Stopfordian 2010â2011 - Stockport Grammar School
Stopfordian 2010â2011 - Stockport Grammar School
Stopfordian 2010â2011 - Stockport Grammar School
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The <strong>Stopfordian</strong> 2010–2011<br />
A big feature of the concert was First Orchestra’s performance<br />
of Max Bruch’s Violin Concerto in G Minor, conducted by Mr<br />
Dow. The audience was blown away by the highly virtuosic<br />
playing of violin soloist Samuel Holmes, whose part<br />
comprised of continuous cadenzas and fast scalic flourishes,<br />
all of which was blissfully complemented by the beautiful<br />
themes, powerfully conveyed by the rest of the orchestra.<br />
Also directed by Mr Dow was Chamber Choir, the<br />
department’s smaller vocal ensemble. They began by<br />
performing All Creatures Now, one of John Bennet’s famous<br />
madrigals. Two pieces followed, each taken from John<br />
Rutter’s collection, Feel the Spirit. Lower Sixth Altos Naomi<br />
Clarke and Amy Wood both sang solo beautifully on Steal<br />
Away and Deep River respectively, as Mrs Taylor accompanied<br />
on the piano. Their fourth piece was an ‘a capella’ madrigal,<br />
Hark all ye lovely saints by Thomas Weelkes. The Chamber<br />
Choir set was brought to an end by a performance of Our Love<br />
is Here to Stay, which was arranged by Mr Griffiths. For this<br />
piece, the choir was joined by the String Orchestra, along with<br />
a professional guest drummer, to provide a fitting<br />
accompaniment for the Gershwin classic.<br />
As the choir left the stage, String Orchestra remained to play<br />
a few pieces on their own, beginning with another work by<br />
Sibelius, Andante Festivo, followed by the first two movements<br />
of Walton’s Henry V Suite.<br />
The grand finale of the evening came from our larger choir,<br />
Chorus, with a performance of Bob Chilcott’s, A Little Jazz<br />
Mass. The 15-minute long work is a setting of the Latin mass<br />
text in five movements: Kyrie, Gloria, Sanctus, Benedictus and<br />
Agnus Dei, all written in a Jazz style. The choir had an<br />
accompaniment of a Jazz Trio (piano, double bass and drums)<br />
to ensure the music was performed as truly intended by the<br />
composer. As the performance came to an end the audience<br />
was silent as they absorbed the powerful harmony of the final<br />
bars. Finally, applause filled the building as many spectators<br />
were on their feet to show well-deserved appreciation.<br />
The experience of performing in the Royal Northern College<br />
was enjoyed by all involved and taught us many things about<br />
showmanship, performance and professionalism. It is<br />
certainly something we hope to do again in the future.<br />
Oliver Mills (L7)<br />
LEAVERS’ CONCERT<br />
For me, the Leavers’ Concert marked the end of an era of<br />
music at <strong>Stockport</strong> <strong>Grammar</strong> <strong>School</strong> and of course the<br />
beginning of the next!<br />
Most of the larger instrumental groups performed during the<br />
evening but the highlights of the concert for me were the Brass<br />
Ensemble, Concert Band and the Leavers’ Ensemble. The<br />
thirteen of us who made up the Leavers’ Ensemble played a<br />
conglomeration of music all re-mastered for the correct<br />
instruments by Ollie Mills. These ‘snippets’ were all taken<br />
from music that we had either performed at the school or<br />
music that meant something to us, for instance some music<br />
from Wicked, a clip from Mozart’s Requiem, Michael Jackson’s<br />
Man in the Mirror. For me this final concert showed just how<br />
strong the music department of the school is and was a credit<br />
to all the hard work put in by the music staff.<br />
Sam Holmes (U5)<br />
Music, Drama and Art 65