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Stopfordian 2010–2011 - Stockport Grammar School

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The <strong>Stopfordian</strong> 2010–2011<br />

A big feature of the concert was First Orchestra’s performance<br />

of Max Bruch’s Violin Concerto in G Minor, conducted by Mr<br />

Dow. The audience was blown away by the highly virtuosic<br />

playing of violin soloist Samuel Holmes, whose part<br />

comprised of continuous cadenzas and fast scalic flourishes,<br />

all of which was blissfully complemented by the beautiful<br />

themes, powerfully conveyed by the rest of the orchestra.<br />

Also directed by Mr Dow was Chamber Choir, the<br />

department’s smaller vocal ensemble. They began by<br />

performing All Creatures Now, one of John Bennet’s famous<br />

madrigals. Two pieces followed, each taken from John<br />

Rutter’s collection, Feel the Spirit. Lower Sixth Altos Naomi<br />

Clarke and Amy Wood both sang solo beautifully on Steal<br />

Away and Deep River respectively, as Mrs Taylor accompanied<br />

on the piano. Their fourth piece was an ‘a capella’ madrigal,<br />

Hark all ye lovely saints by Thomas Weelkes. The Chamber<br />

Choir set was brought to an end by a performance of Our Love<br />

is Here to Stay, which was arranged by Mr Griffiths. For this<br />

piece, the choir was joined by the String Orchestra, along with<br />

a professional guest drummer, to provide a fitting<br />

accompaniment for the Gershwin classic.<br />

As the choir left the stage, String Orchestra remained to play<br />

a few pieces on their own, beginning with another work by<br />

Sibelius, Andante Festivo, followed by the first two movements<br />

of Walton’s Henry V Suite.<br />

The grand finale of the evening came from our larger choir,<br />

Chorus, with a performance of Bob Chilcott’s, A Little Jazz<br />

Mass. The 15-minute long work is a setting of the Latin mass<br />

text in five movements: Kyrie, Gloria, Sanctus, Benedictus and<br />

Agnus Dei, all written in a Jazz style. The choir had an<br />

accompaniment of a Jazz Trio (piano, double bass and drums)<br />

to ensure the music was performed as truly intended by the<br />

composer. As the performance came to an end the audience<br />

was silent as they absorbed the powerful harmony of the final<br />

bars. Finally, applause filled the building as many spectators<br />

were on their feet to show well-deserved appreciation.<br />

The experience of performing in the Royal Northern College<br />

was enjoyed by all involved and taught us many things about<br />

showmanship, performance and professionalism. It is<br />

certainly something we hope to do again in the future.<br />

Oliver Mills (L7)<br />

LEAVERS’ CONCERT<br />

For me, the Leavers’ Concert marked the end of an era of<br />

music at <strong>Stockport</strong> <strong>Grammar</strong> <strong>School</strong> and of course the<br />

beginning of the next!<br />

Most of the larger instrumental groups performed during the<br />

evening but the highlights of the concert for me were the Brass<br />

Ensemble, Concert Band and the Leavers’ Ensemble. The<br />

thirteen of us who made up the Leavers’ Ensemble played a<br />

conglomeration of music all re-mastered for the correct<br />

instruments by Ollie Mills. These ‘snippets’ were all taken<br />

from music that we had either performed at the school or<br />

music that meant something to us, for instance some music<br />

from Wicked, a clip from Mozart’s Requiem, Michael Jackson’s<br />

Man in the Mirror. For me this final concert showed just how<br />

strong the music department of the school is and was a credit<br />

to all the hard work put in by the music staff.<br />

Sam Holmes (U5)<br />

Music, Drama and Art 65

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