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Spring 2012 - University of California Press

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HUNTINGTON LIBRARY PRESS<br />

Joshua Paddison<br />

American Heathens<br />

Religion, Race, and Reconstruction<br />

in <strong>California</strong><br />

In the 19th-century debate over whether<br />

the United States should be an explicitly<br />

Christian nation, <strong>California</strong> emerged as a<br />

central battleground. Racial groups that<br />

were perceived as godless and uncivilized<br />

were excluded from suffrage, and evangelism<br />

among Indians and the Chinese was<br />

seen as a politically incendiary act. Joshua<br />

Paddison sheds light on Reconstruction’s<br />

impact on Indians and Asian Americans<br />

by illustrating how marginalized groups<br />

fought for a political voice, refuting racist<br />

assumptions with their lives, words, and<br />

faith. Reconstruction, he argues, was not<br />

merely a remaking <strong>of</strong> the South, but<br />

rather a multiracial and multiregional<br />

process <strong>of</strong> reimagining the nation.<br />

Joshua Paddison is American Council <strong>of</strong> Learned<br />

Societies New Faculty Fellow in the American<br />

Studies Program and the Department <strong>of</strong> Religious<br />

Studies at Indiana <strong>University</strong>.<br />

Western Histories, 3<br />

Copublished by The Huntington Library <strong>Press</strong><br />

and UC <strong>Press</strong><br />

JUNE<br />

272 pages, 6 X 9”, 11 b/w photographs<br />

<strong>California</strong> & the West/Race & Class/Christianity<br />

World<br />

cloth 978-0-87328-244-4 $44.95/£30.95<br />

Edited by Mark Crosby and<br />

Robert N. Essick<br />

Genesis<br />

William Blake’s Last Illuminated Work<br />

William Blake—poet, printmaker, artist—<br />

drew inspiration from the Bible throughout<br />

his life. Shortly before his death in<br />

1827, he began an illuminated manuscript<br />

<strong>of</strong> the Book <strong>of</strong> Genesis, revisiting such key<br />

themes as creation, division, and forgiveness.<br />

This landmark edition <strong>of</strong> Blake’s<br />

Genesis provides the first full-size color<br />

reproduction <strong>of</strong> the Huntington Library’s<br />

manuscript. Blake completed 11 pages <strong>of</strong><br />

text decorated with pencil and watercolor<br />

designs, including two vibrantly colored<br />

title pages. Blake’s unfinished pages <strong>of</strong>fer<br />

rare insights into his process <strong>of</strong> composition.<br />

Mark Crosby and Robert N. Essick’s<br />

detailed critical commentary considers the<br />

way in which Blake read his Genesis,<br />

Blake’s relationship with patron John<br />

Linnell, and the iconography <strong>of</strong> Blake’s<br />

designs and their relation to earlier works.<br />

Mark Crosby is Leverhulme Early Career Fellow<br />

at Queen’s <strong>University</strong>, Belfast. Robert N. Essick<br />

is Distinguished Pr<strong>of</strong>essor Emeritus <strong>of</strong> English at<br />

the <strong>University</strong> <strong>of</strong> <strong>California</strong>, Riverside.<br />

Published by The Huntington Library <strong>Press</strong><br />

FEBRUARY<br />

100 pages, 12-1/2 x 17”, 11 color illustrations,<br />

9 b/w photographs<br />

European Art/English Literature/Christianity<br />

World<br />

cloth 978-0-87328-247-5 $80.00/£55.00<br />

Jee Gam, Congregationalist minister, from<br />

N.R. Johnston, Looking Back from the Sunset<br />

Land (Oakland, <strong>California</strong>, 1898). From<br />

American Heathens.<br />

Also <strong>of</strong> interest:<br />

William Blake<br />

Songs <strong>of</strong> Innocence<br />

and <strong>of</strong> Experience<br />

Edited by Robert N. Essick<br />

Treasures from the Huntington<br />

Library<br />

Published by The Huntington<br />

Library <strong>Press</strong><br />

World<br />

cloth 978-0-87328-236-9<br />

$24.95/£16.95<br />

www.ucpress.edu | 61

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