Avid NewsCutter XP User's Guide

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To set a default duration for the filler: 1. Click the Settings button in the Project window. The Settings scroll list appears. 2. Double-click Timeline. The Timeline Settings dialog box appears. 3. Click the Edit tab, and type the duration of the filler that you want added to the start of a sequence. 4. Click OK. To add filler anywhere in a sequence: 1. Choose Load Filler from the Clip menu. The system loads a 2-minute clip of filler into a pop-up monitor. Fast Menu button Mark IN Mark OUT 2. Select the length of filler, as needed, by using the Mark IN and Mark OUT buttons. 390
3. Click the Fast Menu button. The Tool palette opens. 4. Click the Splice-in or the Overwrite button in the Tool palette to edit the black into the sequence. Making the First Edit Making the first edit involves the following procedures: • Beginning to Edit • Creating an Instant Rough Cut • Undoing or Redoing Edits Beginning to Edit To begin editing: 1. Load the first clip into a pop-up monitor. If you have not already marked IN and OUT points for the clip in advance or created a subclip, view and mark the clip as necessary. Source Track buttons Source Track Monitor buttons 391
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Avid ® NewsCutter ® XP User’s G
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Contents Chapter 1 Chapter 2 Deskto
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Retrieving Bin Files from the Attic
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Double-Checking the Logs . . . . .
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Chapter 7 Recording Before You Begi
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Copying Clips and Sequences . . . .
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Workgroup Support . . . . . . . . .
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Using Match Frame. . . . . . . . .
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About Nesting . . . . . . . . . . .
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Using Audio Gain Automation . . . .
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Syncing with Locators . . . . . . .
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Installing an Avid Codec on Other S
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Digidesign D-Fi . . . . . . . . . .
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Tables Table 3-1 Bin Settings Optio
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Table 18-15 Default Folder and File
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Working with the Desktop For inform
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4. Select the options you want: n T
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4. Under Desktop Area, drag the sli
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Changing Project and User Names You
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Accepting Your NewsCutter XP Licens
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Opening a Project Each time you sta
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To select a user in a folder: 1. Do
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2. Type the name of your new projec
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Closing a Project When you close th
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Quitting the NewsCutter XP Applicat
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Turning Off Your Equipment c Quit N
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Connecting to the Avid Production N
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CHAPTER 3 Working with the Project
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You can also add folders to your pr
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The views for working with clips in
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• In Script view, the features of
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Creating a Folder in a Project To c
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To open a bin from the File menu: 1
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Trash icon Fast Menu button To view
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- Create a third set of gins for th
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The system saves all the selected b
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12. Select the material you want to
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About Settings Three types of setti
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Table 3-1 describes the options lis
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General Settings General settings d
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General Interface Settings The foll
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Table 3-3 Interface Settings Option
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Table 3-4 Interface Settings Option
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Table 3-5 Customizable Interface Co
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Color selection grid 5. Move the mo
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To return to the default interface:
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3. Click the Appearance tab. 4. Cli
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5. Choose a style. 6. Do one of the
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Table 3-6 Option All Settings Base
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Table 3-7 Settings Scroll List Sett
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Table 3-7 Settings Scroll List (Con
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Working with Multiple Settings You
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Selecting Among Multiple Settings W
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Using Site Settings When the system
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About the Memory Window The Memory
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While in a workspace, you can move
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8. Select or deselect the following
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2. Click to the left of the workspa
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CHAPTER 4 Using Basic Tools The Too
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Timecode indicator Logging controls
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You can use the Command palette to:
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4. Click the tab from which you wan
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4. Click a target button in the Key
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2. Choose a format from the Format
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items. You can also use the Console
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CHAPTER 5 Logging When you log with
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Logging Timecode Within an NTSC pro
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Go to Memory button Clear Memory bu
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To import shot log files into a bin
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7. Use the Up One Level button to l
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• If the file does not contain th
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8. Choose Clean from the Options me
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13. Click Yes. The converted file i
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A message box appears, indicating t
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Record/Log Mode button Mark IN butt
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After you set the mark, the icon in
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Record/Log Mode button Mark IN butt
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Using the Modify Command To modify
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Table 5-1 Options for Modifying Bin
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10. (Option) Change the file name,
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cables, connectors, and processing
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c For more information about Genera
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Table 6-1 Record Settings (General
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Table 6-2 Record Settings (Batch Ta
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Table 6-3 describes the options ava
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Table 6-4 Record Settings (Media Fi
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Configuring Decks Deck Configuratio
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6. Click OK to close the Channel di
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The system checks the deck configur
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Table 6-5 Deck Settings Options (Co
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Table 6-6 explains the Deck Prefere
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Opening the Record Tool To open the
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n These options vary depending on y
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n If you are not seeing the source
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t t Activate a previously created b
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To target separate drives for audio
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2. Double-click Record. The Record
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Recording Across Timecode Breaks Fo
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• Audio media files written when
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Table 6-7 Adjustable Audio Project
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To open the Audio tool, do one of t
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Resizing the Audio Tool To resize t
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n Line levels record very loud when
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Reset Peak button 2. Click the Rese
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of storage locations so you store y
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This sets your chosen video and aud
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CHAPTER 7 Recording When you record
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Adding Clip Names and Comments On-t
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Recording from One Point to Another
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that you type does not appear on th
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To record on-the-fly: 1. Click the
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Autorecording Autorecording can sav
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7. Deselect Fast Cue, and set the p
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New Tape Name button List of tapes
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To record with time-of-day timecode
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Recording to the Timeline You can r
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For example, if you want to record
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Batch Recording Clips To batch reco
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n To t t t Click “Skip this clip
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Saving Two Versions of a Sequence W
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Controlling Decks from the Keyboard
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Returning to the Previous Place in
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• For graphics file and OMFI (Ope
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3. Select the appropriate options a
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Table 8-1 Import Settings Options (
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Table 8-1 Import Settings Options (
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n For more information about the fi
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n For a complete description of all
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Using Open Media Management (OMM) n
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3. In the Preferred Asset Manager t
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Reimporting Files c If you are work
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that were not found. See “Startin
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If you select more than one clip di
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• If you want to center the pan b
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The bin displays objects according
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Script View In Script view, the sys
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There are several ways to customize
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n To view a complete list of the bi
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Moving Clips and Sequences You can
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4. (Option) Delete the associated m
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The color appears in the Color colu
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Sifting Clips and Sequences When yo
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Selecting Media Relatives for an Ob
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Text View button Arranging Bin Colu
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Showing and Hiding Columns You can
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3. The dialog box contains column n
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Changing a Custom Column Heading Yo
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To modify the clip data directly: 1
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6. Click OK. The modification takes
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To perform a multilevel sort: t Rea
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The bin color changes, based on you
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Arranging Frames in a Bin To realig
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This text does not appear in sequen
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Preparing Digital Bars and Tone You
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Creating Leader You can use digital
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CHAPTER 10 Managing Media Files Whe
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delete, and manipulate files, you h
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Precompute clip Media file Master C
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6. Select the media files that you
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Consolidating a Master Clip Origina
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Using the Consolidate Command c Do
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Bins also contain references to som
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Related media file If more than one
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n To t t t Select “Relink offline
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n Because subclips and sequences do
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About TransferManager When editing
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Changing the Pop-up Monitor Size Yo
Page 339 and 340: Tracking Information menu Tracking
Page 341 and 342: Displaying Clip Information The Inf
Page 343 and 344: Close button Timecode pop-up menu T
Page 345 and 346: Setting the Font and Point Size for
Page 347 and 348: To load a sequence into the Source/
Page 349 and 350: Clearing Sequences from Monitors To
Page 351 and 352: n If you try to play a sequence and
Page 353 and 354: Step Backward Step Forward To step
Page 355 and 356: t Press the L key to move forward t
Page 357 and 358: c To use a Client monitor, you must
Page 359 and 360: important play and review session.
Page 361 and 362: 5. Mark an OUT point by doing one o
Page 363 and 364: Mark Clip button n To n If ignore t
Page 365 and 366: n If a subset of the buttons appear
Page 367 and 368: Creating Subclips When you mark foo
Page 369 and 370: Ways to Use Locators Locators have
Page 371 and 372: 3. Cue to the frame and click the A
Page 373 and 374: To mark the area between two locato
Page 375 and 376: 2. Do one of the following: t t Cho
Page 377 and 378: Printing the Locators Window To pri
Page 379 and 380: Using Frame Offset Timecode to Cue
Page 381 and 382: 3. Make sure you select the correct
Page 383 and 384: • Setting Up Tracks for the New S
Page 385 and 386: To rename the new sequence: n If t
Page 387 and 388: Changing the Start Timecode for Seq
Page 389: Deleting Tracks To delete a track:
Page 393 and 394: Screen display of the first edit in
Page 395 and 396: Monitoring Audio While Editing You
Page 397 and 398: New Clip Material to be overwritten
Page 399 and 400: Extracting Material The Extract fun
Page 401 and 402: • Copy graphic elements for repea
Page 403 and 404: To start a playback loop: 1. Mark I
Page 405 and 406: CHAPTER 13 Using the Timeline NewsC
Page 407 and 408: Table 13-1 describes the Timeline S
Page 409 and 410: Table 13-2 Timeline Settings Option
Page 411 and 412: Table 13-3 Timeline Fast Menu Optio
Page 413 and 414: 2. Choose Save As from the pop-up m
Page 415 and 416: The Timeline scroll bar functions l
Page 417 and 418: page 417 and “Selecting One or Mo
Page 419 and 420: Black holes are segments of the seq
Page 421 and 422: Performing Segment Mode Edits There
Page 423 and 424: creating new edits. It also lifts t
Page 425 and 426: sequence, while maintaining the sam
Page 427 and 428: 5. Click the Edit tab. 6. Select Ac
Page 429 and 430: n For more information on nesting t
Page 431 and 432: Monitoring Video The Video Track Mo
Page 433 and 434: Monitoring a Solo Track You can mon
Page 435 and 436: You can perform only one patch per
Page 437 and 438: Deleting Tracks To delete one or mo
Page 439 and 440: If you made other edits since you p
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CHAPTER 14 Working in Trim Mode Bas
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4. Click the Trim Mode button. By d
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Selecting Additional Transitions Se
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one or both trim sides, and the mon
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c n You You can also select two or
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Table 14-1 Key Key Functions in Sli
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Adding Black While Trimming You can
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To trim with sync-locked tracks: 1.
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CHAPTER 15 Working with Audio You e
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Accessing Audio Effect Tools You ca
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audio to help you accurately mark e
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Performing Smooth Audio Scrub You p
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Digital scrub example This entire s
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When you have found the correct fra
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Waveform sample plot n Press Ctrl+p
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• Adjust the volume, pan, or both
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n The n The t t To adjust levels fr
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Values are cumulative until you pre
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To gang and adjust multiple tracks:
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emap a track to any channel by clic
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Limitations on Adjusting Volume If
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For example, assume that you have c
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The following illustration shows th
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n To snap to the decibel lines, pre
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clip that contains a rendered audio
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The options in the Fast menu appear
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the corresponding keyframes and sav
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To use the Fast Forward and Rewind
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• Audio Loop Play button: Allows
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within the marks, either in part or
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t t t Values are cumulative until y
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Before Set EQ In/Out After Set EQ I
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Removing Audio EQ Effects To remove
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Use the EQ Range slider to move the
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The following illustration shows th
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n The NewsCutter XP system does not
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When you purchase additional plug-i
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3. Choose a plug-in from the Plug-i
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AudioSuite Plug-in Fast Menu The Fa
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Activate Current Plug-in button Tra
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system automatically disables track
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4. (Option) Change the preview sour
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n The NewsCutter XP system does not
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Creating the Voice-Over To capture
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Voice-over adding a new track Voice
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B-roll footage Interview footage Yo
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Fine-Tuning Audio Transitions When
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4. Choose Dissolve from the Add pop
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To apply a dip in audio: 1. Play ba
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7. Click OK. The audio is mixed dow
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CHAPTER 16 Syncing Methods NewsCutt
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3. Select an option, based on the f
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• In Trim mode, you can sync lock
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Using Sync Lock The sync lock featu
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Move the black segment by using Ext
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Using Add Edit When Trimming When y
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• Calibrate and adjust audio outp
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3. Choose from the Sample Rate menu
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c You should leave this output leve
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Preparing Record Tapes The two basi
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Assemble-edit option 3. Select “A
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• Cueing a record deck from the D
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3. Select the options that you want
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6. Select Remote in the deck contro
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Using EDL Manager EDL Manager is a
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• Using OMM to Export Clips • C
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preserve the multiple-track informa
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c Before using the review comments
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To open a Review & Approval file by
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n Make sure the Record Track Monito
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2. Select a clip or sequence in one
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sure Use Enabled Tracks is selected
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When NewsCutter XP exports to Media
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ProEncode creates a QuickTime refer
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n You can also access AvidLinks by
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4. Choose one of the following opti
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To export in DV Stream format: 1. S
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Table 18-2 Export Settings Dialog B
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Exporting a Clip with OMM and the D
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7. Type a name in the Setting Name
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c with OMFI, you can transfer among
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8. (Option) Change the file name. I
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Exporting AAF Compositions Only New
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The file is exported and appears at
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9. Click Save. The file is exported
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n For more information, see “Prep
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10. Click Save. c The file is expor
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Table 18-6 Export Settings Dialog B
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QuickTime Movie (Same as Source) Qu
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Table 18-7 QuickTime Movie Export O
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To access the QuickTime codecs: 1.
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Apple ® Photo-JPEG Avid ABVB NuVis
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Table 18-8 Format Options Suboption
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Exporting as an AVI File To export
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8. Select the compressor you want,
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c c The file is exported and appear
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Table 18-9 AVI Settings Options (Co
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Table 18-10 AVI Video Compression D
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7. Click Settings in the Video pane
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7. Click Settings in the Video pane
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t To export the entire clip or sequ
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15. Select the destination folder f
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3. When you get to the step where t
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9. Click Save to save the current s
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Graphic Format pop-up menu Format O
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Table 18-12 Export Settings Dialog
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Table 18-13 Graphic Format Settings
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Table 18-13 Graphic Format Settings
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n For t To export the entire clip o
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n Use Enabled Tracks is selected by
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Table 18-14 Transfer Device Devices
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5. With the system at the new locat
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Transferring Media to and from a Vi
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The dialog box closes and returns y
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CHAPTER 19 Using the NRCS Tool The
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n The NRCS Settings dialog box also
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c Contact your system administrator
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Understanding the NRCS Tool The fol
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Using the Directory Panel In the Di
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3. Choose Make Shortcut. The NRCS t
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Editing Story Text You can perform
Page 683 and 684:
t Right-click the text, and choose
Page 685 and 686:
Deleting a Production Cue If you wa
Page 687 and 688:
To calculate the read time of a sto
Page 689 and 690:
n If you select a story from the Di
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Story panel Mark IN/OUT button Read
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Adjusting the Story Timing with a T
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Time Pad cue n You must be in Edit
Page 697 and 698:
A Time Pad cue appears in the story
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n Do not use the NRCS tool mail as
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To disconnect from the iNEWS server
Page 703 and 704:
Plug-in Selection pop-up menu Drive
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Additional Supported Plug-Ins The f
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Digidesign D-fx The set of D-fx pl
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Threshold Sets the threshold level.
Page 711 and 712:
Gain Gain allows you to boost or lo
Page 713 and 714:
Master Clip Mode Parallel Processin
Page 715 and 716:
Crossfade The Crossfade slider allo
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Edit the Pitch Shift parameters by
Page 719 and 720:
Reference Pitch The Reference Pitch
Page 721 and 722:
Bypass Bypasses the EQ. The 4-Band
Page 723 and 724:
Compressor Parameters The Compresso
Page 725 and 726:
to see how the shape of this curve
Page 727 and 728:
Release Allows you to control how l
Page 729 and 730:
allows more of the gated audio that
Page 731 and 732:
Hold Allows you to specify a durati
Page 733 and 734:
Wet/Dry Allows you to control the b
Page 735 and 736:
Graphics (Image) Files NewsCutter X
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• XWindows: Developed by the MIT
Page 739 and 740:
Table B-1 Graphics File Import Spec
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Table B-1 Graphics File Import Spec
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Animation Files NewsCutter XP suppo
Page 745 and 746:
Table B-3 QuickTime File Import and
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OMFI Files OMF Interchange (OMFI) w
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f 1 f 2 Dashed lines = field 1 Soli
Page 751 and 752:
If the spatial positions of the two
Page 753 and 754:
APPENDIX C Avid Log Specifications
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The following is a sample heading f
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Table C-3 TAPE [Tab] Avid Log Glob
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Table C-4 Avid Log Column Headings
Page 761 and 762:
Table C-5 Avid Log Data Headings (C
Page 763 and 764:
Index A B C D E F G H I J K L M N O
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Audio Mixdown command (Special menu
Page 767 and 768:
Bin views customizing 276 types of
Page 769 and 770:
Command palette activating commands
Page 771 and 772:
Edits adding (match-framing) 437 ba
Page 773 and 774:
Frequencies (audio), adjusting 495
Page 775 and 776:
printing 377 sorting locators 375 u
Page 777 and 778:
Message-of-the-Day options 672 open
Page 779 and 780:
QuickTime movies export options 618
Page 781 and 782:
loading in Source/Record monitor 34
Page 783 and 784:
Targa file format additional Export
Page 785 and 786:
Video compression defined 208 Video
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