Character Driven Game Design

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72 Character-Driven Game Design Consequences: Social Norms can be used to introduce more nuanced social conflicts. Relations —— Instantiates: Actions Have Social Consequences —— Instantiated by: Faction —— Modulates: Social Maintenance —— Modulated by: none —— Potentially conflicting with: none References —— article 3 Traitor Traitor requires pretending to be loyal to a social network while acting against it. —— Example: In Tom Clancy’s Splinter Cell: Double Agent (Ubisoft Shanghai Studios, 2007) the task is to infiltrate the terrorist organization and destroy it. In the game the player needs to make decisions in order to maintain the trust of the terrorist and the employees of the PC. Using the Pattern: Traitor is always associated with an Internal Conflict pattern that makes a player to balance between the PC to achieve its real goals, acting against a Faction), and maintaining the trust of the Faction. The actions needed to perform Social Maintenance can be a source of Internal Conflict when the actions needed are against the Social Norm of the player characters real Faction. Consequences: Traitor pattern creates multilayered conflict in which the player needs to balance between different goals in order to fulfill the player character’s actual goal. Relations —— Instantiates: Social Maintenance, Internal Conflict, Faction —— Instantiated by: none —— Modulates: none —— Modulated by: none —— Potentially conflicting with: none References —— article 3 Trait Regulated Behavior The traits of a character regulate the behavior of that character. Character behavior is influenced by the traits, such as bone structure
Appendix 2 73 (Egri, 1960) of a character or the abilities and skills selected for a certain character. —— Example: The stat, skill and perk system of Fallout 3 (Bethesda Game Studios, 2008) promotes certain kinds of actions in which the success is more likely and denotes actions that are more likely to fail. Stealth play style is a viable option when the PC has high perception and agility stats, and stealth and lock-picking skills whereas trusting negotiation and diplomacy requires high charisma stat and speech skill. —— Example: In Lies and Seductions, the personality of the NPC determines whether some event (e.g., the player guiding Abby to flirt with Emma) is seen positive or negative by the other NPC. This evaluation influence how much a certain NPC likes Abby. For example, Chris is highly religious and does not consider woman–woman relations natural, thus the above-mentioned flirting would reduce how much Chris likes Abby. Using the Pattern: Trait such as introvert or a character with low charisma stat trait can have different Limited Set of Actions (Björk, Holopainen, 2005) than the extrovert or a character with high charisma. Some traits can be connected to specific Enforced Character Behaviors. An example of this is freezing for a while when fired, if a trait check fails. Changes to success can be influenced by Skills (Björk, Holopainen, 2005) and abilities. Consequences: Trait Regulated Behavior offers possibilities to connect character traits (e.g., personality or physical traits) to the gameplay. Relations —— Instantiates: Enforced Character Behaviors —— Instantiated by: Limited Set of Actions (Björk, Holopainen, 2005), Skills (Björk, Holopainen, 2005), Character Development (Björk, Holopainen, 2005), Improved Abilities (Björk, Holopainen, 2005), New Abilities (Björk, Holopainen, 2005) —— Modulates: none —— Modulated by: Player-Designed Character —— Potentially conflicting with: none References —— article 1 —— article 6 References Fallout 3. 2008. [Game] Developed by Bethesda Game Studios, PS3 version. Bethesda Softworks LLC. The Elder Scrolls IV: Oblivion. 2006. [Game] Developed by Bethesda Game Studios, PS3 version. Bethesda Softworks LLC.
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Aalto University Publication Series
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Contents List of Publications 9 Ack
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List of Publications This thesis co
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Introduction To explain my interest
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1. Introduction 13 Game designers h
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1. Introduction 15 tertainment. Whi
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1. Introduction 17 and involuntary
Page 19 and 20:
1. Introduction 19 dition, the game
Page 21 and 22: Game Characters Characters are an i
Page 23 and 24: 2. Game Characters 23 can fly, and
Page 25 and 26: 2. Game Characters 25 Figure 2.1: H
Page 27 and 28: 2. Game Characters 27 David Houghto
Page 29 and 30: Game and Gameplay Design First, I l
Page 31 and 32: 3. Game and Gameplay Design 31 Figu
Page 33 and 34: 3. Game and Gameplay Design 33 what
Page 35 and 36: Character Engagement and Game Desig
Page 37 and 38: 4. Character Engagement and Game De
Page 39 and 40: 4. Character Engagement and Game De
Page 41 and 42: Conclusions My study has two primar
Page 43 and 44: 5. Conclusions 43 Factor Perceivabl
Page 45 and 46: 5. Conclusions 45 PC that lead to s
Page 47 and 48: References AARSETH, E., 2004. Genre
Page 49 and 50: References 49 Behavioral Neuroscien
Page 51 and 52: References 51 New York: John Wiley
Page 53 and 54: References 53 NICHOLS, S., 2004. Im
Page 55 and 56: References 55 K., C-64 version. Mas
Page 57 and 58: Research Material Assassin’s Cree
Page 59 and 60: Appendix 1 59 Quick Start Cthulhu.
Page 61 and 62: Gameplay Design Patterns In this Ap
Page 63 and 64: Appendix 2 63 Detective Structure I
Page 65 and 66: Appendix 2 65 accepted and disallow
Page 67 and 68: Appendix 2 67 References —— art
Page 69 and 70: Appendix 2 69 sibility of Surprises
Page 71: Appendix 2 71 —— Modulates: Cha
Page 75 and 76: Lies and Seductions Credits CREATIV
Page 77 and 78: Article 1 77 Characters in Computer
Page 79 and 80: Article 1 79 It is important to not
Page 81 and 82: Article 1 81 attacks, which are all
Page 83 and 84: Article 1 83 almost anything in the
Page 85 and 86: Article 1 85 situation(s) —— Ch
Page 87 and 88: Article 1 87 its physiological, soc
Page 89 and 90: Article 1 89 Banner. Obviously, it
Page 91 and 92: Article 1 91
Page 93 and 94: Article 2 93 Player Character Engag
Page 95 and 96: Article 2 95 elaborately simulated
Page 97 and 98: Article 2 97 affects and performing
Page 99 and 100: Article 2 99 (Björk and Holopainen
Page 101 and 102: Article 2 101 player would fear the
Page 103 and 104: Article 2 103 available and what po
Page 105 and 106: Article 2 105 Many games also use c
Page 107 and 108: Article 2 107 petty criminal, Tommy
Page 109 and 110: Article 2 109 site for empathetic e
Page 111 and 112: Article 2 111 Grodal, T. (1999). Mo
Page 113 and 114: Article 2 113 emotion. Personality
Page 115 and 116: Article 2 115
Page 117 and 118: Article 3 117 Gameplay Design Patte
Page 119 and 120: Article 3 119 are constructed predo
Page 121 and 122: Article 3 121 ter, especially in ga
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Article 3 123 General overview Clau
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Article 3 125 similar goods. This i
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Article 3 127 Conversational Respon
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Article 3 129 is very strict one an
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Article 3 131
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Article 4 133 Gameplay Design Patte
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Article 4 135 described in this pap
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Article 4 137 the ANT, is seeing a
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Article 4 139 Egri’s Premise rela
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Article 4 141 Reactions as they do
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Article 4 143 this can be seen as a
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Article 4 145 heathens as part of o
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Article 4 147 Faction member will h
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Article 4 149 Discussions In this s
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Article 4 151 than character relati
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Article 4 153 Conference, 2007. 30.
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Article 4 155 Name Information Pass
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Article 5 157 Lies and Seduction Pe
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Article 5 159 Figure 2. A gameplay
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Article 5 161
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Article 6 163 Character-Driven Game
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Article 6 165 and physique); ——
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Article 6 167 —— providing goal
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Article 6 169 Part of a character d
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Article 6 171 Character Defining Ac
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Article 6 173 given that the traits
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Article 6 175 and want to be in goo
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Article 6 177 rectly available to a
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Article 6 179 4th ed. Steve Jackson
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Article 6 181
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Petri Lankoski MA, Lecturer, Game D
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Character Driven Game Design

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