Character Driven Game Design

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58 Character-Driven Game Design Game Studios, PS3 version. Bethesda Softworks LLC. Fable. 2004. [Game] Developed by Lionhead Studios, XBox version. Microsoft Game Studios. Façade. 2006. [Game] Developed by Procedural Arts, . Fahrenheit. 2005. [Game] Developed by Quantic Dream, PS 2 version. Atari. Fallout 2. 1998. [Game] Developed by Black Isle Studios, Interplay Productions, Inc. Fallout 3. 2008. [Game] Developed by Bethesda Game Studios, PS3 version. Bethesda Softworks LLC. Forbidden Siren. 2004. [Game] Developed by Sony Computer Entertainment, Sony Computer Entertainment. Grand Theft Auto III. 2001. [Game] Developed by DMA Design Limited, PS2 version. Rockstar Games. Grand Theft Auto: Vice City. 2002. [Game] Developed by Rockstar North, PS 2 version. Rockstar Games. The Graveyard. 2008. [Game] Developed by Tale of Tales, Mac OSX version. Tale of Tales. Half-Life. 2001. [Game] Developed by Valve Software, PS 2 version. Sierra. Hitman 2. 2002. [Game] Developed by IO Interactive, PS2 version. Eidos. Hulk. 2003. [Game] Developed by Radical Entertainment Inc., Universal Interactive. Ico. 2002. [Game] Developed by Sony Computer Entertainment, PS 2 version. SCEE. Jak and Dax III. 2001. [Game] Developed by Naughty Doc, SCEE. Lara Croft Tomb Raider: The Angel of Darkness. 2003. [Game] Developed by Ubisoft Entertainment, Eidos Interactive. Max Payne. 2002. [Game] Developed by Remedy Entertainment Ltd., PS2 version. Rockstar Games. The Nomad Soul. 1999. [Game] Developed by Quantic Dream, PC version. Eidos. The Orange Box. 2007. [Game] Developed by Valve, PS3 version. Prince of Persia: The Sands of Time. 2003. [Game] Developed by Ubisoft Montreal Studios, PS 2 version. Ubisoft Entertainment. Project Zero. 2001. [Game] Developed by Tecmo, Tecmo.
Appendix 1 59 Quick Start Cthulhu. 2004. Written by MONROE, B. and PETERSEN, S. Hayward: Chaosium Inc. Available at: http://www.chaosium.com/ forms/coc_quick_start_color.pdf [2008/03/19]. Scarface. 2006. [Game] Developed by Radical Entertainment, PS2 version. SierrA. The Secret of Monkey Island. 1990. [Game] Developed by Lucas Film Games, DOS version. Softgold Computerspiele GmbH. Shadow of the Colossus. 2006. [Game] Developed by Team ICO, PS 2 version. SCEE. Silent Hill 2: Director’s Cut. 2002. [Game] Developed by Team Silent, PS2 version. Konami. Silent Hill 3. 2003. [Game] Developed by Team Silent, PS 2 version. Konami. Sims. 2000. [Game] Developed by Maxis, Windows version. Electronic Arts. Tekken 4. 2002. [Game] Developed by Namco, PS2 version. Namco. Thief Deadly Shadows. 2005. [Game] Developed by Ion Storm, XBox version. Eidos Interactive. Thief II: The Metal Age. 2000. [Game] Developed by Looking Glass Studios, PC version. Eidos Interactive. Tom Clancy’s Splinter Cell: Double Agent. 2007. [Game] Developed by Ubisoft Shanghai Studios, PS3 version. Ubisoft. UFO Afterlife. 2007. [Game] Developed by ALTAR interactive, TopWare Interactive. Uncharted: Drake’s Fortune. 2007. [Game] Developed by Naughty Dog, SCEE. The Witcher. 2007. [Game] Developed by CD Projekt RED STUDIO, PC version. Atari.
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Aalto University Publication Series
Page 7 and 8: Contents List of Publications 9 Ack
Page 9 and 10: List of Publications This thesis co
Page 11 and 12: Introduction To explain my interest
Page 13 and 14: 1. Introduction 13 Game designers h
Page 15 and 16: 1. Introduction 15 tertainment. Whi
Page 17 and 18: 1. Introduction 17 and involuntary
Page 19 and 20: 1. Introduction 19 dition, the game
Page 21 and 22: Game Characters Characters are an i
Page 23 and 24: 2. Game Characters 23 can fly, and
Page 25 and 26: 2. Game Characters 25 Figure 2.1: H
Page 27 and 28: 2. Game Characters 27 David Houghto
Page 29 and 30: Game and Gameplay Design First, I l
Page 31 and 32: 3. Game and Gameplay Design 31 Figu
Page 33 and 34: 3. Game and Gameplay Design 33 what
Page 35 and 36: Character Engagement and Game Desig
Page 37 and 38: 4. Character Engagement and Game De
Page 39 and 40: 4. Character Engagement and Game De
Page 41 and 42: Conclusions My study has two primar
Page 43 and 44: 5. Conclusions 43 Factor Perceivabl
Page 45 and 46: 5. Conclusions 45 PC that lead to s
Page 47 and 48: References AARSETH, E., 2004. Genre
Page 49 and 50: References 49 Behavioral Neuroscien
Page 51 and 52: References 51 New York: John Wiley
Page 53 and 54: References 53 NICHOLS, S., 2004. Im
Page 55 and 56: References 55 K., C-64 version. Mas
Page 57: Research Material Assassin’s Cree
Page 61 and 62: Gameplay Design Patterns In this Ap
Page 63 and 64: Appendix 2 63 Detective Structure I
Page 65 and 66: Appendix 2 65 accepted and disallow
Page 67 and 68: Appendix 2 67 References —— art
Page 69 and 70: Appendix 2 69 sibility of Surprises
Page 71 and 72: Appendix 2 71 —— Modulates: Cha
Page 73 and 74: Appendix 2 73 (Egri, 1960) of a cha
Page 75 and 76: Lies and Seductions Credits CREATIV
Page 77 and 78: Article 1 77 Characters in Computer
Page 79 and 80: Article 1 79 It is important to not
Page 81 and 82: Article 1 81 attacks, which are all
Page 83 and 84: Article 1 83 almost anything in the
Page 85 and 86: Article 1 85 situation(s) —— Ch
Page 87 and 88: Article 1 87 its physiological, soc
Page 89 and 90: Article 1 89 Banner. Obviously, it
Page 91 and 92: Article 1 91
Page 93 and 94: Article 2 93 Player Character Engag
Page 95 and 96: Article 2 95 elaborately simulated
Page 97 and 98: Article 2 97 affects and performing
Page 99 and 100: Article 2 99 (Björk and Holopainen
Page 101 and 102: Article 2 101 player would fear the
Page 103 and 104: Article 2 103 available and what po
Page 105 and 106: Article 2 105 Many games also use c
Page 107 and 108: Article 2 107 petty criminal, Tommy
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Article 2 109 site for empathetic e
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Article 2 111 Grodal, T. (1999). Mo
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Article 2 113 emotion. Personality
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Article 2 115
Page 117 and 118:
Article 3 117 Gameplay Design Patte
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Article 3 119 are constructed predo
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Article 3 121 ter, especially in ga
Page 123 and 124:
Article 3 123 General overview Clau
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Article 3 125 similar goods. This i
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Article 3 127 Conversational Respon
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Article 3 129 is very strict one an
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Article 3 131
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Article 4 133 Gameplay Design Patte
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Article 4 135 described in this pap
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Article 4 137 the ANT, is seeing a
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Article 4 139 Egri’s Premise rela
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Article 4 141 Reactions as they do
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Article 4 143 this can be seen as a
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Article 4 145 heathens as part of o
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Article 4 147 Faction member will h
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Article 4 149 Discussions In this s
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Article 4 151 than character relati
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Article 4 153 Conference, 2007. 30.
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Article 4 155 Name Information Pass
Page 157 and 158:
Article 5 157 Lies and Seduction Pe
Page 159 and 160:
Article 5 159 Figure 2. A gameplay
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Article 5 161
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Article 6 163 Character-Driven Game
Page 165 and 166:
Article 6 165 and physique); ——
Page 167 and 168:
Article 6 167 —— providing goal
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Article 6 169 Part of a character d
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Article 6 171 Character Defining Ac
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Article 6 173 given that the traits
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Article 6 175 and want to be in goo
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Article 6 177 rectly available to a
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Article 6 179 4th ed. Steve Jackson
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Article 6 181
Page 183 and 184:
Petri Lankoski MA, Lecturer, Game D
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Character Driven Game Design

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