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Spring 2012 - University of California Press

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poetry<br />

Karen Garthe<br />

The Banjo Clock<br />

Poems<br />

For Karen Garthe, poetry is a Molotov<br />

cocktail. A master <strong>of</strong> radical invention,<br />

Garthe combines brio <strong>of</strong> conception<br />

with linguistic virtuosity, bringing language<br />

to new life from the inside at<br />

breakneck speed. The Banjo Clock, her<br />

second collection, cultivates a luxuriant<br />

sensibility even as it interrupts poetic<br />

continuity with cuts, ironies, sharp wit,<br />

and wild recklessness. In poems that<br />

consider poetry itself, Garthe writes<br />

about preparing the medium, the ink,<br />

“the motion <strong>of</strong> new utility.” She then<br />

turns to America’s psychic maladies<br />

and the need to rehabilitate our democracy,<br />

now floundering in the glare <strong>of</strong><br />

TV’s blue depressive light.<br />

Karen Garthe is the author <strong>of</strong> Frayed escort,<br />

winner <strong>of</strong> the 2005 Colorado Prize.<br />

New <strong>California</strong> Poetry, 34<br />

APRIL<br />

96 pages, 6 x 8”<br />

Modern & Contemporary Poetry<br />

World<br />

paper 978-0-520-27316-0 $21.95/£14.95<br />

’Annah Sobelman<br />

In the Bee Latitudes<br />

In the Bee Latitudes, ’Annah<br />

Sobelman’s second book, traverses<br />

and choreographs the places <strong>of</strong> passion<br />

where visible and invisible<br />

touch. With extraordinary ability to<br />

imagine her way far into an experience,<br />

making new moves in the<br />

English language at each and every<br />

point, Sobelman enlists many voices,<br />

questions, and bodies (mostly in<br />

Taos and Florence) that press toward<br />

Emersonian nature. In vibrant, malleable,<br />

and layered syntax, these<br />

poems break conventions <strong>of</strong> lineation<br />

and punctuation, each utterance<br />

at the frontier <strong>of</strong> the articulate,<br />

yet necessarily pitched toward the<br />

insistently visceral.<br />

’Annah Sobelman is the author <strong>of</strong> The<br />

Tulip Sacrament.<br />

New <strong>California</strong> Poetry, 35<br />

APRIL<br />

96 pages, 6 x 8”<br />

Modern & Contemporary Poetry<br />

World<br />

paper 978-0-520-27306-1<br />

$21.95/£14.95<br />

new<br />

california<br />

poetry<br />

Editors:<br />

Robert Hass, Calvin Bedient,<br />

Brenda Hillman, and Forrest<br />

Gander<br />

The New <strong>California</strong> Poetry<br />

series presents works by<br />

emerging and established<br />

poets that reflect UC <strong>Press</strong>’s<br />

commitment to innovative and<br />

asesthetically wide-ranging literary<br />

traditions.<br />

www.ucpress.edu | 17

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