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Festivals - Fondazione Fitzcarraldo

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PREFACE<br />

Background<br />

Tartu is a student city with a population of 100,000. It is located on the mainland,<br />

far from the sea compared to other large Estonian cities such as Tallinn and Pärnu,<br />

which does not make it attractive for tourists. At the end of the 1990’s, Tartu faced the<br />

acute problem of being uninteresting in the summer. Students are out of the city and<br />

there are very few attractive cultural events. Tartu virtually had no image event – its<br />

own festival that would have acted as a tourist attraction both domestically and internationally.<br />

In spite of this, Tartu had many cultural activists who organised smaller<br />

festivals and events in their own field – in music, theatre or dance. However, none of<br />

them was as strong or significant to deserve being made the image event of the city.<br />

Content<br />

In 2002, the Department of Culture of the Tartu City Government drafted the project<br />

“Transforming a local festival into an international festival: How to produce a professional,<br />

image-building city festival,” which was submitted to the Culture 2000 programme<br />

for funding.<br />

The main goal of the project was to widen the vista of the festival organisers of Tartu and<br />

help them gain new experiences.<br />

For that purpose contacts with Tartu’s twin towns interested in participating in the<br />

project were established. Since the goal of the project was to share experiences and visit<br />

new festivals, the main emphasis was not on learning about the content and creative<br />

side, but about the organisational side of festivals.<br />

A project team consisting of four people from Tartu, two from Ferrara (Italy), two from<br />

Uppsala (Sweden) and one from Turku (Finland) was formed. The representation of<br />

cities included festival managers as well as employees of city authorities, because, as<br />

the project manager, the Tartu City Government was interested in establishing contacts<br />

and cooperation on the local level. It was also important to involve decision-making<br />

cultural employees who are closely related to financing and funding festivals through<br />

their work.<br />

During the project year, six festivals in five different cities were visited. Seminars were<br />

held in each city, where the organisers introduced their experiences and where topics<br />

related to organisation of festivals were discussed.<br />

During the year, 2 Italians, 2 Swedes, 1 Finn, 2 Russians and 11 Estonians participated<br />

in project-related trips to foreign festivals.<br />

4

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