />
Dick Smith. Fox West Coast district manager.<br />
Coliseum Remodeling<br />
Now in Its Final Phase<br />
SEATTLE—One of the largest renovation<br />
jobs in recent years got under way on Monday<br />
(27) when the Coliseum, operated by<br />
Evergreen Theatres, closed its doors for the<br />
final stages of a complete remodeling job<br />
that will make this historic theatre one of<br />
the city's most modern and beautiful picture<br />
palaces. It will reopen again in time for<br />
the Christmas holiday business. Since August<br />
1, workmen have been busy with preliminary<br />
alterations, but the work has now<br />
reached the point where the theatre must<br />
close for final completion of a facelifting job<br />
that will cost close to $250,000.<br />
In the interior, a beautiful new main floor<br />
lounge is under construction, with new restrooms<br />
for men and women. There will be<br />
new carpeting, new seating, an all-new heating<br />
and ventilating system, an entirely new<br />
motif in soft pastel decoration, a new proscenium<br />
arch with an Austrian puUup type<br />
of curtain, modernization of sound equipment<br />
and new screen and lighting equipment—all<br />
designed to make the theatre the<br />
last word in beauty and efficiency.<br />
The exterior, too, will be exten.sively remodeled.<br />
The largest neon-lighted sign in<br />
the northwest will be installed, and replacing<br />
the old dome will be a huge revolving disk,<br />
carrying out a Hollywood studio atmosphere.<br />
Tfie old frame doors will be replaced with<br />
solid glass doors and the boxoffice will be<br />
enlarged and beautified.<br />
Frank L. Newman sr., president of Evergreen<br />
Theatres, commented; "We have been<br />
planning for some time to make the Coliseum<br />
one of our finest theatres, and under<br />
the able and artistic direction of B. Marcus<br />
Priteca, nationally known theatre architect,<br />
and the E. F. Schuck Construction Co. to<br />
carry out his ideas, the new Coliseum will be<br />
a thing of beauty and comfort.<br />
Fred Swanstrum Remodels<br />
ASHTON, IDA.—Tlie Star Theatre, recently<br />
purchased by Fi'ed Swanstrum, is undergoing<br />
remodeling.<br />
You can buy cheaper lamps, or more ex><br />
pensive lamps . . . but when you consider<br />
Quality first you can't buy a better lamp for<br />
the money. Model 4570 Lightmaster provides<br />
from 45 to 80 amperes of brilliant, sparkling<br />
light for even the largest screens.<br />
Y\M aiinq Bcidantijne<br />
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ARC LAMPS<br />
Projection Equipment &<br />
Maintenance Co.<br />
1975 South Vermont Avenue<br />
Los Angeles, California<br />
Complete Theatre Equipment & Supplies<br />
$40,000 Damages in Fire<br />
At Port Hueneme, Calif.<br />
PORT HUENEME. CALIF.—Fire caused an<br />
estimated $40,000 damage to the Melody Theatre,<br />
392-seat quonset-type .showcase here,<br />
during a regular evening performance, but an<br />
audience of 182 escaped without injury. The<br />
interior was completely gutted.<br />
Owner Mel C. Kennedy attributed the blaze<br />
to a hot light bulb which ignited the curtains.<br />
Projection equipment valued at $7,000<br />
e.scaped .serious damage. The Melody, only<br />
theatre in this community, was opened in<br />
May 1947. Kennedy said he and his partners,<br />
Percy E. Smith and Floyd H. Eddington,<br />
would "probably rebuild."<br />
Sedro Wooley Dream Open<br />
SEDRO WOOLEY, WASH.—The Dream<br />
Theatre here has reopened after a $20,000<br />
remodeling. The entire front of the theatre<br />
was changed and the interior was redecorated.<br />
A new candy and .soft drink dispen.ser and<br />
popcorn warmer were installed in the lobby<br />
which was enlarged.<br />
IN<br />
TRAILERS]<br />
SATISFY SMART SHOWMEN<br />
0tM ' "K/it^ ' Piffle<br />
ITIOli PICTURE SEIiyiCEGi<br />
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58 BOXOFFICE December 2, 1950
'<br />
BOXOFFICE<br />
Minneapolis Police<br />
Hunt Stink-Bomber<br />
MINKEAPOLIS—At the request of Bennie<br />
Berger, owner of the downtown Gopher, the<br />
police department is investigating the stink<br />
bombing of that house. Berger told the police<br />
he wants to learn if organized lahor leaders<br />
had anything to do with it.<br />
The bombing. Berger says, followed his refusal<br />
to meet the stagehands union's demand<br />
that he employ a second stagehand full time<br />
at the Gopher when it went to an A-picture<br />
policy with "King Solomon's Mines." Other<br />
Minneapolis de luxe houses have been employing<br />
the extra stagehand. Berger, however,<br />
has defied the union. Rather than to<br />
submit to the demand which he calls an effort<br />
to "featherbed." he declares he'll close<br />
the theatre if there's more such bombing and<br />
police fail to stop it. At the same time he has<br />
offered a reward of $250 for the arrest and<br />
conviction of the person or parties responsible<br />
for the bombing which caused a large number<br />
of patrons to ask for their admission<br />
money back.<br />
There was a conference this week between<br />
Berger and the county attorney regarding the<br />
matter and he also asked the police department<br />
for protection for the theatre.<br />
Twin Cities Bookers Are Guests<br />
Harry Chapman, 47, Dies;<br />
Paramount Salesman<br />
MINNEAPOLIS—Harry Chapman, 47-year<br />
old Paramount salesman, died after a heart<br />
attack here this week. He had been with<br />
Paramount here since 1945 and prior to that<br />
had been with other film companies in a<br />
sales capacity. At the time of his death he<br />
covered the northern Minnesota territory.<br />
He is survived by his wife, his brother Hy,<br />
Columbia manager here, and another brother<br />
who is a film salesman in Milwaukee.<br />
Young Bandit Steals $72<br />
From K. C. Vogue Theatre<br />
KANSAS CITY — A young bandit robbed<br />
the 'Vogue Theatre, 3444 Broadway, of $72<br />
when he held up the cashier in the boxoffice.<br />
Marilyn Young, cashier, said the youth shoved<br />
an empty paper bag through the window.<br />
Beneath the bag was a pistol. She put all<br />
the currency she had in the bag and the bandit<br />
fled.<br />
Kid Thanksgiving Show<br />
MANHATTAN, KAS. — Dave Dallas, TEI<br />
city manager, presented a Thanksgiving party<br />
for "Pop and the youngsters" on Thursday<br />
morning, the idea being to relieve the pressure<br />
at home during meal preparations. In a<br />
two-column ad Dallas announced the show<br />
as a film menu. A Kiddies Quiz show was<br />
presented on the stage and pumpkin pies were<br />
awarded the winners through the courtesy<br />
of a local bakery.<br />
Joseph Kinsella Named<br />
CHARLES CITY, ICWA—Joseph Kinsella<br />
has been named manager of the Gem Theatre<br />
here by Royce 'Winkelman, succeeding<br />
Mrs. 'Winkelman. He is a native of Dubuque<br />
and a veteran of 'World 'War II.<br />
Minneapolis circuit bookers and buyers were guests of Columbia at a luncheon<br />
given there in behalf of the current A. Montague Sweepstaiies drive. Ben Marcus,<br />
division manager, and Hy Chapman, Minneapolis manager, were hosts. Top panel,<br />
left to right: Roger Dietz and Joe Beahen, Columbia bookers; John Farley, Theatre<br />
Associates; Lorand Tritter, Columbia; Bill Donald, TA; Bob Hazelton, Independent<br />
Theatres; Bill Wood, Columbia; Don O'Neil, Minneapolis Amusement Co., and James<br />
Zein, S. E. Heller & Co. Second panel: Marcus; O'Neill, Zein and Tom Burke, TA.<br />
Bottom panel: Dick Toilette, Paul Lundquist, Manager Chapman and Frank Mantzke.<br />
All are of Northwest Theatres except Chapman.<br />
Durwood Circuit Opens<br />
Roxy at Kansas City<br />
KANSAS CITY—The Roxy Theatre, downtown<br />
house operated by the Durwood circuit,<br />
has been reopened after a closedown<br />
of several months. The Durwood office said<br />
reopening was possible through cooperation<br />
of the union.<br />
The policy of the house will be double bill,<br />
with two changes weekly, 9 a. m. to midnight.<br />
The first bill consisted of "Devil's<br />
Doorway" and "Saddle Ti-amp." 'When the<br />
Roxy closed, it had been on a double bill<br />
basis, playing day and date with the Plaza<br />
Theatre, key neighborhood house of the Fox<br />
Midwest circuit. Prior to that policy, the<br />
house had been playing some first run product<br />
and occasional exploitation pictures.<br />
Downtown Kansas City now has four<br />
houses playing second and late run pictures<br />
in addition to its four first runs and the<br />
Orpheum which switches between first runs<br />
and roadshows.<br />
Mrs. Ralph Wareham 111<br />
MANHATTAN, KAS.—Mrs. Ralph Wareham,<br />
wife of the owner of the 'Wareham Theatre<br />
building, was a patient at St. Luke's hospital,<br />
Kansas City, for several days.<br />
3 Managerial Shifts<br />
Made by Tri-States<br />
DES MOINES—Frank Hague, manager of<br />
the Eastown, will go to the Rocket, replacing<br />
E. L. Doherty who will move to the lUini at<br />
Moline. Dick 'Wilson, treasurer of the Des<br />
Moines Theatre will take over the management<br />
of the Eastown and he will be succeeded<br />
by Richard Dougherty, chief usher at<br />
the Paramount. Keith O'Neill, former assistant<br />
at the Des Moines, will become manager<br />
at the Uptown to replace Betty Hensler who<br />
resigned. All are in the Tri-States chain.<br />
Thief Gets Two Pencils<br />
MINNEAPOLIS — Two mechanical<br />
pencils<br />
were the sole loot of a thief w'ho hid in<br />
the 'Vogue Theatre, Sandstone, Minn., near<br />
here, after closing, with the intention of<br />
robbing the showhouse.<br />
Hillbillies Booked by TEI<br />
MANHATTAN. KAS.—Cowboy Copas and<br />
his stars from Grand Ole Opry played a one<br />
day's engagement at the State Theatre here<br />
recently. Copas and his troupe are playing<br />
the TEI circuit in this territory.<br />
December 2, 1950 MW 59
%e!m.<br />
%du». MtnoN pieruitE mimm.<br />
... do not require oil pumps<br />
and splash lubrication for efficient<br />
operation.<br />
. . . must be designed to use<br />
high-power arc lamps without<br />
light-wasting heat filters.<br />
HERE'S THE PROBLEM<br />
Modern projection demands the use of higher power arc lamps. These lamps<br />
create intense heat which causes buckling and distortion of the film. To prevent<br />
film mutilation and out-of-focus pictures, some projectors require heavy<br />
light-wasting heat filters. These filters waste most of the light added by the<br />
higher power lamps.<br />
HERE'S THE SOLUTION<br />
CENTURY projectors equipped with water-cooled apertures reduce destructive<br />
heat and increase picture brilliance.<br />
Think of this . . . CENTURY high-efficiency mechanisms, plus water-cooling<br />
and with a 90 ampere arc will put as much light on the screen as other projectors<br />
using a 180 ampere arc and heat filters!<br />
HERE'S<br />
THE RESULT<br />
• Full brilliance and sharper pictures without loss of light or<br />
wasted power.<br />
• More illumination on the largest screens.<br />
• Film distortion reduced. Focusing trouble minimized.<br />
Projectors equipped for high speed, long focal length, 4" diam. lenses.<br />
Water cooling is optional— avoiloble on all models at slight extra cost.<br />
LUBRICATION IS OLD FASHIONED!<br />
With CENTURY you have no lubrication headaches— no dripping oil or grease<br />
to mess up equipment or film. There are no oil baths or oil pumps to leak or<br />
fail and cause bindups and frozen bearings. To end this costly trouble<br />
CENTURY uses sealed, oil-less bearings and glass-hard, high carbon-chrome<br />
steel gears.<br />
Proof of CENTURY'S simplified, high-efficiency design can be seen in the Illustrations<br />
on the right. Ten gears with only two gear meshes between the<br />
shutter and the intermittent cam. (Other well known projectors have from<br />
4 to 12 such meshes and up to 23 gears).<br />
Fewer gears and shafts mean less trouble, lower maintenance, less vibration,<br />
sharper pictures . . . finer projection.<br />
%e!^<br />
See your CENTURY dealer about modernizing your projection and<br />
sound equipment now, under present government restrictions.<br />
QualityTheatre Supply Co. Des Moines Theatre Supply Co. Shreve Theatre Supply Co.<br />
1515 Davenport St.<br />
Omoha, Nebraska<br />
McCarthy Theatre Supply Co.<br />
67 North Fourth St.<br />
Fargo, North Dakota<br />
1)21 High St.<br />
Des Moines 9, Iowa<br />
217 West 18th St.<br />
Kansas City 8, Missouri<br />
Minneapolis Theatre Supply Co.<br />
75 Glenwood Ave.<br />
Minneapolis 2, Minnesota<br />
60 BOXOFTICE December 2, 1950
. . . Paul<br />
. . Joanne<br />
Trust Suit Continues D E S MOINES<br />
In Kansas City Court<br />
KANSAS CITY—W. D. Fulton, former secretary<br />
of the Brookside Theatre Corp., te.s-<br />
pd<br />
k^vI^cII;<br />
DRIVE-IN THEATRE MFG. CO.<br />
1121-23 High St. Des Moines, Iowa<br />
Heiber. district manager, and Milt Overman,<br />
ments of a "reissue," telling of the addition<br />
exploiteer, were in the ELC office.. to their family of an adopted son! . . . Earl<br />
The latter was working on "Destination Moon,"<br />
tified that after his firm bought the Brookside<br />
which will be released in this territory soon.<br />
Kerr of Colorado was on the Row last week<br />
with his manager, George Hart. Knoxville.<br />
Theatre here, it was doubly hard<br />
To aid the cause, Herman to<br />
Coffman and Jack<br />
buy films from Warner Bros, and<br />
Gibson, salesmen, and<br />
Paul Leatherby, former salesman at Columbia<br />
J. J.<br />
the eight<br />
Sparks, booker,<br />
other distributors named<br />
donned costumes<br />
in Brookside's<br />
and zoomed up and down<br />
and Warners, has opened a restaurant<br />
$2,700,000 damage suit being heard<br />
Filmrow in<br />
in<br />
their make-believe<br />
Madrid, Iowa . . . Confined to bed by doctor's<br />
in U.S.<br />
rockets; incidentally<br />
district court<br />
causing<br />
orders is<br />
here.<br />
a traffic jam<br />
Nate Sandler, who has been<br />
by curious<br />
spectators!<br />
Fulton was on the stand<br />
Sparkle<br />
Wednesday may also have been<br />
unsuccessful in shaking a bad cold which<br />
(29)<br />
celebrating receipt<br />
he's had for several weeks.<br />
of his notice<br />
for his seventh day. During cross-examination<br />
by John F. Caskey. New be<br />
to appear for<br />
his first physical to<br />
York, defense<br />
given him free by<br />
attorney, Fulton<br />
Uncle<br />
said that in 1937, Warners<br />
Sam!<br />
Kiddy Popularity Contest<br />
raised prices on their product for his other Helen Clarke, Republic, will return Monday<br />
SHELLROCK, IOWA—The Shell Theatre<br />
theatres and rejected the contract for the<br />
from a week's vacation . Hoff-<br />
here is sponsoring a popularity contest for<br />
Brookside. He said that many times the man journeyed to Keokuk to visit relatives all children under 12. Prizes are being offered<br />
Brookside was forced to pick up reissues<br />
Webster, Republic manager, has through the cooperation of local business<br />
and back-dated pictures to fill its bills because<br />
sold his home and moved his family into the firms.<br />
it couldn't buy product from the com-<br />
new Wakonda apartments.<br />
panies named. He testified that many times<br />
The death of her mother necessitated Marie<br />
the Brookside, a 25-cent house at the time,<br />
Butcher's absence from her MGM desk for<br />
was forced to play pictures back of 15-cent<br />
several days . . . Rumors around here have it<br />
Fox houses.<br />
that the big lure that made G. Ralph Branton,<br />
Pop-Mor"<br />
general manager of Tri-States Theatres,<br />
LOST ON OTHER DEALS<br />
COSTS LESS TO POP THE BEST<br />
give up his post for<br />
Fulton admitted the company<br />
TV activity is to head<br />
sold the<br />
Horace Heidt's television enterprises.<br />
Brookside to the Fox Midwest Corp. for<br />
Free Delivery Service fo Theatres<br />
more than was paid for the theatre, but Filmrowers and exhibitors were shocked to<br />
added that he and other officers of the corporation<br />
personally lost money in other venthal<br />
of Waterloo, of a heart attack ... A<br />
Supplies<br />
hear of the death November 27 of Lou Rosen-<br />
Complete Line of Popcorn and<br />
tures because of the Brookside operation. former lowan. Dr. Chas. R. Fordyce. son of<br />
He said that in order to get any pictures Mrs. Ida Fordyce of Mont Vernon, is the<br />
at all for other theatres, higher prices had<br />
Whitley Popcorn Co.<br />
recipient of the Samuel L. Warner Memorial<br />
to be paid for film. He operated five other award in recognition of his work in developing<br />
Trenton, Mo.<br />
houses here and one at Kansas City, Kas.,<br />
a film which does not have the fire<br />
at that period.<br />
hazard of the nitrate film. The award was<br />
Harold S. Bradley, realtor who testified presented at the convention of the Motion<br />
that the company was forced to sell to Fox, Picture Engineers at Lake Placid, N. Y. SELL YOUR THEATRE PRIVATELY<br />
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Highest reputation for know-how<br />
PUTS PROFIT AT $267,988<br />
Will Rogers Memorial hospital fund, and a<br />
worthy cause it is, too! . . . Mr. and Mrs. Bill<br />
and fair dealing. 30 years experience including<br />
exhibition. Ask Better Business Bureau,<br />
or our customers. Know your broker.<br />
Dan C. Sernes. accounting firm head, testified<br />
Chambers, exhibitors at Sheridan. Mo., have ARTHUR LEAK Theatre Specialists<br />
before the 14-man jury in the court a new baby daughter, and the Dwight Ayres<br />
3305 Caruth<br />
Dallas E-6-74S9<br />
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of Judge Richard M. Duncan about differences<br />
of Keystone, Iowa, sent out clever announce-<br />
CONFIDENTIAL CORRESPONDENCE INVITED<br />
in his accounting of profits realized<br />
by Fox Midwest over the last 12-year period<br />
and the account of the Fox interests. He<br />
said his accounting showed a $267,988 profit<br />
after depreciation while the Fox version was<br />
$187,586. The Fox account showed many<br />
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Testimony in the antitrust case against the<br />
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nine film companies dragged at times. Fulton's<br />
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was slowing down the case. Commenting<br />
"Seazo" Coconut Oil Seasoning Per 50 lbs. 17.00<br />
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Morton's Popcorn Salt Per Case 2.95<br />
Judge Duncan said, "You really 10c Popcorn Boxes, 2 ounce Per 1000 8.90<br />
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Three witnesses for the plaintiff have been<br />
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BOXOFFICE December 2, 1950 61
MINNEAPOLIS<br />
Tn the 1930s, when Charlie Weuier. now with<br />
UA here, was manager of the Pantages<br />
and Capitol theatres in Winnipeg, Man., his<br />
stage manager was Jack Byron. For the past<br />
20 years, Weiner has had Byron as his yearly<br />
and constant hunting companion, who,<br />
Charlie says, taught him everything there<br />
was to know about Canadian Honkers down<br />
the line to Hungarian partridge. Rated as<br />
the best shot in that neck of the woods, Byron<br />
was an ideal hunting companion. But Charlie<br />
now is disposing of all of his guns and there'll<br />
be no more hunting seasons for him. Tlie<br />
reason: Jack Byron was buried November 24<br />
at Winnipeg.<br />
a<br />
With Lowell Kaplan and Charlie Rubenstein<br />
now the Northwest Variety Club's new<br />
entertainment committee, plenty of fun is in<br />
store for club members. Already two big<br />
parties are on the schedule. The first will be<br />
December 9 and it'll be a big barn dance<br />
with supplementary entertainment, and an<br />
auction of apparel. Lowell and Chuck<br />
guarantee a good time for all. A New Year's<br />
eve party will be held in the clubrooms. Plan<br />
to attend.<br />
Weighing<br />
B—<br />
each situation individually, the<br />
Minnesota Amusement Co. has decided upon<br />
a 60-cent admission for its leading Mankato<br />
theatre, the State, when that house reopens.<br />
This represents a 10-cent boost in scale . . .<br />
Tlie new big-screen television in Radio City<br />
5o//o«. tL LEADER
. . Howard<br />
. . Mrs.<br />
. . Tony<br />
, . Howard<br />
. . Norman<br />
Kansas City 'Mines'<br />
Is High in 2nd Week<br />
KANSAS CITY—With "King Solomon's<br />
Mines" better than twice the average business<br />
at Loew's Midland. "Let's Dance" holding<br />
up well on its second week at the Paramount,<br />
and "Henry V" doing brisk business<br />
on its fifth run, the boxoffice picture looked<br />
good here the past week. Moreover. Katharine<br />
Hepburn played to enthusiastic crowds<br />
in a three-day engagement at the Orpheum.<br />
"King Solomon's Mines" was held over. At<br />
the Kimo. Manager Bill Meyer said it was<br />
amazing how many patrons he talked to<br />
were seeing "Henry V" for the third or fourth<br />
time.<br />
(Average Is 100)<br />
Esquire—The Immortal Sergeant (20th-Fox);<br />
Wing and a Prayer (20th-Fox), reissues 70<br />
Kimo—Henry V (UA), 5th run 130<br />
Midland—King Solomon's Mines (MGM) 240<br />
Missouri—Where Danger Lives (RKO) Border<br />
Treasure (RKO) 100<br />
Paramount—Let's Dance (Para), 2nd wk,- 17b<br />
Tower, Uptown and Fairway- I'll Get By (20th<br />
Fox); Trigger Jr. (Rep), latter at T<br />
nly..<br />
attention.<br />
Century-Woman on the Run (U-!) 90<br />
Gopher—King Solomon's Mines (MGM), 2nd wk 150<br />
Lync—Soulhside 1-1000 (Mono); Blues Busters<br />
(Mono) 85<br />
Orpheum—Where Danger Lives (RKO) 90<br />
Pan—Prehistoric Woman (ELC), Chain Gang<br />
(Col) 100<br />
Pix—City Ughts (UA), reissue, 3rd wk 90<br />
Radio City— Let's Dance (Para) 100<br />
Stole—American Guerrilla in the Philippines<br />
(20th-Fox) 100<br />
World—The Miniver Story (MGM), 3rd wk SO<br />
Cold Weekend Chills<br />
<strong>Boxoffice</strong> in Omaha<br />
OMAHA—A colder weekend bringing ice<br />
and snow dented what otherwise would<br />
not have been too bad a week at the boxoffice.<br />
"Devil's Doorway" at the State Theatre<br />
came out best.<br />
Omaha—So Young. So Bad (UA): The Lonely<br />
Heart Bandits (Rep) 85<br />
Orpheum—Lady Without a Passport (MGM); The<br />
Happy Years (MGM) -<br />
Paramount—American Guerrilla in the Philippines<br />
95<br />
90<br />
(20th-Fox)<br />
RKO Brandeis—The Fuller Brush Man (Col);<br />
Convicted (Co) 95<br />
Slate—Devil's Doorway (MGM) 105<br />
Town—Across the Badlonds (Col), Custom Agent<br />
(Col) 95<br />
OMAHA<br />
"Cd Hciber, midwest division manager for<br />
ELC, and Manager Carl Olson of Des<br />
Moines were due here to confer with Murry<br />
Greenbaum and Bob Daly, salesmen who<br />
headquarter here. Distribution is out of the<br />
Omaha office in the Film Exchange building<br />
and the two salesmen are there on Mondays<br />
. . . Alice Neal, Warner office manager, injured<br />
an arm in a fall. Lockjaw set in and<br />
she was taken to St. Catherine's hospital.<br />
Latest reports had Alice showing rapid improvement<br />
The Omaha district headed<br />
. . . by William Miskell, the Dust Raiders, led<br />
at the quarter mark in Tri-States eightweek<br />
Thank 'Vou drive . . , Irvin Good is<br />
back with 20th-Fox as a salesman. He rejoined<br />
the exchange when Harold Ironfield<br />
left.<br />
. . . Omaha's<br />
Mrs. Ben Juracek, owner of the Hollywood<br />
Theatre in Cedar Rapids, Neb., was recovering<br />
from an appendectomy<br />
exchange is currently running fifth in the<br />
national Columbia Montague Sweepstakes<br />
drive . . . Jack Renfro, RKO manager, went<br />
to Kansas City for the holidays . . . William<br />
Gaddoni, MGM manager, and his wife<br />
were hosts to the Rich Wilsons and Jack<br />
Jorgenses of the same office on Thanksgiving<br />
. . . Mi's. Mort Ichenberg sr. is here<br />
from New York for a visit with her son, an<br />
Second Week of 'Solomon's Mines'<br />
Paces Minneapolis With 150<br />
MINNEAPOLIS—Film fans had many new<br />
offerings from which to choose last week, the<br />
lone holdovers being "City Lights" and "The<br />
Miniver Story" in their third weeks and the<br />
sensational boxoffice hit, "King Solomon's RKO salesman . Kennedy, Broken<br />
Mines," In its second. Among the fresh Bow, Neb., exhibitor, was in town and reported<br />
starters, "Let's Dance" and "American Guerrilla<br />
commanded most<br />
that his mother had injured a shoul-<br />
in the Philippines," der ... An eye was bothering Jack Andrews,<br />
Paramount salesman . Evelyn Cannon,<br />
MGM office manager, went to Ames,<br />
Iowa, to attend the marriage of a cousin.<br />
William Miskell Chosen<br />
OMAHA—William Miskell, Tri-States Theatres<br />
district manager, has been selected<br />
publicity chairman for the Omaha exchange<br />
area during Brotherhood week, February<br />
18-25.<br />
R. W. Brown Dies<br />
NEOLA, IOWA—R. W. Brown, more than<br />
35 years an exhibitor here, died following<br />
a heart attack. The former owner of the<br />
Phoenix Theatre had been in the hospital<br />
in Council Bluffs. A wife survives.<br />
Bud 'Verhaege, who runs the Lyric Theatre<br />
at St. Edward, Neb., with his dad, Jerry,<br />
has a hobby that is fairly outgrowing his<br />
quarters. He likes model trains, has more<br />
. than 150 feet of track Goodman<br />
is back booking for Warners. He joined the<br />
staff after Joe Weiss was promoted to salesman<br />
. . . Bill Miskell went to Sioux City<br />
BEFORE YOU BUY<br />
during the week .<br />
Nielson, RKO<br />
salesman, has a lame back which slowed him<br />
down ,<br />
Jackson, bu.siness manager<br />
of Local 343. lATSE, was married a<br />
few weeks ago and was on his honeymoon.<br />
Clyde Cooley, 20th-Fox projectionist, has<br />
been convalescing and resting, first in the<br />
hospital and then at home. He expected to<br />
return to work soon.<br />
Oliver Schneider, Osceola, Neb., exhibitor<br />
who has been ill. appeared along Filmrow.<br />
Others noted included: Arnold Meierdierks,<br />
Pender; Carl Johnson, Red Oak; Cliff<br />
Shearon, Genoa; Raymond Brown and<br />
Jamie Booth, Harlan; Mr. and Mrs. H. H.<br />
Feldhans. Schaller; Mr. and Mrs. Frank<br />
Scott, Moville; George March, Vermillion;<br />
Irvin Beck, Wilbur; Harry Lohr, Scribner;<br />
Laura Moorehead, Stromsburg; Mrs. D. L.<br />
Frank, Humboldt; J. E. Holben, Pisgah; Mr.<br />
and Mrs. Alfred Berney, Wolbach; Vern<br />
Blyth, Snyder; Mrs. Laura Moorehead,<br />
Stromsburg; Mr. and Mrs. Arthur Goodwater,<br />
Madison; Harry Hummell, Scribner;<br />
D. P. Campell, Central City; Jeanette Shoeneman<br />
and Pat Plummer, Wahoo; Walter<br />
Yancke, Lincoln, and Woody Simek, Ashland.<br />
Walter Creal is incorporating some ultramodern<br />
features in his Center Theatre about<br />
due for completion.<br />
Ne-w Sound Installed<br />
MARION, IOWA—Motiograph Mirrophonic<br />
sound system has been installed at the Marion<br />
theatre, according to an announcement last<br />
week by G. E. Rathman, manager.<br />
Gets New Projection<br />
BURICE, S. D.—New sound and projection<br />
equipment has been installed at the Burke<br />
Theatre here.<br />
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THE WESTERN THEATRE<br />
SUPPLY COMPANY<br />
214 N. Fifteenth Phone: Atlantic 9046<br />
Omaha, Neb.<br />
BOXOFFICE December 2, 1950<br />
63
•<br />
. . That<br />
. . Other<br />
. .<br />
Another<br />
ED & MORT ROLSKY<br />
Invite You<br />
To Drop in and Visit With Us at<br />
Our Card ond Gift Shop<br />
Y,,r OowiH.wii Sf.r. Opf.w»<br />
a big selection of Xn<br />
Gilts.<br />
THIS IS<br />
IT/<br />
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ishing Box Ollice records<br />
Antonio to Syracuse. Dall^<br />
ndent<br />
ia to Tacoma. THE ONLY in. .<br />
itation picture playing the major circmts.<br />
- Warners<br />
- RKO Paramount - Golden<br />
le - Interstate - Video - and many others.<br />
1100 independents first 6 months<br />
TKUi AUTHINTIC CAPTURED<br />
FILM PRODUCED BY HITLERS<br />
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PICTURES HE NEVER DREAMED<br />
THE WORLD WOULD SEE!<br />
PLUS SECOND SHOCK HIT<br />
"CRIMES OF THE GESTAPO<br />
I<br />
Contact lor 1951 Playdates<br />
Dick C Crane, Gen. Sales Mgr.<br />
Hollywood Producers & Distributors<br />
308 S. Harwood Dallas, Texas<br />
Phone ST-2552<br />
CLASSIFIED ADS—EASY TO USE<br />
K AHS kS<br />
Eddie Ott of Marysville, Kas., runs a night<br />
club and dance hall there and recently put<br />
in a new driveway to his place. The local<br />
paper got a little mixed up and reported he<br />
was building a "drive-in." Now Ott is getting<br />
mail and receiving callers, wanting to sell him<br />
equipment.<br />
will open in this territory December 6 . .<br />
Doug Lightner, city manager at Manhattan;<br />
Frank Dodson of Ellsworth, and Tom Wolfe<br />
of Herington, Kas. were at the Commonwealth<br />
home office Monday (27).<br />
Edward Aaron, midwest division manager<br />
for 20th-Fox, sprained an ankle Sunday (26>,<br />
when he caught his foot between his car<br />
and the curb. Since this necessitated his remaining<br />
at home for several days, the sales<br />
Carpets - Door Mats<br />
B I G E L W<br />
*S M I T H<br />
U. S. ROYALITE<br />
SHAD-0-RUG<br />
CITY<br />
Parkhurst, former general manager of meeting scheduled for the following day was<br />
CE.<br />
Allied here, started Monday i27) as a in his home was quite a shindig the<br />
.<br />
salesman for Lippert Productions Senn<br />
. . .<br />
Lawler and wife have been in Macomb. 111.,<br />
where thev were called by the death of Mrs.<br />
Lawler's father, Thomas Terrill of that city detail the party agenda. Starting with swimming<br />
at four ("For those who have had their<br />
Gretchen Brown, who was a secretary at<br />
commonwealth Theatres nearly 20 years, has bath this year, there'll be checkers and cards<br />
returned from a seven-week vacation on the and ping pong there"', dinner was at seven,<br />
west coast and Is back on the Row with a new after which "Mad Wednesday" was screened<br />
job. She is now at Consolidated Agencies as for the crowd. Phil Blakey, manager, was in<br />
secretary to Clarence Schultz Pauline charge and it could be he wrote the poetic invitations,<br />
but skeptics on the Row were in-<br />
. . .<br />
Krieger contract clerk at MGM, is recovering<br />
from a wrist operation . . . Shirley Foster is clined to credit his wife.<br />
the new booker's secretary at MGM, replacing<br />
Mrs. Dorothy Stamphel who is now oecretary<br />
to Harold Hume at Fox Midwest.<br />
Riverside Drive-In employes put on at the<br />
KCAC on Monday (27 1. Whoever wrote the<br />
invitations cooked up some fancy rhyming to<br />
Jack Braunagel, in charge of drive-ins for<br />
Commonwealth, reports all of their outdoor<br />
shows have closed now except the ones at<br />
Fayetteville and Springfield, which are open<br />
only on weekends.<br />
Commonwealth circuit notes. Bill Baker<br />
sends greetings from Biloxi where he is in the<br />
air force ... Rex Barrett of the Uptown Theatre<br />
in Columbia again held a special screen-<br />
for Stephens college girls. His assistant,<br />
.<br />
ing<br />
Charlie Kleppsattel, has been accepted for<br />
Joan Holscher, assistant regional editor of<br />
officers training and leaves soon Frank<br />
. . .<br />
BOXOFFICE and Kansas City area reporter,<br />
Kennedy at Norton got some nice local press<br />
was married Sunday (26) night at the Christian<br />
church in Independence to Frank Baer<br />
notices when he invited the high school football<br />
team to be his guests at a showing of<br />
and left for a honeymoon in Memphis and<br />
"The Jackie Robinson Story" .<br />
Nashville. Baer is employed at the Kellypublic<br />
relations-minded exhibitor is Jack<br />
Williams Motor car Co. Mrs. Baer will continue<br />
on the staff of BOXOFFICE Dick<br />
Stephenson of Higginsville. He went before<br />
. . .<br />
the city fathers and persuaded them to do<br />
O'Rear and Roy Tucker, engineers at Commonwealth<br />
Theatres, made a trip to Trenton,<br />
away with parking meters on shop and show<br />
days. Result: Jack is very popular with motorists.<br />
Mo to complete plans for air conditioning<br />
the Plaza Theatre there. The Plaza is owned<br />
by W. O. Lenhart, an affiliate of Commonwealth.<br />
local office Teenagers can keep a secret<br />
. . .<br />
Harry Simons, MGM auditor, was at the<br />
because last week 70 of them did surprise<br />
Dave Kent, assistant to Terry Turner, RKO<br />
Bonny Golden, daughter of MGM's Eddie<br />
home office publicist, arrived Monday (27)<br />
Golden, at a birthday party at Holiday House<br />
and was met here by Lou Dufour from St.<br />
in Kansas City, Kas. It was Bonny's 14th<br />
Louis, regional exploiteer. They will work<br />
birthday and the guests were fellow members<br />
on the local campaign for "Outrage," which<br />
of her freshman class at Southwest High<br />
National Screen Service reports Lee<br />
•<br />
,<br />
;<br />
,<br />
,<br />
i<br />
;<br />
Hayob of the Mary Lou at Marshall, Mo.<br />
called Monday (271 as did Harry Till of the<br />
Till at Hamilton, Mo.<br />
. . .<br />
Visiting at Republic was W. D. Fite of the<br />
Fife at Eldorado, Kas.. and John Courter<br />
National<br />
of the Courter at Gallatin. Mo.<br />
Theatre Supply had these exhib-<br />
itors in recently for supplies: Nick Kotsis.<br />
Holden at Holden, Mo.; Irwin Dubinsky from<br />
Fort Madison, Iowa; E. C. Michael, Micklo at<br />
Drive-In, McPherson. Kas.; Doc Cook, Tivoh,<br />
Maryville Mo. exhibitors seen on<br />
.<br />
the Row included F. G. Weary of the Farris<br />
at Richmond. Mo, and Ray Miner of the<br />
Leroy at Leroy, Kas.<br />
Don Davis, district manager for RCA Victor<br />
has been given an additional title by Jack<br />
O'Brien, theatre division sales manager at<br />
the home office in Camden. N. J. The Davis<br />
64<br />
Complete Installation Service — Free Estimates<br />
R. D. MANN CARPET CO.<br />
928-930-932 Central Victor 1171 Kansas C-ty, Mo.<br />
Room 455, Paul Brown Building Chestnut 4499 St. Lou.s, Mo.<br />
CRETORS POPCORN<br />
Tapered Popcorn Boxe:<br />
iy for Prompt Deliver)<br />
POPCORN<br />
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BOXOFFICE<br />
MACHINES<br />
:: December 2, 1950
BOXOFFICE<br />
. . Bob<br />
1<br />
hobby of taking pictures at company gatherings<br />
and elsewhere and forwarding these is<br />
responsible for O'Brien's suggestion that he<br />
be dubbed "official photographer" in this<br />
20th year of his service with the company.<br />
Columbia salesmen were all in Friday (24<br />
reporting to the auditor. Pat Pinnell, salesman<br />
for the Wichita territory, was there as<br />
the proud father of a baby boy named Roger<br />
Don. Instead of passing out cigars, he<br />
brought in a huge cake for the office, with<br />
this inscription: "We knew he was coming<br />
so we baked a cake." The Pinnell announcement,<br />
which was sent out to friends, was<br />
cleverly designed for trade appreciation, with<br />
Illustrations showing "these changes are<br />
necessary" (a clothesline with typical squares<br />
fluttering) and the caption that "A New *<br />
Is Born."<br />
Manager Al Adler of MGM Monday (27)<br />
was making final preparations for his rest<br />
cruise of Central and South America ports.<br />
He will be gone three and a half weeks and<br />
Eddie Golden will be in charge during his<br />
absence . Scott, who was seen in Columbia<br />
pictures from time to time the past<br />
few years, is now reported to be on the TV-<br />
Nash program which is heard and seen on the<br />
network Saturday nights. Bob is a son of the<br />
Ward Scotts, now living in Denver since<br />
Ward's retirement from 20th-Fox . . . Bernie<br />
Evens, MGM exploitation man, started a vacation<br />
just before Thanksgiving . . . E. D. Van<br />
Duyne, district manager for RCA Service, and<br />
A. A. Hughes, field engineer, returned from<br />
vacations . . . Several of the theatre supply<br />
houses report business is slow, with exhibitors<br />
buying cautiously, and only necessary replacements.<br />
Mrs. Harold Cass, wife of the Warner Bros,<br />
salesman, will enter the Mayo clinic in<br />
Rochester, Minn.. December 5. Harold will be<br />
away from his WB duties for several weeks.<br />
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Clyde H. Eadger, Manager<br />
Satisfaction — Alwa'ys<br />
MISSOURI<br />
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L. J. KIMBRIEL, Manager<br />
Phone BAltimore 3070<br />
115 W. 18th I City 8, Mo.<br />
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ilUlilMliUllU<br />
New Fox, 800 Sealer<br />
In Winfield, Opens<br />
KANSAS CITY—Elmer Rhoden sr.. president<br />
of Fox Midwest, was among those who<br />
went to Winfield, Kas., for the opening of the<br />
new Fox Theatre there Wednesday (29).<br />
Others from Kansas City, most of whom flew<br />
to Wichita and went on to Winfield, included<br />
Katherine Black, booker; Joe Neger,<br />
20th-Fox manager; Don Davis, district manager<br />
for RCA Victor; Bill Keith, district<br />
manager, United Artists, and Dick O'Rear of<br />
Commonwealth.<br />
A luncheon was held at the hotel for<br />
prominent persons in Winfield, after which<br />
these were taken on a tour of inspection of<br />
the beautiful new theatre, which seats around<br />
800.<br />
Saturday morning a special showing for<br />
children was to be held.<br />
National Theatre Supply furnished much<br />
of the equipment, including Simplex projectors.<br />
Peerless Magnarc lamps, Hertner Transverter,<br />
American Bodiform chairs, Bevelite<br />
marquee letters, Aluminex display cases,<br />
Bausch & Super Cinephor lens, Walcamp<br />
smoking urns. Walker 'Vinyl plastic screen,<br />
Capitol Arc spotlight.<br />
After the opening performance, a buffet<br />
supper was held for Fox officials and their<br />
guests at the Lassen hotel in Wichita, with<br />
Elmer Rhoden and Fred C. Souttar, district<br />
manager, as hosts. Loyce H. Rockhold, Winfield<br />
manager, has been there since 1948 and<br />
with Fox Midwest for 23 years.<br />
Thorough Thieves Get $500<br />
At Omaha Circle Theatre<br />
OMAHA—Burglars on a recent Sunday<br />
morning did a thorough job at the neighborhood<br />
Circle Theatre here. They ransacked<br />
the candy storage room and rifled the candy<br />
corner in the lobby in addition to breaking<br />
open a small safe.<br />
Manager Morris Segal said the exact<br />
amount of cash taken was not known, but<br />
that it was approximately $500. The safe<br />
was removed from a room near the front<br />
of the theatre, taken to the basement and<br />
forced with an iron bar.<br />
Kansas City MPA to Hold<br />
First Annual Session<br />
KANSAS CITY—The MPA of Kansas City<br />
will hold its first annual meeting on December<br />
4 (Monday) at the Santa Fe Hills Country<br />
club. Dinner will be at 6:30 and the<br />
business meeting will follow at which dii-ectors<br />
will be elected.<br />
Finton-Jones Hol
!<br />
Dale McFarland to Coordinafor Post<br />
In New Tri-States Circuit Cabinet<br />
DES MOINES—Tri-States Theatres, which<br />
operates in Iowa. Nebraska and Illinois, will<br />
be guided by a cabinet consisting of the<br />
home office executives and district managers.<br />
A. H. Blank, president of the corporation,<br />
announced this week. Blank announced<br />
the new policy following the recent<br />
resignation of G. Ralph Branton. former<br />
general manager of the company.<br />
Dale H. McFarland, who has been named<br />
to the newly created post of assistant to the<br />
president of Ti'i-States, will serve as coordinator<br />
of the activities of the cabinet as<br />
well as a point of contact between the district<br />
managers, the home office departments<br />
and the president. Duties formerly handled<br />
by Branton have been divided among Mc-<br />
Farland. Leo McKechneay. Tri-States treasurer,<br />
and the district managers: H. D. Grove.<br />
William Miskell and Kermit Carr.<br />
Carr, who has been Des Moines district<br />
manager for the last two years, succeeds<br />
McFarland as chief of the film buying and<br />
booking department. Effective January 1,<br />
the post of Des Moines district manager<br />
will be eliminated. Blank announced. Carr,<br />
DRIVE-INS, ATTENTION!<br />
More Light at Less<br />
Amperage - and 25%<br />
More Burning Time !<br />
DALE H. McFARLAND<br />
STEBBINS THEATRE<br />
Palee, Lawrence, Kas.,<br />
Reopens as First Run<br />
LAWRENCE, KAS.—The newly reopened<br />
Patee Theatre, believed to be the oldest operating<br />
theatre west of the Mississippi river,<br />
has started a new policy of showing single<br />
feature first run films. The house, owned by<br />
Commonwealth Theatres circuit, opened last<br />
month after completion of a remodeling job<br />
which had closed the house since last August.<br />
Further delays in work were caused by the<br />
world situation and material shortages and a<br />
strike in the factory manufacturing the new<br />
seats for the Patee.<br />
The house now has a colorful plastiglas<br />
front, aluminum-trimmed boxoffice. streamlined<br />
concessions stand and mechanically<br />
folding seats. New carpeting and new equipment<br />
also were installed to make the house<br />
over completely from the Patee which first<br />
opened here in 1903.<br />
J. D. King, manager for Commonwealth<br />
here, said that while there are many theatres<br />
in addition to his new duties in the booking<br />
in the western part of the country which<br />
department, will continue to serve as opened before 1903. the Patee is the only one<br />
district manager until January 1. After that, beUeved to have been in continuous operation<br />
for 47 years, Leon Hoffnagle is supervision of Ti-i-States theatres in Waterloo<br />
man-<br />
will be assigned to Grove. These will be ager of the Patee.<br />
in addition to the cities in his present district:<br />
Davenport. Rock Island, Moline and<br />
Cedar Rapids.<br />
Increase Operating Schedule<br />
The ten Tri-States theatres In Des Moines SYLVIA, KAS.—The Sylvia Theatre is now<br />
will be under direct supervision of the home operating under a seven nights a week schedule.<br />
Mr. and Mrs. Vernon Pope are the new<br />
office beginning January 1 with Robert Leonard,<br />
manager of the Paramount, to act in managers at the house.<br />
the capacity of city manager. Leonard will<br />
continue to manage the Paramount and will<br />
supervise also the operation of the nine<br />
other theatres under the direction of the<br />
home office.<br />
"I am most happy that we have been able<br />
to announce these advancements for Mc-<br />
Farland. Carr and Leonard." Blank stated.<br />
"It has always been our policy to develop<br />
our executives and managers from the field.<br />
All three of these men started as ushers and<br />
worked up the ladder to their present important<br />
positions. I know of no better proof<br />
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66 BOXOFFICE December 2, 1950
Snapshots and News Briefs<br />
on Charlotte Convention<br />
Directors and newly elected officers of the Theatre Owners of<br />
North and South Carolina line up for the cameraman. Left to<br />
right: Roy Rowe, Burgaw; H. F. Kincey, Charlotte; W. H. Hendrix<br />
jr., Reidsville; Harold Armistead, Easley; J. B. Harvey, retiring<br />
president and new vice-president; H. D. Hearn, Charlotte, new<br />
president; H. E. Buchanan, Hendersonville; Roy L. Champion, vicepresident,<br />
Wilson; H. H. Everett, Charlotte; George D. Carpenter,<br />
Valdese. Other directors not shown in the photo are Ben L. Strozier.<br />
Rock Hill; J. C. Long, Charleston; A. F. Sams, Statcsville,<br />
Jimmy Earnhardt, Edenton.<br />
By HARRY HART<br />
CHARLOTTE—Sidelights of the 38th annual<br />
convention of the Theatre Owners of<br />
North and South Carolina held here last<br />
week:<br />
J. H. Webster and Levin B. Culpepper of<br />
the Carolina Amusement Co., Elizabeth City,<br />
were busy greeting many friends.<br />
C. B. "Seabee" Hayworth, who operates the<br />
drive-in at Pink Hill. N. C. a town of 450<br />
persons, reported he recently had Tex Ritter<br />
as a guest star and played to a capacity<br />
crowd.<br />
Hal Stone, another oldtimer, recently celebrated<br />
the third anniversary of his Motor<br />
Park Drive-In at Clinton and filled it with<br />
patrons. Hal told convention folk about a<br />
patron who came up and asked if he bought<br />
a box of popcorn would he have to go to the<br />
show.<br />
^m<br />
Irvin Rourk of Wilmington was seeking to<br />
find a display of Moonglow lighting, saying<br />
that it is now a must for drive-in operation.<br />
Jim Earnhardt of Edenton, N. C, was telling<br />
that deer and bear roam the swamps<br />
around there.<br />
Bob Bryant of Rock Hill commented he<br />
never knew so many people were helping in<br />
school work until he filmed a shot about activities<br />
in Rock Hill the other day.<br />
Ben Pless of Ashville has sold his new car<br />
dealership so that he can devote more time<br />
to his two drive-ins, one at Ashville and the<br />
other at Hendersonville.<br />
Franklin Frady, booker for the Pless Theatres,<br />
was renewing friendships. A. J. Biggart<br />
of the Motor-In, Lancaster, S. C, was shaking<br />
hands with friends around the lobby.<br />
Charley Holliday of Pinetops disclosed he<br />
just got under the freeze order and has put<br />
a new porcelain front and other repairs on<br />
his theatre there.<br />
H. E. Wessinger and wife of Lexington were<br />
greeted by friends.<br />
Lyle Wilson of Roanoke Rapids signed a<br />
pledge for the Will Rogers Memorial hospital<br />
fund. Al Duren, manager for Paramount in<br />
Charlotte, is taking a very active part in the<br />
fund raising campaign.<br />
R. G. Covington, operator at the Elm Theatre<br />
in Greensboro, was renewing acquaintances<br />
in the lobby of the hotel.<br />
(Continued on next news page)
%ei^<br />
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HERE'S THE PROBLEM<br />
Modern projection demands the use of higher power ore lamps. These lamps<br />
create intense heat which causes buckling and distortion of the film. To prevent<br />
film mutilation and out-of-focus pictures, some projectors require heavy<br />
light-wasting heat filters. These filters waste most of the light added by the<br />
higher power lamps.<br />
HERE'S THE SOLUTION<br />
CENTURY projectors equipped with water-cooled apertures reduce destructive<br />
heat and increase picture brilliance.<br />
Think of this . . . CENTURY high-efficiency mechanisms, plus water-cooling<br />
and with a 90 ampere arc will put as much light on the screen as other projectors<br />
using a 180 ampere arc and heat filters!<br />
HERE'S THE RESULT<br />
• Full brilliance and sharper pictures without loss of light or<br />
wasted power.<br />
• More illumination on the largest screens.<br />
• Film distortion reduced. Focusing trouble minimized.<br />
Projectors equipped for high speed, long focal length, 4" diem, lenses.<br />
Water cooling is optional-ovoiloble on all models at slight extra cost.<br />
LUBRICATION IS OLD FASHIONED!<br />
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CENTURY uses sealed, oil-less bearings and glass-hard, high carbon-chrome<br />
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Proof of CENTURY'S simplified, high-efficiency design can be seen in the illustrations<br />
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4 to 12 such meshes and up to 23 gears).<br />
Fewer gears and shafts mean less trouble, lower maintenance, less vibration,<br />
sharper pictures . . . fmer projection.<br />
See your CENTURY dealer about modernizing your projection and<br />
sound equipment nov/, under present government restrictions.<br />
JOE HORNSTEIN, INCORPORATED<br />
712 N. E. First Ave.<br />
Miami 36. Florida<br />
ALON BOYD THEATRE EQUIPMENT CO.<br />
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CAPITAL CITY SUPPLY CO.<br />
161 Walton Street, N. W.<br />
Atlanta, Georgia<br />
STANDARD THEATRE SUPPLY CO.<br />
215 E. Washington St.<br />
Greensboro, North Carolina<br />
222 South Church St.<br />
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QUEEN FEATURE SERVICE, INC.<br />
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Birmingham 3, Alabamo<br />
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68 BOXOFFICE December 2, 195
;<br />
^<br />
'<br />
SC<br />
II<br />
Convention Notes<br />
(Continued from preceding news page)<br />
C. H. Cordell of Wallace was the center of<br />
friendly gatherings.<br />
W. H. McManus of Spartanburg was overheard<br />
talking over problems of theatre operation<br />
with Jim Hyatt of Lancaster in the<br />
Bryant Theatre Supply Co. room.<br />
H. F. Kincey shook hands with friends<br />
wherever he went. Dusty Rhodes, general<br />
manager of Dixie Drive-In Theatres arrived<br />
late on account of taking his father to Greenville.<br />
The elder Rhodes had been visiting his<br />
son in Atlanta and became ill.<br />
Charley Fortson and Tip Tipton welcomed<br />
all at the Wil-Kin Theatre Supply room.<br />
Doris and Prank Strange were greeting<br />
friends and making themselves useful.<br />
C. B. Roebuck and wife of Hamilton, N. C,<br />
were at all spots seeking information to help<br />
build patronage.<br />
George Carpenter of Valdese was a popular<br />
figure.<br />
Kenneth Richardson of Seneca, who did<br />
some booking between sessions, reported he<br />
now has an artist to help draw attractive<br />
posters and signs for the New Oconee Theatre.<br />
Charley Utley, Pullers Sams jr. and Carelton<br />
Trotter of Statesville were looking for<br />
new ideas in showmanship.<br />
Clinton Whitlock of Rockingham was talking<br />
with first one and then another about<br />
theatre operation.<br />
Arthur Phillips of Walhalla was getting<br />
acquainted with new theatre folk.<br />
Charles Piequet of Pinehurst as usual was<br />
very busy as he is said to be one of the busiest<br />
exhibitors in the country with two very unusual<br />
theatres. He was president of TON &<br />
for 14 years.<br />
Charles Earle of Forrest Electronic Co. was<br />
getting acquainted with many exhibitors, as<br />
was Buddy Hill of Wake Forest, N. C.<br />
J. V. Dwiggins and H. M. Sloop of the<br />
Main Theatres in Kannapolis took this writer<br />
to luncheon the first day.<br />
R. S. Shores of Winston-Salem, who owns<br />
the drive-in Dobson, was attending his first<br />
TON&SC convention.<br />
« • «<br />
Prank St. Clair was a gracious host at the<br />
Manley, Inc., cocktail party at which an orchestra<br />
played for dancing. A girl in Manley<br />
costume passed popcorn around.<br />
Mr. and Mrs. Howard McNally of Fayetteville<br />
were soon surrounded by old showmen<br />
following their arrival.<br />
Frank Harris and crew of Bryant Theatre<br />
Supply distributed drinks and potato chips<br />
in the Bryant room.<br />
R. E. Brantley of the Tryon (N.C.) theatre<br />
did some booking between sessions.<br />
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Mr, and Mrs. Roy Champion of Wilson<br />
were chatting with friends.<br />
P. G. McGee of Winston-Salem related incidents<br />
of his recent trip to Houston and vacation<br />
in Mexico.<br />
A. P. Lassiter of Conway said business was<br />
still fair in his section.<br />
O. T. Kirvy of Roxboro was meeting old<br />
friends and making new ones.<br />
J. K. Whitley and wife were in from Kannapolis.<br />
Delmer Sherrill of Statesville said he almost<br />
had to pass up the convention what<br />
with managing his drive-in and attending<br />
college.<br />
Frank Bedenfield and Francis White were<br />
there.<br />
Mr. and Mrs. Mitchell Wolfson of Miami<br />
made more friends with their smile and<br />
iiandshakes.<br />
JACKSONVILLE<br />
IJarry Meadows, UA special representative,<br />
visited the office of Floyd Stowe, booker,<br />
recently . . . Mabel Conrad, who was at the<br />
San Marco Theatre for the last few years,<br />
is now managing the Edgewood Theatre . . .<br />
Florida State Theatre's annual holiday dance<br />
has been scheduled for December 28 . . .<br />
Louis Pauza, Paramount booker, has left for<br />
the service . . . Abner Camp is with Paramount<br />
as a salesman.<br />
Exhibitors visiting at the Paramount exchange<br />
were Nat Bernstein of Bernstein Theatres,<br />
Miami; James Frew, Skydrome, Lake<br />
Worth, and the Dania Drive-In, Dania, and<br />
K. T. Barfield of Gainesville, Fla.<br />
Kentwood Elroy Remodeled<br />
KENTWOOD, LA.—The Elroy Theatre here<br />
has been reopened after an extensive remodeling.<br />
New seats in a color scheme of blond<br />
and blue were installed and new drapes and<br />
rugs were added. Roy Saxon is manager.<br />
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BOXOFFICE :: December 2, 1950<br />
69
. . Johnnie<br />
BOOK<br />
NOW<br />
MEMPHIS<br />
n blizzard, accompanied by snow and sleet<br />
and temperatures below last winter's<br />
record, put a crimp in midsouth theatre<br />
business. Local first runs reported a slump<br />
following the cold wave which hit Thanksgiving<br />
day and continued. The icy roads<br />
and streets kept exhibitors from making<br />
booking and shopping trips. A large number<br />
of drive-iiis in the territory closed for the<br />
winter season.<br />
Drive-ins which closed for the winter this<br />
week included: Sky Way, owned by Rockwood<br />
Amusement Co. of Nashville, at Humboldt:<br />
64 Drive-In, owned by William L.<br />
. . .<br />
Spicer, at Russellville, Ark.: Sundown, Paris,<br />
Tenn,; Jaxon. owned by Douglas Pierce,<br />
Jack.son, Tenn., and Paris, Paris, Ark.<br />
M. A. Lightman sr., president of Malco, has<br />
returned from New York . Gannon,<br />
U-I office manager, was on vacation<br />
. . . Fred Myers, Lippert manager, wa.s<br />
home from the sales meeting in Kansas City<br />
. . . Nelson Towler, LP district manager,<br />
was at the local office.<br />
Bowl football game between leading Memphis<br />
Negro teams. Prof. Handy will take<br />
part in the ceremonies and will be honored<br />
by Memphis at the game . . . High adventure<br />
brought high attendance to Memphis first<br />
run houses. Loew's Palace showed "American<br />
Guerrilla in the Philippines"; Loew's<br />
State, "Where Danger Lives"; Warner,<br />
"Breakthrough"; Malco, "Fortunes of Captain<br />
Blood"; and Strand "Tripoli" to improved<br />
attendance.<br />
Prices Raised Five Cents<br />
At Two Alabama Spots<br />
LINEVILLE, ALA.—Adult admissions have<br />
been increased a nickel by the Lineville<br />
Theatre here and the Ashland at Ashland.<br />
Kiddy prices are unchanged at 10 cents.<br />
"Greatly increased operating costs" was<br />
given as the reason for the hike, which is<br />
the first since federal taxes were boosted<br />
to 20 per cent several years ago. The new<br />
price is 35 cents for adults.<br />
ALL BOX OFFICE<br />
HITS<br />
BEYOND THE SACRAMENTO<br />
THE SON OF DAVEY CROCKETT<br />
PRAIRIE SCHOONERS<br />
WILDCAT OF TUCSON<br />
ACROSS THE SIERRAS<br />
NORTH FROM THE LONE STAR<br />
HANDS ACROSS THE ROCKIES<br />
KING OF DODGE CITY<br />
Arthur Groom, manager of Loew's State;<br />
Cecil Vogel, manager of Loew's Palace, and<br />
Louis C. Ingram, MGM manager, are on a<br />
committee which will stage a midnight show<br />
at the State December 17 to raise funds<br />
for the Christmas basket fund conducted<br />
by the Commercial Appeal and American<br />
Legion.<br />
Exhibitors in from Mississippi Includtil<br />
J. H. Moore, Ritz, Crenshaw; Clark Shivley<br />
Skylark Drive-In. Clarksdale; Mr. and Mr.^<br />
A. F. Marlar. Joy. Nettleton; A. N. Ros.^i,<br />
Roxy, Clarksdale, and J. R. Adams, Jeran<br />
and Von, Booneville.<br />
From Arkansas came Orris Collins. Capitol<br />
and Majestic, Paragould; Henley Smith.<br />
Imperial, Pocahontas; W. L. Landers. Landers,<br />
Batesville; Zell Jaynes, Joy, West<br />
Memphis; Tom Ford, Ford, Rector; B. D.<br />
Graves, Sunshine, Cherry Valley; Jimmie<br />
Sharum. Chandell and Metro. Walnut Ridge;<br />
Wake Newsom, Dixie, Marmaduke; Mi', and<br />
Mrs. John D. Lowrey, Lowrey, Russellville;<br />
and Park and Plaza, Bentonville; Bob Lowrey,<br />
Skyvue Drive-In, Jonesboro; Mrs. George<br />
Keller. Joiner, Jomer, and Tom Ford, Ford,<br />
Rector.<br />
Louise Mask, Luez, Bolivar; W. F. Ruff in<br />
jr., Ruffin Amusements Co., Covington; M.<br />
E. Rice jr., Rice, Brownsville, and Mrs.<br />
H. A. Fitch, Erin, Erin, were in from Tennes.see<br />
points . . . J. C. Mohrstadt. Missouri,<br />
Hayti, and president of Midsouth Allied, was<br />
in on business, as were W. C. Kroeger, Shannon<br />
and Maxon, Portageville, Mo., and Gem<br />
and Joy, Osceola, Ark.<br />
Prof. W. C. Handy, daddy of the blues, native<br />
of Memphis, now of New York, will come<br />
here December 5 to attend the annual Blues<br />
PROOF Of superiority<br />
PD-55<br />
SINGLE<br />
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AMPLIFIERS<br />
Perrin Theatre Supply<br />
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Little Rock. Arkansas<br />
Complete Theatre Equipment & Supplies<br />
70 BOXOFFICE December 2, 1950
. . . The<br />
. . . the<br />
NEW ORLEANS<br />
T oe Barcelona, owner of the Regina at<br />
Baton Rouge, has taken over the operation<br />
of three theatres: namely, the Istrouma,<br />
the Avenue and Tivoli, formerly lea.sed by<br />
Roy Pfeiffer. The change will become effective<br />
January 10 . . . Harold F. "Babe" Cohen<br />
went to Mobile with salesman Roy Nicaud<br />
to sell Screen Guild product.<br />
Henry Krumm, a partner with Ernest<br />
Landaiche in Realart Pictures, has severed<br />
his affiliation and retired to his home in San<br />
Antonio . . . Seen at Republic were A. L.<br />
Royal of the Royal Theatres, Meridian, Miss.,<br />
Max Connett of the Roxy, Newton. Miss.,<br />
Paul Ketchum. Century, Texarkana, Ark..<br />
and Nelson Constant. Nelson Theatre,<br />
Kraemer.<br />
Theatre changes reported in this area include<br />
the recent closing of the Sorrell at Sorrell<br />
The Park Drive-In. Crestview, Pla., operated<br />
The Joy at<br />
by J. C. Powell, w^as sold . . .<br />
Laurel, Miss., owned by Booker T. Smoth, has<br />
been closed temporarily for alterations . . .<br />
Charles M. Waterall expects to open his new<br />
Waterall Theatre at Prichard, Ala., around<br />
December 15. It will seat approximately 1,000.<br />
Seen on Filmrow were A. H. Vowell, owner<br />
of the Liberty, Taylorsville, Miss.; Ernest<br />
Drake, Ideal, Ponchatoula, and G. H. Moody,<br />
Meridian Drive-In at Meridian, Miss. . . .<br />
Mary Gonzales, biller, returned to work at<br />
Monogram after a three-week absence due to<br />
illness . . . E. J. Lillis. president of Masterpiece<br />
Pictures, is ill at his Metairie home suffering<br />
from rheumatism.<br />
Mrs. G. Sanders, owner of theatres in Madisonville<br />
and Mandeville. was in . . . Herbert<br />
Hargroder. theatre owner from Hattiesburg,<br />
was booking at Warners . . . E. W. Clinton of<br />
the Mono Theatre, Monticello. Miss., was in<br />
Warner Christmas party for office<br />
personnel will be held December 16 at<br />
Deutsches Haus.<br />
Two Airers Opened<br />
At Shrevepori, La.<br />
SHREVEPORT—Two new drive-ins with<br />
a capacity totaling 1,214 cars have been<br />
opened near here. The Don Drive-In on<br />
Highway 80 east of Kickapoo Plaza near<br />
Bossier City wa.s opened by Don George,<br />
owner of the Don and Venus here and the<br />
Davis at Bossier City. The Barksdale Drive-<br />
In, located near the Barksdale air base, has<br />
been opened by Shipman Bullard and Lillian<br />
Lutzer.<br />
Darrell George, brother of Don, is manager<br />
of the 564-car Don. Booking is done<br />
by Doyle Maynard, general manager of the<br />
Don. The airer features hard surfaced<br />
ramps and a 30x60-foot snack bar. Cost was<br />
set at between $125,000 and $150,000.<br />
The 650-car Barksdale Drive-In is staffed<br />
with local personnel, including Holland<br />
Davis, general manager. A playground for<br />
kiddies has been provided with a merry-goround<br />
and slides and a 200-seat patio is<br />
available for walk-ins.<br />
Martin Theatres Honor<br />
Phenix City Manager<br />
PHENIX CITY, GA.—Henry Whatley,<br />
Phenix City manager, was the "Personality<br />
of the month" featured in the November issue<br />
of the "Martin Tipster."<br />
Whatley began his career with Martin in<br />
1921. when he became a ticket-taker at the<br />
Bonita here. He divided his time until 1937<br />
between Martin Theatres and the Ringling<br />
circus. In 1937, he became manager of the<br />
Phenix City Palace.<br />
DeKalb Theatre Burned<br />
DeKALB, MISS.—The Rex Theatre here<br />
was destroyed by fire early on the morning<br />
of November 12.<br />
TiBCT BECAUSE<br />
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Charlotte Theatre Supply<br />
116 Poplar St.<br />
Charlotte, North Carolina<br />
Complete Theatre Equipment & Supplies<br />
EXHIBITORS'<br />
SERVICE<br />
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^AAX--MHI4IAJU»^ent<br />
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RUBE JOINER<br />
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I Atlanta, Georgia<br />
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UNITED THEATRE SUPPLY CORP.<br />
110 Franklin St. Tampa. Fla.<br />
Phone 2-3045<br />
ARE YOU OVERLOOKING THE ADDITIONAL REVENUE<br />
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THE QUEEN FEATURE SERVICE, INC.<br />
Complete Theatre and Drive-In Equipment<br />
19121/2 Morris Avenue Phone 3-8665<br />
BIRMINGHAM, ALABAMA<br />
BOXOFFICE :: December 2, 1950 71
. . bui<br />
. . Morris<br />
. . Frank<br />
. , W.<br />
. .<br />
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.<br />
BIRMINGHAM<br />
Oeveral managerial changes have been made<br />
at theatres in the Birmingham area . . .<br />
Mack Lewis, former city manager in Ensley<br />
for R. M. Kemiedy. has left the theatre lO<br />
take over a laundry and dry cleaning business<br />
operated by his brother, who has gone<br />
back into the service . . . Bill Deitenbeck.<br />
who was city manager in Bessemer, joined<br />
the Kennedy chain as city manager in Ensley<br />
and Guy McDowell, formerly of Anniston, replaces<br />
Deitenbeck as city manager in Besse-<br />
CwAtk cosj<br />
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218 East 56th Street<br />
Savannah. Georgia<br />
Complete Theatre Equipment & Supplies<br />
72<br />
mer . Willeford, former manager<br />
of the Five Points Theatre, is new manager<br />
of Waters' Woodlawn. Joe Lackey went from<br />
the Woodlawn to North Birmingham as manager<br />
of the North Birmingham and the<br />
Delmar . Hopkins is new manager<br />
of the Avon and Ted Daniels is now manager<br />
at Five Points . C. Watts went<br />
to the Tarrant Theatre as manager to succeed<br />
M. B. Shepherd.<br />
.<br />
Emil Bernstecker, district manager lor<br />
Wilby-Kincey, was here on his monthly tour<br />
of the circuit . . . L. A. Holcomb. assistant<br />
manager of the Melba, and his wife are the<br />
parents of another girl. Karen Sue. Holcomb<br />
subbed for W. J. Hampton when the<br />
Galax manager went on vacation . . . Francis<br />
S. Palkenburg, former manager of the Alabama<br />
here, has joined the Motion Picture<br />
Advertising Service staff ... A. E. Chadwick<br />
and his wife, were here from New Orleans to<br />
confer with Milton Schwarz, Alabama representative.<br />
Chadwick is MPAS vice-president<br />
. . Mrs. H. P. Whatley of the Arabian, Arab,<br />
and H. P. Lawrence of the Fox, Blountsville,<br />
were among the Alabama exhibitors on the<br />
Row.<br />
^VMWWWVM^^^^^^^^^^^^^^^^^^^^<br />
ABC THEATRICAL ENT.<br />
p. O. Box 1345 ATLANTA. GA.<br />
Perlorming the Basic Service ol<br />
BUYING and BOOKING<br />
For Independent Exhibitors in the Atlanta<br />
Territory.<br />
Jacksonville Sub-Oflice Soon.<br />
— Phone ALpine 7887 —<br />
R. I. (Hap) Barnes Karl (Bud) Chalmo<br />
Albert E. (Al) Rook C. B. (Clifi) Wilson<br />
DRIVE-IN THEATRE<br />
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MIAMI NEW YORK ST. LOUIS<br />
FOR BfrrfR PROJECTION RESULTS<br />
Schwalberg to<br />
Speak<br />
At Gulf ATO Parley<br />
NEW ORLEANS—A. W. Schwalberg, president<br />
of Paramount Distributing Corp., will<br />
addre.ss the annual convention of the Allied<br />
Theatre Owners of the Gulf States here<br />
December 5, 6 at the Roosevelt hotel. He<br />
also will conduct a meeting of Paramount<br />
bookers December 8-10. Attending the bookers<br />
meeting will be J. A. Walsh, in charge<br />
of branch operations, and the local manager<br />
William Holliday.<br />
Another Paramount official, Hugh Owen,<br />
eastern-southern division manager, will attend<br />
the Allied convention.<br />
Slated for discussion at the convention<br />
will be film prices and television. Film<br />
clinics, fashioned after those held at the<br />
national convention, will feature the gathering,<br />
according to Abe Berenson, vicepresident<br />
and acting manager of the local<br />
Allied branch and convention chairman.<br />
The clinics will deal with problems of indoor<br />
and drive-in theatres, Berenson said.<br />
Maurice Artigues, general manager of Allied<br />
of the Gulf States, has resigned. Berenson<br />
and Harold Bailey, secretary, are in<br />
charge of the local office.<br />
CHARLOTTE<br />
pilmrow has about returned to normal following<br />
the convention of the Theatre<br />
Owners of North and South Carolina .<br />
Mrs. Walter Griffith, executive secretary of<br />
the TON&SC, has opened her office at .216<br />
West Fourth St. again. During the convention<br />
she moved her headquarters to the<br />
Charlotte hotel.<br />
The Manor Theatre and Charlotte News<br />
film editor Emery Wister worked up a contest<br />
for "King Solomon's Mines" which ran<br />
in Wister's column Sho Nuf, asking the<br />
readers to state in 50 words or less why they<br />
wanted a Keepsake diamond. First prize<br />
was a six-month pass to the theatre and<br />
a chance on the three national prizes—<br />
$5,000, a $3,000 and a $1,000 diamond ring.<br />
Paul Hargett, salesman at Columbia, has<br />
been appointed manager of the Jacksonville<br />
branch to be opened soon . . . E. C. DeBerry,<br />
salesman for Paramount here, was recently<br />
given 50 pounds of country cured ham by<br />
his father. The DeBerry home has become<br />
a popular place on Saturday nights .<br />
The three children of Paramount Exploiteer<br />
Everett Olsen, twins Tom and John and<br />
little Pamela, had their tonsils removed in<br />
Charlotte's Presbyterian hospital , . . Mr.<br />
and Mrs. Morris Littman of Rutherfordton,<br />
N, C. are grandparents. Their daughter<br />
gave birth to a baby girl recently.<br />
Miss Jean Creighton, who is employed in<br />
the 20th-Fox exchange here, and Billy Wilson<br />
Steadman were married recently . . .<br />
Jack London, Republic salesman, was back<br />
on the road again after being ill . . Jimmie<br />
.<br />
Austin opened his new 598-seat Austin Theatre<br />
Stewart Theatres<br />
in Clinton, N. C. . . . completed the remodeling of the Oasis in<br />
Wilson. N. C, and reopened it Tlianksgiving,<br />
naming it the Center.<br />
BOXOFFICE December 2. 1950<br />
a
. . . Esther<br />
. . Roth<br />
. . Any<br />
. . Miamians<br />
. . George<br />
. .<br />
. .<br />
MIAMI<br />
Art Green heads the Variety Club's radio<br />
committee for the December 11 performance<br />
of "Susan and God" at the Mayfair Art.<br />
All proceeds go to the children's hospital . . .<br />
Manger Dan Cudone of Brandt's Roosevelt,<br />
which recently went on a first run policy, has<br />
billed "Macbeth" with Orson 'Welles as a<br />
roadshow picture at popular prices . . . "King<br />
Solomon's Mines" was in its .second week at<br />
the Florida and Colony.<br />
The women's organizations of the local Variety<br />
Club, indefatigable workers ever since<br />
the creation of this division, auditioned professional<br />
tenor and baritone singers to pick<br />
the right performer for the coming fashion<br />
show. The women's committee has had great<br />
success with this form of money-raising plan.<br />
The shows are put on very professionally and<br />
draw well.<br />
Al Wilkie says that the circuit's Paramount<br />
Theatre is scheduled to reopen December 7<br />
instead of November 30 as previously planned.<br />
First attraction will be "Let's Dance," now<br />
at the Claughton Variety, Miami Beach. The<br />
Paramount has been closed while getting a<br />
complete renovation job.<br />
The Miami Variety Club will elect officers<br />
December 4. Among nominees for the crew<br />
are Mark Chartrand, Bill Dock, Jack Bell,<br />
Jesse Weiss ... In pre-Thanksgiving advertising,<br />
the Wometco circuit printed the picture<br />
of a turkey beside the name of each<br />
theatre which had them to give away. That<br />
made a whole flock of birds since 11 theatres<br />
THIS IS<br />
IT/<br />
Smashing Box Ofiice records everyTwhere<br />
San Antonio to Syracuse. Dallas to Denver<br />
Tulsa to Tacoma. THE ONLY independent exploitation<br />
picture playing the major circuits<br />
Fox - Warners - RKO<br />
- Paramount - Colder<br />
State • Interstate - Video - and many others<br />
Plus over 1100 independents first 6 ths<br />
oi<br />
participated. A separate ad with special art<br />
further called patrons' attention to the events.<br />
Cecil DeMille, now making a film based on<br />
circus life, spent a recent weekend with the<br />
Ringling circus here . hear that<br />
RKO has assigned John Larkin to get up the<br />
script for "The Miami Story."<br />
ATLANTA<br />
Ceen on the Row early this week were<br />
R. H. Brannon, Holly Theatre, Dahlonega.<br />
Ga.; Mel Brown of the drive-in at<br />
Savannah; Jim Partlow, drive-in, Orlando,<br />
Fla.; Cal Allen. Dandee Drive-In, Columbia,<br />
Tenn.; Neil Edwards, Neil Theatre, Lithonia;<br />
Rufus Getzen, Spalding Drive-In, Griffin;<br />
Ebb Duncan and Clyde Sampler, Duncan<br />
Theatres. CarroUton; Howard Schuessler,<br />
Rome, and Donald Boardman, Skyview<br />
Drive-In, Augusta.<br />
.<br />
Bob Moscow has installed a popcorn machine<br />
at the Rialto Theatre, which is the<br />
first time this theatre has sold popcorn<br />
Johnnie Harrell, Martin Theatres, returned<br />
from a trip to New Orleans.<br />
Mrs. W. M. Richardson, wife of "Snake"<br />
Richardson of Astor Pictures, is convalescing<br />
from a long illness . . . Nat Hancock,<br />
Roosevelt, Jefferson; T. E. Orr, Albertville:<br />
Nat Williams, Thomasville, and A. N. Goldfinger,<br />
West Palm Beach, were in booking<br />
Osley, Exhibitors Service, is<br />
moving into her new home at Stone Mountain.<br />
Later on the Row were Harry Willoughby.<br />
Avondale Theatre, Birmingham; Jimmie<br />
Aaron, Skyway and Bama theatres, Anniston;<br />
R. E. Andrews, Carver Theatre, Rome;<br />
George Wilby, 27th Avenue Drive-In, Miami;<br />
Jay Solomon, Chattanooga; John Carter,<br />
Brookhaven; Roy Mitchell, Stone Mountain,<br />
and John Peck, Pex, Eatonton.<br />
Charlie Clark of Patronage Builders was<br />
back after a trip through south Georgia .<br />
Grover Parsons, ELC manager, returned from<br />
Jacksonville, Fla., where he conferred with<br />
Joe Deitch, Florida State Theatres . . . Lucy<br />
Pruitt of Columbia's billing department was<br />
married to Paul Epps . Haupert,<br />
Columbia home office, was at the local exchange.<br />
The Tower Theatre presents Gene Krupa<br />
this week . Hook, Hook Theatres,<br />
Aliceville, and T. J. Bain, Hallmark Pictures,<br />
were here . time the temperature drops<br />
below 50 degrees in Florence, the Joy Lan<br />
Drive-In gives each car a coupon good for one<br />
gallon of gas to operate car heaters.<br />
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Contact for 1951 Playdates<br />
Dick C. Crane, Gen. Sales Mgr.<br />
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308 S. Harwood Dallas, Texas<br />
Phone ST-2552<br />
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HUBERT MITCHELL INDUSTRIES, INC.<br />
Hartselle,<br />
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BOXOFFICE December 2, 1950 73
• Century Projection and Sound<br />
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• Strong Lamps<br />
• Ideal Seating<br />
• Star Popcorn Machines and Supplies<br />
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DIXIE THEATRE SERVICE<br />
6- SUPPLY CO.<br />
1014 North Slappey Drive Albany, Go.<br />
Phone 3431 — Night Phone 2015<br />
cmun<br />
MEANS<br />
im0sr<br />
By HARRY HART<br />
TACK COLE, manager of the Ritz at Toccoa,<br />
J<br />
Ga., and A. L. Whitaker, manager of the<br />
Grand in Cornelia,<br />
Ga., were in the offices<br />
of Co-At-Co Theatres<br />
HART BEATS<br />
in Toccoa wlien I called<br />
and Jack O'Kelly, introduced<br />
me to tliem.<br />
W. M. Snelson told me<br />
that concession sales<br />
at the Ritz were up<br />
since he had installed<br />
a new candy bar.<br />
Fuller Sams of the<br />
Statesville, N. C.<br />
Harry Hart<br />
Theatres<br />
told me that<br />
Rufus Neas has been moved from the Lyric<br />
in Elkin, N. C. to manage the Dixie Theatre<br />
in Scotland Neck, N. C. He said that Jack<br />
Pardue is the new manager of the Lyric,<br />
moving up from the assistant manager's post<br />
at the Reeves.<br />
Tip Tipton, manager of the Wil-Kin Theatre<br />
Supply Co., Charlotte, told me that his<br />
firm had installed Cycloramic screens at the<br />
Weldon, N. C. Center and the Gastonia,<br />
N. C. Carolina. The New Catawaba Theatre<br />
at Hickory, N. C. has installed a new booth<br />
and screen, he said. Wil-Kin has been selling<br />
Green Spot orange drink machines right and<br />
left and has installed them at the Durham,<br />
N. C. Carolina: Statesville, N. C. Playhouse:<br />
two at the Belmont Drive-In. Greenville,<br />
S. C; Sky Way Drive-In, Columbia, S. C;<br />
the Sharon Drive-In, Abbeville, S. C; Foster's<br />
Drive-In, Kershaw, S. C. and the Midway<br />
Theatre, Lancaster, S. C.<br />
furnished by Southeastern Theatre Supply.<br />
The new house will be opened soon.<br />
Charles Moore, Atlanta<br />
manager for<br />
the Wil-Kin Theatre<br />
Supply Co. has been<br />
called back into the<br />
navy and will report to<br />
the Norfolk, Va. base<br />
on December 5. He has<br />
been associated with<br />
Wil-Kin for the last 13<br />
years. He will assume<br />
his former naval<br />
rating of commander.<br />
Charles Moore c. O. Jeffrey, southeastern<br />
general district manager for Alexander,<br />
held a meeting in Atlanta with the<br />
following area salesmen in attendance: William<br />
D. Barnes, Clements, E. D. Collins, L. C.<br />
Cochran, R. E. Goss, L. W. Hamilton, H. D.<br />
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Johnson Theatre Service<br />
223 South Liberty St.<br />
New Orleans, La.<br />
Com-plete Theatre Equipvient & Supplies<br />
Al Clements, who has been in the Kansas<br />
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for several years, has been transferred to<br />
northeastern Florida and southeastern<br />
Georgia.<br />
John Motley at Sumpter. S. C. has remodeled<br />
his screen tower, booth and boxoffice<br />
and has installed a new marquee.<br />
J. O. Biddle opened his new Box D Drive-<br />
In at Jasper, Fla. on Thanksgiving day. It<br />
is equipped with RCA in-car speakers. The<br />
Charles Theatre in Maryville. Tenn. will be<br />
equipped with 622 International chairs, to be<br />
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74 BOXOFFICE December 2, 1950
J. C. Hunter Elected<br />
Barker by Tent 22<br />
OKLAHOMA CITY — J. C. Hunter, who<br />
heads Talbot theatres in Tulsa, is the new<br />
Variety Tent 22 chief<br />
barker. Hunter, along<br />
with the other newly<br />
elected 1951 Tent 22<br />
officers, will take over<br />
Januray 8.<br />
Other officers<br />
named: C. H. "Buck"<br />
Weaver, Paramount<br />
manager, first assistant:<br />
Harry McKenna<br />
of Southwestern Theatres,<br />
also of the city,<br />
second assistant ;<br />
J. C. Hunter Claude York, ELC<br />
manager, property master, and Charles<br />
Hudgens, Universal manager, doughguy. C. A.<br />
"Dewey" Gibbs, returning chief barker, will<br />
become canvasman.<br />
The election by the new board of directors<br />
was held at noon Monday (27) in the Variety<br />
clubroom. In attendance were McKenna.<br />
York, Glen Alt of Republic, Sam Brunk of<br />
Paramount, Bill Slepka, Okemah exhibitor.<br />
Hudgens, Hunter, Weaver. The new directors<br />
were named November 17. Absent from the<br />
Monday meeting were Dan James, Charles<br />
R. Guthrie, both of the city, and C. B. Akers.<br />
Tulsa.<br />
Oklahoma Loge 30 Names<br />
J. A. Smith President<br />
OKLAHOMA CITY—J. A. Smith, Columbia,<br />
was elected president of the Oklahoma<br />
Loge 30, Colosseum of Motion Picture Salesmen<br />
of America, at a recent meeting. Other<br />
new officers<br />
are Paul Rice, Paramount, vicepresident;<br />
Chester A. Blakeley, RKO, secretary-treasurer,<br />
and Jack Emenhiser, ELC,<br />
sergeant at arms. Re-elected directors are<br />
Jack DeLier, Universal, and Jim Byrd, MOM.<br />
Delegates to the December 2, 3 national<br />
convention in Cincinnati are Smith and<br />
Blakeley. Tom McKean. Paramount, national<br />
treasurer, will also make the trip.<br />
W. Hodges Starts Theatre<br />
WEATHERFORD, OKLA.—Wesley Hodges,<br />
formerly of Anadarko, has started work on a<br />
location in the Hume hotel building here for<br />
the Bulldog Theatre. The house will be<br />
newly decorated and new seats and film<br />
equipment will be installed.<br />
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Signal 'Dallas Debut in Dallas<br />
DALLAS—Warners' "Dallas" was worldpremiered<br />
at the big Majestic Theatre here<br />
Wednesday (22) with pioneers of the city<br />
present as guest of Interstate circuit and the<br />
WB studio.<br />
Newsreel cameramen filmed many of the<br />
opening events, while activities conducted in<br />
front of the theatre were broadcast. The<br />
Majestic was filled twice for the two night<br />
showings.<br />
Premiere festivities included a parade by<br />
a mounted posse and cowgirls from the<br />
Southern Methodist university, entertainment<br />
by a string band on the sidewalk.<br />
The original script for the film was presented<br />
by the pioneers to the Texas Historical<br />
society in a ceremony in the theatre<br />
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lobby. The pioneers were taken on an airplane<br />
flight over the city so they could see<br />
the town they helped develop.<br />
Shown in the photo of the Majestic front<br />
entertainment are Francis Barr, Interstate<br />
publicist; Pete Teddlie. WRR program director,<br />
and Mayor Wallace Savage of Dallas.<br />
Hardie H. Cluck, Belton,<br />
Dies of Heart Attack<br />
BELTON, TEX.—Hardie H. Cluck, who<br />
operated the Beltonian Theatre here, died<br />
Monday (20) of a heart attack. He was a<br />
member of the Variety Club of Texas.<br />
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kBOXOFFICE December 2, 1950 sw 75
. . The<br />
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DALLAS<br />
Jijtrs. Minnie E. Hooks, mother of Grace<br />
Brewer of the Chas. E. Darden Popcorn<br />
Co. and of Alex Hooks, Southern Methodist<br />
baseball coach, died. The funeral was held<br />
at Edgewood, Tex. . Sadler's Wells<br />
ballet company of London played to four<br />
capacity houses at Fair Park auditorium.<br />
More than 17.000 people attended ... A<br />
Texas premiere of "Air Cadet," shot at Randolph<br />
and Williams fields, is expected.<br />
Other visitors: H. H. Stroud. Strand, Hamilton:<br />
Mrs. Maggie E. Scott, Rio in Wallace<br />
and Scott in Odessa; W. E. Cox, Tower,<br />
Seminole; Audrey Cox, Palace, Lemasa; R.<br />
B. Weatherall. Town, Huntsville; Bill Morrow,<br />
Colonial Drivc-In, Longview; Jewel<br />
Archer, West-Mer Drive-In, Mercedes; I. W.<br />
Speckles, Cozy. Schulenberg; R. A. "Skeets"<br />
Noret, Sky- View Drive-In, Lemasa; Gerard<br />
J. Ebeier. Kings Drive-In, San Marcus; Gidney<br />
Talley, Hi-Ho. San Antonio; Jake Webb,<br />
Sunset Drive-In, Temple; W. M. Barnes,<br />
Alvarado. Alvarado; Mrs. Ethel Jones Howze,<br />
Rio, Brownfield; Johnny Blocker. Twin-Falls<br />
and Scottie drive-ins, Wichita Falls.<br />
Exhibitors on the Row: J. T. Hitt, Hico<br />
Theatre, Hico; Millard Jones of the Pyramid<br />
in Beaumont and the Cactus Drive-In Thea-<br />
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and 65/125 ampere arc lamps.<br />
Service available through carefully<br />
tre in Odessa; W. O. Bearden, Bearden Theatres,<br />
Lubbock; J. B. Beeson, Fiesta Drive-In,<br />
El Paso; H. E. Harris, Tropic. Elsa; Harry<br />
Clark. Range. Emory; Steven Curly, Arcadia,<br />
Bridgeport; R. H. Thompson. Mecca, Jacksboro;<br />
M. C. Huey. Palace, Gustine; R. Q.<br />
Coleman. Maytex. Maybank; T. L. Ritchie,<br />
Village, Ennis; Henry Reeve, Mission, Menard;<br />
Ben Ferguson, New Nearne Drive-In,<br />
Hearne; Cranfill Cox jr.. Crystal, Gilmer;<br />
R. J. Cordell, Palace. Childress; C. M. Anding,<br />
Haltom. Fort Worth; Eddie Fadel. Elm<br />
Street. Waco; W. C. PhiUips. Hi-Vue Drive-<br />
In. Sulphur Springs; E. L. Walden. Crest,<br />
Seagoville; C. O. Simmons. Plaza, Denton,<br />
and Pete and Howard Srabay, Mesquite,<br />
Jacksboro.<br />
Harold Kenoyer, MGM projectionist, was<br />
here to handle the special screening of<br />
"The<br />
MGM Story" . Mowbry and Adrian<br />
Booth, film stars, flew in to appear at the<br />
Save-a-Life league event held Sunday night<br />
(12) at the Baker hotel . . . Eva Fuller,<br />
formerly with Tower Pictures, is now on the<br />
20th-Fox staff . . . Interstate Theatres is<br />
switching from Thursday opening days to<br />
Saturdays, starting December 9 and running<br />
through the first part of January.<br />
This is one of the first such changes tried<br />
here in recent years.<br />
R. J. O'Donnell, vice-president and general<br />
manager of Interstate Theatres, met Robert<br />
Rossen, producer-director of "The Brave<br />
Bulls" on a trip to New York, Plans are<br />
going ahead for a joint world premiere of<br />
the film in El Paso and Juarez.<br />
Johnnie Blocker has sold his two drive-in<br />
theatres, the Falls and Scottie drive-ins in<br />
Wichita Falls to BuUington, Lee and Mc-<br />
Mahan also of Wichita Falls . . Art Leazenby<br />
.<br />
is the new advertising and publicity<br />
manager at Paramount. He came here from<br />
New York. Art has been with ELC and<br />
before going with them he owned and operated<br />
a theatre in Detroit.<br />
H. H. "Hardie" Cluck of Belton, longtime<br />
Texas showman, died recently . . . Olin Dalton.<br />
producer of 16mm business films, was in<br />
San Antonio shooting scenes for a Rio Grande<br />
Valley picture which is being backed by several<br />
San Antonio firms.<br />
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Double Bill Features — Westerns<br />
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76 BOXOFTICE December 2. 1950
'<br />
visitor<br />
'<br />
shows,<br />
I Thanksgiving<br />
1 seems<br />
. . Tom<br />
. .<br />
OKLAHOMA CITY<br />
lUfrs. Milt Lipsner, wife of the Monogram<br />
manager in Washington, was back from<br />
a trip east to see her husband. She expects<br />
to be settled in Washington by December 15.<br />
Lipsner left here several weeks ago as Monogram<br />
manager for his new assignment .<br />
Jack and Jimmy Hull report their new<br />
Theatre Associates business, a buying and<br />
booking agency, is doing fine. They formerly<br />
had film distributing agency on the Row.<br />
Prior to that. Jimmy was office manager<br />
of National Screen Service and was with<br />
NSS for about ten years. Jack came from<br />
Georgia in 1948. where he was an exhibitor.<br />
Screen Guild offices which have been completely<br />
redecorated, also have a combination<br />
heating and cooling system . . . Claude Motley<br />
of Video saw the OU and Nebraska foot-<br />
ball game in Norman on Saturday (25) . . .<br />
Also there were Mr. and Mrs. Bob Browning.<br />
Browning is Oklahoma City manager for<br />
Video McKean of Paramount returned<br />
to work Monday (27) .<br />
after a week's<br />
"Kiss Me. Kate" will be at the<br />
Home for three nights and a matinee performance,<br />
starting December 14.<br />
"The Skating Vanities" closed its stand<br />
here Sunday night (26) in the Municipal<br />
auditorium after playing eight performances<br />
to good crowds. "The Miniver Story" opened<br />
Sunday (26) at the Home to inaugurate a<br />
new single bill policy for the house. Charles<br />
Smith, manager, said the single bill will be<br />
backed with a strong short subject program<br />
. . . Orville Braucht, brother of Harold T.<br />
Braucht of the Home, was visiting here<br />
from Merced, Calif. Braucht and Robert D.<br />
Curran, his partner in the Home operation,<br />
were both at the OU-Nebraska game.<br />
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SAN ANTONIO<br />
. . . Interstate circuit and<br />
.<br />
Qpening Thanksgiving day at the Majestic<br />
Theatre for its southwest premiere was<br />
WB's "Dallas"<br />
several other local business firms will put<br />
in a new downtown parking lot on West<br />
Travis street near the Texas Theatre<br />
An all-girl stage revue opened at the Zarai-ioza<br />
December 1 for an indefinite engagement.<br />
Abe Goldstein is the production manager.<br />
The house will still maintain its present<br />
picture policy.<br />
.<br />
.<br />
Robert Goodall, president of Goodall Electrical<br />
Mfg. Co., Ogallala, Neb., was among<br />
those at the annual meeting of the Southwest<br />
Research Institute . . . W. J. "Dutch"<br />
Cammer, Lippert Productions, Dallas, was<br />
here recently to attend his brother-in-law's<br />
wedding Holstein, U-I's south<br />
Texas salesman, was also in . . William<br />
.<br />
C. "Billy" Rau of the Booking center on<br />
Norwood was among the deer hunters out<br />
bright and early on the first day of the<br />
season weekend visitors<br />
were Manuel P. Pena, Tropical, Pi-ement;<br />
Esteban Praga, Azteca, Natalia; Don Galvan,<br />
Pena, New Braunfels, and Jose Carabaza,<br />
Carabaza Film Exchange, Laredo.<br />
Red River Dave McEnery and his string<br />
band played one night at the Dixie Drive-In,<br />
Seguin, operated by H. A. Daniels ... All<br />
Statewide drive-ins here gave away turkeys<br />
before Thanksgiving . . . Five gobblers were<br />
given as prizes to patrons at the Hi-Park<br />
Drive-In through the courtesy of Miller's<br />
poultry house, opposite the airer.<br />
Diane Ross was being held over for a third<br />
week at Club 55 . . . The Majestic held its<br />
customary children's toy matinee Thanksgiving<br />
morning. Every kid presenting an old<br />
toy was admitted free. The toys will be repaired<br />
and repainted by the San Antonio<br />
fire department and given to orphans here<br />
on Christmas morning. Joske's of Texas<br />
sponsored the early morning showing .<br />
The Alameda will be the first theatre to<br />
have TV here next year. The house was<br />
wired for TV when it was under construction.<br />
The Rigsby Drive-In and Josephine Theatre<br />
played "The Prince of Peace" day and<br />
date, opening Sunday (26) ... It also went<br />
into the Alamo, South Loop 13 and Kelly<br />
drive-ins after Thanksgiving . . Claude<br />
.<br />
Alexander, who has been with Alexander<br />
Film Co. here for 23 years, is supplying TV<br />
trailers (16mm) to local video stations.<br />
Jack A. Pickens, Pickens Theatres, Uvalde,<br />
was among the exhibitors who took in the<br />
TOA convention in Houston recently . .<br />
.<br />
Marie Lucchese is the proud owner of a<br />
rare medal given her by the king of Italy<br />
for her heroic work during the earthquake<br />
which leveled that country In 1913. She is<br />
manager of the Alameda Theatre building.<br />
Son of Actress Signed<br />
Tommy Farrell. son of actress Glenda<br />
Farrell, will play a featured role in Warners'<br />
"Strangers on a Train."<br />
BUFFALO COOLING EQUIPMENT<br />
lOtb n.. 2nd Unit, Santa Fe BIdg. BUFFALO ENGINEERING CO., INC. Dallas. Tex.<br />
Premiere of 'Dallas'<br />
Scores Strong 140<br />
DALLAS—The world premiere showing of<br />
"Dallas" at the Majestic went ahead of all<br />
others, turning in a big 140 per cent. In<br />
second weeks, "King Solomon's Mines" scored<br />
120 at the Melba. and "All About Eve," in<br />
a moveover to the Tower, brought in 100<br />
per cent.<br />
(Average Is 100)<br />
Coronet—The Red Shoes (ELC) 80<br />
Dallas—WThere the Sidewalk Ends {2Gth-Fox);<br />
Farewell to Yesterday (20th-Fox) 100<br />
Majestic— Dallas (V/B) MO<br />
Melba—King Solomon's Mines (MGM), 2nd wk 120<br />
Palace—The Toast of New Orleans (MGM) 75<br />
Tower-All About Eve (20th-Fox), 2nd d. t. wk lOO<br />
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78 BOXOFFICE December 2, 1950
'<br />
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Indiana Ass'n Elects<br />
36 Board Members<br />
INDIANAPOLIS—Election of 36 directors<br />
of the Associated Indiana Theatre Owners<br />
was announced by Trueman Rembusch president.<br />
Members elected four for each of the<br />
nine districts. They are:<br />
District 1: H. Lisle Krieghbaum, J. G. Vogel,<br />
Alex Manta and Justin Shauer: district 2:<br />
A. H. Borkenstein, Peter Mailers. Roy Kalver,<br />
and John Micu; district 3: W. T. Studebaker,<br />
Jack Alexander. Sam Neall and S. J. Gregory;<br />
district 4; Marc J. Wolf, M. H. Scheidler,<br />
Trueman Rembusch and Morton Weinberg.<br />
District 5: Guy Hancock, Mannie Marcus,<br />
• Stanley A. B. Cooper and Claude Flater;<br />
district 6: Walter Easley, J. P. Finneran, Roy<br />
E. Harrold, T. L. Mendelssohn; district 7:<br />
Bruce Kixmiller, Oscar Pine, Harry Kornblum,<br />
and E. L. Ornstein: district 8: H. P.<br />
Vonderschmitt, T. C. Baker, Sam Switow<br />
and A. B. Thompson: district 9: Ernest Miller,<br />
Fred J. Dolle, Dudley Williston and Ear)<br />
Cunningham.<br />
B&K Will Close Three<br />
Chicago Subsequents<br />
CHICAGO — The Balaban & Katz chain<br />
will close three of its neighborhood houses<br />
within the next month because of decrease<br />
in boxoffice grosses. A similar action recently<br />
was taken by the Essaness circuit,<br />
which gave a two-week notice to operators in<br />
nine houses two weeks ago. Closing has been<br />
postponed for another week and they will<br />
try to reach an agreement with the operators<br />
to discontinue weekday matinees.<br />
Early this year B&K shuttered the Adand<br />
Albia. neighborhood houses. Warrecently<br />
announced the closing of the<br />
and the Stratford for a bit of remodel-<br />
Warners also annnounced some manchanges<br />
as the circuit has suffered a<br />
big decrease in profits in its southside houses.<br />
Warners has assigned theatres to city Di-<br />
Managers Herbert Wheeler and Harry<br />
t Tyrell, who never before operated theatres.<br />
Wheeler will manage the Avalon and Tyrell<br />
be co-manager of the Capitol. Many independent<br />
neighborhood houses have discontinued<br />
weekday matinees until Christmas.<br />
Indianapolis Manager<br />
Held in Theatre Theft<br />
TERRE HAUTE, IND.—John Arthur, manager<br />
of the Grand Theatre here which was<br />
robbed of $3,673 November 2, was being held<br />
in jail along with an accomplice following<br />
FrJsina Circuit's New Roxy<br />
Is Opened in Springfield<br />
SPRINGFIELD—The newly recoi:istructed<br />
and remodeled Roxy Theatre was reopened<br />
to the public Thanksgiving eve after being<br />
closed for 14 months while reconstruction<br />
work was done. Approximately 2,800 persons<br />
participated in the reopening.<br />
At 6 p. m., R. B. Evans and Earl Worthington<br />
presented a "key" to the theatre to Dominic<br />
Frisina, president of the Frisina Amusement<br />
Co., which operates the Roxy. At 6:30<br />
p. m., the ribbon closing the entrance to the<br />
ornate new lobby was cut and the first of<br />
the crowd filed into the flower banked foyer.<br />
Earlier, a crowd of approximately 1.000<br />
gathered on the sidewalks outside the theatre<br />
aw'aiting admission, in spite of cold,<br />
damp winds. Inside, however, decorations<br />
keyed to the South Seas, done in coral, blue<br />
and beige, nullified the November chill. Most<br />
of those attending first wandered through<br />
the theatre upstairs to the lounge, with deep<br />
leather couches and South Sea mural facing<br />
a huge mirror, and through the balcony,<br />
before finding seats to listen to the recorded<br />
music which preceded "The West Point Story."<br />
In decor, the new theatre is a combination<br />
of newness and tradition, with the modern<br />
and the most contemporary combined<br />
into a soft, restful atmosphere. Predominant<br />
colors are blue, coral and beige, used in the<br />
deep "push back" seats, in the murals and<br />
the new, deep carpeting.<br />
The colors are also present in natural materials,<br />
in the balcony railing of polished<br />
natural wood, and in the low, curving wall of<br />
pink and brick which follows the wall of<br />
the theatre from the side exit to the stage,<br />
in the auditorium. The brick walls, which<br />
are below large, modern murals featuring<br />
Ex-Convict Arrested<br />
In Theatre Robbery<br />
MURPHYSBORO, ILL.—Robert Brewer,<br />
local youth, who is alleged to have taken $44<br />
from the ticket window of the Marlow Theatre<br />
here, has been charged with grand larceny.<br />
Brewer had $39 in his possession when<br />
arrested. He recently was released from the<br />
Southern Illinois penitentiary at Menard, 111.,<br />
after serving time for a similar crime at a<br />
theatre in East St. Louis, 111. In addition to<br />
the charge against him in connection with<br />
the theft of the $44 at the Marlow Theatre,<br />
Brewer must answer to violation of his pa-<br />
their confessions to the burglary plot.<br />
A third man was being sought. Arthur and<br />
Fred role.<br />
B. Slater, of Indianapolis, implicated<br />
another Indianapolis man.<br />
Authorities said they did not suspect Arthur<br />
of complicity in the burglary but that he confessed<br />
November 15, when he was brought to PERCY, ILL.—The Princess Theatre, 400<br />
Vandalism Forces Close<br />
Indianapolis to confront Slater, an extra projectionist<br />
at the theatre. Slater tipped off definite period because of extensive damage<br />
seats, was closed on November 22 for an in-<br />
police to Arthur's part in the plot, police said. done the property by vandals. H. E. Webster,<br />
who also owns the Webster Theatre,<br />
Arthur confessed planning the robbery because<br />
he was short of funds. Police recovered Steeleville, 111., said that although he had<br />
$2,237 from Arthur and Slater and were the full cooperation of the city officials in<br />
searching for the third man. He was paid Percy, vandalism had continued and resulted<br />
$500 for his part in the robbery, Arthur said, in costly damage to the building and contents.<br />
The last show was the night of No-<br />
but was believed to have $1,000 of the money<br />
according to police.<br />
vember 21.<br />
a sailing ship and old mariner's symbols,<br />
are topped with growing palms which fringe<br />
the bottom of the murals with appropriate<br />
"South Sea" green.<br />
All lighting in the auditorium is concealed<br />
in troughs; that in the lobby is a combination<br />
of trough lighting and direct light from<br />
a huge, branching chandelier, modeled on a<br />
renaissance brass light fixture.<br />
Murals are also present in the lobby and<br />
in the lounge, located upstairs at one level<br />
below the balcony. In both. South Sea<br />
themes are presented and both are placed<br />
opposite large mirrors—that in the lobby<br />
fills an entire wall—which gives the illusion<br />
of double murals while providing the light<br />
reflecting advantages of the mirrors.<br />
During the remodeling, the capacity of<br />
the theatre was increased to almost 1,400<br />
seats. Nearly all of them were filled at both<br />
showings of the film. Many of those present<br />
were guests of the Frisina Amusement Co.,<br />
which had invited all members of the construction<br />
crews to attend the opening of the<br />
"finished product" on which they had worked.<br />
Following the opening, more than 400 persons<br />
attended a reception at the Hotel Abraham<br />
Lincoln. Guests at this also included<br />
the construction workers. A buffet lunch<br />
was served, and music for dancing was provided.<br />
Manager Dominec Giachetto estimated that<br />
the cost of the remodeling was at least a quarter<br />
million dollars. All fixtures in the theatre<br />
are new. from the rugs to the chandeliers, and<br />
even the building itself has been completely<br />
rebuilt of steel and concrete, making it virtually<br />
fireproof. Of the old construction,<br />
only one steel beam still remains.<br />
William Mills, Designer<br />
Of Drive-Ins, Dead at 62<br />
ST. LOUIS—William H. Mills, who designed<br />
and constructed several of the drive-in theatres<br />
in the St. Louis area and an architect<br />
and builder here for some 40 years, was buried<br />
in Oak Hill cemetery, St. Louis county, November<br />
23. Mills, 62, died November 19 of<br />
heart disease in his home. He had been in<br />
ill health for .some time. The drive-ins he<br />
designed and constructed included Ronnie's<br />
and the North in St. Louis county and the<br />
Mounds near Collinville. 111. He also was consulted<br />
in connection with the construction<br />
of a number of others in the St. Louis area.<br />
Chicago Drive-In Robbed<br />
CHICAGO—'While 900 patrons parked in<br />
400 cars, watched a western picture recently<br />
at the Family Drive-In at routes 120 and 21<br />
in Grayslake, two bandits in blue jeans held<br />
up the theatre office and escaped with<br />
$1,500. The manager. Richard Tygard, told<br />
Sheriff Christian that when he answered a<br />
knock on his office door, a revolver was<br />
pushed under his nose and the holdup men<br />
forced him to open the safe. They yanked<br />
the phone wires from the wall and escaped.<br />
BOXOFFICE December 2, 1950 83
%ei^<br />
%ilSm^ MOTION PICTURE PROJECTOKS.<br />
... do not require oil pumps<br />
and splash lubrication for efficient<br />
operation.<br />
. . . must be designed to use<br />
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light-wasting heat filters.<br />
HERE'S THE PROBLEM<br />
Modern projection demands the use of higher power arc lamps. These lamps<br />
create intense heat which causes buckling and distortion of the film. To prevent<br />
film mutilation and out-of-focus pictures, some projectors require heavy<br />
light-wasting heat filters. These filters waste most of the light added by the<br />
higher power lamps.<br />
HERE'S<br />
THE SOLUTION<br />
CENTURY projectors equipped with water-cooled apertures reduce destructive<br />
heat and increase picture brilliance.<br />
Think of this . . . CENTURY high-efficiency mechanisms, plus water-cooling<br />
and with a 90 ampere arc will put as much light on the screen as other projectors<br />
using a 180 ampere arc and heat filters!<br />
HERE'S THE RESULT<br />
• Full brilliance and sharper pictures without loss of light or<br />
wasted power.<br />
• More illumination on the largest screens.<br />
• Film distortion reduced. Focusing trouble minimized.<br />
Projectors equipped for high speed, long focal length, 4" diam. lenses.<br />
Water cooling is optional— available on all models at slight extra cost.<br />
LUBRICATION IS OLD FASHIONED!<br />
With CENTURY you have no lubrication headaches— no dripping oil or grease<br />
to mess up equipment or film. There are no oil baths or oil pumps to leak or<br />
fail and cause bindups and frozen bearings. To end this costly trouble<br />
CENTURY uses sealed, oil-less bearings and glass-hard, high carbon-chrome<br />
steel gears.<br />
Proof of CENTURY'S simplified, high-efficiency design can be seen in the illustrations<br />
on the right. Ten gears with only two gear meshes between the<br />
shutter and the intermittent cam. (Other well known projectors have from<br />
4 to 12 such meshes and up to 23 gears).<br />
Fewer gears and shafts mean less trouble, lower maintenance, less vibration,<br />
sharper pictures . . . finer projection.<br />
See your CENTURY dealer about modernizing your projection and<br />
sound equipment now, under present government restrictions.<br />
Midwest Theatre Service<br />
€l Equipment Company<br />
1950 West Belmont Ave.<br />
Chicago 13, Illinois<br />
Joe Hornstein, Inc.<br />
3330 Olive St.<br />
St. Louis 3, Missouri<br />
34 BOXOFTICE December 2, 1950
—<br />
—<br />
-<br />
Holiday Business<br />
Booms in Chicago<br />
CHICAGO—Holiday festivities with parades<br />
and other doings and youngsters out<br />
of school brought huge crowds to downtown<br />
Chicago. The Chicago Theatre had one of<br />
the most unprecedented crowds in the B&K's<br />
history with the personal appearance of<br />
Martin & Lewis on stage and "Woman on<br />
the Run" on the screen, establishing a new<br />
record for the weekend business. The Oriental<br />
also had a smash week with "The West<br />
Point Story." plus a stage show headed by<br />
Yvonne DeCarlo. A twin bill at the State-<br />
Lake, "Rocky Mountain" and "Dial 1119."<br />
had a firm week, and "Hell Town," plus<br />
"Buffalo Stampede" at the Grand had a nice<br />
week.<br />
(Average Is 100)<br />
Chicagc—Woman on the Run (U-I), plus stage<br />
show 150<br />
Grand—Hell Town (RKO), Builalo Stampede<br />
(RKO), reissues 110<br />
Oriental—The West Point Story (WB)<br />
stage<br />
I3C<br />
Palace Let's Dance (Para); Blues Busters<br />
(Mono), 2Tid wk -<br />
Roosevelt—Rio Grande (Rep), 2nd wk<br />
State-Lake—Rocky Mountain (WB); Dial 1119<br />
(MGM)<br />
United Artists-The ladcpot (20th-Fox), 2nd wk<br />
Woods American Guerrilla in the Philippines<br />
(20th-Fox), 2nd wk<br />
World Playhous.^Macbeth (Rep). 2nd wk<br />
Holiday Week Fair<br />
For Indianapolis<br />
INBIANAPOLIS—Considering the Thanksgiving<br />
holiday, Sonja Heinle and her ice<br />
show at the Coliseum and the beginning of<br />
holiday parties, first run houses had a fair<br />
week.<br />
The Glass Menagerie (WB); Holiday<br />
Circle<br />
Rhythm (LP) 90<br />
Indiana American Guerrilla in the Philippines<br />
(20th-Fox) 90<br />
Keith's—Rio Grande (Rep), moveover; Hidden<br />
City - 100<br />
Loew s—The Miniver Story (MGM); Right Cross<br />
(MGM)<br />
9b<br />
Lyric-The Sleeping City (U-1); Deported (U-l), .95<br />
Dezel Dual to A-Houses<br />
CHICAGO—Albert Dezel of Dezel Productions<br />
has completed a contract with the<br />
Downtown Theatre, Detroit, and the Fox<br />
Strand in Milwaukee to exhibit Zane Grey's<br />
"Hell Town," and "Buffalo Stampede," formerly<br />
distributed by Paramount Pictures. Bill<br />
Drake of the Dezel Chicago office is handling<br />
the booking of the Jimmie Stewart 27-minute<br />
subject, "And Then There Were Four," which<br />
has just completed a five-week run at the<br />
Woods here and is being booked in the A-<br />
houses over the Great-States circuit.<br />
New Baden, Ill„ State Sold<br />
NEW BADEN, ILL.—The State Theatre,<br />
300-seater. formerly operated by Standford &<br />
Fritz, has been taken over by Paul Schroeder<br />
and Phil Harris of Lebanon, 111. They are<br />
giving two complete shows nightly and a<br />
matinee on Sundays. The lobby was redecorated<br />
prior to the reopening. Schroeder also<br />
operates the Alamo in Lebanon.<br />
Drive-In Permit Issued<br />
MUNCIE, IND.—A permit for the construction<br />
of a $250,000 theatre at 14th and Madison<br />
has been issued here.<br />
When Roy Rogers brought his show to Springfield's armory, exhibitors throughout<br />
the area took this competitive attraction as a means of stimulating greater interest<br />
in their Roy Rogers Rider clubs. Managers from many nearby towns brought<br />
their young western fans to Springfield to see Rogers. In the accompanying photo,<br />
William Souttar (left) and his assistant, Delbert Stoddard of the Lincoln Theatre,<br />
are shown as some of their Rider club members greet Rogers backstage.<br />
Theatre Water Fountains<br />
Considered by City Board<br />
MILWAUKEE—The position of water fountains<br />
in local motion picture houses is under<br />
consideration in the city common council<br />
here as a result of charges that fountains<br />
are hidden purposely to make them inaccessible<br />
and to compel the patron to buy soft<br />
drinks at the concessions stand.<br />
At a recent common council meeting here,<br />
one alderman, said it was virtually impossible<br />
to find a fountain in a theatre. He<br />
said that in past years it had been the<br />
practice to install water fountains in the<br />
lobby, and added "this appears to be an<br />
obselete practice now."<br />
The matter assumed sufficient importance<br />
to have a hearing scheduled of the housing<br />
committee of the council to investigate location<br />
of water fountains. A new code now in<br />
the making requires that water fountains be<br />
installed in every theatre and that they must<br />
be located conveniently.<br />
Theatre owners appeared at the meeting<br />
and one said that the fountain in his theatre<br />
was directly behind the coke machine.<br />
The fountain he said could be seen from<br />
aisles three to five, but could not be seen<br />
from aisles one and two in the house. He<br />
said there was no fountain on the first<br />
balcony, but there was one on the second.<br />
Illinois Drive-In Loses $1,000<br />
WAUKEGAN, ILL.—Burglars broke into<br />
the office of the Waukegan Drive-In on<br />
Route 41 recently and carried off a safe containing<br />
$1,000. The safe was taken between<br />
the time Henry Rhyan, owner, closed the<br />
place at midnight and William Luecking.<br />
janitor, arrived at 7:30 a. m. to clean the<br />
grounds.<br />
You can buy cheaper lamps, or more expensive<br />
lamps . . . but when you consider<br />
quality first you can't buy a better lamp for<br />
the money. Model 4570 Lightmaster provides<br />
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rm> aiinq Badantijae<br />
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55 E. Washington St.<br />
Chicago. Illinois Phone State 2-1100<br />
Complete Theatre Ec[uipTne7it & Supplies<br />
BOXOFFICE December 2, 1950 85
. . Mrs.<br />
. . Oral<br />
. . Guy<br />
. . The<br />
INDIANAPOLIS<br />
pobert "Bob" Shook has succeeded Rush<br />
Williams a,s booker at Republic Pictures.<br />
Williams joined the United Artists staff as<br />
office manager, and Mrs. Mary Long succeeds<br />
Mrs. Jean Be.ssisi as cashier, who has<br />
gone to Paramount Pictures exchange as<br />
cashier there . Bess Thomas, wife of<br />
Ray Thomas, booker at U-I, is now working<br />
parttime at Republic Pictures in the general<br />
office.<br />
Hester Colburn, inspector at RKO-Radio<br />
Pictures, who has been away from work for<br />
several weeks because of an injured ankle,<br />
has recovered sufficiently so as to be back<br />
on the job . Lebbetter, who operates<br />
the Howard at Monon, has announced the<br />
birth of a baby boy, born in St. Elizabeth'.-;<br />
hospital, Lafayette, November 3, and named<br />
William Scott. Weight, 5 pounds and 12<br />
ounces.<br />
Jack Van Borsson, who operates the Savoy<br />
and West, Terre Haute, was confined at his<br />
home by influenza . Hancock, operator<br />
of the Prewitt, Plainfield, is on the<br />
sick list . . . George Lindsay, operator of the<br />
Lindsay at Brownsville, Ky., was on the Row<br />
booking and buying . . . Lou Weinberg, from<br />
the sales organization of Columbia Pictures,<br />
""i^fbdi Wprkman<br />
boasts about his tools<br />
• •<br />
/^-^Ye$,lt takes good<br />
equipment, as well<br />
as good workmen, to °<br />
produce fine theatre<br />
screen advertisinj. -»<br />
That's<br />
why<br />
discriminating<br />
Exhibitors<br />
use<br />
BUSINESS<br />
^^<br />
BREVJTIJ^S^<br />
Local Screen Advertising of Quality<br />
w^sm<br />
FILM INDUSTRIES, INC<br />
New York, was in Saturday ( 18 1 pepping<br />
up the boys on the A. Montague and Liquidation<br />
drive.<br />
Herman Morgan, salesman at U-Ii Pictures,<br />
has resigned his position. No one<br />
has been appointed officially to fill the vacancy<br />
, wife of Jules Goldman and<br />
her son have flown to New York City, where<br />
she will spend the holidays . . . Branch manager<br />
Tom O. McCleaster of 20th-Fox was in<br />
Chicago over the weekend for a meeting<br />
of the Central and Midwest district and<br />
branch managers.<br />
Norma Schnarr, the daughter of Mr. and<br />
Mrs. Glen Schnarr who operate the Daisy<br />
Theatre here, flew to Utrecht, Holland, November<br />
16 for an extended visit. She will<br />
visit her many friends in the land of dikes<br />
during the next several months.<br />
Lee L. Goldberg, head of Realart Pictures<br />
exchange, here and Cincinnati, announces<br />
the acquisition for the local exchange territory<br />
of a series of 20 pictures of the Zane<br />
Grey reissues, available to Indiana exhibitors<br />
through the local branch . . . Abe Baker<br />
of the Baker Booking Service has added<br />
the Brokaw Theatre, Angola, Ind.<br />
Universal Pictures entertained the Filmrow<br />
crowd November 18 at the Variety Club of<br />
Indianapolis. There was everything from I<br />
turkeys to orchids. The affair was one of<br />
the best and biggest to date. "Are you tired,<br />
listless, bored or broke?" was the bulletin announcement.<br />
Everybody was there and the<br />
clubrooms were jammed to overflowing. Sam<br />
Oshry, Universal manager, planned the affair.<br />
The United Film Booking Service, headed<br />
by Ted Mendelssohn, has been appointed as<br />
buyer and booker for the Seymour Drivein,<br />
Seymour, Ind., for the year 1951 . . .<br />
"Because of Eve" will open at Keith's Theatre<br />
here December 6. In Indianapolis "Because<br />
of Eve" will be billed as "Adam and<br />
Eve" in order not to cause any confusion<br />
with a picture similar in name, according<br />
to Ted Mendelssohn, distributor of the film<br />
in Indiana.<br />
Exhibitors seen on Filmrow were: Bruce<br />
Kixmiller, Bocknell: E. Orenstein. Marengo;<br />
Earle Payne, Louisville, Ky.; R. L. Norton,<br />
Red Key; Pete Dawson, Louisville, Ky.; Nick<br />
Paikos, Tipton.<br />
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86 BOXOFFICE December 2, 1950
i<br />
Wisconsin Prison Shows<br />
Films on Set Schedule<br />
WAUPUN, WIS.—At the Wisconsin state<br />
prison here, each inmate is permitted to see<br />
motion pictures in the prison hall once a<br />
week as long as he obeys regulations. The<br />
shows, according to the warden, are the same<br />
as those given in the downtown theatres of<br />
this city. The films are selected by a group<br />
consisting of the warden, the deputy warden<br />
and the director of recreation for the prison.<br />
Two DeVry projection machines are used<br />
for the shows—one 16mm and one 35mm.<br />
The theatre has a seating capacity of 894<br />
prisoners. The projection machine is operated<br />
by a prisoner who has become an expert<br />
at it. All in all, the warden declares, the<br />
films shown tend to make the prisoners more<br />
satisfied with their lot—definitely so, he says.<br />
The theatre at the prison is actually the<br />
large prison dining room. The cost of the<br />
movies comes from the inmates' canteen fund.<br />
From the BOXOFFICE Files<br />
(Twenty Years<br />
Ago)<br />
pOR the time being, the future of third<br />
dimension films in Chicago is uncertain.<br />
While critics praise the recent exhibition<br />
at the State-Lake, the public was disappointed.<br />
The apparent lack of depth is complained<br />
of. A semblance of third dimension appeared<br />
but the illusion was so slight that it escaped<br />
all but the most scientific eye.<br />
. . .<br />
Warner Bros, has arranged for benefit midnight<br />
shows in Chicago, the proceeds to<br />
The<br />
be<br />
turned over to needy unemployed<br />
installation of sound in the theatres in the<br />
Chicago area has been the acid test of financial<br />
stability, says Joseph Klein. Chicago<br />
editor of Motion Picture Digest, who reports<br />
that 50 to 60 theatres in the area have<br />
gone dark during the summer and are still<br />
unlighted. "The survivors of this test," he<br />
says, "are emerging from the battle with<br />
flying colors. Their knowledge of showmanship,<br />
acquired under such difficult circumstances,<br />
now serves them profitably."<br />
nOhCOMPLETE THEATRE<br />
IIUH EQUIPMENT<br />
MID-WEST THEATRE<br />
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Twenty-four hour service<br />
MILWAUKEE<br />
/^pera played the upper eastside Ortiental<br />
Theatre, owned by the St. Cloud Amusement<br />
Co. last week. The New York City<br />
Opera Co. presented "La Traviata" at a $3.60-<br />
$4.80 scale. This, however, is not the first time<br />
a traveling show has been booked into an<br />
auditorium other than the Davidson or Pabst<br />
in downtown Milwaukee.<br />
For the holidays, the neighborhood Bay.<br />
Hollywood and Park theatres staged "Battle<br />
of the Cowboys" programs—Roy Rogers<br />
vs. Hopalong Cassidy—and the tieup<br />
brought good boxoffice returns. The morning<br />
shows were at 25 cents. The three houses<br />
are part of the Standard circuit.<br />
With visual educational becoming more important<br />
each year in the schools, the board<br />
of education has opened a training school for<br />
"projectionists" at the Longfellow school. The<br />
teenagers are being taught how to run the<br />
16mm projectors used in the classroom work<br />
under supervision of Richard Snow, a bus<br />
driver for the local transit company who has<br />
been interested in 16mm projection for some<br />
time.<br />
Plenty of competition for the juvenile holiday<br />
amusement dollar. Two children's operettas<br />
were booked into the Pabst Theatre<br />
for Thanksgiving week and the city recreation<br />
department presented "Cinderella" at<br />
the Lincoln high school at a 10-cent scale.<br />
At two suburban Fox theatres, the Garfield<br />
and Uptown, two shows for the price of<br />
one are put on now and then. "Panic in the<br />
Streets" and "The Petty Girl" were recent<br />
attractions.<br />
St. Louis Ivanhoe Sold<br />
To Jimmy Tappella<br />
ST. LOUIS — The Ivanhoe Theatre, 3239<br />
Ivanhoe Ave., was taken over Monday (20).<br />
by Jimmy Tappella. who a few days before<br />
purchased the building from the estate of the<br />
late Sam Komm. Frank Shelly had operated<br />
the theatre from June 30 to Sunday. November<br />
19. under a sublease from Tappella who<br />
held a lease on the theatre for some years.<br />
Tappella has been associted in the management<br />
of the Columbia and Roxy theatres in<br />
South St. Louis owned by Mrs. Bess Schulter.<br />
Juneau Juno Remodeled<br />
JUNEAU. WIS.—The canopy at the Juno<br />
Theatre here has been remodeled and<br />
equipped with neon lights. The side of the<br />
building was also equipped with neon. Mr<br />
and Mrs. Carl Neitzel. owners of the house<br />
for ten years, recently celebrated their 25th<br />
wedding anniversary. Their son Neal has<br />
enlisted in the National Guard but will remain<br />
in his position as projectionist.<br />
^^<br />
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Theatre Presents Flowers<br />
DWIGHT. ILL.—Ralph Calvin, manager of<br />
the Blackstone Theatre, tied in with a flower<br />
shop for the observance of National flower<br />
week and gave two corsages each night to<br />
the oldest woman present and to the young-<br />
married woman.<br />
est
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LOUIS<br />
Among those from the St. Louis sector who<br />
attended the grand reopening of the Roxy<br />
Theatre, Springfield. 111., a unit of the Frisina<br />
Amusement Co., were: Bill Earle, manager,<br />
and Bill Earle jr., salesman for National<br />
Theatre Supply; Mrs. Earle sr. and their<br />
daughter: Herb Bennin, manager. MGM;<br />
Tom Williamson, salesman, and Lou Palermo,<br />
booker, RKO Radio; Lester Bona, Warner<br />
manager, and Mrs. Bona; Joe Sarfaty, U-I<br />
salesman; Johnny Walsh, co-owner, Flo-<br />
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Mar Productions; Herman Gorelick. co-owner.<br />
Screen Guild Productions of St. Louis,<br />
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manager. Fox Midwest circuit, and Tommy<br />
Tobin, East St. Louis resident manager<br />
of the Frisina-St. Clair Amusement Co.,<br />
Mrs. Tobin and their son Tom jr.<br />
The annual meeting and election of officers<br />
of St. Louis lege of the Colosseum<br />
of Motion Picture Salesmen of America will<br />
be held in the Lindell room, Melbourne hotel,<br />
Bob Lightfoot, Monogram<br />
December 9 . . .<br />
president, and George Ware, 20th-Fox treasurer,<br />
will represent the St. Louis Loge at<br />
the national convention of the Colosseum<br />
to be held in Cincinnati on December 2 and<br />
3.<br />
Jules Chapman, manager of ELC exchange<br />
operations. New York City, spent November<br />
28 and 29 here, conferring with F. J. Lee, St.<br />
Louis manager . exhibitors<br />
on Filmrow included Forrest Pirtle, Jerseyville.<br />
111.; H. M. Hirth, Pacific, Mo.; Bill<br />
Williams, Union, Mo.; Bernie Palmer, Columbia<br />
Amusement Co., Paducah, Ky.; Paul<br />
Schroeder, Lebanon 111., and Tom Bloomer,<br />
Belleville, 111. . . . James H. Arthur. Fanchon<br />
& Marco-St. Louis Amusement Co., has returned<br />
from California . . . Harry C. Arthur<br />
has gone to the west coast.<br />
F. J. Lee, St. Louis manager for ELC,<br />
was in Kansas City to close deals with Fox<br />
Midwest and Commonwealth circuits on<br />
"Destination Moon." Included will be engagements<br />
in 10 theatres of Fox Midvest in<br />
eastern Missouri and southern Illinois, and<br />
the Commonwealth circuit deal covers theatres<br />
in Columbia, Fulton, Washington and<br />
Waynesville, Mo. . State Theatre,<br />
715 Washmgton Ave., has booked Red Skelton<br />
to head a stage show during the week<br />
of December 28th. It will include well-known<br />
entertainers from Hollywood. From here they<br />
will go to Chicago ... A number of drivein<br />
theatre owners from the St. Louis trade<br />
area planned to attend the November 9<br />
meeting at the Emerson hotel. Mount Vernon.<br />
111., arranged by Andy Dietz, Co-operative<br />
Theatres, St. Louis, Mo.<br />
^tc^t^^;ff(at^..^^wa^u^^
. . Norman<br />
. .<br />
CHICAGO<br />
C^ity Lights," first released here 19 years<br />
ago, is pulling 'em in at the Surf Theatre,<br />
and the management believes that the<br />
steady flow of customers probably will keep<br />
the old Chaplin number on tap untU well<br />
after the New Year arrives . . . Another<br />
revival, due Christmas week at the Roosevelt,<br />
is "Platinum Blonde," an oldie which<br />
Frank Capra directed in 1931 and which<br />
stars the late Jean Harlow. It will be featured<br />
on a double bill with "Gilda," a film<br />
Rita Hayworth made in 1946 before she became<br />
a princess.<br />
ill . . .<br />
Bruce and Florin Trinz of the old Chicago<br />
theatrical family have a baby daughter<br />
named Bundy. Bruce is general manager at<br />
the Clark Theatre . Pyle has<br />
been appointed MGM publicity chief in the<br />
central division, succeeding Bill Bishop who<br />
. left the organization several weeks ago<br />
Ted Reisch, assistant U-I manager, was home<br />
Joe Berenson, National Theatre<br />
Advertisers, has left on a business trip<br />
through Texas.<br />
An Exhibitor<br />
WITHOUT<br />
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MODERN THEATRE Section).<br />
THEATRE<br />
STREET<br />
TOWN<br />
STATE<br />
NAME<br />
POSITION<br />
D $3.00 FOR 1 YEAR<br />
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Exclusive Programming Necessary<br />
For Future of Theatre Video<br />
ST. LOUIS—The profitable future of theatre<br />
television will be in exclusive programs<br />
available only in the<br />
theatre, David B. Wallerstein,<br />
division manager<br />
of Publix Great<br />
States Theatres of<br />
Chicago, told theatre<br />
owners of St. Louis,<br />
eastern Missouri and<br />
southern Illinois at<br />
their recent convention<br />
David Wallerstein<br />
here.<br />
Pointing out that<br />
there will always be<br />
an interest in the<br />
events available for<br />
free broadcast video, he said that as soon<br />
as the public comes to realize that certain<br />
events will no longer be available on the<br />
home screen, then theatre television will<br />
have its day.<br />
Plugging theatre television, Wallerstein<br />
said that the comjnercial theatre TV equipment<br />
of today is absolutely adequate for<br />
regular presentation to paying audiences.<br />
The individual operator must decide for<br />
himself on the various methods available,<br />
which all have their advantages and disadvantages.<br />
Once the public sees theatre television,<br />
they have a great interest in it and<br />
there is added enjoyment and interest because<br />
of the theatre environment and audience<br />
association, he said.<br />
The Chicago theatres using big-screen video<br />
have met with considerable success and<br />
have attracted much attention from Chicago<br />
columnists. Jack Mabley of the Chicago<br />
Daily News said, "Theatre television is<br />
a fact. Two thousand saw the Illinois-Washington<br />
game at the State-Lake and Tivoli<br />
and they had a better view of the action<br />
than many people in the stadium.<br />
"Bob O'Brien, secretary-treasurer of United<br />
Paramount Theatres, who was in Chicago<br />
watching theatre TV, is working on a plan to<br />
equip 200 theatres with large-.screen television<br />
next year. The theatre plans to bid<br />
for the World Series, big football games, boxing<br />
matches and the Kentucky Derby."<br />
Mabley figured that if 200 theatres had TV<br />
next year, they could get a gate of $300,000<br />
a game, figuring 1,500 seats per theatre at<br />
$1 a seat. "You can picture the gate in five<br />
or ten years if theatre owners achieve tlieir<br />
objective of putting TV in 6,000 theatres."<br />
Tellmg the assembled theatre owners what<br />
they could do to help put over theatre<br />
video, Wallerstein said: "First, you must<br />
cooperate in every way in supporting the industry<br />
in its request before the FCC for the<br />
allocation of special frequencies for theatre<br />
television. Theatre television must have this<br />
in order to function on a practical and economic<br />
basis." The second step would be to<br />
provide a great number of theatre TV installations.<br />
This would make available on a<br />
profit basis, the great sports events and<br />
elaborate entertainment spectacles, and<br />
would in turn bring down prices on equipment,<br />
the Chicago man said.<br />
To Direct Dialog<br />
Joan Hathaway will act as dialog director<br />
on "Francis Goes to the Races" for Universal.<br />
To Aid Variety Village<br />
TORONTO^While here for the Canadian<br />
Picture Pioneers dinner to honor Simon Meretsky<br />
of Windsor, Vern Hudson, manager of<br />
the Capitol at St. Catharines, reported the<br />
Niagara Penin.sula Theatre Managers Ass'n<br />
had organized its annual turkey draw in aid<br />
of the Variety Village, sponsored by the Toronto<br />
Variety Tent. The winners will be declared<br />
in December. The president of the<br />
Niagara association is Syd Burton, manager<br />
of the Strand at Port Colborne. Last year<br />
the group turned over $700 to the Variety<br />
school.<br />
Adds 'The Foonily Way'<br />
"The Family Way" by Milton Raison has<br />
been added to the upcoming production<br />
docket of Maxwell Shane.<br />
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BOXOFFICE :: December 2, 1950 89
Ludwig Sussman Revives Program<br />
Of World War II for Servicemen<br />
CHICAGO—Ludwig Sussman, veteran theatre<br />
operator, is again giving servicemen and<br />
women a boost by offering a program lie began<br />
in World War II. Servicemen and women<br />
are seeing programs in his theatre, the<br />
Adelphi. 7074 N. Clark St., without charge.<br />
Many theatres gave service personnel reduced<br />
rates or distributed blocks of free<br />
tickets. Sussman went one better. During<br />
World War II, 60.000 service personnel were<br />
admitted free.<br />
Beginning last week, admission was reduced<br />
for persons who bring a package of<br />
cigarets to the theatre to be given to hospitalized<br />
veterans for Christmas. Sussman,<br />
who will be 63 next March 25, has been a<br />
civic booster in Rogers Park, Chicago, since<br />
he bought the theatre in 1927.<br />
He frequently has turned it over to<br />
churches. The Rogers Park Baptist church<br />
held services there for nine months after its<br />
church burned. Christian Scientists often use<br />
the theatre for lectures. Temple Mizpah<br />
uses it for high holiday services.<br />
Bood<br />
Kcdth<br />
During World War II Sussman was civilian<br />
defense commander for 86 blocks in his area.<br />
His theatre sold $250,000 worth of war bonds.<br />
For many years his theatre collected more<br />
money for the infantile paralysis fund than<br />
any other in the Chicago area. The theatre<br />
matched contributions of patrons.<br />
He often gives free shows on Christmas<br />
eve, and in depression days gave free matinees.<br />
He gave 7,000 quarts of milk to needy chilfzatt<br />
on<br />
larth,<br />
For the sake of your children,<br />
buy and use Christmas Seals.<br />
Thanks to Seals, children today<br />
have a far greater chance of escaping<br />
TB than you did.<br />
To give them a still better<br />
chance, send your contribution<br />
today, please.<br />
jitMivc mes-snue, this<br />
but}<br />
Christmas<br />
Seals<br />
BOXOFFICE<br />
dren during the depression. During thac period<br />
he accepted groceries for admission,<br />
with which he aided between 200 and 300<br />
families for two or three years.<br />
On one occasion he gave one-third of a<br />
week's receipts to the needy in the neighborhood,<br />
a total of $895.<br />
Sussman came to Chicago from St. Joseph,<br />
Mo., in 1916 with 40 cents in his pocket. He<br />
went to work for a grocery chain until he<br />
was able to save and borrow enough money<br />
to buy a delicatessen. He has been a member<br />
of the Rogers Park-Clark Street Business<br />
Ass'n for many years and is a past president.<br />
He has a son Melvin, and a grandson, Steven.<br />
Canadian Industry Up<br />
OTTAWA—The expansion in film production<br />
facilities in the Dominion is reflectced in<br />
a report of Graeme Fraser, secretary-treasurer<br />
of the Ass'n of Motion Picture Producers<br />
and Laboratories of Canada. The organization<br />
now has 21 member companies<br />
across the country, Fraser pointed out, saying<br />
that several new enterprises had been<br />
welcomed into the fold.<br />
Sell Theatre Stock<br />
ASHTON, ILL.—A drive is under way here<br />
to complete sales of an authorized $25,000 in<br />
stock in the Ashton Theatre Corp. The theatre<br />
building is under construction with the<br />
front to be of dimension stone and dark green<br />
structural glass. The leasing of the theatre<br />
has been discussed by stockholders but no<br />
decision has been made.<br />
Benld Grand Reopened<br />
BENLD, ILL.—The Grand Theatre, 450-<br />
seater, operated by Joe Katz, was opened on<br />
November 18 after having been dark from<br />
October 17 due to a dispute between the management<br />
and the projectionists union. Details<br />
of the settlement were not announced.<br />
To Bid on First Runs<br />
HANNIBAL, MO. — Eddie Rosecan, owner<br />
of the 600-seat Rialto, has notified film companies<br />
that he plans to bid for fh-st run product<br />
in competition with the Frisina Amusement<br />
Co.'s 1,500-seat Tom Sawyer and 900-<br />
seat Star, commencing about January 1.<br />
St. Louis Airer Still Open<br />
ST. LOUIS—The Airway Drive-In, St.<br />
Charles Rock road near St. Ann's Village, St.<br />
Louis county, is one of the few drive-ins in<br />
the St. Louis trade area that continues in operation.<br />
The Airway is operated by the Phil<br />
Smith interests of Boston.<br />
Installs New Equipment<br />
PACIFIC, MO.—Tile Royal Theatre, operated<br />
by L. Lieber and H. M. Hirth, has installed<br />
Simplex projectors, Hertner generators,<br />
Magnarc lamps, X-L soundheads and<br />
a Walker high intensity screen, purchased<br />
from National Theatre Supply.<br />
Funeral Services Held<br />
For Maurice Bentley<br />
ST. LOUIS — Funeral services were held<br />
here for Maurice William Bentley. advertising<br />
and public relations man for Skouras<br />
Theatres Corp., who was one of the 77 persons<br />
killed on November 22 in the Long Island<br />
raih-oad wreck in New York.<br />
Bentley was employed by Skouras Bros.<br />
Enterprises, including the St. Louis Amusement<br />
Co. and Theatre Management Co. for<br />
several years prior to moving to New 'Vork<br />
in 1934.<br />
Mrs. Bentley is the daughter of Mrs. L. K.<br />
Hill, 6164 Per.shing Ave., St. Louis. In addition<br />
to his wife, he is survived by four daughters<br />
and a son. They range in age from 2<br />
to 17.<br />
SPRINGFIELD<br />
pirst run theatres in Springfield have all<br />
now increased first run admission prices<br />
from 60 cents to 65 cents including tax, the<br />
same first run prices that prevailed in nearby<br />
communities of comparable size, Decatur<br />
and Perio. Kerasotes Theatres raised prices<br />
from 48 cents to 50 cents in all central Illinois<br />
circuit houses about two months ago.<br />
Roy Rogers and his traveling company<br />
made a one-day appearance in Springfield,<br />
sponsored by the Cathedral Boys high school.<br />
Delegates from Roy Rogers Riders clubs sponsored<br />
by exhibitors in other cities attended<br />
the Springfield show, with the largest group<br />
from Chuck Duncan's Alhambra in Decatur<br />
which has over 4,500 members enrolled in his<br />
club. Peoria selected a king and queen of<br />
the Beverly Theatre club who were escorted<br />
by Manager Frank Larkin and assistant Ivy<br />
Warren. Gene Autry is scheduled for a similar<br />
appearance in the same auditorium on<br />
January 25.<br />
Alex Worth is composing the score for<br />
the Warner picture, "A Streetcar Named Desire."<br />
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90 BOXOFFICE December 2, 1950<br />
J
Krass Circuit Opens<br />
New Detroit House<br />
DETROIT—The second new indoor theatre<br />
to be constructed inside the city of Detroit<br />
since early in World War II, the Arc.<br />
was opened this week by the Krass circuit,<br />
with an impressive opening night for the industry.<br />
The event was combined with the<br />
tradescreening of "For Heaven's Sake," supplied<br />
by 20th-Fox.<br />
The Arc is a 750-seat house on Cass avenue,<br />
located at the fringe of the downtown<br />
district, about seven blocks north of the<br />
Film Exchange building—the first theatre<br />
to be located on Filmrow street within memory.<br />
It is in the center of a hotel and rooming<br />
house district.<br />
Carl Marr of Detroit was architect. Marquee<br />
was installed by Long Sign Co., and<br />
is said to be the first to use fluorescent<br />
tubes back of letters to illuminate the attractions<br />
board.<br />
National Theatre Supply installed Simplex<br />
XL projectors. Simplex sound and Hi-<br />
Intensity lamps, Hertner generators. Walker<br />
Hi-Intensity custom plastic molded screen,<br />
American Bodiform seats and Crestweed carpeting.<br />
Other installations included Mork-Green<br />
draperies, Wagner letters on the sign, Aluminex<br />
display drapes and Voigt lighting fixtures.<br />
Installation in the booth was supervised<br />
by W. P. Dawson of the Roxy, with provision<br />
made for installation of a third projector,<br />
to allow all night or grind policy<br />
operation if considered desirable.<br />
The Arc will be managed by Mrs. Mae<br />
Krass. wife of Jack Krass, head of the circuit.<br />
Mrs. Krass formerly managed the<br />
Coliseum, about a mile away, which is being<br />
razed by the city. The family was well<br />
represented at the opening, including sons<br />
Ted and Marvin Krass, both managing other<br />
circuit houses, and their wives; Louis, Al<br />
and Jacob Krass, brothers of Jack; his sister,<br />
Mrs. Clara Gotthelf, and her husband,<br />
Abe Gotthelf, and his parents, Mr. and<br />
Mrs. Benjamin Krass.<br />
Paramount Publicist<br />
Speaks in Detroit<br />
DETROIT—Milton Hale, special field publicity<br />
representative for Paramount, addressed<br />
the greater Detroit Motion Picture<br />
council December 1, at the Young Women's<br />
Christian Ass'n. Hale talked on his work<br />
with stars, stressing the promotional tour of<br />
Henry Wilcoxon in connection with "Samson<br />
and Delilah."<br />
W. Pa. Exhibitors Will Meet<br />
Jan. 16, 17 in Pittsburgh<br />
PITTSBURGH—The annual convention of<br />
the Allied Motion Picture Theatre Owners<br />
of Western Pennsylvania will be held January<br />
16, 17 at the WiUiam Penn hotel. Officers<br />
wiU be elected and film climes, patterned<br />
after the ones held during the<br />
National Allied convention, will be held.<br />
The title of the MGM picture formerly<br />
called "This Is News" has been changed to<br />
"Too Hot to Print."<br />
At Annual Fete of Pittsburgh<br />
The first annual dinner dance of the<br />
Pittsburgh Lodge 37, Theatrical Mutual<br />
Ass'n, is pictured here. Members include<br />
stagehands, projectionists, musicians, managers<br />
and other theatre employes.<br />
TMA is the oldest benevolent theatrical<br />
association in the world. It was founded<br />
Nov. 25, 1883, as the Theatrical Mechanical<br />
Ass'n for the mutual assistance of<br />
men in the theatrical business. Tlie name<br />
was changed in 1919 to the present one.<br />
Pittsburgh was issued a charter in 1893<br />
as Lodge 37. The lodge was vei-y active<br />
into the 1920s, serving its members beneficially<br />
and socially and carrying out many<br />
charitable works. The new charter was<br />
Ludington Airer Planned<br />
LUDINGTON, MICH.—The West Michigan<br />
Theatre Corp. plans to build a drive-in at<br />
the intersections of Highways 10 and 31 a<br />
mile east of here. Glen Wallace of the Star<br />
Theatre in Scottville is manager of the corporation<br />
which opened a new drive-in at<br />
Traverse City, Mich., this year.<br />
TMA<br />
granted to Pittsburgh by the Grand Lodge<br />
in February 1948. Recent dinner dance<br />
was in honor of the charter members.<br />
Officers of TMA Lodge 37 are Martin<br />
Torreano, president; J. Newell McKelvey,<br />
vice-president; Joseph Antal, treasurer;<br />
Harold O'Donnell, recording secretary;<br />
Thomas Edkins, financial secretary; Julius<br />
Barbera, assistant financial secretary;<br />
Aaron D. Hopkins, sergeant at arms; M.<br />
Ventrone. G. Bickerton and John Martier,<br />
trustees. Dr. James A. Munster, TMA<br />
physician, is honorary life member.<br />
Lodge 37 meets the second Monday of<br />
each month after midnight at Dutch<br />
Henry's second floor dining room.<br />
Signs LOGO Letters<br />
BRADFORD. PA.—Howard A.<br />
Shaffer, assistant<br />
manager of Dipson's Bradford theatre,<br />
w'as especially active on "The Miniver<br />
Story" campaign. Under his signature 1,000<br />
special letters were mailed to area theatregoers.<br />
Graham's Florists cooperated in distributing<br />
Miniver Roses.<br />
BOXOFFICE December 2, 1950 ME 91
%er^<br />
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... do not require oi/ pumps<br />
and splash lubrication for efficient<br />
operation.<br />
. . . must be designed to use<br />
high-power arc lamps without<br />
light-wasting heat filters.<br />
HERE'S<br />
THE PROBLEM<br />
Modern projection demands the use of higher power arc lamps. These lamps<br />
create intense heat which causes buckling and distortion of the film. To prevent<br />
film mutilation and out-of-focus pictures, some projectors require heavy<br />
light-wasting heat filters. These filters waste most of the light added by the<br />
higher power lamps.<br />
HERE'S THE SOLUTION<br />
CENTURY projectors equipped with water-cooled apertures reduce destructive<br />
heat and increase picture brilliance.<br />
Think of this . . . CENTURY high-efficiency mechanisms, plus water-cooling<br />
and with a 90 ampere arc will put as much light on the screen as other projectors<br />
using a 180 ampere arc and heat filters!<br />
HERE'S THE RESULT<br />
• Full brilliance and sharper pictures without loss of light or<br />
wasted power.<br />
• More illumination on the largest screens.<br />
• Film distortion reduced. Focusing trouble minimized.<br />
Proiectors equipped for high speed, long focal length, 4" diom. lenses.<br />
Water cooling is optional-available on all models at slight extra cost.<br />
LUBRICATION IS OLD FASHIONED!<br />
With CENTURY you have no lubrication headaches— no dripping oil or grease<br />
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CENTURY uses sealed, oil-less bearings and gloss-hard, high carbon-chrome<br />
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f^<br />
Proof of CENTURY'S simplified, high-efficiency design can be seen in the illustrations<br />
on the right. Ten gears with only two gear meshes between the<br />
shutter and the intermittent cam. (Other well known projectors have from<br />
4 to 12 such meshes and up to 23 gears).<br />
Fewer gears and shafts mean less trouble, lower maintenance, less vibration,<br />
sharper pictures . . . finer projection.
LOUISVILLE<br />
'Tom Maxedon, manage!' of the Chakeres<br />
Trail Theatre at Morehead, has been<br />
elected president of the Morehead Kiwanis<br />
Exhibitors on the Row: Tex<br />
club . . .<br />
Richards, State. Crouthersville, Ind.; Bob<br />
Enoch, State and Grand, Elizabethtown; R.<br />
L. Gaines, Riverview Drive-In, Carrollton;<br />
Elmer Schowe. Skyline Drive-In, Madison;<br />
Homer Wirth, Crane; Eric Hammel, Shelby<br />
and Burley, Shelbyville; Ira Dyer, Clinton,<br />
Albany; L. M. Denton, Shepherdsville; T. J.<br />
Harnett, Gala, Sacramento; Gene Lutes,<br />
Capitol, Frankfort; C. K. Arnold, Arco and<br />
Melody, Bardstown; A. N. Miles, Eminence.<br />
The Clarksville Drivc-In between New<br />
Albany and Jeffersonville was the first<br />
drive-in in the Fall cities area to ring down<br />
the curtain (13) for the season . . . Starting<br />
off the Kentucky Ass'n of Theatre Owners'<br />
drive-in membership drive, the Twin, Louisville,<br />
one of the largest and newest drive-in<br />
theatres in the state, has been recorded on<br />
the membership rolls. The Twin is headed<br />
by Lou Arru and is managed by J. M. Arnold.<br />
.<br />
The Roy Rogers show was presented<br />
Thursday (30) at the Jefferson County armory<br />
. . Charlie Wells of the Falls City<br />
Theatre Equipment Co. staff gave a good<br />
account of himself in the recent Cincinnati<br />
Times Star bowling tournament in Norwood,<br />
Ohio, recently. Rolling exceptionally good<br />
pins Charlie appears to have placed in the<br />
money in all events, including singles, doubles<br />
and in team play . . . George Peyton,<br />
manager of the Griffith Theatre. LaGrange,<br />
has returned to his duties following a tour<br />
in the marine corps.<br />
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Tax on Amusements<br />
Beat at New Castle<br />
NEW CASTLE. PA.—City council la.st week<br />
killed the proposed 10 per cent amusement<br />
tax when Councilman E. Gene Schweinsberg<br />
reversed his stand and voted against the<br />
measure which would have been effective on<br />
January 1, 1951. The reversal defeated the<br />
amusement tax by one vote. Inasmuch as It<br />
had been stated that the estimated .$60,000<br />
revenue the tax would bring was needed to<br />
raise the pay of city employes, hopes for<br />
an increase in pay practically disappeared.<br />
Louis Lutz, manager of the Penn and<br />
Victor, had served as spokesman for the<br />
New Castle theatres in opposing the levy.<br />
The campaign sponsored by the amusement<br />
committee had urged the public to "protest<br />
this grab of money from children, students<br />
and workingmen . . . for taxes on practically<br />
all recreation for those who cannot afford,<br />
or do not wish, to go out of the city for a<br />
little recreation." Supporting the opposition<br />
were Local 451 lATSE. John Brogan, business<br />
manager, and Bill Posters and Billers<br />
union No. 118, Mark Must, business manager.<br />
In paid advertising these unions asked the<br />
public to join in protesting "this slugging<br />
of amusement patrons." Prior to the consideration<br />
of the proposed amusement tax<br />
ordinance, the lATSE local presented 1,105<br />
petitions which opposed the "grab." One petition<br />
favored the tax. John Brogan of Local<br />
451 said this made a total of 4,500 against<br />
the tax and five in favor of it.<br />
Don Trepicone Leases<br />
Pittsburgh Elliott<br />
PITTSBURGH—The Elliott on Lorenz avenue<br />
was acquired under long term lease by<br />
Don Trepicone, proprietor of the Sky on<br />
East Ohio street. The Mervis Bros, had operated<br />
the Elliott for 17 years. Maurice Markley<br />
of the State in New Castle is owner of<br />
the Elliott.<br />
Trepicone has been associated with theatres<br />
since he was 9 years old, starting as<br />
a program boy, bill passer and usher. His<br />
initial theatre management was at the Crescent<br />
in Mahoningtown. During World War<br />
II he served in the navy for 29 months.<br />
His wife and family reside in New Castle<br />
and he commutes weekly. Several years ago<br />
he leased the Heights, Crafton Heights, but<br />
he withdrew there to enter the exhibition<br />
field on East Ohio street. He will continue<br />
operation of the Sky. Trepicone, whose lease<br />
at the Elliott was effective on December 1,<br />
will have the theatre closed for nine days<br />
for general housecleaning and renovation.<br />
Opera to Toledo State<br />
TOLEDO—The State Theatre, de luxe<br />
neighborhood house operated by the Carl<br />
Schwyn circuit, will be the scene of a threeday<br />
four-performance season of opera, with<br />
Flora Ward Hineline presenting Alfred Salmaggi's<br />
International Grand Opera group<br />
beginning December 4. The company will<br />
come to Toledo following a week's engagement<br />
in Detroit.<br />
Former film editor David Weisbart will produce<br />
"Mara Maru" and "Inside the Pages"<br />
for Warner release.<br />
WEST VIRGINIA<br />
f^harles Hichle, manager of the Hiehle at<br />
Parke rsburg. received newspaper cooperation<br />
in conjunction with the Movietone<br />
News release which features Parkersburg's<br />
Earl "Rusty" Reed, youthful wizard of firearms.<br />
The Hiehle exhibited the newsreel<br />
The $300,000 Tipton<br />
November 22-28 . . .<br />
Theatre at Huntington, which was recently<br />
destroyed by fire, will be rebuilt . . . Richard<br />
T. Kemper, former Wheeling showman,<br />
has been promoted to Dipson circuit zone<br />
manager for New York and Pennsylvania,<br />
but will continue as manager of the legitimate<br />
Erlanger Theatre at Buffalo.<br />
. . . The<br />
A midget circus was featured on stage recently<br />
at the Ritz in Clarksburg<br />
West Virginia state championship football<br />
team of Parke rsburg high school and its<br />
coaches were honored at a .special ceremony<br />
in the Smoot at Parkersburg. Manager F. T.<br />
Thomas arranged the theatre party. All<br />
members of the squad were guests of Warner<br />
Bros, at "The West Point Story" . . . The<br />
Grove Drive-In at Elm used poultry giveaways<br />
at Thanksgiving.<br />
New Seats at Jackson<br />
JACKSON. MICH.—New seats have been<br />
installed at the Michigan Theatre here. W. S.<br />
McLaren, manager, said that afternoon matinees<br />
were canceled during the installation.<br />
rmBECAUSE OCCT<br />
THEY'RE OCjt<br />
riou^ uiinq Bcillantifne.<br />
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They provide a new high in efficiency at the<br />
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40, 60. 80 and 90 amperes. Regardless of<br />
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screen.<br />
Hadden Theatre Supply<br />
Company<br />
209 South Third Street<br />
Louisville, Kentucky<br />
Complete Theatre Equipment & Supplies<br />
BOXOFFICE December 2, 1950<br />
93
. . The<br />
. .<br />
. .<br />
. .<br />
. .<br />
PITTSBURGH<br />
. . . The<br />
The Family at Rochester, Pa., staged a football<br />
fan contest to elect the Beaver<br />
county high school player of the year. Each<br />
ticket for "The Spirit of Notre Dame,"<br />
played for two days, provided one vote, and<br />
a jeweler cooperated by furnishing a de luxe<br />
wrist watch to the gridder named as the<br />
Members of the<br />
player of the year . . .<br />
Butler school safety patrol were treated to<br />
a free show at the Penn in Butler<br />
Latonia in Oil City lined up 16 merchants<br />
to cooperate on "The West Point Story,"<br />
with newspaper displays and "hidden" theatre<br />
passes in their windows.<br />
Dr. Harry C. Winslow, theatre radio man.<br />
and William C. Arthur of Meadville have sold<br />
the National hotel, located at Greenville's<br />
main intersection, to Mr. and Mrs. Herman<br />
Bently, owners of Greenville's Riverview hotel<br />
... In connection with the showing of<br />
"Breakthrough" at the State in<br />
Altoona, the<br />
assault gun company, 1st battalion, 10th<br />
armored cavalry, regiment L, Pennsylvania<br />
National Guard, placed on display in front<br />
of the theatre and in the lobby a 155 MM<br />
howitzer, a 13-ton high speed tractor and<br />
other equipment, including a .30 caliber machine<br />
gun, bazooka and submachine gun. A<br />
special recruiting drive was conducted at<br />
the theatre . . . While most theatres are<br />
grinding "All About Eve." the Lyric in Oil<br />
City has been presenting it daily at one matinee<br />
and one evening exhibition . . . Prior<br />
to Thanksgiving, turkey parties were staged<br />
. . . Exhibitor Michael<br />
at several theatres, including the State,<br />
Youngsville. and the McKean and<br />
Homer<br />
Dipson's<br />
in Bradford<br />
again is active in the annual Chi-istmas parade<br />
on the city's south side.<br />
Sam W. Gould, manager of Warners'<br />
Manos at Greenburg, not only had the<br />
Dodge truck advertising campaign on "King<br />
Solomon's Mines," but he staged a Howard's<br />
Jewelry six-diamond giveaway hunt in the<br />
OUTSTANDING CRAP TSMANSHIP AND ENCINCEftINC<br />
KANE THEATRE<br />
AT KANE, PA.,<br />
has installed new MOTIOGRAPH AA projection<br />
equipment.<br />
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specially decorated lobby. Six real diamonds<br />
were placed in a bowl with imitations. Patrons<br />
who picked out a real diamond had<br />
them mounted without cost at the cooperating<br />
jewelry store . . . With Dave Smith resigned<br />
at Warners' Regent in East Liberty,<br />
Al Skigan of the Squirrel Hill was promoted<br />
to this post, with Harvey "Pete" Brady of<br />
the Model named to the Squirrel Hill . . .<br />
Harry Harris is manager of the Harris<br />
Amusement Co. warehouse at 3875 Bigelow<br />
boulevard, where the circuit now maintains<br />
general offices.<br />
Milton Frank, veteran retired theatre manager,<br />
died in New Castle several weeks ago.<br />
He operated the Crescent in Mahoningtown,<br />
withdrawing from the field In 1929. In the<br />
early days of exhibition he managed Warner<br />
Bros.' old Liberty in New Castle . . . The former<br />
local Sho-Biz-Quiz radio program has<br />
been sold by Bob Post for television which<br />
will bring Karl Krug, Sun-Telegraph; Kaspar<br />
Bonahan, Press, and Harold W. Cohen, Post-<br />
Gazette, to WDTV viewers at 4 p. m., Sundays,<br />
after the first of the New Year .<br />
"Destination Moon" was previewed here by<br />
members of the city school board, Allegheny<br />
Observatory and Buhl Planetarium.<br />
Miriam Weinberger, RKO switchboard operator,<br />
was called from her position by<br />
the death of her father Martin, recently retired<br />
grocer . . . Jules Lapidus, Warner division<br />
executive, was here conferring with<br />
F. D. "Dinty" Moore, district manager, and<br />
Paul Krumenacker, branch manager . .<br />
.<br />
Mervis Bros, have not renewed their lease<br />
on the Elliott on Lorenz avenue which expires<br />
Amusement tax receipts<br />
December 1 . . . at Butler have skidded $7,000, said<br />
A. J. Winters, finance director.<br />
Theatre Supply . . . Irving S. Kay, formerly<br />
with Warner circuit at New Kensington, has<br />
been appointed Dip.son circuit city manager<br />
at Buffalo, N. Y., and resident manager of<br />
the Capitol there.<br />
. . .<br />
David C. Silverman, RKO manager, and<br />
his wife vacationed in Atlantic City<br />
Ralph M. Felton. manager of the Spotlight<br />
88 Drive-In in the Beaver valley, is grandfather<br />
of his first grandchild Susan . . . Joe<br />
Bell, veteran Fayette City exhibitor, reported<br />
that his newly born daughter has<br />
been named Mary Kathleen. The Bells also<br />
have a young son Joe jr., aged 5 . . . Students<br />
and faculty members of East Penns<br />
Valley High school attended the Municipal<br />
in Millheim to see "The Red Stallion" . . .<br />
Jake Pulowski, veteran with National Screen<br />
here who returned to the navy as a gunner's<br />
mate second class, flew here from Norfolk,<br />
Va., recently and returned there in his<br />
automobile. Several weeks ago in Virginia he<br />
met John Bixler, Scottdale exhibitor, who<br />
was vacationing.<br />
The Pennsylvania chamber of commerce is<br />
opposing any increase In business taxes by<br />
the 1951 session of the legislature which will<br />
convene in Harrisburg early in January .<br />
Mr. and Mrs. Norman Mervis of the Mervis<br />
Bros." theatres here will become parents in<br />
February . . . Paul Puntari, 18. of Braddock,<br />
arrested after he held up a store there, confessed<br />
that he robbed the Regent Square<br />
Theatre September 26 . . First of the big<br />
.<br />
Dodge truck advertising tieups on "King<br />
Solomon's Mines" was featured by Greensburg<br />
Motor Co. in conjunction with the opening<br />
of the picture at the Manos there.<br />
Dr. Harry C. Winslow, Meadville theatreradio<br />
executive, was master of ceremonies<br />
at a testimonial program in honor of Rev.<br />
Thomas F. Griffin who left to assume the<br />
post of treasurer of Erie's Gannon college.<br />
Winslow presented the priest with a check for<br />
$1,225, chipped in by several hundred Mead-<br />
Bill Scott, RKO city salesman, and his<br />
bride of two weeks, the former Betty Zeff, ville friends . . . Manos Star at Monessen<br />
have furnished an apartment at Ellsworth reopened recently for weekend operation .<br />
and Negley avenue . . . Dipson's at Bradford<br />
gave a Miniver rose to the first 300 son Ross now represent Ballantjme equip-<br />
Sam Wheeler, former local film man, and his<br />
women in attendance at "The Miniver Story"<br />
Len T.<br />
ment in the Washington area . . .<br />
and a dozen women were given bouquets .<br />
Houghton, Franklin exhibitor, and his bride,<br />
Liberty at McKeesport offered a free pass to the former Charlotte Pentecost of Franklin,<br />
another show to anyone who did not enjoy have been honeiTnooning in Cincinnati, Hot<br />
Springs and Mexico City. They will return<br />
"Mister 880" . Noonan, manager<br />
. . S. S.<br />
of the State at Youngsville, used an endorsement<br />
December 12.<br />
campaign for "Stars in My Crown" . . .<br />
Results of all surveys show that all lines<br />
Park Shoes at Kensington is sponsoring the<br />
of business suffered in the 47-day newspaper<br />
Saturday Fun-O-Club at the Ritz there.<br />
strike which caused a news blackout for the<br />
Prizes for kiddies are displayed in the shoe<br />
city's three dailies. The survey conducted by<br />
store window.<br />
the research and merchandising department<br />
Glen J. Easter, Mount Morris exhibitor, of Ketchum. MacLeod & Grove, national advertising<br />
and public relations agency here,<br />
who has been a 16mm film distributor for<br />
many years, has withdrawn from the latter shows that amusements and spots particu-<br />
.<br />
field, having sold all licenses and prints to larly were hard hit. Several surveys revealed<br />
"Blo.ssom Time," that theatre grosses were 40 to 50 per cent<br />
a New York distributor . . .<br />
which has played dozens of engagements in under average during the period that the<br />
Pittsburgh Pi-e.ss.<br />
over a period of a quarter of a<br />
Sun-Telegraph and Post-Gazette were<br />
century and will be performed here at the not published because of strikes of mailers<br />
new Nixon for one week opening November and truckers.<br />
27 at prices ranging from $1.30 to $3.25. Lee<br />
.nd J. J. Shubert wish to determine if a Columbus Royal Leased<br />
lamer volume of business will compen.sate for<br />
eduction<br />
COLUMBUS—Marion and Elmo Porter<br />
have leased the Royal Tlieatre, 251 E. Main<br />
a 1 in boxoffice prices . . . Joe<br />
Mulone, Cheswick exhibitor and merchant,<br />
St., for five years from Dec. 1, 1950.<br />
has a new truck which he drives to Filmrow<br />
newlywed Mike McGannons Richard Flei.scher will direct Producer Robert<br />
liave furnished an apartment in Perrysville<br />
Stillman's "Island in the Sky" for United<br />
avenue. He's a sales representative for Atlas Artists release.<br />
94 BOXOFFICE December 2, 1950
'<br />
Bob<br />
:<br />
CINCINNATI<br />
Tack Goldman presented a stage show headed<br />
' by Sugar Chile Robinson Thursday and<br />
Friday at his Regal Theatre, Negro patronage<br />
house, along with "Pretty Baby" . . .<br />
Visitors on the Row: Mrs. Thomas, Parkersburg;<br />
C. D. Crawford and G. C. "Spotsy"<br />
Porter, Beckley; Frank Mandros, Charleston;<br />
J. Hank Davidson, Lynchburg; Foster Lane,<br />
Williamsburg; Louis Velas, Cambridge; Mr.<br />
and Mrs. S. S. Hagle. Fort Recovery; Mr.<br />
and Mrs. Marty Burnett of Loew's Theatres,<br />
Columbus, and Walter Brucksick, New Vienna<br />
.. . Mrs. J. Lantry, film secretary, and<br />
her husband have purchased a new home in<br />
New Richmond.<br />
p. T. Murray, U-I manager of branch operations,<br />
was at the local exchange . . . I. C.<br />
Rice. Altec, has been transferred to Albuquerque,<br />
N. M., trading places with Harold Macy<br />
of the latter territory . . . Mrs. Murray Baker,<br />
secretary at Cooperative Theatres, celebrated<br />
a birthday. Her husband is local Schine Theatres<br />
booker. The Bakers had his mother as<br />
a guest from New York for three weeks.<br />
Jay Goldberg of Realart Pictures and wife<br />
were on a vacation in Hollywood, Fla. . . .<br />
Terry Stenger, former secretary to Lev Bugie<br />
at Film Classics, was married November 25<br />
to Norbert Siess. When FC was absorbed by<br />
ELC, Stenger took a position with Avco, parent<br />
company of Crosley Radio Corp. . . . Harry<br />
Riedinger, film trucker, who suffered a stroke<br />
several weeks ago, still is confined in the<br />
Good Samaritan hospital, improving slowly<br />
. . . Bernie Kranze, ELC general sales manager,<br />
was at the local office . . . Marty Seed.<br />
WB salesman, and his wife and family went<br />
to Steuben ville, to spend Thanksgiving with<br />
Mrs. Seed's folks.<br />
Don Keesling of Bramwell, W. Va., was on<br />
another hunting trip . . . Pat Edenfield, secretary-bookkeeper<br />
for the Adeline Ward Theatres<br />
in Somerset, Ky., is recovering after an<br />
operation for removal of a growth near her<br />
heart.<br />
William Kaufelt has joined the booking<br />
staff at RKO to fill the vacancy created when<br />
Coleman was promoted to Kentucky<br />
salesman. Kaufelt formerly was with U-I . . .<br />
Eugene Tunick, former RKO salesman, and<br />
now manager for ELC at Indianapolis, spent<br />
the Thanksgiving holidays with his family in<br />
Cincinnati.<br />
Producer Tom McGowan has signed Gloria<br />
Grahame to star in "The Hyde Side."<br />
Good Pictures Still<br />
Best Defense for TV<br />
SPRINGFIELD, OHIO—Have no fear that<br />
motion pictures are not here to stay, says<br />
Maurice N. Wolf of Boston, a member of the<br />
MGM public relations department. Hollywood<br />
has no intention of darkening the movie<br />
screens because of television, he added.<br />
"Good pictures are doing record busine.ss<br />
just the same as they did in the bu.siest<br />
days," Wolf told members of the Lions club<br />
here. He said this indicates to the industry<br />
that there is a future for the business, regardless<br />
of television which is now seen as<br />
just another medium in the field of entertainment.<br />
The industry also has great faith<br />
that the economy of this country will allow<br />
both films and other mediums to thrive side<br />
by side, he said.<br />
During his stay here. Wolf pointed out that<br />
the motion picture industry is similar to any<br />
other business. Most of its investment is in<br />
communities outside of Hollywood. Of 206,000<br />
persons engaged in the industry, only 31,000<br />
are in Hollywood. He stated that theatres<br />
employ local people, pay local taxes, buy<br />
supplies locally and promote and participate<br />
in projects of community interest and benefit.<br />
"It's a local business," he said.<br />
Detroit UA Five Hikes<br />
Bowling League Lead<br />
DETROIT—United Ai'tists slightly increased<br />
its lead in the Film Bowling league<br />
this week<br />
Team Won Lost Team1 Won Lost<br />
United Artists<br />
S
I<br />
. . Carl<br />
. . Edward<br />
. . John<br />
DETROIT<br />
\I7ilUain VValdholz, Universal salesman, is<br />
leaving to join the Milwaukee staff . . .<br />
Lee Goldsmith, Universal office manager,<br />
went back home to New York City for the<br />
holiday weekend . . . Seymour Herman, Eagle<br />
Lion Classics booker, is moving into a new<br />
apartment on Rochester avenue . . . Jan<br />
Matusik, secretary to Charles Snyder, Allied<br />
executive, has been elected president of the<br />
Catholic Daughters of Detroit.<br />
Robert Hislop is managing the Midtown for<br />
Julius and Milton London, vi'ith Herbert<br />
Schnaar devoting full time to the Theatre<br />
Control Corp. . . Neil Tailing, manager of<br />
.<br />
Cinema Tlieatre, had a busy time Pi-iday<br />
when the main fuse burnt out . . Louis<br />
.<br />
Krass turns out to be an old-timer from the<br />
old Detroit Opera House. He was with it 15<br />
years, working up to assistant manager . . .<br />
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—<br />
Detroit Grosses Up;<br />
'Let's Dance' in Lead<br />
DETROIT—Despite increased competition,<br />
business was fair to good at all houses, with<br />
the new United Artists getting a holdover<br />
on its first bill. Thanksgiving day business<br />
was reported super at practically all downtown<br />
shows.<br />
(Average Is 100)<br />
Adams—Bom to Be Bad (RKO), 2nd wk 90<br />
Cinema—The Paris Waltz (Lux Films) 85<br />
Downtown—Hell Tovm (Realart); BuHalo Stampede<br />
(Realarl), reissues 85<br />
Fox—Mister 880 (20lh-Fox),- The Tougher They<br />
Come (Col) 110<br />
Madison—The Fuller Brush Girl (Col); Last ol the<br />
Buccaneers (Col) 90<br />
Michigan— Let's Dance (Para) 115<br />
Palms-S.ale—Gilda (Col); Platinum Blonde (Col),<br />
reissues 85<br />
Paradise—The Federal Mon (ELC), plus stage<br />
show 115<br />
United Artists-The Jackpot (20th-Fox) 100<br />
Btisiness Improves at Pittsburgh;<br />
Stage Show Draws 175 at Perm<br />
PITTSBURGH—A stage show at the Penn<br />
grossed more than the total take of other<br />
theatres in the downtown area. Generally,<br />
business was improved in the seventh week<br />
of the city newspaper strike, which has been<br />
settled. Neighborhood grosses are very depressed<br />
for this season.<br />
Fulton—Edge ol Doom (RKO) 60<br />
Hams—ni Get By (ZOth-Fox), 4 days, 2nd wk bO<br />
J^enn-A Lady Without Passport (MGM), plus<br />
stage show 175<br />
Stanley—Breakthrough (WB) 85<br />
Warner— Ihe Giass Menagerie (WB), 2nd d. t.<br />
'Mines' Leads Cincinnati at 160<br />
As Weather Chills Business<br />
CINCINNATI—"King Solomon's Mines" did<br />
top business last week, hitting 160, and, of<br />
course, remained at the Grand. In all of the<br />
other houses, new pictures were offered for<br />
Thanksgiving week. The extreme winter<br />
weatner, which started Thanksgiving afternoon,<br />
had adverse effects on the holiday<br />
business.<br />
Albee—Two Weeks With Love (MGM) 100<br />
Copitol—I'll Get By (20th-Fox), Srd wk lUU<br />
Grand king Solomon's Mines (MGM) _ IbO<br />
Keiths American Guerrilla in the Philippines<br />
ox) 100<br />
Palace—Breakthrough (WB) 100<br />
Central City Theatre<br />
Destroyed by Fire<br />
CENTRAL CITY, PA.—Fire of undetermined<br />
origin destroyed the Central City<br />
Theatre recently. The inside of the building<br />
was gutted and three sides and the roof were<br />
down. Wind swept flames toward a store and<br />
a garage nearby. Pour hose lines were connecied<br />
in an attempt to stop the fire in the<br />
theatre and prevent outbreaks in neighboring<br />
buildings. Winber firemen were called to<br />
aid the Central City volunteers. The theatre<br />
had been managed for many years by<br />
B. J. Redfoot, veteran exhibitor who also<br />
operates the Arcadia in 'Winber.<br />
Witnesses said that shortly after smoke<br />
was discovered coming from, the theatre<br />
ventilators, the building was a huge mass of<br />
flames. A blast blew out one side of the theatre,<br />
which had been remodeled recently. Loss<br />
was estimated at upwards of $50,000.<br />
COLUMBUS<br />
. . . Harry<br />
JJerman Stofle, a.ssistant at the Palace, became<br />
father of a baby son<br />
Knight has leased the Royal, east Main<br />
street neighborhood house, to Marion and<br />
Elma Porter for five years starting December<br />
John McNulty. former theatre<br />
1 . . . editor of the Columbus Citizen and now<br />
a feature writer for New Yorker magazine,<br />
was in town for the Ohio State-Michigan<br />
game to do a "reporter-at-large" story on<br />
the homecoming classic for the New Yorker.<br />
McNulty is the author of 20th-Fox's "The<br />
Jackpot," starring James Stewart.<br />
Beverly Ann Smith, Upper Arlington High<br />
school homecoming queen, was chosen queen<br />
of queens in finals held on Palace stage<br />
... P. J. Wood, in a letter to newspaper<br />
editors, said that the recent television ads<br />
which stressed discontent in the home in<br />
seeking to sell TV sets, were "nothing less<br />
than an attempt to lure away the movies'<br />
young audience." He added: "The ad might<br />
just as well have said: 'Don't go to the<br />
movies.' "<br />
Civic Ceremony Opens<br />
Detroit UA Theatre<br />
DETROIT—Opening of the United Artists<br />
Theatre drew a distinguished list of civic<br />
leaders, with the Detroit Police band performing<br />
from an elevated platform in front<br />
of the theatre, to set the keynote. Judge<br />
W. McKay Skillman acted as master of<br />
ceremonies, with Mayor Albert E. Cobo delivering<br />
the official welcome of the city from<br />
the stage. The Ukrainian National chorus<br />
presented several numbers in addition to the<br />
screenfare.<br />
On hand for the opening, in addition to<br />
local people, were George Skouras, head of<br />
United Artists Theatres; R. V. Wemple, vicepresident,<br />
and Jules Catsiff. who supervised<br />
the remodeling.<br />
Variety of Cincinnati<br />
Renames Schwartz<br />
CINCINNATI — Vance Schwartz was reelected<br />
chief barker of Variety Tent 3. Jack<br />
Finberg was named<br />
first assistant; Mel<br />
Martin, second assistant;<br />
William Onie,<br />
U'rasurer, and Saul<br />
c;reenberg, secretary.<br />
Ill addition to the<br />
above officers, the following<br />
compose the<br />
crew for 1951: William<br />
Bein, Harry Hartman,<br />
Bob McNabb, Joe<br />
Rosen, Rube Shor,<br />
Louis Wiethe; Lev<br />
Vance Schwartz Bugie, Irving Sochin<br />
and Allan Moritz. Delegates to International<br />
Variety convention are Onie and Noah<br />
Sciiechter, with Shor and Maurice White as<br />
alternates.<br />
The chief project of the local tent is the<br />
Children's Foundling Home.<br />
Avalon at Colon Sold<br />
COLON. MICH.—The Avalon Theatre here<br />
has been sold to Mr. and Mrs. Walter Jacobs<br />
of Jonesville by Robert Swope. The Jacobs<br />
will run the theatre under a family plan.<br />
Jacobs will run the projectors and his wife<br />
and two daughters will take care of other<br />
operations. The Jacobs family has been in<br />
theatre business for 15 years.<br />
'Romeo and Juliet' on Tour<br />
PITTSBURGH—Olivia de Havilland's stage<br />
revival of "Romeo and Juliet" will be featured<br />
at the new Nixon, opening Tuesday<br />
evening, January 30. Following the Pittsburgh<br />
engagement, the show goes to the<br />
Hanna in Cleveland, opening February 6, and<br />
tlie Shubert, Boston, for three weeks, opening<br />
February 13.<br />
Lyle Bettger has been assigned the role of<br />
a love-sick elephant trainer in the Paramount<br />
picture, "The Greatest Show on<br />
Earth."<br />
BOXOFFICE :: December 2, 1950 97
Akron Bingo Menaced<br />
By Taxpayers' Suits<br />
AKRON—Taxpayers' suits may be started<br />
to kiiock out bingo in Akron, threatened<br />
Stanley Denlinger. a prominent local attorney,<br />
who had asked city council to repeal the<br />
local bingo ordinance, by which the city collects<br />
3 per cent tax on gross bingo income.<br />
Denlinger's request was based on his contention<br />
that bingo is regarded as gambling by<br />
some state court decisions, and as legal by<br />
others.<br />
However, city council has decided to take<br />
no action on the antibingo proposal. "As<br />
long a.s the Ohio supreme court regards bingo<br />
as legal if it is not conducted for profit, then<br />
council can do little about it." said Leo A.<br />
Berg, chairman of the council's public welfare<br />
committee. He explained that the city<br />
is able to derive revenue from bingo operators<br />
and also can control them better with<br />
the present ordinance on the books.<br />
Under Ohio law, bingo is legal if operated<br />
for charity and not for personal gain. A proposal<br />
to enact a bill requiring that bingo<br />
operators give a specific amount or percentage<br />
of their gross to charity was not considered,<br />
after Assistant Law Director Nathan<br />
Koplin explained that under state law, the<br />
bingo operators must give all their profits to<br />
charity. However, it was conceded that the<br />
charitable contributions and the gross income<br />
of bingo operators seem all out of proportion.<br />
Publish TV Magazine<br />
PITTSBURGH—The Pittsburgh<br />
Television<br />
News, pocket-size 24-page publication to be<br />
issued weekly, was on newsstands from Altoona<br />
to Steubenville recently. The tri-state<br />
TV weekly carries news of WDTV, Pittsburgh,<br />
and WJAC. Johnstown. William F.<br />
Adler is editor and publisher, and Dan Mc-<br />
Sweeney, advertising manager.<br />
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PHONE HARRISON 7-1303<br />
1139 S. WABASH AVE. -CHICAGO 5<br />
SHOWMAN'S WIFE VISITS — Roy<br />
Acuff and his Smoky Mountain Boys<br />
appeared in a stage show at the Switow<br />
Amusement Co.'s Grand Theatre in New<br />
Albany, Ind., recently.<br />
Sliown in the picture<br />
is Roy with Mrs. Joe Hedden, wife<br />
of the manager of Switow's Cozy in<br />
Louisville.<br />
Those Early Movie Days<br />
In Meadville Recalled<br />
MEADVILLE, PA.—The golden era of<br />
drama was recalled here recently in an<br />
article in the Tribune-Republican. Research<br />
in Crawford county reveals that the first<br />
theatrical activity in Meadville was the presentation<br />
of a play with local performers in<br />
1824. It was a benefit show with proceeds<br />
going to help the Greeks in their fight for<br />
independence. This resulted in the formation<br />
of the Meadville Thespian society which<br />
presented plays in the Barton House. The<br />
stage had a row of candles set in bare<br />
boards for footlights and the audience sat<br />
on rough board benches. In the early '60s<br />
plays were presented in the Corinthian<br />
Block.<br />
Tlie Meadville Opera House had a grand<br />
opening Oct. 11, 1869, featuring "Ro.sedale,<br />
or the Rifle Ball." This set the stage for<br />
15 years of top-ranking entertainment. The<br />
opera house had one of its biggest audiences<br />
the night of Jan. 8, 1884—the crowd turned<br />
out that night to watch fire destroy the<br />
building. The Academy of Music, now the<br />
Academy Theatre, built in 1885 by Ernest A.<br />
Hempstead, carried on the Opera House traditions<br />
during part of the Opera Houseflickers<br />
interim.<br />
The first "flickers" were shown at the<br />
Academy about 1897. The films had been<br />
shipped to the expre.ss office, and it was<br />
rumored that the man to whom they were<br />
consigned could not pay the charges to get<br />
them out. A number of citizens advanced the<br />
money, and curious people flocked to the<br />
Academy to .see the Black Diamond express<br />
train, and galloping hor.ses pulling a fire<br />
entwine through the streets of New York.<br />
Within two decades, the "flickers" had practically<br />
replaced stage acting as Meadville's<br />
top entertainment.<br />
Michigan Allied Holds<br />
First Film Clinics<br />
DETROIT—The first official film clinic<br />
held by Allied Theatres of Michigan at its<br />
scheduled series of biweekly regional gatherings<br />
across the state was attended by 32<br />
exhibitors at Holland. With Henry Carley,<br />
Holland exhibitor, as chairman, the gathering<br />
was addressed at the luncheon by William<br />
Vandenberg, lieutenant-governor-elect<br />
of Michigan, who said that he was cognizant<br />
of "the important position which the motion<br />
picture theatre holds in the community." Ed<br />
Johnson, president of Michigan Allied, came<br />
from Bay City to attend the gathering.<br />
A special screening of 20th-Fox's "All<br />
About Eve" was held, followed by a roundtable<br />
discussion with Joseph J. Lee, Fox<br />
manager. Exploitation, "better pictures" and<br />
Pox's new deal for the small town exhibitor<br />
were given a frank discussion.<br />
The next film clinic was to be held Friday<br />
(1) at Scottville, Mich.<br />
Charles W. Snyder, executive secretary of<br />
Allied, is sandwiching in appearances before<br />
numerous state gatherings, between the various<br />
clinics. In addition to several talks<br />
before Parent-Teacher groups, he is scheduled<br />
to talk November 30 to the Rotary<br />
club at Sutton's Bay on "The Contribution<br />
of Motion Pictures to American Life," and<br />
on December 5 to the combined service clubs<br />
of Ionia on the same topic.<br />
New Building Regulations<br />
Made at Youngstown, Ohio<br />
YOUNGSTOWN, OHIO—City council has<br />
unanimously approved a revised building<br />
code, with regulations patterned after nationally<br />
recognized standards, to replace the city's<br />
outdated 22-year old code. The new code is<br />
the product of four years w'ork by a building<br />
code committee. It contains restrictions on<br />
use of inflammable and combustible materials<br />
for interior trim and decorative purposes<br />
in public buildings, among its many provisions.<br />
Martin & Lewis Prefer<br />
Film Work to Video<br />
Columbus—Despite their success in<br />
television, Dean Martin and Jerry Lewis<br />
like appearing in films "better than<br />
everything," they told Dean A. Myers,<br />
Dispatch radio and television editor who<br />
interviewed them on their arrival here,<br />
for a three-day stage date at RKO Palace.<br />
"Films are perfectly organized. Everyone<br />
knows what he is doing. It's normal.<br />
You get up at six in the morning and<br />
can go to bed at nine. You can be home<br />
with your wife and children. It's normal."<br />
They told Myers that they rehearsed<br />
70 hours on one show. "That's almost<br />
continuous," said Lewis. "You sleep<br />
when you can and eat when you can."<br />
The comedy team's appearance here followed<br />
by less than 48 hours their TV<br />
show the previous Sunday on the Colgate<br />
Comedy Hour. They were on their<br />
way to Hollywood to make another picture.<br />
98 BOXOFFICE :: December 2, 1950
I<br />
i<br />
Diakon,<br />
J<br />
BriefBiackouiHiis<br />
Theatres in Boston<br />
BOSTON—A high voltage wire twistup<br />
Sunday (19) darkened Boston and surrounding<br />
communities from 6:22 to 7:17 p. m.<br />
Electric company officials said the blackout<br />
occurred when the big wires were being<br />
shifted near Worcester, causing a terrific<br />
overload on the main generating plant of<br />
the Boston Edison Co. on L street in South<br />
Boston, knocking it completely out for nearly<br />
an hour.<br />
In downtown Boston, about half of the<br />
theatre patrons waited while managers<br />
rushed around to get the emergency lights<br />
on. Max Nayor, managing director of the<br />
Metropohtan said: "Most of the patrons<br />
waited for the show to start again. They<br />
grumbled a bit, but we played records for<br />
them. One of the records was 'Lights Out.'<br />
It was a congenial crowd on the whole. They<br />
milled around our huge lobby and bought<br />
candy. In fact we were cleaned out in our<br />
concessions department. Very few asked for<br />
their money back."<br />
At the Keith Memorial, where "All About<br />
Eve" was playing, the crowd good-naturedly<br />
waited until the damage was repaired. Some<br />
asked for rebates and got them. The Kenmore<br />
was able to switch on emergency battery<br />
lights which were adequate. Theatres using<br />
DC current direct were unaffected by the<br />
mishap; namely, the Exeter Street the Mayflower,<br />
the Laff-Movie, the Pilgrim, the<br />
Trans-Lux and the Beacon Hill.<br />
The two drive-ins still open in this area,<br />
the Neponset and the Meadow Glen in Medford<br />
were unaffected. At the Boston Opera<br />
House, where 2,600 people were assembled to<br />
take in the dress rehearsal of the Ed Sullivan<br />
"Toast of the Town" television show,<br />
comedian Victor Borge, featured in the show,<br />
said "What's the matter, don't they pay their<br />
bills here?" and everyone thought it was part<br />
of the act till Sullivan came on the stage with<br />
a flashlight and announced the trouble, asking<br />
everyone to leave. Later, at 8 o'clock,<br />
the regular Toast of the Town show went on<br />
as scheduled with new ticket holders in the<br />
audience. Sullivan was heard to emit a heavy<br />
sigh: "First the threatened strike and then<br />
the blackout. I'll never forget Boston."<br />
Sneaks in Providence<br />
PROVIDENCE — Maurice Druker, Loew's<br />
State manager, has of late been giving his<br />
Monday night patrons an extra added treat,<br />
presenting sneak previews of forthcoming<br />
MGM attractions. No extra tariff is asked<br />
I but response is reported as being "just fair."<br />
This, probably due to the fact that no advance<br />
publicity is given to the sneak preview.<br />
Advertising appears in the local papers only<br />
on the day of the showing and no mention is<br />
made of the title. This is the policy adhered<br />
to by the Loew chain, it is reported.<br />
/T//^^ Cl'mics to Feature<br />
New England IE Parley<br />
Night Club Promotions<br />
Hurt Hartford Houses<br />
HARTFORD—Tlieatres in this area are<br />
becoming increasingly aware of the growth<br />
of competition for the entertainment dollars<br />
on the part of local night clubs. Night spots<br />
are going allout in advertising and promotion<br />
in an effort to draw more money into<br />
their own registers.<br />
Prior to the war, theatremen said, extremely<br />
few night clubs offered floor shows<br />
every night throughout the week. In the<br />
postwar years, however, there has been a<br />
change of policy by night club operators, and<br />
numerous locations now offer entertainment<br />
of some kind dui-ing the week, adding the<br />
attraction of no minimum or cover charge<br />
during the week, but returning the charge on<br />
weekends.<br />
Biggest drawing card is the old Town<br />
Hall Inn, East Hartford, which presents floor<br />
shows nightly except Sunday at $2.50 minimum.<br />
New York floor show attractions are<br />
being presented and the inn management is<br />
utilizing extensive advertising and promotion.<br />
Since inauguration of this policy, the inn has<br />
had to double its seating capacity.<br />
Other night clubs offering top talent, with<br />
minimum or cover charges, are Club Ferdinando,<br />
the Lobster, and Ryan's in Hartford;<br />
Wright's, Plainville; Club Vasques, Middletown.<br />
A promotional method used by night clubs<br />
is nightly distribution of small cards asking<br />
the patron to write down his ideas or suggestions<br />
or even complaints concerning management,<br />
service, etc.<br />
Because the night clubs most closely approximate<br />
policies of the combination motion<br />
picture-vaudeville theatres, such houses as<br />
the 4,200-seat State. Hartford, and 1,200-seat<br />
Palace, New Britain, are using extensive advertising<br />
to remind patrons that top entertainment<br />
is available at the theatres.<br />
British actor Michael Rennie has been<br />
signed for a long-term contract by 20th-Fox.<br />
BOSTON—A. Montague of Columbia and<br />
Steve Broidy of Monogram are expected to<br />
attend the banquet of the Independent Exhibitors<br />
of New England's convention at the<br />
Copley-Plaza hotel December 5. Other head<br />
table guests will be Abram F. Myers, Arthur<br />
Mayer, Samuel Pinanski, Arthur Lockwood,<br />
E. M. Loew, E. Harold Stoneman, Nathan<br />
Yamins, Mike Simons of MGM, W. L. Bendslev,<br />
James Guarino, Arthur Howard and Phil<br />
Smith.<br />
Speakers at the general business meetings,<br />
will be Larry Davee general manager of the<br />
Century Projection Corp., who will speak on<br />
"Projection and Sound, Today and Tomorrow";<br />
Arthur Mayer on COMPO; Abram<br />
Myers and Jack Edwards on "The Presentation<br />
of Flesh in the Theatre."<br />
The convention will start at 10:30 a. m. with<br />
a series of film clinics, which will be followed<br />
by a screening of "The MGM Story" at<br />
Loew's State Theatre at 12 noon.<br />
A cocktail hour hosted by the Lon Hacking<br />
of Image & Sound Service, will precede the<br />
banquet.<br />
The Independent Exhibitors committee on<br />
arrangements is headed by James Guarino,<br />
assisted by Ray Feeley, business manager, W.<br />
Leslie Bendslev, Nathan Yamins, Arthur<br />
Howard, Leonard Goldberg, Daniel Murphy,<br />
Walter Mitchell and Mel Safner.<br />
Albert Pickus Named<br />
HARTFORD — Albert M. Pickus,<br />
regional<br />
vice-president of Theatre Owners of America,<br />
and owner of the Stratford Theatre, Stratford,<br />
Conn., has been appointed civil defense<br />
coordinator there.<br />
Showman's Brother Dies<br />
HARTFORD — Harry Schwartz, prominent<br />
Connecticut attorney, and brother of Jack<br />
Schwartz, operator of the We.st End and<br />
Black Rock Theatres, Bridgeport, Conn., died<br />
recently.<br />
Paul Amadeo Marries<br />
HARTFORD — Paul<br />
W. Amadeo, general<br />
manager, Pike Drive-In, Newington, and Ann<br />
former cashier, E. M. Loew's Theatre,<br />
Hartford, were married here November<br />
18, then left on a New York honeymoon.<br />
DEDICATE NE'W OFFICE—Mayor John Hynes of Boston is shown cutting the<br />
ribbon at the dedication of Warners' new building at 131 Arlington St. in Boston.<br />
Left to right: Herman Maier, chief purchasing agent tor Warner Bros.; local Manager<br />
George Horan; Mayor Hynes; R. A. McGuire, chief auditor for Warner Bros.,<br />
and Bernard Goodman, head of branch operations for the company.<br />
*<br />
isl' BOXOFFICE :: December 2, 1950<br />
k<br />
NE 99
'<br />
%ei^<br />
%iM» MOTION FieiURE PROJECTORS.<br />
... do not require o\\ pumps<br />
and splash lubrication for efficient<br />
operation.<br />
. . . must be designed to use<br />
high-power arc lamps without<br />
light-wasting heat filters.<br />
HERE'S THE PROBLEM<br />
4<br />
Modern projection demands the use of higher power arc lamps. These lamps<br />
create intense heat which causes buckling and distortion of the film. To pre- ;<br />
vent film mutilation and out-of-focus pictures, some projectors require heavy<br />
light-wasting heat filters. These filters waste most of the light added by the<br />
higher power lamps.<br />
!<br />
HERE'S<br />
THE SOLUTION<br />
CENTURY projectors equipped with water-cooled apertures reduce destruc-<br />
;<br />
tive heat and increase picture brilliance.<br />
Think of this . . . CENTURY<br />
high-efficiency mechanisms, plus water-cooling<br />
and with a 90 ampere arc will put as much light on the screen as other projectors<br />
using a 180 ampere arc and heat filters!<br />
HERE'S THE RESULT<br />
• Full brilliance and sharper pictures without loss of light or<br />
wasted power.<br />
• More illumination on the largest screens.<br />
• Film distortion reduced. Focusing trouble minimized.<br />
Projectors equipped for high speed, long focal length, 4" diam. lenses.<br />
Water cooling is optional— available on all models at slight extra cost.<br />
LUBRICATION IS OLD FASHIONED!<br />
With CENTURY you have no lubrication headaches— no dripping oil or grease<br />
to mess up equipment or film. There are no oil baths or oil pumps to leak or<br />
fail and cause bindups and frozen bearings. To end this costly trouble<br />
CENTURY uses sealed, oil-less bearings and glass-hard, high carbon-chrome<br />
steel gears.<br />
Proof of CENTURY'S simplified, high-efficiency design can be seen in<br />
the illustrations<br />
on the right. Ten gears with only two gear meshes between the<br />
shutter and the intermittent cam. (Other well known projectors have from<br />
4 to 12 such meshes and up to 23 gears).<br />
Fewer gears and shafts mean less trouble, lower maintenance, less vibration,<br />
sharper pictures . . . finer projection.<br />
%ei^<br />
See your CENTURY dealer about modernizing your projection and<br />
sound equipment now, under present government restrictions.<br />
MASSACHUSETTS<br />
THEATRE<br />
EQUIPMENT<br />
CO.<br />
20 Piedmont St.<br />
Boston 16, Mass.<br />
100 BOXOFTICE December 2, 1950
% New England Tent 23<br />
Elects New Board<br />
BOSTON—The Variety Tent 23 of New<br />
England has elected the following crew members:<br />
Walter Brown. Max Levenson, Arthur<br />
Lockwood, James Marshall, Martin Mullin,<br />
Samuel Pinanski, Michael Redstone, Louis<br />
Richmond, Benn Rosenwald, Meyer Stanzler<br />
and Phil Smith. This group, along with five<br />
past chief barkers—Louis Gordon, E. Harold<br />
Stoneman. Joe Cifre. Murray Weiss and John<br />
Dervin—will elect 1951 officers at a meeting<br />
in December. Delegates elected to the Variety<br />
International convention next spring are<br />
Stoneman and Bob Sternberg with Weiss and<br />
Cifre as alternates.<br />
Showing of A-Bomb Reel<br />
Is Viewed as Civic Duty<br />
BOSTON—Stanton H. Davis, booker at<br />
RKO, sent out the following letter to his<br />
accounts:<br />
"I am sending this letter to you as an<br />
officer in the United States air force reserves<br />
rather than as an RKO booker. I consider<br />
this as part of my civic duty as well as<br />
part of my job.<br />
"On September 29, RKO released a 20-<br />
minute subject entitled 'You Can Beat the<br />
A-Bomb.' I need not say too much concerning<br />
this subject as the title describes the<br />
subject matter very completely. We all know<br />
how much the controlling of the atom bomb<br />
means to our very existence. With the world<br />
in the present condition, we are all aware<br />
of the possibilities that exist.<br />
"It is most urgent that you play this tworeeler<br />
immediately upon its availability to<br />
your theatre and once again become a<br />
leader in your community serving the public."<br />
'Lucky' Rating Is Raised;<br />
May Run in Providence<br />
PROVIDENCE — "Third Time Lucky,"<br />
scheduled for presentation at Loew's State recently,<br />
but banned by the local police censor,<br />
may still be shown here. A new twist to the<br />
situation, which raised considerable furore resulting<br />
in newspaper editorials and public<br />
forums, came about when the Legion of<br />
Decency which originally gave the picture a<br />
C rating, changed it to Class B or "objectionable<br />
in part."<br />
It will be interesting to see if local censorship<br />
authorities now permit it to be licensed<br />
for showing here. That has been the custom<br />
in the past, with "Volpone" and "Forever<br />
Amber" as two examples.<br />
Showman's Son and Actor<br />
To Connecticut Offices<br />
HARTFORD — The 1950 state elections<br />
found State Treasurer Joseph Adorno, Republican,<br />
being re-elected, and former actor<br />
named governor of Connecticut. Adorno is a<br />
son of Sal Adorno sr.. owner and operator<br />
of the Palace Theatre, Middletown. Elected<br />
governor was Congressman John Davis Lodge,<br />
formerly of motion picture roles. He defeated<br />
Governor Chester Bowles (Dem.), former<br />
partner in the New York advertising<br />
agency of Benton & Bowles.<br />
BOSTON<br />
T eon Brandt, head of exploitation, advertising<br />
and publicity for ELC was here working<br />
on "The. Sun Sets at Dawn," which will<br />
open at the Paramount and Fenway December<br />
7, with Jack Saef. Joe Mansfield and<br />
Charlie Barron, publicists . , . Charlie Wilcox,<br />
Orleans Theatre, Orleans, made his first appearance<br />
in the district following his release<br />
from the Evans Memorial hospital where he<br />
was under observation for two weeks. Others<br />
on the Row were Elihu Glass, Majestic,<br />
West Springfield; Ned Eisner, Cameo, TJxbridge,<br />
who reports that his new drive-in in<br />
Uxbridge has closed for the season after a<br />
successful first year; Joe Liss, who has taken<br />
over the Astor, Lawrence; Spero Latchis,<br />
Latchis circuit; Curtis Morse, Lafayette,<br />
Haverhill, and Irving Dunn, Granite Square,<br />
Manchester, N. H.<br />
Barbara Lally, secretary to Morris Master<br />
Motion Picture Co., took a leave for two<br />
months and is now touring England, France,<br />
Switzerland and Italy . . . Kenneth Mayer has<br />
rejoined U-I as salesman in the Rhode Island<br />
Alan Strulson of New<br />
territory . . . York has been appointed a salesman at 20th-<br />
Fox with his territory unassigned as yet . . .<br />
At MGM, the western Massachusetts territory<br />
has been given to Joe Rahilly, formerly a<br />
booker, while Gerald McGowan has been<br />
transferred from the Indianapolis territory as<br />
Joseph Rathgeb. former booker at<br />
a booker.<br />
Monogram and Motion Picture Sales, also<br />
has joined the booking staff at Metro.<br />
The Beacon Hill Theatre's Thanksgiving<br />
day picture was "The Golden Salamander,"<br />
accompanied by a two-reeler "The Moor's<br />
Pavane" which had its American premiere<br />
here. Charles Barron of ELC was in on publicity<br />
for "Salamander," arranging a luncheon<br />
for the film critics before the press<br />
screening . . . "The MGM Story" which was<br />
screened at the TOA convention in Houston,<br />
was shown at an invitation screening at<br />
Loew's State. A sound technician came along<br />
with the film to insure its proper handling.<br />
The picture ran about 40 minutes and the<br />
MGM offices were closed for an hour and a<br />
half that day to enable the office staff to<br />
see it. Also invited were the film critics,<br />
radio and press reporters.<br />
married on the Isle<br />
The engagement has been announced of<br />
with the U.S. army during World War II.<br />
Elaine Gaetani, secretary to E. M. Loew, to<br />
Robert Newhook, publicity director of Loew's<br />
Theatres in Boston, with a wedding<br />
Piper Laurie to Star<br />
date set<br />
for February 24. Elaine, the daughter of Dr.<br />
Co-starring with Donald O'Connor in U-I's<br />
and Mrs. Arthur Gaetani lives in Milton,<br />
"Francis Goes to the Races" will be Piper<br />
Laurie.<br />
while Newhook, a Boston university graduate,<br />
class of 1950, resides in Mattapan. Following<br />
a honeymoon into the Canadian Rockies, the<br />
couple will live in Boston, with Elaine resuming<br />
her position at the E. M. Loew circuit.<br />
Mrs. N. Peter Rathvon, producer of "The<br />
Sun Sets at Dawn" which will have its world<br />
premiere at the Paramount and Fenway Theatres<br />
on December 7, will come to Boston for<br />
the opening, accompanied by Philip Shawn,<br />
who has a featured part in the film, and Leon<br />
Brandt, exploitation head of Eagle-Lion<br />
Classics. Joe Mansfield, ELC publicist, is<br />
arranging press and radio interviews for Mrs.<br />
Rathvon.<br />
Roy E. Heffner and his son Roy, jr. each<br />
bagged a buck deer on their latest hunting<br />
trip in the wilds of Moosehead, Maine. They<br />
strapped the bucks on either side of their<br />
auto fenders and caused great interest in the<br />
district when they drove along Church Street<br />
with the unusual display . . . John McGrail,<br />
Universal publicist, has gone to New York to<br />
visit the home office for a few days.<br />
Lou Novins of Paramount Pictures, New<br />
York, will speak at the national convention<br />
of the Kappa Nu fraternity to be held at<br />
the Somer.set hotel here December 24. Leon<br />
Levenson, manager of ATC's candy and vending<br />
department, is serving on the convention<br />
committee. Levenson, a 1928 Harvard graduate,<br />
is an old friend of Novins who graduated<br />
from Boston university in 1929. Other<br />
industryites who are members of the fraternity<br />
are Ted Fleisher, Interstate Theatres;<br />
Harold Gordon, manager of ATC's Waltham<br />
Theatre, and Sam Resnick, Playhouse, Andover.<br />
Ken Prickett of Smith Management Co.,<br />
former MGM publicist here, has returned to<br />
his Quincy home after nearly five months<br />
in the midwest, where he is a district manager<br />
for Philip Smith's drive-in theatres.<br />
He will remain in New England through the<br />
Christmas holidays.<br />
Jack Hauser, president and business agent<br />
of Local 96 of the Worcester projectionists<br />
union, has retired after 30 years as head of<br />
that union . . . Charles H. Parker, projectionist<br />
at the Capitol, Allston, and a member<br />
of Local 182, has retired after 40 years of<br />
service. He will live in New Hampshire where<br />
he has bought a house near Exeter. Another<br />
veteran projectionist of Local 182 has retired.<br />
John H. Mason, operator of the Seville, East<br />
Boston, an ATC theatre, resigned after 25<br />
years of service and will live quietly in<br />
Allston with his family. Ralph K. Jordan,<br />
projectionist at the Franklin Park Theatre,<br />
died at his home.<br />
H. A. Tuccis Celebrate<br />
BRIDGEPORT. CONN. — Henry A. Tucci<br />
of the Poll staff, and his wife Anne celebrated<br />
their fifth wedding anniversary. They were<br />
of Capri while Tucci was<br />
I<br />
I<br />
WILLIAM RISEMAN<br />
ASSOCIATES<br />
Theatre Specialities in<br />
Remodeling and<br />
Redecorating<br />
162 Newbury Street Bost<br />
BOXOmCE December 2, 1950 101<br />
i
. . Ray<br />
. . The<br />
. . Paul<br />
!<br />
. . . Gloria<br />
. . James<br />
. . Henry<br />
. . Frank<br />
. . Joe<br />
. . Vince<br />
. . Anna<br />
. . Mary<br />
. . Norm<br />
. . House<br />
. .<br />
. .<br />
. . Manager<br />
. . Seymour<br />
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Complete Theatre Equijjment & Sup-plies<br />
Larry Wallace, head of the concessions department,<br />
E. M. Loew circuit, was in Milford,<br />
Hartford, and Springfield to close out<br />
concessions at the circuit drive-ins shuttering<br />
for the season . Laskowski is the<br />
new cashier. E. M. Loew's. succeeding Constance<br />
Bucello, who resigned . Manager<br />
George Hudak. E. M. Loew's, has been<br />
classified as 1-A.<br />
.<br />
.<br />
John Patno, assistant at the Alljm. and<br />
his wife observed their fifth wedding anniversary<br />
. , . Al Longo. former publicist for<br />
Loew's Boston theatres now operating his<br />
own public relations agency In Bo.ston.<br />
dropped by for a chat with Fred Greenway<br />
while here in advance of the local appearance<br />
of Ed Sullivan, columnist and television<br />
personality. Some years ago. Greenway<br />
managed Loew's State in Boston<br />
The New Alcazar Theatre. Naugatuck, has<br />
a dinnerware giveaway,<br />
Tom Grosran, manager of the Strand,<br />
Thompsonville. has built a new home<br />
The Gus Schaefers of the Hartford Theatre<br />
circuit have moved into a new home in<br />
Bloomfield . Tom Grace of the<br />
Perakos circuit's Eastwood presided at a<br />
meeting of the East Hartford Chamber of<br />
Commerce retail trade board at the Eastwood<br />
to discuss proposals for Christmas<br />
street lighting in the town.<br />
p M. Loew, head of the Loew Theatres circuit:<br />
and Bruno Weingarten. manger of Loew's Poll, Meriden. Tony Masella. Loew's<br />
entrance to the lobby of the now shuttered<br />
Loew's Norwich-New London Drive-In, Montville.<br />
Conn., were in to look over the site of up to prevent vagrants from congregating in<br />
Meriden manager, says the barrier was put<br />
the new circuit drive-in in suburban Farmington<br />
with George E. Landers, man circuit partner, is serving as radio<br />
the lobby at night.<br />
Mrs. Maurice Shulman, wife of the Shul-<br />
the circuit's<br />
publicity<br />
director ol<br />
Anthony Bray has been promoted to chief<br />
Hartford division manager. The project<br />
the Girl Scouts of Hartford,<br />
supervising radio programs on a num-<br />
is<br />
usher at Loew's Poll Palace . Levinson,<br />
assistant manager, Loew's Poll, Hartford,<br />
not expected to be completed before April<br />
1951. It will have capacity for 850 cars and<br />
ber of metropolitan Hartford area radio<br />
Loew's Poll Bijou, New Haven, visited Acting stations . . . Ray Freeman, former student<br />
cost an estimated $125,000.<br />
Manager John DiBenedetto, Loew's Poll, assistant manager at Loew's Warfield, San<br />
Arline Levin is the new cashier, Center, replacing<br />
Wendy Smith, who resigned. Selma Warner Art, Springfield, was a Hartford ager at the Warner Strand, succeeding An-<br />
Worcester . L. Cotoia. manager, Francisco, has been named assistant man-<br />
Berkowitz has been added to the theatre's visitor . . . Bob Evans, formerly Jim's aide, thony T. Cassente. who resigned to go to<br />
cashiers staff . . . Jim McCarthy. Strand is now working for a Hartford department Los Angeles to make his home.<br />
manager, got a letter from Charlie Atamian, store . . . Ted Harris. State managing director,<br />
was in New York on business.<br />
Manager Lou Cohen of Loew's Poli and<br />
his former assistant for five years, reporting<br />
his<br />
that he and his wife have settled in Sacramento,<br />
Calif. Charlie is in the super market<br />
wife are marking their 31st wedding anniversary<br />
. Kroopnick. promo-<br />
Roger Gagnon, former manager of the<br />
Star, Hartford, and of the Plainfield, Conn.,<br />
business with his father-in-law . . . Maurice<br />
tion director for the 1,200-seat Center, has<br />
theatre, is<br />
Shulman, Shulman Tlieatres. was in New<br />
now working for a Putnam Industrial<br />
resigned to join the staff of the state department<br />
of social service. No replacement<br />
Haven on bookings . S. Purdy, Kounaris-Tolis-Ulyssis<br />
general manager, was in<br />
concern . Capuano. manager<br />
of the West Hartford. Elm, entered Hartford has been name as yet by owner Maurice<br />
from Meriden . Wylie, Wylie Amusement<br />
Enterprises, New Haven, was another ager is Mrs. Minnie Geigel. house cashier<br />
hospital for an operation. Relief man-<br />
Greenberg.<br />
Hartford<br />
Doughty, cashier at the Eastwood,<br />
visitor.<br />
has resigned . Gilberto Is the Rialto's Competes With Airers<br />
Anne Harris, daughter of the State's managing<br />
director, marked her 16th birthday with was in New York<br />
new usher . Klune. Rialto doorman,<br />
With Car Admissions<br />
for a nephew's wedding.<br />
a house party . Henry Boehms (he's At 76. he is one of the oldest theatre doormen<br />
in Hartford . . . Rialto Manager Mike of competing with drive-ins has been start-<br />
HARTFORD—Something new in the way<br />
State advertising manager) are observing<br />
their fifth wedding anniversary . . . Bruno Piccirillo tied-up with a department store ed by Joe Faith, operator of a number ol<br />
Weingarten of the Norwich-New London near the theatre for distribution of free Hopalong<br />
Cassidy candy and buttons in conjunc-<br />
designed to attract car patrons, has been<br />
suburban Hartford theatres. The new policy,<br />
Drive-In leaves Connecticut December 15 for<br />
a Los Angeles vacation ... A temporary tion with the start of a new serial, "Radar started on Mondays and Tuesdays at the<br />
wooden barrier has been erected across the Patrol vs. Spy King."<br />
Faith Carberry Theatre, Bristol, Conn.<br />
Faith's newspaper ads for the house read:<br />
George E. Landers, E. M. Loew circuit "Drive up to the Carberry Theatre every<br />
Hartford division manager, was in Bridgeport. Monday. Tuesday . adult. 44 cents;<br />
Milford. and New Haven . Kaminski. two or more, 88 cents, tax included: all children<br />
arriving in cars admitted free!"<br />
secretary to Manager Bruno Weingarten.<br />
Norwich-New London Drive-In, is engaged to<br />
I<br />
Thomas Hawkins, Norwich police officer.<br />
They will be married in Norwich Dec. 15 . . .<br />
Norwich, Conn., Theatre<br />
Harry Albee, projectionist. Pike Drive-In. got<br />
back from a Maine hunting trip . . . Wayne<br />
To Offer First Run Films<br />
Hilliard, assistant concession manager at the HARTFORD—Ed Lord has switched the<br />
Norwich-New London Drive-In, made a trip Lord Theatre in Norwich on a first run<br />
Typical o( BaManiyne to New York to go ice .skating at Rockefeller policy Wednesday through Saturday. The initial<br />
quality, is che Model<br />
•BW<br />
Center . Morin, Regal manager, booking under the new policy was U-I's<br />
Proiecior . . .<br />
yet It is lower in cost heard from his ex-assistant, Sgt. Pat Bucherri,<br />
now in special services office, 43rd In-<br />
"Louisa" and Republic's "The Pioneer Marshal."<br />
ihan anything equal in<br />
performance. Modern<br />
rear shutter; complete fantry division. Camp Pickett, Va.<br />
line pen<br />
ings; la and<br />
easily accessiBle, witn<br />
Clinton Globe Closes<br />
an ease of threading<br />
not found in ordinary<br />
CLINTON. MASS. — The weekend Globe<br />
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Theatre was shuttered on Sunday (26) until<br />
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BOXOFFICE December 2. 1950
Theatre-in-Round May<br />
Start at Providence<br />
PROVIDENCE—Plans are being formulated<br />
hereabouts to bring the "theatre-in-theround"<br />
to this territory, and there's a good<br />
possibility that there may be a race to see<br />
who offers this new popular form of theatrical<br />
entertainment here first. One outfit,<br />
headed by John P. Roberts of adjoining<br />
Cranston, has just announced that a lease<br />
has been obtained on a former night club<br />
establishment on Warwick Avenue just over<br />
the Providence-Cranston city line.<br />
Roberts further announced that alterations<br />
will start soon and installations necessary<br />
for "arena" staging should be completed<br />
in time for the opening set for early in February<br />
1951.<br />
Also in town recently was Alan Gray<br />
Holmes, Worcester, Mass.. theatrical producer,<br />
who presented several touring stage<br />
attractions at the Rhode Island School of<br />
Design auditorium, last season. Holmes put<br />
on a "theatre-in-the-round" in Worcester last<br />
summer with great success, and it was reported<br />
that he was scouting this area with<br />
the. same idea in mind.<br />
Paper Ad Rates Upped<br />
HARTFORD — New Haven circuits have<br />
been informed of a further hike in theatre<br />
advertising rates at the Hartford Courant, effective<br />
December 1. From $2.80 an inch the<br />
rate goes to $3.08 daily. Sunday rate goes<br />
from $3.50 per inch to $3.92.<br />
PROVIDENCE<br />
patrons of the RKO Albee have had their<br />
winter parking problems solved for them<br />
by Dave Levin, manager, who has made arrangements<br />
with the Snow Street garage,<br />
immediately adjacent, to accommodate Albee<br />
patrons at a special discount.<br />
The recent presentation of Charlie Chaplin's<br />
"City Lights" at the Metropolitan not<br />
only resulted in Bradford F. Swan, critic on<br />
the Journal-Bulletin, devoting practically his<br />
entire column praising the film and its artistry,<br />
but it also made the In Perspective<br />
column, which is alternately written by leading<br />
staff writers and has met with such<br />
widespread acclaim that the choicest bits<br />
have been published in book form.<br />
Whoever directs the policy for E. M. Loew's<br />
open airers must be something of a weather<br />
prophet. Almost simultaneously with the<br />
closing of E. M. Loew's Drive-In at the Providence-Pawtucket<br />
city line, winter weather hit<br />
this vicinity with the thermometer dropping<br />
to the middle twenties. All other nearby<br />
ozoners were still operating, despite the frigid<br />
weather, when Thanksgiving had come and<br />
gone.<br />
Employes of the Avon Cinema had plenty<br />
of cause to be thankful on Thanksgiving.<br />
Charles R. Darby, manager, presented every<br />
employe a big, plump turkey ! Recently Darby<br />
scored with plenty of well-planned publicity<br />
on his twin bill of "The King's Jester" and<br />
"Pagliacci." This city has a large Italian<br />
population and Darby arranged a quiz program<br />
on a local radio station, offering guest<br />
tickets. "The Red Shoes," which ran for<br />
eight weeks at the Avon some time ago, has<br />
been scheduled for a return engagement.<br />
The Evening Bulletin recently devoted<br />
nearly half a page, including several pictures,<br />
to the party being arranged for Mr. and Mrs.<br />
Archibald Silverman on this 50th wedding<br />
anniversary. Silverman heads the company<br />
operating the Strand Theatre. The story on<br />
the party, traced the many achievements of<br />
both Mr. and Mrs. Silverman, who are well<br />
known here and abroad for their great charitable<br />
works. It Is understood that many<br />
local, state and national figures from all<br />
walks of life will help the Silvermans mark<br />
their golden anniversary.<br />
It was learned recently that local newspapers<br />
on a number of occasions have returned<br />
national advertisements to theatre<br />
managers with the request that more clothes<br />
adorn the lovelies pictured therein.<br />
To Sponsor Benefit<br />
HARTFORD — Mr. and Mrs. Ray Mc-<br />
Namara of the Allyn Theatre have been<br />
named sponsors of the cerebral palsy benefit<br />
performance at Bushnell auditorium December<br />
2 of the Hartford chapter. Society<br />
for the Preservation and Encouragement of<br />
Barber Shop Quartet Singing in America.<br />
GOODWILL AWARD AND BANKNiGHT<br />
will get the people out of their homes away from the<br />
radio and television<br />
And to Your Theatre<br />
There are over 100 theatres in the New England territory<br />
proving it every week.<br />
IT'S<br />
THE LEGAL WAY AND THE PROVEN WAY<br />
Write or call us and we will see you<br />
GOODWILL ADVERTISING COMPANY<br />
22 Church Street Liberty 2-9305 Boston, Mass.<br />
BOXOFFICE :: December 2, 1950 103
. . . Jimmy<br />
—<br />
—<br />
CELEBRATE ANNIVERSARY—Shown above in the office of General Manager<br />
Al Schuman of the Hartford Theatre circuit are officials planning observance<br />
of the chain's fifth anniversary. Front, left to right: Gus Schaefer, treasurer, and<br />
Schuman, president and general manager.<br />
Standing: Ernie Grecula, director of advertising<br />
and publicity and managing director of the Colonial; Michael Piccirillo, Rialto;<br />
Mrs. Kate S. Treske, Lenox; Hugh J. Campbell, Central, West Hartford; George A.<br />
Smith, maintenance director and purchasing agent, and Joseph R. Ruggerio, Lyric.<br />
NEW HAVEN<br />
f^hristmas parties got off to early planning<br />
this year. Twentieth-Pox will celebrate December<br />
6 at Donat's; Columbia will party at<br />
Donafs December 14. and RKO will have a<br />
cocktail party at the exchange, then dinner<br />
and dancing at the Fireside, Milford. December<br />
14. Universal scheduled its party for<br />
December 21 at Donat's . . . Variety Tent 231<br />
is negotiating a lease with Kaysey's for second<br />
floor club quarters . . . Earl Wright of<br />
Columbia made a whirlwind drive for the<br />
success of Earl Wright week, ending December<br />
9.<br />
Most drive-ins, including Waterbury and<br />
East Windsor, closed November 19 . . . The<br />
Hi-Way. Bridgeport, arbitration hearing<br />
brought Bert Jacocks, Harry P. Shaw, Matt<br />
Saunders and Phil Gravitz to town in addition<br />
to those attending the first hearing<br />
. . . Floyd Fitzsimmons, MGM exploiteer. was<br />
in the territory . . . Also John Dombi of the<br />
Brooklawn. Fairfield, Morris Shulman, Shulman<br />
houses, Hartford, and Nat Greenberg,<br />
Strand Amusement. Bridgeport.<br />
Ann Donner of 20th-Fox went to New<br />
Jersey and New York for Thanksgiving . . .<br />
Mrs. Lou Brown, wife of the Loew's Poll<br />
publicity chief, was a welcome visitor for<br />
Thanksgiving after a stay at New Haven hospital<br />
. . . Eva Cooperstack, Universal booker<br />
and office manager, left for a week's vacation<br />
Dorsey and his orchestra. King<br />
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DIPT. B<br />
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Cole Trio. Shorty Surock and Charlie Teagarden<br />
appeared on the Paramount stage November<br />
28. prior to show's opening at the<br />
Paramount in New York. If local response<br />
is good. Jim Darby says there may be more.<br />
The Colonial, Canaan, had vaudeville recently,<br />
including Oliver and Sales, Doris<br />
Patts and Mrs. Waterfall and Whitey Carson,<br />
with "County Fair" on the screen.<br />
Jimmy Tripp, former office boy for Warner<br />
Theatres, has been upped to bookkeeper,<br />
and Kenneth Trelour is a new employe . . .<br />
The 484-seat Alcazar at Naugatuck is now<br />
operated by Waterbury Amusement Co.. has<br />
changed from first and second run to all<br />
second run policy . . . Poxites had a surprise<br />
birthday cake for Sal Popolizio, booker, after<br />
office hours, and presented him a red carnation.<br />
Renovation of the Bailey Whalley Theatre<br />
here will continue for several months with<br />
a new lounge and lobby taking in the<br />
luncheonette next door, a modern candy bar<br />
and redecoration in the offing ... As a<br />
Wednesday feature, Roger Sherman has tied<br />
in with House of Jaquet to give every woman<br />
attending the matinee a $5 one-hour beauty<br />
treatment at the Taft hotel and a jar of<br />
face cream.<br />
Sues Over Clogged Sewer<br />
STRATFORD. CONN.—The Stratford Theatre.<br />
Inc.. owned by Albert M. Pickus. has<br />
filed a $3,500 damage action in common pleas<br />
court against the town of Stratford for damages<br />
allegedly caused by a clogged sewer.<br />
The plaintiff claims water, sewage and refuse<br />
matter from a blocked sewer line backed up<br />
into its theatre, damaging carpets and other<br />
fixtures and causing the theatre to close for<br />
one matinee performance. Tlie theatre says<br />
it expended $1,700 in making repairs and performing<br />
other work to prevent a recurrence<br />
of the incident.<br />
Teamed on 'Battle of Sexes'<br />
Teamed on "Battle of the Sexes." story<br />
about granting suffrage to women throughout<br />
the world, are Producer Wally Kline and<br />
Frederick Dan.<br />
Boston Business So-So<br />
As Holdovers Prevail<br />
BOSTON— All downtown houses are plugging<br />
their Thanksgiving product, with theatres<br />
marking time until that day. Huge<br />
newspaper space has been taken in the<br />
dailies advertising the new films. Holdovers<br />
were in most houses until the holiday engagements.<br />
(Average Is 100)<br />
Astor—Harriet Crerig (Col), 3rd v/k 80<br />
Boston—Where Danger Lives (RKO); Beyond<br />
Purple Hills (Col) 85<br />
Exeter Street— Last Holiday (Mono), 1st wk lOS<br />
Memorial—All About Eve (20th-Fox), 3rd wk 90<br />
Metropolitan Tripoli (Para); Cassino to Korea<br />
(Para) .. 5"<br />
Paramount and Fenway American Guerrilla in<br />
the Philippines (20th-Fox), 2nd wk 85<br />
Slate and Orpheum—Emergency Wedding (Col);<br />
The Fuller Brush Girl (Col) 90<br />
Two Weeks With Love' at 110<br />
Paces New Haven Grosses<br />
NEW HAVEN—"Two Weeks With Love" at<br />
the College and "American Guerrilla" at<br />
the Loew Poll did the best business on the<br />
main stem.<br />
Bijou—Harriet Craig (Col); Eye Witness (ELC),<br />
2nd d, t wk -.,. 70<br />
College—Two Weeks With Love (MGM); Return<br />
of Jesse James (LP) 110<br />
Loews Poll—American Guerrilla in the Philippines<br />
(20th-Fox); Hot Rod (Mono) 106<br />
Paramount—The Outrage (RKO); Hit Parade of<br />
1951 (Rep) 70<br />
Rog=r Sherman—Woman on the Run (U-I): Saddle<br />
Tramp (U-I) BO<br />
"Solomon's Mines' Grosses 225<br />
For Near Hartford Record<br />
HARTFORD—MGM's "King Solomon's<br />
Mines" did biggest trade in months, hitting<br />
records attained by the same distributor's<br />
"Battleground." Other big grossers were<br />
Paramount's "Let's Dance" and Warners'<br />
"West Point Story."<br />
Allyn-Let's Dance (Para); Hostile Country (LP) ,..140<br />
Center—Kind Hearts and Coronets (ELC); shorts... 80<br />
Last of the Buccaneers (Col) Counter<br />
E. M. Loew<br />
Spy Meets Scotland Yard (Col) 115<br />
Palace—American Guerrilla in the Philippines<br />
(20th-Fox) Bomba and the Hidden City (Mono),<br />
2nd wk 140<br />
Poll—King Solomon's Mines (MGM); A Kiss for<br />
Coriiss (UA) 225<br />
Regal—Mad Wednesday (RKO); Rio Grande Patrol<br />
State—Hold That Baby (Mono); stage<br />
,<br />
show 110<br />
(RKO) 00<br />
Strand—West Point Story (WB); loo Palooka<br />
in the Squared Circle (Mono)<br />
.160<br />
Morris Moriarty Named<br />
President of Local 273<br />
ISTEW HAVEN — Morris Moriarty of the<br />
Paramount Theatre was elected president of<br />
lATSE Local 273 at the recent annual election.<br />
Tony Basilicato of the College was<br />
named vice-president and Ernie DeGrosse<br />
of the same theatre, secretary. Edward Boppert<br />
of Loew's Poll was named treasurer.<br />
Matthew Kennedy of the Paramount was<br />
re-elected business agent for the 15th consecutive<br />
year.<br />
Tlie executive board will consist of officers<br />
and Frank Perry of the Roger Sherman and<br />
Edward Jordan of the Wlialley. The finance<br />
board includes officers. Sam Estre of the<br />
College and Andrew Carrano of the Grand.<br />
Novel Advertisement<br />
HARTFORD — Herb Loewith, assistant<br />
manager at Loew's Poli Globe in Bridgeport,<br />
advertises Loew's every time he takes his car<br />
out of the garage.<br />
Tlie plate on his car reads "LOEW."<br />
104 BOXOFHCE December 2, 1950
. . The<br />
. . Sam<br />
. . The<br />
. . . Frances<br />
. . Prompted<br />
. . James<br />
. .<br />
. . Hippodrome<br />
. .<br />
AT 'TRIPOLI' CEREMONY — Special<br />
ceremonies were held at AUyn Theatre,<br />
Hartford, in conjunction with 175th anniversary<br />
of the marine corps and the opening<br />
of "TripoU," which concerns the corps.<br />
Left to right: John A. Patno, assistant<br />
manager; Ray McNamara, Allyn manager;<br />
Douglas O. Harrington, commandant,<br />
Hartford Nutmeg detachment, Marine<br />
Corps league; Mrs. Mary Mandy,<br />
commander. Unknown Soldier Post 12,<br />
DAV.<br />
WORCESTER<br />
Oixty present and past employes of Loew's<br />
.<br />
Poll held a reunion at Villa Vaudreuil,<br />
Shrewsbury, with Manager Harold Maloney<br />
as the guest of honor. Warren B. Kalagher<br />
was chairman of the committee and Barry<br />
Price served as toastmaster Rialto<br />
Park and Greendale awarded Thanksgiving<br />
turkeys to lucky patrons . Wasserman<br />
will present Cornelia Otis Skinner at the<br />
Playhouse January 15.<br />
Bob Bergin, assistant manager of Loew's<br />
Poll, spotted Leland Harris in "All About<br />
Eve." He formerly played with Woi-cester<br />
stock companies . Modern in Marlboro<br />
is running auctions each Friday night, using<br />
"community dollars" . . . The Plymouth was<br />
rented to the Memorial hospital aid society<br />
tor a show December 19, 20 . . . Harold<br />
Maloney, manager, is back at the Poll after<br />
being out a few days with a wrenched back.<br />
The public buildings bureau has been conferring<br />
with Peter Marrone regarding his<br />
proposed open-air theatre on Greenwood<br />
street, but the bureau refuses to grant the<br />
licenses until zoning problems are straightened<br />
out . . . Mr. and Mrs. Arthur A. Blanchard,<br />
Mr. and Mrs. Louis L. Blanchard and<br />
Fred Blanchard, all in theatre business in<br />
Southbridge, have gone to Lakeland, Fla.<br />
Bob Robison, former theatre manager here,<br />
is in Houston. Tex., handling a Lions club<br />
charity show, but writes he expects to return<br />
to Worcester for Christmas . . . Robert<br />
Montgomery, screen and TV star, flew to<br />
nearby Southboro to visit his son, a student<br />
at St. Mark's school.<br />
DRIVE-IN THEATRE CENTER AISLE ilGHTS<br />
With numbered Panels for Ramps with Oiiaiiiie Panels<br />
for Driveway Illumination<br />
DRIVE-IH THEATRE MFG. CO. ^^^;;"]i„<br />
BRIDGEPORT<br />
. . . The<br />
n Ibert M. Pickus, owner-operator of the<br />
Stratford, has accepted the post of civil<br />
defense coordinator for Stratford<br />
Stamford Theatre sustained considerable<br />
-smoke damage from an early morning $80,000<br />
fire in an adjoining building . . . The 242nd<br />
AAA group of the Connecticut national guard,<br />
tied up with Manager James Tobin of the<br />
Warner on "Breakthrough" and displayed<br />
heavy field guns in front of the house during<br />
the engagement.<br />
Manager Matt L. Saunders of Loew's Poli<br />
was in New Haven for the opening of the<br />
new revue, "Bless You All" . . Harold Tabackman,<br />
.<br />
owner-operator of the Bostwick<br />
Theatre, and his wife Evelyn celebrated a<br />
The Strand Amusement<br />
wedding anniversary . . .<br />
Co. has upped admissions a nickel at<br />
the American, Astor, Hippodrome and Rialto.<br />
The circuit's four other houses here remain<br />
unchanged.<br />
Joseph Letezeio, projectionist at the Rivoli,<br />
spent his vacation hunting . . . Business continues<br />
to be poor in both neighborhood and<br />
first runs . . . Katherine C. Shea, who brings<br />
stage plays into the Klein Memorial, will sail<br />
December 28 on a South American cruise . . .<br />
Jack Quinn is planning to increase the seating<br />
capacity of his summer theatre, the Playhouse<br />
in Southbury, from 350 to 500 before<br />
next season.<br />
Managers of the theatres on the Strand<br />
Amusement Co. cii-cuit have organized a<br />
bowling team under the direction of Louis<br />
Jacobson of the Park City . Ludwig<br />
is new on the usher staff at the American<br />
. . . Even the bingo games are beginning to<br />
use dish deals . . . The Horace Heidt show has<br />
been booked into the Lyric for a single performance<br />
on the night of December 26 . . .<br />
Connie Monda, Loew's Majestic cashier, celebrated<br />
a birthday . . . Pauline Medak of the<br />
American boxoffice staff went to Florida for<br />
several weeks.<br />
Herbert Loewith, assistant at Loew's Globe,<br />
has one of those letter auto license plates and<br />
it reads LOEW . by women patrons,<br />
the Stratford Theatre has shifted its<br />
matinees to Tuesdays and Friday at 1;30 p. m.<br />
Mothers said those days and hours were more<br />
convenient during school months . . . James<br />
Pensore, vetei-an projectionist at the PoU,<br />
celebrated a birthday . . . Bridgeporter<br />
Charles Schnee had three of his screenplays<br />
in local first runs the same week. "The Next<br />
Voice You Hear ..." at the Globe, "Born to<br />
Be Bad" at the Majestic and "Tlie Fm-ies" at<br />
the Warner and the Merritt.<br />
The Poli sneak-previewed "King Solomon's<br />
Mines" . . . John DiBenedetto. former Poli<br />
assistant, was in from Worcester for a visit<br />
Conners, assistant at the Majestic,<br />
is a year older . . . Phil "Roxy" Oliver,<br />
manager of the Strand until illness forced<br />
the amputation of a leg, is now out-patient<br />
caahier in the emergency department at<br />
Bridgeport hospital . . . Christopher Kiernan<br />
is back as chief of service at the Poli after<br />
a week in the hospital as a medical patient.<br />
Manager Michael J. Carroll of the American<br />
visited relatives in Schenectady, N. Y. .<br />
Mary Colgan of the Hippodrome boxoffice<br />
staff visited friends at Ft. Devens . . Local<br />
.<br />
.<br />
projectionists enjoyed a midnight party in<br />
Redman's hall . . . John Suwatski has joined<br />
the usher staff at the Hippodrome . . . Projectionist<br />
George F. Antoniak is on leave<br />
from the Astor Manager<br />
Charles P. Gaudino and his wife Rachel celebrated<br />
a wedding anniversary.<br />
PROVIDENCE<br />
p M. Loew's Drive-In at the Piovidence-<br />
Pawtucket city line was the first openairer<br />
to close for the season. Unusually mild<br />
weather has been a source of satisfaction to<br />
most nearby outdoor theatre operators. The<br />
Cranston Auto Theatre, Bay State Drive-In<br />
and Boro Drive-In still are running .<br />
Charles Laughton recently spoke before a<br />
large audience at Veterans' Memorial auditorium.<br />
The event was sponsored by the<br />
Brown alumnae club of Pembroke college<br />
for the benefit of the Rhode Island regional<br />
scholarship fund.<br />
Armistice day gave local theatre operators<br />
a double reason for rejoicing. Holiday weekend<br />
crowds were divided among the leading<br />
first runs and long waits for seating seemed<br />
to be the rule rather than the exception.<br />
More than 100 downtown stores have<br />
started remaining open until 9 p. m. every<br />
Thursday night. Theatremen are watching<br />
the move with interest, believing the theatres<br />
should get added patronage. Leading houses<br />
will be polled after a couple of weeks under<br />
the new shopping setup.<br />
Fay's Theatre recently inaugurated a new<br />
policy of presenting vaudeville and motion<br />
pictures twice a week. In the past. Fay's has<br />
run the same bill for a full week. The new<br />
setup calls for a completely new show every<br />
Sunday and Thursday.<br />
Hcjrold Cummings Ncaned<br />
To Manage Holyoke State<br />
HARTFORD—Harold Cummings, manager<br />
of the E. M. Loew's Riverdale Drive-In, West<br />
Springfield, Mass., which has closed for the<br />
1950 season, has been assigned to manage<br />
the E. M. Loew's State Theatre, Holyoke,<br />
Mass.<br />
Thus far, the E. M. Loew drive-ins at Hartford,<br />
Milford, and West Springfield have<br />
closed. Closing date for the circuit's Norwich-<br />
New London Drive-In, Montville, Conn., has<br />
not been determined as yet, George Landers,<br />
district manager said. As an added business<br />
inducement, the drive-in, managed by Bruno<br />
Weingarten, is offering one gallon of gas free<br />
per car. Weingarten notes in his newspaper<br />
advertising that patrons can run their motors,<br />
keeping on the car heaters, with the free gallon.<br />
English Actress Has Contract<br />
The young English stage actress, Dawn<br />
Addams, has been handed a contract by MGM<br />
and a role in "Kind Lady," the Ethel Barrymore<br />
starrer.<br />
BOXOFFICE :<br />
: December 2, 1950 105
. .<br />
NEW HAMPSHIRE<br />
T ouis DeRochemont of Newington, who produced<br />
the film, "Lost Boundaries," and has<br />
lately been filming "The Whistle at Eaton<br />
Falls," in the Portsmouth-Dover area, has<br />
presented a 16mm projector to the new Dover<br />
recreation center. The gift was made in appreciation<br />
of Dover residents' cooperation in<br />
making the new picture. A number of local<br />
young men and women were used as extras in<br />
the production.<br />
Members of Local 349, American Federation<br />
of Musicians, of Manchester, presented<br />
a concert program at the Veterans' Administration<br />
hospital in that city on Thanksgiving<br />
night.<br />
Ansel Sanborn, Carroll county film circuit<br />
owner, attended the football game between<br />
the University of New Hampshire and<br />
Kent university in Durham. He was accompanied<br />
by his wife and two sons, Richard<br />
and John Sanborn.<br />
Six 10-pound turkeys were given away for<br />
the Thanksgiving holiday at the Interstate<br />
Scenic in Rochester. They were donated by<br />
a local jewelry store.<br />
Roland A. "Buddy" Jenkins, news commentator<br />
for radio station 'WHEB in Portsmouth,<br />
is recovermg from mjunes suffered in an<br />
automobile collision in Somersworth. He was<br />
taken to Frisbie Memorial Hospital in Rochester.<br />
A new radio station is planned in Nashua,<br />
where the City Broadcasting Corp., headed<br />
by Judge Bolic A. Degasis, president, is awaiting<br />
a decision on its petition filed with the<br />
Federal Communications commission. His<br />
associates in operating the station, which will<br />
be a 250-watter, will be J. E. Serwin and<br />
Carter Knight.<br />
Ferris "Gus" Ebol, who was formerly connected<br />
with the Palace in Manchester, is now<br />
assistant manager of the State in Conneaut,<br />
Ohio. The Ohio theatre is managed by<br />
Armand Pepin, who was also formerly connected<br />
with the State Operating Co., which<br />
runs Manchester's leading theatres.<br />
Leonard Young, who is appearing on<br />
"Variety Theatre," a television show, over a<br />
Schenectady, N. Y., station, has been social<br />
director at fashionable Gray's Inn in Jackson<br />
for the past two summers . . . 'Walter S.<br />
Young, owner of the Strand in Farmington,<br />
has been named one of the general chairmen<br />
for the third annual Christmas program to<br />
be sponsored by the Farmington Businessmen's<br />
Ass'n.<br />
No West Haven Ruling<br />
WEST HAVEN, CONN.—State Police Commissioner<br />
Edward J. Hivkey has not yet<br />
reached a decision relative to issuing a permit<br />
for operation of a drive-in here, according<br />
to Capt. Ross Urquhart of the licensing<br />
division. Hearings were held in September<br />
and October on the application of Bowl Outdoor<br />
Theatre Corp. for a permit to open a<br />
600-car drive-in on the south side of Orange<br />
avenue between 'West River and Front street.<br />
Universal has handed Jerome Cowan a<br />
character lead in "Little Egypt."<br />
Tom Duane Quits SRC-<br />
Joins Jack Schlaifer<br />
BOSTON—Tom Duane,<br />
New England district<br />
manager for Selznick Releasing Organization,<br />
has joined the Jack Schlaifer Organ-<br />
TOM DUANE<br />
ization. Inc., as eastern division manager.<br />
Jack Schlaifer is producers' representative for<br />
the N. Peter Rathvon Productions. Duane<br />
had been connected with Paramount Pictures<br />
for 22 years until he entered the armed<br />
service in 1942, serving four years in the air<br />
force, leaving with the rank of major. After<br />
the war he joined Republic as Boston manager<br />
and in 1946 he joined David O. Selznick's<br />
Vanguard Pictures as producer's representative<br />
to United Artists in New England,<br />
New York state and Canada. With the advent<br />
of SRO, he operated as SRO district manager<br />
in<br />
New England.<br />
His offices remain in the same quarters at<br />
12 Piedmont St.<br />
SPRINGFIELD<br />
n t the Falls Theatre, Chicopee: Mrs. Florence<br />
Allen, former cashier of the old Wernick,<br />
has been appointed assistant manager .<br />
new personnel includes: Mrs. Alice Daviau,<br />
cashier; Mrs. Alton Corbeille, Mrs. Ruth Mc-<br />
Guire, candy counter; Allan Pickard, Armand<br />
Bouchard, ushers . . . Philip Law. former<br />
Wernick assistant, a groom recently.<br />
At the Capitol: New ushers, James Mitus,<br />
Paul Griffin, Thomas Doblin and Richard<br />
Bedard.<br />
George A. Post, well known local golfer, is<br />
a proud parent these days, for his son, David<br />
A., appeared at the Capitol in a small role<br />
in "The West Point Story."<br />
David, a sonar man in the navy, plays a<br />
cadet in the picture. He was prominent in<br />
local little theatre circles before going into<br />
the service, and then on to Hollywood.<br />
T'wo Drive-ins Shuttered<br />
HARTFORD—Two E. M. Loew drive-in<br />
theatres in Connecticut has closed for the<br />
season, George E. Landers, Hartford division<br />
manager, announced. Units are at Newington,<br />
and Milford, with reopening slated for<br />
about Easter Sunday, Landers said.<br />
Papers Enter Battle<br />
Against Censorship<br />
PROVIDENCE — Local newspapers have<br />
been taking exception to the city censor's<br />
recent ban of "Third Time Lucky" at Loew's<br />
State here and it is believed in many quarters<br />
that the furore raised over~ the censor's<br />
action is the beginning of a determined fight<br />
for a change in the present system of flim<br />
censorship.<br />
A public forum was held on the "Third<br />
Time Lucky" ban at St. Martin's church here<br />
and questions discussed were "What kind of<br />
a person decides what all of us can see?" and<br />
"How does the Pi'ovidence censor qualify to<br />
tell us what all of us can see?"<br />
A clergyman, a lawyer and an English<br />
instructor were speakers at the forum. Attemps<br />
to have Capt. George W. Cowan, local<br />
censor, attend were in vain. The Rev. Howard<br />
C. Olsen said he invited Cowan to attend the<br />
forum to explain the censorship system and<br />
to answer questions from the public.<br />
"Captain Cowan yelled at me over the telephone,"<br />
Olsen said. "He said, 'You can't drag<br />
me up there. I'm not going to be questioned<br />
by anybody.' "<br />
Lee A. Worrell, local attorney, declared that<br />
Rhode Island's court support of censorship<br />
differed from that of most other states. He<br />
said a decision by the state supreme court in<br />
1939 classed the showing of motion pictures<br />
and the seeing of motion pictures by the public<br />
as a privilege and not a right.<br />
Worrell said there were two courses of action<br />
if the public were dissatisfied with present<br />
censorship. Either have the state legislature<br />
change the law or attack the person who<br />
administers the law.<br />
From the BOXOFFICE Files<br />
(Twenty Years Ago)<br />
THE INDUSTRY is preparing to fight the<br />
proposal of the Massachusetts state commissioner<br />
to the legislature that amusements<br />
be taxed to raise funds to take care of the<br />
cost of the old age assistance law which goes<br />
into effect July 1 next year. The original<br />
proposal was to tax all bottled beverages except<br />
milk at a cent a pint. If this does not<br />
raise the required $3,000,000 needed, it is<br />
proposed to tax amusements to take care of<br />
the deficit.<br />
. . . Tlie Lyric in<br />
Arthur Keenan, former manager of the<br />
new Paramount in Lynn, has been appointed<br />
managing director of the Olympia Theatre.<br />
Ralph Tully who replaces Keenen, comes from<br />
the Capitol in Worcester<br />
Athol, Mass., has reopened under the management<br />
of Larry Handel ... In Providence Edward<br />
M. Fay, local theatre owner, has been<br />
elected for the fifth time to the directorial<br />
. . . Tlie newly<br />
board of the MPTOA at the annual convention<br />
held in Philadelphia<br />
decorated and generally improved Hudson<br />
Theatre in Hudson, Mass.. has opened under<br />
new management.<br />
DRIVE-IN THEATRE IN-A-CAR SPEAKERS<br />
and Junction Boxes. For new jobs or replacenitnis<br />
caused from theft or vandalism<br />
DRIVE-IN THEATRE MFG. CO. Ki^L^'i'ilTM<br />
,106 BOXOFFICE December 2, 1950
Vancouver Theatres<br />
Shun Blue Law Test<br />
VANCOUVER—Theatremen in Vancouver<br />
this week refused to take any stand either<br />
for or against the "wide-open Sunday" plebiscite<br />
which will come before voters here<br />
at the December 13 municipal elections.<br />
"We didn't instigate the plebiscite," said<br />
Frank Gow, provincial manager for Famous<br />
Players Canadian. "We prefer to have nothing<br />
to do with it."<br />
J. Howard Boothe, district manager for<br />
Odeon Theatres, said: "Like Will Rogers, I<br />
don't know anything about it except what<br />
I read in the papers.<br />
"We have taken no part in formation of<br />
the plebiscite. We were never consulted on<br />
the matter. We have never passed an opinion.<br />
I would like to tell you what I think<br />
of the plebiscite, but that is impossible."<br />
Meanwhile, other amusements groups<br />
came out strongly in opposition to the<br />
plebiscite as it now appears. It reads;<br />
"Are you in favor of theatres, cabarets,<br />
dance halls, musical concerts, bowling alleys,<br />
billiard and pool halls, commercial spots,<br />
provincial licensed clubs, horse racing and<br />
other forms of commercial, public recreation<br />
all<br />
and entertainment on Sundays?" The<br />
voter must answer yes or no to the entire<br />
plebiscite. There is no middle course.<br />
Virtually all cabarets, horse racing groups,<br />
dance hall operators, licensed clybs and<br />
other amusements groups opposed the bill,<br />
but many added they were for a modified<br />
open Sunday.<br />
It was believed here that the bill would<br />
not be passed and that its presentation is an<br />
effort on the part of the city council to<br />
kill for once and all demands for a modified<br />
open Sunday.<br />
Mitchell Franklin Wins<br />
In Quest for Electricity<br />
ST. JOHN—Mitchell Franklin, vice-president<br />
of the Franklin & Herschorn circuit,<br />
single-handedly has waged a campaign for<br />
the last six years to have the provincial<br />
electricity distribution extended to Tynemouth<br />
Creek and vicinity, where he has his<br />
summer home, and recently his efforts met<br />
with success. Electric current now is available<br />
to the fishermen, farmers, loggers and<br />
other dwellers in the area, and oil lamps at<br />
last have been discarded.<br />
Franklin has operated a private power<br />
plant for his Tynemouth lodge, and his lone<br />
drive was purely to benefit his neighbors.<br />
For six years he buttonholed politicians and<br />
used the telephone, telegraph and maU until<br />
his persistence was rewarded. Tynemouth<br />
Creek is 23 miles east of here.<br />
Glace Bay Turns Down<br />
Chance to Buy Big Site<br />
GLACE BAY, N. S.—An offer by the<br />
Odeon chain to sell land to the town of<br />
Glace Bay for $25,000 has been rejected<br />
by the town council, which claimed the<br />
price asked by the theatre circuit was "ex-<br />
'cessive."<br />
The land is at Senator's Corner, one of the<br />
busiest sections of town and had been assembled<br />
originally from three owners as a<br />
theatre site. The city was one of the owners<br />
which sold part of the site to Odeon six<br />
years ago. Some council members favored<br />
purchase of the land for a smaller prico<br />
and members discussed use of the site for<br />
a bus terminal or public parking lot.<br />
Odeon does not have a theatre here. Famous<br />
Players is affiliated with the John<br />
Connor estate in operation of the Savoy.<br />
Weiner & Green operate the Russell.<br />
Filmack Trailers Names<br />
Canadian Distributor<br />
TORONTO—Entering the Canadian field<br />
Improve Windsor Capitol<br />
WINDSOR—Under the general supervision<br />
of Gene Fitzgibbons, zone manager of Famous<br />
Players Canadian Corp., the Capitol here,<br />
has been remodeled and new seats were<br />
added. R. E. Knevels is the manager.<br />
New Montreal Firm<br />
Offers French Films<br />
By HELENE BOULERICE<br />
MONTREAL—Serge J. Goutman, for 16<br />
years connected with American film companies<br />
in France<br />
and her north African<br />
Serge J. Goutman<br />
colonies, and for 12 of<br />
those years with the<br />
RKO as director of<br />
that company's Lyons<br />
agency and seven years<br />
with Paris sales office,<br />
has started a distribution<br />
business here,<br />
handling French film<br />
productions.<br />
Goutman is managing<br />
director of Paris-<br />
Canada Filnas, Ltd., at<br />
1520 Mountain St. The company, with a list<br />
already counting some 50 newly produced<br />
features, has made favorable impression in<br />
Quebec's cinemas. In Montreal, for instance,<br />
the company's product has been appearing<br />
for the first time in its 32-year history, the on the screen of the renovated and modernized<br />
Filmack Trailer Co. has appointed Film Art<br />
Trailer Service of Toronto, Ont., as Canadian Canadien.<br />
Goutman said his firm is associated with<br />
distributors. The deal was recently completed one of France's most important film producers,<br />
by Irving Mack, head of the Filmack firm,<br />
M. E. Tenoudji of Paris whose or-<br />
and S. L. Vinsen, president of the Film Art ganization distributes in France and north<br />
Trailer firm. Offices of the Canadian firm Africa and operates a chain of theatres in<br />
will be located at 455 Spadina Ave. in Toronto.<br />
French North Africa.<br />
His company, Goutman declared, is marketing<br />
all newly produced films, and has<br />
assured itself, through able buyers well<br />
Nine Get Adult Rating<br />
versed in Canadian taste, of a long list of<br />
TORONTO—Nine more features have been French film successes.<br />
given the grading of adult entertainment Among them are such prize-winners as<br />
by the Ontario censor board, these being "Le Grand Rendezvous," the only motion<br />
"Alcatraz Island," "Breaking Point," "Kiss picture film show this year at the Opera<br />
Tomorrow Goodbye," "San Quentin," "Chain de Paris; "Entre Onze Heures et Minuit,"<br />
Gang," "Dial 1119," "Lonely Heart Bandits," which had long rims in four of Paris cinemas;<br />
"Underworld Story" and "Three Secrets."<br />
"Gigi." based on Colette's novel, which<br />
is associated with the Grand Prix de Cinemonde<br />
1950 and which earned for Daniele<br />
Delorme the Grand Prix of motion picture<br />
directors; "L'Homme aux Mains d'Argile" in<br />
which the late Marcel Cerdan is featured;<br />
"Envoi de Fleurs," with Tino Rossi, and<br />
"Mademoiselle S'Amuse," a musical featuring<br />
Ray Ventura.<br />
St. John Houses Checked<br />
ST. JOHN—A daily inspection of all theatres<br />
in St. John is now being made by the<br />
local fire department. Once a night a member<br />
of the department, in uniform, visits each<br />
theatre, and looks over the exits, emergency<br />
hose available, projection facilities, basements,<br />
regulation of patrons, etc. For a week,<br />
a fireman in uniform, was stationed at each<br />
theatre while it was in operation, afternoon<br />
and night.<br />
kBOXOFFICE December 2, 1950<br />
V - r '-<br />
MONTREAL BOWLERS START SEASON—Above photo was taken at<br />
the inaugural<br />
gathering of the Motion Picture Bowling league of Montreal showing the majority<br />
of the 60 members ready to start the season. President of the league is Gratton<br />
Kiely, district manager of Warner Bros., who is shown seventh from the right in<br />
the back row.<br />
K 107
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. . Arthur<br />
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Ltd. Starting November 25 the recently renovated<br />
Laval shows only French-language<br />
films, made either in France or Canada. They<br />
are presented every Saturday, Sunday<br />
Monday and Tuesday. During the balance<br />
of the week, Hollywood films with French<br />
dubbed in will be shown, and on Monday and<br />
Friday nights stage shows featuring five top<br />
acts will be presented. The new Laval Theatre<br />
has been completely furnished with new<br />
seats and equipment. France Film Co. will<br />
supply the films.<br />
Quebec Cinema Booking is renovating,<br />
modernizing and enlarging its office at 5967<br />
Monkland Ave. Walls in pastel color divide<br />
three offices accommodating also L'Affiche<br />
Francaise, Enrg., and a Montreal office for<br />
.<br />
.<br />
. . .<br />
Sterling Films, Ltd., which has its head office<br />
in Toronto Spencer, of the<br />
advertising department of Confederation<br />
Amusements, spent a few days in hospital for<br />
a checkup Larente, manager of<br />
Peei'less Films, announces that his company<br />
will soon distribute original French films and<br />
dubbed first run films . . . Herman Vosberg,<br />
booker at Eagle Lion, won the single and high<br />
triple against Jack KroU, booker at Warner<br />
Bros, at the Exchange bowling league<br />
Ray Lewis, Toronto, president of Alliance<br />
Films, stopped off in Montreal en route to<br />
New York.<br />
. . . Ben<br />
Jean Guy Blouin, of the shipping department<br />
at Montreal Poster Exchange, married<br />
Miss Annette Leblanc, November 25. They<br />
went to Sherbrooke, Que., on their wedding<br />
trip . . . Ethlyn Poplove is a new stenographer<br />
at International Films . . . Jules Boire is the<br />
new owner of the Bijou, Napierville, which<br />
formerly belonged to P. E. Beaudin . . . Raoul<br />
Lafrance, of the Rialto, Limoilou attended<br />
the Quebec Allied Theatres annual meeting<br />
Major and Lucien Major, with<br />
the latter's son Robert, all of the BellerivQ<br />
Valleyfield, visited the exchanges<br />
Langbord, Columbia booker spent the weekend<br />
at Toronto, and Georgina Nicol, stenographer<br />
of the same office, weekended in Ottawa<br />
. . . E. Forest, of the Rio, Marieville,<br />
visited Filmrow.<br />
Several Montreal theatres showed exclusive<br />
French news films of the "Canadian Pilgrim"<br />
plane disaster in the French Alps. Amongst<br />
the cinemas featuring this picture were the<br />
St. Denis and the Cinema de Paris . . . Leo<br />
Choquette, owner of one of the largest chains<br />
of independent theatres in Quebec province,<br />
has been elected to the board of directors of<br />
Miss Jacqueline<br />
East Rim Nickel Mines, Ltd. . . .<br />
Gilbert, of Montreal, was elected<br />
"Miss Cinema, 1950" and received prizes<br />
valued at $8,000, including a motion picture<br />
contract, a well-furnished pur.se. a trip to<br />
Paris and an automobile. Miss Mona Brown<br />
of Quebec City, who came second also received<br />
a motion picture contract and a purse<br />
of $1,000. A special prize of $500 went to<br />
Mi.ss Janie Fluet, of Ottawa.<br />
Robert Keith has been cast as a newspaper<br />
editor in the Bing Crosby topliner, "Here<br />
Comes the Groom," a Paramount picture.<br />
RCA Expert Explains<br />
Color TV Systems<br />
TORONTO—The sharp controversy over<br />
color television now before the courts of the<br />
United States was echoed in Convention Hall<br />
in a lecture to a capacity audience of the<br />
Royal Canadian Institute by Dr. C. B. Jolliffe,<br />
executive vice-president in charge of<br />
laboratories for the Radio Corp. of America,<br />
Princeton, N. J.<br />
He declared a limit would be placed on the<br />
future growth and improvement of color television<br />
by the system recently approved by<br />
the U.S. Federal Communications commission.<br />
The start of color television by this<br />
method which Columbia Broadcasting System<br />
had scheduled for November 20 was<br />
blocked by a Chicago court order.<br />
COLOR ^^DEO DEMONSTRATED<br />
Noting that Canada is just starting to<br />
establish television, Jolliffe said: "It is my<br />
hope that in the development of television<br />
in this country your regulatory and operating<br />
organizations will accept the philosophy<br />
which provides potentials for future growth<br />
in television whether it be black and white<br />
or color.<br />
"Two different philosophies are inherent<br />
in the present situation, he said. One would<br />
have the public accept a system utilizing<br />
older methods, with limited performance and<br />
limited development potentialities, in order<br />
to have color television now. The other concept<br />
would take advantage of technical and<br />
scientific progress with full utilization of<br />
radio channels and would provide for future<br />
growth and even better performance."<br />
Jolliffe demonstrated the all-electronic system<br />
of color television developed in RCA<br />
laboratories.<br />
He also outlined the principles of two other<br />
systems, including the field sequential system<br />
which was approved by the FCC in<br />
October and is now the center of the color<br />
television controversy in the United States.<br />
RED, BLUE, GREEN USED<br />
This latter he described as an incompatible<br />
system. The matter of compatibility is<br />
between the structure of scanning lines in<br />
transmission and receiving. In black and<br />
white television there are 525 such scanning<br />
lines. In the sequential system of color television<br />
the transmission has 405 such lines<br />
and a receiving screen unless adapted gets<br />
only a blur. In the electronic or compatible<br />
system a color telecast will be received in<br />
black and white even if the receiver is not<br />
adapted. If it is adapted the reception is in<br />
color. The compatible system retains greater<br />
definition of detail, he said.<br />
He said all systems for the reproduction of<br />
color were based on the technical fact that<br />
any color impression may be created by superimposing<br />
three properly chosen primary<br />
colors in proper balance. In television the<br />
primary colors used are red, blue and green.<br />
"The basic principle of any color television<br />
system." he said, are: At the camera pickup,<br />
separate the natural colors into its three<br />
primary parts, red, blue and gi-ecn; transmit<br />
these three components over a communication<br />
circuit, and recreate at the receiver the<br />
original color of the televised subject by<br />
superimposing the three primary colors," he<br />
said.<br />
108 BOXOFFICE :: December 2, 1950
. , Marshall<br />
Eve' Draws Excellent<br />
TORONTO<br />
x\S Y QHwUUVcT JjCdQCl Toronto filmites are congratulating George<br />
In Good Toronto Week<br />
the Drive-In Theatre at Owen Sound, which<br />
TORONTO—It could have been called 20th- recently concluded its first season of opera-<br />
Fox week in Toronto because the product tion . . . Paul Tumbull. manager of the Faof<br />
this company occupied the screen of mous Players' Granada at Hamilton, is the<br />
eight of the important theatres. There were new president of the Hamilton Theatre Maneight<br />
holdovers to indicate that business is agers Ass'n. Manager Sam Hebscher of the<br />
really good. ITie oldest of the current en- Odeon Palace is vice-president and Mrs. Jean<br />
gagements consisted of "All About Eve" at Ford of the Windsor continues as secretarythe<br />
University and Nortown and "Trio" at treasurer . . . Bill Trudell, veteran manager<br />
the Hyland. with "Summer Stock" staying of the Famous Players' Capitol at London,<br />
on for a third week at Loew's. Ont., was first prize winner in the Canadian<br />
(Average Moving Picture Digest's showmanship con-<br />
Is 100)<br />
Biltmore—Belle Starr (20th-Fox), reissue; They test With his campaign on "Father Was a<br />
Fc^r:n'-ll^rr"8lo'^2o'h"FolK''2nd^l;k'"!^."';;:.'95<br />
Fullback." Leon Bishop of Toronto Shea's<br />
Loew's—Summer Stock<br />
Odeon—Two Flags West<br />
(MGM), 3rd<br />
(20th-Fox)<br />
S8<br />
110<br />
Hyland—Trio (Para), 5th wk 85 waS a ClOSe SeCOnd.<br />
Imperial—Copper Canyon (Para), 2nd wk 100<br />
wk<br />
.„ , , . ^ .^. • -x <<br />
Toronto fnends are awaiting a visit of<br />
Sheas—The Jackpot (20th-Fox)<br />
"^<br />
, ;„„ v v; DavB Coplan, managing director of Interna-<br />
TivoU and Capitol—My Blue Heaven 20th-Fox); ^. ,<br />
' .<br />
„.f %. ^ j , j<br />
•<br />
ti „ii<br />
The Fireball (20ih-Fox) 95 tional Film Renters. Ltd,, London, He is well<br />
University About Eve (20th-Fox) and Nortown—All known here in the trade, having left Toronto<br />
Upt'own-Hio Grande'TRep) r. ":::^^ ;<br />
for 1944<br />
Manager Leon Bishop of Shea's<br />
and members of his staff were interviewed<br />
'Stars' Makes Excellent Score<br />
during the Movie Quiz program of Toronto's<br />
In Calgary Opening statio CHUM by Gordon Atkinson . . , Anne<br />
CALGARY — With the arrival of cold Goodfellow, cashier of the Toronto Crescent.<br />
weather, theatres are showing almost recordg,<br />
neighborhood house, was held up by a gunbreaking<br />
business, man who secured only $31 in the grab. Most<br />
Capitol—Union Station (Para) Good of the night's receipts had just been removed<br />
Strnd4Zs^iL°^My'^c^'owf \mgm)::::::.-.::^^<br />
to the theatre office before the robbery.<br />
IV/TDTfl Rr^rrrrl IVTootc Premier St. Laurent, Douglas Abbott, min-<br />
IViriA DOara IvieeiSs<br />
^^^^^ ^^ finance, and Mrs, Abbott; Senator<br />
TORONTO—New directors of the Motion ^^^ Beauregard and Mrs, Beauregard and<br />
Picture Theatre Ass'n of Ontario held their premier Duplessis of Quebec were among<br />
first meeting in the board room here. No- ^^e notables who viewed the English presvember<br />
21, with discussion devoted to matters<br />
arising from the general session. The board<br />
entation of "Ti-Coq," French-Canadian corn-<br />
^^jy ^hich is likely to be filmed following<br />
follows: Morris Stein, H, C. D. Main, Roy<br />
jj-g season in New York City. "Ti-Coq" was<br />
MUler of St. Catharines, Sam Fine, C. J. written by and starred in by Gratien Gelinas,<br />
Appel, Harry S. Mandell, Stan Gosnell. Floyd famed in Quebec and in France as Fridolin.<br />
Rumford of Forest. Morris Berlin of Ottawa.<br />
Lou Rosefield of Hamilton. J. D. McCulloch "Paradis Perdu," Parisian film, created a<br />
of Petrolia, and Harland Rankin of Tilbury. record for French films here by entering its<br />
The executive secretary is A. H. Jolley. nth week at La Scala. owned by Cine-France<br />
Distribution . , . A new color film, "This Is<br />
Bergman Publicity Helps Canada," produced by the Canadian National<br />
TORONTO—With "Joan of Arc" playing a Railways, will be shown to King Paul I of<br />
comeback engagement at the Eglinton and Greece in Athens November 28, The film<br />
Victoria, at popular pricecs. the Paradise, has been forwarded to the Canadian legation<br />
neighborhood theatre, cashed in on the Ingrid in the Greek capital. The film was pre-<br />
Bergman publicity by playing "Under Capri- miered in Montreal last year, and recently<br />
corn," Bergman was prominently mentioned was given its world premiere over television<br />
In the Paradise advertising as the star of facilities in the United States. It depicts<br />
"Joan of Arc." the nation as it might be seen from the viewpoint<br />
of an adult visitor, an angler, a school<br />
boy and an artist . , . Sympathy to Lucille<br />
Fillioux, manager of Sovereign Films, on the<br />
death of her mother.<br />
VANCOUVER-Grosses at first runs<br />
Nicholas Ganetakos<br />
conand<br />
B. C. Salamis.<br />
tinue at a medium level, satisfactory for the<br />
national chairman and secretary in Canada<br />
most part but with clinkers here and there. °^ ^^e Greek War Relief fund for ten years.<br />
All About Eve," however, was a standout at ^ho have been honored by King Paul of<br />
the Orpheum and holds. "Kill or Be Killed"<br />
Greece with the Grand Golden Cross of the<br />
and a stage show at Odeon-Hastings was also Commander of the Order of the Phoenix.<br />
'Happiest Days' Out After<br />
sturdy. Two films which disappointed were<br />
Ganetakos is president of United Amusement 12 Weeks Run in Toronto<br />
•The Men" at the Vogue and "Let's Dance"<br />
Theatres Ltd.. an affiliate of Famous Players,<br />
TORONTO—The Toronto first run engagement<br />
of "The Happiest Days of Your Life"<br />
at the Capitol, both only lasted six days.<br />
Salamis. a Montreal exhibitor, is a partner<br />
of A. J. Mason of Springhill, N. S.. president<br />
ca'me to an end after 12 weeks at the International<br />
Cinema which ran "Last Holiday" as<br />
Cme'ma—Broken T^ow ("oth-Fox); Our Very 6wn° of the national Committee. Motion Picture<br />
(RKO), 9 days ..-<br />
^. Fair<br />
._.<br />
Exhibitors Ass'ns of Canada ... Manager Vic<br />
^ommion—A Gir! in a Million (EL); Tea for Tiwo ^_ ^<br />
its<br />
x. m next attraction. Meanwhile, the revival of<br />
i t* i j i ^ i.- i«_<br />
(WB) 2nd d t. wk Fair Nowe of the Toronto Hyland sent out birthjeon-Hastings—Kill<br />
or Be Killed (EL), plus day remembrances to the critics on the oc-<br />
"City Lights" continued for a fifth week at<br />
the Towne Cinema which also has an artfilm<br />
policy.<br />
o'pheum-All Aiout Eve (20th-Foxj, ;::.:;;.::Scell°eni casion Of the second anniversary of the the-<br />
Paradise—The General Died at Dawn (Para); atre's opening , Alexander, office<br />
PlI^e^^n'rFTasl'J-Wyo'.^'rTraii (U-l); Father^"''' manager of the Toronto branch of Astral<br />
Makes Good (Mono) Fair Films Ltd.. recently married Barbara Winston Kid Series Effective<br />
Strand—Trio (Para), 3rd wk Fair<br />
^ Tr.rr.ntn<br />
Studio-A Royal Scandal (Para), revival Fair 01 iOrontO.<br />
TORONTO—Children's Film Library shows<br />
Vogue—The Men (UA) Fair<br />
were conducted at eight neighborhood thea-<br />
Latest member of the Motion Picture The-<br />
20th-Fox Hits Are Leaders atres Ass'n of Ontario is W, Ken Waite of<br />
tres Saturday morning (18), and were again<br />
comparatively effective despite considerable<br />
competition in the form of the annual Santa<br />
Claus parade, marking the introduction of<br />
the Christmas shopping season.<br />
Pat O'Brien Signed<br />
Columbia has signed Pat O'Brien to star in<br />
"Criminal Lawyer" which Rudolph Flothow<br />
will produce.<br />
Complete Sound Systems<br />
Ballantyne offers complete sound systems,<br />
adaptable to theatres of every size, shape, and<br />
seating capacity. These units, consisting of a<br />
pair of soundheads, single or dual channel<br />
amplifier and two-way horn system, will<br />
bring to your theatre unparalleled quality of<br />
reproduction at low cost.<br />
J. M. Rice & Company<br />
202 Canada Building<br />
Winnipeg. Manitoba, Canada<br />
Complete Theatre Equipment & Supplies<br />
BOXOFFICE December 2, 1950<br />
109
. . New<br />
. . . The<br />
. . . Bill<br />
. . . Jack<br />
. . Sam's<br />
. . Bob<br />
I<br />
VANCOUVER<br />
/^harles Chaplin, Toronto, Canadian general<br />
manager for United Artists, conferred<br />
here with Harry Woolfe. Vancouver manager.<br />
Also here was Frank Fisher, Canadian general<br />
manager of Eagle Lion Films, checking<br />
with his B. C. manager, Jack Reid . . . Ivan<br />
Ackery, Orpheum manager, was on the sick<br />
list. Pinch-hitting was Kerrisdale Manager<br />
Les Stratton . faces along theatre<br />
row are Dorice Wall. Orpheum cashier, Bernice<br />
Bobay, Vogue cashier, Irna Miotto at<br />
the Strand, Betty Nedelak and Irene Hewson<br />
at the Rex Theatre. Charlie Watt Odeon-<br />
Hastings doorman, and Harry Lambert<br />
Odeon-Plaza doorman.<br />
Trans-Canada Films Ltd. has purchased<br />
new quarters in the east end to hou.se studios<br />
and offices. Wally Hamtilton, manager,<br />
reported that TCF, Vancouver's only<br />
film production company, is busy shooting<br />
two industrial subjects with local firms and<br />
stores for his showing of "The Jackpot" . . .<br />
The Cinema interrupted its film programs<br />
for the stage showing of the Pacific Opera<br />
Co., which played four shows to fair business.<br />
With the big business now being done on<br />
stage and film combinations at the east side,<br />
Odeon-Hastings reports that the rival Famous<br />
Players may put in stage shows at one<br />
of their downtown theatres . . . Al Jenkins,<br />
PROOF Of superiority<br />
When theatres the world over continue to<br />
make Royal Soundmaster Amplifiers their No.<br />
1 choice for quality reproduction, trouble-free<br />
service, dependability and durability, there is<br />
no better proof of superiority. You. too, will<br />
find an amazing difference in your sound<br />
when you use Royal Soundmaster Amplifiers.<br />
aou?- oiinq BctUaittifoe<br />
AMPLIFIERS<br />
Theatre Equipment<br />
Supply Co.<br />
906 Davie Street<br />
Vancouver, B. C. Canada<br />
Complete Theatre EqxLivment & Supplies<br />
Vogue Theatre manager, was awarded third<br />
prize for his campaign on EL's "Jackie Robinson<br />
Story" in the Canadian Digest Showman.ship<br />
contest. Jenkins won the prize at<br />
the Plaza Theatre before his recent promotion<br />
to the Odeon-Vogue, the chain's showcase.<br />
Famous Players have opened the 1,000-seat<br />
Paramount Theatre at Lethbridge, Alta., built<br />
at a cost of $225,000. It's the third theatre<br />
of the FPC chain in the southern Alberta<br />
city which has a population of 21,000. The<br />
three theatres are operated in partnership<br />
with A. W. Shackelford, former mayor of<br />
Lethbridge, who will also manage the Paramount<br />
. Theatre, a 450-seater at<br />
. . . Garvin's Studios of Vancouver<br />
Maillardville. near New Westminster. B. C,<br />
changed hands when Sam Custovich sold out<br />
to Mrs. M. Eskestand, a newcomer to show<br />
business, who has appointed John Schollar<br />
as manager<br />
have completed interior art at the<br />
Odeon-Vogue.<br />
Two men, surprised "cracking" the safe at<br />
Odeon-Hastiogs, touched off a row-by-row<br />
hunt through the empty playhouse. It was<br />
the third time within a week that places of<br />
entertainment have been chosen as targets<br />
by thieves. A day before, a burglar rifled the<br />
safe of the Palomar Supper club and walked<br />
out past employes carrying between $700 and<br />
$800. A daring raid, pulled in almost identical<br />
fashion, cost the International Cinema<br />
$300. Police believe one man was responsible<br />
for both robberies but to date no suspects<br />
had been booked. Roy McLeod, Hastings<br />
manager, said the safe, although badly damaged,<br />
was not opened but that the men had<br />
been frightened off by police just in time<br />
Paramount Auto-Vue Ltd., with<br />
capital of $150,000, was incorporated recently.<br />
The company headed by Walter Mead<br />
and Pat Murphy, Vancouver theatremen, will<br />
erect a drive-in on the Granview highway<br />
at Burnaby a few miles from here. Dominion<br />
Sound will install all equipment in the<br />
new Paramount outdoor theatre.<br />
Howard Boothe, Odeon district manager,<br />
and Tom Moran, concession head of Odeon,<br />
were on Vancouver island for four days<br />
checking on the chain theatres on the island<br />
Woodward of the Rex Tlieatre staff<br />
celebrated his 68th birthday recently . . .<br />
Stan Pooley, former manager of the Strand<br />
Theatre here, is now manager of Warner's<br />
California Theatre at Santa Barbara, and<br />
Cecil Cameron, former manager of the FPC<br />
Paramount Theatre at New Westminster, is<br />
manager of the Sunset Theatre, Hollywood<br />
Randall, who resigned as Strand<br />
Theatre manager, has now settled in Santa<br />
Maria wath his family and is in another line<br />
of business. Randall reports that theatre<br />
business is very bad and quite a number<br />
of houses have closed in California in the<br />
past few months . . . Don Boyle, manager of<br />
the Empress Theatre, Macleod, Alta., was on<br />
a Hollywood vacation and was a guest of<br />
Star Rod Cameron, who was a visitor to Macleod<br />
two years ago.<br />
Many drive-in theatres built by newcomers<br />
to the industry are not proving the bonanza<br />
anticipated and a number of these outdoor<br />
spots are now for sale. As much as<br />
$150,000 and more was spent on some driveins,<br />
with their owners anticipating a return<br />
of their Investment In a few years. As a result,<br />
they feel they are taking a beating on<br />
their initial outlay and are trying to sell out.<br />
The wife of Howard Boothe, Odeon district<br />
manager, who has been hospitalized for<br />
the last three months with a broken hip,<br />
is recuperating nicely and will return home<br />
soon<br />
. . . Violet Yates. Empire-Universal<br />
.<br />
cashier, is ill with virus pneumonia. Her<br />
husband also is hospitalized . . . Johnny<br />
Cooshek of Odeon is pinch-hitting at the<br />
Marople for Manager Bob Matherson, who is<br />
on a delayed vacation Kelly, head<br />
of Odeon circuit candy business, has moved<br />
his headquarters to new offices in the film<br />
building,<br />
Tom Moran. Canadian head of Odeon con-<br />
. . .<br />
cessions, is here from Toronto on his first<br />
Harry<br />
visit since his appointment<br />
Myers, father of three local showmen—Bill<br />
Myers of the Plaza, Alex of the Kingsway<br />
and Ernest of the Rex—died in New Westminster<br />
at the age of 80 . . . Jack Senior,<br />
UA shipper, is working at the Park and reports<br />
that the two jobs are keeping him<br />
busy . . . R. W. McDonald is a new member<br />
of the British Columbia consor board, which<br />
now consists of Jack Hughes, chief censor,<br />
assisted by Joyce Reed and McDonald.<br />
Johnny White, stagehand at the Vogue, has<br />
moved to the Odeon-Hastings to help out<br />
with the stage show policy. White is business<br />
agent of the Stagehands local . . .<br />
Wally Hamilton, manager of Trans-Canada<br />
Films, and cameraman Ernie Kirkpatrick<br />
are busy shooting a film for British Columbia<br />
packers, telling the full story of salmon.<br />
Saanich municipal council has decided to<br />
rezone the Tillicum-Burnside area to permit<br />
erection of a drive-in to cost $150,000.<br />
Counsel appearing for the Chechik Bros.,<br />
Vancouver theatre owners who propose to<br />
build the outdoor theatre, said it would<br />
enhance value of the property, would lead<br />
to the building of homes and stores and<br />
would be a source of revenue for the municipality.<br />
Saanich is a few miles from Victoria<br />
on Vancouver Island. The outdoor<br />
theatre wUl be a four-screen affair, the first<br />
in western Canada.<br />
The annual Filmrow Christmas party will<br />
be held December 8 at the Cocoanut Grove<br />
cabaret on the Grandview highway near<br />
Vancouver. Committee in charge includes<br />
Rose Isman, WB; Jackie McDermott. MGM;<br />
Bill Warke, Columbia, and Luke Ducette,<br />
Canadian Picture<br />
Empire-Universal . . .<br />
Pioneers' stage smoker at the Olympia was<br />
voted a big success by the 80 old-time theatremen.<br />
It was open to members and their<br />
associates. Both theatres and film exchanges<br />
were well represented. Tliree new members<br />
were introduced—Walter Mead and Ted<br />
Foley of the Studio, Vancouver, and Pat<br />
Murphy of the new Pai-amount Drive-In,<br />
Burnaby. The local branch of CPP is the<br />
largest in western Canada with 75 members.<br />
Alberta has 69 members and Manitoba has<br />
68 members. Total number of CPP in Canada<br />
now is 600.<br />
New amusement companies registered in<br />
British Columbia recently include Royal<br />
Capilano Drive-In Theatre, $200,000. and<br />
North Vancouver Tlieatre Investments. $500,-<br />
000, indicating that two outdoor theatre will<br />
be built in North Vancouver across the<br />
110 BOXOFFICE December 2, 1950
. . G.<br />
. . . The<br />
. .<br />
inlet from Vancouver and will cater to both<br />
North and West Vancouver, with a capacity<br />
of around 1,350 cars. Both are expected to<br />
open in 1951.<br />
Manager of the Capitol, Moose Jaw, Sask..<br />
for 34 years and a member of the Famous<br />
Players 25-Year club. Jack Fields, 69, died<br />
Sydney Mines Theatre<br />
Returned to Odeon<br />
SYDNEY MINES, N. S.—The Nova Scotia<br />
Trust Co., representing the estate of the late<br />
Bill Cuzner, has given up the lease on the<br />
Strand Theatre here although it had three<br />
more years to run. Frank Hopkins, who managed<br />
the Strand for the trust company, will<br />
continue to manage for the Odeon chain.<br />
Cuzner had owned and operated the Strand<br />
for 30 years but had sold the property to<br />
Odeon several years before his death. A<br />
year after selling, he took a lease on the<br />
property and operation has been continued by<br />
the estate.<br />
Odeon also operates the Odeon Theatre at<br />
North Sydney, a neighboring city. Johnny<br />
Farr manages the operation. He had operated<br />
the Rivoli, predecessor to the Odeon, for about<br />
25 years before selling the house. After several<br />
years of store management, he returned<br />
as manager of the Odeon.<br />
Two Disabled Vets Hold<br />
Similar Theatre Jobs<br />
ST. JOHN—Two service employes of the<br />
Franklin & Herschorn theatres here are both<br />
permanently disabled veterans of World War<br />
II. John Ricketts at the Regent wears an<br />
artificial leg as result of war wounds and<br />
Leo Breau at the May Mayfair wears a steel<br />
brace on his back due to a spine injury during<br />
a German air raid on a Canadian army<br />
camp in England.<br />
Set as femme leads in the Monogram film,<br />
"Rhythm Inn," were Jane Frazee and Lois<br />
Collier.<br />
M A R I T I M E S<br />
per a two-day showing of "St. Francis of<br />
Assisi" and "Adventures of Chico," the Star<br />
at Whitney Pier, N. S., hooked up with the<br />
family welfare society of Holy Redeemer<br />
Catholic parish, within which the theatre is<br />
located. For two night shows, the price was<br />
50 cents. One matinee for children cost a<br />
dime. The Star is in the Walker chain .<br />
in a Moose Jaw hospital after an illness of<br />
six weeks. Fields was a veteran of the South<br />
African war and one of the oldest exhibitors<br />
in western Canada . R. Miller of<br />
Wynyard was elected president of Saskatchewan<br />
Motion Picture Exhibitors Ass'n; Jack tion Moon" at the Casino, Halifax, the air<br />
During the three-day exhibition of "Destina-<br />
Watson, Famous Players supervisor, Regina, force provided a display of aviation inventions<br />
in the Casino lobby.<br />
was elected vice-president and Hilliard<br />
Gunn, Regina, was named secretary-treasurer<br />
A Yarmouth, N. S., men's wear store allied<br />
for 1951.<br />
with the Capitol, Yarmouth, managed by<br />
Carnivals with gambling games are definitely<br />
out in any city park property, the stage during a two-day showing of "Chicago<br />
Ernie Hatfield, on a drawing from the theatre<br />
park board has decided. Action came when Deadline." The picture starred Alan Ladd<br />
commissioners considered a request from and the prize for the drawing was an Alan<br />
Crescent Shows to renew their previous site Ladd jacket ... In behalf of "Treasure Island"<br />
and "Beaver Valley" at the Paramount,<br />
agreement. Commissioner Mrs. Buda Brown<br />
said the shows had always been "nothing Halifax, Manager Freeman Skinner reproduced<br />
an eulogy of "Treasure Island" by a<br />
but a headache." The strongly worded resolution<br />
specifically bans carnivals under park local radio commentator. The reproduction<br />
board sponsorship and carnivals sponsored was in special newspaper advertising.<br />
by any other organization on park land.<br />
Fur coats have been introduced as door<br />
prizes for a weekly bingo at the Lyceum,<br />
Sydney, N. S. Admission is $1, and other<br />
prizes include a tenth game top of $100 in<br />
cash and a jackpot of $75. Bingo is being<br />
omitted in the advertising by maritime bingo<br />
promoters, who now are titling their promotions<br />
as "The Big Game" and "The Games."<br />
Patronage seems to be increasing and some<br />
of the bingo halls are functioning every week<br />
night at admissions of from 25 cents to $1<br />
Strand, Sussex, N. B., was used for<br />
a party for school children recently. The late<br />
James D. O'Connell, a Kings county native<br />
who became wealthy as a Cuban sugar<br />
planter, left a fund for annual picnics and<br />
theatre parties for children of Sussex. Bill<br />
and Colin Danson, brothers, succeed their<br />
father, the late Colin Danson. in the Strand<br />
operation.<br />
HANDY<br />
The stage of an outdoor theatre erected by<br />
the city council of Halifax has been assigned<br />
to the Royal Canadian Engineers for use in<br />
training, pending demolition ... A summer<br />
camp of Rennie Foulds, projectionist at the<br />
Capitol, St. John, was destroyed by fire . . .<br />
A talent show, weekly fixture over the air<br />
from Sydney, is being postviewed at the Lyceum,<br />
Sydney. Vince Macintosh, who produced<br />
a weekly show at the Arena. Halifax,<br />
for several months, is in charge.<br />
Gerry McCann, booker at Selznick-AUiance<br />
exchange here quit his job upon his recent<br />
marriage and took his bride to Boston<br />
to live. Manager Morrie Elman is doing the<br />
booking until next spring.<br />
Moncton Empress Dark<br />
For Remodeling Work<br />
ST. JOHN—The 700-seat Empress in<br />
Moncton, Odeon circuit house acquired from<br />
Fred W. Winter, is being extensively remodeled.<br />
A new front will be constructed and<br />
the auditorium and lobby altered. The reopening<br />
will be early in the new year. The<br />
work is being carried out under the supervision<br />
of A. I. Garson, maritime manager for<br />
Odeon.<br />
The Capitol, which adjoins the Empress,<br />
was remodeled during the summer and early<br />
fall by Odeon. It also was acquired from<br />
Winter. It is a 1,000-seater. Greig Jones<br />
manages both houses with Lee April, St.<br />
John, as supervisor.<br />
He Likes Western Films,<br />
She Doesn't—Divorce<br />
ST. JOHN—Disruption here of a marriage<br />
only a year old. has been attributed to like<br />
and dislike for run of the mill sagebrush<br />
sagas of the screen. The male end of the expartnership<br />
is keen for the oaters. while his<br />
departed mate destests them. After a year<br />
of frequent bickerings on the choice of films<br />
they would see, he insisted on going to a<br />
theatre where a western was playing. She<br />
refused. Moreover, she threatened if he saw<br />
the film, she would leave him. Thinking she<br />
didn't mean it, he went. When he came home,<br />
she had packed and gone home to mom and<br />
pop. His efforts to bring her back have<br />
been futile.<br />
Acquires Comedy, 'Trumpet Smith'<br />
"Trumpet Smith," a comedy by Ben Finney,<br />
has been acquired for production by Irving<br />
Asher for Paramount release.<br />
METAL POSTER FRAMES<br />
"Wel-Bill" Banner and Easel Frames<br />
Finishes—Chrome or Wrinkle<br />
Colors—Red, Green, Silver<br />
DRIVE-IN THEATRE MFG. CO. INC.<br />
Kansafcity"!°Mo
. . Casey<br />
. . The<br />
. .<br />
. . . Enjoy<br />
OTTAWA<br />
. . . Bill Curley,<br />
"Traffic on Ottawa's Bank street was blocked<br />
on the opening of "The Milkman" at the<br />
Odeon when Miss Ellen Bompas, well-known<br />
farmerette, milked one of her champion cows<br />
in the center of the street with even the<br />
street cars being held up<br />
manager of the 20th Century Manor at Toronto,<br />
has assumed management of the Nelson<br />
following the retirement of Les Jefferies<br />
on doctor's orders. Curley was previously assistant<br />
manager of the Toronto Downtown<br />
. . . Gordon Adamson said that the secretary<br />
of state has authorized a change in name of<br />
the National Film Society of Canada to Canadian<br />
Film Institute.<br />
The film fraternity in Ottawa has learned<br />
of the serious illness in a local hospital of<br />
the wife of Gordon D. Beavis, manager of<br />
the Odeon . Swedlove of the Linden<br />
conducted a special preview Sunday night<br />
(26) of the French film, "Monsieur Vincent,"<br />
based on the life of St. Vincent de Paul. Representatives<br />
of a number of religious organizations<br />
were present . Knockers club,<br />
an Ottawa community welfare group, staged<br />
its annual vaudeville show Sunday night (26)<br />
at the Famous Players' Capitol with a number<br />
of stage oldtimers being numbered among<br />
the performers<br />
year old Ottawa mother and a graduate in<br />
arts at the University of Ottawa, won the<br />
third prize of $500 and a film contract in the<br />
contest staged by Quebec Productions, Montreal.<br />
Leslie McFarlane. formerly of the National<br />
Film board, has become a lecturer in fiction<br />
writing at the Carleton College, Ottawa, and<br />
will continue through the winter months .<br />
When the Copyright Appeal board meets December<br />
15 in the Supreme Court building, Ottawa,<br />
an application from the Composers,<br />
Authors and Producers Ass'n of Canada for<br />
the imposing of a $500 monthly license fee<br />
on broadcasting stations for televsion rights<br />
for its musical compositions, will be heard.<br />
At the Imperial, where Frank Paul has just<br />
turned over the management to Barney Simmons,<br />
there was a full house for the third<br />
annual theatre party for the Safety Traffic<br />
patrols. Before Paul left for the Park at St.<br />
Catharines, his colleagues presented him with<br />
a pen and pencil set.<br />
Little TV Reception at Montreal<br />
MONTREAL—Nearly 250 persons in this<br />
area own television receivers, but only a<br />
few are getting good results and about<br />
200 of them are getting no reception at all.<br />
Harris Pound, Montreal sales engineer and<br />
one of the city's television pioneers, says<br />
television programs can be picked up "fairly<br />
well" from Schenectady and Syracuse, N. Y.,<br />
and occasionally from as far away as Miami.<br />
Fla. This is only po.ssible. however, with the<br />
use of special aerials and boosters to amplify<br />
the television signals. Pound has four sets,<br />
two of which he built himself. They have<br />
300 per cent more power than sets sold to<br />
the public.<br />
Story by Frank Capra<br />
"Westward the Women," original story by<br />
Frank Capra, will be directed by William A.<br />
Wellman for Metro release.<br />
Windsor Theatres<br />
Fighl Detroit TV<br />
WINDSOR—The first organized protest<br />
against television programs by a group of<br />
theatremen in Canada has been made by exhibitors<br />
here. Although the Dominion will<br />
probably have no TV broadcasting of its own<br />
for another year, the theatres here have already<br />
felt the impact of video because of the<br />
programs from the nearby city of Detroit.<br />
The protest arose over the practice of Detroit<br />
TV studios of using reissued moving<br />
pictures, some of which are booked into the<br />
theatres of Windsor on the Canadian side. A<br />
considerable number of residents in the<br />
Windsor district have TV sets.<br />
To cope with the situation, the Famous<br />
Players' Windsor theatres have combined in<br />
the promoting of a "Greater Movie Season."<br />
for which a number of slogans have been<br />
adopted. One line reads: "Relax, Refresh,<br />
Revitalize! Forget your work-a-day worries<br />
a good show tonight." Six theatres<br />
behind the Windsor campaign are the<br />
Capitol. Tivoli. Palace. Centre. Empire and<br />
Park.<br />
Harvey Harnick Elected<br />
To Board of Trade Post<br />
TORONTO—The new president of the<br />
motion picture branch qf the Toronto Board<br />
of Trade is Harvey Harnick. general sales<br />
manager of Columbia Pictures. He succeed.s<br />
Gurston Allen of Allen Theatres.<br />
Representing the J. Arthur Rank interests,<br />
is the new vice-president of the branch.<br />
Ralph Dale. National Theatre services, who<br />
succeeds F. H. Fisher, general manager of<br />
Eagle Lion.<br />
The executive committee includes Raoul<br />
Auerbach, 20th Century Theatres; William<br />
Redpath, General Films. W. B. Herman, Park<br />
Drive-In Theatres; J. J. Chlsholm, Ontario<br />
manager for Associated Screen News, and<br />
R. W. Bolstad, vice-president of Famous<br />
Players Canadian Corp. The secretary is P. D.<br />
Tolchard of the Board of Trade.<br />
Third Music Royalty Ass'n<br />
Organizing in Dominion<br />
OTTAWA—The Copyright Appeal board of<br />
the Canadian government will hear the application<br />
at Ottawa on December 15 of a<br />
third performing-rights organization for the<br />
Dominion for authority to collect music royalties<br />
from public users. The name of the<br />
new group is La Federation des Auteurs du<br />
Canada, the Canadian Authors federation.<br />
The two associations already in the field are<br />
Composers, Authors and Publishers Ass'n of<br />
Canada and Broadcast Music Inc., both of<br />
which collect a schedule of fees as approved<br />
by the government board.<br />
Committee Picks Kid Films<br />
ST. JOHN—A film committee, representing<br />
the Home and School Ass'ns, Daughters of<br />
Empire, University Women's club and Catholic<br />
Women's league, approves and recommends<br />
pictures for school children. Each<br />
week a list of approvals is issued by the committee.<br />
Eskimo Likes a Laugh<br />
In His Film Diet<br />
MONTREAL—The Eskimo likes a<br />
laugh as well as the white man, so the<br />
newest method of education in the Arctic<br />
is going to have a spicing of roughhouse<br />
humor.<br />
The new medium is the use of filmstrip<br />
drawings, which early in the new<br />
year will get their northern tryout as a<br />
supplement to other methods of bringing<br />
knowledge to the natives.<br />
Because the Eskimo has a keen appreciation<br />
of a robust laugh, the educational<br />
aspects of the strips will be laced with a<br />
bit of pictorial horseplay—his humor<br />
runs along physical lines—to make the<br />
material more palatable.<br />
Four film strips, aimed at giving the<br />
Eskimo an idea of his fellow-Canadians<br />
and at helping him in his own life, have<br />
been completed by the Arctic Division of<br />
the Resources department. They will be<br />
shown north shortly to welfare teachers<br />
at Fort Chimo, Port Harrison, Coppermine,<br />
Port Brabant, Coral Harbor and<br />
Cape Dorset.<br />
The drawings, simple and basic, are on<br />
35mm film and need no complicated<br />
equipment for display. They will be used<br />
to supplement the third edition of the<br />
Eskimo Book of Wisdom, which the Arctic<br />
division now is preparing.<br />
Shaw's Farewell on Film<br />
Proves Draw in Canada<br />
TORONTO — An eight-minute film of<br />
George Bernard Shaw's farewell message to<br />
the world has been arousing wide interest in<br />
Canada, following its release by Astral Films<br />
Ltd., Toronto. The picture was made in 1941<br />
when Shaw was observing his 85th birthday<br />
but it was withheld until his recent death.<br />
The important short, which has been<br />
booked from coast to coast in Canada, has<br />
had ten day-and-date openings in key theatres<br />
of the Canadian Odeon circuit and it is<br />
being widely released because of the fame of<br />
the dramatist and writer.<br />
Once a Month Bingo Policy<br />
Adopted by Ottawa Group<br />
OTTAWA—The Central Canada Exhibition<br />
Ass'n has adopted a policy to restrict bingo<br />
games at the Coliseum, one of the large<br />
buildings at the Ottawa fair gi-ounds controled<br />
by the association, to once a month.<br />
The ruling came after complaints by local<br />
theatre owners that bingo operators were allowed<br />
to run wild in Ottawa. A law governing<br />
games of chance for charity provides<br />
for occasional bingo games. A similar once-amonth<br />
bingo policy at another large hall here<br />
is expected.<br />
DST Out at Toronto<br />
TORONTO—Unwept and<br />
unsung daylight<br />
saving time for Toronto and Hamilton, Ont.,<br />
passed out on Sunday (26), after being extended<br />
two months to conserve power for the<br />
production of war materials. Robert H. Saunders,<br />
chairman of the Ontario Hydro Electric<br />
commission, called on all consumers to restrict<br />
the use of power so that blackouts<br />
would not be necessary in the coming months.<br />
112 BOXOFFICE December 2, 1950
I A.<br />
Loew's Ltd. Net Profits<br />
Down Over Last Year's<br />
TORONTO—The financial report of Marcus<br />
Loew's Theatres Ltd., Toronto, for the<br />
fiscal year ending August 31 revealed a net<br />
profit of $111,531, compared with $115,172 in<br />
the preceding 12 months, for a decline of $3,-<br />
641. Operating profits at $272,134 were down<br />
by the small margin of $3,220. The decrease<br />
was not considered alarming in view of the<br />
considerably greater cost of theatre operation<br />
in practically all departments.<br />
The current assets stood at $691,616 against<br />
current liabilities of $72,074 while the working<br />
capital was $619,542, compared with the previous<br />
$469,491. The surplus moved up from<br />
$380,030 to $471,123. The company has two<br />
theatres in Toronto, Loew's and the Uptown<br />
which seat 2,074 and 2,761 respectively.<br />
WINNIPEG<br />
\TeTy smart timing and showmanship on the<br />
the part of Sam Swartz, manager of the<br />
Grand, resulted in very excellent business<br />
returns on "Ti-iple Threat." booked to open<br />
one day after the final Edmonton-Winnipeg<br />
football game. This city was at fever pitch<br />
after Winnipeg's victory and the forthcoming<br />
Dominion finals with Toronto in the<br />
east. "Triple Threat," among many other<br />
I professional football players, features "In-<br />
I<br />
dian" Jack Jacobs, one of the best players<br />
in the Winnipeg Blue Bombers team.<br />
The Winnipeg Tribune has announced a<br />
theatre rate increase of one cent an agate<br />
line effective February, making it 16^-2 cents<br />
a line. The recent announcement from the<br />
newsprint manufacturers increasing the cost<br />
of newsprint, and continuing high and rising<br />
costs in all other departments of the<br />
newspaper, obliged the Tribune to pass on<br />
some of these costs to the advertiser, said<br />
H. Allardyce, advertising director of the<br />
P Tribune. He also pointed out that theatres<br />
operating regularly throughout the year have<br />
a much lower rate than 75 per cent of the<br />
advertisers.<br />
After playing Russian reissue programs for<br />
a year, Ben Sommers' State has returned to<br />
showing first Winnipeg showings of Russian<br />
product, the first of which is entitled "Symphony<br />
of Life," a musical in color. The first<br />
full length animated cartoon in color, "The<br />
Magic Horse," also made in Moscow and patterned<br />
after Walt Disney's feature-length<br />
fairy tales, will be the State's second first<br />
run feature.<br />
Dividend on Common Stock<br />
Raised by Famous Players<br />
TORONTO — Famous Players Canadian<br />
Corp. has increased the dividend on common<br />
shares for the last quarter of 1950 from 25c<br />
to 30c, payable December 23 to stockholders<br />
of record on December 8.<br />
The raising of the dividend payment, attributed<br />
to good business for the circuit,<br />
caused a jump in the price of Famous Players'<br />
shares on the stock exchanges at Toronto<br />
and Montreal. Quotations went from a recent<br />
$15.75 to $17.25, apparently in anticipation<br />
of an excellent annual report.<br />
CALGARY<br />
TXTith the arrival of subzero weather, the<br />
Chinook Drive-In has closed for the<br />
winter. The Chinook is operated by Western<br />
Drive-In Theatres with Frank H. Kershaw<br />
as managing _<br />
director. Western owns two<br />
drive-ins in Edmonton and oiie in Lethbridge<br />
. . "Blossoms in the Dust" had a<br />
.<br />
record-breaking week at the Rialto in Edmonton.<br />
Owing to a crowded .schedule, it<br />
could not be held over, but was transferred<br />
to the 'Varscona on Saturday. A full house<br />
was reported on the first night's run.<br />
Mrs. W. P. Pilkie, wife of Mayor W. P.<br />
Pilkie of Vermilion, is convalescing in the<br />
University hospital at Edmonton after<br />
an operation. Pilkie operates the Columbia<br />
Theatre in Vermilion ... A new<br />
theatre, the Avalon, has been opened in<br />
Beverly, Alta., suburb of Edmonton, under<br />
the ownership of Dominic Kubalik and<br />
Nick G. Rupstash. Seating capacity is 418.<br />
With the advance of cold, wintry weather,<br />
salesmen on the road have been slowed up.<br />
Business is holding its own.<br />
Anna Neagle Will Appear<br />
At Toronto 'Odette' Bow<br />
TORONTO—For the first time since the<br />
Second World War, Anna Neagle is scheduled<br />
to make a visit to Toronto when she will<br />
make a personal appearance for the North<br />
American premiere of her latest feature,<br />
"Odette," which opens December 7 at the<br />
Imperial. Ai-rangements for the engagements<br />
in Canada were made by President J. J. Fitzgibbons<br />
of Famous Players Canadian Corp.<br />
when he was in London recently.<br />
Theatre Ads Go French<br />
In Nova Scotia Towns<br />
DIGBY, N. S.—The French shore between<br />
Digby and Yarmouth on the Nova Scotia side<br />
of the Bay of Fundy is going French. Almost<br />
all advertising and shop signs, including theatres,<br />
are in French to stress the French atmosphere<br />
for the benefit of tourists. Frenchlanguage<br />
films are screen at Weymouth,<br />
Digby, Meteghan, Church Point, Comeauville,<br />
Little Brook, Concession, Plympton and<br />
Yarmouth.<br />
'The Outlaw' to Halifax<br />
HALIFAX—After a delay of three years,<br />
"The Outlaw," highly controversial Hov;ard<br />
Hughes opus, hit a Halifax screen. It was<br />
shown single bill, with news and a carfci;on,<br />
pt the Paramount, newest Famous Playtr.s<br />
house in the maritimes. It had been screened<br />
at most centers through the maritimes the<br />
past two years.<br />
Toronto Mayfair Opened<br />
TORONTO—The remodeled Mayfair on<br />
suburban Jane street was reopened by 20th<br />
Century Theatres November 27 after numerous<br />
changes in structure and fittings. A<br />
new special policy of first run programs as<br />
been inaugurated at this 478-seat theatre.<br />
RESEARCH BUREAU<br />
for<br />
MODERN THEATRE PLANNERS<br />
ENROLLMENT FORM FOR THE INFORMATION<br />
The MODERN THEATRE<br />
PLANNING mSTITUTE<br />
325 Van Brunt Blvd.<br />
Kansas City 1, Mo.<br />
Gentlemen:<br />
12-2-50<br />
Please enroll us in your RESEARCH BUREAU<br />
to receive information regularly, as released, on<br />
the following subjects for Theatre Planning:<br />
n Acoustics<br />
n Lighting Fixtures<br />
D Air Conditioning q Plumbing Fixtures<br />
D Architectural Service<br />
^ projectors<br />
"Black" Lighting<br />
n Building Material<br />
n Carpets<br />
n Coin Machines<br />
Projection Lamps<br />
n Seating<br />
Signs and Marquees<br />
n Complete Remodeling S°und Equipment<br />
D Decorating<br />
Television<br />
D Drink Dispensers D Theatre Fronts<br />
n Drive-In Equipment D Vending Equipment<br />
D Other Subjects<br />
Theatre<br />
Seating Capacity..<br />
Address<br />
City<br />
State<br />
Signed<br />
Postage-paid reply cords for your further convenience<br />
in obtaining Information are provided in The MODERN<br />
THEATRE RED KEY SECTION (Nov. 18, 1950).<br />
BOXOFFICE :: December 2, 1950 113
A Good Investment
F aturing<br />
i\efreAltment<br />
V service<br />
l»<br />
DECEMBER ^. 1950<br />
Construction - Eqiiminent * Maintenance
I<br />
PROFIT'S GOT I<br />
RHYTHM<br />
There's a steady beat to the extra net exhibitors<br />
can make by adding refreshment<br />
to<br />
entertainment. Day after day, week after<br />
week, the profit from Coca-Cola piles up on<br />
the black side of your ledger. Thousands of<br />
theater operators are making easy money by<br />
offering ice-cold Coca-Cola. Why not join<br />
them? For all details, write The Coca-Cola<br />
Company, P. O. Box 1734, Atlanta, Georgia.
Experience Proves:<br />
Chewing Gum Will Add to Their<br />
Enjoyment of Your Theatre<br />
Paramount Theatre,<br />
Atlanta, Ga., displays<br />
chewing gum for the<br />
convenience of patrons<br />
and for extra revenue.<br />
Mayfair Theatre,<br />
Asbury Park, N. J.,<br />
profits from sale of wellknown,<br />
fast-selling<br />
brands of chewing gum.<br />
You build good will and extra profits by selling<br />
and displaying popular brands of chewing gum<br />
It's a "good, old American custom" for<br />
millions of people to chew gum at the<br />
movies. Chewing gimi helps them relax<br />
and adds to their enjoyment of the theatre.<br />
What's more, hundreds of theatres are<br />
cashing in on the popularity of chewing<br />
gum by making it easily available to<br />
their patrons. You can do the same.<br />
Display popular Wrigley's Spearmint,<br />
Doublemint, "Juicy Fruit", and other<br />
well-advertised, fast-selling brands of<br />
chewing gum within easy sight and reach<br />
of your patrons. They will appreciate this<br />
service which you provide for their enjoyment,<br />
and your sales of chewing gum will<br />
bring in substantial extra revenue.<br />
BOXOFFICE :: December 2, 1950
I<br />
FOR<br />
THE<br />
**t<br />
national<br />
celit:<br />
75 TO 130 AMPERE<br />
HIGH INTENSITY<br />
REFLECTOR TYPE<br />
PROJECTION LAMP<br />
•THERE'5<br />
The MODERN THEATRE SECTION
.<br />
Who says Christmas comes only once a year?<br />
Necco Wafer advertising brings you a<br />
stocking full of profits all year long<br />
-ra3
\ \<br />
^fe^ Let '"Nameless" Syrups<br />
Dry Up Your Cup-Machine Sales<br />
CANADA DRY SYRUPS TO<br />
DISPENSE GREATER PROFITS!<br />
:-'<br />
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f ^ > «^<br />
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R?<br />
i*<br />
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The MODERN THEATRE SECTIONI
Vol. XVII No. 13<br />
DECEMBER 2, 1950<br />
o n I n I<br />
Adding Profits with Seasonal Specials 8<br />
A Handbook of Successful Refreshment<br />
Merchandising V. L. Wadkins 9<br />
Drive-in Patron Appetites Demand Second Concession 14<br />
Winterizing Theatre Floors Dave E. Smalley 15<br />
Modernism Blended with Local Interest in Theatre Decoration 16<br />
Keep Your Eyes Open for Candy Stand<br />
Demands Ernest A. Grecula 19<br />
Care for Your Carpeting G. Walter Brurting 26<br />
Spectacular Stage Effects Possible by Using New Bandcar 28<br />
Contour Curtain Fits Drum Stage 31<br />
Carbon Saver Ends Timing Worry 32<br />
Indoor Drive-in Theatre Becomes Hub of Multiple Enterprise 38<br />
A Manual of Drive-in Design and Operation,<br />
Part III George M. Petersen 40<br />
DEPARTMENTS:<br />
Floor Coverings 15 Drive-Ins 38<br />
Decorating 16 New Equipment and<br />
Developments 46<br />
Readers' Service Bureau 35<br />
Ljferature 50<br />
Advertiser's Index 36 People and Product 52<br />
ON THE COVER<br />
The luxurious avvearance of the lobby and refreshment service<br />
unit in the Garmar Theatre, Montebello, Calif., illustrates<br />
graphically what can be done to make effective a sales location.<br />
Tilted display shelves afford a maximum of visibility to<br />
the tops and sides of bars displayed. The Manley popper is in<br />
a position for the actual popping of corn to be the most effective<br />
sales stimulant.<br />
An interesting treatment is the slatted canopy above the<br />
stand. Recessed downlights in the ceiling provide illumination.<br />
KENNETH HUDNALL, Managing Editor HERBERT ROUSH, Sales Manager<br />
Published the first Saturday ol each month by Associated Publications and included as a<br />
section in all editions of BOXOFFICE. Editorial or general business correspondence relating<br />
to The MODERN THEATRE section should be addressed to the Publisher, 825 Von<br />
Brunt Blvd., Kansas City 1. Mo. Eastern Representatives: A. J. Blocker and Ralph F.<br />
Scholbe, 9 Rockefeller Plaza, New York 20, N. Y. Central Representatives: Ewing Hutchison<br />
and E. E. Yeck, Room 1478 Pure Oil Bldg., 35 E. Wacker Dr., Chicago, 111. Western<br />
Representative: Bob Wettstein, 672 So. Lafayette Park Place, Los Angeles, Calif.<br />
T,HE past five years might well be<br />
called the adolescence of refreshment<br />
service in the motion picture theatre.<br />
With the end of World War II and the<br />
return to civilian use of confection supplies,<br />
theotremen began to collect the<br />
data from which they could chart a<br />
pattern of scientifically successful<br />
operation.<br />
Jets with theatre operation peculiarities,<br />
During these years, blending the experience<br />
of other types of retail out-<br />
rapid strides have been made in periecting<br />
techniques of food sales to theatre<br />
patrons.<br />
Psychology is on the theotremcm's<br />
side in his campaign to increase refreshment<br />
sales, for history has proved<br />
that the appreciation of entertcdiunent<br />
has been heightened by oppropricrte<br />
foods since the earliest days.<br />
Despite this fact, the purchase of any<br />
kind of sweets at the theatre is of an<br />
impulse nature and theatre concession<br />
men have carefully compiled guideposts<br />
to stimulating these impulses.<br />
Open display of merchandise from<br />
which the patron can help himself has<br />
been used to increase both original<br />
and secondary sales. Experience and<br />
the consensus of exhibitor opinion<br />
seems to indicate that the sight and<br />
smell of popping com helps to create<br />
sales. And, of course, the very location<br />
of the counter itself, affects the<br />
volume of business being done.<br />
Certainly no showman is going to be<br />
apt to disparage the important role<br />
which the merchandising of an everwidening<br />
variety of refreshments has<br />
played in making his property more<br />
valuable. Because of its importance to<br />
the success of theatre operation the<br />
editorial material contained in this issue<br />
has been carefully compiled to present<br />
the successful techniques of several<br />
outstanding exhibitors, all of whom,<br />
however, acknowledge that presenting<br />
film fore is still the prime goal of the<br />
motion picture exhibitor.
ADDING PROFITS WITH<br />
SEASONAL SPECIALS<br />
Illustrated above is the Easter line of candy<br />
specialties just released by the Shotwell Candy<br />
Co. Child appeal, as well as prices in the lowrange<br />
brockets are apparent. Plans for spring<br />
promotions are already being made by many<br />
circuits with Christmas displays now on the counters.<br />
Entire Counter<br />
Can Be Dressed<br />
For Background<br />
TEMMiNG FROM the fact that more<br />
than 80 per cent of all theatre refreshment<br />
purchases are impulses stimulated by attractive<br />
displays, aromas or the sight of<br />
taste-tempting confections, exhibitors almost<br />
universally acknowledge the necessity<br />
for changing both displays and decoration<br />
of the theatre refreshment service counter.<br />
To add highlights to the periodic changes<br />
of refreshment counter arrangement, many<br />
exhibitors take advantage of various seasonal<br />
holidays to add special interest to<br />
the counters. Such holiday promotions can<br />
be planned on a year-round basis and, of<br />
course, should provide for prominent display<br />
well in advance of the holiday being<br />
featured. By the same token, holiday specials<br />
are deader than last week's newspaper<br />
on the day after the event, and<br />
should be changed promptly.<br />
adopted by the circuit by whom he is<br />
For example, one theatre manager whose<br />
refreshment merchandising success has<br />
been such that his practices have been<br />
employed,<br />
follows a general program like this;<br />
beginning Halloween promotion in September,<br />
he switches to a Thanksgiving motif<br />
on October 31. Thanksgiving week he<br />
changes his entire decoration to a Christmas<br />
theme, and Christmas week starts a<br />
nile green color scheme out as background<br />
for his stand which begins to plug spring.<br />
Easter is the first spring holiday to receive<br />
attention, and in Easter week, summer<br />
items are put in and changed regularly.<br />
Two basic elements are involved in capitalizing<br />
on holidays at the refreshment<br />
service counter. In the first place is the<br />
decoration of the stand itself.<br />
As to the sale of .seasonal candy, there is<br />
some division of opinion. In forming plans<br />
for an individual theatre or an individual<br />
circuit it is always wise to remember that<br />
what will not work in one location may be<br />
quite successful in another.<br />
An important qualification to this statement,<br />
however, expresses another wise concession<br />
policy. Never buy too heavily on<br />
seasonal candy specials until you have<br />
worked out a pattern of your own and<br />
know how much merchandise you can sell.<br />
Seasonal candies, like seasonal displays are<br />
dead items on the day after the holiday.<br />
Now then, transposing other theatre refreshment<br />
experience to the field of merchandising<br />
seasonal specials, it has been<br />
generally proved by concession executives<br />
that you cannot sell any patron more<br />
candy at a theatre refreshment counter<br />
than he can consume in the three-hour<br />
period he is inside the theatre.<br />
Should this seem to eliminate attempts<br />
to merchandise seasonal candies, change<br />
your thinking, for in recent years many<br />
national manufacturers of candies have<br />
planned lines of specialties to reach the<br />
impulse market. For instance, illustrated<br />
at the heading of this article is the 1951<br />
Easter specialty line of the Shotwell Candy<br />
Co. which includes a wide variety of items<br />
under the 29-cent limit which seems to be<br />
the price point where theatre sales drop off.<br />
In planning sea.sonal specialty promotions,<br />
exhibitors agree it is necessary to<br />
provide adequate seasonal background in<br />
the overall decoration of the counter. Another<br />
psychological factor of importance is<br />
to have these impulse items readily accessible.<br />
As has been proved, open display<br />
where the patron can help himself, increases<br />
the sale of items many times. The<br />
everyday importance of a sparkling clean<br />
counter and display, plus spotlessly uniformed<br />
attendants, is emphasized in promoting<br />
seasonal or holiday items.<br />
The MODERN THEATRE SECTION
I<br />
most<br />
A HANDBOOK OF SUCCESSFUL<br />
REFRESHMENT MERCHANDISING<br />
by V.<br />
L WADKINS*<br />
OEULING SWEETS in<br />
theatres to swell<br />
profits is OS old as showmanship. And showmanship<br />
is probably as old as man, though<br />
the statements of certain zealots that Noah's<br />
Ark was the first showboat must be taken<br />
with studied reservations.<br />
X HE MOST IMPORTANT faCtOl' abOUt<br />
your refreshment stand is its location. In<br />
our theatres It has been placed in the<br />
advantageous spot possible, and has<br />
been designed and built as part of the<br />
theatre, so as not to give the impression<br />
it was "stuck in" as an afterthought.<br />
Cleanliness is a "must" in handling<br />
things that people eat and drink. As<br />
practically every sale in the theatre is<br />
an impulse sale, a spotlessly clean and<br />
attractive display is all-important.<br />
DRESSING YOUR CANDY CASE<br />
We have developed a method of trimming<br />
our candy cases so that they will be<br />
well balanced, having diversified color arrangement,<br />
making for easy selection on<br />
the part of the customer. Every candy<br />
bar or box item has a complement. For<br />
example. Dots will balance well in a case<br />
with Black Crows, Mounds with Almond<br />
Joys, Fifth Avenue with Oh Henry and<br />
Switzer Licorice with Tootsie Rolls. By<br />
pairing your candy items in this manner<br />
and trimming the case from both ends<br />
toward the middle, you will achieve the<br />
desired results. The diagram on page 10 illustrates<br />
the display of about 55 candy<br />
complements.<br />
We have found that by displaying<br />
last-selling ten-cent items such as<br />
Mounds, Hersheys. Almond Joys and<br />
25 Carat on top of the counter our<br />
percentage of sales in ten-cent items<br />
has jumped from 19 per cent to as<br />
high as 44 per cent. There is some-<br />
*Manager,<br />
County Thee<br />
& Se<br />
Indl<<br />
U N THESE PAGES are presented a condensation<br />
of the manual of candy and popcorn<br />
selling operations recommended to the managers<br />
of the twenty houses in the circuit with which<br />
Wadkins is associated.<br />
Each theatre is equipped with a custom-built<br />
refreshment service counter where both candy<br />
and popcorn are sold quite successfully.<br />
The techniques and opinions expressed in the<br />
manual reflect the experience of this circuit and<br />
have not been edited to conform with any notional<br />
average conditions.<br />
thing about open display which quickens<br />
the impulse to buy. People will<br />
pick up a candy bar and wait with the<br />
money in their hands to be laaited on<br />
where they won't wait to be served<br />
from under glass.<br />
In our theatres, where space permitted,<br />
we have placed backbars, which we regard<br />
with the same degree of emphasis in display<br />
as we do the candy case. The backbar<br />
particularly lends itself to the unit display<br />
of chewing gums, Life Savers, Charms, etc.<br />
Maintain an orderly but "massive" display<br />
of candy on your backbar at all times,<br />
winter and summer.<br />
Candy has to be fresh to bring out all<br />
of the flavor goodness of the ingredients<br />
used in the manufacture of quality candy.<br />
One of the major reasons the public has<br />
accepted candy selling in theatres so enthusiastically<br />
has been that in most instances<br />
it has received candy that is<br />
fresher than that sold in most other re-<br />
( Continued on following pagei<br />
"What passes for entertainment in any<br />
day is the subject of a festive occasion<br />
made more festive by something to chew<br />
on, and the precedent for popcorn, soft<br />
drinks and candy in a theatre is grounded<br />
in ancient custom.<br />
"Today's concession business in theatres<br />
has grown into a big thing. The magic<br />
fact about candy is that it is an impulse<br />
item. In a recent survey the Dupont company<br />
found that 71 per cent of candy sales<br />
In food stores were made on impulse. More<br />
than seven out of 10 candy purchases were<br />
made on impu'se alone. In theatres even a<br />
greater percentage of candy is purchased on<br />
impulse.<br />
"Now If attendance is down in your theatre,<br />
it follows your candy sales will be down<br />
unless you are able to increase the average<br />
amount sold to each customer and create<br />
that impulse to buy in the 40 per cent of<br />
your patrons who do not ordinarily buy. The<br />
odds are with you because 96 out of 100<br />
women and 92 out of 100 men like candy.<br />
The odds are probably 1,000 to 1 that the<br />
average moviegoer has no candy with him<br />
when he enters the theatre. Entertainment<br />
puts people in the mood for candy. And<br />
furthermore, they have two or three hours<br />
In which to enjoy the delicious tidbit which<br />
you are going to sell them."<br />
V. L. WADKINS<br />
Indiana County Theatres Co.<br />
BOXOFTICE<br />
December 2, 1950
Ketreshment<br />
Handbook<br />
(Continued from preceding page)<br />
tail outlets. The freshness is of equal importance<br />
in popcorn.<br />
To maintain the freshness of your candy<br />
it must be rotated in your case. In other<br />
words, as you replenish the case put the<br />
bottom layer on top and also move your<br />
candy from the shelves of the backbar into<br />
the candy case. The all-important thing<br />
to remember is simply this: "Keep your<br />
candy moving!" The candy case should<br />
be cleared out, cleaned and redressed once<br />
each week. Shelves should be kept clean<br />
at all times.<br />
Name brands in candy are a "must."<br />
Trying to sell off-brand merchandise, even<br />
though it carries a higher mark up, is poor<br />
merchandising. We carry only name<br />
brand items which have consumer acceptance.<br />
Your rate of turnover is the key to<br />
candy profits. Good staple items will turn<br />
fast and even though the profit isn't as<br />
great you will sell more in the long run<br />
and will make more profit.<br />
In ordering candy, let the customer<br />
decide which items sell best. Your job<br />
is to reorder in the proportion in which<br />
the items sell. While we are merchandising<br />
approximately 127 candy<br />
items and flavors, we do not sell all<br />
these items in equal quantities. As a<br />
matter of fact, 47 per cent of all our<br />
candy business is being done on 17<br />
items.<br />
However, good merchandising dictates<br />
that we have a wide variety for<br />
our patrons to select from. This fundamental<br />
principle of merchandising<br />
is simple. When you buy a suit of<br />
clothes you expect and demand that<br />
the merchant show you a good selection<br />
from which to choose.<br />
ORDERING MERCHANDISE<br />
Our candy purchase order lists all of<br />
our candy items with the exception of<br />
about 17, which will be added when new<br />
forms are printed. By having the purchase<br />
orders printed with the candy items<br />
already listed, it acts as a check list and<br />
a time saver to your candy girl when she<br />
makes out her weekly order. The manager<br />
should check this list with the candy<br />
girl to make sure that any good selling<br />
item is not omitted from the order.<br />
In order to do a good candy merchandising<br />
job it is necessary to try out new<br />
items from time to time. Items such as<br />
these are pretested in our Latrobe, Pa.,<br />
theatres. If they prove to have ready consumer<br />
acceptance, they are sent to you<br />
on distribution. The theatre reorders them<br />
if they sell, since no further distribution<br />
of these items will otherwise be made. New<br />
items "freshen up" your stock.<br />
// you have an accumulation of several<br />
odd bars whose wrappers have become<br />
soiled or torn, these bars should<br />
be thrown away inot given away) and<br />
your inventory should be marked accordingly.<br />
Diagram for Candy Case Display<br />
(Showing Candy Complements)<br />
SHELF No. 1
A Handy Checklist for<br />
Merchandising Popcorn<br />
• Clean the popping machine doily, inside and<br />
out. Have it spotless, especiolly the gloss<br />
and kettle. Use the kettle cleaning kit ond<br />
follow the directions.<br />
• Hove all supplies at the machine when you<br />
stort the doy.<br />
• To begin popping operotion, first put two<br />
and one-holf ounces of seosoning into the<br />
kettle. Then turn on the kettle switch.<br />
• Lift the kettle lid. When a slight smoke<br />
orises and seems to curl bock under the lid,<br />
turn on the motor ond blower.<br />
• Take o gloss of row corn, with solt added,<br />
and dump immediately into the kettle.<br />
• Quickly refill gloss with corn and add salt.<br />
• Corn should pop out in lorge floky groins.<br />
When it pops out in small groins, adjust the<br />
thermostat to o higher or lower temperature<br />
until the largest grains are obtained.<br />
• When all the corn has popped, dump the<br />
kettle, and refill with seasoning, corn and<br />
salt.<br />
• After popping several kettles of corn, stort<br />
filling<br />
boxes.<br />
• In filling the lock-bottom popcorn box, put<br />
enough corn into the box so that when the<br />
top flaps ore closed, the corn will force the<br />
lock-bottom even.<br />
SALES<br />
TECHNIQUES<br />
By "suggestive selling" we do not<br />
mean "forced sales." However, items<br />
Tnay be suggested when the patron<br />
seems undecided as to what to buy.<br />
Also "new" items may be brought to<br />
the attention of the customer with the<br />
suggestion that he try "this luscious<br />
new candy bar that just came in."<br />
We have ten-cent and 25-cent popcorn<br />
boxes and only through suggestive selling<br />
can 25-cent box sales amount to an appreciable<br />
part of your popcorn business.<br />
When a patron asks for popcorn, the candy<br />
girl should respond with "large or small?"<br />
Do not allow your candy girl to say "10-<br />
cent or 2i5-cent box?" This not only makes<br />
the customer price conscious but at times<br />
may prove embarrassing to him.<br />
Children are the most important segment<br />
to the candy bar purchasing public.<br />
Never make the mistake of palming off<br />
slow-moving items on children. It isn't<br />
fair. Of course, usually you can't anyway.<br />
Kids learn brand names and have<br />
a definite brand preference at an early<br />
age. A recent survey of boys and girls<br />
from 14 to 16 showed that 97.7 per cent<br />
had a favorite brand of candy bar.<br />
• Keep severol boxes in the mochine reody to<br />
sell at oil times, more if business justifies,<br />
and hove a mound of unboxed popcorn for<br />
disploy.<br />
• Keep the mochine running os much as passible<br />
but don't pop too for oheod. This<br />
should be governed by the flow of troffic by<br />
your boxoffice. Alwoys hove enough popped<br />
corn on bond. Patrons will not wait for you<br />
to pop it. On midnight shows, onticipote your<br />
entire needs and hove it popped, and nearly<br />
oil of it boxed, when your boxoffice opens.<br />
• Don't run out of supplies. Keep your inventory<br />
at least two weeks oheod ot all times.<br />
• Never leave the kettle switch on when not<br />
popping. Never use the thermostat for turning<br />
off the kettle.<br />
• Never put the kettle in water. You may pour<br />
water into the kettle.<br />
• After every popping, wipe off the kettle lid,<br />
glass, and top of the inside of the mochine.<br />
• Every time you turn off the kettle switch be<br />
sure to put two and one-half ounces of seasoning<br />
in the kettle and leave it there while<br />
the kettle cools off. This will prevent the<br />
heating element from burning out and also<br />
prevents additional residue from baking into<br />
the<br />
kettle.<br />
We have very definitely found, by experiment,<br />
that half-pound and pound box<br />
candies do not sell in our theatres. As a<br />
matter of fact, any items over 25 cents or<br />
2o cents are loss items with us and consequently<br />
should not be carried in stock.<br />
At this point let me tell you, and<br />
very definitely, that we are not in<br />
competition with any store or stores<br />
outside our theatres. We have proved<br />
this most conclusively. The selling of<br />
candies a7id popcorn in theatres has<br />
tremendously iricreased the Tiational<br />
sales of these items. A very interesting<br />
fact is that one-third of all the<br />
five and ten-cent candy bar business<br />
done in the United States is done<br />
through theatres, which have only tiuo<br />
per cent of the total outlets.<br />
It is most important that all popcorn,<br />
after it has been dumped from the kettle,<br />
is brushed across the corn screen with a<br />
side-to-side motion using the popcorn<br />
scoop. This filters out all unpopped corn<br />
and small kernels that are only half<br />
popped.<br />
Failure to do this can very definitely affect<br />
popcorn sales. The extreme danger<br />
of allowing these unpopped or partially<br />
popped grains of corn to reach the patron<br />
may result in a broken tooth.<br />
ORDERING OF POPCORN, SEASONING<br />
AND SALT<br />
Popcorn should be ordered in amounts<br />
of four, five, eight and ten one-hundredpound<br />
bags per order, depending upon the<br />
amount of popcorn business your theatre<br />
is doing. Ti-y and keep four weeks' stock<br />
on hand.<br />
Seasoning should be ordered in lots of<br />
five cases per order. Shipments of five<br />
cases or more are sent prepaid. Popcorn<br />
salt comes in cases of 24 boxes and should<br />
be ordered one or two cases per order, as<br />
needed.<br />
STORING<br />
POPCORN<br />
All popcorn should be stored in a dry<br />
place. When each hundred-pound bag<br />
is received, the corn should be left in<br />
the moisture proof bag and it then<br />
should be placed in a separate garbage<br />
can with the lid on to keep the mice<br />
from getting into the corn. Keep in<br />
mind that popcorn is food and must<br />
be protected at all times.<br />
A five-gallon can of raw corn should be<br />
kept with your machine to take care of<br />
your daily needs.<br />
POPCORN BAG YIELD<br />
The best popcorn is not necessarily the<br />
cheapest popcorn but rather that which<br />
yields the greatest amount of money from<br />
the sale of a one-hundred-pound bag. In<br />
other words, it isn't so important what we<br />
pay for the corn as it is how much we<br />
get out of it. Below is a popcorn bag<br />
yield table which I have worked out to<br />
spot check your corn. Your bag yield<br />
should run better than $140 per bag with<br />
the quality corn we are now getting.<br />
POPCORN BAG YIELD TABLE<br />
BOXES FILLED APPROXIMATE<br />
BAG YIELD<br />
9 $120.00<br />
9'/4 123.30<br />
VA 126.60<br />
934 130.00<br />
10 133.30<br />
10 '/4 136.60<br />
10 '/2 140.00<br />
10% 143.30<br />
11 146.60<br />
nVi 150.00<br />
11 '/2 153.30<br />
11 % 1 56.00<br />
12 160.00<br />
From 12 ounces of row corn the number of oneand-o-half-ounce<br />
boxes which con be filled is<br />
shown in the left bond column.<br />
The right bond column shows the dollar yield for<br />
eoch hundred-pound bog ot this rate.<br />
t Continued on following page)<br />
BOXOFFICE December 2, 1950 11
I<br />
Continued from preceding page'<br />
To get the maximum bag yield from<br />
popcorn the unpopped corn should be<br />
placed so that it will remain at room<br />
temperature at least 24 hours before<br />
popping. If you are storing your corn<br />
in a cool place, be sure to take out a<br />
sufficient Quantity to remain at room<br />
temperature for a 2i-hour period prior<br />
to popping.<br />
Popcorn pops best at a moisture content<br />
of between 12 and 13 per cent, which is the<br />
condition of the corn when it is processed.<br />
If the moisture content is below 11 or<br />
above 14 per cent, popping will be unsatisfactory.<br />
There is a great difference in the<br />
manner in which popcorn of high and low<br />
moisture content pops.<br />
HUMIDITY AN IMPORTANT FACTOR<br />
Corn too dry pops feebly with a somewhat<br />
muffled sound. The kernels often<br />
only partly split open and the unpopped<br />
area appears rather darkened and scorched.<br />
On the other hand, corn with too much<br />
moisture content pops with a rather loud<br />
explosion although the kernels are small,<br />
rough and jagged.<br />
We do not have moisture measuring instruments<br />
and do not need them. Corn<br />
will sometimes pop better at low temperature<br />
and sometimes better at a high temperature,<br />
depending upon the moisture<br />
content.<br />
ADJUST THERMOSTAT FROM TESTS<br />
By adjusting the thermostat on your<br />
machine you can obtain the maximum results.<br />
To do this, pop one kettle at a<br />
temperature of 450 degrees, another at 475<br />
degrees, another at 500 degrees and another<br />
at 525 degrees. Compare the grains<br />
and use the temperature settng at whch<br />
the largest flaky grains are obtained. In<br />
adjusting these temperature settings, first<br />
pour the seasoning into the kettle and<br />
wait a couple of minutes for the temperature<br />
to rise or fall to the new setting before<br />
popping the next test kettle of corn.<br />
Close supervision should be maintained<br />
to see that the popcorn girl is<br />
not "stuffing" the boxes. This is done<br />
by pili7ig the box beyond the open<br />
flaps arid then crushing the corn into<br />
the box as the flaps are closed.<br />
In filling the lock-bottom boxes<br />
enough corn should be placed into the<br />
box so that when the top flaps are<br />
closed the corn will force the lock bottom<br />
even. The "stuffing" of popcorn<br />
boxes can amount to a loss of from<br />
$15 to $20 in a one hundred pound<br />
bag of unpopped corn.<br />
In some of our theatres we have as<br />
many as two popcorn machines and in<br />
these towns when a breakdown occurs one<br />
machine can do the job until necessary<br />
repairs are made. For towns where wc<br />
only have one machine I have a spare motor<br />
and housing and a thermostat in La-<br />
Representative of the principles set forth in the recently prepared refreshment manual is<br />
the attractive refreshment service counter of the Manos Theatre in Monessen, Pa., shown above.<br />
trobe. Should a breakdown occur, they<br />
call me by telephone and I can give them<br />
immediate service.<br />
Every theatre now has and should always<br />
keep on hand one spare kettle heating<br />
element. This is the most common<br />
part of the machine to burn out and one<br />
which can be easily and quickly replaced,<br />
locally.<br />
POPCORN BOX INVENTORY<br />
Only by maintaining an accurate count<br />
and inventory of your popcorn boxes can<br />
you accurately record the correct amount<br />
of money taken in through the sale of popcorn<br />
and candy. Your popcorn boxes<br />
should be kept under lock and key and inventoried<br />
as accurately as your tickets.<br />
A level should be established for your<br />
theatre and this number of boxes, say<br />
200, should be given to your candy girl at<br />
the opening of business each day. Count<br />
the boxes at the close of each day's business<br />
and the difference between the number<br />
on hand and the number of boxes you<br />
started the day with is the correct number<br />
of boxes sold during that day.<br />
The following day the number of boxes<br />
you sold the day before should be added<br />
to the number on hand which would build<br />
her number of boxes to start the next<br />
day's business back to the level of. say 200.<br />
Money for the amount of popcorn sold<br />
should be taken out of your total popcorn<br />
and candy receipts for that day.<br />
The remainder of the money would be<br />
the amount of candy sold during that day.<br />
The only accurate check you have on candy<br />
is by your weekly physical inventory. With<br />
our popcorn boxes being our sole method<br />
of control it is very clear why these boxes<br />
should be under the personal control of the<br />
manager.<br />
SELECTION OF SALES ATTENDANTS<br />
In the first place the candy girl is one<br />
of the most important cogs in the whole<br />
setup. Is she clean and neat looking? Does<br />
she smile and have a pleasing personality?<br />
She does not have to be a beauty contest<br />
winner but she should certainly be nice<br />
looking. Good looks and sweets go hand<br />
in hand.<br />
Single girls are preferred because the<br />
candy jobs, like our usher jobs, are mostly<br />
parttime work and consequently do not<br />
affoi'd a large salary to a person having to<br />
support a home.<br />
Before a neio girl is put behind your<br />
candy counter, be sure she is thoroughly<br />
instructed in selling candies in theatres<br />
and also thoroughly trained in<br />
the operation of the candy stand including<br />
the popping and boxing of popcorn.<br />
She must be thoroughly indoctrinated<br />
loith the fact that she is selling<br />
food a7id must consequently keep<br />
herself, as well as her candy stand,<br />
spotlessly clean at all times.<br />
UNIFORMS<br />
New poplin, washable uniforms are being<br />
ordered for all candy attendants. Each<br />
candy girl will have two uniforms and<br />
three sets of white changeable cuffs, collars<br />
and white caps. It is the responsibility<br />
of the manager to see that this candy<br />
girl has a crisp, clean uniform on at all<br />
times when behind the counter. This applies<br />
to relief girls as well. These uniforms<br />
button all the way down the front and<br />
are therefore easily and quickly put on.<br />
12 The MODERN THEATRE SECTION
TO MAKE<br />
ND PROFITS<br />
G r R o T A T O R with tour spider-like arms<br />
quickly unscrewed with clock-wise twist<br />
. . . Inside of kettle then easily cleaned<br />
with soft cloth.<br />
SWITCH PANEL is waist-high ...no stretching,<br />
no awkward reaching for concealed<br />
switches. ..three heats: low,medium,high.<br />
Use A NewA(a/nj&/^ Aristocrat<br />
# It's the easiest popcorn machine<br />
to operate. Without taking a single<br />
step, operator can turn on switches,<br />
load and empty kettle, bag or box<br />
the corn, and make change. Greater<br />
efficiency . . . greater profits. And<br />
your greatest source of profits is<br />
the New Cascade Kettle. It pops<br />
out 20-40% greater volume. Fewer<br />
kernels needed to fill a bag or box.<br />
And do the customers like this fluffier<br />
popcorn! For greater profits<br />
any way you look at it, fill out<br />
the coupon today!<br />
j^<br />
REMOVABLE HOOD permits adjustments<br />
in top of machine . . . Electric shock prevented<br />
by circuit breaker operating automatically<br />
as top is r(-mo\ cd.<br />
FOR COMPLETE<br />
MAIL THE COUPQJ<br />
© 1950, MANLEY, INC.<br />
THE BIGGEST NAME IN POPCORN<br />
SAIES AND SERVICE OFFICES IN 37 CITIES • SEE YOUR TELEPHONE DIRECTORY
This view of the romp area of the Cedar<br />
Valley shows the original concession<br />
building at midfield and the remodeled<br />
stable at the back romp. With slightly<br />
different menus for each unit, both are<br />
doing a successful business.<br />
DRIVE-IN PATRON APPETITES DEMAND<br />
SECOND REFRESHMENT SERVICE UNIT<br />
Remodeled Stable at Back Ramp of Cedar Valley<br />
Drive-in Fits<br />
Atmosphere of Southern Charm<br />
X* PPROXIMATELY A YEAR AGO The<br />
Modern Theatre heralded the opening of<br />
one of the south's most luxurious and impressive<br />
drive-in theatres, the Cedar Valley<br />
situation of the Lam Amusement Co.,<br />
located just outside Rome, Ga.<br />
With a full season's operation of the<br />
Cedar Valley under his belt, Thomas Lam,<br />
manager of the theatre, has learned several<br />
rather unusual facts concerning the<br />
eating habits of drive-in patrons. These<br />
facts have been very adeptly turned to<br />
greater refreshment service profits for the<br />
theatre, as illustrated in the pictures on<br />
this page.<br />
For the 500-car situation the Lams originally<br />
provided the usual concession-projection<br />
building in midfield, with walk-in<br />
accommodations and a refreshment patio in<br />
front of the building. In short order the<br />
management discovered that these facilities<br />
were inadequate to handle the fullgrown<br />
appetites of its patronage.<br />
Casting about for a solution they noticed<br />
the neglected stable near the back<br />
property line of the ramp area. Some architectural<br />
ingenuity, a little carpentry,<br />
some paint and display lighting effects . . .<br />
and a second concessions building, in the<br />
southern colonial style of the screen tower,<br />
blossomed to take care of the overflow<br />
from the original unit.<br />
Actually, as it was planned, the new<br />
building provided an entirely new operation<br />
serving different needs from the original<br />
unit. As the refreshment service operation<br />
is now divided, the first building,<br />
at midfield, sells hot dogs, popcorn and soft<br />
drinks.<br />
The remodeled stable, however, represents<br />
some new concepts in drive-in food<br />
merchandising. Designed so that it can<br />
be operated on a cafeteria style, the back<br />
unit makes a specialty of two box lunches.<br />
One contains a half of a southern fried<br />
chicken, french fried potatoes and hot rolls.<br />
An alternate lunch contains french fried<br />
shrimp instead of the chicken. Although<br />
a variety of hot and cold soft drinks are<br />
available, they must be purchased separately.<br />
Either of the box lunch packages<br />
sells for 95 cents.<br />
In addition to the box lunches, hamburgers,<br />
malted milks, coffee and milkshakes<br />
are offered at the new building.<br />
Possibly one reason for the great popularity<br />
of this added service, which is directly<br />
attributable to the delicious food itself, is<br />
the fact that Mrs. Thomas Lam personally<br />
supervises its operation.<br />
One of the nice touches that often separates<br />
a routine situation from an outstanding<br />
one is the imprinting of paper<br />
cups used in the operation. Both the<br />
Cedar Valley name and an illustration of<br />
the screen tower appear in light green ink<br />
on each cup.<br />
In remodeling the stable to create the<br />
second refreshment service unit, restrooms<br />
were built into each end of the structure.<br />
From beginning to end, the services and<br />
facilities of the Cedar Valley operation bespeak<br />
showmanship in the best sense of<br />
the word.<br />
The size of food sales at the remodeled<br />
This closeup view of the stable which became a cafeteria-style concession building shows how<br />
the building lines fitted into the southern colonial styling of the entire drive-in.<br />
stable on the rear of the Cedar Volley Drivein<br />
Theatre may be figured from the completeness<br />
of equipment employed. Shown above is<br />
the double hamburger grill, left, and the double<br />
french friers with their wire baskets at<br />
the right French friers are made by the Griswold<br />
Mfg. Co. Si/ex coffee makers are used<br />
and hamburger grills are made by Hotpoint.<br />
14 The MODERN THEATRE SECTION
WINTERIZING THEATRE FLOORS<br />
by DAVE E. SMALLEY<br />
^^S IN ALL OTHER PHASES Of living,<br />
winter brings its special housekeeping<br />
problems and one of the biggest of these<br />
is<br />
the maintenance of the floors.<br />
There are two ways of facing this problem,<br />
one of which is to accept the situation<br />
as inevitable and do nothing about it.<br />
Floors are bound to get more abuse in bad<br />
weather and the public expects and accepts<br />
the temporary impairment as coincident<br />
with winter.<br />
As a matter of fact, as your customers<br />
shuffle through your lobby they are too<br />
intent upon the objective ahead to notice<br />
or care how your floor looks, and when<br />
they get into the foyer and auditorium it<br />
is too dark to see, even if they did care.<br />
All of which assumption makes it easy to<br />
brush the worry from your mind.<br />
The other way of facing the problem is<br />
to recognize these facts: First, the customer<br />
does see your dirty lobby floor and<br />
it registers unfavorably in his subconscious<br />
mind; second, your floor represents a<br />
big investment and neglect at any time<br />
will cost you money later on: and third,<br />
something can be done about protecting<br />
and maintaining floors successfully in bad<br />
weather.<br />
To begin with, "an ounce of prevention<br />
is worth a pound of cure," so exclude as<br />
much of the winter slush as possible by<br />
keeping the sidewalk clean. With snow on<br />
adjoining sidewalks it is not easy to keep<br />
your own clean, even under your broad<br />
marquee where it is tracked by the endless<br />
stream of customers and passersby. However,<br />
in very bad weather it will pay to<br />
keep one man with a fiber brush busy on<br />
the sidewalk. He can do as much good as<br />
two men with mops on the inside.<br />
To be sure, most of the larger theatres<br />
use corrugated or perforated rubber runners<br />
across the lobby, especially essential<br />
in bad weather. Not only do these runners<br />
go a long way toward cleaning the<br />
shoe soles before they reach the carpeting,<br />
but they may prevent falls on a smooth,<br />
wet floor.<br />
Nevertheless, when the weather drives<br />
the waiting crowd inside the lobby, they<br />
will not all stay on the rubber runners.<br />
Terrazzo and marble floors are likely to<br />
suffer most from dirty, melting snow or<br />
water carried in from the street. Asphalt<br />
tile, ceramic tile, rubber and linoleum are<br />
less easily stained by such conditions.<br />
MARBLE STAINS IN WINTER<br />
Neglecting your terrazzo or marble floor<br />
during the winter will result in a badly<br />
stained floor by next spring. The discoloration<br />
may be so uniform as to be unnoticable<br />
until you move a runner. Harsh<br />
cleaners and hard work will then be necessary<br />
to restore your floor to its natural<br />
tone. And harsh cleaners take a positive<br />
toll from the texture of your floor. Alkaline<br />
solutions seep into the pores of the<br />
marble, including the marble chips of your<br />
terrazzo and, upon drying, swell and cause<br />
the marble to spall. What is known as<br />
"dusting" is usually the result.<br />
If terrazzo or marble does become stained,<br />
alkalies or abrasives are usually necessary<br />
to remove the discoloration, but<br />
abrasives are also hard on marble. Especially<br />
on terrazzo the continued use of<br />
abrasives has a tendency to dull the natural<br />
polish.<br />
Therefore, it is better to protect your<br />
terrazzo or marble before it becomes stained<br />
from winter usage. Since in most parts<br />
of our country really bad weather does<br />
not set in until near Christmas, you should<br />
still have time to winterize your floors.<br />
Of course, before doing anything else,<br />
give the floor a good cleaning. This is done<br />
best and safest with a good neutral soap<br />
or with one of the new synthetic "soap"<br />
cleaners. The latter, which are nearly always<br />
derived from sulphonated alcohol and<br />
are now available from almost all leading<br />
suppliers, are more effective than soap because<br />
they are what is known as "wetting<br />
agents" and have considerable penetrative<br />
action. At the same time they are<br />
safe to use on any washable surface.<br />
Much of the sparkle and the custom-tailored look of the lobby and refreshment counter in<br />
the Harper Theatre in Fontana, Calif., stems from the highly polished terrazzo floor with its<br />
compass point pattern in front of the circular refreshment counter. The theatre was designed by<br />
S. Charles Lee, prominent west coast architect.<br />
WAX GIVES PROTECTION<br />
When the floor is clean and dry, apply<br />
the protective treatment of which there<br />
are two kinds adaptable for terrazzo and<br />
marble. The better of these is floor wax,<br />
preferable the "self-polishing," water wax<br />
type. It is easy to apply, easy to remove<br />
or renew and it not only prevents traffic<br />
stains from penetrating the floor, but<br />
greatly simplifies cleaning. Water, slush<br />
and dust do not adhere to a well waxed<br />
surface. Ordinarily they can be removed<br />
(Continued on page 22)<br />
BOXOFFICE December 2, 1950 15
1<br />
The dramatic quality of illumination in the Guyan auditorium is well<br />
presented in the view above. No white light of any sort, except for small<br />
aisle markers, is used. Hooded black light fixtures create vivid effects in<br />
the fluorescent murals done by the Hanns Teichert studio. A peanut gold<br />
curtain is lowered at intermission and colored spotlights play on the gracefully<br />
draped proscenium.<br />
Modernism Blended With Local<br />
Interest<br />
In<br />
Decoration of West Virginia Theatre<br />
X OLLOwiNG A TREND becoming popular<br />
in many locations, the decoration of<br />
the new Guyan Theatre in Logan, W. Va.,<br />
combines the smartness of modern treatment<br />
in its lobby and foyer with a strictly<br />
localized decor in lounges and auditorium.<br />
The Guyan, one of 23 houses owned by<br />
the Newbold-Keesling circuit of Bramwell,<br />
W. Va., was designed by architect Alex B.<br />
Mahood. The Hanns R. Teichert Co. of<br />
Chicago handled the custom-styled decorations<br />
throughout the house.<br />
Prom its name, which is of Indian origin<br />
and is talien from the nearby Guyan river.<br />
to the murals on its auditorium walls the<br />
new house has been planned to fit this<br />
community.<br />
and are used as exits for departing patrons<br />
exclusively.<br />
Just over the front entrances, on the<br />
inside, are unit heaters with fans to direct<br />
a concentrated stream of heat down in the<br />
area of constantly opening doors.<br />
In the smooth, well-designed lobby of<br />
the Guyan a practical terrazzo floor is patterned<br />
in undulating waves of soft gray<br />
and green. The street wall is finished in<br />
plastic-faced panels of textured ivory over<br />
plaster. The plastic wall finish is of particular<br />
maintenance interest in light of<br />
the fact that it can be cleaned, in most<br />
cases, by wiping with a damp cloth.<br />
Other portions of the lobby walls are<br />
done in dark blue background with leaf<br />
motifs in darker and lighter tones of bluegreen<br />
and accents of white. A ceiling of<br />
dynamic red provides dramatic contrast.<br />
I<br />
COMBINE BRICK AND MARBLE<br />
The theatre front combines red pressed<br />
brick in stacked courses with Tennessei<br />
marble. The vertical name sign is composed<br />
of neon tubing surrounded by white<br />
bulbs in a constant twinkling effect. The<br />
edge of the sign is illuminated with white<br />
chaser bulbs.<br />
<strong>Boxoffice</strong> and doors are recessed from<br />
the front line of the building. In order to<br />
aid in controlling patron traffic patterns<br />
at the showbreak, the two doors on either<br />
side of the boxoffice are equipped with<br />
hardware on the outside to be used as entrances.<br />
The pair of doors on either side<br />
of these have handles on the inside only<br />
In a head-on location, the Guyan refreshment service counter is recessed into the flat base<br />
the semi-circular lobby with auditorium doors on either side. A dark blue and brilliant red<br />
of<br />
color scheme is used here, with dark blue Flexglass as background and trim for the counter.<br />
A Manley popcorn machine is the center element of the stand.<br />
16 The MODERN THEATRE SECTION
In shape the lobby is semi-circular with<br />
the curved side to the front. Stairs leading<br />
in a gradual grade to the balcony are<br />
placed at either side. Recessed entrances<br />
to men's smoking room and the ladie.s'<br />
powder room are just forward of balcony<br />
stairs.<br />
A recessed concession counter faces the<br />
patron as he enters. Set between doors to<br />
the auditorium, it is backed with Flexglass<br />
mirroring which extends above it around<br />
a portion of the lobby wall as trim below<br />
the lighting cove. The back wall of the<br />
lobby, as well as the ceiling, is covered with<br />
acoustical tile.<br />
LOBBY IS COVE LIGHTED<br />
Encircling the lobby is the lighting cove<br />
ring containing recessed downlights for<br />
accent lighting around the perimeter of<br />
the area. Overall illumination is provided<br />
by two rows of neon tubes in the cove.<br />
Within the auditorium the patron is immediately<br />
struck by the impression of large<br />
pictorial areas on each wall, done in glowing<br />
fluorescent colors. As has been so successfully<br />
done in other locations by artists<br />
of the Teichert studio, exhaustive research<br />
has been employed here to provide an<br />
authentic pictorial interperation of Logan's<br />
history, business and social heritage.<br />
Decoration of the Guyan is presented<br />
with a true flair for showmanship. Black<br />
lights, to provide the ultra violet illumination<br />
for the fluorescent murals, are set into<br />
the ceiling and are hooded so that the<br />
beams are thrown on sidewall paintings<br />
with dramatic intensity. Before showtime<br />
and during intermission colored footlights<br />
and borders are thrown on the peanut gold<br />
contour curtain which is lowered when the<br />
screen is not being used. The entire effect<br />
in the Guyan auditorium is soft and restful,<br />
perhaps partly because no white illumination<br />
is provided here at all.<br />
Beyond a decorative technique, lowering<br />
the curtain at intermission and providing<br />
the changing colored lights gives the theatreman<br />
an excellent opportunity to mer-<br />
An interesting wavy pattern<br />
is provided in the terrazzo<br />
flooring of tite lobby. Deep-set<br />
doorways provide room for interesting<br />
mural treatments at<br />
the very entrance of the house.<br />
In the center background is<br />
the door to the smoking<br />
lounge. On the opposite side<br />
of the lobby is the powder<br />
room. Almost adjoining each<br />
is a stairway leading to the<br />
balcony. The three-flavor Spacarb<br />
drink machine along the<br />
curving wall is separated from<br />
the rest of the refreshment<br />
service counter at the Guyan.<br />
chandise the investment he has made in<br />
curtains, seats and carpeting in a modern<br />
theatre.<br />
The excellent taste in executing and<br />
lighting the historical auditorium murals<br />
in the Guyan is indicated by the fact that<br />
low light intensities are used to bring the<br />
murals within the realm of conscious observation,<br />
but not with such force that they<br />
dominate the area.<br />
MURALS CREATE ATMOSPHERE<br />
To quote Hanns Teichert, whose skill<br />
with decorating technique made possible<br />
the fine effects obtained here, "The murals<br />
glow just enough to provide the patron<br />
with a gratifying sense of being comfortably<br />
seated amid luxurious beauty without<br />
having each and every detail so distinct<br />
and bright as to compete with the screen<br />
for his attention."<br />
To further subdue the mural effect, the<br />
various compositions are placed against<br />
walls and ceilings with a dark blue background.<br />
Staggered seating on the orchestra floor<br />
provides good screen vision and relaxing<br />
comfort for 644 patrons. An additional<br />
320 seats are available in the theatre<br />
balcony.<br />
Year-round comfort conditioning in the<br />
theatre is provided by equipment located<br />
in a penthouse above the stage. A gasfired<br />
boiler provides heat which is circulated<br />
throughout the theatre, while summer<br />
cooling is provided by an electrical<br />
refrigeration plant.<br />
Program excellence of a quality to match<br />
the vibrant decoration of the Guyan is provided<br />
from a well-equipped projection<br />
booth. Motiograph projectors and changeovers<br />
with Strong arc lamps project a<br />
brilliant, sharp picture on the Cycloramic<br />
screen in the auditorium. Motiograph<br />
Mirrorphonic sound is used.<br />
According to the owners, approximately<br />
$250,000 was spent in erecting the theatre<br />
building, including equipping it with complete<br />
air conditioning, refrigeration and<br />
circulation systems. An additional $35,000<br />
was spent for the motion picture equipment<br />
it contains.<br />
The house is set on a lot 46x148 feet located<br />
in the main business section of Logan.<br />
Acoustics of the house have been worked<br />
out by using carpeted aisles in the auditorium<br />
with U.S. Gypsum Co.'s Auditone<br />
and Sabinite plaster on walls and ceiling.<br />
CREDITS:<br />
Acoustical material: U. S. Gypsum Co.<br />
Air Conditioning: Conditioned Air, Inc.<br />
Architect: Alex B. Mahood<br />
Arc Lamps: Strong Mogul<br />
Carpets: A'exander Smith<br />
This section of mural from the Guyan auditorium shows how the sophisticated modernism<br />
the foyer and lobby has been replaced with distinct localism in the decor of the rest of<br />
of<br />
the theatre. Exhaustive research provided facts and illustrative data on which the historical<br />
picturization is based.<br />
Curtain Controis: J. R. Clancy, Inc.<br />
Decorator: Hanns R. Teichert Co.<br />
Display frames: Seoluxe by Universal Corp.<br />
Draperies and stage curtains: Premier Studios<br />
Lenses: Kollmorgen Super Snaplite<br />
Projection equipment: Motiograph<br />
Rectifiers: Stronog<br />
Rewinds: Goldberg automatic and Wenzel hand<br />
model<br />
Screen: Cycloramic<br />
Seots: American Seating Co.<br />
BOXOFTICE December 2, 1950 17
FOR THE BIGGEST SCREENS it's ASHCRAFT<br />
I<br />
BIG-POWERFUL-EFFICIENT<br />
!^up»HIGH<br />
FOR THE LARGEST SCREENS<br />
85 TO 110 AMPERES „<br />
ROTATING CARBON<br />
16 INCH F:1.9 REFLECTOR<br />
^ I<br />
WATER COOLED CARBON CONTACTS<br />
THE NEW<br />
ASHCRAFT<br />
HYDRO-ARC<br />
USES FULL 20 inch 9mm CARBON<br />
75-85 AMPERES<br />
15 INCH HIGH SPEED REFLECTOR<br />
WATER COOLED CARBON<br />
NON ROTATING<br />
THE HYDRO-ARC IS NOT A CONVERTED 1935 SUPREX<br />
TYPE LAMP BUT A 1951 MODEL BUILT ESPECIALLY<br />
FOR LARGE THEATRES AND DRIVE-IN'S.<br />
Distributed by:<br />
INDEPENDENT THEATRE SUPPLY DEALERS<br />
CANADA: DOMINION SOUND EQUIPMENTS, LTD.<br />
FOREIGN: WESTREX CORP.<br />
Approved and listed by Underwriters' Laboratory<br />
Write for latest data on this lamp<br />
36-32 Thirty-Eighth Street<br />
•^SASHCRAFTJ<br />
MANUFACTURING COMPANY<br />
Long Island City 1, N. Y.<br />
ARC LAMP SPECIALISTS for<br />
more than a quarter century<br />
18 The MODERN THEATRE SECTION
i<br />
Keep Your Eyes Open for<br />
Candy Stand Demands!<br />
by ERNEST A. GRECULA*<br />
HeLow MANY times have you stopped<br />
by the candy stand in a theatre, heard a<br />
patron ask the candy attendant for a specific<br />
candy bar, noted the attendant looking<br />
about for the bar and then tell the patron:<br />
"I'm sorry ... I guess we don't have<br />
anything like that here now. How about<br />
coming back later? Maybe I'll find some."<br />
How do you think that patron is going<br />
to size up the service of the theatre candy<br />
stand?<br />
SOFT ICE<br />
CREAM<br />
-FROZEN CUSTARD<br />
(leWVo/ume-long ProfiUl<br />
Big Sellers in Every Season<br />
. . . served fresh from a SWEDEN<br />
Long-profit specialties like soft Ice creom<br />
and frozen custard have become taste sensations<br />
throughout the nation. Serve them<br />
fresh from a SWEDEN Speed Fountain Freezer<br />
and quickly build NEW volume in your<br />
refreshment area.<br />
Versalility — Tbere's<br />
Slodel to Meet Every<br />
Need, each designed to<br />
accommodate any type<br />
of froien specialty.<br />
a<br />
Both<br />
air and water - cooled<br />
models available.<br />
Flavor<br />
Variety — Douhle-head<br />
models allow<br />
you to dispense contini.tiiety<br />
of fruit flavors<br />
. . solve both busy<br />
and slack period prob-<br />
Simplicity of Operation<br />
—Sturdy, self-contained<br />
freezers,<br />
automatic consistency<br />
controls, accessibility<br />
of all parts tor<br />
quick servicing and<br />
cleaning.<br />
Attractiveness—Streamlined,<br />
handsome styling<br />
distinguish the entire<br />
SWEDEN line, add decorative<br />
appeal to your<br />
refreshment area.<br />
Certainly it's diff.cult to ascertain what<br />
kinds of candy will appeal to the majority<br />
of patrons in your theatre, but there are<br />
ways and means of meeting this problem.<br />
One de luxe neighborhood theatre m<br />
Hartford, Conn., has overcome this problem<br />
to a great extent. This is the 1,200-<br />
seat Colonial Theatre of the five-theatre<br />
Hartford Theatre circuit.<br />
The Colonial for many years maintained<br />
only token candy service, that is, only three<br />
candy vending machines, offering six<br />
choices of candy each, scattered throughout<br />
the theatre. This was in effect because<br />
of space being unavailable for a<br />
candy stand.<br />
Last year, however, space was created in<br />
the main lounge, off of which are situated<br />
the men's and ladies' rooms. A candy<br />
stand was built, and care was exercised in<br />
the hiring of the proper personnel.<br />
Married women are employed, primarily<br />
because they seem to know what kind of<br />
candy the youngster patrons at the theatre<br />
will want on a bustling Saturday<br />
afternoon. The policy of having married<br />
women in the stand has worked out surprisingly<br />
well, with younger teenagers aiding<br />
them on busy periods.<br />
Ths Colonial uses a screen trailer during<br />
all performances to remind patrons of<br />
availability of candy service in the main<br />
lounge. Included in the material on the<br />
trailer are names of popular brands offered.<br />
But the theatre's candy stand goes one<br />
b3tter than just reminding patrons of<br />
availability of brand names. Its employes<br />
jot down names of candy bars and other<br />
suggestions voiced casually by patrons during<br />
purchasing time. This jotting is not<br />
done in view of the patrons, but rather<br />
during later slack periods, when the candy<br />
aide can add her own comments to those<br />
she just heard.<br />
To the rear of the Colonial's candy stand<br />
has been erected a wall-length mirror, upon<br />
which appear names of candy bars, soft<br />
drinks, etc., available at the stand. This,<br />
too, serves as continual reminder that the<br />
Colonial's stand is in business to serve<br />
the patron and not just to occupy space.<br />
Hartlord<br />
DEPENDABLE<br />
PERFORMANCE<br />
IN<br />
POPPING<br />
€ ^IfSOLlN<br />
Packed in<br />
fOR<br />
^r.i'iie PORH<br />
T«E Bes<br />
LJ^o ODs. 'N<<br />
50-lb. pails and drums<br />
^<br />
*0 IIQOIO<br />
fORPOPWHe V -<br />
CORH<br />
Packed in<br />
38-lb. palls and drums<br />
MADE BY ONE OF<br />
AMERICA'S LARGEST<br />
REFINERS<br />
For iurther information, write to:<br />
SWEDEN FREEZER MFG. CO.<br />
Dept. N-6 Seattle 99. Wash.<br />
The Warner Garde Theatre, New London,<br />
Conn., has a paper clock displayed in a<br />
front lobby frame. The clock's moveable<br />
paper hands are set daily to indicate what<br />
time the evening's last performance of<br />
feature attraction will start.<br />
In addition, the theatre boxoffice has a<br />
complete daily time schedule posted prominently<br />
on a continual basis.<br />
Nick Brickates is theatre manager, with<br />
John E. Petroski as assistant manager.<br />
The BEST FOODS, mc.<br />
1 East 43rd Street<br />
New York 17, New York<br />
Ij<br />
t<br />
BOXOFFICE<br />
December 2, 1950 19
. . FOR<br />
DRIVE-INS! MAKE<br />
MORE<br />
REFRESHMENT SALES IN<br />
COOL WEATHER!<br />
Take Your Whole Concession Right to the Cars<br />
FOR BETTER SERVICE<br />
and BETTER PROFITS<br />
The HOT BOX<br />
Warmer<br />
with<br />
POPCORN, PEANUTS,<br />
HOT DOGS, ETC.<br />
REMOVABLE BASKETS<br />
Johnny Sells Candy, Too<br />
John Cosani, former president and member<br />
of the board of directors of the National Ass'n<br />
of Candy Wholesalers, congratulates Johnny<br />
Philip Morris on the outstanding job Philip<br />
Morris cigorets is doing to aid the merchandising<br />
of candy. He pledged the industry's<br />
support to the Philip Morris effort to place<br />
thousands of the Johnny tie-in cutouts in every<br />
candy-tobacco outlet in the country.<br />
Buffeteria 50<br />
Amazingly Low Priced<br />
Easy to Push Lighted Signs<br />
FOR HOT - COLD FOODS<br />
A COMPLETE CONCESSION STAND<br />
THOUSANDS OF SATISFIED<br />
CUSTOMERS<br />
For prices and literature use postage-paid card<br />
on the blue insert sheet, and show this ad's Key<br />
No. 20-A or Phone WICHITA 4-5169.<br />
Lower cut shows in detail the 8" boll bearing swivel<br />
wheel adding to easy portability; it also shows new<br />
Coleman kero-gas heater for hot food compartments<br />
The most complete portable vending equipment line<br />
WALKY-SERVICE COMPANY ^^^fc^nT/ kI^ns^^<br />
20<br />
POPCORN<br />
BOXES<br />
6 DIFFERENT SIZES<br />
Ready For Immediate<br />
Write for<br />
Delivery<br />
Samples and Prices<br />
Usa postage-paid blue card in this issue, stating<br />
this ad's key number, 20-B, or write direct to:<br />
KONTNEY CARTON CO.<br />
The NEW Patented SPEED-SCOOP<br />
Three limes more efRcienI, Scoop and pour a<br />
bagful of popcorn in one single easy motion.<br />
Made of light, stainless aluminum. Cool hordwood<br />
handle. Perfectly balanced for maximum efTiciency<br />
and speed. Only $2.50 ot your Theotre Supply<br />
or Popcorn Supply Dealer.<br />
SPEED-SCOOP<br />
109 Thornton Avenue, San Franclico 24, Calif.<br />
Announce Venders for<br />
Orange Juice and Milk<br />
Orange juice and milk are among the<br />
latest refreshment Items to be sold by<br />
automatic vending machines, according to<br />
reports.<br />
Pi'ozen orange juice by Minute Maid has<br />
been tested for several months in locations<br />
where it has been vended by specially built<br />
machines from Mills Industries. Tests have<br />
been favorable enough that the program<br />
is expected to be brought into operation<br />
soon with franchise arrangements for interested<br />
operators. Pi-oduction has been<br />
scheduled for several hundred of the units.<br />
Through several states the sale of fresh<br />
or frozen fruit juices has proved quite<br />
popular in both indoor and drive-in theatre<br />
locations.<br />
The Braun Mfg. Co. has recently announced<br />
future production of a bottle milk<br />
vending unit which will carry more than<br />
a hundred third or half -pint milk bottles.<br />
Add to Norris Line<br />
The Norris Candy Co. has recently announced<br />
the addition of a new type of Peanut<br />
Krunch and a tin of fine assorted<br />
chocolates to the existing Norris candy<br />
line.<br />
The new Norris Peanut Ki'unch is said to<br />
overcome the hard-to-chew characteristic<br />
that has prevented many people from enjoying<br />
peanut brittle in the past.<br />
Another Norris development is a tin of<br />
assorted chocolates, hermetically sealed,<br />
for mailing anywhere in the United States<br />
and for overseas shipments.<br />
The MODERN THEATRE SECTION
p-<br />
t<br />
BOXOFFICE<br />
.<br />
NAMA Elects Officers<br />
Election of the 1950-51 officers of the<br />
National Automatic Merchandising Association<br />
took place at the association's annual<br />
board of directors' meeting held during<br />
the recent convention in Chicago.<br />
Selected as president was J. B. Lanagan.<br />
president of the Nik-O-Lok Co.. to succeed<br />
George M. Seedman of the Rowe Service<br />
Co.<br />
For the first<br />
time in NAMA history, two<br />
vice-presidents were elected. They are<br />
Aaron Goldman, who is president of the<br />
G. B. Macke Corp., and I. H. Houston,<br />
president of Spacarb, Inc.<br />
Reelected to the treasurer and secretary<br />
posts were J. T. Pierson, president of the<br />
Vendo Co., and C. S. Darling, executive<br />
director of NAMA.<br />
Elected to the board of directors to serve<br />
three-year terms were: Thomas B. Donahue,<br />
National Vendors, Inc.: Herbert C.<br />
Ogle, Vending Machine Corp. of America:<br />
R. L. Strain, American Locker Co., and J. B.<br />
Lanagan, new association president and<br />
director.<br />
there's<br />
No Other Popcorn Machine<br />
"just like" a Cretors<br />
Cretors was first to use the wet<br />
popping principle (popping corn<br />
directly in the salt and seasoning)<br />
. . . first with the inverting<br />
popping pan, and the time soving<br />
360° dump. Quiet, efficient<br />
Cretors machines have proven<br />
themselves in action for 65<br />
years.<br />
So why not get the best<br />
. . . get a Cretors.<br />
Check post performonces . . . find out<br />
why theotre men select o Cretors. Yeors<br />
of "know how" go into the making of<br />
each Cretors machine. This experience<br />
means more profits for you, because<br />
Cretors machines lost longer, stand up<br />
better under constant<br />
use, and hove "buy"<br />
oppeol. When choosing<br />
a machine remember,<br />
there's no<br />
other "just like" a<br />
Cretors.<br />
C. CRETORS & CO.<br />
606 W. Cermak Rd., Chicago 16, III.<br />
# ^ife^i<br />
Chosen "Miss Popcorn Week of 1950" in<br />
conjunction with both the annual convention<br />
of the National Association of Popcorn Manufacturers<br />
and national Popcorn Week, redhaired<br />
Jo Valentine of Chicago, is pictured<br />
above with Mr. and Mrs. Beaudot, who headed<br />
the board of judges making the selection.<br />
Beaudot, of the ABC Popcorn Co., worked<br />
with his wife as co-chairman of the entertainment<br />
committee of the convention which<br />
met at the Stevens hotel October 25 to 28.<br />
Thousands of profitminded<br />
dealers and<br />
distributors are Swinging<br />
to Switzer's for<br />
increased<br />
candy business . .<br />
rapid repeat sales. Come on<br />
along—there's profit for you,<br />
too—join the big Swing to<br />
Switzer's. Watch sales soar<br />
hen you display<br />
Switzer's on your<br />
retail counters.<br />
SWITZER'S<br />
ST. LOUIS<br />
December 2, 1950<br />
21
Winterizing Theatre Floors<br />
I<br />
Continued from page 15)<br />
YOU CAN "RELY" ON NATIONAL<br />
THE<br />
NEW<br />
Super-Lite<br />
Vinyl Folding<br />
SCREEN<br />
Malle While .. Non-Yellowing<br />
Flame-Proof ,. Fungus Proof<br />
Can Bo Shipped Parcel Post<br />
Stretches Wrinkle-Free .. Washable<br />
Chromatically Correct .. All Sizes<br />
ASK YOUR DEALER OR WRITE<br />
VOCALITE SCREEN CORP<br />
Roosevelt. New York, U.S.A.<br />
MIg'r's of<br />
The Famous Vocalile Beaded Screen<br />
ENCCDRE<br />
THEATRE CHAIRS<br />
HEYWOOD-ri<br />
WAKEFI ELDJ Menominee<br />
Michigan<br />
with damp mops. When dry. the accumulation<br />
can be removed by the so-called<br />
'dry cleaning" method of polishing with a<br />
floor machine, at the same time restoring<br />
the gloss to the waxed surface.<br />
Wax, however, is regarded by many as a<br />
safety hazard and it is true that some<br />
waxes are naturally slippery and others<br />
are slippery under certain conditions. Only<br />
a wax which has been approved by the<br />
Underwriters' Laboratories should be used.<br />
Being established by scientific tests as a<br />
safe treatment for the floor, you have a<br />
known safety factor and, also, should an<br />
accident occur you have good legal ground<br />
in case of a lawsuit.<br />
LESS SLIP IN SEVERAL COATS<br />
It has been established by recognized<br />
authorities, both by laboratory and practical<br />
tests, that two or three thin coats of<br />
wax are less likely to be slippery than one<br />
coat whether thin or heavy, so choose a<br />
wax for your lobby with not more than<br />
12% solids.<br />
If you are afraid of floor wax, however,<br />
there is still another type of treatment<br />
available upon which you can fully depend<br />
from the standpoint of safety. It consists<br />
of a "water-white." quick drying sealer,<br />
usually made of clear, non-yellowing plastic<br />
material and volatile solvents. Most of<br />
the large manufacturers of floor treatments<br />
makj such a product under the<br />
general classification of "terrazzo sealers."<br />
To be really serviceable such a sealer<br />
should not contain more than 12":; to 15%<br />
solids, the purpose being to fill the fine<br />
pores without leaving more than a negligible<br />
surface coating. Thus sealed, the<br />
stains of traffic cannot penetrate but can<br />
be easily removed with a damp mop. At<br />
the same time an attractive sheen is given<br />
to the floor without danger of slipperiness.<br />
These terrazzo sealers can be applied<br />
with a lambswool applicator like wax, drying<br />
in an hour or so. and one coat is nearly<br />
always sufficient.<br />
USE ONE COAT OF SEALER<br />
These sealers are not lacquers, for lacquers<br />
are not recommended for terrazzo<br />
and marble. Neither should you use the<br />
regular varnish type floor sealers since<br />
they give the floor a yellowish cast that<br />
will grow darker as the coating ages and<br />
it will be difficult to remedy.<br />
But your lobby floor may be of hard tile.<br />
mosaic or similar material. We would not<br />
recommend waxing or sealing glazed tile<br />
since it is already impervious to stain and<br />
wet mopping or dry polishing with a floor<br />
machine seems to be the best bet.<br />
If. however, you have asphalt tile, you<br />
should not use a sealer of any kind. Clean<br />
the floor with a good soap or one of the<br />
.synthetic cleaners mentioned earlier in<br />
I<br />
Continued on opposite page)<br />
GEARS!<br />
They are the tiltimale<br />
in precision manuiacluie— made by highly<br />
skilled opeiators using newest, most modem equipment, tdtatical.<br />
completely interchangeable — ihey save time, trouble, expense,<br />
assure smoother operahon and better<br />
pictures<br />
_ LaVezzi Machine Works<br />
^^<br />
For YOUR<br />
BOXOFFICE<br />
Engrared by<br />
our excluaiTe<br />
process on lucite<br />
to youi<br />
'^pocilications.<br />
LAMOLITE*<br />
ILLUMINATED PRICE ADMISSION SIGNS<br />
Our enlorged plant facilities assure<br />
OVERNIGHT service from coast to coast.<br />
Plastic Signs Engiaved lor the Entire Theatre<br />
'Pat<br />
pend<br />
Bowman<br />
New York 10. N. Y.
wax,<br />
. mops<br />
this article. Avoid oils, naphthas etc. which<br />
t dissolve asphalt, and this includes paste<br />
1 i sweeping compounds, oil-treated<br />
etc.<br />
PREFER WAX FOR ASPHALT TILE<br />
No protective treatment is really adaptable<br />
for asphalt tile except good water wax<br />
and it should be applied in two or three<br />
thin coats, exactly as just recommended<br />
for terrazzo. But, if you are afraid of<br />
floor wax on asphalt, maintain the floor<br />
with daily polishing, using a fine grade<br />
I<br />
No. or 00) of steel wool under your floor<br />
machine. This will remove all adhering accumulations<br />
and give the floor some degree<br />
of sheen. Rubbing by hand with a small<br />
piece of coarser steel wool will often remove<br />
cigaret burns.<br />
If you have inclines paved with asphalt<br />
tile, by all means use rubber runners.<br />
Even more than other types of flooring,<br />
asphalt tile can be slippery whether waxed<br />
or not, and it is more hazardous on a<br />
slant.<br />
Rubber tile, which is always popular in<br />
theatres, is less likely to be slippery regardless<br />
of how it is maintained, though it will<br />
not stand as much neglect and abuse as<br />
asphalt tile.<br />
Rubber floors should be cleaned only<br />
with mild alkaline cleaners or certain of<br />
the new synthetic cleaners. Consult the<br />
manufacturer of your floor or refer to the<br />
approved list of cleaners and waxes issued<br />
yearly by the Rubber Manufacturers'<br />
Ass'n of New York City. Rubber floors<br />
can be slowly ruined by using the wrong<br />
cleaners and, of course, never use lacquers<br />
or sealers of any kind.<br />
Like the other floors just discussed, water<br />
waxes offer the best and the only<br />
recommended protective treatment. By<br />
using two or three thin coats of water<br />
wax, one approved by the Rubber Manufacturers'<br />
Ass'n and the Underwriters'<br />
Laboratories, you will have very little<br />
cause to worry about slipperiness. Pi-equent<br />
buffings with a floor machine will keep the<br />
waxed surface clean and polished. Several<br />
manufacturers of rubber tile recommend<br />
occasional burnishing with fine steel wool,<br />
whether the floor is waxed or not.<br />
Avoid oil and grease of all kinds in the<br />
maintenance of rubber, and this includes<br />
paste or solvent type waxes which are detrimental<br />
to rubber.<br />
Linoleum floors should be cleaned only<br />
with neutral soap or non-alkaline synthetic<br />
cleaners. Avoid alkalies of all kinds in<br />
maintaining linoleum and cork, for alkali<br />
is their natural enemy.<br />
Almost all linoleum manufacturers<br />
recommend waxing. As in the case of asphalt<br />
and rubber, there is no other type<br />
of protective treatment adaptable. Avoid<br />
sealers and lacquers of all<br />
kinds.<br />
MOPPING MAY STAIN LINOLEUM<br />
While good linoleum naturally mops<br />
easily, continued mopping through the<br />
winter on an unwaxed surface may gradually<br />
stain the floor. This may necessitate<br />
the same rigorous cleaning in the spring<br />
as referred to in the case of terrazzo.<br />
Scrubbings are deterimental to linoleums<br />
and should be resorted to as infrequently<br />
as possible. Proper waxing, either with<br />
water wax or solvent type wax, will make<br />
such harsh cleaning methods unnecessary.<br />
Here again, frequent polishing with a floor<br />
machine does a good job of "dry cleaning"<br />
and restores the gloss of the wax.<br />
Naturally, because they are nearest the<br />
street, your bare floors bear the brunt of<br />
winter wear. By the time your customers<br />
reach your carpeting most of the moisture<br />
and soil should have been left behind.<br />
Nevertheless, your carpeting will be subjected<br />
to greater abuse in bad weather.<br />
WEIGHT, 165<br />
$<br />
25<br />
LBS.<br />
DOWN<br />
Balance $10 Monthly<br />
400 DE LUXE<br />
PENNY FORTUNE SCALE<br />
NO SPRINGS<br />
VJRITB FOR PRICES<br />
LARGE CASH BOX HOLDS<br />
$85.00 IN PENNIES<br />
Invented and Made Only by<br />
WATLING<br />
Manufacturing Company<br />
4650 W. Fulton St. Chicago 44, III.<br />
Est. 1889—Telephone: Columbus 1-2772<br />
Cable Address: WATLINGITE, Chicago<br />
BOXOFFICE :: December 2, 1950 23
]0I<br />
I<br />
Winterizing Theatre Floors<br />
(Continued from preceding page)<br />
SMASH<br />
HIT<br />
with<br />
Your Patrons<br />
Clear<br />
Crisp Picfures<br />
with<br />
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f/l.9<br />
PROJECTION LENSES<br />
Your patrons will<br />
notice the difference!<br />
Super Snaplites give<br />
you Sharper Pictures,<br />
More Illumination,<br />
Greater Contrast and<br />
Definition.<br />
For the Best in<br />
Projection use Super<br />
Snaplites . . . the<br />
only Projection Lenses<br />
to give you a true<br />
speed off/1.9<br />
in every focal length<br />
up to 7 inches.<br />
Ask for Bulletins<br />
207 and 209<br />
ilolla\oim;Ck ^.<br />
COIMMIKATIOK<br />
Franklin Avenue • Brooklyn 11, N. Y.<br />
YOU GET MORE LIGHT WITH SUPER SNAPLITE'<br />
'/nw^^e a<br />
llPOtt DISIRItUIOII ItlMII t «IIIS[N tID .<br />
J/ntcA- i^arh<br />
about the magic<br />
CYCLORAMIC<br />
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I NO PERFORATIONS .<br />
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> AMAZING NEW DEPTH . . . Ihird dimension effecl/<br />
B. F. SHEARER COMPANY<br />
7A«a/u Cfiiifimtm/ SffrUtUuU<br />
CltT SIRIEI. SU [RUNCISCO • UUU. Wtm» Wm (gUIPIIIII UO • OFFICIS III Ul PIIIICIPM CllllS<br />
It may be so gradual you do not notice<br />
it but your foyer carpet will have become<br />
very soiled by spring if you do nothing<br />
about it. The aisle runners will also suffer<br />
and. to a lesser degree, your mezzanine and<br />
lounging room carpeting.<br />
CARPETS SHOULD BE CLEANED<br />
Certainly your soiled carpeting sliould be<br />
cleaned some time during the winter or it<br />
may be so dirty by spring you can't get it<br />
clean. Also, dirt allowed to remain too<br />
long in any kind of fabric promotes slow<br />
decay.<br />
As a test, take a white rag soaked in<br />
cleaning solution and rub a small spot on<br />
your carpeting. Some of the liquid hand<br />
soap from the lavatory, mixed with some<br />
water, will suffice. This easy test will<br />
quickly tell you how dirty the carpet is.<br />
If very soiled do not let it go until spring,<br />
but shampoo it at once.<br />
If you have outside rug cleaners do your<br />
work, call them in. If you do the work<br />
yourselves, be sure you use a good shampoo,<br />
one that creates a "dry," heavy lather that<br />
doesn't quickly disintegrate. Ordinary<br />
soaps get the carpet too wet, and especially<br />
is this true of the sulphonated alcohol<br />
cleaners which, being wetting agents,<br />
penetrate the carpet, causing it to shrink<br />
and rip at the seams. Also, the wrong kind<br />
of cleaners may leave an offensive odor<br />
and may cause mold.<br />
USE STANDARD SHAMPOO<br />
If you use a standard rug shampoo product,<br />
made by a reputable manufacturer and<br />
follow his instructions, you should have no<br />
trouble. In fact, it is fairly easy, even for a<br />
novice, to shampoo tacked down carpeting.<br />
He has only to be careful about using too<br />
much solution, avoid cleaning too long in<br />
one place, and to be sure he overlaps his<br />
cleaning paths to avoid streaks between<br />
the paths.<br />
For best results, a second operator follows<br />
closely with a vacuum cleaner to<br />
pick up the dirty lather. Or, if a suitable<br />
vacuum cleaner is not available, one<br />
adapted for picking up water, the second<br />
man should squeegee off the excess lather<br />
before it dries back into the carpet.<br />
When the carpet has been cleaned, brush<br />
all the wet nap in the correct direction<br />
before it dries.<br />
By observing the foregoing suggestions<br />
you can keep your theatre spic and span<br />
even during the tough winter weather,<br />
saving yourself and your floors from a<br />
hard, possibly damaging .lob in the spring.<br />
Also, whether or not the customers<br />
realize it at the time, your tidiness in the<br />
midst of untidiness everywhere else will<br />
make a favorable impression, and when<br />
you cater to the amusement seeking public,<br />
good impressions usually add up.<br />
24<br />
The MODERN THEATRE SECTION
THE STRONG TROUPER HIGH INTENSITY ARC<br />
is being installed — and fast — in theatres, night clubs, coliseums, arenas and<br />
stadiums. Circuses carry them. Ice shows declare they have no equal. Schools,<br />
universities and colleges are putting them to work. They're used to spot the<br />
entrance of "rasslers." They've been installed in TV studios. Industrial shows<br />
and conventions call for them. Even churches want them! Projectionists are buying<br />
them In great numbers and putting them out on a rental basis.<br />
The Strong Trouper assures a knife-sharp, steady, uniformly brilliant, dazzling<br />
snow-white spot. It draws only 10 amperes from any 110-volt A.C. convenience outlet.<br />
It's easy to operate. The automatic arc control maintains a constant arc gap,<br />
free from hiss or flicker. A trim of carbons burns one hour and twenty minutes at<br />
21 volts and 45 amperes.<br />
It makes the use of heavy rotating equipment unnecessary. The adjustable, selfregulating<br />
transformer is an integral part of the base. The Strong Trouper is<br />
mounted on casters, easily portable and as easily disassembled for shipping.<br />
is<br />
A horizontal masking control can be angled at 45 degrees in each direction. A<br />
color boomerang contains six slides and an ultraviolet filter holder.<br />
The optical system utilizes a silvered glass reflector and a two-element variable<br />
focal length lens system.<br />
SEE ANY OF THE FOLLOWING DEALERS OR USE COUPON FOR OBTAINING LITERATURE<br />
Albany, N. Y.— National Theatre Supply Co; Albany Theatre<br />
Supply<br />
Atlanta— National Theatre Supply Company<br />
Atlantic City— Boardwalk Film Enterprises<br />
Auburn, N. Y.—Auburn Theatre Epuipment<br />
Baltimore—J. F. Dusman Co.; National Theatre Supply Co.<br />
Boston—J. Cifre, Inc.; National Theatre Supply Co.<br />
Buffalo—Dion Products; National Theatre Supply Co.<br />
Charlotte— National Theatre Supply Co.; Standard Theatre<br />
Company<br />
Chicago—Abbott Theatre<br />
Supply<br />
Equipment Co.; Gardner Jansen,<br />
Equipment Company; National Theatre Supply Company<br />
Denver— National Theatre Supply Co.; Graham Brothers<br />
Des<br />
Detroit—<br />
Moines— National<br />
National Theatre<br />
Theatre<br />
Supply<br />
Supply<br />
Co.<br />
Company<br />
Forty Fort, Pa.—V. M. Tate Theatre Supplies<br />
Greensboro^Standard Theatre Supply Company<br />
Houston—Southwestern Theatre Equipment Company<br />
Indianapolis— National Theatre Supply Company<br />
Kansas City, Mo.—Shreve Theatra Supply; National Theatre<br />
Company<br />
Angeles—J. M.<br />
Supply<br />
Los Boyd; C. J. Holzmueller; National Theatre<br />
THE<br />
STRONG<br />
ELECTRIC CORP.<br />
The World'! Lorgcil Manu-
WHEREVER APPEARANCE<br />
AN^NEATNESS<br />
CARE FOR YOUR CARPETING<br />
by G. WALTER BRUNING*<br />
you ii see LINTEX<br />
COLLARS & FRONTS<br />
Progressive<br />
flwu Cnrtiiy<br />
uaia un mosc<br />
KEw vtii cirr, N. «.<br />
Chains and Independents<br />
have<br />
found that Lintex<br />
Paper Collars and<br />
Fronts are convenient<br />
and economical.<br />
These collars<br />
and fronts are<br />
made from specially<br />
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with a linen<br />
finish. When<br />
soiled they are<br />
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No laundry<br />
problems with<br />
REVERSIBLE COLLAR CO.<br />
Ill PUTNAM AVENUE CAMBRIDGE, MASS.<br />
V^ARPETiNG REPRESENTS a Substantial<br />
investment in beauty for any theatre.<br />
Probably no other single item does more<br />
to create the necsssary atmosphere of luxury<br />
and elegance in its decor. Since maintaining<br />
both a beautiful and comfortable<br />
house has become so essential, the question<br />
is often asked by managers—what can<br />
I do to ksep my carpeting looking as good<br />
two years from now as it does today? What<br />
can I do to increase its life, its serviceability?<br />
Once carpeting has been laid on a floor,<br />
its durability and ultimate value depends<br />
largely upon the attention it receives. Like<br />
a suit of clothes, it must be kept clean,<br />
for dirt is a carpet's worst enemy.<br />
DAILY VACUUMING VITAL<br />
At least once a day all carpeted areas<br />
should be given a thorough vacuuming.<br />
Where areas are heavily traveled, it is advisable<br />
that this be done following each<br />
performance when possible. Dirt and dust,<br />
if allowed to remain in a carpet, will grind<br />
and embed itself into the pile, cutting the<br />
fibre at the base of the carpet. This, of<br />
course, reduces carpet life.<br />
Though simple maintenance can be performed<br />
from day to day by the theatre's<br />
own crew it is advisable for the manager<br />
to find and establish confidence in a good<br />
local cleaning establishment. No one can<br />
advise better and do more to help the theatre<br />
manager get real dollar value out of<br />
his carpeting purchase than the professional<br />
cleaner. It is wise to allow him to<br />
inspect the carpet periodically and make<br />
his recommendations. Entrust your carpet's<br />
life to his hands. He will add years<br />
to its serviceability and beauty.<br />
PERIODIC INSPECTION<br />
From time to time the local contractor<br />
who made the installation should also be<br />
called in for a thorough and systematic<br />
•Manager oi Contract Sales, A. & M. Karagheucheck<br />
of the entire house. He will no<br />
doubt discover factors which may be contributing<br />
to the carpet's rapid and unnecessary<br />
wear.<br />
No two areas in a theatre receive exactlj<br />
the same amount of traffic, therefore some<br />
parts show wear much more quickly than<br />
others. Rather than wait until these worn<br />
areas appear and unbalance the entire theatre<br />
by shifting the carpeting, it is advisable<br />
to have the local contractor inspect<br />
the entire house at least once every six<br />
months. His trained eye will spot sections<br />
that may be showing wear. He will be able<br />
to advise the best way in which to snift<br />
the carpet and equalize its wear throughout<br />
the entire theatre, to keep the whole<br />
house looking the same.<br />
Stair carpeting receives probably the<br />
most severe wear, therefore it is advisable<br />
to have the contractor check the condition<br />
of the nose of the steps frequently.<br />
If nosings<br />
show excessive wear, carpeting should<br />
be shifted periodically in order to insure<br />
its<br />
maximum wear life.<br />
CHECK FOR LOOSENESS<br />
Occasionally a looseness will appear<br />
where carpet has had to be joined together<br />
in strips. This condition should be frequently<br />
checked. The repair job becomes<br />
harder if you wait until the seams and<br />
joints separate.<br />
Some carpeting, when it has been on<br />
the floor for a time, will develop puckers<br />
and wrinkles, due to peculiar atmospheric<br />
conditions. If left alone and not carefully<br />
restretched, this bulging will cause rapid<br />
wear in the backing as well as in the pile.<br />
Since replacement often becomes necessary<br />
due to excessive wear in certain heavy<br />
traffic areas, theatre owners should allow<br />
some additional yardage for replacement<br />
when carpet is originally purchased. Most<br />
manufacturers say that about five to ten<br />
per cent extra should be included in the<br />
original order to cover replacement needs.<br />
tor<br />
one<br />
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The most popular carbon sover, used by more<br />
theatres than ALL other makes COMBINED<br />
At all progressive supply houses.<br />
Prices per hundred, postpaid.<br />
Not Packed in Mixed Sizes.<br />
6 or 7mm, either size $2.00<br />
5/16 inch or 8mm $2.50<br />
9mm $3.00<br />
(Add sales tax for your state)<br />
ORDER<br />
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If not 100%<br />
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CALI Products Company<br />
3719 Morjori* War Sacramento 17, Calif.<br />
For full information use the postage-paid card, in this issue. Write in this ad's key number 26-C.<br />
26 The MODERN THEATRE SECTION
MIAMI BEACH'S CXUH^ THEATRE<br />
features KROEHLER ^MM-^am seats<br />
Built and operated by Wometco<br />
Theatre Circuit, Mitchell Wolfson<br />
and Sidney Meyer, co-owners.<br />
•<br />
ARCHITECT<br />
MICHAEL J. DeANGELIS<br />
Florida's largest, newest and finest<br />
theatre provides:<br />
• Escalator to balcony<br />
• Tropical garden lobby<br />
• Theatre television<br />
• Completely air-conditioned<br />
• 2500 de luxe seats<br />
• Full depth latex rubber seat units<br />
• 100% nylon fabrics<br />
• Latex rubber upholstered arms<br />
• Deep, spring-filled backs<br />
KROEHLER<br />
THEATRE SEATS<br />
THE WORLD'S FINEST THEATRE SEAT<br />
666 Lake Shore Drive, Chicago 11, Illinois • Canadian Theatre Chair Co., Ltd., 40 St. Patrick St., Toronto 2B, Canada<br />
BOXOFFICE :: December 2, 1950 27
IF YOU ARE<br />
fUSSY' about<br />
PICTURE<br />
QUALITY<br />
Here Is<br />
The Screen<br />
For You!<br />
Spectacular Stage Effects Possible by<br />
Using New Bandcar Without Guide Tracks<br />
W.HETHER OR NOT Stage shows should<br />
return to the motion picture theatre as an<br />
added attraction, a growing number of<br />
neighborhood and suburban theatres are<br />
making a pitch for the position of recreational<br />
center for the community. In the<br />
larger theatres, particularly, it is becoming<br />
less and less unusual for dressing rooms<br />
and stage facilities to be planned into new<br />
theatre design.<br />
Conscious of this trend, it is interesting<br />
to note that at a recent performance at<br />
Purdue University Music Hall, the great<br />
20-ton fire curtain majestically ascended<br />
and the mammoth draw curtain started to<br />
open as the strains of a lively overture<br />
filled the hall. Then the orchestra appeared,<br />
rising from the orchestra pit.<br />
Higher and higher it rose, with all musicstand<br />
lights glowing, until it reached stage<br />
level. Smoothly and without a pause, it<br />
moved onto the stage and continued downstage,<br />
coming to an easy stop at the last<br />
notes of the overture.<br />
Bandcar rising to stage.<br />
Bandcar locked into "up" position.<br />
THE NEW<br />
DA-LITE V-1<br />
FOLDING SCREEN<br />
Every gradation of tone in black and<br />
white film and every shade of color in color<br />
film is brought out with complete fidelity<br />
on Oa-Lite's new V-1 Folding Screen. The<br />
VI is the finest professional theatre screen<br />
Da-Lite has ever produced in 41 years of<br />
leadership in screen manufacturing. Ask<br />
your theatre equipment dealer for a demonstration!<br />
Or send for a sample swatch<br />
and make your own tests and comparisons!<br />
Here is a screen that does justice to your<br />
film attractions. Compare it on any basis;<br />
brilliance, sharpness of detail, quality of<br />
sound transmission. It will spoil you for<br />
nny other screen.<br />
In addition, it gives you all of these moneysaving<br />
advantages:<br />
• Low Transportation Charges<br />
The Da-Lite V-1 is so light and compact,<br />
it can be carried by one man (sec<br />
above) and shipped Parcel Post.<br />
• Economical Installation<br />
by only two men,<br />
• Easy Maintenance<br />
Can be washed by your janitor.<br />
• Fewer Replacements<br />
Fungus-rcsistont. Flameproof. Permascalcd<br />
seams — no stitches to come<br />
loose or break. Seams perforated after<br />
fusing for uniform aging and longer<br />
service.<br />
.\sk your dealer about the new low prices<br />
on this popular Pa-l-ite V-1 Folding .Screen.<br />
Write for illustraled cirrnlar.<br />
DA-LITE SCREEN CO., Inc.<br />
2721 N. Pulaski Rd., Chicago 39, Illinois<br />
Since 1909 Makers of fine Theatre Screeris<br />
BANDCAR TRAVELS WITHOUT GUIDES<br />
This spectacular touch was made possible<br />
by a huge new motorized bandcar recently<br />
designed and installed by J. R.<br />
Clancy, Inc. One of the outstanding features<br />
of this new bandcar is that it requires<br />
no guides built into the stage floor; the<br />
car travels straight without external guiding.<br />
The fact that the car operates on a<br />
smooth stage floor without the necessity<br />
of mutilating the floor by the insertion of<br />
steel guides is considered an important<br />
achievement in theatre engineering. Another<br />
important step in stage equipment<br />
design is the use of all-aluminum structural<br />
members, which greatly reduce the weight<br />
of the car.<br />
The car is electrically operated and<br />
remotely controlled. With the car on the<br />
orchestra lift in the basement position, the<br />
touch of a button starts the lift rising to<br />
stage level. When it is flush with the stage,<br />
the bandcar motor is energized and the<br />
bandcar travels back stage. However, if<br />
the Clancy disappearing microphones are<br />
in the up position, the car will not leave<br />
the lift until the microphones are lowered<br />
into the floor. The instant the car starts<br />
to move off the lift, the elevator is locked<br />
in position so that it cannot be moved until<br />
the car is either completely off or completely<br />
on the elevator. The car then<br />
travels backstage to a predetermined point<br />
where it stops automatically.<br />
On the forward travel, the car proceeds<br />
out to the disappearing microphone position.<br />
If the microphones are up, it will<br />
again stop until they are retracted into the<br />
floor. Furthermore, the car will not pass<br />
this point unless tlie elevator is up in posi-<br />
Bandcar may be used with trailers.<br />
tion to receive it. When it does cross this<br />
line, the elevator is automatically locked in<br />
place until the car takes its position completely<br />
on the elevator, at which time the<br />
elevator-operating circuit is automatically<br />
restored.<br />
The car is fitted with a variety of<br />
parallels and platforms which make possible<br />
a wide variation in orchestra and<br />
band seating and in choral grouping. When<br />
used for stage work only, the bandcar can<br />
also be extended in both length and depth<br />
by means of trailers which practically<br />
double the already mammoth size of the<br />
car. These trailers are easily handled and<br />
are transported by the elevator lift to the<br />
basement for storage. The main car is<br />
stored on the lift itself when not otherwise<br />
in use.<br />
When the bandcar is stored on the orchestra<br />
elevator, the power unit may be<br />
removed, giving the car a completely flat<br />
surface. The orchestra lift can be automatically<br />
spotted flush with the stage floor<br />
either with or without the bandcar on the<br />
lift.<br />
28 The MODERN THEATRE SECTION
Are your projection lamps old enough to vote?<br />
Whether you are still using horse-and-buggy, low intensity lamps<br />
or early-vintage, high intensity reflector lamps, you should bring<br />
your equipment up to date right now.<br />
WHY.'<br />
Because "National" "Suprex" High Intensity carbons give you the<br />
following advantages:<br />
1. Brightest, whitest light available in this size carbon<br />
2. Steadier burning, greater dependability<br />
3. Perfect color balance<br />
4. Complete technical service by National Carbon specialists<br />
5. Made in America by American labor<br />
6. Economical to operate<br />
For complete details, write to National Carbon Division,<br />
Union Carbide and Carbon Corporation, Dept. MT.<br />
when you buy<br />
projector carbons,<br />
buy "NATIONAL"<br />
The terms "Natiofial", "Surrey<br />
are trade-marki<br />
nd •El<br />
eady"<br />
NATIONAL CARBON DIVISION<br />
UNION CARBIDE AND CARBON CORPORATION<br />
30 East 42nd Street, New York 17, N. Y.<br />
DhlricI Sales Offices: Atlanta. Chicago, Dallas.<br />
Kansas City, New York, Pittsburgh, San Francisco<br />
Id Canada: National Carbon. Ltd.. Toronto 4<br />
BOXOFFICE December 2, 1950 29
I<br />
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Skilled workmen using the<br />
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Above, Super Star Model 30<br />
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JLn the last 25 YEARS morc Americans<br />
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is fi fire somewhere in the United States<br />
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Such facts as these, coupled with thfcurrent<br />
ban on new construction, rising<br />
insurance rates and the memory of such<br />
terrible fires as the Coconut Grove disaster<br />
in Boston and the Wyncoff hotel fire in<br />
the south have made theatremen acutely<br />
conscious of the values of treating the<br />
draperies and other fabrics used to give<br />
their interiors the luxury appearance which<br />
is so desired.<br />
Among other compounds which have been<br />
produced in recent years is Flamort with<br />
fire retardants which are patented dry<br />
compounds. Mixed with water, they are<br />
sprayed on unpainted wood, fabrics, paper<br />
or other combustible materials to make<br />
them flame-resistant. The heat of the fire<br />
liberates non-irritating, non-toxic gases<br />
which dilute and cool the products of combustion<br />
to below their spontaneous ignition<br />
point. At the same time a glaze and<br />
char-like coating forms on the area contacted<br />
by the flame. Thus the material<br />
which has been impregnated repels flame.<br />
Due to this double action the tendency to<br />
smolder is eliminated.<br />
Smoldering is the dreaded afterglow<br />
feared by every fire fighter. A glowing<br />
cigaret stub dropped on a carpet or a burning<br />
match dropped on an automobile seat<br />
or bed cover cannot start a fire if the<br />
carpet, upholstery or bed cover has been<br />
treated with such liquids as Flamort.<br />
Surfaces already painted should not be<br />
Fire resistant treatment for theatre curtains.<br />
treated. For this reason many lumber mills<br />
are now treating the raw lumber by immersion<br />
into a Flamort bath so that houses,<br />
barns and other buildings are fireproofed<br />
even before construction. After the solution<br />
has dried, the color of the original<br />
wood returns, and except by actual testing<br />
there is no way to determine by outward<br />
appearance which areas have been treated.<br />
Water soluble wood stains or dyes may<br />
be added to the Flamort solution. Most<br />
good rug shampoos and tints can be combined<br />
with Flamort for textiles, so that a<br />
combination of flame and mothproofing<br />
can be accomplished.<br />
Plamortized textiles have to be retreated<br />
when washed with water, but not when dry<br />
cleaned.<br />
I<br />
DUr«*»a hospital— I'vtn the smallest<br />
needn't take a chancel A Fairbanks-Morse<br />
generating set costs so Httle! These performance-proved<br />
generators are available<br />
in capacities from 600-35,000 watts, A.C.<br />
Get the facts about Fairbanks-Morse<br />
generating sets for standby use in theaters,<br />
30<br />
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churches, institutions, from your local<br />
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Fairbaivks-Morse,<br />
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Please sencj complete information about<br />
Fairbanks-Morse generating sets for standby<br />
Address<br />
Cliy<br />
Suie<br />
Be Sure to See WILLIAMS Before You Buy Any Screen<br />
WILLIAMS SCREEN CO.<br />
1679 Summit Lake Blvd. Akron 7, Ohio<br />
The MODERN THEATRE SECTION
I system<br />
jAAjn|-Asdo|<br />
When the front curtain<br />
at the Haven Theatre in<br />
Btaokhoven, Miss., is<br />
S3DI»d<br />
suiejj Ae|dsi(]<br />
paujni 3AaM„<br />
raised it forms the festoon<br />
mlance shown at the right.<br />
This installation is unique<br />
in that the curtain actually<br />
works around a<br />
drum-shaped stage.<br />
Contour Curtain Fits Drum Stage<br />
With the stage almost disappearing from<br />
many modern motion picture theatres, the<br />
striking and dramatic design of installation<br />
at the new Haven Theatre in Brookhaven,<br />
Miss., is more than unique. Designed<br />
in the shape of a snare drum, the<br />
stage extends half of its oval side into the<br />
auditorium.<br />
Faced with the problem of creating contour<br />
curtain machinery for this unusual<br />
shape, J. L. Hicks of Hubert Mitchell Industries<br />
took one look at the completed<br />
stage and wondered why the curtain<br />
couldn't travel a curved track around behind<br />
the theatre's screen.<br />
It had never been done before, but the<br />
has been worked out to the mechanical<br />
and artistic satisfaction of L. E.<br />
Downing, Haven owner, and all concerned.<br />
To quote Hicks on the new arrangement,<br />
"This curtain is of the contour type<br />
which follows the contour of the stage and<br />
is operated up and down rather than in<br />
the old conventional way from side to<br />
side.<br />
"When this curtain is raised, the front<br />
curtain forms a festoon effect valance.<br />
The festoon portion of the front curtain<br />
contains 75 per cent fullness. The portions<br />
from the festoons on each side that<br />
drape to the floor contain 466 per cent<br />
fullness. This is because of the fact that<br />
when the curtain is in the open position,<br />
the side legs of the front curtain must extend<br />
entirely to the floor.<br />
"The front curtain actually extends all<br />
the way behind the screen at the sides.<br />
The ceiling borders, also contour curtains,<br />
follow the same plan."<br />
The stage of the Haven is 40 feet wide<br />
and 22 feet high.<br />
Yes I<br />
New manufaituring<br />
methods have slashed<br />
our costs,..<br />
. . . read 'em and smile!<br />
• 8" X 10"<br />
LIFETIME<br />
EXTRUDED<br />
ALUMINUM<br />
SLIDE FRAMES<br />
$1.00/<br />
• 4x14 $1.00 eoch<br />
• 11x14<br />
$1.50 each<br />
• 14x22<br />
$2.15 each<br />
• 22x28<br />
$3.00 each<br />
• 14x36<br />
$3.00 each<br />
i<br />
THE PROJECTIOniST'S PROJECTOR<br />
i and built by projection specialists, the<br />
Motiograph Mod' AA" Double Shutter Projector is recog-<br />
Id's finest— the proven projector that can be<br />
3r. It comprises oil those features<br />
iider necessary to dependable<br />
ble-free operotion and ease of<br />
• A ROCK-STEADY PICTURE<br />
• MAXIMUM SCREEN ILLUMINATION WITHOUT<br />
FUCKER OR TRAVEL GHOST<br />
• SWEET, SMOOTH, SILENT, COOL OPERATION<br />
• UNBEUEVABLE RESISTANCE TO WEAR<br />
You'll be glad for years<br />
They last<br />
when you buy Motiograph projectors,<br />
practically for. ever, assure the lowest overall cost.<br />
For convincing proof, request o free demonstration.<br />
For Free Literature Address<br />
MOTIOGRAPH, INC<br />
Amtrica'^ Oldest Majiufactiirer of Prn;e.cfion Kqiiipnienr'<br />
4431 WEST LAKE STREET CHICAGO 24, ILL.<br />
Above 40x60 Wall Frome $64.50<br />
• Send for illustraied brochure—<br />
a complete line of illuminated and non-illuminated<br />
wall frames and poster cases. We<br />
guarantee all prices are in line with these!<br />
Peoples Display Frame Co.<br />
1515B Olympic Blvd. Montebello, California<br />
(BOXOFFICE :: December 2, 1950<br />
31
mmmmm<br />
—<br />
,^.<br />
HERES SENSATIONAL NEWSl<br />
Announcing the Brand-New All-Steel<br />
UNIVERSAL CHAIR LINE<br />
i<br />
'<br />
ENGINEERING<br />
OLUTIONARY IN<br />
TRIUMPH!<br />
PRINCIPLI<br />
Makes possible the ultimate in flexibility . . .<br />
a production method that<br />
ERMITS<br />
TREMEN DOUS<br />
SAVINGS FOR THE EXHIBITOR<br />
The Greatest Chair Values in<br />
he History of Show Business.<br />
if THE NEW "WONDER HINGE"—full floating, full compensating,<br />
self aligning—absolutely frictionless, comp'etely silent. This is<br />
truly an amazing advancement in hinge engineering. All working<br />
parts fully enclosed. The "Locked In" feature assures the cushitir<br />
being firmly held in the chair yet not a single tool is required to<br />
remove or replace the seat nnd hinge—completely silent with up<br />
and down rubber stops. Automotic and foolproof seotlifting<br />
mechanism permits easier control by patron and maximum safety<br />
^ NEW DURABILITY—finest all-steel construction— the sturdiest<br />
choir made.<br />
if NEW LUXURIOUS COMFORT—improved relationship of positior<br />
of back to seat—a treat that will keep your patrons coming bock'<br />
-^ NEW SAFETY FOR TOES and CLOTHES—new steel back panelcompletely<br />
covers the seat— prevents pinching hazards. No pro<br />
truding nuts, bolts or screws to snag or tear clothes or hose.<br />
if NEW DESIGN IN STEEL END STANDARDS—more passing room-J<br />
new design in seat pan for greater strength.<br />
if NEW BEAUTY IN SEATING— smort, attractive styling, closed<br />
panel, full length steel center standards—s'eek design.<br />
NOW, FOR THE FIRST TIME , a single custom-built<br />
chair ,s offered in 32 DIFFERENT MODELS , 16 different<br />
construction combinations—each in either retractable<br />
or conventional type. Slide-Back and conixed<br />
with uniformity<br />
if NEW ECONOMY OF MAINTENANCE—new<br />
sign for greater upholstery protection—a super<br />
back and<br />
smooth<br />
pan daf<br />
finish fo *<br />
easy cleaning.<br />
if NEW EASE IN REUPHOLSTERING— for maximum service, mor<br />
even usage, seats can be quickly rotated as to location in th<br />
theatre. It takes but a few seconds—no need to remove screw<br />
it or bolts. In is reupholstering, exceptionally easy to remove an^<br />
replace upholstered parts.<br />
j^ NEW EASE OE INSTALLATION— with any condition, in on<br />
location, in any theatre.<br />
See this sensational new chair now at your local dealers, c<br />
write today for details and prices.<br />
COMPANY<br />
GRAND RAPIDS, MICH.<br />
Bfej^^r^-SS
Carbon Saver Ends Timing Worry<br />
EFFICIENT • DEPENDABLE<br />
RECTIFIERS<br />
for Every Type Projection Lamp<br />
2-Tube<br />
4-Tube<br />
6-Tube<br />
Single and<br />
Thrae Phase<br />
Models for<br />
• Rotating Feed<br />
Angular Trim<br />
High Intensify<br />
• Copper Coated<br />
Coaxial<br />
High Intensity<br />
• 1 K.W. High Intensity<br />
• Low Intensity<br />
Smooth Output Current •<br />
long life<br />
low Operating Temperoture<br />
Flexibility in<br />
Control<br />
It has always been an economical policy<br />
for projectionists to burn up stubs of<br />
carbons and see that they are used down<br />
to the smallest possible piece, but in the<br />
doing of the feat is the necessity to meas-<br />
good.<br />
Faced with this problem, H. L. Cronkhite,<br />
a projectionist with an active mind,<br />
started trying to figure ways in which<br />
these carbon stubs could be used up without<br />
endangering the picture on the screen<br />
in any way.<br />
The final result, which is now available<br />
to projectionists in commercial form, is a<br />
carbon saver which takes any length stub,<br />
and while it's burning it away, heats up a<br />
fresh, full-length carbon in another paii'<br />
of jaws. When the last of one stub burns<br />
out, the new carbon, which is now burning<br />
in the tail of the stub flame, drops into<br />
place and the light continues without a<br />
flicker.<br />
At normal amperage the new carbon will<br />
burn for 22 minutes. Among fellow projectionists<br />
the first question to be asked is<br />
if the changeover from stub to full carnutes'<br />
burning<br />
bon is apparent. The originator of the<br />
new device answers with an emphatic "No."<br />
Because the tip of the new carbon is being<br />
immersed in an increasingly hot flame<br />
from the tail of the burning stub, it is ac-<br />
ure burning time with the eye in the yet<br />
tually burning when it drops into place.<br />
unburned length of carbon. If you stretch<br />
Because the jaws of this carbon holder<br />
things a little too far in your zeal, you may are made of a special heat-resisting, nonmetallic<br />
alloy, the device has no effect on<br />
well have light stoppage before you're<br />
through a reel, and that situation isn't<br />
the permanent magnet in the lamp, and<br />
hence makes no difference in the amperage<br />
at which the lamp burns.<br />
Uplliolster7 and Rug Cleaner<br />
• Not harmful to finest of Tctture<br />
• Not harmful to delicate colors<br />
• Requires no mixing or rinsing<br />
• Leares no rings or stains<br />
• Will not burn or explode<br />
Factory-installed insulators on the device,<br />
which Cronkhite calls the Cron-O-<br />
Matic carbon saver, eliminate the need for<br />
the insulators in any lamp. These may<br />
be removed when the carbon-saving device<br />
is installed.<br />
A kit which accompanies the device provides<br />
for accurate lateral and vertical adjustment.<br />
For the convenience of the projectionist,<br />
the entire post assembly pivots<br />
out away from the heat of the lamp house<br />
for positioning the next stub.<br />
The saver itself is universal in its operation.<br />
All that is necessary to fit it to any<br />
standard lamp is to specify the make of<br />
unit in which it is to go and a base designed<br />
to fit that lamp comes with the<br />
saver.<br />
MAGICLEANEH<br />
Jones St., Newark<br />
COMPANY<br />
3, N.<br />
PROJECTION OPTICS CO., INC.<br />
134 LYELL AVE. . ROCHESTER, N. Y.<br />
SUPER-LITE LENSES<br />
ARE SUPERLATIVE<br />
'W<br />
...for imagt quality, color ne.<br />
rttions and light transmission<br />
SEND FOR CATALOG A-50<br />
11 CITY PARK AVENUE<br />
TOLEDO 2, OHIO<br />
PROJECTION LAMPS • RECTrFIERS<br />
SPOTLIGHTS • REFLECTORS<br />
THEATRE/^<br />
... to meet the demands of the<br />
discriminating e.xhibitor . . for<br />
theatres, drive-ins!<br />
Durable Construction!<br />
American<br />
Beautiful Appearance!<br />
Sensational Designs!<br />
Desk<br />
SMaiiiifiictiiring Company<br />
JOBBERS<br />
Changeable Signs, Stainless Steel Frame. The<br />
new up-to-the-minute Boxoftice Signs. When<br />
ADMISSION<br />
ADULTS FED. TAX SI<br />
TOTAL 50<br />
CHILDREN FED. TAX<br />
TOTAL<br />
II<br />
5sl<br />
prices or taxes<br />
change you<br />
merely change<br />
the letters.<br />
12"x8", 14"x<br />
9", 15"x20"<br />
20"x24", 20"x<br />
30", 24"x3S".<br />
Stock or custom<br />
made signs; lowest prices to deolers with<br />
full profit margins.<br />
L. BAHN CO.<br />
123 W. Canton St. Boston 18, Mass.<br />
BOXOFFICE December 2, 1950 33
ft<br />
«5<br />
low budget'<br />
LIGHT<br />
DIMMING<br />
EQUIPMENT<br />
o low cost<br />
o easy to install<br />
o simple to operate<br />
o flexible in use<br />
POWERSTAT<br />
LIGHT DIMMING<br />
EQUIPMENT<br />
Now light dimming equipment is within the<br />
reach of the many school, church, community,<br />
amateur and small theatre groups<br />
who operate on a low budget. POWER-<br />
STAT Dimmers are low in first cost, easy to<br />
install, inexpensive to operate and flexible<br />
in use. These Underwriters' Laboratories<br />
approved units efficiently convert<br />
power and do not dissipate it in the wasteful<br />
form of heat. They are flexible in that<br />
any number of lamps up to the rated<br />
capacity can be controlled.<br />
Type D1000H, shown above, is a typical<br />
example of a low cost POWERSTAT Dimmer.<br />
It is the only unit of its size and cost<br />
with vertically operated handle and drum<br />
markings. It handles any load up to 1000<br />
watts. Write for Bulletin 749 for information<br />
on the D1000H and other low cost<br />
POWERSTAT Dimmers.<br />
Write 2120D«iner> Avenue, BrUtol, Connecticut<br />
IIIIXI lltUUIIII<br />
rOA Equipment Show<br />
In Topnotch Style<br />
The equipment show which the TOA<br />
convention produced in Houston recently<br />
was a top-caUber trade exposition which<br />
attracted virtually all of the important<br />
manufacturers and dealers in the field.<br />
The huge exposition hall of the Shamrock<br />
hotel, which is a building separate from<br />
the hotel itself, was filled to the walls with<br />
the displays, and very effective they were.<br />
Exhibitors went touring wath huge shopping<br />
bags provided by the convention committee,<br />
to collect confections and a variety<br />
of gadgets distributed at the booths.<br />
Several times daily, convention leaders<br />
took delegations of visitors on conducted<br />
tours of the displays.<br />
The TESMA members put on a big pitch<br />
for one big single showmen's convention<br />
each year in which the exhibitor meeting<br />
and the TESMA show can be combined.<br />
Following is a list of companies with displays<br />
at the show:<br />
Alexander Film Co.<br />
American Chicle Co.<br />
American Desk Mig. Co.<br />
American Electro-Aire<br />
Corp.<br />
American Seating Co.<br />
Beech Nut Packing Co.<br />
B. F, Shearer Co.<br />
Blevins Popcorn Co.<br />
Chase Candy Co.<br />
Coca-Cola Co.<br />
Drive-In Theatre Mfg.<br />
Co.<br />
Eskimo Pie Corp.<br />
F&F Laboratories<br />
General Precision<br />
Laboratory<br />
Hardin Theatre Supply<br />
Co.<br />
Hershey Chocolate Corp.<br />
Houston Popcorn &<br />
Equipment Co.<br />
Knoxville Scenic Studios<br />
Krispy Kist Korn<br />
Machine Co.<br />
Kroehler Mfg. Co.<br />
Lament, Corliss & Co.<br />
Ledbetter Sales Co.<br />
Majestic Enterprises, Inc.<br />
Monley, Inc.<br />
Mars, Inc.<br />
Mission Dry Corp.<br />
Mohawk Carpet Co.<br />
Motion Picture Advertising<br />
Service Co.<br />
McMath-Axilrod Corp.<br />
Noiional Products, Inc.<br />
National Theatre Supply<br />
Co.<br />
Nu-Screen Corp.<br />
Orange Crush Co.<br />
Palmer Electric Co.<br />
Pepsi-Cola Co.,<br />
Poblocki and Sons<br />
Precision Corn Popper,<br />
Inc.<br />
Pronto Popcorn Sales<br />
Corp.<br />
Rancho De Los Cerritos<br />
Raytone Screen Corp.<br />
Rockwood & Co.<br />
Sel-Mix Dispensers, Inc.<br />
Southwestern Theatre<br />
Equipment Co.<br />
Supurdisplay, Inc.<br />
Switzer Licorice Co,<br />
Theatrical Advertising<br />
The Ballantyne Co.<br />
Typhoon Air Conditioning<br />
Co.<br />
Wagner Electric Service,<br />
Inc.<br />
White's Comb Vendors,<br />
Inc.<br />
Wm. Wrigley jr. Co.<br />
Rex Specialty Bag Corp,<br />
Selective Carbonation<br />
Standard Feature Now<br />
The Select-O-Carb feature made available<br />
recently on one model of the Spacarb<br />
coin-operated soft drink machines has become<br />
standard equipment on all models<br />
being sold now. the firm announced recently.<br />
I. H. Houston, president, reports that<br />
orders for the machines containing the new<br />
feature, which makes it possible to select<br />
the amount of carbonation for each of<br />
three drinks contained in one machine,<br />
outweighed orders for machines without<br />
the addition by three to one.<br />
Because of mounting costs, the price of<br />
the hot unit, which makes it possible to<br />
offer two cold and one hot drink through<br />
the winter season, has been increased from<br />
$100 to $125. Cost of the non-carbonated<br />
attachment has been increased from $40<br />
to $50.<br />
34 The MODERN THEATRE SECTION
I READERS' BUREAU For<br />
further information<br />
regarding products advertised or mentioned in this issue, use<br />
the postage-paid reply cards below.<br />
NEW EQUIPMENT and DEVELOPMENTS<br />
Briefed from the full descriptions starting on page 46<br />
Key<br />
MILLS ADOS GRAVITY-FED FREEZER P.595<br />
Becently added to tlie line of custard mactilnes and Ice<br />
is cream freezers of Mills Industries a new model whlct<br />
ia gravity fed and comes complete with mix tank to process<br />
15 gallons of mix an Inur.<br />
HOLLYWOOD CANDY ADOS BIG PAY BAR P-59S<br />
The nev Big Pay candy bar of the Hollywood Candy Co.<br />
is being put up In both a 120-count vend pack and a 24-eount<br />
dliplay box for counter showing.<br />
PROTECTIVE PAINT SMOTHERS FIRE P-597<br />
The American franchise for manufacturing flre-retardant<br />
a<br />
paint proved In Canada to be quite effective is held by<br />
Ocean Chemicals Corp. Paint protects any palntable surface.<br />
MAGICLEANER FOAM NEEDS NO RINSING P-59S<br />
A new foam cleaner for theatre fabrics, upholstery and<br />
is its carpeting said by the Magicleancr Corp., manufacturers,<br />
to need no rinsing after application.<br />
NEW LIGHTING FOR SHALLOW INSTALLATION. .. .P-599<br />
A new "Stripline" system of mounting fluorescent tubes<br />
shalluvr channels has been made available by Ben amin<br />
in<br />
Electric Mfg. Co. The system is approved for cornice lighting.<br />
Kw<br />
Number<br />
ADD DIRECTIONAL SIGNS OF PUSTIC P-604<br />
Associated Ticlfet Co. has recently added directional signs<br />
to a general line of plasti.' illuminated and nonlllumlnaled<br />
theatre signs. Any copy is available.<br />
WHEEL LOCK STOPS SPEAKER THEFT P-605<br />
A hurled lock, offered by Itaytone Screen Co., which se'.'jres<br />
one wheel of a drive-in patron's car when he takes a speaker<br />
from the metal container will not release the car until<br />
the speaker is replaced.<br />
AIR DISTRIBUTORS ARE NOT RECESSED P-60e<br />
A new line of Barber Colman air diffusers is designed for<br />
applications where the units cannot be recessed Into the<br />
celling. Pull air adjustment Is possible.<br />
COATING WATERPROOFS MASONRY P-607<br />
United Laboratories. Inc., announces coating<br />
Hydropel, a<br />
for masonry wal.s which Is said to make them entirely water<br />
repellent. The new coating Is transparent.<br />
MULTICLEAN SCRUBBER EASY TO USE P-608<br />
A wide range of brush sizes and motor power is offered<br />
In the .Multi-Clean vacuum cleaners whl-.1i have been designed<br />
with the comfort and convenience of the operator In mind.<br />
LITERATURE TELLS OF ICE CREAM VENDER. .. .L-1212<br />
A coin-operated vender of five dllferent let cream bars<br />
Is descrllied In colorful literature recently released by ttie<br />
Fred Ueb«l Corp. Ib« vender eiiminita Individual urtons.<br />
MURALS ARE ILLUSTRATED IN COLOR L-1213<br />
A full-color folder recently issued by Foto Murals o(<br />
California desaibea the ilrm s line of scenic murals wblcii<br />
can be applied to uninteresting wall space like wallpaper.<br />
STAGE EQUIPMENT ILLUSTRATED L-12U<br />
Cunirols and equipment of J. it. Clancy, Inc., used in<br />
creaLliig many stage elfecls with curtaUin and band curs. Is<br />
pictured and diagiumed In new llleraiure of llw liim.<br />
VIDEOFILM SYSTEM EXPLAINED L-1215<br />
The rapid system ol transferring a tele^islon image onto<br />
16mm Ijlm tor theatre prujeetiun whkM was exhiUlivd at<br />
is recent naiiunal cuihentlons explained and pictured In<br />
lltuiulure 01 General Precision Labuiutorles.<br />
MAINTENANCE MANUALS AID IN FLOOR CARE..L-1216<br />
A series of reference manuals on the care of many different<br />
typei of flooring is uiTered by .Mulgned<br />
fur use in drlve-ln theatres or large indoor houses.<br />
DISPUY RACK FOR SELF SERVICE P-600<br />
To provide open display of six different types of cellophane-bagged<br />
candles In the small i^)unter space typical of<br />
theatrt counters, Chase Candy Co. offers a new wire display<br />
rack.<br />
PAINT LINE INCLUDES SCREEN BEADING P-601<br />
A new line of theatre paints for both drive-in and Indoor<br />
theatres Is aval'able from Drive-In Theatre Mfg. Co. A kit<br />
(or beading plain screens is featured.<br />
ONE-PIECE CARTON HOLDS CARBONS P-602<br />
A self-locking, one-piece cardboard carton for holding projection<br />
carbons unlll ready (or use has been released by the<br />
National Carbon division of Union Carbide & Carbon Corp.<br />
TRANS-COLOR SCREEN IS CONVEX P-609<br />
The new Trans-Color screen, which projected<br />
receives a<br />
Image on Its convex face and polarizes lighl to soften the<br />
picture, is mounted in a lightweight aluminum frame (or<br />
easy sblpphig and assembly.<br />
LITERATURE<br />
Briefed from the descriptions on page 50<br />
Numb»<br />
TEXTBOOK TESTS THEATRE ADVERTISING L-1210<br />
A new ser\1ce of the Helpful Press provides the thcalrem.in<br />
with a test book to use in pretesting the effectiveness of bis<br />
advertising<br />
copy.<br />
BOOKLET DESCRIBES ROLE OF IN-CAR HEATER. .L-1219<br />
National Heaters, inc., presents the case for using in-ear<br />
healers ut drive-ins where, tliey say. the svosuu may be<br />
extended proiltably by their use.<br />
BOOKLET CATALOGS DRIVE-IN SPEAKERS L-1220<br />
A two-color booklet of Theatre Equipment Co. of America<br />
describes the lirm's line of In-car speakers, ranging from<br />
low to high Id price, and other accessories.<br />
SELF-SERVICE DISPLAY VENDER FOR ICE CREAM. L-1221<br />
Frigldbar, Inc., Illustrates its new self-service dispenser<br />
of frozen confections. A Plexigtas lid shows off mercliandlse<br />
and yet helps bold down the temperature.<br />
RUNNING TIME SHOWN IN WARNING DEVICE. .. .P-603<br />
A reelend alarm which shows the unexpired ninning time<br />
of film on the upper reel and sounds tliree warnings before<br />
it ends is offered by the Reversible Sign Co.<br />
FOLDER DESCRIBES SOFT DRINK LINE L-1211<br />
A folder of the Lucky Club Co tells the prnspcctlve customer<br />
of the advantaces of selling its complete line of<br />
beverages and syrups. The line is backed with advertising.<br />
BOOKLET FITS EXTINGUISHER TO FIRE L-1222<br />
Various types of fires and the different extinguishers<br />
tjDCS of<br />
to be used with each are described in llteratura<br />
of the C-O-Tuo Fire Equipment Co.<br />
ow to Use These<br />
EADERS'<br />
BUREAU COUPONS<br />
, Fill out completely a seporat* coupon<br />
for each New Eqvipment item,<br />
News article or Literature reference<br />
(obovc) which interests you. Likewise<br />
for each Advertised Product (reverse<br />
side of this sheet) about which you<br />
wont more information. Put only one<br />
ktjr aumber in each squor*.<br />
Q|<br />
ilOMMQ.QQ£..<br />
.».,c«.H__,jQ4/i?^A?<br />
.M.<br />
Sia and MA,m_.<br />
MOOaN THEATRE SKHoa «i tOXOFFICE<br />
ICS<br />
JMZ<br />
Um the outer cord to request one<br />
to four iteffls, both cords if requcethg<br />
five to eight.<br />
When you hove filled out the coupons<br />
for each request, detoch the<br />
postcards and moil. No postage<br />
ceded in the U.S. (Affix stomp in<br />
I.)
1<br />
AB<br />
For literature on products advertised or mentioned in this issue, see<br />
READERS' BUREAU<br />
other "a<br />
side of this sheet and read how to use the postcard coupons below.<br />
PRODUCTS ADVERTISED IN<br />
ADMISSION SIGNS<br />
l^molitt Products (Edgar Bowman) 22-E<br />
Bahn. L.. Co 33-0<br />
_<br />
ATTRACTION BOARDS AND LETTERS<br />
Aditr SilhouetU Leiter Co 52-C<br />
Poblocki & Son! 48-A<br />
Service, Wagner Sign Inc 37-A<br />
BOXOFFICE ACCESSORIES<br />
Ori>e-ln Theatre MIg. Co 48-B<br />
CANDY<br />
Nev> England Confectionery Co S-A<br />
Soiuer'i Licorice Co 21-C<br />
CANDY VENDING MACHINES<br />
Columbus Vending Co 52-8<br />
CARBONS<br />
See Projector Carbons<br />
CARPET CLEANER<br />
Magicleaner Co 33-D<br />
CONCESSION CONTRACTORS<br />
Sportservice, Inc 21*A<br />
CONCESSION EQUIPMENT. DRIVE-IN<br />
Walky Service Co 20-A<br />
DISPLAY CASES AND FRAMES, POSTER<br />
Peopirs Display Frame Co 31-B<br />
Poblocki & Sons 48-A<br />
DRINK DISPENSERS, MANUAL<br />
Canada Dry Corp 6-A<br />
DRINKS. SOFT<br />
Canada Dry Corp 6-A<br />
Coca-Cola Co 2-A<br />
ELECTRIC GENERATING PLANTS<br />
Fairbanks-Morse & Co 30-B<br />
EMERGENCY LIGHTING. BATTERY<br />
Lamplighter Products Co., Inc 47-B<br />
FRONTS. THEATRE<br />
Poblocki & Sons 48-A<br />
ICE CREAM FREEZERS<br />
Sweden Freezer Mtg. Co 19-A<br />
KIDDIE RIDES FOR DRIVE-INS<br />
£., E«art, H. Co 43-A<br />
King AmusemenI Co 44-B<br />
Miniature Train Co 44-D<br />
National Amusement Device Co 43-C<br />
LIGHTING CONTROLS. HOUSE & STAGE<br />
Superior Electric Co 34-A<br />
THIS ISSUE<br />
MINIATURE GOLF for DRIVE-INS<br />
Taylor Bros 43.<br />
POPCORN BAGS and CARTONS<br />
Kontney Carton Co 20-B<br />
Manley. Inc u-A<br />
POPCORN MACHINES<br />
C. Cretors & Co 21.B<br />
Manley. Inc 13.A<br />
POPCORN SCOOPS<br />
Speed-Scoop 20-C<br />
POPCORN POPPING LIQUID<br />
Best Foods, Inc 19-8<br />
Manley. Inc U-A<br />
Simonin ol Philadelphia 51-A<br />
POPCORN & SUPPLIES<br />
Manley. Inc U-A<br />
PROGRAM SCHEDULE CARD<br />
Drive-ln Theatre MIg. Co 48-B<br />
PROJECTION LAMPS<br />
Ashcralt MIg. Co 18-A<br />
Ballantyne Co 23-A<br />
Motiograph. Inc 31.<br />
National Theatre Supply 4-A<br />
PROJECTOR CARBONS<br />
National Carbon Co 29-A<br />
PROJECTOR CARBON SAVERS<br />
Call Carbon Couplers 26-C<br />
PROJECTOR LENSES<br />
Kollmorgen Optical Corp 24-A<br />
Projection Optics Corp 33-E<br />
PROJECTORS<br />
Ballaniyne Co 23.A<br />
Initrnalional Projector Corp 1-BC<br />
Motiograph. Inc 31-A<br />
Wenzel Projector Co 50-B<br />
PROJECTOR PARTS<br />
LaVezzi Machine Works 22-D<br />
RECTIFIERS<br />
Strong Electric Corp 33-A<br />
RECTIFIER BULBS<br />
Strickland Electric Co 39-B<br />
REEL-END ALARMS<br />
C. W. Hatke 52-E<br />
REFRESHMENT CART, DRIVE-IN<br />
Walky Service Co 20-A<br />
REWIND SWITCH. AUTOMATIC<br />
Wenzel Projector Co SO-B<br />
RIDES—See Kiddie Ridel<br />
SCALES. PENNY FORTUNE<br />
Watling Manuiacturing Co 23-B<br />
SCREENS. INDOOR THEATRE<br />
Da-Lite Screen Co<br />
Pola-Ray Projection Screen Co<br />
B. F. Shearer Co<br />
Trans-Color Screen Co., Inc 39<br />
Vocalite Screen Corp 22<br />
Williams Screen Co 30<br />
SCREEN TOWERS. DRIVE-IN<br />
Timber Structures. Inc 42-A<br />
SEATING. CONVENTIONAL THEATRES<br />
American Desk MIg. Co 33-B<br />
American Seating Co 44-C<br />
Griggs Eguipment Co 30-A<br />
Heywood-Wakelield Co 22-C<br />
Ideal Seating Co 32-A<br />
Kroehler Mfg. Co 27-A<br />
SEATING, DRIVE-INS, for Walk-In Patrons<br />
American Desk Mfg. Co 33-B<br />
American Sealing Co 44-C<br />
Griggs Equipment Co 30-A<br />
Ideal Seating Co 32-A<br />
SIGNS. DIRECTIONAL. ETC.<br />
Lamolite Products (Edgar Bowman). . .22-E<br />
SNOW CONE MACHINES<br />
Sno-Master 52-D<br />
SOUND SERVICE. PROJECTION<br />
RCA Service Co., Inc 47-A<br />
SPEAKERS. IN-CAR DRIVE-IN<br />
Oiecast Aluminum Speakers. Inc 44-A<br />
International Projector Corp 1-BC<br />
SPEAKING GRILL. BOXOFFICE<br />
Orive-ln Theatre Mfg. Co 48-B<br />
SPOTLIGHTS<br />
Strong Electric Co 25-A<br />
STAGE EQUIPMENT<br />
Automatic Devices Co 50-C<br />
SWEEPERS, VACUUM & BLOWER<br />
National Super Service Co SO-A<br />
TELEVISION & TELEVISION SERVICE<br />
RCA Service Co.. Inc 47-A<br />
THEATRE SUPPLIES & EQUIPMENT<br />
Drive-ln Theatre MIg. Co 48-B<br />
National Theatre Supply Co 22-A<br />
S.O.S. Cinema Supply Co 22-F<br />
TICKET REEL<br />
Drive-ln Theatre Mfg. Co 48-B<br />
UNIFORMS<br />
Reversible Co 26-A<br />
Collar<br />
VENDERS—CANDY, GUM, NUTS<br />
Columbus Vending Co 52-B<br />
Q^-
'<br />
HEPBURN<br />
Are you in the know as to patents?<br />
{'Ohli^inil<br />
DRIVi-IM \<br />
RATHERINE SPENCER, BARBARA WENDEL L<br />
TRACYJ STANWYCK COREyI<br />
'<br />
ADAMS RIB' THELMAJORDON"<br />
WED-THUR-FRI CASH FUND S5000.'<br />
because of fhe exclusive patented method<br />
of<br />
mounting,<br />
WAGNER PLASTIC LETTERS<br />
• are now made windproof, yet are easy to change.<br />
• cannot ireeze to the sign.<br />
• can be slacked in storage without warping.<br />
MORE SIZES<br />
4", 6", 8", 10", 17"<br />
MORE COLORS<br />
Gorgeous red, green, blu<br />
amber and black.<br />
because of patents, only<br />
WAGNER WINDOW-TYPE FRAMES AND GLASS UNITS<br />
• permit openings ond billing space ol ANY HEIGHT OR LENGTH IN<br />
ONE PANEL. (Especially important with drive-ins as they require<br />
extra large displays.) They're the strongest made.<br />
• lyermit servicing lamps, neon and glass without removing the<br />
frames. They are installed separately and before the glass. Reduced<br />
maintenance alone pays for them in a year.<br />
TWINDRIVE-IN MILb<br />
'"" NOW<br />
I PI AY MO<br />
ANNIE GET YOUR GUN<br />
»"» MUTTON - MUSIWl COMEDY<br />
because of patents, only<br />
WAGNER STEEL PANEL CHANGEABLE COPY DISPLAYS<br />
• permit the mounting ol letters directly on the face oi the sign.<br />
• have no channeled bars or other obstructions to catch dirt and<br />
result in streaking the face. Water and soot drain to the rear<br />
of each panel, making it practically self-washing.<br />
• can be shipped knocked-down for inexpensive handling in transit.<br />
Easily and quickly assembled and installed on simple framework<br />
supports or against any wall.<br />
• permit the installation of the only lifetime porcelain enameled<br />
steel backgrounds without ruinous and tmsightly chips on the face.<br />
Wagner also makes aluminum letters in the world's largest<br />
range of sizes, styles and colors. They're also slotted and<br />
patented.<br />
Sold everywhere by dependable dealers who plan ond supervise<br />
each installation. Send coupon today.<br />
because of patents, only Wagner offers<br />
FLEX-WORD FRAME UNITS<br />
for space saving and easy iorming oi small size copy. Make<br />
word plates unnecessary.<br />
WAGNER SIGN SERVICE, INC.<br />
218 S. Hoyne Avenue Chicago 12, Illinois<br />
Please send detoils and prices on Wagner O Frames G Steel<br />
Panels D Plastic Letters n Aluminum Letters.<br />
D Please send BIG FREE CATALOG on Wagner show-selling<br />
equipment, the largest line in the world.<br />
NAME<br />
THEATRE<br />
STREET<br />
CITY & STATE.<br />
I BOXOFFICE December 2. 19.S0 37
*^^^J^
T<br />
I outlet<br />
I<br />
i<br />
I Forced<br />
I<br />
Every Seat Is a Perfect Seat<br />
with the NewTRANS-COLOR<br />
Polarized Convex<br />
PROJECTION SCREEN<br />
At the right are diagrams<br />
of the floor layout<br />
of the indoor driye-in and<br />
the shops and recreation<br />
units which lie in its perimeter.<br />
The 11 ramps are<br />
outlined with entrance<br />
drives and concrete rampend<br />
islands shown.<br />
In the curved strip at<br />
the top of the diagram is<br />
the layout of shops and<br />
entertainment units around<br />
the edge of the building.<br />
including the declcs supporting the automobiles,<br />
and the use of fabricated steel<br />
columns, trusses, purlins and joists above.<br />
"Columns shown on the preliminary<br />
sketches are located to limit maximum<br />
spans of primary and secondary trusses to<br />
a maximum length of 280 feet. The more<br />
generally used types of trusses for these<br />
spans would have depths, from bottom to<br />
top chords, of approximately 30 feet.<br />
Structural costs could be greatly decreased<br />
by using shorter spans and additional<br />
columns, but the additional columns, particularly<br />
when placed closer to the screen<br />
would eliminate quite a number of parking<br />
areas for viewing purposes. In any<br />
case, the larger structures would be up to<br />
90 feet in overall height, grade to roof.<br />
"The roof should be divided into a number<br />
of smaller 'drainage areas,' each with<br />
MAY DROP<br />
OTHER UNITS<br />
"Construction of the indoor drive-in theatres<br />
without facilities for other activities<br />
would be considerably less expensive, and<br />
might be more practical in locations where<br />
sufficient income could not be realized<br />
from the additional space. This type of<br />
construction could be designed to more<br />
readily take advantage of the natural<br />
topography of the site."<br />
1^ 1 1 BOXOFFICE : : December 2. 1950<br />
According to Wallace Agey, vice-president<br />
and sales manager of the developing<br />
firm, the smaller units mentioned by the<br />
engineers can be built for approximately<br />
one million dollars. The larger twin drivein<br />
unit they see as a three-million-dollar<br />
project, and add that the interest and<br />
imagination of several of the country's<br />
larger drive-in theatremen have been<br />
caught by the unusual features of the<br />
scheme.<br />
USE IN-CAR SPEAKERS<br />
In the drive-in theatre portion of the<br />
project, in-car speakers will serve patrons<br />
as in the usual outdoor situation. Instead<br />
of speaker posts, however, the new plan<br />
calls for recessed speaker containers in<br />
concrete dividers which will separate twocar<br />
parking stalls. The walk-in balcony<br />
I<br />
will<br />
its own drainage outlets. In certain locations<br />
be served by standee speakers.<br />
it would be necessary to combine the Placement of a large stage in front of<br />
conduits for roof drainage into an the screen, and the fact that all ramps will<br />
underground storm sewer for disposal at a be connected by gently sloping walkways<br />
suitable outlet. Under certain conditions will make it possible to use the huge auditorium<br />
for the larger structures this could require<br />
for stage presentations, even with<br />
four to five-foot storm sewers.<br />
seats instead of autos if desired.<br />
"Heating and air conditioning requirements<br />
would vary a great deal, depending the fact that the large roof can be sup-<br />
Unique in construction of this type is<br />
upon location and manner of operation. ported quite safely by only three columns<br />
ventilation for removal of exhaust on each side of the twin units. These six<br />
fumes would be a critical requirement in<br />
any case.<br />
roof supports eliminate screen visibility for<br />
only 12 cars on each side, a total of 24<br />
in the entire auditorium.<br />
A large exhaust system has been engineered<br />
to remove all motor gases created<br />
by the incoming cars.<br />
Flexibility of design allows for several<br />
layouts, all smaller than the one pictured<br />
here. A single-screen theatre will accommodate<br />
slightly more than 900 cars or an<br />
alternate twin plan will accommodate<br />
1,200 cars. Neither of these plans, however,<br />
includes the recreation or shopping center.<br />
Gives true third dimension illusion, bringing<br />
out real figures and depth, eliminating distortion<br />
and keystoning from any viewing<br />
angle. No eye strain or glare, adding greatly<br />
to patron comiort.<br />
IT IS A PREVIEW AUDIENCE BUILDER<br />
Unilorm light intensity over entire<br />
no dork or hot spots. Polarization improves<br />
color projection by softening color. Convex<br />
design enables speakers to be placed behind<br />
screen without distortion and provides for better<br />
sound distribution.<br />
Sturdily constructed with aluminum framework<br />
in any size as required. Made to correct<br />
defects in sight and sound for each<br />
situation. Easily and quickly installed.<br />
pTc full details WRITE now or use<br />
ISCREENi the FREE postcard at page 35-<br />
Wnte in this ad's key number, 39-A<br />
TRANS-COLOR SCREEN CO., Inc.<br />
KINGS MOUNTAIN, N. C.<br />
STRfCKLAND<br />
TXi MAU Of HICHUT q^AlITT<br />
IMPROVED!<br />
FIELD TESTED!<br />
MOTION PICTURE TYPE<br />
RECTIFIER BULBS<br />
have enabled several manuiacturers to design<br />
higher voltage rectifiers than previously possible,<br />
because of their outstanding characteristics.<br />
Perhaps they can solve your bulb problem, too,<br />
as they are made for every type of theatre rectifier.<br />
Advise us oi your application, ond we will<br />
make a recommendation without obligation.<br />
STRICKLAND ELECTRIC CO.<br />
1427 E. 18fh Ave. Columbus 11, Ohio<br />
39
PART in<br />
A Manual of<br />
Drive-ln<br />
Design and Operation<br />
by GEORGE M. PETERSEN<br />
Choosing the Proper Drive-ln<br />
Site Can<br />
Build<br />
Business at the <strong>Boxoffice</strong><br />
Despite the current ban on drive-in construction we will continue<br />
to present Mr. Petersen's monthly series. Even at this time<br />
they can be of great service to the showman who is planning to<br />
build at a loter date.<br />
Of current significance is the fact that much informotion contained<br />
in each installment can be of great value in up-grading the<br />
facilities of existing drive-ins. Readers concerned with the latter<br />
qualification will be interested in the author's comments on operations<br />
under the NPA restrictions which appears on page 43.<br />
Sq. Feet<br />
TABLE CONVERTING SQUARE FEET TO ACRES<br />
X*FTER THE EXHIBITOR has determined the approximate capacity<br />
for his drive-in theatre, the next step is to locate a site<br />
for the project that will come close to meeting his requirements.<br />
Few sites will be found that will have all of the desirable features<br />
listed below, so, provided more than one site is available,<br />
the exhibitor must evaluate the various existing features for and<br />
against each site.<br />
Contrary to general opinion, a much better land deal can<br />
be made by the exhibitor retaining the services of an experienced,<br />
honest realtor rather than by one who handles the transaction<br />
himself. The commission is paid by the seller anyway and the<br />
realtor can not only save the exhibitor considerable time, but<br />
can usually negotiate a better deal because of his more intimate<br />
knowledge of the value of the property in question and, frequently,<br />
because of friendship with the seller.<br />
The important features to be considered when selecting a<br />
site are as follows:<br />
1. Obtaining sufficient size.<br />
2. Automobiles should be parked facing in a westerly direction.<br />
3. General slope of land<br />
4. Natural aids to drainage.<br />
5. Type of highways available to sue.<br />
6. Proximity of railroad crossings.<br />
7. Number of traffic lights to be passed.<br />
8. "Distance from center of potential patronage area<br />
9. Surrounding neighborhood.<br />
10. Power supply available to site.<br />
11. Public utilities available to site<br />
12. Zoning for drive-in theatres.<br />
SIZE OF SITE<br />
The average prospective drive-in exhibitor shows a woeful<br />
lack of understanding of the dimensions of land required for<br />
these operations. The following table was prepared to provide<br />
him with a quick resume of various factors. Of course, oddshaped<br />
and iiTPsular-shappd plots are nfton developed into sue-
cessful drive-ins, but the square fool area will be approximately<br />
as shown. The depth dimensions in the table are from the screen<br />
to the rear of the rear drive and to these depths you must add<br />
the distance from the highway to the screen. The actual acreage<br />
that wUl have to be purchased may exceed that quoted, since the<br />
seller frequently refuses to sell a portion of his tract if a small<br />
acreage is left him.<br />
umber ol<br />
TABLE OF SITE REQUfflEMENTS
A Manual of Drive-ln Design<br />
(Continued from preceding page)<br />
In localities where level, slightly rolling land is not available,<br />
the yardage of material to be moved will be excessive. As an<br />
example is a drive-in theatre in the vicinity of Pittsburgh, Pa.,<br />
where the last ramp is 35 feet above the highway and where<br />
some 45,000 yards of material had to be moved. On another site,<br />
on the opposite side of the same city, the rear ramp was sixteen<br />
zi<br />
iy^U'cS^^"'<br />
MARyUflHB<br />
ILLUSTRATION NO. 5. Here is a plan somewhat similar to that shown<br />
in illustration No. 1 in that the combination of the two drives provides<br />
sufficient holding space during the rush period until all incoming traffic<br />
can use the regular entrance drive.<br />
ILLUSTRATION NO. 6. Plans such xis this one, which provides for two<br />
or more entrance drives, often prove satisfactory since the drives will hold<br />
a large number of cars. This plan does require one additional usher to<br />
direct the cars from the several lines into the two lines that pass the<br />
boxoffice.<br />
feet below the level of the highway. Another theatre, in southern<br />
New York state, was 32 feet lower at the last ramp than at the<br />
highway. Such sites can be turned into workable drive-in theatres<br />
if the expense involved is of secondary importance and if the<br />
potential business appears to warrant the expenditure. More detailed<br />
information on this subject is given under the heading of<br />
"Grading and Drainage."<br />
NATURAL AIDS TO PROPER DRAINAGE<br />
Under this feature of the site, the exhibitor should endeavor<br />
to locate some natural or existing means of disposing of surface<br />
water from the theatre area. Such items as brooks, creeks, ditches,<br />
swales, natural sink-holes, or other surface conditions will be of<br />
assistance to the engineer when he is planning the drainage system<br />
for the area.<br />
TYPES OF HIGHWAYS AVAILABLE TO THE SITE<br />
The exhibitor should check the number of highways that are<br />
available to the site and also consider the type of each highway.<br />
There is considerable difference of opinion on the subject of Just<br />
what type of highway is best suited for traffic to drive-in<br />
theatres, although after many years' study of actual operating<br />
conditions in many drive-ins, it is my opinion that the most<br />
desirable location is on a well-maintained, secondary road a<br />
short distance from a high-speed thoroughfare.<br />
There are several excellent reasons for this opinion: chief<br />
among them is the fact that a traffic light, or a traffic officer,<br />
may be placed at the intersection of the two highways to properly<br />
and effectively control traffic to and from the theatre. A<br />
drive-in theatre entrance directly from a main, high-speed artery<br />
presents numerous traffic hazards caused by the incoming patrons<br />
crossing traffic lanes at various places instead of in one specific<br />
location where such traffic can be controlled. Also, there is less<br />
opportunity for traffic accidents and less interference with the<br />
non-theatre-bound traffic if the the theatre is located on the<br />
secondary road.<br />
GRADE CROSSINGS<br />
The necessity of traveling over railroad grade crossings is a<br />
definite negative vote against a site! This type of traffic hazard<br />
should be eliminated, if possible, or an alternative site chosen.<br />
p. P,eo« .end in.ormo.-on on: ^^.^^^^^ ^^^^^„ ,^^,, nearest Timber Structures office, or fill in and mail the coupon.<br />
Timber Structures, Inc.<br />
Screen Towers As You Want Them<br />
Low Cost... Sturdy... Durable<br />
curved to assure freedom from keystoning.<br />
SIMPLE ERECTION<br />
position, or it<br />
0. Box 3782 b. ^^^^^ ^^^^^^ Tower<br />
p. O. BOX 3782-G • PORTLAND 8, OREGON<br />
Build your drive-in theatre around a Timber Strucmres screen tower, and<br />
you get a low cost installation that will give you long time service with a<br />
minimum of maintenance.<br />
PRICED AT $2,067 UPWARD<br />
The A-frame screen tower, illustrated here, is made in three sizes: 30-ft. x 40-ft.;<br />
37'/2-ft- X 50-ft.; and 45-ft. x 60-ft. Prices include all necessary hardware.<br />
Made of structural quality Douglas fir timbers, the A-frame screen tower is<br />
designed to withstand wind velocities up to 100 miles per hour. To save erection<br />
time and labor, face of the tower is made of -%-in. exterior grade waterproof plywood,<br />
with all sides and edges primed and sealed against moisture. Surface is<br />
The A-frame screen tower may be completed on the ground and swung into<br />
may be erected in place. Glare curtains, ladder and walkway optional.<br />
For further information on the A-frame or Swing-Up screen towers, see your<br />
Offices in New York; Chicago; Kansas City, Missouri; Dallas,<br />
Tpxhs: fCugeno, Oregon; Seattle and Spokane, Washington.<br />
TIMBER STRUCTURES. INC., of CALIFORNIA, Oakland, Calii.<br />
TIMBER STRUCTURES of CANADA, Ltd., Peterborough, Ont<br />
Local Representatives Coast to Coast<br />
42 The MODERN THEATRE SECTION
Many regular patrons of drlve-ln theatres<br />
are women who are hesitant about driving<br />
over grade crossings with their children<br />
unless the crossing is properly guarded.<br />
The watchmen, when they are provided<br />
for crossing duty, are usually off duty<br />
after 6 p. m. and the crossings are left<br />
unguarded throughout the night hours.<br />
There can be no argument with the<br />
statement that persons who are out for a<br />
pleasure ride desire to avoid as many traffic<br />
lights as is possible. For this reason<br />
the exhibitor should pay close attention to<br />
the subject of traffic lights and select a<br />
site that can be reached by the greatest<br />
number of patrons having to drive through<br />
the least number of traffic lights.<br />
PROXIMITY TO CENTER OF PATRON AREA<br />
It is advisable to select a site as close as<br />
possible to the center of the area in which<br />
the potential patrons live. This statement<br />
does not mean to convey the idea that the<br />
site should be close to the community, but<br />
refers to it being close to the center of a<br />
group of several small towns.<br />
There are several legitimate differences<br />
of opinion on the subject of whether the<br />
drive-in theatre should be located as near<br />
as possible to the largest community which<br />
it is to serve, or whether it should be located<br />
several miles out in the country. It is my<br />
opinion, again based upon study of many<br />
successful operating drive-ins, that the<br />
most desirable site is near the larger centers<br />
of population in which the majority<br />
of patrons work in factories or offices and<br />
a few miles from town as mentioned previously.<br />
When the drive-in is to be erected<br />
in the center of several rural communities,<br />
however, this item is not so important so<br />
long as the site is on a good highway and<br />
is readily accessible from all of the communities<br />
that it will serve.<br />
NEXT MONTH . . .
Discuss Advantages of<br />
In-Car Heaters at the Drive-ln<br />
With problems of increasing competition,<br />
drive-in showmen from all over the<br />
country met at the recent TOA convention<br />
in Houston to di.scuss common problems.<br />
cost of $17.50 for each heater.<br />
Of particular interest was the consensus<br />
of opinion that in-car heaters can increase<br />
POWER COSTS A FACTOR<br />
business profitably in climates where mild An added problem of<br />
winters without too much snow would<br />
normally cause the darkening of a drive-in<br />
during winter months.<br />
More nearly Reproduces the<br />
The general opinion seemed to be that<br />
entire sound range.<br />
best results were obtained from use of<br />
the 400-watt heater, while problems in<br />
power rates and vandalism seemed to vary<br />
in different localities.<br />
IF A SMALL SPEAKER WERE CAPABLE<br />
YOU WOULD NOT FIND A 12-INCH SPEAKER<br />
PREFER 400-WATT HEATERS<br />
IN YOUR RADIO OR SOUND SYSTEM<br />
According to an Abilene, Tex., exhibitor<br />
who installed 475 of the 200-watt heaters<br />
at his drive-in last season, the entire theatre<br />
will be changed over to 400-watt heaters<br />
this season. The original cost was $10,-<br />
000 and there is to be an additional $10,-<br />
000 for the change this year.<br />
ONLY<br />
A Georgia showman told fellow theatremen<br />
that his experience had proved the<br />
ONE<br />
*>*>#>>* *^ #><br />
BEST<br />
200-watt heaters adequate as long as there<br />
was no wind. All of his later installations<br />
year's operation.<br />
T/je "CO-OP"<br />
DRIVE-IN THEATRES<br />
IS THE FINEST<br />
Increase Your Family Patronage!<br />
DRIVE-IN SPEAKER EVER PRODUCED<br />
REGARDLESS OF PRICE<br />
theft prevention it<br />
DIECAST ALUMINUM<br />
each plug.<br />
Enteitain the children with th* lotMt Idddi*<br />
riding doTices. Compl«t« Una of minicrtur« trains*<br />
auto rides, pony ridei, and airplon* rid«K. Immediate<br />
delivery. Temu arranged.<br />
KING AMUSEMENT CO.<br />
Ml. damans. Mich.<br />
tire circuit is disconnected.<br />
DRIVE-INS!<br />
Seat pedestrian-patrons in<br />
c^meticem<br />
Outdoor<br />
Theatre Chairs<br />
Cradleform j.ols ood de<br />
curved backi insure comi<br />
Bock and seat<br />
solid<br />
wood. All pans durably finished<br />
for outdoors—hardware<br />
O0» %» FACTORY<br />
ed to st-r<<br />
IS NOW COMPLETEI<br />
ffi' ElKtric Conveyors, Infa-nd Bahlilable<br />
for<br />
(Als<<br />
2 INCHES on the end of YOUR NOSE<br />
« jifc CONE -^^^-^^ SPEAKER '^^i^ «<br />
WHALE OF A DIFFERENCE<br />
MOST CONCERNS<br />
BOAST THEIR PRO-<br />
DUCT AS BEST, BUT<br />
ONLY ONE TAKES<br />
'JJifcast .^luininiiin Speakers, ^n<br />
2027 So S.cond SI Si. U'..,: 4. VU.<br />
^ /|i<br />
AMERICAN SEATING COMPANY<br />
Grond Ropids 2. Michigon<br />
Branch Offices and Distributors in Principal Cities<br />
are receiving the 400-watt units. On the<br />
installation of 450 in-car heaters at a new<br />
550-car drive-in this theatreman gave his<br />
wiring costs as $9,600 with an additional<br />
the Georgia location<br />
was a power company ruling which increased<br />
his entire electric power bill the<br />
year 'round by establishing the demand<br />
charge according to the heat load during<br />
the early and late portions of the season.<br />
The power cost during the times heaters<br />
were used was doubled, he explained, adding<br />
that the addition was still profitable<br />
since attendance had been as good in<br />
February as it was in June.<br />
Another Texas showman said his local<br />
power company had arranged a special<br />
rate for his heater system.<br />
A Texas showman who had kept some<br />
rather accurate records, announced that<br />
he has found it cost 14 cents to operate a<br />
heater for a two-hour-and-forty-minute i<br />
period. His observation was that it had<br />
proved profitable to install heaters In a<br />
climate where heat was needed more than<br />
40 days in any year. This statement was<br />
predicated on an admission price of 50<br />
cents with the heater cost spread over one<br />
This exhibitor spent approximately<br />
$31,000 to install heaters in an<br />
800-car system.<br />
In the field of operating problems and<br />
was strongly suggested<br />
that each heater be equipped with its<br />
own switch and that a lock be placed on<br />
Some exhibitors who use heaters<br />
employ a screen trailer explaining that<br />
the heaters will not work on any electrical<br />
circuit except the theatre's so there is no<br />
advantage to taking the heater home. They<br />
also suggest the possible danger of attempting<br />
to disconnect an in-car heater. Others<br />
wrap the two heater wires separately so<br />
that if either wire is cut or broken the en-<br />
that MT miniature trains are<br />
the drive-in's most popular<br />
"ADDED ATTRACTION"<br />
®<br />
1<br />
Write tor FREE Details and Specifications<br />
on the MT Miniature Trains.<br />
MINIATURE TRAIN CO.<br />
RENSSELAER. INDIANA<br />
44<br />
The MODERN THEATRE SECTION
New York Night Club Decor Inspires<br />
Theme for Texas Drive-In Screen Tower<br />
Impressive in its modern treatment is the new Jefferson Drive-In Theatre on West Jefferson<br />
Boulevard in Dallas, shown above. The drive-in accommodates 700 cars and was built by Harold<br />
Gibbons, who also owns the Pike Drive-ln on the Fort Worth highway. The Jefferson was designed<br />
by theatre architect Jack Corgan.<br />
A RESEARCH BUREAU<br />
for MODERN THEATRE PLANNERS<br />
ENROLLMENT FORM FOR FREE INFORMATION<br />
The MODERN THEATRE PLANNING INSTITUTE 12-2-50<br />
825 Van Brunt Blvd.<br />
Kansas City 1, Mo.<br />
Gentlemen:<br />
Please enroll us in your REf/EARCH BUREAU to receive inlormotion regularly, as<br />
released, on the following subjects for Theatre Planning:<br />
D Acoustics<br />
D Air Conditioning<br />
D Architectural Service<br />
D "Black" Lighting<br />
D Building Material<br />
n Carpets<br />
D Coin Machines<br />
a Other Subjects<br />
D Complete Remodeling<br />
n Decorating<br />
n Drink Dispensers<br />
n Drive-In Equipment<br />
n Lighting Fixtures<br />
n Plumbing Fixtures<br />
n Projectors<br />
n Projection Lamps<br />
n Seating<br />
Q Signs and Marquees<br />
Q Sound Equipment<br />
n Television<br />
n Theatre Fronts<br />
n Vending Equipment<br />
Theatre Seating Capacity<br />
Address<br />
City<br />
; State<br />
Signed<br />
(Owner-Manager)<br />
Postage-paid reply cords for your further convenience in obtaining information<br />
are provided on page 35 of this issue.<br />
Architectuial<br />
Advisory Staii<br />
THE PLANNING INSTITUTE is conducted in<br />
collaboration with the following theatre<br />
architects, structural designers and engineers<br />
who have agreed to act as technical advisers<br />
to the Institute and editorial text contributors<br />
to The MODERN THEATRE section of BOX-<br />
OFFICE from their respective localities,<br />
ATLANTA, GA.<br />
Tucker & Howell, Rhodes-Haverty Bldo<br />
BOSTON, IVIASS.<br />
W. Ctiester Browne. 184 Boylston St.<br />
CHARLOTTE. N. C.<br />
IVI. R. Marsll, 509 Builders Bldj. 2<br />
CHICAGO. ILL<br />
Roy B. Blass, 30 N. LaSalle. Cliicago 2<br />
Erwin G. Fredrick, 225 N. IVIicliigan Ave, 1<br />
Edward Paul Lewin, 134 N. LaSaMe St, 2<br />
Rapp & Rapp, 230 N. Micliioan Ave. 1<br />
CINCINNATI, OHIO<br />
Grunkemeyer & Sullivan, 3717 Eastern Ave.<br />
CLEVELAND. OHIO<br />
Georae A. Ebclino, Colonial Arcade 15<br />
DALLAS, TEX.<br />
Jack Corgan, 2008 Jackson St. 1<br />
DECATUR, ALA.<br />
Albert R. Frahn<br />
DENVER, COLO.<br />
Charles D. Strong. 416 C. A. Johnson Bldp.<br />
DES MOINES. IOWA<br />
Wethcrell & Harrison, 506 Shops Bldj.<br />
DETROIT, MICH.<br />
Charles N. Agree. 1140 Book Tower 26<br />
Bennett & Straight, Schaefer BIdg., Dearborn<br />
HENDERSONVILLE, N. C<br />
Erie G. Stillwell. Inc.<br />
JACKSONVILLE. FLA.<br />
Kemp. Buncli & Jackson, 402 Fla. Theatre BIdg.<br />
KANSAS CITY, MO.<br />
Robert 0. Boiler and Dietz Lusk Jr.,<br />
Associated Architects. 7332 Brooklyn Ave.<br />
KNOXVILLE. TENN.<br />
Fred Manley Associates. 216 Twelfth St.<br />
LOS ANGELES, CALIF.<br />
S. Charles Lee. 164S Wilshire Blvd. 14<br />
Paul R. Williams. 3757 Wilshire Blvd.<br />
MINNEAPOLIS. MINN.<br />
Liebenberg & Kaplan, 710 McKnight BIdg.<br />
MONTREAL. QUE.. CAN.<br />
Henry E. Grecnspoon. 1434 St. Catherine W.<br />
NASHVILLE, TENN.<br />
Marr & Holman, 701 Stahlman BIdg. 3<br />
NEW LONDON, CONN.<br />
Arthur Deimel. Mohican Hotel BIdg.<br />
NEW YORK, N. Y.<br />
Michael J. DeAngelis, Paramount BIdg. 18<br />
Wm. I. Hoh.iuser, Inc.. 1S41 Broadway 23<br />
OMAHA, NEB.<br />
H. A. Raapke, 1611 Davenport St.<br />
PHILADELPHIA, PA.<br />
David Supowitz, 246 S. 15th St.<br />
PITTSBURGH. PA.<br />
Victor A. Rigaumont, 5471 Coral St.<br />
PORTLAND, ORE.<br />
J. W. DeYoung, 730 S. W. Salmon St.<br />
ROCHESTER, N. Y.<br />
Michael J. DeAngelis. Cutler BIdg., 42 East Ave.<br />
SALT LAKE CITY, UTAH<br />
Paul K. Evans. 246 E. First South St.<br />
SAN ANTONIO, TEX.<br />
Spillman & Spillman. Chandler BIdg.<br />
SAN FRANCISCO, CALIF.<br />
Vincent G. Raney, 233 Post St.<br />
TORONTO. ONT., CAN.<br />
Kaplan & Sprachman, 305 Dundee St., W.<br />
NOTE: Tbe Institute does not undertake tile<br />
professional functions of an architect or designer.<br />
Its service is intended merely to<br />
place our readers in touch vrith reliable local<br />
sources of preliminary information and advice<br />
on tlieatie planning and structural problems.<br />
gg<br />
\ BOXOFFICE :: December 2. 1950<br />
45
EQUIPMENT €r<br />
DEVELOPMENTS<br />
Mills Offers Gravity-Fed P-595<br />
Freezer for Theatres<br />
A gravity-fed<br />
freezer for frozen<br />
batch ice<br />
with<br />
IM<br />
i„ ^ custard<br />
cream,<br />
or<br />
complete<br />
^ /W\ ^^- I refrigerated mix tank<br />
of five-gallon capacity,<br />
has been added to<br />
the ice cream freezer<br />
line of Mills Industries.<br />
Stainless steel<br />
piping conducts mix<br />
from tank to freezer<br />
barrel, a distance of<br />
only 18 inches.<br />
The maximum flow<br />
is approximately 15<br />
gallons of mix an hour. The tank can be<br />
cleaned easily in position. If desired, a side<br />
cabinet can be added for storage.<br />
Offer Vend and Display Packs<br />
In New Candy Bar<br />
P-596<br />
The Big Pay candy bar, which has recently<br />
been added to the Hollywood Candy<br />
Co.'s line of confections, is available to the<br />
theatreman in both the 120-count vend<br />
pack and the usual 24-count display box.<br />
The new bar is a combination of coconut<br />
nougat, toasted almonds, caramel and<br />
chocolate. According to the Hollywood<br />
officials the bar has received very favorable<br />
reception.<br />
New Paint Provides P-597<br />
Fire Protection<br />
A protective fire-retardant paint which<br />
has been used with outstanding success for<br />
several years in Canada, has recently become<br />
available through the Ocean Chemicals<br />
Corp., American franchise holders.<br />
The paint, which may be used on any<br />
paintable surface, protects from fire by<br />
swelling into a thick, resisting crust to seal<br />
oxygen from the wall or ceiling which has<br />
been painted. Without air. of course, it<br />
is Impossible for the heat of flame to support<br />
combustion. Woods will char or<br />
smolder, but will not burn when treated<br />
with the new product.<br />
FOR MORE<br />
INFORMATION<br />
USE Readers'<br />
Bureau Coupons, page 35<br />
Foam-Type Upholstery Cleaner P-598<br />
Requires No Rinsing<br />
A foam cleaner for<br />
theatre upholstery<br />
and rug fabrics which<br />
requii'es no mixing or<br />
rinsing is offered by<br />
the Magicleaner Co.<br />
A pan, a brush and a<br />
sponge are the only<br />
tools actually required<br />
to apply the<br />
cleaner which wiU<br />
not burn or explode.<br />
Cleaner from the<br />
original container is poured onto a sponge<br />
which is squeezed until all the liquid is<br />
foam. Since the cleaner does not penetrate<br />
the fabric, it dries quickly and requires<br />
no rinsing. Magicleaner can also<br />
be used in several types of upholstery and<br />
rug cleaning machines.<br />
New Lighting System P-599<br />
Allows Shallow Mounting<br />
A new, compact, extra-shallow fluorescent<br />
lighting system for slimline and 40-<br />
watt bipin lamps, called "Strip-Line," and<br />
available in seven different types, is announced<br />
by Benjamin Electric Mfg. Co.<br />
Its unusually shallow channel-depth of<br />
slightly less than one inch makes it possible<br />
to use this system in extremely<br />
limited space, such as is often the case<br />
with cornice lighting, illumination of glass<br />
blocks, charts, murals and shadow boxes<br />
and show window lighting.<br />
The new system includes high -power<br />
factor junction-box type ballasts, which are<br />
mounted remotely from the channel so<br />
that the strips may be attached flush with<br />
the ceiling; special terminal block, which<br />
eliminates wiring, soldering, wire nuts and<br />
wire splicing in installation and exclusive<br />
"Inter-Lok" construction by which channels<br />
may be locked together without couplings<br />
in any one of three different ways.<br />
Candy Display Rack for<br />
Theotre Counters<br />
P-600<br />
For the refreshment service counters of<br />
theatre lobby stands where space is often<br />
at a premium the Chase Candy Co. has<br />
prepared a wire serve-yourself display rack<br />
to hold six rows of cellophane packed candies.<br />
This makes it possible for the theatre<br />
patron to chose from an ample selection<br />
of bulk candy.<br />
Screen Beading Featured in<br />
New Theatre Paint Line<br />
Im<br />
^<br />
P-601<br />
A three-step process for converting a<br />
regular theatre screen into a beaded screen<br />
is featured in a complete new line of exterior<br />
and interior theatre paints offered<br />
by Drive-In Theatre Mfg. Co.<br />
The unique screen treatment process<br />
consists of a screen coating, screen bead<br />
adhesive and blow gun-type of tool for<br />
spraying glass beads onto the surface.<br />
Also included in the line is building<br />
paint, brick and masonry paint, aluminum<br />
paint, border masking for screens, varnishes,<br />
chrome finishes and materials for<br />
use with them.<br />
46 The MODERN THEATRE SECTION
—<br />
—<br />
Carton Protects Carbons<br />
During<br />
Storage<br />
P-602<br />
a::::E<br />
tr^<br />
A new, self-locking container for projection<br />
carbons has recently been announced<br />
by the National Carbon division<br />
of Union Carbide & Carbon Corp. The<br />
carton is said to add materially to the<br />
convenience and protection of carbons<br />
which are stored in the theatre previous<br />
to use.<br />
Because of long flaps which fold into<br />
the box, which is actually of one-piece design,<br />
the carton remains intact even when<br />
opened. No staples, tape or string is used<br />
in storing the boxes.<br />
Ample Warning in<br />
Reelend Alarm<br />
P-603<br />
We install itwe<br />
service it<br />
When you get set for television in your<br />
theatre, RCA Service Engineers are prepared<br />
to help you.<br />
These experts have received intensive<br />
training in the television laboratories and<br />
factories of the Radio Corporation of<br />
America and are qualified to supervise<br />
the installation of complete theatre TV<br />
systems and keep them running.<br />
They will see to it that all video equipment,<br />
including coaxial lines and antennas,<br />
are installed for maximum operating efficiency.<br />
They will give whatever operating<br />
instructions are necessary to your projectionists<br />
on handling the equipment. They<br />
RCA Service Engineers on<br />
television assignments are<br />
factory-trained experts. You<br />
can depend on them to keep<br />
your theatre TV equipment<br />
at peak efficiency.<br />
will be on ready call for quick emergency<br />
service.<br />
Like the Service Plan for motion picture<br />
equipment, RCA's new Theatre TV<br />
Service includes periodic inspection calls<br />
and unlimited emergency service—at reasonable<br />
rates. Tubes and components are<br />
replaced without additional charge when<br />
Parts Plan is included.<br />
t -f f<br />
IMAGINE IT— television programs on<br />
your screen with reliability corresponding<br />
to a motion picture show. It's a fact<br />
when it's backed by RCA Service. Write<br />
for complete information.<br />
A new reelend alarm which not only<br />
gives the projectionist a constant reading<br />
on the projection time left in any reel but<br />
also sounds three distinct bell warnings<br />
near the end of each reel is announced by<br />
the Reversible Sign Co.<br />
A soft rubber roller, which rides on the<br />
film, is designed to avoid film scratching<br />
and is light in weight to avoid wear on<br />
the roller itself. The film arm can be<br />
raised out of the way for quick and easy<br />
threading. Adjustments make it possible to<br />
set alarm rings for any spots from zero<br />
to five minutes before the reel end.<br />
According to the manufacturers, the<br />
alarm is easily attached to any make of<br />
projector magazine.<br />
RCA SERVICE COMPANY. IMC.<br />
A RADIO CORPORATION ofAMERICA SUBSIDIARY<br />
CAMDEN. NEW JERSEY<br />
WHEN LIGHTS GO OUT-<br />
Your Best Friend is a<br />
_ LAMPLIGHTER ^^«eT^e*f^ UNIT<br />
Avoid Panic and Injury<br />
^, Just one of many models<br />
W INQUIRE NOW!<br />
PRODUCTS CO.,<br />
95 ATLANTIC AVE.<br />
BROOKLYN 2, N. Y.<br />
'^%p6c\a\ii\s in Emergency Lighting"<br />
INC.<br />
BOXOFFICE :: December 2, 1950<br />
47
PO0<br />
TO<br />
DRIVE-IN<br />
GREATER<br />
PROFITS<br />
Add Directional Signs<br />
To General Line<br />
MATINEE<br />
" - • 50<<br />
•^H'^EN ,;<br />
20<br />
f<br />
P-604<br />
is returned to its container on the post.<br />
Known as a Speaker-Lok, the unit was<br />
demonstrated at the recent TESMA trade<br />
show in Chicago and the TOA convention<br />
in Houston.<br />
When a speaker has been withdrawn<br />
from the metal container, which is also<br />
said to protect speaker components from<br />
the elements in non-show hours, the lid<br />
locks in the open position and cannot be<br />
closed in any way except by replacing the<br />
speaker. When the lid is closed the iron<br />
guards are dropped to release the locked<br />
wheel.<br />
To the line of admission signs on plastic,<br />
both illuminated and unlighted, the Associated<br />
Ticket Co. has added new directional<br />
signs for theatre use. Employing<br />
various methods of display, the signs may<br />
carry whatever copy the theatreman wishes<br />
since each sign is made to order.<br />
New Ceiling Air Distributors<br />
For Non-Recessed Installation<br />
P-606<br />
Wheel Lock Eliminates<br />
Speaker Loss<br />
P-605<br />
From New Jersey to Missouri, Poblocki<br />
& Sons are furnishing thirteen drive-in<br />
signs for one of the oldest and largest<br />
circuits in the country. An exclusive<br />
phenomenal flashing scheme is the outstanding<br />
feature on all these signs. Investigate<br />
Poblocki "knov/-hov^" first, and<br />
be convinced that your best drive-in<br />
advertising will be done with a Poblocki<br />
sign.<br />
A new device which requires exact positioning<br />
of the drive-in theatre patron's<br />
car to obtain an in-car speaker from a<br />
special metal container, utilizes metal<br />
guards before and behind one front wheel<br />
to hold the car in position until the speaker<br />
Designed for installation where the outlet<br />
cannot be recessed into the ceiling, two<br />
new Barber Colman air distribution outlets<br />
have adjustable air deflection and a high<br />
aspiration rate. Outlet extends only a few<br />
inches above the ceiling surface.<br />
Venturi-Flo units in the new models are<br />
available as supply or combination supply<br />
and return outlets. Supply air deflection<br />
is adjustable from vertical to horizontal<br />
in supply outlets and limited in combination<br />
units to prevent short circuiting of<br />
supply air to the return opening. Outlets<br />
are supplied in a wide range of sizes in a<br />
baked metalescent aluminum finish or<br />
prime coat for painting.<br />
Modernize Your <strong>Boxoffice</strong><br />
SPEAKER<br />
OPENING GRILL<br />
PROGRAM TIME SCHEDULE HOLDER<br />
A great convenience for patrons and timesaver<br />
for cashier. Sturdily constructed of<br />
tempered presdwood for standing or hanging.<br />
Plastic disks with offset<br />
louvres permits perfecl<br />
hearing , yet prevents<br />
cold oij rushing into<br />
ticket booth. For any<br />
round speaker open-<br />
size<br />
ing, easily attached.<br />
ROLL<br />
TICKET HOLDER<br />
Rigidly constructed al<br />
tempered presdwood<br />
with hardwood varnished<br />
roller Wall, table<br />
shelf mounting, inexp<br />
sive but durable.<br />
i^riiTe{Zi.A?,DS6?rs-m^<br />
^asaamm<br />
TICKET vnNDOW SPACE COVER AND LOCK<br />
Heavy clear plastic, custom made for any<br />
size opening. Inside stainless steel locks<br />
prevent vandalism.<br />
For full particulars, write to the company direct or use<br />
the FREE postcard at page 35. This ad's key No. is 4S-B.<br />
DRIVE-IN THEATRE MFG. CO.<br />
729 Baltimore Ave. Kansas City, Mo.<br />
48 The MODERN THEATRE SECTION
'<br />
^<br />
j<br />
Hydropel Is Waterproof P-607<br />
Coating for Masonry<br />
A new product in the field of waterproofing<br />
is announced by United Laboratories.<br />
Inc. Known as Hydropel. the product is<br />
a transparent water-repellent coating for<br />
exterior masonry surfaces of many kinds.<br />
The completely new formulation of<br />
Hydropel is radically different from cement<br />
and other similar paints or coatings.<br />
It does not form a film on the surface and<br />
is completely invisible. The original texture<br />
and color of the building is retained.<br />
Operator Convenience Featured<br />
In Multi-Clean Scrubber<br />
P-608<br />
A NEW<br />
POBLOCKI<br />
ACHIEVEMENT<br />
Making it's bow at the TOA convention<br />
in Dallas, the portrait<br />
type case excited hundreds of<br />
exhibitors. They realized that<br />
the shadow box, tri-dimensional<br />
effect gives great prominence<br />
to poster advertising. The great<br />
beauty of the extra wide, stainless<br />
steel molding is an attention<br />
Scrubbing controls at his fingertips, plus<br />
ease of manipulation of the entire unit,<br />
are features of the new Multi-Clean rug<br />
scrubber models designed to make it easier<br />
for the operator to clean larger carpet<br />
areas more efficiently.<br />
the line are powered by electric motors<br />
from a third-horsepower up to a full<br />
horsepower. Brush sizes of the various<br />
machines range from 12 to 19-inch spreads.<br />
According to the manufacturer, no adjustment<br />
is necessary to switch from wet<br />
to dry pickup. An independent motor cooling<br />
system is installed and the motor is<br />
sealed against dirt, dust and water.<br />
PICTURE WINDOW SIZE<br />
The large glass size gives a picture window effect,<br />
allowing use of several posters in various combinations.<br />
You need all the advertising you can<br />
get — and you get all you need with Poblocki<br />
portrait type, picture window poster cases.<br />
getter, yet artfully demands attention<br />
for the posters within,<br />
which is set back in greater<br />
depth, highlighting the poster<br />
message.<br />
is<br />
The overall impression<br />
one of luxury, and greatly improves<br />
the appearance of any<br />
theatre.<br />
Portrait poster cases are custom<br />
built in any size, to fit your particular<br />
front.<br />
The additional cost<br />
will be forgotten when you see<br />
how portrait cases improve your<br />
theatre facade.<br />
ARE YOU USING ALL YOUR DISPLAY<br />
SPACE TO BEST ADVANTAGE?<br />
Light Polarized by P-609<br />
Convex Screen<br />
A result of 35 years of study and experimentation,<br />
the Trans-Color projection<br />
screen recently presented to the industry<br />
at a theatre premiere, offers solutions to<br />
many of the problems with which theatremen<br />
have been faced in recent years.<br />
A viewing angle increased to 80 degrees<br />
without distortion is achieved by providing<br />
a true convex shape to the screen surface.<br />
Masking and framing problems are solved<br />
by keeping the masking in a flat plane and<br />
mounting the screen in a lightweight<br />
aluminum frame which brings the entire<br />
load within limits which makes it practical<br />
to ship the unit by air if necessary. Assembly<br />
is said to require only a few minutes'<br />
time.<br />
By polarizing the light the screen affords<br />
less glare and gives color projection a<br />
softer, more lifelike quality. A variety of<br />
surface treatments are available in the<br />
screen which now employs screen material<br />
of the Williams Screen Co.<br />
m ^ppfiii<br />
Why limif your poster advertising to<br />
e, the Borry theatre, Pittsburgh,<br />
;ingle case 96"x96". At right, the<br />
e, Chattanooga, Tenn., with a<br />
nbined box office and poster case.<br />
Poblocki & Sons<br />
Milwaukee, Wis.<br />
"standard" size cases, when Poblocki can<br />
give you many extra square feet of show<br />
celling space. Utilize all your available<br />
front to get your poster advertising across<br />
to the public in jumbo Poblocki cases,<br />
custom built to your exact specifications.
—<br />
Choose the<br />
Super that<br />
Meets Your Special<br />
Needs<br />
Any one of these Super Specialized Theatre Cleaners will solve any ond<br />
all of your cleaning problems to your complete satisfaction. All are designed<br />
and tool-equipped for the dependable and thorough performance<br />
of every cleaning job. All are rugged, portable, with fast positive pick up.<br />
The MODEL M. A streamlined Super for heavy duty general use. Light<br />
weight, ready portability, simple operation. A safety trap catches without<br />
damage metal and other solid objects picked up by floor tool.<br />
The MODEL QS. A quiet suction cleoner with the same powerful<br />
Super pick up. Practically noiseless operation. Cleans efficiently<br />
without disturbing or interferring with entertainment. Light weight<br />
and easily portable on any kind of floor.<br />
The MODEL QR All Super features plus wet pick up. Carpets<br />
2. Model QS.<br />
and rugs can be dried after shampooing where they lie. Suds and<br />
scrub water removed from bare floors. Saves time, expense, and inconvenience.<br />
Standard tool equipment enables you to do general and usual cleoning. Special tools for<br />
specific and difficult tasks may be obtained at small additional cost.<br />
Ask your supply dealer for a demonstration. See for your self why thousands of theatre<br />
owners 'solve their problems with a Super. Write for complete data.<br />
NATIONAL SUPER SERVICE COMPANY, INC.<br />
1941 N. 12th Street, Toledo 2, Ohio<br />
SUPER SUCTION<br />
Tlie following concerns have recently<br />
filed copies of interesting descriptive literature<br />
with the Modern Theatre Information<br />
Bureau. Readers who wish copies may<br />
obtain them promptly by using the Readers'<br />
Bureau postcard in this issue of The Modern<br />
Theatre.<br />
L-1210—A SINGLE SHEET which tells the<br />
advantages of a new textbook on advertising<br />
for the theatreman is offered by the<br />
Helpful Pi-ess. According to the publisher,<br />
this service makes it possible to test the<br />
effectiveness of your advertising before it<br />
is published. The author is Calvert Lindquest.<br />
advertising and sales consultant.<br />
L-iail—A FOUR-PAGE FOLDER of the Lucky<br />
Club Co. tells the story of its line of franchise<br />
beverages in the soft drink field. A<br />
full range of flavors, an advertising program<br />
to back up the dealer and a comprehensive<br />
profit story is told in the literature.<br />
L-1212—A TWO-COLOR SINGLE SHEET Of<br />
the Fred Hebel Corp. describes and illustrates<br />
a coin-operated new ice cream vender.<br />
The unit offers buyers a choice of<br />
five different flavors of stick confections.<br />
Because cartoning of individual bars is unnecessary<br />
with this dispenser, an additional<br />
profit is available on each bar.<br />
L-1213 An attractive full-color folder<br />
of the murals available to the theatreman<br />
for dressing a dull corner or wall is offered<br />
by Foto Murals of California. The brochure<br />
gives sizes and price of each mural<br />
and answers a number of the questions<br />
sure to be asked by the exhibitor interested<br />
in this novel decorative treatment.<br />
An "Added" Service to Our Customers<br />
All ADC Curtain Tracks are now being furnished with sash cord for hand-operated<br />
tracks and wire-center bell cord for machine operated tracks — AT NO<br />
EXTRA COST! And, it's the world's finest cord, too. Immediale delivery oi cord<br />
for replacement or stocking purposes. Available in all sizes for all ADC Tracks<br />
and for use with Autodrape & Silver Service Curtain Machines.<br />
AUTOMATIC<br />
DEVICES COMPANY<br />
116 N. 8th St. Allentown, Pa.<br />
SUPPORT THE MOST CELEBRATED CURTAINS IN THE WORLD<br />
Announcing ""PERFECTION IN REFLECTION'<br />
25 YEARS EXPERIENCE<br />
SeamU^A SUoen. a*ut SeeunicA^^ TOAlte ScneeM4.<br />
POLA-RAY NOW PRESENTS<br />
THE PROJECTION SCREEN OF TOMORROW<br />
CUSTOM-BUILT SCREENS TO MEET ALL REQUIREMENTS<br />
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L-1214 Sixteen pages of interesting<br />
photographs, drawings and descriptive<br />
matter are contained in a recent catalog<br />
of J. R. Clancy, Inc., manufacturers of all<br />
kinds of curtain controls and stage equipment.<br />
Shown in the book are outstanding theatre<br />
installations of contour curtains, the<br />
motorized bandcar described in this issue<br />
of The Modern Theatre and other units<br />
of staging equipment.<br />
L-1215 Pull presentation of the new<br />
General Precision Laboratories' Videofilm<br />
method of presenting theatre television is<br />
included in a booklet offered by National<br />
Theatre Supply Co. The book pictures each<br />
element in the chain of equipment which<br />
takes the image from a television camera,<br />
records it on film, processes that film and<br />
puts a finished picture on a theatre screen<br />
within 60 seconds.<br />
Suggested methods of using the complete<br />
system, plus a diagramatic outline of operation<br />
is included in the book.<br />
L-1216 Complete, up-to-date reference<br />
manuals, designed for use by architects,<br />
contractors and supervisors, and classifying<br />
proper floors to suit various conditions<br />
in industry, have been prepared by Multi-<br />
Clean Products, Inc. These manuals pro-<br />
50<br />
Tho MODERN THEATRE SECTION
—<br />
vide for improved floor appearance, longer<br />
life and reduced repair and replacement.<br />
They contain detailed instructions for the<br />
proper care and maintenance of wooden,<br />
asphalt tile, terrazzo, rubber tile, concrete<br />
and linoleum floors.<br />
Also included is a full-color brochure<br />
showing various floor installations and listing<br />
a breakdown of maintenance cost<br />
figures.<br />
L-1217 An interesting, fully illustrated<br />
brochure on Dek-Tufts, for custom-building<br />
simulated upholstery, is available from<br />
Deks, Inc. The four-inch squares are available<br />
in 11 decorative colors and are tough,<br />
durable acetate construction. A center hole<br />
in each tuft provides access for a single<br />
nail which will hold the square in place on<br />
any wooden surface.<br />
By combining various colors to form interesting<br />
patterns, the squares may be used<br />
to provide decoration to theatre standee<br />
rails, doors, entranceways, or refreshment<br />
service counter fronts.<br />
L-1218—A QUICK EASY-TO-READ, four-page<br />
booklet issued by National Theatre Supply<br />
presents a large illustration of the new<br />
Excelite arc lamp, and states its outstanding<br />
features.<br />
The new lamp has been designed for use<br />
at drive-ins or conventional theatres with<br />
large screens.<br />
L-1219 — Two SINGLE SHEETS issued by<br />
National Heaters, Inc., clearly state the<br />
case for the drive-in in-car heater. By<br />
pointing out that a normal operating<br />
season can be extended a total of approximately<br />
20 weeks in spring and fall, the<br />
literature suggests that National heaters<br />
can add considerable drive-in revenue.<br />
L-1220—A FOLDED. TWO-COLOR booklet of<br />
Theatre Equipment Co. of America features<br />
its Teca in-car speakers which are priced<br />
as low as $11.50 a pair, and also illustrates<br />
and describes other speakers in the line<br />
which sell for as much as $18 a pair. In<br />
addition to speakers, the literature lists<br />
downlights, coiled cords and special theftresisting<br />
cord.<br />
L-1221—A FOUR-PAGE, TWO-COLOR booklet<br />
issued by FYigidbar, Inc., illustrates, with<br />
blueprint-style cross-section drawings, the<br />
new frozen confection vender which puts a<br />
refrigerated product within the customer's<br />
reach for added sales.<br />
The booklet illustrates the Plexiglas lid<br />
which covers merchandise in the top of the<br />
unit, and explains that the vender may be<br />
used either for self-service or by a clerk.<br />
The unit is available in either floor or<br />
counter models.<br />
L-1222—A SERIES OF ATTRACTIVE CatalOgmanuals<br />
have recently been released by the<br />
C-O-Two Fire Equipment Co. The manuals<br />
illustrate various uses of the fire extinguishers,<br />
give specifications and construction<br />
drawings plus suggested techniques<br />
of use.<br />
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BOXOFFICE :: December 2, 1950<br />
51
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Black Light Units and GLO-CRAFT<br />
fluorescent products are endless.<br />
Murals and other types of Block Light<br />
decoration have become recognized<br />
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theaters throughout the v/orld. Theater<br />
ov/ners have reported intense<br />
interest in the captivating beauty of<br />
GLO-CRAFT Black Light Decorating.<br />
Sv^itzer Brothers have the technical<br />
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HoBART C. Ramsey, president of Worthington<br />
Pump & Machinery Corp., announced<br />
recently the election of Charles<br />
E. Wilson, former president, to the position<br />
of chairman of the board of directors of<br />
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president of the firm which manufactures<br />
liquid meters. William C. Flanders was<br />
elected vice-president in charge of sales,<br />
and Walter H. Zeis secretary-treasurer.<br />
Because of the expansion of business.<br />
Edgar A. Bowman has recently moved his<br />
entire plant facilities to 682 Sixth Ave.,<br />
New York 10, N. Y. Just barely settled in<br />
the new quarters, output of the expanded<br />
operation is in full swing to meet customer<br />
orders.<br />
Interviewed on television at the recent<br />
TOA convention in Houston were Charles<br />
P. Skouras, left, of 20th Century-Pox and<br />
Mrs. Herbert Griffin, wife of the vicepresident<br />
of International Projector Corp.<br />
A. E. Hungerford. of General Precision<br />
Laboratories, conducts the interview as<br />
part of his firm's demonstration of theatre<br />
television equipment at the show.<br />
New windproof. slotted changeable<br />
copy letters developed by Wagner Sign<br />
Service, Inc., have recently been released<br />
to theatremen.<br />
This new windproof slot, a feature which<br />
is exclusive with Wagner, affords a positive<br />
lock which prevents letters blowing off the<br />
sign even in the most extreme wind. The<br />
letters are also said to be easier to change<br />
than previous letters.<br />
iiiii<br />
In keeping with plans to have experts<br />
in various fields on hand in display booths<br />
at the TESMA show last month, Jake<br />
Mitchell, Worth Laird, Bill LaVezzi, Tom<br />
LaVezzi, Jerry Kremer and Bob LaVezzi<br />
manned the LaVezzi booth to give visitors<br />
authoritative data.<br />
Edward f. Ruder<br />
Recently named<br />
advertising manager<br />
of the Angelica Uniform<br />
Co. is Edward<br />
P. Ruder. Ruder advances<br />
into the position<br />
opened by the<br />
promotion of John<br />
Levey to the position<br />
of Director of Sales<br />
and Promotion.<br />
Neighborhood Theatres as well as larger theatres<br />
with balconies and lounges can profit.<br />
You'll get extra income at no increase in<br />
overhead with these "easy-to-operate" machines.<br />
lot in Key No. 52-B on the postage-lree cord.<br />
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52<br />
The MODERN THEATRE SECTION<br />
i
EXHIBITOR HAS HIS SAY<br />
ABOUT<br />
PICTURES<br />
Just as the Barometer vage shovts first run reports on current pictures, this<br />
department is devoted for the most part to reports on subseauent runs, made<br />
by exhibitors themselves. A one-star contributor is new. two stars means the<br />
exhibitor has been writing in for six months or longer, and a three-star contributor<br />
is a regular of one year or more. All exhibitors welcome. Blue Ribbon<br />
pictures are marked thus *>.<br />
COLUMBIA<br />
Candid Microphone (Col) — Short. It is<br />
taking this series time to catch on, but now<br />
some of my patrons are asking for this excellent<br />
short series. Allen Funt, the originator,<br />
has a clever idea and most of the<br />
situations are very humorous. It's fun to<br />
watch people when they don't know they're<br />
being watched. I hope these shorts click.<br />
Played Tues., Wed., Thurs. Weather: Good.—<br />
Carl Neitzel, Juno Theatre, Juneau, Wis.<br />
Local and surrounding area patronage. ' * *<br />
Father Is a Bachelor (Col)—William Holden,<br />
Coleen Gray, Mary Jane Saunders. This<br />
is an excellent small town picture. It was<br />
only fair on drawing power but the film<br />
rental was low and our net was $5 over the<br />
minimum satisfactory. It is good for Sunday<br />
or weekend at low rental. Played Sun., Mon.<br />
Weather: Fair.—E. A. London, State Theatre,<br />
Olivet, Mich. Small town, rural and college<br />
patronage. * * *<br />
Fortunes of Captain Blood, The (Col) —<br />
Louis Hayward, Patricia Medina, George Macready.<br />
Too much costume and not strong<br />
enough cast caused the wallopin' we took<br />
on this one. Paired with Republic's "Flaming<br />
Fury" and on this bill the patrons enjoyed<br />
it much more than they did old Captain<br />
Blood. Costume flickers are dead for this<br />
location. Played Sat. (preview). Sun., Mon.<br />
Weather: Clear and 90 degrees.—Jim Dunbar.<br />
Roxy Theatre, Wichita, Kas. Downtown<br />
subsequent run patronage.<br />
' * ''<br />
Good Humor Man, The (Col)—Jack Carson.<br />
Lola Albright, Jean Wallace. This is a low<br />
grade of slapstick and has no drawing power<br />
here. We lost heavily and should not have<br />
played the picture. Weather: Fair.-E. A.<br />
London, State Theatre, Olivet, Mich. Small<br />
town, rural and college patronage.<br />
* * *<br />
EAGLE LION CLASSICS<br />
Federal Man (ELC) — William Henry,<br />
Pamela Blake. This is a fine action picture to<br />
double with that western on Fri., Sat. A good<br />
print and sound made this one okay, and no<br />
company yet has beaten Eagle Lion's terms.<br />
You fellows in the rural towns, sit up and<br />
take notice! Played Fri., Sat. Weather: Cold.<br />
—I. Roche, Vernon Theatre, Vernon, Fla.<br />
Small town and rural patronage. * * *<br />
Naughty Nineties (ELC) — Reissue. Bud<br />
Abbott, Lou Costello. These two boys never<br />
fail me at the boxoffice. This was one of<br />
their first efforts and just as entertaining in<br />
the slapstick vein as ever. Don't miss it if<br />
these boys do business in your locality.<br />
Doubled it with "Wagonma.ster" (RKO>, a<br />
different style of western with plenty of action<br />
and drama for all. This weak cast performed<br />
ably. Played Fri., Sat. Weather: Fair<br />
and cold.—Jim Dunbar, Roxy Theatre, Wich-<br />
Spoilers, The (ELC) — Reissue. Marlene<br />
Dietrich, John Wayne. Naturally, we can say<br />
this went over to a full house because it was<br />
our annual free Halloween show. The show<br />
itself was pretty good. It had quite a bit of<br />
action. If we could have as many people come<br />
when they pay as when they don't, we might<br />
start making some money. Played Tuesday<br />
only. Weather: A little cool.—Theron Pollard,<br />
Garfield Theatre, Garfield, Utah. Min-<br />
'<br />
ing town patronage.<br />
Desperadoes (Col)—Randolph Scott, Glenn<br />
Ford. If you have an action house or get Timber Fury (ELC)—David Bruce, Laura<br />
results from western pictures, this is your Lee, Nicla DiBruno. Only the children and<br />
answer. It is a lovely picture of its kind.— the most simple souls waste their money on<br />
Harland Rankin, Rankin Enterprises, Chatham,<br />
Ont. Small town patronage. ' * * one isn't doing his books justice. I don't<br />
these James Oliver Curwood stories. Some-<br />
be-<br />
tion they like here.' Played Sun.. Mon. patronage.<br />
Weather: Fair. — Jim Mote, Friendship<br />
Theatre, Sterling. Okla. Small town and Happy Years, The (MGM)—Dean Stockwell,<br />
Darryl Hickman, Scotty Beckett. This<br />
rural patronage. * * * 'Comments of the Week'<br />
Show Diverse Views<br />
"THIS WEEK we take the opposing views<br />
of two exhibitors and run them for<br />
further comment from exhibitor readers.<br />
One from Clinton Bahensky of the Time<br />
Theatre at Albert City, Iowa, read:<br />
"The big pictures just won't do business<br />
in a small town after they have played<br />
all around you."<br />
ita, Kas. Downtown subsequent run patronage.<br />
A few days later this one came in from<br />
* * *<br />
Ken Gorham of the Town Hall Theatre<br />
at Middlebury, Vt., as follows:<br />
"Playing this film ahead of the Roxy<br />
(New York City), also ahead of nearby<br />
cities, stripped me of much good advertising."<br />
Anyone want to comment further on<br />
this?<br />
Black Hand (MGM)—Gene Kelly, J. Carrol<br />
Naish, Teresa Celli. In my estimation this<br />
is not suitable for the rural situations, although<br />
there are action and suspense aplenty<br />
in it. Note to MGM (trailer department):<br />
Any scenes with a crying woman in them<br />
are boxoffice poison for the small towns.<br />
Won't all you small town fellows agree on<br />
lieve they're this bad. Played Fri., Sat.<br />
that? ... I would like to see special trailers<br />
Weather: Fair.—Jim Mote, Friend.ship Theatre,<br />
Sterling, Okla. Small town and rural<br />
made for rural trade use. Played Wed., Thurs.<br />
patronage. * * * Weather: Extremely fine for November.—I.<br />
Roche, Vernon Theatre, Vernon, Fla. Small<br />
LIPPERT PRODUCTIONS<br />
town and rural patronage. * * *<br />
Deputy Marshal (LPi—Jon Hall. Frances Conspirator (MGM)—Robert Taylor, Elizabeth<br />
Taylor, Robert Fleming. This is a good<br />
Langford. Dick Foran. This is an aboveaverage<br />
western that I used to replace my picture that didn't set the world on firemediocre<br />
usual western series. Business was excellent<br />
turnout. Played Mon., Tues.—Har-<br />
because of the co-feature, "In Old Missouri" land Rankin, Rankin Enterprises, Chatham,<br />
(Rep). No complaints. Played Fri., Sat. Ont. Small town patronage. * ' *<br />
Weather: Cold.—Ralph Raspa, State Theatre,<br />
Rivesville, W. Va. Rural patronage. * * *<br />
Duchess of Idaho (MGM)—Esther Williams,<br />
Van Johnson, John Lund. If this picture had<br />
been given to us rental free, we would have<br />
METRO-GOLDWYN-MAYER<br />
just made expenses and our minimum net.<br />
Annie Get Your Gun (MGM)—Betty Hutton,<br />
Howard Keel, Louis Calhern. This ranks<br />
The story is weak and the title is extremely<br />
weak. If Metro had substituted "Sun Valley"<br />
as the finest entertainment we have ever<br />
for "Duchess," the picture would have had<br />
shown on our screen. Our film rental was<br />
more drawing power. We cannot recommend<br />
too high and consequently our net was only<br />
the picture for small towns. Played Sun., Mon.<br />
at the "get-by" figure. Played Sun., Mon.<br />
Weather: Fair.-E. A. London, State Theatre,<br />
Weather: Fair.—E. A. London, State Theatre,<br />
Olivet, Mich. Small town, rural and college<br />
Olivet, Mich. Small town, rural and<br />
patronage.<br />
college patronage.<br />
Battleground (MGM)—Van Johnson, John Duchess of Idaho (MGM)—Esther Williams,<br />
Hodiak, Ricardo Montalban. This epic win Van Johnson, John Lund. Like all other<br />
be good when it is reissued the third or fourth Esther Williams pictures, the story material<br />
time. Comments were fine and attendance was weak, but very likable and entertaining.<br />
normal and a little over for three days midweek.<br />
The excellent story, cast and direction<br />
Of course the average patron likes them<br />
simple and this one was just that. Paired it<br />
made it thoroughly entertaining. Coupled<br />
with "Woman on Pier 13" (RKO) and of the<br />
it<br />
with "Shanghai Chest" (Mono), a below par<br />
two. Duchess was best liked and sold the<br />
Charlie Chan feature. Played Tues., Wed., most tickets. Business was just about normal.<br />
Thursday. Weather: Clear and warm.— Jim Played Sat. (preview). Sun., Mon. Weather:<br />
Dunbar, Roxy Theatre, Wichita. Kas. Downtown<br />
subsequent run patronage. * * * tre, Wichita, Kas. Downtown subsequent run<br />
Clear and warm.—Jim Dunbar, Roxy Thea-<br />
patronage.<br />
WFather of the Bride (MGM) — Spencer<br />
Combination They Like<br />
Tracy, Joan Bennett, Elizabeth Taylor. This<br />
comedy is too sophisticated for our people.<br />
In 'Riding High'<br />
Our attendance was low and the picture did not<br />
TJIDING HIGH (Para) — Bing Crosby, please the majority who came. The film rental<br />
Coleen Gray, Charles Bickford. This was twice what it should have been—you<br />
is much better than I had been led to know the rest of the story. Played Sun., Mon.<br />
believe. I couldn't find a thing wrong Weather: Fair.—E. A. London, State Tlieatre,<br />
with it. It has just about the combina-<br />
Olivet, Mich. Small town, rural and college<br />
is<br />
a high grade family picture with only fair<br />
BOXOFFICE BooldnGuide Dec. 2, 1980
I<br />
Rep), a bill for the<br />
drawing power. It is worth a Sunday date in were all fine in it. Played Pri., Sat., Sun.<br />
.-.mall towns at low flat rental. We netted Weather: Good.—Frank E. Sabin, Majestic<br />
•<br />
my dark night, for my Catholic patrons. atre, Jerome, Ariz. Mining patronage. * Played Fri., Sat. Weather: Fair and cold.—<br />
The priest announced it here and in a<br />
Jim Dunbar, Roxy Theatre, Wichita, Kas.<br />
nearby town. As a result, had a nice crowd. Wagonmaster (RKO) — Ben Johnson, Downtown subsequent run patronage. * * *<br />
This is something all Catholics are interested<br />
in, regardless of locaUty. The sound western that pleased my fans no end. The Fighting Kentuckian, The (Rep) — John<br />
Joanne Dru, Harry Carey jr. A very unusual<br />
wasn't quite up to par but the ceremonies novel musical background was outstanding Wayne, Vera Ralston, Philip Dorn. It seems<br />
and church scenes were good. Played and gave us a very good Sun., Mon. boxoffice. John Wayne can do no wrong. He works in<br />
Thursday. Weather: Fair. — Jim Mote, It was better than "Fort Apache," and was all types of action plays and the verdict is<br />
Friendship Theatre, Sterling, Okla. Small sold flat, for a change. Weather: Snow and always good. Played Tues., Wed. Weather:<br />
town and rural patronage. * • * wind. — Ken Christianson, Roxy Theatre,<br />
just enough to get by. Played Sun., Mon. Theatre, Eureka, Mont., Small town and<br />
Weather: Fair.—E. A. London, State Theatre, rural patronage. • •<br />
From •<br />
Recent Illness<br />
Olivet, Mich. Small town, rural and college<br />
* patronage. *<br />
CINCE '<br />
contributors to these columns<br />
Lives of a Bengal Lancer (Para)—Reissue.<br />
Gary Cooper, Franchot Tone. This did not have become a family, in a sense, 1<br />
Reformer and the Redhead, The CMGM)— do near the business that "Beau Geste" gave think others will be interested in this<br />
Dick Powell, June Allyson, David Wayne. us, but satisfied the patrons. The print was communication from E. A. London of the<br />
This was an opportune picture, played two not too good and the sound recording was State Theatre at Olivet, Mich., which<br />
days prior to the general election. It did average<br />
far from being good. This is a nice weekend says:<br />
business and is a comedy-angle picture, picture, though. What a cast for a movie!<br />
"I am sorry to have neglected your<br />
with a few animals to please the kids. Played Played Fri., Sat. Weather: Cool.—Ken Christianson,<br />
Roxy Theatre, Washburn, N. D.<br />
department but I have been ill since June<br />
Sun., Mon. Weather: Cool.—D. W. Trisko,<br />
and have been<br />
Ritz Theatre, Jerome, Ariz. Mining patronage.<br />
Small town patronage. * * •<br />
unable to participate in<br />
'<br />
the operation of our theatre. Fortunately,<br />
' *<br />
Riding High (Para)—Bing (3rosby, Coleen my wife is an excellent manager or we<br />
Reformer and the Redhead, The (MGM)— Gray, Charles Bickford. After all the lemons would have been forced to close our theatre.<br />
Dick Powell, June Allyson, David Wayne. Bing has appeared in, I was a httle afraid<br />
I have somewhat recovered and will<br />
Funny? You bet! This is a fine family picture<br />
of this one, but it was pleasant surprise. try to be a regular contributor again to<br />
that I recommend to all exhibitors. An The picture is on a down-to-earth level and EHHS. It is still the most valuable de-<br />
trailer excellent plus a fine cast helped to helped to raise Bing's stock. It has an excellent<br />
partment of BOXOFFICE."<br />
cast, with special mention to William<br />
sell this one. I let the first ten redheads in<br />
Orchids to Mrs. London for seeing that<br />
free but 16 showed up, so I let them in too. Demarest, Clarence Muse and Coleen Gray.<br />
the<br />
The price was a little steep, but I had<br />
show went on during her husband's<br />
so The picture built attendance from the first<br />
illness<br />
many good comments that maybe it was night. Played Tues., Wed., Thurs. Weather:<br />
and we are glad to learn of his recovery.<br />
worth it. Played Sun.. Mon. Weather: Cold.— Cool.—Carl P. Neitzel, Juno Theatre. Juneau,<br />
Carl Neitzel, Juno Theatre, Juneau, Wis. Wis. Local and surrounding area patronage.<br />
Local and surrounding area patronage. * • *<br />
• • *<br />
Skipper Surprised His Wife, The (MGM)—<br />
REPUBLIC<br />
Robert Walker, Joan Leslie, Edward Arnold.<br />
Arkansas Judge (Rep) —Reissue. Weaver<br />
This is a good little comedy. We expected<br />
Help Called It a Jewel<br />
Bros, and Elviry. I played this oldie starring<br />
better business but I guess we shouldn't complain.<br />
It's still better than Korea. Played That Pleased Everyone against a personal appearance of Roy Rogers<br />
the Weaver Bros, and Elviry with Roy Rogers<br />
Wed., Thurs.—Harland Rankin, Rankin Enterprises,<br />
Chatham, Ont. Small town pa-<br />
—Jane Wyman, Dennis Morgan, Eve Ar-<br />
us normal business. It is a good hillbilly pic-<br />
LADY TAKES A SAILOR, THE (WB) and Dale Evans in the trade area, and it gave<br />
* * tronage. * den. This is another one I missed because<br />
we were headed for Texas, but my Thurs., Fri. Weather: Cold.—Ken Christianture<br />
that your country people love. Played<br />
help tell me that it was one of those son, Roxy Theatre, Washburn, N. D. Small<br />
MONOGRAM<br />
jewels that please everyone. They said town and rural patronage. * * *<br />
Master Minds (Mono)—Leo Gorcey, Huntz Jane was never better and that people<br />
Hall, William Benedict. If these Bowery Boys left raving about what a grand picture it Blonde Bandit, The (Rep)—Dorothy Patrick,<br />
go in your town, this is a good one. It has was. Business was slightly above average<br />
Gerald Mohr, Robert Stockwell. Re-<br />
plenty of laughs doubled with "Trail's End"<br />
for the change. I'd sure advise you public makes a good grade of program pic-<br />
(Mono) to ten per cent above average busi- to use it. Played Sun., Mon., Tues. tures. Although there were no name stars<br />
ness. Played Pri. night, Sat. afternoon. Weather: Perfect.—Bob Walker, Uintah in the cast, the story was very good and the<br />
~<br />
Weather: Very cold, below freezing.—N. D. Theatre, Fruita, Colo. Small town and picture plea.sed. Doubled with "Susanna Pass"<br />
which made up good Patterson, Tate Theatre, Coldwater, Miss. rural patronage. » » *<br />
Small town and rural patronage.<br />
weekend. Business was average and comments<br />
*<br />
were favorable. Played Fri., Sat.<br />
Triple Trouble (Mono)—Leo Gorcey, Huntz<br />
Weather: Fair.—Carl F. Neitzel, Juno Theatre,<br />
Juneau, Wis. Local and surrounding area<br />
Hall, Pat Collins. If you play this series',<br />
RKO RADIO<br />
get this soon, as it's better than some of their<br />
patronage. * •<br />
last pictures. Weather: Fair. — Jim Mote, Tarzan's Magic Fountain (RKO) — Lex<br />
Friendship Theatre, SterUng, Okla. Small Barker, Brenda Joyce, Albert Dekker. I didn't Brimstone (Rep) —Rod Cameron, Adrian<br />
town and rural patronage. * * * have much of an opportunity to see this first Booth, Walter Brennan. This was well received<br />
by my above-average audience. It's a<br />
of the Barker series, but in general the chimp<br />
PARAMOUNT<br />
seemed to carry the entire production. Judging<br />
from the laughs rolling forth, it was more as it contains plenty of action. This does.<br />
bit old, but no feature can be too old as long<br />
Dear Wife (Para)—William Holden, Joan comedy than jungle adventure. Business was Played Tues., Wed. Weather: Cold.—Ralph<br />
Caulfield, Edward Arnold. This was enjoyable<br />
from start to finish. I wish it were pos-<br />
whether Barker rates better than Weiss-<br />
Rural patronage. * * *<br />
just normal so I can't tell by the boxoffice Raspa, State Theatre, Rivesville, W. Va..<br />
sible to buy one a week as good as this. Edward<br />
Arnold, Bill Holden and Joan Caulfield (Rep.) Played Fri., Sat. Weather: Clear and Dakota (Rep)—Reissue. John Wayne, Vera<br />
muUer. Coupled it with "Rock Island Trail"<br />
warm.—Jim Dunbar, Roxy Theatre, Wichita, Hruba Ralston. I don't know whether this<br />
Kas. Downtown subsequent run patronage. is reissued in your exchanges, but here it has<br />
proved very worth while. The print was good<br />
A Special Documentary<br />
and John Wayne, as usual, never fails to pull<br />
They Live by Night (RKO)—Cathy O'Donnell,<br />
Farley Granger, Howard DaSllva. This action and this picture can be used either at<br />
them in the front doors. There is plenty of<br />
Gets Special Handling<br />
HOLY YEAR 1950 (20th-Fox)—Documentary.<br />
is a very good crime-doesn't-pay show. Noth-<br />
the head or the tail of the week. I coupled<br />
I ran this featurette with a ing big is to be expected from it. Played Fri., it with a fair but high-priced film, "Iroquois<br />
short, musical western and cartoon on Sat. Weather: Cool.—D. W. Trisko, Ritz The-<br />
Trail" (UA) to above-average business.<br />
(Continued on page 4)<br />
Washburn, N. D. Small town patronage. * • • E. A, London Recovers<br />
BOXOrnCE BooklnGuide :: Dec. 2, 1950
Exhibitor Has His Say<br />
(Continued from page 3)<br />
Good. — Prank E. Sabin, Majestic Theatre,<br />
Eureka, Mont. Small town and rural patronage.<br />
• • •<br />
Macbeth (Rep) — Orson Welles, Jeanette<br />
Nolan, Roddy McDowall. I had an idea it<br />
would not be too good at the boxoffice, but<br />
being a college town, we did very well indeed;<br />
for the title of "Macbeth" is really something.<br />
It is worth good playing time. Played Wed.,<br />
Thurs. Weather: Pretty cold and stormy.—<br />
Ken Gorham, Town Hall Theatre, Middlebury,<br />
Vt. College patronage. • • •<br />
This reissue is a fine war picture. If the war<br />
in Korea is helping your boxoffice with war<br />
pictures, this is one of the best. Terms are<br />
most reasonable, too. Played Sun., Mon.<br />
Weather: Cold.—I. Roche, Vernon Theatre,<br />
Vernon, Fla. Small town and rural patronage.<br />
...<br />
Mister 880 (20th-Pox)—Burt Lancaster,<br />
Dorothy McGuire, Edmund Gwenn. This,<br />
ladies and gentlemen, is a natural. It is a<br />
great story (yes, wonderful!) and Edmund<br />
Gwenn is absolutely tops. In fact, they love<br />
him in our city. Played Sun., Mon., Tues.<br />
Weather: Good.—Ken Gorham, Town Hall<br />
Theatre, Middlebury, Vt. College patronage.<br />
. » •<br />
Competitor's Appraisal<br />
Not the Same as His<br />
COMANCHE TERRITORY (U-I)—<br />
Maureen O'Hara, Macdonald Carey, Will<br />
Geer. Our competitor played it and we<br />
asked for his comments. He said it was<br />
beautiful and a good cast but not much<br />
else. I can't agree, as it did above normal<br />
business for us and we received more good<br />
comments than poor, so it was okay for<br />
us. Played Sun., Mon., Tues. Weather:<br />
Fair and cool.—Ken Christianson, Roxy<br />
Theatre, Washburn, N. D. Small town<br />
and rural patronage.<br />
* » •<br />
Plunderers, The (Rep) — Rod Cameron,<br />
Ilona Massey. Adrian Booth. This is a nice<br />
western from Republic in color, that did above<br />
average midweek business. It had romance,<br />
comedy, Indians and all the contents that<br />
make a "western" for the small town. It was<br />
sold right and pleased all. Played Tues., Wed.,<br />
Thurs. Weather: Cool. — Ken Christianson,<br />
Roxy Theatre, Washburn, N. D. Small town<br />
patronage. * * •<br />
Rock Island Trail (Rep)—Forrest Tucker,<br />
Adele Mara, Adrian Booth. This is a nice<br />
Technicolor action picture for the weekend.<br />
We should have had more business but on<br />
Saturday they had a Catholic wedding, and<br />
there isn't anything I've run, even from<br />
MGM, that can buck this kind of celebration,<br />
and it's only once in a lifetime. However, I<br />
wish they would marry any day but Saturday.<br />
Played Sat., Sun. Weather: Cold.—Harland<br />
Rankin, Rankin Enterprises, Chatham, Ont.<br />
Small town patronage. • • •<br />
20th CENTURY-FOX<br />
AU About Eve (20th-Fox) — Bette Davis,<br />
Aime Baxter, George Sanders. My personal<br />
comment is that Pox made a poor selection<br />
when they attempted, and then gave up, what<br />
they believed to be a good stunt in showing<br />
this. This picture has questionable morals,<br />
has very flippant remarks, and while well<br />
done, was not too well received. It's too bad<br />
Bette Davis ran out of cigarets. Played Sun.,<br />
Tues. Weather: Rainy.—M. W. Mattecheck,<br />
Mack Theatre, McMinnville, Ore. City and<br />
rural patronage. * . •<br />
VCome to the Stable (20th-Fox)—Loretta<br />
Young, Celeste Holm, Hugh Marlowe. I<br />
played this Sun., Mon. and believe me, I<br />
sometimes wonder what patrons really want<br />
for entertainment. We had poor houses for<br />
this excellent film. Play it at all times—even<br />
if only to satisfy yourself.—Dave S. Klein,<br />
Astra Theatre, Kitwe/Nkana, Northern<br />
Rhodesia, Africa. Mine and government employe<br />
patronage. »<br />
Guadalcanal Diary (20th-Fox) — Reissue.<br />
Preston Poster, Lloyd Nolan, WUliam Bendix.<br />
Says Occasional Fantasy<br />
Was Well Received<br />
DESTINA'nON MOON (ELC)—Warner<br />
Anderson, John Axcher, Tom Powers.<br />
This picture was well received, and while<br />
fantasy, it was a good drawing card.<br />
Most people expressed satisfaction. One<br />
like this occasionally is different and is<br />
well received. Played Wed., Sat. Weather:<br />
Rainy.—M. W. Mattecheck, Mack Theatre,<br />
McMinnville, Ore. City and rural patronage.<br />
• • •<br />
UNITED ARTISTS<br />
Champagne for Caesar (UA)—Ronald Colman,<br />
Celeste Holm, Vincent Price. This is a<br />
very good comedy take-off on the radio quiz<br />
shows, with Vincent Price stealing the bows.<br />
The picture did just average business and the<br />
title confused the patrons until they had<br />
seen the picture. Play up the laugh angle, as<br />
there is an over-abundance of guffaws. In<br />
most cases, comedies mean cash! Played Sun.,<br />
Mon. Weather: Cold.--Carl F. Neitzel, Juno<br />
Importance of Titles<br />
To Drawing Power<br />
LONDON of the State Theatre at<br />
Jl A.<br />
Olivet, Mich., has analyzed the business<br />
slump in his locality as follows:<br />
"Our business has been down for about<br />
16 months. We have made a careful study<br />
of our local situation and believe we have<br />
found the reasons: 1. Not enough good<br />
pictures (with strong stories). 2. Even<br />
fewer strong titles.<br />
"Titles are extremely important. They<br />
should be pleasing, morally clean and<br />
wholesome, and they should refer to the<br />
main theme of the story. Among the<br />
newer good pictures we have some extremely<br />
weak titles: 'Two Weeks With<br />
Love,' 'To Please a Lady,' 'Toast of New<br />
Orleans,' 'Devil's Doorway,' 'Duchess of<br />
Idaho,' "The Jackpot,' Ittister 880.'<br />
"When we have a good picture with a<br />
good title we have good business and if the<br />
producers will give us a higher percentage<br />
of these, we won't have to worry about<br />
television or anything else."<br />
Theatre, Juneau, Wis. Local and surrounding<br />
area patronage. • • •<br />
Love Happy (UA)—Marx Bros., Ilona Massey,<br />
Vera-Ellen. I thought this would be a<br />
natural for small towns but it didn't click<br />
here. The price was okay though, so we<br />
aren't kicking, even though we had slightly<br />
below average business. Played Thurs., Fri.,<br />
Sat. Weather: Nice.—Clinton Bahensky,<br />
Time Theatre, Albert City, Iowa. Small town<br />
and rural patronage.<br />
•<br />
Red River (UA)—John Wayne, Montgomery<br />
Clift, Walter Brennan. This one came<br />
through under the toughest circumstancespouring<br />
rain both nights. The picture itself<br />
is two years old. Nevertheless, it was the<br />
best Tuesday in four months and an average<br />
Wednesday, so no complaints from me.<br />
Weather: Rain.—Don Donohue, Novate Theatre,<br />
Novato, Calif. Small town and rural<br />
patronage.<br />
•<br />
UNIVERSAL-INTERNATIONAL<br />
Abbott & Costello in the Foreign Legion<br />
(U-D—Bud Abbott, Lou Costello, Patricia<br />
Medina. This team in a first run feature<br />
really brought out the laughs but not the<br />
crowd. We've had plenty of comedies lately<br />
and the people are eating them up. Played<br />
Sun., Mon. Weather: Cold.—Ralph Raspa,<br />
State Theatre, Rivesville, W. Va. Rural patronage.<br />
» • • «.<br />
I<br />
Buccaneer's Girl (U-D—Yvonne DeCarlo, '<br />
Philip Friend, Robert Douglas. If there's anyone<br />
in your vicinity who likes pirates, then<br />
this will be okay. I like this sort of stuff so<br />
I thought it altogether too short, but there<br />
aren't enough in Fruita who have my taste.<br />
However, it did fair business for the midweek<br />
and I about broke even. If I were to do it<br />
over it would go on a double Fri., Sat. If<br />
you can buy it right for such a program, it<br />
should make some dough in action spots.<br />
This has a nice cast, fine color and a fair<br />
story. Played Wed., Thurs. Weather: Beautiful.—Bob<br />
Walker, Uintah Theatre, Fruita,<br />
Colo. Small town and rural patronage. * * •<br />
Kid From Texas, The (U-D—Audie Murphy,<br />
Gale Storm, Albert Dekker. I guess if<br />
you're going to film the life of Billy the Kid.<br />
there's going to be a lot of blood spilled, and<br />
Universal certainly gets that part of the job .<br />
done royally. It's a pretty fair western, J<br />
though, and Audie Murphy makes quite a ]<br />
convincing counterpart of the notorious gunslinger.<br />
If you haven't given them an overdose<br />
of horse opera this year, then this<br />
should be the one you're looking for. Played<br />
Fri., Sat. Weather: Perfect.—Bob Walker,<br />
Uintah Theatre, Fruita, Colo. Rural patronage.<br />
• » •<br />
WARNER BROS.<br />
Colt .45 (WB)—Randolph Scott, Ruth Roman,<br />
Zachary Scott. This is truly a superwestern<br />
in every sense of the word. It has<br />
plenty of everything to satisfy every moviefan.<br />
Comments were better on this than<br />
on any western I have played this year.<br />
The boxoffice was slightly below average, but<br />
I had a near record attendance of kids.<br />
Many sat through it twice or until the parents<br />
dragged them out. Played Fri., Sat.<br />
Weather: Cool.—Carl Neitzel, Juno Theatre,<br />
Juneau, Wis. Local and surrounding area<br />
patronage.<br />
• • •<br />
South of St. Louis (WB) — Joel McCrea.<br />
Alexis Smith, Zachary Scott. This picture<br />
is well done and the selection and work of<br />
the actors are excellent. Joel McCrea and<br />
his supporting male actor thrill, while Alexis<br />
Smith wows the audience. It is well directed<br />
and expensively done. Patrons liked it and it<br />
drew above average attendance.—C. E. Bennewitz.<br />
Royal Theatre, Royalton, Minn.<br />
Small town patronage. • * *<br />
BOXOFFICE BookinGuide Dec. 2, 1950
•<br />
llCassino<br />
5<br />
Alphabetical Picture Guide Index and<br />
REVIEW DICES<br />
^<br />
A<br />
^ Abbott and Costello in the<br />
Foreign Legion (82) U-l 7-22-SO<br />
i5 Across the Badiands (55) Coi 9-16-50<br />
,)3Adam and Evalyn (93) U-l 11-26-49<br />
ISAdmirai Was a Lady, The (85) UA.. 5-13-50<br />
!6AII About Eve (138) 20-Fox 9-16-50<br />
MAIi Over the Town (88) U-l 6-11-49<br />
57 All the Kino's Men (109) Col 11- 5-49<br />
)4 Always Leave Them Laughing<br />
(116) WB 11-26-49<br />
18 Amazing Mr. Beecham, The (85) ELC 1-14-50<br />
11 Ambush (89) MGM 12-24-49<br />
)2 American Guerrilla in the Philippines<br />
(105) 20-Fox 11-11-50<br />
10 And Baby Maites Three (84) Col.. .11-12-49<br />
14 Annie Get Your Gun (107) MGM.. 4-15-50<br />
12 Arizona Cowboy, The (67) Rep 5- 6-50<br />
Arizona Territory (56) Mono<br />
J Armored Car Robbery (67) RKO 6-17-50<br />
12 Asphalt Jungle, The (112) MGM.. 5-6-50<br />
:0 Astonished Heart, The (92) U-l 2-25-50<br />
» Avengers, The (92) Rep 6-24-50<br />
B<br />
Backfire (91) WB 1-21-50<br />
iSBagdad (88) U-l U- 3-49<br />
.7 Baron o( Arizona. The (97) LP 2-1B-50<br />
3 Barricade (75) WB 3-U-50<br />
a Battleground (118) MGM 10- 8-49<br />
13 Beauty on Parade (66) Col 4-15-50<br />
J Belle of Old Mexico (70) Rep 2-4-50<br />
9 Bells of Coronado (67) Rep 1-21-50<br />
;i3 Between Midnight and Dawn<br />
(89) Col ll-lS-50<br />
of 1 Beware Blondie (66) Col 4-8-50<br />
Beyond the Purple Hills (70) CoL.. 7-22-50<br />
6 Big Hangover, The (82) MGM 3-18-50<br />
:gBii Lift, The (120) 20-Fox 4-22-50<br />
Big Timber (73) Mono<br />
:0 Black Hand (92) MGM 1-21-50<br />
; 8 Black Rose, The (119) 20-Fox S-19-50<br />
1 Blazing Sun, The (70) Col 11-11-50<br />
12 Blind Goddess, The (88) U-l 7- 9-49<br />
) 2 Blonde Bandit (60) Rep 1-28-50<br />
Blonde Dynamite (66) Mono<br />
ISBIondie's Hero (67) Col 3-18-50<br />
J 8 Blues Busters (64) Mono 10-28-50<br />
11 Blue Grass of Kentucky (72) Mono. 1-28-50<br />
i 9 Blue Lamp, The (84) ELC 6-24-50<br />
i 5 Bodyhold (63) Col 2-11-50<br />
Bomba and the Hidden City<br />
(71) Mono<br />
17 Bomba on Panther Island (77) Mono. 1-14-50<br />
1<br />
Bond Street (107) Mono 6-10-50<br />
19 Borderline (88) U-l 1-21-50<br />
3 Border Rangers (57) LP 9-30-50<br />
11 Border Treasure (60) RKO 9-2-50<br />
UBorn to Be Bad (94) RKO 8-26-50<br />
IS Born Ycstwdav (98) Col 11-25-50<br />
17 Boy From Indiana (66) ELC 4-22-50<br />
1 5 Branded (95) Para 11-25-50<br />
H Breaking Point. The (97) WB 9- 9-50<br />
I J Breakthrough (91) WB 11- 4-50<br />
I J Bright Leaf (110) WB 5-27-50<br />
1! Broken Arrow (93) 20-Fox 6-17-50<br />
I I Girl Buccaneer's (77) U-l 3-4-50<br />
1 1 Bunco Squad (67) RKO 8-19-50<br />
C<br />
II Caged (97) WB 5-6-50<br />
H Captain Carey, U.S.A. (83) Para.... 2-25-50<br />
I (Captain China (96) Para. 11- 5-49<br />
II Captive Girl (74) Col 4-29-50<br />
1! Capture, The C91) RKO 4-8-50<br />
1 : Cargo to Capetown (80) Col 4- 8-50<br />
1! Cariboo Trail, The (81) 20-Fox.... 7-15-50<br />
to Korea (58) Para 9-30-50<br />
li Chain Gang (70) Col 10-21-50<br />
1 I<br />
Chain Lightning (94) WB 2-4-50<br />
1. Challenge to Lassie (76) MGM 10-29-49<br />
I Champagne for Caesar (99) UA 2-11-50<br />
1<br />
I<br />
Cheaper by the Dozen (86) 20-Fox 4- 1-50<br />
1' Chinatown at Midnight (67) Col. .. 12-17-49<br />
1: Cinderella (75) RKO 12-24-49
t Fvits.<br />
.<br />
- V«rf Good: - Good: = Fain - Poon = V^ry Poor. Is tha amnmarj tt is rated as 2 ploa**. = as 2 mi-nnif<br />
3<br />
T^ (109) P2.1.<br />
i u £ i li i|<br />
? T| 5 I-<br />
E ^1 S| ^i<br />
ZK >.h. xm ^m . ma<br />
.^xi2Gar La HalKaj (92) UA 11-26-19<br />
Uajafeaar Oae-En (7S) UA 7- 1-50<br />
l064Jatsaa S»ts A«aai I96) CaL 8-20-49<br />
U74 JaaHe StaB»e«e (60) Raa- 8- 5-50<br />
8r-l-<br />
6-6-<br />
13—<br />
5-1-1-<br />
KH. Tke (73) ELC<br />
1203 Kaasas Rai4cn (80) U-l U-lS-50<br />
ai4 Kci ta tae Dt; (100) BGB 2- 4-50<br />
1070 Ki< Fr«a CtMlaM. Tkt (89) Rca. 9-10-49<br />
llZlKia Fre* Teoi. Tke (78) U-l 3- 4-50<br />
1189 Kiir or Be KIHed (68) ELC »• 30-50<br />
Killer Skart (76) Maaa.<br />
-1 Kit* Tint Stanch Baa Y«k. n*<br />
•H<br />
( Beiieati as FrifWaai Citjr) (77)<br />
CaL 7-29-50<br />
'^ Kia tkc Uaavf (78) Cat 4-22-50<br />
-S Kai4 Hearts aaa Cwaacts (106) ELC 5-15-SB<br />
-.>OKk>| Sdaaor s Bines (105) BGB 9-30-50<br />
1082 Kin tar Cvlim. A (88) HA 10-22-49
9!<br />
++ Vory Good; + Good; * Fcrir; — Poor: = Very Poor. In th« ummarY ^ U rated aa 2 plusei, — as 2 miniiaes.<br />
t' Pur.w Marshal (60) Reo 1-14-50 —<br />
li!P»itK o( Caori, The (94) ELC 12-10-49 +<br />
U,Plas< Belrne Me (57) MGM 3-11-SO ±:<br />
Kl N" ^"^ (79) ELC 12- 3-49 +<br />
Tlie lliPrMie. (65) LP 10-29-49 -<br />
'llil'»«<br />
- Prelude to Fame (. .) U-l<br />
Prtlty Baby (92) WP 7-29-50 +<br />
T<br />
"U PriKe o« Foxes (107) 20-Fm 8-27-49 ++<br />
^3 Prisoneo in Petticoats (60) Rep... 9-23-50<br />
^ Prbw Warden (62) Col 12-10-49 +<br />
>V.Pj|»y<br />
Island (69) Col 11-18-50 ±<br />
Q<br />
'a a*»saml (79) UA 3- 4-50 H<br />
J<br />
B<br />
Ratfar Secret Senlce (59) LP 1-28-50 ±<br />
C' Raiders of Tomahawk Creek<br />
> (55) Col U- 4-50 +<br />
y Rjoie Justice (57) Mono.<br />
y Rauft Land (56) Mono<br />
-i: Raiture (79) ELC 4-15-50 ±<br />
^ Red Desert (60) LP 12-31-49 *<br />
41 Red, Hot and Blue (84) Para 6-25-49 ±<br />
>!Rol Shoes. The C134) ELC 10-23-48 +<br />
:ij Redwxx) Forest Trail (67) Rep 9-23-50 +<br />
>t} Reformer and the Redhead, The<br />
(90) MGM 3-11-50 +<br />
±<br />
RoKgades of the Saje (56) Col. . . l-Zl-50 .C<br />
-U Return of the Frontiersman (74) WB 5-20-50 ±<br />
kU RetiiTi of Jesse James. Tlie (75) LP 9- 9-50 +<br />
: RIoir from Tucson (60) RKO 6-17-50 +<br />
= ::} High (112) Para. 1-7-50 ++<br />
t Cross C90) MGM 8-26-50 -f<br />
: Grande (60) Reo 11-11-50 ^<br />
.L RxkeUhip XM (78) LP<br />
D RKlinc Horse Winner, The (90) U-l<br />
5- 6-50<br />
6-17-50<br />
-|-<br />
+<br />
.a: Rock Island Trail (90) Rep 5- 6-50 +<br />
t Rocky Mountain (S3) WB 10- 7-50 -|-<br />
U; Rof«s of SherYicod Forest 7- 1-50 +<br />
(80) Col.<br />
The 9-16-50 ±<br />
i; Rookie Fireman. (63) Col<br />
U-l 12-17-49 ±<br />
U-l . . 4-15-50 ±<br />
iC RiHtd O'Riordans.<br />
U Ron for Your<br />
The<br />
Money. A<br />
(76)<br />
(83)<br />
.-L Rustlers or Horseback (60) Rep.. .11-25-50 +<br />
S<br />
Si) S^dle Tramo U-l 9-2-50<br />
HI Salt Lake Raiders (60)<br />
a6)<br />
5-27-50<br />
++<br />
*<br />
Salt to the Dnil (Reviewed as<br />
C<br />
Rep<br />
!- fiiie Us This Day) (120) ELC .. 12-17-49 ± #<br />
At Saason and Delilah (130) Para ...10-29-49 +f -H-<br />
Ij Sands of loo Jima (109) Rep 12-24-49<br />
U Sarmba (64) ELC 4-1-50<br />
+<br />
—<br />
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|<br />
FEATURE CHART<br />
Apr<br />
22<br />
Apr<br />
29<br />
May<br />
27<br />
Jun<br />
3<br />
Jun<br />
10<br />
Jun<br />
17<br />
Jun<br />
24<br />
Jul<br />
1<br />
Jul<br />
8<br />
COLUMBIA<br />
ii (84) Comedy 232<br />
FATHER IS A BACHELOR<br />
William<br />
a (7U)<br />
Uolilen-C.<br />
Western<br />
Gray<br />
248<br />
MULE TRAIN<br />
a (67) Comedy 2U6<br />
BLONDIES HERO<br />
I'enrij Sliieldon-L. Slmms<br />
Aritiur Lake-M. Kent<br />
It—Mar. 18—PG-U28<br />
53 (73) West-Dr 230<br />
©THE PALOMINO<br />
Jeronw Courtland-B. Tyler<br />
Joseph Callela-R. BoberU<br />
R—Jan. 27—PQ-1111<br />
gtj (63) Melodrama 216<br />
BODYHOLD<br />
Wlllard Farker-L. Albright<br />
Hillary Brooke-A. Jenkins<br />
R—Keb. U—l'G-1116<br />
John Ireland-E. Bucbanafi<br />
R—Apr. 8—PG-1131<br />
@ (64) Com-Dr 210<br />
MILITARY ACADEMY<br />
WITH THAT TENTH<br />
AVENUE GANG<br />
R—Mar. 25—PG-1128<br />
EAGLE LION<br />
(85) Comedy 021<br />
The Amaiinu Mr. Beecham<br />
A. E. Matthews-C. Parker<br />
Marjorle Pleld)ng-J. Carey<br />
II—Jan. 14—PG-1108<br />
(87) Comedy 019<br />
THE GREAT RUPERT<br />
Jimmy Durante-Terry Moore<br />
Tom Drake-Frank Ortb<br />
It—Jan. 7—PO-1105<br />
(77) Drama 023<br />
The Golden Gloves Story<br />
J. Dtinn-K. O'Morrlson<br />
[Ol (81) Drama<br />
THE VICIOUS YEARS<br />
(66) Drama 024<br />
BOY FROM INDIANA<br />
Lon McCalllster-Lols Butler<br />
Blllle Burke-Geo. Cleveland<br />
K—Apr. 22—PO-1137<br />
(62) Drama 069<br />
The Fightinn Stallion<br />
Bill Edvtards-Dorls Merrick<br />
Forrest Taylor-Don Harvey<br />
R— .\lay 20— PG-1147<br />
(66) Drama 070<br />
(8S) Comedy 234<br />
A Woman of<br />
FORBIDDEN JUNGLE<br />
Distinction<br />
Rosalind fiussell-J. Carter Don H.irve>-Alyce Loula<br />
Furrtsl Tailor-Kobt. Cabal<br />
Ray Mllland-E. (Ircenn<br />
R—Mar. 4—FG-1122 II—May 13— PG-1145<br />
B (70) Drama 208 [D (79) Drama<br />
TYRANT OF THE SEA<br />
Rhys Williams- H. Hanoell<br />
RAPTURE<br />
Glenn Langan-L. Miller<br />
V. Perklns-D. Lloyd<br />
18—PG-1125<br />
R—Mar.<br />
Elsy Alblln-D.<br />
R— Apr.<br />
Dumbrllle<br />
15—PG-n35<br />
n (64) Western 266 (87) Drama<br />
THE PERFECT Outcast of Black Mesa<br />
OIB<br />
WOMAN<br />
C. 8tarrett-S. Burnetto Patricia Hoc-N. Patrick<br />
Stanley Holloway<br />
Bailey<br />
M. Hyer-Rlchard<br />
R—May 13—Pa-1143 I!—May 13—PO-1145<br />
(80) Drama 236 (68) Drama 029<br />
CARGO TO CAPETOWH KILL OR BE KILLED<br />
B. Craitford-B. Drew<br />
L. Tlerney-G. Coulourls<br />
(89) Drama 238<br />
NO SAD SONGS FOR ME<br />
Margaret Sullavan<br />
Wendell Corey-V. Llndtors<br />
R—Apr. 15—PG-11S3<br />
B (66) Drama 203<br />
BEAUTY ON PARADE<br />
Robert Hutton-R. Warrick<br />
L. Albrlght-J. RIdgely<br />
R—Apr. IB—PO-1133<br />
H (72) Drama 204<br />
CUSTOMS AGENT<br />
W. Eythe-M. Reynolds<br />
(70) Western 245<br />
COWTOWN<br />
Marlssa O'Brlen-R. Andres<br />
R—Sept. 30— PO-1189<br />
(104) Comedy 031<br />
Kind Hearts and Coronets<br />
Dennis Prlce-V. Hobson<br />
J. Greenwood-A. Guinness<br />
R—May 13—PG-1145<br />
(76) Drama 032<br />
t>The Jackie RobinsonStory<br />
Jackie Roblnson-M. Watson<br />
Ruby Dee-Richard Lane<br />
R—.May 20— PG-1147<br />
(91) Drama 107<br />
THE FALLEN IDOL<br />
Sir Ralph Richardson<br />
m (81) Drama<br />
GOOD TIME GIRL<br />
(90) Drama 012<br />
THE GLASS MOUNTAIN<br />
Dulcle Gray-M. Denlson<br />
ED (68) Documentary<br />
CONGOLAISE<br />
release dote. Production number is at right. Number in parentheses is running<br />
iumished by home oliice ol distributor; checkup with local exchange is re<br />
R—is review date. PG—is Picture Guide page number. Symbol U indicates BOXOFFlj<br />
Blue Ribbon Award Winner. Symbol Q indicates color photography.<br />
LIPPERT M-G-M MONOGRAM<br />
[5 (97) Drama 4902<br />
THE BARON OF ARIZONA<br />
Vincent Prlce-BUen Drew<br />
Beulab Bondl-V. Sokoloff<br />
R—Feb. 18—PG-1117<br />
H (65) Drama 4910<br />
Western Pacific Aoent<br />
Kent Taylor-Sheila Ryan<br />
K. Lowery-M. Knox<br />
It—Mar. 25—PG-1128<br />
@ (60) Western 4927<br />
HOSTILE COUNTRY<br />
James Elllson-R. Hayden<br />
Fuzzy Kjilght-R. Hatton<br />
K—May 27—FG-1149<br />
a (65) Mus-Com 4922<br />
EVERYBODY'S DANCIN'<br />
Spade Cooley-Rlcbard Lane<br />
Glnny Jackson-Hal Derwln<br />
It—Apr. 22—PG-1138<br />
& (53) Western 4928<br />
Marshal of Heldorado<br />
James EHllson-U. Hayden<br />
Fuzzy Knlght-R. Hatton<br />
(73) Drama 4910<br />
[5]<br />
OPERATION HAYLIFT<br />
B. Winiams-A. Rutherford<br />
NIgh-Tom Brown<br />
J.<br />
K—Apr. 29—PG-1140<br />
H (60) Western 4925<br />
COLORADO RANGER<br />
James Elllson-R. Hayden<br />
Fuzzy Knlght-R. Hatton<br />
R—June 10—PG-1164<br />
(78) Com-Dr 236 (92) Mus-Com 013<br />
KILL THE UMPIRE<br />
Wm. Bendli-Cna Merkel<br />
©THE GAY LADY<br />
Jean Kent-James Donald<br />
Ray ColUns-Olorla Henry BUI Owen-Lana Morris<br />
R—Apr. 22—P0-118T R—Jan. 28—PG-1112<br />
(82) Comedy 237 (96) Drama 027 (77) Drama 4904<br />
THE GOOD HUMOR MAN THE WINSLOW BOY<br />
g]<br />
ROCKETSHIP XM<br />
Jack Carson-Lola Albrlgtat Robert Donat-F. L. Sullivan Uoyd Brldges-H. O'Brien<br />
[B (54) Western 268<br />
TEXAS DYNAMO<br />
Sir Cedric Hardwlcke<br />
R—Mar. 11—PG-1123<br />
Osa Massen-J. Emery<br />
B—May 6—PG-1142<br />
(58) Western El (66) Drama 202 (84) Drama 025<br />
4930<br />
STATE PENITENTIARY THE TORCH<br />
E)<br />
WEST OF THE BRAZOS<br />
WarniT Baxler-K. Booth Paulette Goddard-0. J. Elllson-R. Hayden<br />
Roland<br />
Onslow Stevens-B. King<br />
II—June 10—PCt-llSS<br />
Pedro Armendarlz<br />
R—May 20—PG-1147<br />
R. Hatton-F. Knight<br />
R—June 3—PQ-1151<br />
(63) Actlon-Dr [5] (55) Western EH (91) M'drama 233<br />
666<br />
4926<br />
TIMBER FURY<br />
CROOKED RIVER<br />
Fortunes of Captain Blood<br />
Louis Hayward-P. Medina David Bruce-Laura Lee<br />
J. Elllson-R. Hayden<br />
F. Knlght-R. Hatton<br />
Q. Macready-Dona Drake N. DlBruno-Sam Flint<br />
R—May 20—PO-1148 R—July 1—PO-1161<br />
Jul<br />
15<br />
Jul<br />
22<br />
Jul<br />
29<br />
H (64) Mus-West 2B1<br />
HOEDOWN<br />
Eddy Arnold-Jeff Donnell<br />
Gulnn Williams<br />
It—July 8—PG-llM<br />
(70) Western 241<br />
Beyond the Purple Hllli<br />
Gene Autry-Jo Dennlsoa<br />
Pat Buttram-D. Beddoe<br />
R—July 22—PO-1170<br />
(73) Melodrama 240<br />
CAPTIVE GIRL<br />
J. Wclssmuller-B. Crabbe<br />
Anita Uioest-RIek Vallln<br />
H— Apr. 29—PO-1139<br />
51 (71) Drama 220<br />
David Harding, Counterspy<br />
W. Parker-Audrey Long<br />
llovard Bt. John-F. Sean<br />
R—May 2T—P0-11B«<br />
(74) Drama •30<br />
IT'S A SMALL WORLD<br />
Paul Dale-Lorraine Miller<br />
Will Oeer-Bteve Brodle<br />
It—June 10—PG-1155<br />
(102) Drama 244 ED (84) Drama 016<br />
711 OCEAN DRIVE THE BLUE LAMP<br />
B. O'Brien-Joanne Dru Dirk Bngardo-J. Warner<br />
Otto Knjuer-flammy White<br />
R—July 22— PO- 1168<br />
JImmv nanlcy-FcKgy Evans<br />
R—June 24— FO-1159<br />
(80) Drama "243 iin45r Documentary 050<br />
©ROGUES OF<br />
DEATH OF A DREAM<br />
SHERWOOD FOREST Quentln Reynolds,<br />
John Derek- Diana Lynn<br />
B—July 1—PQ-1161<br />
rommentator<br />
B—.Inly 22—PO-1167<br />
53 (66) Drama 4923<br />
MOTOR PATROL<br />
Don Castle-Jane Nigh<br />
Owenn •'Connor<br />
R—May 13—PO-1144<br />
gg (55) Western 4929<br />
FAST ON THE DRAW<br />
James Ellison<br />
Russell<br />
Hayden<br />
53 (66) Drama 4920<br />
HI -JACKED<br />
Jim Davls-SId Melton<br />
Marsha Jones-David Bruce<br />
B—July 8—Pa-116S<br />
a (100) Comedy 18<br />
KEY TO THE CITY<br />
Clark Gable-Loretta Voung<br />
Marilyn Maxwell<br />
R—Feb. 4—Pa-1114<br />
m (99) Mus-Con) 19<br />
©NANCY GOES TO RIO<br />
Jane Powell-Ann Sotbem<br />
Barry SulUvan-C.<br />
R—Feb.<br />
Miranda<br />
4—PG-1114<br />
SH (92) Drama 24<br />
BLACK HAND<br />
Gene Kelly-J. Carrol Nalsh<br />
Teresa CelU-M. Lawrence<br />
R—Jan. 21—PG-HIO<br />
@ (87) Drama 2<br />
CONSPIRATOR<br />
Robert Taylor-B. Taylor<br />
R. Flemlng-H. Warrender<br />
R—Feb. 11—PG-1116<br />
(7) (84) Comedy 2:<br />
THE YELLOW CAB MAN<br />
Red Skelton-G. DeHavefl<br />
Walter Slezak-J. Qleaaon<br />
R—Feb. 25—PG-1119<br />
E3 (83) Melodrama 23<br />
SIDE STREET<br />
James Cralg-Paul Kelly<br />
Cathy O'Donnell-J. Hagen<br />
R—Dec. 31—PG- 1103<br />
El (93) Blst-West 24<br />
©THE OUTRIDERS<br />
Joel McCrea-Arlene Dahl<br />
Claude Jarman<br />
R—Mar.<br />
jr.<br />
11—PO-1124<br />
[a (90) Comedy 2.<br />
REFORMER AND THE<br />
REDHEAD, THE<br />
Dick Ponell-June AUyson<br />
R—Mar.<br />
11—PG-1124<br />
Comedy 2(<br />
mi (87)<br />
PLEASE BELIEVE ME<br />
Deborah Kerr-R. Walker<br />
Mark Stevens-P, Lawford<br />
R—Mar. 11—PG-1124<br />
53 (57) Western 4925<br />
WEST OF WYOMING<br />
Johnny Mack Brown<br />
Max Terbune-G. Davis<br />
a (71) Hlst-Dr 4902<br />
©Young Daniel Boone<br />
David Bruce-D. O'Flynn<br />
Krlstliie MUler<br />
R—Mar. 11—PG-1124<br />
53 (58) Western 4952<br />
OVER THE BORDER<br />
Johnny Mack Brown<br />
Wendy Waldron-M. Healey<br />
63 (76) Drama 4907<br />
KILLER SHARK<br />
R. McDowall-D. Fowley<br />
B Winters-R. Villln<br />
gi (76) Comedy 4922<br />
SQUARE DANCE KATY<br />
Vera Vague-Phil Brlto<br />
V. Wlllls-W. Douglas<br />
R—Aug. 5-FG-1173<br />
d] (55) Western 4»41<br />
GUNSLINGERS<br />
Whip WUson-A. (3yde<br />
Reno Browne-B. Kennedy<br />
gH (58) Drama 4926<br />
Mystery tha Burlesque<br />
at<br />
Gary Marsh-J. Uvesy<br />
Jon Pertwee-D. Decker<br />
R—Apr. 29—PG-1140<br />
S (66) Comedy 4909<br />
Jiggs and Maggie Out West<br />
Renle Rlano-Joe Yule<br />
Tim Ryan-Jim BannoD<br />
R—Mar. 25—PG-lia?<br />
13 (57) Western 4951<br />
SIX GUN MESA<br />
Johnny Mack Brown<br />
G. Davls-D. Moore<br />
[7] (61) Comedy 4917<br />
FATHER MAKES GOOD<br />
Raymond Walburn<br />
Walter Catlett<br />
It-June 3—PG-llBl<br />
Sa (84) Drama 27 S3 (70) Comedy 4914<br />
SHADOW ON THE WALL<br />
Ann Sothern-Zachary Scott<br />
LUCKY<br />
Leo Gorcey-Huntz<br />
LOSERS<br />
Hall<br />
Glgl Perreau-K. MlUer Hillary Brooke-B. DeU<br />
K—Mar. 25—PQ-1127 R—June 10—PG-1156<br />
isj (81) Comedy<br />
THE BIG HANGOVER<br />
Van Johnson-E. Taylor<br />
P. Warren-a Lockhirt<br />
R—Mar. 18—PG-1126<br />
(U (112) Drama 29<br />
THE ASPHALT JUNGLE<br />
Sterling Hayden-L. Calhern<br />
Jean Hagen-J. Wbltmore<br />
H—May 6—PG-1142<br />
a (107) Muslcil 39<br />
©ANNIE GET YOUR GUN<br />
Betty Hutlon-Howard Keel<br />
Louis Calhern-J. C. Nalsh<br />
R—Apr. 15—PG-1134<br />
56] (93) Comedy 3(<br />
UFathcr of the Bride<br />
Spencer Tracy-J. Bennett<br />
Elizabeth Taylor-B. Burke<br />
R—May 13—PO-1144<br />
ga (85) Comedy 31<br />
THE SKIPPER<br />
SURPRISED HIS WIFE<br />
Robert Walker-Joan Leslie<br />
Edward Arnold-S. Bylngton<br />
E] (96) Drama 41<br />
CRISIS<br />
Cary Grant-Jose Ferrer<br />
Paula Raymond-S. Hasso<br />
R—June 24—P0-11B9<br />
53 (98) Drama 3!<br />
©DUCHESS OF IDAHO<br />
B. Wllllams-Van Johnson<br />
John Lund-Paula Raymond<br />
It—June 17—PQ-11B8<br />
g] (110) Drama 3i<br />
©THE HAPPY YEARS<br />
D. Stockivell-D. Hickman<br />
8. Bcckctl-Leon Ames<br />
R—May 27—PO- II 80<br />
H (93) Drama 3<br />
MYSTERY STREET<br />
R. Montalban-8. Forrest<br />
B. Bcnnett-E. Lancbester<br />
R—May 20—P0-114a<br />
H) (62) Com-Dr 4912<br />
Humphrey Takes a Ctiance<br />
Joe KlrkAvood-Leon Errol<br />
K. Coogan-L. Collier<br />
R—July 1—PG-1182<br />
ES (67) Mys-Dr 4024<br />
©SIDESHOW<br />
Eddie Qulllan-D. McGuIre<br />
Tracey Roberts^. Abbott<br />
R—June 17—P0-11S7<br />
a (76) Act-Dr 4905<br />
THE LOST VOLCANO<br />
Johnny Sheffield<br />
Elena Verdugo<br />
R—July_^Pa-1164<br />
PARAMOUNT<br />
(105) Drama 491S<br />
PAID IN FULL<br />
Robert Cummlngs-D. Lynn<br />
LIzabetb Soott-Eve Arden<br />
R— Dec. 24—PGllDl<br />
53 (83) Drama 4918<br />
CAPTAIN CAREY, U.S.A.<br />
Alan Ladd-Wanda Hendrli<br />
Francis Lederer-J. Calleia<br />
R—Feb. 25—PG-1120<br />
m (112) Comedy 4917<br />
RIDING HIGH<br />
Blng Crosby-Coleen Gray<br />
Charles Bl?ktord-F. Olfford<br />
B—Jan. 7—PU-1106<br />
(98) Drama 4919<br />
NO MAN OF HER OWN<br />
Barbara Stanwyck-J. Lund<br />
Jane Cowl-PhylUs lliaiter<br />
R—Feb. 25— PG-1120<br />
® (104) Hlst-West 4916<br />
©The Eagle and the Hawk<br />
J. Payne-Rhonda Fleming<br />
Dennis O'Keefe-T. Oomei<br />
B—Feb. 11—PG-lllB<br />
RKO RADIO<br />
H (97) Mystery<br />
©THE MAN ON THE<br />
EIFFEL TOWER<br />
Charles Laughlun-F. 1<br />
R— Dec. 24—PQ-1102<br />
[g (81) Drama (<br />
STROMBOLI<br />
Ingrld Bergman-R. Cesar<br />
Mario Vltale-M. Sponzo<br />
R—Feb. 25—PG-1119<br />
ED (64) Mystery<br />
The Tattooed Stranger<br />
J. Mlles-W. Kensella<br />
E] (75i Cartoon<br />
WQCINDERELLA<br />
EH (61) Western (<br />
DYNAMITE PASS<br />
Tim Holt-Richard Mart<br />
Lynne Roberts<br />
R—Mar 25—PG-11J7<br />
a (60) Western ()<br />
STORM OVER WYOMII<br />
Tim Holt-Rlcbard Marti<br />
Norecn Nash-B. Undent<br />
R—Feb. 18—PO-lllt<br />
51 (74) Drama i><br />
Tarzan and the Slave I<br />
Lex Barker-Denlse Dan|<br />
Vanessa Brown-Robert i\<br />
R—Mar. 25—PO-lUtI<br />
gl (86) Western i<br />
WAGONMASTER<br />
(<br />
Ben Johnson-Ward Bmi<br />
Harry Carey jr. -J. Dmi<br />
B—Apr. 15—PQ-118*.<br />
(11 (91) Outd"r-Dr !<br />
THE CAPTURE<br />
Teresa Wright- V. Jorj<br />
d] (68) Documentary<br />
THE GOLDEN TWEHTI<br />
><br />
(D (72) Drama<br />
DESTINATION MURDI<br />
H. Hattleld-J. Macken;<br />
(D (68) Drama '<br />
ARMORED CAR ROBBI'<br />
H (liO) WMtvrn<br />
RIDER FROM TUCSOl<br />
H (118) Drama *<br />
©THE WHITE TOWEI<br />
Claude llalns-Valll<br />
54] (86) Drama<br />
THE SECRET FURY<br />
Claudette Cnlbrrt-K. R<br />
Jane Cowl-Paul Kelll<br />
R—Apr. 29— P0-114(<br />
E) (56) Western 4942 g] (91) Comedy 4922 [i] (73) Drama<br />
ARIZONA TERRITORY<br />
Wblp Wilson<br />
My Friend Irma Goes West<br />
Marie Wllson-Dlana Lynn<br />
The Woman on Pier 13<br />
Laralne Day-Bohcrt R'<br />
John Agar-Thom.is Oon<br />
Dean Marltn-Jerry Lewis<br />
R—June 3—PO-llBl R—Sept. 24— rU-107<br />
m (68) Mys-Drama 4923<br />
THE SILK NOOSE<br />
Carole L.ondls-Derek Farr<br />
Jwepb CiUlela<br />
53 (63) Outdoor-Dr 4919<br />
SNOW DOG<br />
Klrby Grant-Elena Verdugo<br />
Rick Vallln-Mllburn Stone<br />
It—July 22—FO-1169<br />
S (83) Drama 4023<br />
THE LAWLESS<br />
Macdonald Carey-G. Russell<br />
John Sands-Lee Patrick<br />
R— April 8— PG-1132<br />
15 (96) Drama<br />
OOTREASURE ISy<br />
Bobby Drlscoll-R.<br />
Basil Sydney-W. FlJ<br />
R—July 1—pn-iir
CHECK RUNNING TIME WITH LOCAL EXCHANGES<br />
FEATURE CHART
FEATURE CHART<br />
CHECK RUNNING TIME WITH LOCAL EXCHANGES<br />
Week<br />
Endino
I<br />
r<br />
^•<br />
CHECK RUNNING TIME WITH LOCAL EXCHANGES<br />
FEATURE CHART<br />
REPUBLIC 20TH-FOX UNITED ARTISTS UNIV.-INT'L WARNER BROS. FOREIGN FILMS<br />
^ 60) Western 4966<br />
ylUNTE HIDEOUT<br />
tl "Rocly" L«Be<br />
Wtller<br />
It<br />
12—PQ-11T6<br />
llH .ug.<br />
g 86) Drama 4924<br />
SHOWDOWN<br />
Tl<br />
Windsor<br />
W,!lllolt-M.<br />
Brennan-H. Morgan<br />
ff.^r<br />
ept. 2—PG-1182<br />
(81) West-Drama 020<br />
©CARIBOO TRAIL. THE<br />
liandolph Scott-J. Davis<br />
Karin Booth-Gabby Hayes<br />
R—July 15—PG-1168<br />
(83) Comedy 018<br />
STELU<br />
Ann Sherldan-D. Wayne<br />
Victor Mature-R. Stuart<br />
R—July 22—PG-1168<br />
(93) West-Drama 014<br />
©BROKEN ARROW<br />
James Stewart-J. Chandler<br />
Dobra Paget-B. Ruysdael<br />
R—June 17—Pa-1158<br />
Drama 4928<br />
019<br />
)60)<br />
;LY HEART BANDITS<br />
(120)<br />
©THE<br />
Drama<br />
BUCK ROSE<br />
atli by Patrlck-B. Fuller Tyrone Power-Cecile Aubry<br />
Jo Rockwell Orson Welles-J. Hawkins<br />
Eldredge-R.<br />
2—PG-1181 R—Aug. 19— PO-1178<br />
R.iept.<br />
Western 4953<br />
021<br />
Jje?) (96) Musical<br />
«1/V00D FOREST TRAIL ©MY BLUE HEAVEN<br />
Bi Allen-Jerr Donnell Betty Grable-Dan Dalley<br />
Ct 8ffitzer-Jane Darwell<br />
B-, ept. 23—PG-1187<br />
H90) Drama 5001<br />
StIENDER<br />
y^alstoD-J. Carroll<br />
m )t Breonan-J. Dwell<br />
Rict. 21—PG-1198<br />
^60) Melodrama 4929<br />
tl \tn in Petticoats<br />
:BTila Johns<br />
R—Aug. 5—PO-1173<br />
(78) Comedy (Oxford)<br />
A GIRL IN A MILLION<br />
J. Greennood-H. Wllliama<br />
R—Sept. 23—PG-1188<br />
(ElsUii<br />
(96)<br />
CHILD<br />
Drama<br />
OF MAN<br />
Tove Maes-Edvin Tlemroth<br />
R-^uly 22—PO-1169<br />
(81) Drama (DIat)<br />
TAINTED<br />
Pierre Fresnay-Balpetre<br />
R—Apr. 15—PG-1138<br />
(80) Drama (MOM)<br />
ANGELS OF THE STREETS<br />
Renee Faure-Jany Holt<br />
R—Apr. 15—PG-1136<br />
(93) Dr (Canton-Welner)<br />
MONELLE<br />
Louis Jouvet-Dany Robin<br />
R—Apr. 15—PG-1136<br />
(98) Mus-Com (Dlsclna)<br />
A ROYAL AFFAIR<br />
M. Chevalier-Annie Ducaux<br />
B—Apr. 15—PG-1136<br />
(109) Drama (FUms Inti)<br />
GATES OF THE NIGHT<br />
Nathalie Nattler-Carrett<br />
R—May 6—PG-1141<br />
(86) Comedy (Slrltzky)<br />
Scandals of Clochemerle<br />
Felix Oudart-Brochard<br />
R—June 10—PO-1155<br />
Britain<br />
(81) Comedy (London)<br />
of Happiest Days Your Life<br />
Ala.stair 8im-M, Rutherford<br />
U—Sept. 30—PG-1189<br />
(89) M'drama (Pentagon)<br />
THE LOST PEOPLE<br />
liennLs Price-Mai Zelterllnj<br />
R—Oct.<br />
14— PG-1193<br />
(75) Drama (Pentagon)<br />
Pink String and Sealing Wax<br />
Google WIthers-J. Carol<br />
R—Oct. 14— PG-1193<br />
(93) M'drama (Pentagon)<br />
THIRD TIME LUCKY<br />
Glynls Johns-n. Walsh<br />
U—Oct.<br />
Denmark<br />
France<br />
28—PO-1197<br />
(86) Drama (Dlsrtna)<br />
STORM WITHIN, THE<br />
Jean Marais-Josette Day<br />
R—July<br />
22— PG-1170<br />
(86) Musical (Lux)<br />
PARIS WALTZ, THE<br />
Y. Printemps-Pierre Fresnay<br />
R—Aug.<br />
19—PG-H77<br />
(97) Fantasy (Nayfack)<br />
NOAH'S ARK<br />
Pierre Brasseur-Alerme<br />
R—Sept. 9—PG-1184<br />
(87) Drama (Dlsclna)<br />
CHEAT, THE<br />
Simone SIgnoret-B. BUer<br />
R—Oct. 21—PG-1196<br />
(85) Fantasy (Dlsclna)<br />
SYLVIE AND THE PHANTOM<br />
Odette Joyeux-F. Perier<br />
R—Oct.<br />
21—PO-1195<br />
(86) Fantasy (Dlsclna)<br />
ORPHEUS<br />
Jean Marals-F.<br />
R—Oct.<br />
Perier<br />
14—PG-1194<br />
(94) Drama (Lopert) (100) Drama (Pathe)<br />
STRANGERS IN THE HOUSE SOUVENIR<br />
Raimu-Juliette Faber<br />
R—July 22—PG-1169<br />
Germany<br />
(88) Drama (Vogue) Dr (Frledberg-Katz)<br />
SEVEN JOURNEYS<br />
Bettina Moissi-E. Balqye<br />
(79)<br />
FILM WITHOUT A NAME<br />
H. Neff-WUly Fritsch<br />
R—July 29—PO-1172 K—Oct. 28—PG-1197<br />
(90) Fantasy (Lopert)<br />
ORIGINAL SIN, THE<br />
Bettina Molssl-B. Todd<br />
R—Sept. 9—PG-1183<br />
K '5) Drama 5003<br />
H. lETH<br />
.flr> Welles- J. Nolan<br />
9\ 'Herlihy-R. McDowell<br />
;;H!t. 16—PG-977<br />
"BS?) Outd'r-Mus 4944<br />
(BlTH OF THE<br />
rjEAT DIVIDE<br />
M 05) Super-West B004<br />
il GRANDE<br />
n 17) Western 4954<br />
W R MEXICALI STARS<br />
JMlen-D. Patrick<br />
60) Western 4974<br />
MISS0URIAN5<br />
'<br />
90) Outd'r-Dr 500S<br />
!"ORNIA PASSAGE<br />
t Tucker-Adele Mara<br />
Wis<br />
(92) Act-Drama 029<br />
TWO FLAGS WEST<br />
Joseph Cotten-Llnda Darnell<br />
.leff Chandler-Cornel Wilde<br />
R—Oct. 14—PG-1194<br />
(138) Drama 030<br />
ALL ABOUT EVE<br />
Bette Davis-Anne Baiter<br />
George Sanders-C. Holm<br />
R—Sept. 16—PG-1186<br />
(85) Drama 031<br />
THE JACKPOT<br />
James Stewart-B. Hale<br />
Patricia Medina-J. Gleason<br />
R—Oct. 7—PG-1192<br />
(105) Drama 032<br />
©AMERICAN GUERRILLA<br />
IN THE PHILIPPINES<br />
T>Tone Power-M. Prelle<br />
R—Nov. 11—PO-1202<br />
(92) Comedy 033<br />
FOR HEAVEN'S SAKE<br />
Clifton Webb-Joan Bennett<br />
Robert Cummlngs-B. Gwenn<br />
(113) Tragedy<br />
CYRANO DE BERGERAC<br />
Jose Ferrer-Mala Powers<br />
W. Prince-M. (^arnovsky<br />
R—Nov. 18—PG-1205<br />
53 (78) Comedy 642<br />
THREE HUSBANDS<br />
Eve Arden-Emlyn Williams<br />
Shepperd Strudwlck<br />
R—Nov. 11—PO-1202<br />
(80) Western 104<br />
©KANSAS RAIDERS<br />
Audio Murphy-B. Donlevy<br />
Marguerite Chapman<br />
R—Nov. 18—PG-1203<br />
gS (83) Super-West 008<br />
ROCKY MOUNTAIN<br />
Errol Flyim-Patrlce Wymore<br />
Scott Forbes-G. Wlillams<br />
R—Oct. 7—PO-1192<br />
(87) Comedy 102<br />
THE MILKMAN<br />
Donald 0'(kinnor-P. Laurie<br />
J. Durante-J. Holden<br />
R—Oct. 14—PG-1193<br />
(88) Drama 103 g| (107) Drama 009<br />
DEPORTED<br />
THE WEST POINT STORY<br />
Marta Toren-C. Dauphin James Cagney-V. Mayo<br />
Doris Day-Gordon MacRae<br />
Jeff Chandler-M.<br />
R—Oct.<br />
Bertl<br />
28—Pa-1197 R—Nov. 18—PG-1204<br />
(83) Drama 105<br />
UNDERCOVER GIRL<br />
Aleils Smith-Scott Brady<br />
Gladys George-R. Egan<br />
R—Nov. 11—PG-1202<br />
( .<br />
. ) Drama 106<br />
MYSTERY SUBMARINE<br />
Marta Toren-M. Carey<br />
Robert Douglas-C. Esmonrt<br />
a (91) Drama 010<br />
BREAKTHROUGH<br />
David Brian-John Agar<br />
Frank Lovejoy-B. (^mpbell<br />
B—Nov. 4—PO-1199<br />
S (94) Super-West Oil<br />
©DALLAS<br />
Gary Cooper-Ruth Roman<br />
Steve Cochran-R. Massey<br />
R—Nov. 25—PG-1206<br />
(90) Drama (Grandl)<br />
TOM BOLD<br />
Aldo Fabrizi-A. Benetti<br />
R—Apr. 15—PG-1135<br />
(85) Comedy (MPSC)<br />
MAD ABOUT OPERA<br />
Cino Bechi-Tito Gobbi<br />
K—June 10—PG-1156<br />
(112) Drama (Lux)<br />
BITTER RICE<br />
Silvana Mangano-D.<br />
K—Aug.<br />
Dowllng<br />
6—PG-1174<br />
(81) Comedy (Dlst.)<br />
MY WIDOW AND<br />
Vittorio DeSica-Isa Miranda<br />
R—Sept. 15—PO-1185<br />
(87) Drama (Films Int'l) (90) Drama (Lopert)<br />
WALLS OF MALAPAGA, THE DIFFICULT YEARS<br />
Umberto Spadaro-M. Miranda<br />
Glrottl<br />
Jean Gabin-Isa<br />
R—July 15—PG-1166 B—Sept. 16—PG-1186<br />
(80) Coro-Dr (Superfllm)<br />
ESCAPE INTO DREAMS<br />
Vittorio DeSiiH-A. Fabrizl<br />
R—July 22—PG-1170<br />
(79) Drama (Lui)<br />
PRELUDE TO MADNESS<br />
Roldiino Lupi-J. Servals<br />
R—July 29—PG-1171<br />
(91) Drama (Crest)<br />
HEART AND SOUL<br />
Vittorio DeSica-C. OgUottl<br />
R—Aug. 6—PG-1174<br />
(83) Drama (Glob<br />
BORDER STREET<br />
M. Bronlewska-D, laenlo<br />
R—June 10—PO-llM<br />
(96) M'drama (Lux)<br />
FLESH WILL SURRENDER<br />
Aldo Fabrizi-Y. S.anson<br />
Poland<br />
Spain<br />
R—Nov.<br />
4— PG-1199<br />
(92) M'drama (Globe)<br />
THE TWO ORPHANS<br />
Valentl<br />
Maria Dcnis-0.<br />
R—Nov, 4—PG-1199<br />
(97) Drama (Scalera)<br />
THE MULATTO<br />
Renato Baldini-U. Spadaro<br />
R—Nov. 4—PG-1200<br />
(115) Hist-Dr (Azteca) (102) Dr (CHasa-Mohme)<br />
THE MAD QUEEN REINA SANTA<br />
Reyes Maruchl Fresno-A. Vilar<br />
Aurora Bautlsta-K.<br />
R—June 10— P0-115S R—June 10—PG-1155<br />
(100) Drama (Scandla)<br />
SUNSHINE FOLLOWS RAIN<br />
Mai Zetterllng-Alf KJellln<br />
R—Feb 4—PG-1113<br />
Sweden
SHORTS CHART<br />
Columbia<br />
Prod. No. Title Rel. Date Ratinn Rev'd<br />
ASSORTED COMEDIES<br />
2426 One Shivery Night (I6I/2) 7-13<br />
2416 House About It (I6I/2) . . 7-20<br />
+<br />
±<br />
8-5<br />
9-2<br />
1950-51 SEASON<br />
3411 A Biunder-ful Time<br />
(I61/2) 9-7 — 10-7<br />
3412 Foy Meets Girl (..).. .10- 5<br />
3421 Two Roaming Champs<br />
(161 2) 10-12 + 11-11<br />
3422 A Slip and a Miss (..).ll- 9<br />
CAVALCADE OF BROADWAY<br />
2654 Leon and Eddies (..).. 7-27<br />
1950-51 SEASON<br />
3651 The Versailles (10) 10-26 + 12-2<br />
COLOR FAVORITES<br />
(Technicolor<br />
Reissues)<br />
2610 The Little Moth's Big<br />
6-1 7-8<br />
Flame (SI/2) r£<br />
2611 The Timid Pup (7) 7-6 ++ 8-5<br />
2612 The Gorilla Hunt (8) 8- 3 . .<br />
. .<br />
1950-51 SEASON<br />
3601 Happy Tots' Expedition<br />
(7) 9-7 ± 11-7<br />
3602 Und of Fun (7) 10-5 + 11-11<br />
3603 Peaceful Neighbors (..).ll-6<br />
FAVORITES<br />
COMEDY<br />
(Reissues)<br />
2435 His Ex Marks the Spot<br />
(I71/2) 5-25 ± 9-2<br />
2436 Oh. My Nerves! (17) 7-27<br />
1950-51 SEASON<br />
3431 Shot in the Escape (19) 9-14 - 10-14<br />
3432 Free Rent ( . . ) 11-16<br />
FILM NOVELTIES<br />
3901 Stars of Tomorrow— "Tots<br />
and Teens" (10) 9-28 ± 10-14<br />
JOLLY FROLICS<br />
(Technicolor)<br />
2504 The Miner's Daughter<br />
(6/2) 5-25 ± 7-15<br />
2505 Giddyap (61/2) 7-27 + 9-2<br />
1950-51 SEASON<br />
3501 The Popcorn Story ( . . ) . .11-30<br />
MR. MAGOO<br />
(Technicolor)<br />
3701 Trouble Indemnity (6I/2) . 9-14 +f 9-30<br />
ONE-REEL SPECIALS<br />
2555 Candid Microphone, No. 5<br />
(11) 6-15 -I- 7-8<br />
2556 Candid Microphone, No. 6<br />
(IO/2) 8-17<br />
1950-51 SEASON<br />
3551 Candid Microphone, No. 1<br />
(11) 10-12<br />
MUSIC TO REMEMBER<br />
3751 Borodin's Prince Igor and<br />
Polovetsian Dances (91/2) • • •<br />
3752 Tchaikovsky's Nutcracker<br />
Suite (91/2) + 10-14<br />
3753 Tchaikovsky's Piano Concerto<br />
in B-Flat Minor (10) + 11-11<br />
3754 Grieg's Peer Gynt Suite<br />
(9'/2)<br />
3755 Tchaikovsky's 1812 Overture<br />
(11)<br />
3756 Tchaikovsky's Swan Lake<br />
Ballet (10)<br />
SCREEN SNAPSHOTS<br />
2859 Hollywood Ice Capades<br />
Premiere (10) 6-22 ± 8-5<br />
2860 Hollywood's Famous Feet<br />
(81/2) 7-20<br />
1950-51 SEASON<br />
3851 30th Anniversary Special<br />
(11) 9-28 + 10-14<br />
3852 Fun at Shadow Mountain<br />
(91/2) 10-19<br />
3835 Hollywood Goes to Bat<br />
(91/2) 10-19<br />
STOOGE COMEDIES<br />
2407 Love at First Bite (16) .5-4<br />
2408 Self-Made Maids (16) ... 7- 6 ± 8-5<br />
1950-51 SEASON<br />
3401 Three Hams on Rye<br />
(ISI/2) 9-7 ± 9-30<br />
3402 Studio Stoops (16) 10-5<br />
3403 Slap Happy Sleuths ) 11- 6<br />
. . ( .<br />
VARIETY FAVORITES<br />
3951 Korn Kobblers (11) 9-21 ± 10-14<br />
3952 Drug Store Follies (..).. 11-23<br />
WORLD OF SPORTS<br />
2808 Clown Prince of Golf<br />
(81/2) 5-25 ± 7-8<br />
2809 Diving Acrobats (9) 6-29 -|- 9-2<br />
2810 Kino of the Jockeys (9) 7-20<br />
1950-51 SEASON<br />
3801 Snow Fiesta (9) 9-28 rt 10-14<br />
3802 King of the Pins (..).. 10-19<br />
3803 Mat Masters (..) 11-30<br />
SERIALS<br />
2180 Atom Man vs. Superman.. 7-20 -|- 7- i<br />
15 Chapter.<br />
1950-51 SEASON<br />
3120Pir,ites of the High Seas. 11- 2 + 12-2<br />
15 Chapters<br />
Metro-GoldwYn-Mayer<br />
Prod. No. Title Rel. Date Rating Rev'd<br />
CARTOONS<br />
(Technicolor)<br />
W-46 Wags to Riches (7) 8-13 + 11-5<br />
1949-50 SEASON<br />
W-132 Little Rural Ridino Hood<br />
9-17 10-1<br />
(6)<br />
11-5 10-29<br />
12-24 2-11<br />
W-135 Out-Foxed (8)<br />
W-137 Counterfeit Cat (7) +<br />
W-143 Ventriloquist Cat (7).. ++<br />
W-140 Why Play Leap Frog (7) 2- 4<br />
5-27 7-1<br />
W-144 The Cuckoo Clock (7) . . -H- 6-10 7-22<br />
(8)<br />
W-146 Albert in Blunderland<br />
g-26 ± 9-9<br />
1950-51 SEASON<br />
W-232 Garden Gopher (6) 9-30<br />
W-234The Chump Champ (7). 11- 4<br />
FITZPATRICK THAVELTALKS<br />
T-18 Roaming Through Northern<br />
Ireland (8) 7-9 ++ 10-15<br />
1949-50 SEASON<br />
T-lllFrom Liverpool to Stratford<br />
(9) 9-10 + 10- 1<br />
T-112 Glimpses of Old England<br />
(9) 10- 8 + 10-29<br />
T-113 In Old Amsterdam (9)..U-12 + 12-24<br />
T-114 A Wee Bit of Scotland<br />
(10) 12-17 + 2-4<br />
. 1-21<br />
T-115 Land of Tradition (9) . .<br />
T-116 Colorful Holland (9) ... 3- 4<br />
T-117 Pastoral Panoramas (9) 4-15 -f 7-1<br />
(9) 5-20<br />
T-118 Roaming Thru Michigan<br />
+ 7-1<br />
T-119 To the Coast of Devon<br />
(9) 7-15 + 7-22<br />
T-120 Touring Northern England<br />
7-29 9-9<br />
(9) -f<br />
T-121 Land of Auld Lang Syne<br />
(8) 8-12 H 9-16<br />
T-122 Life on the Thames (9) 8-26 + 9-16<br />
GOLD MEDAL REPRINTS<br />
(Technicolor)<br />
W-161 Lonesome Mouse (8) 11-26<br />
. . .<br />
W-163 The Uninvited Pest (8) 4-29<br />
W-164 Yankee Doodle Mouse<br />
(7) 6-24 + 7-15<br />
1950-51 SEASON<br />
W-261Zoot Cat (7) (reissue) .10- 7<br />
W-262 The Early Bird Dood It<br />
(9) 12-2<br />
NEWS OF THE DAY<br />
(Released Twice Weekly)<br />
PASSING PARADE<br />
K-76City of Children (10)... 8-27<br />
PETE<br />
S-60 Football Thrills No. 12<br />
SMITH SPECIALTIES<br />
(9) 8-27<br />
1949-50 SEASON<br />
S-151 Water Trix (9) 11-5 S-152 How Come? (10) 11-19 +<br />
S-153 We Can Dream, Can't We?<br />
Short BubjectB, listed by company, in order oi release. Running time iollowa<br />
title. First date is national release, second the dale oi review in BOXOFFICE.<br />
Symbol between dates is rating irom the BOXOFFICE review. ttVery Good.<br />
+ Good. — Fair. — Poor. = Very Poor. O Indicates color photography.<br />
+ 10- 1<br />
12-24<br />
12-24<br />
2-11<br />
S-158 Did'Ja Know? (8) 5-6 -f 7- 1<br />
S-159 That's His Story (9)... 6-17 ++ 7-22<br />
S-160 A Wife's Life (8) 7-8 + 7-15<br />
1950-51 SEASON<br />
S-251 Wrong Way Butch (10) . 9- 2<br />
S-252 Football Thrills No. 13<br />
(9) 9-9 tt 9- 9<br />
S-253 Table Toppers (g) 10-21<br />
SILVER ANNIVERSARY SHORT<br />
934 Some of the Best (40) . . 7-15 tf 7-<br />
THE MOVIES AND YOU<br />
Z-172 Moments in Music (10) . 7-13 + 7-:<br />
TOM & JERRY CARTOONS<br />
(Technicolor)<br />
W-44 Heavenly Puss (7) 7-9 + 10-:<br />
1949-50 SEASON<br />
W-131 The Cat and the Mermouse<br />
(8) 9-3 H 10-<br />
W-133 Love That Pup (8) 10-1 + 10-1<br />
W-134 Jerry's Diary (7) 10-22 + 11-<br />
W-136 Tennis Chumps (7) 12-10 + 12-;<br />
W-13g Little Quacker (7) 1-7 + 2-<br />
W-139 Saturday Evening Puss<br />
(7) 1-14<br />
W-141 Texas Tom (7) 3-11<br />
W-142 Jerry and the Lion 4- 8<br />
(7) . .<br />
W-145 Safety Second (7) 7- 1<br />
1950-51 SEASON<br />
W-231 Tom & Jeriy in the<br />
Hollywood Bowl (7) . . . 9-16<br />
W-233The Framed Cat (7)... 10-21<br />
W-235Cueball Cat (7) 11-25<br />
-f 2- 4<br />
Paramount<br />
Prod. No. Title Rel. Date Rating Rev'd<br />
tt<br />
I<br />
12
'<br />
.<br />
20th Century-Fox<br />
d. N o. Title Rcl. Date Rating Rev'd<br />
FEMININE WORLD<br />
r-^<br />
12 Fashions of Yesteryear<br />
(Ilka Chase) (8) Nov. +<br />
MARCH OF TIME<br />
IS, No. 10 The Fight for Better<br />
Schools (20) Oct. +<br />
. 15, No. 11 MacArthur's Japan<br />
(IS) Nov. +<br />
. 15, No. 12 A Chance to Live<br />
(15) Dec. +^<br />
No. . 16, 1 Mid-Century: Half<br />
Way to Where? (17) Feb. +<br />
.16, No. 2 The Male Look<br />
(16) Mar. +<br />
. 16, No.3 Where's the Fire?<br />
(19) April +f<br />
. 16, No. 4 Beauty at Work<br />
(15) June ff<br />
. 16, No. S As Russia Sees It<br />
(16) Aug. ^<br />
MOVIETONE ADVENTURES<br />
'lAhoy, Davy Jones (11) Oct -f<br />
^2 Aboard the Flattop Midway<br />
(8) Nov.<br />
6®Jewel of the Baltic (g) . Dec. -|-<br />
'3 Midwest Metropolis (11) . . Dec. ++<br />
1950 SEASON<br />
1 ©Pattern of Progress (8). Apr. +<br />
MOVIETONE SPECIALTIES<br />
2 The Hunter (8) Aug. -f<br />
3 Shadows in the Snow (9). Sept. fill<br />
Mid-West Metropolis (9).. June ++<br />
I 2 New York Philharmonic<br />
Orch. (10) July<br />
I<br />
3 Music of Manhattan (10).. July ^<br />
MOVIETONE MELODIES<br />
1 Lawrence Welk and His<br />
Champagne Music (10).. Jan. ±<br />
2 Red Ingle and His Gang<br />
(10) Mar. n<br />
3 Skitch Henderson & Orch.<br />
(10) Aug.<br />
4 The Fontaine Sisters (8).. Oct<br />
MOVIETONE NEWS<br />
(Released Twice Weekly)<br />
SPORTS<br />
1 Skiing Is Believing<br />
2 From Jib to Topsail<br />
(10) . .Jan.<br />
(9) . . Feb.<br />
ff<br />
+<br />
I ©Frolic in Sports (8) Mar. -f<br />
?3Drnng Maniacs (9) May +<br />
; i Shooting the Salmon Rapids<br />
:. (10) May +<br />
; J Action With Rod and Reel<br />
.. (10) June +<br />
;) Winning Form (10) July 4-<br />
:? Bowlers' Fair (8) Sent 4-<br />
: J Football Pay-Off Plays<br />
(10)<br />
; ) Circus on the Campus<br />
(10)<br />
2 ITee Girls (10) N<br />
+<br />
11-19<br />
10- 8<br />
4-29<br />
1-14<br />
1-14<br />
4-29<br />
7- 8<br />
7-15<br />
9- 9<br />
9-16<br />
Universal-International<br />
Prod. No. Title Rel. Date Rating Rev'd<br />
CARTOON MELODIES<br />
4388 Sailing With a Song (9). 10- 3<br />
1949-50 SEASON<br />
5381 My Favorite Girl (10).. 11- 7<br />
5382 Songs of the Range (10). 12-26 ±<br />
5383 Dream Dust (10) 2-20 -f<br />
5384 Sing Your Thanks (10) . . 4- 3 i<br />
5385 Harmony Hall (10) 5-29<br />
5386 Melody Moods (9) 7-17 +<br />
5387 Sing Happy (10) g-28 +<br />
5383 Feast of Songs (10) 10-2 i<br />
MUSICAL WESTERNS<br />
4357 The Girl From Gunsioht<br />
(25)<br />
4358 The Pecos Pistol (26)<br />
9-15 ±<br />
10-27 +<br />
1949-50 SEASON<br />
5351 Coyote Canyon (26) ... .11-17 u.<br />
5352 South of Santa Fe (29). .12-22 ff<br />
5353 The Fargo Phantom (24) 2- 9 -f<br />
5354 Gold Strike (25) 3-30 +<br />
5355 Rustler's Ransom (27).. 5-lg ±<br />
5356 Cactus Caravan (26) 7-6 ±<br />
5357 Western Courage (29) . . . 8-31 ff<br />
5358 Ready to Ride (25) 10- 5<br />
NAME BAND MUSICALS<br />
4311 Russ Morgan & Orch. (15) 9- 7 +<br />
4312 Skinnay Ennis & Orch.<br />
(15)<br />
9-28 -f 12-24<br />
4313 Rhythm of the Mambo<br />
(15) 10-26<br />
1949-50 SEASON<br />
5301 Herman's Herd (15) 11-2<br />
5302 Lionel Hampton & Orch<br />
(15) 12-7<br />
5303 Freddie Slack & Orch.<br />
(15) 1. 4<br />
5304 Ethel Smith and the Henry<br />
King Orchestra (15) 2- 1<br />
. .<br />
5305 Sweet Serenade (15).... 3- 1<br />
530S Skitch Henderson & Orch.<br />
(13) 4-19<br />
5307 King Cole Trio and Benny<br />
Carter Orch. (16) 5-17<br />
5308 Claude Thornhill & Orch<br />
(15) 6-14<br />
5309 Sarah Vaughan & Herb<br />
Jeffries (15) 7-12<br />
5310 Red Nichols and His Five<br />
Pennies (15) 8-9<br />
5311 Salute to Duke Ellington<br />
(15) 8-30<br />
5312 Connie Boswell & Les<br />
Brown (15 Orch. 9- 2<br />
5313 Music by Martin (15).. 10-11<br />
Warner Bros.<br />
Prod. No. Title Rel. Date Rating Rev'd<br />
±<br />
SHORTS CHART
Los<br />
SHORTS REVIEWS<br />
Opinions on the Currtnf Short Subjects-<br />
—<br />
Pirates of the High Seas<br />
(15-episode serial)<br />
First episode 27 mins.<br />
Columbia<br />
Others average 16 mins.<br />
Good. Made to order for the serial devotees<br />
and the youngsters, this is an actionpacked<br />
chapter-play about modern day pirates.<br />
The husky acquatic star, Bu.ster<br />
Crabbe, supplies marquee value and is ideally<br />
suited to the role of a two-fisted commander<br />
of a little schooner in the South Seas. While<br />
the first episode devotes too much time to<br />
introducing the characters and setting the<br />
stage for later developments, it winds up<br />
in a blaze of flaming action. The second<br />
episode starts off at a fast pace and will<br />
keep its audiences on the edge of their seats.<br />
Lois Hall adds a touch of romance and Gene<br />
Roth and Hugh Prosser are among the<br />
double-dyed villains.<br />
The Versailles<br />
(Cavalcade of Broadway)<br />
Columbia 10 Mins.<br />
Good. Latest entry in the series devoted<br />
to Broadway nightclubs is an entertaining<br />
musical short even if some audiences may<br />
expect to see Edith Piaf. the current smash<br />
hit at the Versailles. However, Johnnie<br />
Johnston, popular radio and recording star,<br />
scores with his rendition of "La Vie En Rose,"<br />
which Miss Piaf introduced and made famous.<br />
He also sings "You Can't Take It<br />
With You When You Go." Danton Walker,<br />
Broadway columnist, also introduces Copsey<br />
and Ayres, who satirize oriental dancers.<br />
Casper's Spree Under<br />
the Sea<br />
Paramount (Casper Cartoon) 8 Mins.<br />
Good. Imaginative, well drawn and should<br />
be especially appealing to women and children.<br />
Little Casper, the ghost, is cast out by<br />
the other ghosts because he doesn't scare<br />
anybody. He finds friends at the bottom of<br />
the sea. visiting a fish fair and meeting a<br />
pretty little goldfish. Goldie and the other<br />
fish are trapped in a net. Casper rescues them<br />
by scaring the wits out of the fishermen.<br />
Desert Hi-Jinks<br />
(Grantland Rice SportUght)<br />
Paramount<br />
9 Mins.<br />
Good. Interesting scenes of unusual sports<br />
in the Arizona and California deserts. They<br />
include skiing and tobogganing on the desert<br />
sands, and skiing on an irrigation canal<br />
pulled along by an automobile. Especially<br />
good are scenes of a variation of polo in<br />
which lariats are used, and a tortoise race.<br />
The Magnetic Tide<br />
20th-Fox (Documentary) 21 Mins.<br />
Good. This Cinecolor film produced and<br />
directed by Dorothy Silverstone tells the<br />
dramatic story of the new nation of Lsrael.<br />
It shows people at work and play, new arrivals<br />
from distant countries and many<br />
world-famous landmarks in both the Arab<br />
and Jewish sections of Jerusalem. There<br />
are also .shots of Haifa and Tel Aviv. Those<br />
of children are especially appealing. Unfortunately,<br />
some of the photography Is below<br />
par.<br />
Letter to a Rebel<br />
RKO (This Is America) 16 Mins.<br />
Very good. A reissue of an outstanding<br />
short, originally released during the 1947-48<br />
season. An excellent appeal for real unadulterated<br />
Americanism, it is more timely_<br />
now than when it was first shown. It visualizes<br />
a letter sent by an editor of a small<br />
town newspaper to his son, who has expressed<br />
some so-called "liberal" ideas in a college<br />
editorial. He shows the boy how important<br />
the democratic belief in free enterprise is in<br />
comparison with the liberalism which considers<br />
all people "as a corrupt tool of a<br />
depraved economy."<br />
Crocodile Hunters<br />
RKO (Sportscope) 9 Mins.<br />
Good. An unusual and educational short<br />
dealing with the rivers of northern Australia,<br />
where native and white hunters seek<br />
the cunning crocodile. The aborigines harpoon<br />
the reptile as it hides at the bottom of<br />
the river while the professional white hunters<br />
use more modern equipment, such as snare<br />
traps. There are some frightening closeups<br />
of the ferocious reptiles struggling to escape<br />
from the hunters.<br />
Waiting for Baby<br />
RKO (Comedy Specials) 17 Mins.<br />
Good. An attractive and engaging pair of<br />
young players, Robert Neil and Suzi Crandall,<br />
are teamed as a couple who go through<br />
some of the usual newlywed troubles in the<br />
first of a new series. The young husband<br />
oversleeps each morning so his bride tells<br />
him that she has a surprise that will wake<br />
him up without fail. He takes it for granted<br />
she is going to have a baby so he buys toys<br />
and baby supplies until she thinks he is<br />
going crazy. It turns out that she has only<br />
bought an alarm clock which cries like a<br />
baby instead of ringing a bell.<br />
Grandma Moses<br />
AF Films (Art Short) 25 Mins.<br />
Very good. One of the finest educational,<br />
as well as inspirational, shorts. Dealing with<br />
the life and paintings of this most-talkedabout<br />
artist, it is ideal fare for the art<br />
houses, as well as regular theatres in key<br />
cities and in college towns. The 90-year-old<br />
Grandma Moses proves herself a natural<br />
actre.ss, one who is never conscious of the<br />
camera. Splendidly photographed in Technicolor,<br />
it shows the old lady in her farm<br />
house, in the fields and at her painting.<br />
Many closeups of her huge paintings, with<br />
their myriad details are also shown. Commentary<br />
and narration are by Archibald<br />
MacLeish and music is by Hugh Martin. AP<br />
Films is at 1600 Broadway, New York City.<br />
Future Releases<br />
Will Appear Next Week<br />
On This Page<br />
In the Newsreels<br />
Movietone News, No. 94: Winter joins War<br />
in Korea as Allies push on to border; Greek<br />
battalion sails for Korea: Purple Heart decorations;<br />
58 die in Alpine plane crash; helicopter<br />
lands in Vatican City; prince marks<br />
second birthday; women marines at boot<br />
camp; football—Illinois-Ohio State, Princeton-Yale.<br />
News of the Day, No. 224: GIs in Korea<br />
face bitter winter; Texas honors heroic Nisei<br />
ex-GIs; UN aids Arab refugees; "talking"<br />
elephants; Illinois up,sets Ohio State; Army<br />
tops Stanford.<br />
Paramount News, No. 27: Korea makes<br />
world headlines; elephant says a trunk-full;<br />
recover bodies of 58 victims in French Alps;<br />
football highlights—Illinois meets Ohio State,<br />
Los Angeles Rams collide with the New York<br />
Yankees.<br />
Universal News, No. 406: Korea; plane<br />
crash; UN aids Arab refugees; football<br />
Illinois-Ohio State. Princeton- Yale ; Angeles<br />
Rams vs. New York Yankees.<br />
Warner Pathe News, No. 29: UN troops near<br />
China border: Norwegian crown prince visits<br />
U.S.; Warner Bros, honored for "Breakthrough";<br />
UN aid force for 750,000 Arab<br />
refugees; Germany—Nellie, the "talking" elephant;<br />
Army-Stanford game; Princeton-<br />
Yale; Los Angeles Rams-New York Yankees.<br />
•<br />
Movietone News, No. 95: All- American football<br />
team; flood in California; USS New<br />
Jersey recommissioned; Will Rogers memorial;<br />
Long Island railroad wreck.<br />
News of the Day, No. 225: Long Island<br />
railroad wreck; floods in the west; silks in<br />
fashion; New Jersey back in service; turkey<br />
for the Trumans; salute to Will Rogers;<br />
ECA chief in Korea.<br />
Paramount News, No. 28: First pictures of<br />
Russian troop training; school for turkey<br />
carving opens; hospital drive salutes Will<br />
Rogers; stockings in high fashion; Long<br />
Island train disaster stuns nation.<br />
Universal News, No. 407: Long Island railroad<br />
wreck; floods in the west; ECA administrator<br />
in Korea; Will Rogers memorial<br />
hospital; new star in Hollywood; Reds Bagnell<br />
ail-American material.<br />
Warner Pathe News, No. 30: Long Island<br />
railroad crash; California—floods rage on<br />
west coast; Washington—President gets first<br />
atomic dog tag; New York—Will Rogers hospital<br />
drive begins; Korea—ECA chief on<br />
mission to Korea; Hollywood—Ruth Roman<br />
opens marines' drive for toys for tots; new<br />
Episcopal bishop of New York is installed;<br />
navy's new skyshark has two-way propeller.<br />
•<br />
All American News, No. 423: Holiday season<br />
decorations; Missouri state teachers convention<br />
in Kansas City; sorority presents<br />
books to Carver university in Topeka during<br />
National Book week: New York university<br />
trampoline stars; Joe Louis trains<br />
for comeback.<br />
•<br />
Telenews Digest, No. 47 A: Korea—battle<br />
in the sky: people in the news—Maurice<br />
Thorez, Lewis Douglas. Otto Diehls and Kurt<br />
Alder: arms for the west; France—plane<br />
cra.sh; Philippines—105 Communists arrested;<br />
Israel—election brings big gains for Rightists.<br />
Telenews Digest. No. 47B: Report on rearmament<br />
in Germany; Korean civilians rebuild:<br />
Mayor Impellitteri vacations in Cuba;<br />
Germany—Perlon goes into production; New<br />
York—toy train mystery.<br />
14<br />
BOXOFFICE BookinGuide Dec. 2, 1960
Opinions on Current Productions; Exploitips for Selling to the Publit<br />
FEATURE REVIEWS<br />
1 The Goldbergs F<br />
Paramount (5011) 83 Minutes Rel.<br />
; This ofiers delightful entertainment to a ready-made audi-<br />
: ence of the many thousands who have followed the fortunes<br />
: of the amusing Goldberg family for years on the radio and<br />
• now also see and hear its members on television. It is a<br />
(FOR STORY SYNOPSIS ON EACH PICTURE, SEE REVERSE SIDE)<br />
: sure-fire attraction. Gertrude Berg, Philip Loeb and the<br />
: others, all borrowed from the radio-television show, are Pacifu<br />
• excellent. The direction by Walter Hart, who never lets "'^"'l'<br />
; the action become static during the folksy chatter, is top-<br />
: notch. The scene is laid in an apartment house in the Bronx<br />
1 "bounded by the Atlantic on the east and the United States<br />
• on the west." Molly's comments are priceless. She talks<br />
• about letting the children vacation at Pincus' Pines, warns<br />
: them against becoming "eardroppers" and observes: "Five<br />
: people, one bathroom, cooperation, please." It's great fun.<br />
• Gertrude Berg, Philip Loeb, Eli Mintz, Eduard Franz, Larry<br />
: Robinson, Arlene McQuade, Betty Walker.
FEATURE REVIEWS Story Synopsis; Adlines for Newspaper and Programs<br />
THE STORY: ,<br />
"The Mudlark"<br />
A waterfront waif, young Andrew Ray, picked up a medallion<br />
bearing the likeness of Queen Victoria. Curious to<br />
see the lady, whom he thinks looks like a "mother," he<br />
makes his way to Windsor Castle, where the queen—grieving<br />
over the death of her husband. Prince Albert—has been in<br />
(Alec Guinness) has been unsuccessfully attempting to persuade<br />
Victoria (Irene Dunne) to resume active participation ^p^<br />
in the affairs of her country. When young Andrew is cap- .^^jj',<br />
tured a great furore develops; Disraeli, in an impassioned<br />
speech in the House of Comons, thumps for a program of<br />
social reform that would provide for such underprivileged<br />
youngsters: and Victoria appears again before her subjects.<br />
CATCHLINES:<br />
The Tender, Touching, Compelling Story ... Of a Great<br />
Lady Who Lived in the Past . . . Until a Wandering Waif<br />
Touched the Depths of Her Compassion . . . It's Heartwarming<br />
Entertainment.
.<br />
wi<br />
, Mioef.<br />
A:S: 10c per word, Tninimiim $1.00, cash with copy. Four insertions ior price of three.<br />
xi>lNG DATE: Monday noon preceding publication date. Send copy and answers to<br />
Box Numbers to BOXOFFICE. 825 Van Brunt Blvd., Kansas City 1, Mo. •<br />
HELP WANTED<br />
extra cash? Manager, operators—daytime,<br />
U ur neighborhood merchants advertising gifts,<br />
ilcjrs, pencils, matches, etc. Average order<br />
;irn:25. Free samples. Klncole, 8916 Linwood,<br />
;«[ Mich.<br />
.<br />
HiOM". '^*" Kansas tow-n. Woman preferred.<br />
W^'e. -1086.<br />
theatre Savannah, Georgia. Must be<br />
[„ r'lil in exploitation. Please give full inft)<br />
.>ii .md send photograph. P. 0. Box 1294,<br />
• Oiiio Roadshow Exploitation picplus<br />
commission on book sales,<br />
experience. <strong>Boxoffice</strong>, 4088.<br />
Eiienced projectionist, married, no children.<br />
ji > -etl impcorn. Write first letter stating<br />
>uinif(i, referpflce and experience. PosirelMii<br />
drinker or noater. <strong>Boxoffice</strong>. 4089.<br />
POSITIONS WANTED<br />
ictionist, 28. married, do not smoke or<br />
6 yMFs experiwice. Now employed, desires<br />
prefers South. References. <strong>Boxoffice</strong>,<br />
Ire executive, early forties, excellent refer-<br />
;upervi.'=or or manager of de luxe operation<br />
or California preferred. Boxoffiw, 4071.<br />
ifler. booker, buyer. Young, now successnployed.<br />
Desires place with future. Prefer<br />
dent or small growing circuit. Best ref-<br />
Would like to have position where I<br />
lo booking and buying as I have devoted<br />
'<br />
my time to this. <strong>Boxoffice</strong>. 4073.<br />
Ire manager called to active duty being<br />
;ed due to dependency, as of December<br />
-iild like to re-locate. <strong>Boxoffice</strong>. 40T9.<br />
iger, proven buyer, booker, exploiteer.<br />
operation and malntenajice. wife cashier.<br />
ch;mge where winters are moderate or<br />
References, Veteran. <strong>Boxoffice</strong>, 4090.<br />
ger. age 38, veteran, draft exempt, fully<br />
iced publicity, promotions. <strong>Boxoffice</strong>. 4091.<br />
SIGNS<br />
Way to Paint Signs. Use letter patterns,<br />
loppy work and wasted time. No experi-<br />
?ded for expert work. Write for free samohn<br />
Ratm, B-1329, Central Ave., Chicago<br />
jTUDIO AND PRODUCTION<br />
EQUIPMENT<br />
lan processing iwntrol sensitometer. $795:<br />
SjTic Sound Dubbing Projectors, $395:<br />
Howell step printer, rebuilt. $995:<br />
16mm iens. original cost $1.800— $995:<br />
\rttli camera doliies 2 seats, $242.50:<br />
35mm step printers, with light changers.<br />
$795: Presto studio disc recorder. $195:<br />
55/16mm sound reduction printer, worth<br />
-$3,495: Prestoseal automatic hot splicer,<br />
iSmm. good used. $350; sensational new<br />
atic .Ir. 16mm developing machines (incl.<br />
1.095: Auricon Cinevoice. demonstrator,<br />
i-ton refrigeration plant. 230 DC motor.<br />
Cyemo 35mm spider turret news cameras.<br />
Jacltground process outfit with pro,iector,<br />
Selsyn motors, lenses. 15'x20' sween.<br />
$4,995. Send for catilog Sturelab Sup-<br />
Hept- C. S.n.S. Cinema Supply Corp.,<br />
52nd St.. New Yorll 19.<br />
VE-IN THEATHE EQUIPMENT<br />
ins—Be Wise—Be Tlirifty. Order now<br />
Lay-A-ffay Plan. Small deposit holds<br />
It until re
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