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Welcome to<br />
Y O U N T V I L L E<br />
Top: Artist Jack Storms 'in<br />
studio' completing Bella Vino<br />
Middle: Bella Vino & Bella Duo<br />
Right: Cube<br />
Meet Jack Storms<br />
at RASgalleries<br />
on July 13 & 14.<br />
RASGALLERIES ART GLASS<br />
Open 10 a.m. to 5 p.m. daily, Tuesdays by appointment.<br />
6540 Washington Street, Yountville, Napa Valley (next to Bouchon)<br />
(707) 944-9211 | www.rasgalleries.com.<br />
JACK STORMS<br />
Master of Cold Glass Sculpture<br />
Meet the Artist at RASgalleries<br />
BY RONDA SCHAER<br />
<strong>As</strong> the owner of RASgalleries, I’ve had the opportunity to meet hundreds<br />
of talented American glass artists over the past twenty-two years. I’m<br />
fascinated by the work of Jack Storms, one of only three cold glass sculptors<br />
in the world. It’s a pleasure to announce that RASgalleries will host Jack<br />
Storms: Master of Cold Glass Sculpture beginning July 13 and continuing<br />
through August 31. In this show, we’ll present Bella Vino, exclusive winethemed<br />
sculptures as well as pieces from his “Cube & Ariel Series.” The show<br />
begins Friday, July 13, with an artist reception from 6 to 8 p.m., and there’s a<br />
second chance to meet Jack Storms on Saturday, July 14 from 2 to 4 p.m.<br />
I recently had the chance to chat with him about his life and work and his<br />
plans for the RASgalleries show.<br />
RASgalleries: Your sculptures radiate and mesmerize. Our clients can’t take their eyes<br />
off them! The spectrum of color makes everyone want to touch the surface of the<br />
crystal. Talk about the first time you touched glass. What drew you to this medium?<br />
Jack Storms: That was a seminal moment for me and it was just that quick.<br />
Sculpting glass is a slow, tedious process but that first day when I stood at the<br />
grinding wheel manipulating the glass and saw what I could do, I was<br />
immediately hooked by both the process and the form. That first day, with the<br />
simple and tedious task of grinding a piece of glass flat and then smooth and<br />
then to a polish, I knew what I wanted to do with the rest of my life. It was<br />
magic to me to transform a piece of glass that looked like a chunk of concrete<br />
into a treasure that shone like a diamond.<br />
RASgalleries: You opened your studio in 2004 and you’re one of very few optic crystal<br />
sculptors in the world. You’ve said that it can take ten weeks or more to complete a<br />
piece. I understand the process is demanding, requiring painstaking construction of a<br />
core of dichroic film on glass. Each piece is cut, polished and laminated, layer after<br />
layer to achieve the geometric rainbows. Your studio must be an interesting place,<br />
describe it and the preparations you must make prior to beginning a new piece, and<br />
explain the steps you take to ensure success. What can go wrong?<br />
Jack Storms: It can all go wrong. That’s one of the main reasons the process<br />
takes the time that it does. There’s a lot of room for error and it’s a constant<br />
struggle to maintain a polished surface that’s vital for the interior construction<br />
of the work and the finish. The studio looks like a dungeon since most of the<br />
tooling is wet and I use diamond tools and grit (basically the texture of beach<br />
sand). It’s a constant struggle to not cross contaminate. The process is slow<br />
enough without making a mistake like mixing up a polishing compound with<br />
grit. I bond the glass in a clean room that must be dust free. Again, I have to<br />
be constantly aware of contamination since no one wants my eyelashes in<br />
their artwork.<br />
RASgalleries: You draw inspiration from both your heart and science, using the<br />
theory of Fibonacci in each lead crystal sculpture. Fibonacci, as a great<br />
mathematician, articulated that math is natural in nature. Fibonacci numbers are<br />
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