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Spring 2012 - University of California Press

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academic trade<br />

Mabel O. Wilson<br />

Negro Building<br />

Black Americans in the<br />

World <strong>of</strong> Fairs and Museums<br />

Focusing on black Americans’ participation<br />

in world’s fairs, Emancipation expositions,<br />

and early black grassroots museums, Negro<br />

Building traces the evolution <strong>of</strong> black public<br />

history from the Civil War through the civil<br />

rights movement <strong>of</strong> the 1960s. Mabel O.<br />

Wilson gives voice to the figures that conceived<br />

the curatorial content—Booker T.<br />

Washington, W.E.B. Du Bois, Ida B. Wells,<br />

A. Philip Randolph, Horace Cayton and<br />

Margaret Burroughs. As the 2015 opening<br />

<strong>of</strong> the National Museum <strong>of</strong> African<br />

American History and Culture in<br />

Washington, D.C., approaches, the book<br />

reveals why the black cities <strong>of</strong> Chicago and<br />

Detroit became the sites <strong>of</strong> major black historical<br />

museums rather than the nation’s<br />

capital—until now.<br />

Mabel O. Wilson is Associate Pr<strong>of</strong>essor <strong>of</strong><br />

Architecture at Columbia’s Graduate School <strong>of</strong><br />

Architecture, Planning and Preservation, where<br />

she directs the program for Advanced Architectural<br />

Research.<br />

A George Gund Foundation Book in African<br />

American Studies<br />

MAY<br />

464 pages, 6 x 9”, 57 b/w photographs<br />

American Art/African American History/<br />

US History<br />

World<br />

cloth 978-0-520-26842-5 $39.95sc/£27.95<br />

Theresa Runstedtler<br />

Jack Johnson,<br />

Rebel Sojourner<br />

Boxing in the Shadow <strong>of</strong><br />

the Global Color Line<br />

In his day, Jack Johnson—born in Texas,<br />

the son <strong>of</strong> former slaves—was the most<br />

famous black man on the planet. As the<br />

first African American World Heavyweight<br />

Champion (1908–1915), he publicly challenged<br />

white supremacy at home and<br />

abroad, enjoying the same audacious lifestyle<br />

<strong>of</strong> conspicuous consumption, masculine<br />

bravado, and interracial love wherever<br />

he traveled. Jack Johnson, Rebel Sojourner<br />

provides the first in-depth exploration <strong>of</strong><br />

Johnson’s battles against the color line in<br />

places as far-flung as Sydney, London, Cape<br />

Town, Paris, Havana, and Mexico City. In<br />

relating this dramatic story, Theresa<br />

Runstedtler constructs a global history <strong>of</strong><br />

race, gender, and empire in the early<br />

twentieth century.<br />

Theresa Runstedtler is Assistant Pr<strong>of</strong>essor <strong>of</strong><br />

American Studies at the <strong>University</strong> <strong>of</strong> Buffalo.<br />

American Crossroads, 33<br />

A George Gund Foundation Book in African<br />

American Studies<br />

APRIL<br />

376 pages, 6 x 9”, 19 b/w photographs<br />

Sports/African American History/Race Studies<br />

World<br />

cloth 978-0-520-27160-9 $34.95sc/£24.95<br />

www.ucpress.edu | 31

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