Character Driven Game Design

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112 Character-Driven Game Design sented at the Level up conference, Utrecht. Retrieved March 26, 2009, from http://www.digra.org/dl/display_html?chid=05087.10012 Laramée, F. D. (2002). Introduction to part 5: Characters and storytelling. In F. D. Laramee (Ed.), Game design perspectives. Charles River Media. Lionhead Studios. (2001). Black and white [Computer Software]. Electronic Arts. Looking Glass Studios. (2000). Thief II: The metal age [Computer Software]. Eidos Interactive. Lucas Film Games (1990). The secret of Monkey Island [Computer Software]. Mallon, B. (2007). Towards a taxonomy of perceived agency in narrative game-play. Comput.Entertain., 5(4), 1–15. Mateas, M. (2004). A preliminary poetics for interactive drama and games. In N. Wardrip-Fruin, & P. Harrigan (Eds.), First person: New media as story, performance, and game (pp. 19–33). Cambridge: The MIT Press. Maxis. (2000). Sims [Computer Software]. Electronic Arts. Meltzoff, A. N., & Moore, M. K. (1998). Infants’ understanding of people and things: From body imitation to folk psychology. In J. L. Bermúdez, A. Marcel & N. Eilan (Eds.), The body and the self (pp. 43-69). Cambridge: The MIT Press. Meretzky, S. (2001). Building character: An analysis of character creation. Retrieved March 26, 2009, from http://www.gamasutra.com/view/ feature/3480/building_character_an_analysis_of_.php Montola, M. (2007). Breaking the invisible rules: Borderline role-playing. In J. Donnis, M. Gade & L. Thorup (Eds.), Lifelike (pp. 93–100). Copenhagen: Projektgruppen KP07. Morrison, I., & Ziemke, T. (2005). Empathy with computer game characters: A cognitive neuroscience perspective. In Proceedings of the joint symposium on virtual social agents (pp. 73–79). Hatfield, UK. Murray, J. H. (1997). Hamlet on the holodeck. Cambridge: MIT Press. Nass, C., & Lee, K. M. (2001). Does computer-synthesized speech manifest personality? Experimental tests of recognition, similarity-attraction, and consistency-attraction. Journal of Experimental Psychology, Applied, 7(3), 171-181. Retrieved from EBSCOhost database Nichols, S. (2004). Imagining and believing: The promise of a single code. The Journal of Aesthetics and Art Critisism, 62(2), 129–139. Niedenthal, P. M., Barsalou, L. W., Winkielman, P., Krauth-Gruber, S., & Ric, F. (2005). Embodiment in attitudes, social perception, and
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Aalto University Publication Series
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Contents List of Publications 9 Ack
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List of Publications This thesis co
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Introduction To explain my interest
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1. Introduction 13 Game designers h
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1. Introduction 15 tertainment. Whi
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1. Introduction 17 and involuntary
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1. Introduction 19 dition, the game
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Game Characters Characters are an i
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2. Game Characters 23 can fly, and
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2. Game Characters 25 Figure 2.1: H
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2. Game Characters 27 David Houghto
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Game and Gameplay Design First, I l
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3. Game and Gameplay Design 31 Figu
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3. Game and Gameplay Design 33 what
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Character Engagement and Game Desig
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4. Character Engagement and Game De
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4. Character Engagement and Game De
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Conclusions My study has two primar
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5. Conclusions 43 Factor Perceivabl
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5. Conclusions 45 PC that lead to s
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References AARSETH, E., 2004. Genre
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References 49 Behavioral Neuroscien
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References 51 New York: John Wiley
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References 53 NICHOLS, S., 2004. Im
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References 55 K., C-64 version. Mas
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Research Material Assassin’s Cree
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Appendix 1 59 Quick Start Cthulhu.
Page 61 and 62: Gameplay Design Patterns In this Ap
Page 63 and 64: Appendix 2 63 Detective Structure I
Page 65 and 66: Appendix 2 65 accepted and disallow
Page 67 and 68: Appendix 2 67 References —— art
Page 69 and 70: Appendix 2 69 sibility of Surprises
Page 71 and 72: Appendix 2 71 —— Modulates: Cha
Page 73 and 74: Appendix 2 73 (Egri, 1960) of a cha
Page 75 and 76: Lies and Seductions Credits CREATIV
Page 77 and 78: Article 1 77 Characters in Computer
Page 79 and 80: Article 1 79 It is important to not
Page 81 and 82: Article 1 81 attacks, which are all
Page 83 and 84: Article 1 83 almost anything in the
Page 85 and 86: Article 1 85 situation(s) —— Ch
Page 87 and 88: Article 1 87 its physiological, soc
Page 89 and 90: Article 1 89 Banner. Obviously, it
Page 91 and 92: Article 1 91
Page 93 and 94: Article 2 93 Player Character Engag
Page 95 and 96: Article 2 95 elaborately simulated
Page 97 and 98: Article 2 97 affects and performing
Page 99 and 100: Article 2 99 (Björk and Holopainen
Page 101 and 102: Article 2 101 player would fear the
Page 103 and 104: Article 2 103 available and what po
Page 105 and 106: Article 2 105 Many games also use c
Page 107 and 108: Article 2 107 petty criminal, Tommy
Page 109 and 110: Article 2 109 site for empathetic e
Page 111: Article 2 111 Grodal, T. (1999). Mo
Page 117 and 118: Article 3 117 Gameplay Design Patte
Page 119 and 120: Article 3 119 are constructed predo
Page 121 and 122: Article 3 121 ter, especially in ga
Page 123 and 124: Article 3 123 General overview Clau
Page 125 and 126: Article 3 125 similar goods. This i
Page 127 and 128: Article 3 127 Conversational Respon
Page 129 and 130: Article 3 129 is very strict one an
Page 133 and 134: Article 4 133 Gameplay Design Patte
Page 135 and 136: Article 4 135 described in this pap
Page 137 and 138: Article 4 137 the ANT, is seeing a
Page 139 and 140: Article 4 139 Egri’s Premise rela
Page 141 and 142: Article 4 141 Reactions as they do
Page 143 and 144: Article 4 143 this can be seen as a
Page 145 and 146: Article 4 145 heathens as part of o
Page 147 and 148: Article 4 147 Faction member will h
Page 149 and 150: Article 4 149 Discussions In this s
Page 151 and 152: Article 4 151 than character relati
Page 153 and 154: Article 4 153 Conference, 2007. 30.
Page 155 and 156: Article 4 155 Name Information Pass
Page 157 and 158: Article 5 157 Lies and Seduction Pe
Page 159 and 160: Article 5 159 Figure 2. A gameplay
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Article 6 163 Character-Driven Game
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Article 6 165 and physique); ——
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Article 6 167 —— providing goal
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Article 6 169 Part of a character d
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Article 6 171 Character Defining Ac
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Article 6 173 given that the traits
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Article 6 175 and want to be in goo
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Article 6 177 rectly available to a
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Article 6 179 4th ed. Steve Jackson
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Article 6 181
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Petri Lankoski MA, Lecturer, Game D
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