Character Driven Game Design

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50 Character-Driven Game Design GRODAL, T., 2003. Stories for Eye, Ear, and Muscles: Video Games, Media, and Embodied Experiences. In: J.P. WOLF and B. BERRON (eds.) The Video Game Theory Reader. New York: Routledge, pp. 129– 156. GRODAL, T., 1999. Moving Pictures. A New Theory of Film Genres, Feelings, and Cognition. New York: Oxford University Press. HAGER, J.C. and EKMAN, P., 2003, essential behavioral science of the face and gesture that computer scientists need to know [Online]. Available: http://face-and-emotion.com/dataface/misctext/iwafgr. html [2/24/2009]. HARTAS, L., 2005. The Art of Game Characters. New York: Harper Design. HL2WORLD CONTRIBUTORS, , gordon freeman - HalfLife 2 knowledge base [Online]. Available: http://www.hl2world.com/wiki/index.php/Gordon_Freeman [2/20/2008]. HOLOPAINEN, J., BJÖRK, S. & KUITTINEN, J., 2007. Teaching Gameplay Design Patterns, ISAGA 2007, July 9–13 2007, . HOUGHTON, D., 2008, gordon freeman: strongest personality in gaming [Online]. Available: http://www.gamesradar.com/us/pc/ game/news/article.jsp?releaseId=2005138888000000035144&articleId =20080118104744203035&sectionId=1006 [1/28/2008]. HUIZINGA, J., 1967. Homo Ludens: A Study of the Play-element in Culture. HURME, H., 2008. Uncharted: Drake’s Fortune. Pelit, 1, pp. 44–46. Doom. 1993. [Game] Developed by id Software, id Software. Alone in the Dark. 1992. [Game] Developed by Infogrames Europe, Infogrames Europe. Thief Deadly Shadows. 2005. [Game] Developed by Ion Storm, XBox version. Eidos Interactive. Deus Ex. 2002. [Game] Developed by Ion Storm, PS 2 version. Eidos Interactive. ISBISTER, K., 2006. Better Game Characters by Design. Amsterdam: Morgan Kaufmann Publishers. JACKSON, P.L. and DECETY, J., 2004. Motor Cognition: A New Paradigm to Study Self–Other Interactions. Current Opinion in Neurobiology, 14, pp. 259–263 DOI=10.1016/j.conb.2004.01.020. JACOBS, S., 2007. The Basics of Narrative. In: C. BATEMAN, ed, Game Writing: Narrative Skills for Videogames. Boston: Charlers River Media, pp. 25–42. JONES, J.C., 1980. Design Methods: Seeds of Human Futures. 1980 edn.
References 51 New York: John Wiley & Sons. JUUL, J., 2005. Half-Real: Video Games between Real Rules and Fictional Worlds. Cambridge: The MIT Press. KING, L., 2002. Introduction. In: L. KING, ed, Game On: The History and Culture of Videogames. London: Laurence King Publishing Ltd, pp. 8-19. KLEVJER, R., 2002. In Defense of Cutscenes, M. FRANS, ed. In: Computer Games and Digital Cultures Conference Proceedings, June 6–8 2002, Tampere University Press pp. 191–202. KRAWCZYK, M. and NOVAK, J., 2006. Game Story & Character Development. Clifton Park: Thompson Delmar Learning. KUHN, T., 2002, the function of measurement in modern physical science [Online]. Available: http://www.compilerpress.atfreeweb.com/ Anno Kuhn Function of Measurement.htm [5/11/2009]. KUNDA, Z., 1999. Social Cognition: Making Sense of People. Cambridge MA: The MIT Press. LAKOFF, G. and JOHNSON, M., 1999. Philosophy in Flesh: The Embodied Mind and Its Challenge to Western Thought. New York: Basic Books. LANGE, A., 2002. Report from the PAL Zone. In: L. KING, ed, Game On: The History and Culture of Videogames. London: Laurence King Publishing Ltd, pp. 46–55. LANKOSKI, P., 2007. Goals, Affects, and Empathy in Games, Philosophy of Computer Games, January 25–27 2007, Reggio Emilia. LANKOSKI, P., 2005. Playing a Character: Role-playing and Pretence Play, Seminar on Playing Roles, March 30–31 2005, Tampere. LANKOSKI, P., 2004. Character Design Fundamentals for Role-Playing Games. In: M. MONTOLA and J. STENROS, eds, Beyond Role and Play: Tools, Toys, and Theory for Harnessing the Imagination. Helsinki: Ropecon ry, pp. 139–148. The Footprints of Power. 2003. [Game] Developed by Lankoski, P., Ekman, I., Heliö, S. and Nummela, J., Research Prototype version. Tampere: University of Tampere. LANKOSKI, P. and HELIÖ, S., 2002. Approaches to Computer Game Design: Characters and Conflict, F. MÄYRÄ, ed. In: CGDC Confrence Proceedings, June 6–8 2002, Tampere University Press pp. 311–321. Lies and Seductions. 2009. [Game] Developed by Lankoski, P., Horttana, T., Gustaffson, N., Karvinen, K., Omaheimo, R., Pohjola, M., Neittaanmäki, R., Gronman, L., Parkkali, A. and Suominen, J., Available at: www.liesandseductions.com [06/08/2009]. The Songs of North. 2004/2005. [Game] Developed by Lankoski, P.,
Page 4 and 5: Aalto University Publication Series
Page 7 and 8: Contents List of Publications 9 Ack
Page 9 and 10: List of Publications This thesis co
Page 11 and 12: Introduction To explain my interest
Page 13 and 14: 1. Introduction 13 Game designers h
Page 15 and 16: 1. Introduction 15 tertainment. Whi
Page 17 and 18: 1. Introduction 17 and involuntary
Page 19 and 20: 1. Introduction 19 dition, the game
Page 21 and 22: Game Characters Characters are an i
Page 23 and 24: 2. Game Characters 23 can fly, and
Page 25 and 26: 2. Game Characters 25 Figure 2.1: H
Page 27 and 28: 2. Game Characters 27 David Houghto
Page 29 and 30: Game and Gameplay Design First, I l
Page 31 and 32: 3. Game and Gameplay Design 31 Figu
Page 33 and 34: 3. Game and Gameplay Design 33 what
Page 35 and 36: Character Engagement and Game Desig
Page 37 and 38: 4. Character Engagement and Game De
Page 39 and 40: 4. Character Engagement and Game De
Page 41 and 42: Conclusions My study has two primar
Page 43 and 44: 5. Conclusions 43 Factor Perceivabl
Page 45 and 46: 5. Conclusions 45 PC that lead to s
Page 47 and 48: References AARSETH, E., 2004. Genre
Page 49: References 49 Behavioral Neuroscien
Page 53 and 54: References 53 NICHOLS, S., 2004. Im
Page 55 and 56: References 55 K., C-64 version. Mas
Page 57 and 58: Research Material Assassin’s Cree
Page 59 and 60: Appendix 1 59 Quick Start Cthulhu.
Page 61 and 62: Gameplay Design Patterns In this Ap
Page 63 and 64: Appendix 2 63 Detective Structure I
Page 65 and 66: Appendix 2 65 accepted and disallow
Page 67 and 68: Appendix 2 67 References —— art
Page 69 and 70: Appendix 2 69 sibility of Surprises
Page 71 and 72: Appendix 2 71 —— Modulates: Cha
Page 73 and 74: Appendix 2 73 (Egri, 1960) of a cha
Page 75 and 76: Lies and Seductions Credits CREATIV
Page 77 and 78: Article 1 77 Characters in Computer
Page 79 and 80: Article 1 79 It is important to not
Page 81 and 82: Article 1 81 attacks, which are all
Page 83 and 84: Article 1 83 almost anything in the
Page 85 and 86: Article 1 85 situation(s) —— Ch
Page 87 and 88: Article 1 87 its physiological, soc
Page 89 and 90: Article 1 89 Banner. Obviously, it
Page 91 and 92: Article 1 91
Page 93 and 94: Article 2 93 Player Character Engag
Page 95 and 96: Article 2 95 elaborately simulated
Page 97 and 98: Article 2 97 affects and performing
Page 99 and 100: Article 2 99 (Björk and Holopainen
Page 101 and 102:
Article 2 101 player would fear the
Page 103 and 104:
Article 2 103 available and what po
Page 105 and 106:
Article 2 105 Many games also use c
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Article 2 107 petty criminal, Tommy
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Article 2 109 site for empathetic e
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Article 2 111 Grodal, T. (1999). Mo
Page 113 and 114:
Article 2 113 emotion. Personality
Page 115 and 116:
Article 2 115
Page 117 and 118:
Article 3 117 Gameplay Design Patte
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Article 3 119 are constructed predo
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Article 3 121 ter, especially in ga
Page 123 and 124:
Article 3 123 General overview Clau
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Article 3 125 similar goods. This i
Page 127 and 128:
Article 3 127 Conversational Respon
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Article 3 129 is very strict one an
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Article 3 131
Page 133 and 134:
Article 4 133 Gameplay Design Patte
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Article 4 135 described in this pap
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Article 4 137 the ANT, is seeing a
Page 139 and 140:
Article 4 139 Egri’s Premise rela
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Article 4 141 Reactions as they do
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Article 4 143 this can be seen as a
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Article 4 145 heathens as part of o
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Article 4 147 Faction member will h
Page 149 and 150:
Article 4 149 Discussions In this s
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Article 4 151 than character relati
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Article 4 153 Conference, 2007. 30.
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Article 4 155 Name Information Pass
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Article 5 157 Lies and Seduction Pe
Page 159 and 160:
Article 5 159 Figure 2. A gameplay
Page 161 and 162:
Article 5 161
Page 163 and 164:
Article 6 163 Character-Driven Game
Page 165 and 166:
Article 6 165 and physique); ——
Page 167 and 168:
Article 6 167 —— providing goal
Page 169 and 170:
Article 6 169 Part of a character d
Page 171 and 172:
Article 6 171 Character Defining Ac
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Article 6 173 given that the traits
Page 175 and 176:
Article 6 175 and want to be in goo
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Article 6 177 rectly available to a
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Article 6 179 4th ed. Steve Jackson
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Article 6 181
Page 183 and 184:
Petri Lankoski MA, Lecturer, Game D
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