Avid NewsCutter XP User's Guide

More documents

Recommendations

Info

Using Frame View . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 303 Changing the Bin Background Color . . . . . . . . . . . . . . . . . . . . . 304 Enlarging or Reducing Frame Size . . . . . . . . . . . . . . . . . . . . . . . 305 Rearranging Frames . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 306 Changing the Frame Identifying the Clip . . . . . . . . . . . . . . . . . 306 Arranging Frames in a Bin . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 307 Using Script View. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 307 Entering Script View . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 308 Adding Text in Script View. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 308 Rearranging Clips in Script View . . . . . . . . . . . . . . . . . . . . . . . . 309 Printing Bins . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 309 Gathering Format Elements . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 310 Preparing Digital Bars and Tone . . . . . . . . . . . . . . . . . . . . . . . . . 311 Importing Color Bars and Other Test Patterns . . . . . . . . . . . . . 311 Creating Leader . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 313 Creating Video Leader . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 313 Creating Audio Leader . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 314 Chapter 10 Managing Media Files Using the Media Tool . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 315 Basic Media Tool Features. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 316 Opening the Media Tool . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 317 Deleting Media Files with the Media Tool . . . . . . . . . . . . . . . . 319 Consolidating Media . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 322 About the Consolidate Feature. . . . . . . . . . . . . . . . . . . . . . . . . . . 322 Using the Consolidate Command . . . . . . . . . . . . . . . . . . . . . . . . 325 Loading the Media Database . . . . . . . . . . . . . . . . . . . . . . . . . . . . 326 Backing Up Media Files . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 328 Finding a Related Media File. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 328 Relinking Media Files . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 329 Relinking to Selected Clips. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 331 Relinking Consolidated Clips . . . . . . . . . . . . . . . . . . . . . . . . . . . 332 Unlinking Media Files . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 333 12
Workgroup Support . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 334 About MediaManager . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 334 About TransferManager. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 335 Chapter 11 Viewing and Marking Footage Changing the Pop-up Monitor Size . . . . . . . . . . . . . . . . . . . . . . . . . . 337 Using the 16:9 Display Format. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 337 Displaying Tracking Information . . . . . . . . . . . . . . . . . . . . . . . . . . . . 338 Tracking Format Options. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 339 Displaying Clip Information . . . . . . . . . . . . . . . . . . . . . . . . . . . . 341 Copying Text from the Info Window . . . . . . . . . . . . . . . . . . . . . 341 Displaying the Timecode Window . . . . . . . . . . . . . . . . . . . . . . . 342 Displaying Multiple Timecodes . . . . . . . . . . . . . . . . . . . . . . . . . 344 Setting the Font and Point Size for Monitor Displays . . . . . . 345 Viewing Methods . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 345 Loading and Clearing Footage. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 346 Loading into the Pop-up and Source/Record Monitors. . . . . . 346 Using the Clip Name Menu . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 347 Switching Between Loaded Sequences . . . . . . . . . . . . . . . . 347 Clearing Sequences from Monitors . . . . . . . . . . . . . . . . . . . 349 Resizing Monitors . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 349 Hiding the Video in the Source/Record Monitor . . . . . . . . . . . 349 Resizing the Source/Record Monitor . . . . . . . . . . . . . . . . . . . . . 350 Controlling Playback. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 350 Using Position Bars and Position Indicators . . . . . . . . . . . . . . . 351 Using Buttons. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 352 About the Keyboard . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 353 Shuttling with the J-K-L Keys . . . . . . . . . . . . . . . . . . . . . . . . 354 Navigating with Home, End, and Arrow Keys . . . . . . . . . 356 Playing in Bins. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 356 Playing Video to the Client Monitor . . . . . . . . . . . . . . . . . . . . . . . . . 356 Connecting a Client Monitor . . . . . . . . . . . . . . . . . . . . . . . . . . . . 356 Selecting the Client Monitor Setting . . . . . . . . . . . . . . . . . . . . . 357 13
Page 1 and 2: Avid ® NewsCutter ® XP User’s G
Page 3 and 4: Contents Chapter 1 Chapter 2 Deskto
Page 5 and 6: Retrieving Bin Files from the Attic
Page 7 and 8: Double-Checking the Logs . . . . .
Page 9 and 10: Chapter 7 Recording Before You Begi
Page 11: Copying Clips and Sequences . . . .
Page 15 and 16: Using Match Frame. . . . . . . . .
Page 17 and 18: About Nesting . . . . . . . . . . .
Page 19 and 20: Using Audio Gain Automation . . . .
Page 21 and 22: Syncing with Locators . . . . . . .
Page 23 and 24: Installing an Avid Codec on Other S
Page 25 and 26: Digidesign D-Fi . . . . . . . . . .
Page 27 and 28: Tables Table 3-1 Bin Settings Optio
Page 29 and 30: Table 18-15 Default Folder and File
Page 31 and 32: Working with the Desktop For inform
Page 33 and 34: 4. Select the options you want: n T
Page 35 and 36: 4. Under Desktop Area, drag the sli
Page 37 and 38: Changing Project and User Names You
Page 39 and 40: Accepting Your NewsCutter XP Licens
Page 41 and 42: Opening a Project Each time you sta
Page 43 and 44: To select a user in a folder: 1. Do
Page 45 and 46: 2. Type the name of your new projec
Page 47 and 48: Closing a Project When you close th
Page 49 and 50: Quitting the NewsCutter XP Applicat
Page 51 and 52: Turning Off Your Equipment c Quit N
Page 53 and 54: Connecting to the Avid Production N
Page 55 and 56: CHAPTER 3 Working with the Project
Page 57 and 58: You can also add folders to your pr
Page 59 and 60: The views for working with clips in
Page 61 and 62: • In Script view, the features of
Page 63 and 64:
Creating a Folder in a Project To c
Page 65 and 66:
To open a bin from the File menu: 1
Page 67 and 68:
Trash icon Fast Menu button To view
Page 69 and 70:
- Create a third set of gins for th
Page 71 and 72:
The system saves all the selected b
Page 73 and 74:
12. Select the material you want to
Page 75 and 76:
About Settings Three types of setti
Page 77 and 78:
Table 3-1 describes the options lis
Page 79 and 80:
General Settings General settings d
Page 81 and 82:
General Interface Settings The foll
Page 83 and 84:
Table 3-3 Interface Settings Option
Page 85 and 86:
Table 3-4 Interface Settings Option
Page 87 and 88:
Table 3-5 Customizable Interface Co
Page 89 and 90:
Color selection grid 5. Move the mo
Page 91 and 92:
To return to the default interface:
Page 93 and 94:
3. Click the Appearance tab. 4. Cli
Page 95 and 96:
5. Choose a style. 6. Do one of the
Page 97 and 98:
Table 3-6 Option All Settings Base
Page 99 and 100:
Table 3-7 Settings Scroll List Sett
Page 101 and 102:
Table 3-7 Settings Scroll List (Con
Page 103 and 104:
Working with Multiple Settings You
Page 105 and 106:
Selecting Among Multiple Settings W
Page 107 and 108:
Using Site Settings When the system
Page 109 and 110:
About the Memory Window The Memory
Page 111 and 112:
While in a workspace, you can move
Page 113 and 114:
8. Select or deselect the following
Page 115 and 116:
2. Click to the left of the workspa
Page 117 and 118:
CHAPTER 4 Using Basic Tools The Too
Page 119 and 120:
Timecode indicator Logging controls
Page 121 and 122:
You can use the Command palette to:
Page 123 and 124:
4. Click the tab from which you wan
Page 125 and 126:
4. Click a target button in the Key
Page 127 and 128:
2. Choose a format from the Format
Page 129 and 130:
items. You can also use the Console
Page 131 and 132:
CHAPTER 5 Logging When you log with
Page 133 and 134:
Logging Timecode Within an NTSC pro
Page 135 and 136:
Go to Memory button Clear Memory bu
Page 137 and 138:
To import shot log files into a bin
Page 139 and 140:
7. Use the Up One Level button to l
Page 141 and 142:
• If the file does not contain th
Page 143 and 144:
8. Choose Clean from the Options me
Page 145 and 146:
13. Click Yes. The converted file i
Page 147 and 148:
A message box appears, indicating t
Page 149 and 150:
Record/Log Mode button Mark IN butt
Page 151 and 152:
After you set the mark, the icon in
Page 153 and 154:
Record/Log Mode button Mark IN butt
Page 155 and 156:
Using the Modify Command To modify
Page 157 and 158:
Table 5-1 Options for Modifying Bin
Page 159 and 160:
10. (Option) Change the file name,
Page 161 and 162:
cables, connectors, and processing
Page 163 and 164:
c For more information about Genera
Page 165 and 166:
Table 6-1 Record Settings (General
Page 167 and 168:
Table 6-2 Record Settings (Batch Ta
Page 169 and 170:
Table 6-3 describes the options ava
Page 171 and 172:
Table 6-4 Record Settings (Media Fi
Page 173 and 174:
Configuring Decks Deck Configuratio
Page 175 and 176:
6. Click OK to close the Channel di
Page 177 and 178:
The system checks the deck configur
Page 179 and 180:
Table 6-5 Deck Settings Options (Co
Page 181 and 182:
Table 6-6 explains the Deck Prefere
Page 183 and 184:
Opening the Record Tool To open the
Page 185 and 186:
n These options vary depending on y
Page 187 and 188:
n If you are not seeing the source
Page 189 and 190:
t t Activate a previously created b
Page 191 and 192:
To target separate drives for audio
Page 193 and 194:
2. Double-click Record. The Record
Page 195 and 196:
Recording Across Timecode Breaks Fo
Page 197 and 198:
• Audio media files written when
Page 199 and 200:
Table 6-7 Adjustable Audio Project
Page 201 and 202:
To open the Audio tool, do one of t
Page 203 and 204:
Resizing the Audio Tool To resize t
Page 205 and 206:
n Line levels record very loud when
Page 207 and 208:
Reset Peak button 2. Click the Rese
Page 209 and 210:
of storage locations so you store y
Page 211 and 212:
This sets your chosen video and aud
Page 213 and 214:
CHAPTER 7 Recording When you record
Page 215 and 216:
Adding Clip Names and Comments On-t
Page 217 and 218:
Recording from One Point to Another
Page 219 and 220:
that you type does not appear on th
Page 221 and 222:
To record on-the-fly: 1. Click the
Page 223 and 224:
Autorecording Autorecording can sav
Page 225 and 226:
7. Deselect Fast Cue, and set the p
Page 227 and 228:
New Tape Name button List of tapes
Page 229 and 230:
To record with time-of-day timecode
Page 231 and 232:
Recording to the Timeline You can r
Page 233 and 234:
For example, if you want to record
Page 235 and 236:
Batch Recording Clips To batch reco
Page 237 and 238:
n To t t t Click “Skip this clip
Page 239 and 240:
Saving Two Versions of a Sequence W
Page 241 and 242:
Controlling Decks from the Keyboard
Page 243 and 244:
Returning to the Previous Place in
Page 245 and 246:
• For graphics file and OMFI (Ope
Page 247 and 248:
3. Select the appropriate options a
Page 249 and 250:
Table 8-1 Import Settings Options (
Page 251 and 252:
Table 8-1 Import Settings Options (
Page 253 and 254:
Page 255 and 256:
Page 257 and 258:
n For more information about the fi
Page 259 and 260:
n For a complete description of all
Page 261 and 262:
Using Open Media Management (OMM) n
Page 263 and 264:
3. In the Preferred Asset Manager t
Page 265 and 266:
Reimporting Files c If you are work
Page 267 and 268:
that were not found. See “Startin
Page 269 and 270:
If you select more than one clip di
Page 271 and 272:
• If you want to center the pan b
Page 273 and 274:
The bin displays objects according
Page 275 and 276:
Script View In Script view, the sys
Page 277 and 278:
There are several ways to customize
Page 279 and 280:
n To view a complete list of the bi
Page 281 and 282:
Moving Clips and Sequences You can
Page 283 and 284:
4. (Option) Delete the associated m
Page 285 and 286:
The color appears in the Color colu
Page 287 and 288:
Sifting Clips and Sequences When yo
Page 289 and 290:
Selecting Media Relatives for an Ob
Page 291 and 292:
Text View button Arranging Bin Colu
Page 293 and 294:
Showing and Hiding Columns You can
Page 295 and 296:
3. The dialog box contains column n
Page 297 and 298:
Changing a Custom Column Heading Yo
Page 299 and 300:
To modify the clip data directly: 1
Page 301 and 302:
6. Click OK. The modification takes
Page 303 and 304:
To perform a multilevel sort: t Rea
Page 305 and 306:
The bin color changes, based on you
Page 307 and 308:
Arranging Frames in a Bin To realig
Page 309 and 310:
This text does not appear in sequen
Page 311 and 312:
Preparing Digital Bars and Tone You
Page 313 and 314:
Creating Leader You can use digital
Page 315 and 316:
CHAPTER 10 Managing Media Files Whe
Page 317 and 318:
delete, and manipulate files, you h
Page 319 and 320:
Precompute clip Media file Master C
Page 321 and 322:
6. Select the media files that you
Page 323 and 324:
Consolidating a Master Clip Origina
Page 325 and 326:
Using the Consolidate Command c Do
Page 327 and 328:
Bins also contain references to som
Page 329 and 330:
Related media file If more than one
Page 331 and 332:
n To t t t Select “Relink offline
Page 333 and 334:
n Because subclips and sequences do
Page 335 and 336:
About TransferManager When editing
Page 337 and 338:
Changing the Pop-up Monitor Size Yo
Page 339 and 340:
Tracking Information menu Tracking
Page 341 and 342:
Displaying Clip Information The Inf
Page 343 and 344:
Close button Timecode pop-up menu T
Page 345 and 346:
Setting the Font and Point Size for
Page 347 and 348:
To load a sequence into the Source/
Page 349 and 350:
Clearing Sequences from Monitors To
Page 351 and 352:
n If you try to play a sequence and
Page 353 and 354:
Step Backward Step Forward To step
Page 355 and 356:
t Press the L key to move forward t
Page 357 and 358:
c To use a Client monitor, you must
Page 359 and 360:
important play and review session.
Page 361 and 362:
5. Mark an OUT point by doing one o
Page 363 and 364:
Mark Clip button n To n If ignore t
Page 365 and 366:
n If a subset of the buttons appear
Page 367 and 368:
Creating Subclips When you mark foo
Page 369 and 370:
Ways to Use Locators Locators have
Page 371 and 372:
3. Cue to the frame and click the A
Page 373 and 374:
To mark the area between two locato
Page 375 and 376:
2. Do one of the following: t t Cho
Page 377 and 378:
Printing the Locators Window To pri
Page 379 and 380:
Using Frame Offset Timecode to Cue
Page 381 and 382:
3. Make sure you select the correct
Page 383 and 384:
• Setting Up Tracks for the New S
Page 385 and 386:
To rename the new sequence: n If t
Page 387 and 388:
Changing the Start Timecode for Seq
Page 389 and 390:
Deleting Tracks To delete a track:
Page 391 and 392:
3. Click the Fast Menu button. The
Page 393 and 394:
Screen display of the first edit in
Page 395 and 396:
Monitoring Audio While Editing You
Page 397 and 398:
New Clip Material to be overwritten
Page 399 and 400:
Extracting Material The Extract fun
Page 401 and 402:
• Copy graphic elements for repea
Page 403 and 404:
To start a playback loop: 1. Mark I
Page 405 and 406:
CHAPTER 13 Using the Timeline NewsC
Page 407 and 408:
Table 13-1 describes the Timeline S
Page 409 and 410:
Table 13-2 Timeline Settings Option
Page 411 and 412:
Table 13-3 Timeline Fast Menu Optio
Page 413 and 414:
2. Choose Save As from the pop-up m
Page 415 and 416:
The Timeline scroll bar functions l
Page 417 and 418:
page 417 and “Selecting One or Mo
Page 419 and 420:
Black holes are segments of the seq
Page 421 and 422:
Performing Segment Mode Edits There
Page 423 and 424:
creating new edits. It also lifts t
Page 425 and 426:
sequence, while maintaining the sam
Page 427 and 428:
5. Click the Edit tab. 6. Select Ac
Page 429 and 430:
n For more information on nesting t
Page 431 and 432:
Monitoring Video The Video Track Mo
Page 433 and 434:
Monitoring a Solo Track You can mon
Page 435 and 436:
You can perform only one patch per
Page 437 and 438:
Deleting Tracks To delete one or mo
Page 439 and 440:
If you made other edits since you p
Page 441 and 442:
CHAPTER 14 Working in Trim Mode Bas
Page 443 and 444:
4. Click the Trim Mode button. By d
Page 445 and 446:
Selecting Additional Transitions Se
Page 447 and 448:
one or both trim sides, and the mon
Page 449 and 450:
c n You You can also select two or
Page 451 and 452:
Table 14-1 Key Key Functions in Sli
Page 453 and 454:
Adding Black While Trimming You can
Page 455 and 456:
To trim with sync-locked tracks: 1.
Page 457 and 458:
CHAPTER 15 Working with Audio You e
Page 459 and 460:
Accessing Audio Effect Tools You ca
Page 461 and 462:
audio to help you accurately mark e
Page 463 and 464:
Performing Smooth Audio Scrub You p
Page 465 and 466:
Digital scrub example This entire s
Page 467 and 468:
When you have found the correct fra
Page 469 and 470:
Waveform sample plot n Press Ctrl+p
Page 471 and 472:
• Adjust the volume, pan, or both
Page 473 and 474:
n The n The t t To adjust levels fr
Page 475 and 476:
Values are cumulative until you pre
Page 477 and 478:
To gang and adjust multiple tracks:
Page 479 and 480:
emap a track to any channel by clic
Page 481 and 482:
Limitations on Adjusting Volume If
Page 483 and 484:
For example, assume that you have c
Page 485 and 486:
The following illustration shows th
Page 487 and 488:
n To snap to the decibel lines, pre
Page 489 and 490:
clip that contains a rendered audio
Page 491 and 492:
The options in the Fast menu appear
Page 493 and 494:
the corresponding keyframes and sav
Page 495 and 496:
To use the Fast Forward and Rewind
Page 497 and 498:
• Audio Loop Play button: Allows
Page 499 and 500:
within the marks, either in part or
Page 501 and 502:
t t t Values are cumulative until y
Page 503 and 504:
Before Set EQ In/Out After Set EQ I
Page 505 and 506:
Removing Audio EQ Effects To remove
Page 507 and 508:
Use the EQ Range slider to move the
Page 509 and 510:
The following illustration shows th
Page 511 and 512:
n The NewsCutter XP system does not
Page 513 and 514:
When you purchase additional plug-i
Page 515 and 516:
3. Choose a plug-in from the Plug-i
Page 517 and 518:
AudioSuite Plug-in Fast Menu The Fa
Page 519 and 520:
Activate Current Plug-in button Tra
Page 521 and 522:
system automatically disables track
Page 523 and 524:
4. (Option) Change the preview sour
Page 525 and 526:
n The NewsCutter XP system does not
Page 527 and 528:
Creating the Voice-Over To capture
Page 529 and 530:
Voice-over adding a new track Voice
Page 531 and 532:
B-roll footage Interview footage Yo
Page 533 and 534:
Fine-Tuning Audio Transitions When
Page 535 and 536:
4. Choose Dissolve from the Add pop
Page 537 and 538:
To apply a dip in audio: 1. Play ba
Page 539 and 540:
7. Click OK. The audio is mixed dow
Page 541 and 542:
CHAPTER 16 Syncing Methods NewsCutt
Page 543 and 544:
3. Select an option, based on the f
Page 545 and 546:
• In Trim mode, you can sync lock
Page 547 and 548:
Using Sync Lock The sync lock featu
Page 549 and 550:
Move the black segment by using Ext
Page 551 and 552:
Using Add Edit When Trimming When y
Page 553 and 554:
• Calibrate and adjust audio outp
Page 555 and 556:
3. Choose from the Sample Rate menu
Page 557 and 558:
c You should leave this output leve
Page 559 and 560:
Preparing Record Tapes The two basi
Page 561 and 562:
Assemble-edit option 3. Select “A
Page 563 and 564:
• Cueing a record deck from the D
Page 565 and 566:
3. Select the options that you want
Page 567 and 568:
6. Select Remote in the deck contro
Page 569 and 570:
Using EDL Manager EDL Manager is a
Page 571 and 572:
• Using OMM to Export Clips • C
Page 573 and 574:
preserve the multiple-track informa
Page 575 and 576:
c Before using the review comments
Page 577 and 578:
To open a Review & Approval file by
Page 579 and 580:
n Make sure the Record Track Monito
Page 581 and 582:
2. Select a clip or sequence in one
Page 583 and 584:
sure Use Enabled Tracks is selected
Page 585 and 586:
When NewsCutter XP exports to Media
Page 587 and 588:
ProEncode creates a QuickTime refer
Page 589 and 590:
n You can also access AvidLinks by
Page 591 and 592:
4. Choose one of the following opti
Page 593 and 594:
To export in DV Stream format: 1. S
Page 595 and 596:
Table 18-2 Export Settings Dialog B
Page 597 and 598:
Exporting a Clip with OMM and the D
Page 599 and 600:
7. Type a name in the Setting Name
Page 601 and 602:
c with OMFI, you can transfer among
Page 603 and 604:
8. (Option) Change the file name. I
Page 605 and 606:
Exporting AAF Compositions Only New
Page 607 and 608:
The file is exported and appears at
Page 609 and 610:
9. Click Save. The file is exported
Page 611 and 612:
n For more information, see “Prep
Page 613 and 614:
10. Click Save. c The file is expor
Page 615 and 616:
Table 18-6 Export Settings Dialog B
Page 617 and 618:
QuickTime Movie (Same as Source) Qu
Page 619 and 620:
Table 18-7 QuickTime Movie Export O
Page 621 and 622:
To access the QuickTime codecs: 1.
Page 623 and 624:
Apple ® Photo-JPEG Avid ABVB NuVis
Page 625 and 626:
Table 18-8 Format Options Suboption
Page 627 and 628:
Exporting as an AVI File To export
Page 629 and 630:
8. Select the compressor you want,
Page 631 and 632:
c c The file is exported and appear
Page 633 and 634:
Table 18-9 AVI Settings Options (Co
Page 635 and 636:
Table 18-10 AVI Video Compression D
Page 637 and 638:
7. Click Settings in the Video pane
Page 639 and 640:
7. Click Settings in the Video pane
Page 641 and 642:
t To export the entire clip or sequ
Page 643 and 644:
15. Select the destination folder f
Page 645 and 646:
3. When you get to the step where t
Page 647 and 648:
9. Click Save to save the current s
Page 649 and 650:
Graphic Format pop-up menu Format O
Page 651 and 652:
Table 18-12 Export Settings Dialog
Page 653 and 654:
Table 18-13 Graphic Format Settings
Page 655 and 656:
Table 18-13 Graphic Format Settings
Page 657 and 658:
n For t To export the entire clip o
Page 659 and 660:
n Use Enabled Tracks is selected by
Page 661 and 662:
Table 18-14 Transfer Device Devices
Page 663 and 664:
5. With the system at the new locat
Page 665 and 666:
Transferring Media to and from a Vi
Page 667 and 668:
The dialog box closes and returns y
Page 669 and 670:
CHAPTER 19 Using the NRCS Tool The
Page 671 and 672:
n The NRCS Settings dialog box also
Page 673 and 674:
c Contact your system administrator
Page 675 and 676:
Understanding the NRCS Tool The fol
Page 677 and 678:
Using the Directory Panel In the Di
Page 679 and 680:
3. Choose Make Shortcut. The NRCS t
Page 681 and 682:
Editing Story Text You can perform
Page 683 and 684:
t Right-click the text, and choose
Page 685 and 686:
Deleting a Production Cue If you wa
Page 687 and 688:
To calculate the read time of a sto
Page 689 and 690:
n If you select a story from the Di
Page 691 and 692:
Story panel Mark IN/OUT button Read
Page 693 and 694:
Adjusting the Story Timing with a T
Page 695 and 696:
Time Pad cue n You must be in Edit
Page 697 and 698:
A Time Pad cue appears in the story
Page 699 and 700:
n Do not use the NRCS tool mail as
Page 701 and 702:
To disconnect from the iNEWS server
Page 703 and 704:
Plug-in Selection pop-up menu Drive
Page 705 and 706:
Additional Supported Plug-Ins The f
Page 707 and 708:
Digidesign D-fx The set of D-fx pl
Page 709 and 710:
Threshold Sets the threshold level.
Page 711 and 712:
Gain Gain allows you to boost or lo
Page 713 and 714:
Master Clip Mode Parallel Processin
Page 715 and 716:
Crossfade The Crossfade slider allo
Page 717 and 718:
Edit the Pitch Shift parameters by
Page 719 and 720:
Reference Pitch The Reference Pitch
Page 721 and 722:
Bypass Bypasses the EQ. The 4-Band
Page 723 and 724:
Compressor Parameters The Compresso
Page 725 and 726:
to see how the shape of this curve
Page 727 and 728:
Release Allows you to control how l
Page 729 and 730:
allows more of the gated audio that
Page 731 and 732:
Hold Allows you to specify a durati
Page 733 and 734:
Wet/Dry Allows you to control the b
Page 735 and 736:
Graphics (Image) Files NewsCutter X
Page 737 and 738:
• XWindows: Developed by the MIT
Page 739 and 740:
Table B-1 Graphics File Import Spec
Page 741 and 742:
Table B-1 Graphics File Import Spec
Page 743 and 744:
Animation Files NewsCutter XP suppo
Page 745 and 746:
Table B-3 QuickTime File Import and
Page 747 and 748:
OMFI Files OMF Interchange (OMFI) w
Page 749 and 750:
f 1 f 2 Dashed lines = field 1 Soli
Page 751 and 752:
If the spatial positions of the two
Page 753 and 754:
APPENDIX C Avid Log Specifications
Page 755 and 756:
The following is a sample heading f
Page 757 and 758:
Table C-3 TAPE [Tab] Avid Log Glob
Page 759 and 760:
Table C-4 Avid Log Column Headings
Page 761 and 762:
Table C-5 Avid Log Data Headings (C
Page 763 and 764:
Index A B C D E F G H I J K L M N O
Page 765 and 766:
Audio Mixdown command (Special menu
Page 767 and 768:
Bin views customizing 276 types of
Page 769 and 770:
Command palette activating commands
Page 771 and 772:
Edits adding (match-framing) 437 ba
Page 773 and 774:
Frequencies (audio), adjusting 495
Page 775 and 776:
printing 377 sorting locators 375 u
Page 777 and 778:
Message-of-the-Day options 672 open
Page 779 and 780:
QuickTime movies export options 618
Page 781 and 782:
loading in Source/Record monitor 34
Page 783 and 784:
Targa file format additional Export
Page 785 and 786:
Video compression defined 208 Video
show all

Avid NewsCutter XP User's Guide

You also want an ePaper? Increase the reach of your titles

Delete template?

Save as template?