Character Driven Game Design

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48 Character-Driven Game Design Press. CHURCH, D., 2007, formal abstract design tools [Online]. Available: http://www.gamasutra.com/features/19990716/design_tools_01. htm [5/14/2009]. Radar Rat Race. 1981. [Game] Developed by Commodore Electronics, VIC-20 version. Commodore Electronics. Tomb Raider. 1996. [Game] Developed by Core Design, Eidos. COSTIKYAN, G., 2002. I Have No Words & I Must Design: Toward a Critical Vocabulary for Computer Games, F. MÄYRÄ, ed. In: CDGC Conference Proceedings, June 6–8 2002, Tampere University Press pp. 9–33. COSTIKYAN, G., 1994, I have no words & I must design [Online]. Available: http://www.costik.com/nowords.html [5/22/2009]. CRAWFORD, C., 2007. The Art of Computer Game Design. Peapody edn. Available at: http://www.vancouver.wsu.edu/fac/peabody/gamebook/ACGD.pdf [10/22/2009]. CURRIE, G., 1995. Image and Mind: Film, Philosophy, and Cognitive Science. Cambridge: Cambridge University Press. DAMASIO, A., 2005. Descartes’ Error: Emotion, Reason, and the Human Brain. New York: Penguin Books. DANSKY, R., 2007. Introduction to Game Narrative. In: C. BATEMAN, ed, Game Writing Narrative Skills for Videogames. Boston: Charles River Media, pp. 1–23. DAVIES, M., 2007. Designing Character-Based Console Games. Boston: Charles River Media. DECETY, J. and JACKSON, P.L., 2004. The Functional Architecture of Human Empathy. Behavioral and Cognitive Neuroscience Reviews, 3, pp. 71–100. DENNETT, D., 1996. The Intentional Stance. Cambridge: The MIT Press. DIMBERG, U., THUNBERG, M. & ELMEHED, K., 2000. Unconscious Facial Reactions to Emotional Facial Expressions. Psychological Science, 11(1), pp. 86–89. Available at: EBSCOhost [August 3, 2006]. DUNNIWAY, T., 2000, using the hero’s journey in games [Online]. Available: http://www.gamasutra.com/features/20001127/dunniway_01.htm [5/5/2009]. EGRI, L., 1960. The Art of Dramatic Writing. New York: Simon & Schuster. EIMER, M., HOLMES, A. & MCGLONE, F.P., 2003. The Role of Spatial Attention in the Processing of Facial Expression: An ERP Study of Rapid Brain Responses to Six Basic Emotions. Cognitive, Affective, &
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Page 4 and 5: Aalto University Publication Series
Page 7 and 8: Contents List of Publications 9 Ack
Page 9 and 10: List of Publications This thesis co
Page 11 and 12: Introduction To explain my interest
Page 13 and 14: 1. Introduction 13 Game designers h
Page 15 and 16: 1. Introduction 15 tertainment. Whi
Page 17 and 18: 1. Introduction 17 and involuntary
Page 19 and 20: 1. Introduction 19 dition, the game
Page 21 and 22: Game Characters Characters are an i
Page 23 and 24: 2. Game Characters 23 can fly, and
Page 25 and 26: 2. Game Characters 25 Figure 2.1: H
Page 27 and 28: 2. Game Characters 27 David Houghto
Page 29 and 30: Game and Gameplay Design First, I l
Page 31 and 32: 3. Game and Gameplay Design 31 Figu
Page 33 and 34: 3. Game and Gameplay Design 33 what
Page 35 and 36: Character Engagement and Game Desig
Page 37 and 38: 4. Character Engagement and Game De
Page 39 and 40: 4. Character Engagement and Game De
Page 41 and 42: Conclusions My study has two primar
Page 43 and 44: 5. Conclusions 43 Factor Perceivabl
Page 45 and 46: 5. Conclusions 45 PC that lead to s
Page 47: References AARSETH, E., 2004. Genre
Page 51 and 52: References 51 New York: John Wiley
Page 53 and 54: References 53 NICHOLS, S., 2004. Im
Page 55 and 56: References 55 K., C-64 version. Mas
Page 57 and 58: Research Material Assassin’s Cree
Page 59 and 60: Appendix 1 59 Quick Start Cthulhu.
Page 61 and 62: Gameplay Design Patterns In this Ap
Page 63 and 64: Appendix 2 63 Detective Structure I
Page 65 and 66: Appendix 2 65 accepted and disallow
Page 67 and 68: Appendix 2 67 References —— art
Page 69 and 70: Appendix 2 69 sibility of Surprises
Page 71 and 72: Appendix 2 71 —— Modulates: Cha
Page 73 and 74: Appendix 2 73 (Egri, 1960) of a cha
Page 75 and 76: Lies and Seductions Credits CREATIV
Page 77 and 78: Article 1 77 Characters in Computer
Page 79 and 80: Article 1 79 It is important to not
Page 81 and 82: Article 1 81 attacks, which are all
Page 83 and 84: Article 1 83 almost anything in the
Page 85 and 86: Article 1 85 situation(s) —— Ch
Page 87 and 88: Article 1 87 its physiological, soc
Page 89 and 90: Article 1 89 Banner. Obviously, it
Page 91 and 92: Article 1 91
Page 93 and 94: Article 2 93 Player Character Engag
Page 95 and 96: Article 2 95 elaborately simulated
Page 97 and 98: Article 2 97 affects and performing
Page 99 and 100:
Article 2 99 (Björk and Holopainen
Page 101 and 102:
Article 2 101 player would fear the
Page 103 and 104:
Article 2 103 available and what po
Page 105 and 106:
Article 2 105 Many games also use c
Page 107 and 108:
Article 2 107 petty criminal, Tommy
Page 109 and 110:
Article 2 109 site for empathetic e
Page 111 and 112:
Article 2 111 Grodal, T. (1999). Mo
Page 113 and 114:
Article 2 113 emotion. Personality
Page 115 and 116:
Article 2 115
Page 117 and 118:
Article 3 117 Gameplay Design Patte
Page 119 and 120:
Article 3 119 are constructed predo
Page 121 and 122:
Article 3 121 ter, especially in ga
Page 123 and 124:
Article 3 123 General overview Clau
Page 125 and 126:
Article 3 125 similar goods. This i
Page 127 and 128:
Article 3 127 Conversational Respon
Page 129 and 130:
Article 3 129 is very strict one an
Page 131 and 132:
Article 3 131
Page 133 and 134:
Article 4 133 Gameplay Design Patte
Page 135 and 136:
Article 4 135 described in this pap
Page 137 and 138:
Article 4 137 the ANT, is seeing a
Page 139 and 140:
Article 4 139 Egri’s Premise rela
Page 141 and 142:
Article 4 141 Reactions as they do
Page 143 and 144:
Article 4 143 this can be seen as a
Page 145 and 146:
Article 4 145 heathens as part of o
Page 147 and 148:
Article 4 147 Faction member will h
Page 149 and 150:
Article 4 149 Discussions In this s
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Article 4 151 than character relati
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Article 4 153 Conference, 2007. 30.
Page 155 and 156:
Article 4 155 Name Information Pass
Page 157 and 158:
Article 5 157 Lies and Seduction Pe
Page 159 and 160:
Article 5 159 Figure 2. A gameplay
Page 161 and 162:
Article 5 161
Page 163 and 164:
Article 6 163 Character-Driven Game
Page 165 and 166:
Article 6 165 and physique); ——
Page 167 and 168:
Article 6 167 —— providing goal
Page 169 and 170:
Article 6 169 Part of a character d
Page 171 and 172:
Article 6 171 Character Defining Ac
Page 173 and 174:
Article 6 173 given that the traits
Page 175 and 176:
Article 6 175 and want to be in goo
Page 177 and 178:
Article 6 177 rectly available to a
Page 179 and 180:
Article 6 179 4th ed. Steve Jackson
Page 181 and 182:
Article 6 181
Page 183 and 184:
Petri Lankoski MA, Lecturer, Game D
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