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34 What <strong>to</strong> see<br />
What <strong>to</strong> see<br />
35<br />
City Walls (Gradski bedemi) C/D- 2. Once the largest<br />
city-fortress in the entire Republic of Venice, Zadar’s walls<br />
allowed it <strong>to</strong> retain more of its independence than most of<br />
its neighbouring cities, and meant that it was never captured<br />
by the Turks. Previously, there were even more fortifications<br />
than there are now, but what are left are put <strong>to</strong> good use,<br />
with delightful parks and promenades on <strong>to</strong>p of them (see<br />
below). Take a look inside doors such as the one on Five Wells<br />
Square - you can see huge empty spaces inside once used<br />
as military s<strong>to</strong>rage facilities.On <strong>to</strong>p of the bastion above the<br />
Harbour Gate is a promenade called the Muraj - a peaceful<br />
vantage point over the mainland opposite and the people<br />
crossing the bridge. One of the large yellow buildings up there<br />
is one of Zadar’s old newspaper presses.<br />
Cultural Heritage<br />
St Donatus’ Church, Stjepan Felber<br />
Research Library and His<strong>to</strong>rical Archive Zadar’s<br />
Research Library is the second largest Croatian institution<br />
of this kind after the National University Library in Zagreb.<br />
It was founded in 1855 by local professor and benefac<strong>to</strong>r<br />
Petar Aleksandar Paravija, and was originally in the Loggia<br />
on Narodni trg, moving in<strong>to</strong> the present building, an<br />
attractive yellow building which used <strong>to</strong> be a barracks.<br />
It’s the bedrock upon which not only Zadar’s rich cultural<br />
and educational life rests, but also that of Croatia. Zadar<br />
was for a long time the administrative centre of Dalmatia,<br />
under many colonial powers. The documentation kept<br />
here, and in the His<strong>to</strong>rical Archive (near St Dimitri’s<br />
church) is the seed of knowledge of much of Croatia’s<br />
legal and political past.<br />
St Anastasia’s Cathedral (Katedrala sv. S<strong>to</strong>šije)<br />
B-3, Trg svete S<strong>to</strong>šije. An attractive Romanesque cathedral<br />
- the biggest in Dalmatia - built during the 12th and 13th<br />
centuries. As with many Dalmatian churches, the belfry is<br />
separate. You can climb <strong>to</strong> the <strong>to</strong>p - the view is amazing. Two<br />
attractive rosettes decorate the front portal, and a gallery<br />
of blind arches the flanks, with a ledge above them providing<br />
seating for pigeons <strong>to</strong> look down on the throngs on the<br />
Kalelarga. Simple s<strong>to</strong>ne blocks are lightened with decorative<br />
friezes, and the lovely s<strong>to</strong>nemasonry around the doors is<br />
worth a careful look. Highlights of the interior include the s<strong>to</strong>ne<br />
ciborium covering the high altar, frescoes, an intricately carved<br />
choir and an Early Christian mosaic in the sacristry.<br />
St Donatus’ Church (Crkva sv. Donata) B-3, Poljana<br />
pape Ivana Pavla II. Imposing and austere, yet absolutely<br />
harmonius and original in form, it’s not surprising that the pre-<br />
Romanesque St Donatus’ is taken as the very symbol of Zadar<br />
and an image of the unique spirit of Dalmatia. The circular<br />
shape is typical of the early Byzantine age in Dalmatia. It was<br />
founded in the 9th century, when it was called the Church of<br />
the Holy Trinity, and given its present name six hundred years<br />
later in memory of a famous bishop. Religious services are no<br />
longer held here, but the stark interior has excellent acoustics<br />
and is used as the concert venue for the annual International<br />
Festival of Medieval Renaissance Music, also known as “The<br />
Musical Evenings in St Donatus’”. QOpen 09:00 - 21:00.<br />
Closed December - April Admission 12 -15kn.<br />
The Riva A/B/C-4, Obala kralja Petra Krešimira IV.<br />
“Riva” is a generic word meaning “waterfront”, usually a<br />
place <strong>to</strong> enjoy a stroll and a coffee in seaside <strong>to</strong>wns. When<br />
people in Zadar talk about the Riva, they mean the pleasant<br />
promenade on the edge of the Old Town peninsula called<br />
Obala Petra Krešimira IV, named after a Croatian King. Until<br />
the 19th century, the space you see here was occupied by<br />
an outer ring of fortifications, needed <strong>to</strong> keep invaders at<br />
bay. When the Austrians <strong>to</strong>ok over the administration of<br />
Zadar in 1813, a period of peace began. As well as founding<br />
the beautiful parks on <strong>to</strong>p of parts of Zadar’s system of<br />
fortifications, they completely removed the outer ring. The<br />
Riva is beautifully planted with lawns, flowers and palms, is<br />
the site of the stunning University building, and is a great<br />
place <strong>to</strong> stroll either in the evenings or even <strong>to</strong> have a dip<br />
by day.<br />
Not <strong>to</strong> be missed<br />
The Zadar sunset<br />
The Riva, Stjepan Felber<br />
Statue of Petar Zoranić<br />
On St Chrysogonus’ square is a statue of a man with<br />
rather muscular legs. This is Petar Zoranić, the writer of<br />
the first novel in Croatian. Born in Zadar, he was the son of<br />
a family of nobles from Nin. The beauty of the surrounding<br />
mountains and the sea was his inspiration and his theme<br />
in Planine (“Mountains”), written in 1536, a pas<strong>to</strong>ral<br />
romance and a product of the Renaissance in Zadar at<br />
that time - a time when the city was under siege by the<br />
Turks, but art and culture prospered within.<br />
Churches<br />
When you look in<strong>to</strong> it, you could be forgiven for thinking<br />
that all the people of Zadar have done through the<br />
centuries is build churches. Looking at this gives you a<br />
good idea of exactly how long the city has been standing,<br />
and how rich that life has been. Here are the main<br />
highlights. Note: churches are normally only open for Mass<br />
- each has its own timetable. All churches expect you <strong>to</strong><br />
cover up: short shorts and tiny <strong>to</strong>ps will not only raise<br />
eyebrows, but you may be handed a cover-up or refused<br />
admittance.<br />
Church of Our Lady of Health (Crkva Gospe od<br />
“Kaštela” (Zdravja)) A-3, Braće Bilišić 1. In the green<br />
park by Three Wells Square (see Essential Zadar) is the<br />
little orange Church of Our Lady of Health, one of the city’s<br />
best-loved churches. It lies in the quiet old neighbourhood of<br />
Kampo Kaštelo. Built in 1703 on the site of two much older<br />
churches, it contains a copy of a famous painting “Our Lady<br />
of Kaštelo”, the original of which is now in the Permanent<br />
Exhibition of Religious Art (see The Silver and Gold of the<br />
City of Zadar ).<br />
Church of St Mary “de Pusterla” S<strong>to</strong>morica (Crkva<br />
sv. Marije “de Pusterla” S<strong>to</strong>morica) C-4, Mihovila<br />
Pavlinovića 12. The foundations of this tiny Early Christian<br />
church (11th Century) were found in 1880 near Hotel Zagreb<br />
on the northern edge of the peninsula, and uncovered in<br />
the ‘60s. The floor plan of the church is fascinating: the<br />
five semicircular apses (typical of early Dalmatian church<br />
architecture) and the semicircular portal surrounding the<br />
central space give it an unusual six-leaved clover shape.<br />
St Andrew’s and St Peter the Elder’s (Crkva<br />
sv. Petra Starog i Sv. Andrije) C-2, Hrvoja Vukčića<br />
Hrvatinića 10. On the corner of Ulica Dalmatinskog Sabora<br />
and Ulica Hrvoja Vukčića Hrvatinića (near the market), the<br />
simple frontage of St Andrew’s has an unremarkable 17th<br />
century facade, but other parts date back <strong>to</strong> the 5th and 6th<br />
centuries. Through the apse you enter the very unusual church<br />
of St Peter the Elder, also from the early Middle Ages. Both<br />
contain fragments of ancient frescoes, and the atmospheric<br />
interiors are now used as exhibition spaces.<br />
St Chrysogonus’ Church (Crkva sv. Krševana)<br />
C-2, Poljana Pape Aleksandra III 2. A beautifully preserved<br />
little Romanesque church, consecrated in 1175, originally<br />
belonging <strong>to</strong> a Benedictine monastery that once s<strong>to</strong>od<br />
nearby. The front is quite simple, while on the sides are<br />
delightful barley-sugar twist columns, and <strong>to</strong> the rear three<br />
semicircular apses, the central one decorated with a gallery.<br />
The interior is also pleasingly simple, with many remains of<br />
frescoes. The high altar was built in 1701 by citizens who were<br />
spared from plague. In 1717 white marble statues of Zadar’s<br />
four patron saints were erected on the altar.<br />
St Dimitri’s Church (Crkva sv. Dimitrija) D-4,<br />
Mihovila Pavlinovića. St Dimitri’s is an unusual example of<br />
Neo-Classical architecture in Dalmatia. It was completed in<br />
1906 by Viennese architect Karl Susan, and has an unusual<br />
central cupola. It was part of an educational complex, and<br />
two of the buildings now house the His<strong>to</strong>rical Archives, the<br />
University’s Faculty of Humanities and the Croatian Academy<br />
of Arts and Sciences.<br />
Not <strong>to</strong> be missed<br />
Saint Mary’s Church Campanile from 1105<br />
Zadar’s Protection Squad<br />
Zadar has four patron saints. If that seems a bit excessive,<br />
read the His<strong>to</strong>ry section, you’ll soon understand why.<br />
Here’s the gang:<br />
St Simeon - Sveti Šimun<br />
Saint Simeon (or Simon) is said <strong>to</strong> have been present at<br />
the birth of Jesus, which is probably why women wishing<br />
<strong>to</strong> bear a son appeal <strong>to</strong> him. This also explains why he is<br />
the most popular patron saint: around here, the birth of<br />
a son occasions much quaffing of rakija and Tarzan-like<br />
chest-beating. The saint’s body is kept in an amazing<br />
casket which is opened every year on Oc<strong>to</strong>ber 8 (see<br />
Essential Zadar).<br />
St Chrysogonus - Sveti Krševan<br />
St Chrysogonus (or Grisogono in Italian) is the main patron<br />
saint of the city: the City of Zadar Day celebrations are<br />
always held on St Chrysogonus’ day (November 24).<br />
You can see him riding a horse on Zadar’s coat of arms<br />
and flag. He was persecuted and beheaded by Roman<br />
Emperor Diocletian (who built the palace at Split).<br />
St Anastasia - Sveta S<strong>to</strong>šija<br />
St Anastasia was also martyred under Diocletian, and is<br />
also said <strong>to</strong> have been present at the birth of Christ. She<br />
cared for persecuted Christians, and unfortunately met<br />
the same fate herself - she was <strong>to</strong>rtured and beheaded.<br />
Her remains now lie in a marble reliquary in the Cathedral,<br />
which is dedicated <strong>to</strong> her.<br />
St Zoilo - (no translation available)<br />
The least well-known of Zadar’s keepers, St Zoilo<br />
rescued St Chrysogonus’ body when it was washed<br />
up on the shore, and buried it at his home in Venice.<br />
Although Chrysogonus had been beheaded, his body was<br />
miraculously whole. For this and other kind acts, St Zoilo’s<br />
relics were brought <strong>to</strong> Zadar after his death.<br />
www.inyourpocket.com<br />
Zadar In Your Pocket<br />
zadar.inyourpocket.com<br />
zadar.inyourpocket.com<br />
Summer 2011