Spring 2012 - University of California Press
Spring 2012 - University of California Press
Spring 2012 - University of California Press
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poetry<br />
Karen Garthe<br />
The Banjo Clock<br />
Poems<br />
For Karen Garthe, poetry is a Molotov<br />
cocktail. A master <strong>of</strong> radical invention,<br />
Garthe combines brio <strong>of</strong> conception<br />
with linguistic virtuosity, bringing language<br />
to new life from the inside at<br />
breakneck speed. The Banjo Clock, her<br />
second collection, cultivates a luxuriant<br />
sensibility even as it interrupts poetic<br />
continuity with cuts, ironies, sharp wit,<br />
and wild recklessness. In poems that<br />
consider poetry itself, Garthe writes<br />
about preparing the medium, the ink,<br />
“the motion <strong>of</strong> new utility.” She then<br />
turns to America’s psychic maladies<br />
and the need to rehabilitate our democracy,<br />
now floundering in the glare <strong>of</strong><br />
TV’s blue depressive light.<br />
Karen Garthe is the author <strong>of</strong> Frayed escort,<br />
winner <strong>of</strong> the 2005 Colorado Prize.<br />
New <strong>California</strong> Poetry, 34<br />
APRIL<br />
96 pages, 6 x 8”<br />
Modern & Contemporary Poetry<br />
World<br />
paper 978-0-520-27316-0 $21.95/£14.95<br />
’Annah Sobelman<br />
In the Bee Latitudes<br />
In the Bee Latitudes, ’Annah<br />
Sobelman’s second book, traverses<br />
and choreographs the places <strong>of</strong> passion<br />
where visible and invisible<br />
touch. With extraordinary ability to<br />
imagine her way far into an experience,<br />
making new moves in the<br />
English language at each and every<br />
point, Sobelman enlists many voices,<br />
questions, and bodies (mostly in<br />
Taos and Florence) that press toward<br />
Emersonian nature. In vibrant, malleable,<br />
and layered syntax, these<br />
poems break conventions <strong>of</strong> lineation<br />
and punctuation, each utterance<br />
at the frontier <strong>of</strong> the articulate,<br />
yet necessarily pitched toward the<br />
insistently visceral.<br />
’Annah Sobelman is the author <strong>of</strong> The<br />
Tulip Sacrament.<br />
New <strong>California</strong> Poetry, 35<br />
APRIL<br />
96 pages, 6 x 8”<br />
Modern & Contemporary Poetry<br />
World<br />
paper 978-0-520-27306-1<br />
$21.95/£14.95<br />
new<br />
california<br />
poetry<br />
Editors:<br />
Robert Hass, Calvin Bedient,<br />
Brenda Hillman, and Forrest<br />
Gander<br />
The New <strong>California</strong> Poetry<br />
series presents works by<br />
emerging and established<br />
poets that reflect UC <strong>Press</strong>’s<br />
commitment to innovative and<br />
asesthetically wide-ranging literary<br />
traditions.<br />
www.ucpress.edu | 17