Spring 2012 - University of California Press
Spring 2012 - University of California Press
Spring 2012 - University of California Press
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academic trade<br />
Joseph Horowitz<br />
Moral Fire<br />
Musical Portraits from<br />
America’s Fin de Siècle<br />
Joseph Horowitz writes in Moral Fire: “If<br />
the Met’s screaming Wagnerites standing<br />
on chairs (in the 1890s) are unthinkable<br />
today, it is partly because we mistrust high<br />
feeling. Our children avidly specialize in<br />
vicarious forms <strong>of</strong> electronic interpersonal<br />
diversion. Our laptops and televisions<br />
ensnare us in a surrogate world that shuns<br />
all but facile passions; only Jon Stewart and<br />
Bill Maher share moments <strong>of</strong> moral outrage<br />
disguised as comedy.”<br />
Arguing that the past can prove<br />
instructive and inspirational, Horowitz<br />
revisits four astonishing personalities—<br />
Henry Higginson, Laura Langford, Henry<br />
Krehbiel and Charles Ives—whose missionary<br />
work in the realm <strong>of</strong> culture signaled a<br />
belief in the fundamental decency <strong>of</strong> civilized<br />
human nature, in the universality <strong>of</strong><br />
moral values, and in progress toward a<br />
kingdom <strong>of</strong> peace and love.<br />
Joseph Horowitz is the author <strong>of</strong> Understanding<br />
Toscanini, Wagner Nights (UC <strong>Press</strong>), Classical<br />
Music in America, and Artists in Exile. Previously<br />
a New York Times music critic, he is currently<br />
Artistic Director <strong>of</strong> Washington DC’s Post-Classical<br />
Ensemble.<br />
A Roth Family Foundation Music in America Book<br />
APRIL<br />
256 pages, 6 x 9”, 12 b/w photographs<br />
American Music/US History<br />
World<br />
cloth 978-0-520-26744-2 $39.95sc/£27.95<br />
David Schiff<br />
The Ellington Century<br />
Breaking down walls between genres that<br />
are usually discussed separately—classical,<br />
jazz, and popular—this highly engaging<br />
book <strong>of</strong>fers a compelling new integrated<br />
view <strong>of</strong> twentieth-century music. Placing<br />
Duke Ellington (1899–1974) at the center<br />
<strong>of</strong> the story, David Schiff explores music<br />
written during the composer’s lifetime in<br />
terms <strong>of</strong> broad ideas such as rhythm, melody,<br />
and harmony. He shows how composers<br />
and performers across genres shared<br />
the common pursuit <strong>of</strong> representing the<br />
rapidly changing conditions <strong>of</strong> modern life.<br />
The Ellington Century demonstrates how<br />
Duke Ellington’s music is as vital to musical<br />
modernism as anything by Stravinsky,<br />
more influential than anything by<br />
Schoenberg, and has had a lasting impact<br />
on jazz and pop that reaches from<br />
Gershwin to contemporary R&B.<br />
David Schiff is R.P. Wollenberg Pr<strong>of</strong>essor <strong>of</strong><br />
Music at Reed College. He is the author <strong>of</strong> George<br />
Gershwin: Rhapsody in Blue and The Music <strong>of</strong><br />
Elliot Carter.<br />
A Roth Family Foundation Music in America Book<br />
FEBRUARY<br />
320 pages, 6 x 9”<br />
Music/Jazz/Classical Music<br />
World<br />
cloth 978-0-520-24587-7 $34.95sc/£24.95<br />
www.ucpress.edu | 27