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Spring 2012 - University of California Press

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academic trade<br />

Joseph Horowitz<br />

Moral Fire<br />

Musical Portraits from<br />

America’s Fin de Siècle<br />

Joseph Horowitz writes in Moral Fire: “If<br />

the Met’s screaming Wagnerites standing<br />

on chairs (in the 1890s) are unthinkable<br />

today, it is partly because we mistrust high<br />

feeling. Our children avidly specialize in<br />

vicarious forms <strong>of</strong> electronic interpersonal<br />

diversion. Our laptops and televisions<br />

ensnare us in a surrogate world that shuns<br />

all but facile passions; only Jon Stewart and<br />

Bill Maher share moments <strong>of</strong> moral outrage<br />

disguised as comedy.”<br />

Arguing that the past can prove<br />

instructive and inspirational, Horowitz<br />

revisits four astonishing personalities—<br />

Henry Higginson, Laura Langford, Henry<br />

Krehbiel and Charles Ives—whose missionary<br />

work in the realm <strong>of</strong> culture signaled a<br />

belief in the fundamental decency <strong>of</strong> civilized<br />

human nature, in the universality <strong>of</strong><br />

moral values, and in progress toward a<br />

kingdom <strong>of</strong> peace and love.<br />

Joseph Horowitz is the author <strong>of</strong> Understanding<br />

Toscanini, Wagner Nights (UC <strong>Press</strong>), Classical<br />

Music in America, and Artists in Exile. Previously<br />

a New York Times music critic, he is currently<br />

Artistic Director <strong>of</strong> Washington DC’s Post-Classical<br />

Ensemble.<br />

A Roth Family Foundation Music in America Book<br />

APRIL<br />

256 pages, 6 x 9”, 12 b/w photographs<br />

American Music/US History<br />

World<br />

cloth 978-0-520-26744-2 $39.95sc/£27.95<br />

David Schiff<br />

The Ellington Century<br />

Breaking down walls between genres that<br />

are usually discussed separately—classical,<br />

jazz, and popular—this highly engaging<br />

book <strong>of</strong>fers a compelling new integrated<br />

view <strong>of</strong> twentieth-century music. Placing<br />

Duke Ellington (1899–1974) at the center<br />

<strong>of</strong> the story, David Schiff explores music<br />

written during the composer’s lifetime in<br />

terms <strong>of</strong> broad ideas such as rhythm, melody,<br />

and harmony. He shows how composers<br />

and performers across genres shared<br />

the common pursuit <strong>of</strong> representing the<br />

rapidly changing conditions <strong>of</strong> modern life.<br />

The Ellington Century demonstrates how<br />

Duke Ellington’s music is as vital to musical<br />

modernism as anything by Stravinsky,<br />

more influential than anything by<br />

Schoenberg, and has had a lasting impact<br />

on jazz and pop that reaches from<br />

Gershwin to contemporary R&B.<br />

David Schiff is R.P. Wollenberg Pr<strong>of</strong>essor <strong>of</strong><br />

Music at Reed College. He is the author <strong>of</strong> George<br />

Gershwin: Rhapsody in Blue and The Music <strong>of</strong><br />

Elliot Carter.<br />

A Roth Family Foundation Music in America Book<br />

FEBRUARY<br />

320 pages, 6 x 9”<br />

Music/Jazz/Classical Music<br />

World<br />

cloth 978-0-520-24587-7 $34.95sc/£24.95<br />

www.ucpress.edu | 27

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